Sale 800 | Fine Books and Manuscripts by Hindman

Fine Books and Manuscripts November 12-13, 2020

Fine Books and Manuscripts, Including Americana November 12-13, 2020 Session I: Thursday, 12 November | 10 AM CT Session II: Friday, 13 November | 10 AM CT P RE V I E W

Previews are available by appointment. Please contact the department for more information or to schedule an appointment. AU CTI ON SESSION I: THURSDAY, 12 NOVEMBER | 10am CT LOTS 1 – 273 SESSION II: FRIDAY, 13 NOVEMBER | 10am CT LOTS 274-476 P ROP E RTY P I CK U P H O U R S By appointment. P ROP E RTY F ROM T H E C O L L E C T IO N S O F Thomas J. Barrett Erwin Boehning Sandra L. Bohannan Corporate Art Collection Robert and Norma Cotner Carol and George Engstrom James Gutglass, Fox Point, Wisconsin Curtis Lampi, Ventura, California John S. Leipsic Phillip and Ellen Lively Dr. Theo C. Mataxis Jr. Brigid McClain Michael and Kay Melet A Midwestern Museum A Midwestern Institution Newberry Library, Chicago, Illinois Alec Nienhauser A Private Collection, Chicago, Illinois A Prominent Chicago Collection Edward A. Quattrocchi Sandra Silva David Strauss, New York, New York Liza Strauss, San Francisco, California University of Chicago, Chicago, Illinois P ROP E RTY F ROM T H E T R U S T S A N D E S TAT E S O F Peter Bergh, Edwards, Colorado Lucia von Borosini Batten, Sold to Benefit the Albuquerque Museum Foundation Mary Patricia Reynolds, Bowling Green, Kentucky Sportscaster Chris Schenkel, Lake Tippecanoe, Indiana Front Cover Lot 297 Back Cover Lot 460 Inner Front Cover Lot 165 Inner Back Cover Lot 223

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FINE BOOKS AND MANUSCRIPTS, INCLUDING AMERICANA

CO N T E N T S SESSION I : THURSDAY, 12 NOVEMBER | 10am CT FINE PRINTED BOOKS & MANUSCRIPTS, INCLUDING:

Incunabula, Renaissance Printing and Early English Literature from the Collection of Edward Quattrocchi

The Robert Frost Collection of Robert and Norma Cotner

PRINTED & MANUSCRIPT AMERICANA

LOTS 1-191

LOTS 192-273

SESSION II : FRIDAY, 13 NOVEMBER | 10am CT LIVRES D' ARTISTE THE EDWARD GOREY COLLECTION OF THOMAS J. BARRETT

LOTS 274-339 90 LOTS 340-476 112

INQUIRIES 149 CONDITIONS OF SALE 151 TELEPHONE/ABSENTEE BID FORM 155

Opposite Lot 452

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

197

FINE BOOKS AND MANUSCRIPTS, INCLUDING AMERICANA

Session I: Thursday, 12 November | 10amCT Fine Printed Books & Manuscripts Lots 1-191, Including: Incunabula, Renaissance Printing and Early English Literature from the Collection of Edward Quattrocchi The Robert Frost Collection of Robert and Norma Cotner

1 AMIOT, Joseph Marie (1718-1793), and others. Memoires concernant l’histoire, les sciences, les arts, les mœurs, les usages, &c. des chinois: par les missionaires de Pekin. Paris: Chez Nyon, 1776-1791. 15 volumes, 4to (250 x 195 mm). Half-titles to vols.III and IX-XV, 2 engraved frontispiece portraits of the Qianlong Emperor and Amiot, 193 engraved plates (5 folding, plate 1, a portrait of Confucius, bound as the frontispiece to vol.XII). (Occasional light spotting and toning.) Contemporary French mottled calf, edges stained red (a few joints starting, some wear to spines, extremities, and a few lettering-pieces). Provenance: Lord Clifford Ugbrooke (Ugbrooke Library stamps). FIRST EDITION of this survey by Jesuit missionaries containing translations of classic Chinese works of law, essays on Chinese linguistics, philosophy, science, cultural life, and politics. Vol.VII is a reprint of Amiot’s Art militaire des Chinois (Paris, 1772), considered the first translation of ancient Chinese military strategy into a European language. Missionaries who contributed to this work include Amiot, Cibot, Bourgeois, Poirot, Ko and Yang. The complete series comprises 17 volumes with vols.XVI and XVII published a few decades later in 1814 under a different imprint; complete 17 volume sets are infrequently found on the market. Brunet 3, 1596; Cordier, Sinica I, 54-55; Lust 96. Property from a Prominent Chicago Collection

$3,000-4,000

2 ARIOSTO, Ludovico (1474-1533). Orlando furioso. Venice: Felice Valgrisi, 1587. 4to (267 x 186 mm). Title within architectural woodcut border, full-page woodcut illustrations, woodcut initials and ornaments. (Some minor soiling or spotting, a few small marginal tears.) Later boards, handlettered labels on spine (joints repaired, some minor soiling). Provenance: Robert Lifford Harries (signature). Later edition, a reprint of Valgrisi’s 1580 edition, the first quarto edition, completed at the expense of Valerio Bonelli and with plates after Dosso Dossi. See Adams A-1676 (the 1580 edition). Property from the Collection of Edward A. Quattrocchi $400-600

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

3 ARIOSTO, Ludovico (1474-1533). Orlando Furioso. Venice: Zatta, 1772-1773. 4 volumes, 4to (277 x 203 mm). Engraved frontispiece, engraved portrait, 56 engraved plates, 4 engraved title-pages, engraved vignette head-pieces, engraved initials. (A few minor mostly marginal stains, otherwise fine.) Contemporary half calf, marbled boards, smooth spine gilt, olive morocco letteringpieces gilt, edges stained blue (some light wear primarily to edges). Provenance: Giuseppe Maganzi da Lorenzo Lapi (18th century letterpress bookplate). THE FINE ZATTA ILLUSTRATED EDITION, with allegorical frontispiece designed and engraved by Pietro Antonio Novelli, four engraved title-pages with elaborate ornamental borders of weapons, shields and armor engraved by Giuliano Zuliani after Novelli, an oval portrait of Ariosto engraved by G. Daniotto, and numerous plates after Passega and Carri engraved by Baratti, Daniotto, Leonardis and others. Morazzoni 213. Property from the Collection of Edward A. Quattrocchi $800-1,200

4 ARISTOTLE (384-322 B.C.). De Animalium generatione libri quinque cum Philiponi Commentariis. Venice: Joannes Antonius and Fratres de Sabio, February 1526. Folio (303 x 207 mm). Text opening printed in red and black, text printed in Greek with commentary surround. (Several leaves with lower outer margin slightly gnawed, a few with old repairs, some dampstaining and wrinkling.) Old vellum (endpapers renewed, some minor losses to joints, hinges starting, some soiling). Provenance: A few marginal notes in an early hand; John S. Eells, Jr. (blindstamp). A humanist edition, with commentary by John Philiponus, known as John the Grammarian or John of Alexandria. Adams A-1789; Wellcome p.190. [Bound with:] PHILIPONUS, John (ca 590 - ca 570). Contra Proclum de Mundi Aeternitate. Venice: Bartholomaei Casterzagensis [Bartolomeo Zanetti] and John Francis Trincavelli, 1535. Folio. Text printed in Greek; woodcut initials and head-pieces. (A few leaves with repairs to upper margin affecting a few letters, a few repairs to lower corners.) THE RARE EDITIO PRINCEPS of Philoiponus’ influential scientific work in which he criticizes Proclus’ belief in an external world. The work is one of the first published in Venice by Bartolomeo Zanetti from Casterzago, with his device on the title-page reportedly after Titian. Adams P-1060. Property from the Collection of Edward A. Quattrocchi $3,000-4,000

FINE BOOKS AND MANUSCRIPTS, INCLUDING AMERICANA

5 ASHMEAD, Henry B. The Illustrated Book of Natural History. Philadelphia: Ashmead & Evans, 1859. 4to (318 x 255 mm). 17 (of 32) colored plates. (Some off-setting from plates to text, damp-stain to bottom margins, some spotting.) Modern cloth (slight sunning and wear to extremities). Early edition. Editions of this work to any degree of completeness are very rare on the market. Property from the Collection of Michael and Kay Melet $200-300

6 [ARCHITECTURE]. The Builder’s Dictionary: or, Gentleman and Architect’s Companion. London: A. Bettesworth, C. Hitch, and S. Austen, 1734. 2 volumes, 8vo (200 x 107 mm). Engraved frontispiece, 34 folding engraved plates on 33 leaves, several full-page woodcut illustrations. With the approbation leaf in vol.II (not mentioned in RIBA), and with the two supplements and the errata leaf. Contemporary calf gilt, red morocco lettering-pieces gilt (neatly rebacked preserving original spine, slight chipping to one lettering-piece, some minor rubbing). Provenance: George Armstrong (signature dated 1735). FIRST EDITION of the most substantial English architectural dictionary published to date, notable for its inclusion of Hubert Gautier’s Traité des ponts, likely the only English translation. A FINE COPY. RIBA 480. $300-400

7 [ARCHITECTURE & DESIGN]. BAILEY, Vernon Howe (1874-1953). Empire State. A Pictorial Record of Its Construction. New York: William Edwin Rudge, 1931. Large folio. Color frontispiece, 25 plates after drawings by Bailey. Original half white and blue paper boards, embossed image of the Empire State Building on upper board (tear at base of spine, soiling, slight rubbing to extremities). FIRST EDITION, LIMITED ISSUE number 584 of an unspecified limitation printed to commemorate the construction of the Empire State Building. $300-400

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

[ARCHITECTURE & DESIGN]. Dekorative Vorbilder. Eine Sammlung von figürlichen Darstellungen, kunstgewerblichen Verzierungen… Volume 19. Stuttgart, Germany: Julius Hoffmann, 1908.

DUFRENE, Maurice. Ensembles Mobiliers. Exposition Internationale 1925. Paris: Editions Charles Moreau, 1926.

Folio. 60 color plates including chromolithographs. (A few tears affecting title-page and text leaf.) Loose as issued in original printed boards, cloth ties (minor soiling and very slight wear to spine ends). FIRST EDITION, volume 19 only, this German decorative arts periodical published annually from 1889 to 1928.

3 volumes comprising Series I-III, folio. 96 photographic plates. (Very occasional soiling to plate margins, not affecting images.) Loose as issued in original cloth-backed printed boards, cloth ties (soiling, light wear to extremities). FIRST EDITION of this set of plates documenting Art Deco interiors and furnishings on display at the 1925 International Exhibition of Modern Decorative and Industrial Arts. $800-1,200

$200-300

(part lot) 9

[ARCHITECTURE & DESIGN]. RAPIN, Henri (1873-1939). La Sculpture Décorative Moderne, Series I-III. Paris: Editions Charles Moreau, [1925]1929.

[ARCHITECTURE & DESIGN]. -- SOCIETY OF BEAUX-ARTS ARCHITECTS. Winning Designs 1904-1927. Paris Prize in Architecture. New York: Pencil Points Press, 1928.

3 volumes, folio. 96 heliogravure plates. Loose as issued in original cloth-backed printed boards, cloth ties (light rubbing and toning to boards; upper joint of vol.III separating, one tie detached from vol.II but present). Provenance: G. Broes Van Dort Co., Chicago, IL (bookseller’s label to vol.I). FIRST EDITION of this 3-part series featuring Art Deco design and decorative sculpture by French artists including Binquet, Bouchard, Bourdelle, Lalique, Jallot, Follot and Süe et Mare.

Folio. 35 plates. Loose as issued in original red gilt-lettered cloth-backed boards, cloth ties (slight soiling, minor wear to extremities). FIRST EDITION featuring the award-winning designs for buildings and public monuments selected by the Society of Beaux Arts Architects.

$150-250 8

FINE BOOKS AND MANUSCRIPTS, INCLUDING AMERICANA

$200-300

11 BACON, Francis, Sir (1561-1626). Certaine Miscellany Works. London: John Haviland for Humphrey Robinson, 1629. Small 4to (185 x 163 mm). Title-pages for each tract printed within double rule border, text printed within single rule border. (Lacking A quire, comprising: A1 blank, A2, general title, A3-4, “To the Reader.” Some minor browning.) Contemporary calf gilt (rebacked, some light wear). Provenance: Evelyn Philip Shirley (1812-1882), British politician (armorial bookplate). FIRST EDITION, and the first appearance of three of the four tracts included herein: “An advertisement touching an holy warre,” “An offer to our late soveraigne King James...”, and “The history of the raigne of King Henry the Eighth.” “Considerations touching a warre with Spaine” is a “corrupt and surreptitious edition” (editor’s preface, not present in this copy). ESTC S100333; STC 1124. Property from the Collection of Edward A. Quattrocchi $500-700

12 BEMBO, Pietro (1470-1547). A sammelband of rare early Venice editions of Bembo’s works, comprising: Prose e Rime di M. Pietro Bembo. Venice: Gregorio de Gregori, 1525. (Not in Adams). -- Gliasolani de Messer Pietro Bembo... Venice: Gregorio de Gregori, 1525. (Not in Adams.) -- Rime di Monsignor P. Bembo. Venice: Francesco Bindoni and di Mapheo Pasini, 1548. Adams A-608. Together, 3 works in one volume, 8vo (149 x 91 mm). Woodcut device on title-page of the 1548 Rime. (Some minor internal spotting.) 17th-century mottled calf, smooth spine gilt, edges stained red (wormholes to spine ends, head of spine tearing away, lacking lettering-piece, old label to foot of spine). A sammelband of three early Venice printings of Bembo’s works, each RARE ON THE MARKET AT AUCTION. Property from the Collection of Edward A. Quattrocchi $1,000-1,500

13 BEROALDUS, Philippus (1453-1505). Declamatio ebriosi, scortatoris et aleatoris. Bologna: Benedictus Hectoris, 1499. Small 4to (197 x 145 mm). Collation: a-b8, c4. 20 leaves. 27 lines. Roman and Greek types. Woodcut printer’s device at end, initial spaces with guideletters. (Title slightly soiled with short marginal tears, single worm-hole touching letters throughout, minor worm-hole to lower margin of a few leaves.) 20th-century half calf gilt (some light rubbing, minor losses to spine ends). Provenance: Old ownership inscriptions crossed out on title-page. FIRST EDITION with the first word on ff.3 as “Argumentum”, and with the colophon as described in Hain. A second edition of the same year has the first word on ff.3 in majuscules and the colophon as described in BMC. Beroaldus’ well-known satire against drunkenness, whoring and gambling is written in the form of a dialogue between the three vices. BMC VI, 845 (see note); BSB-Ink B-370; GW 4130; Goff B-471; Hain 2965. Property from the Collection of Edward A. Quattrocchi $2,500-3,500

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

14 [BIBLE, in English]. The Holy Bible Containing the Old Testament and the New. -- Index Biblicus: or an Exact Concordance to the Holy Bible. -- The Whole Book of Psalms. Cambridge: John Field, 1668, 1666. 3 works bound in one, 4to (234 x 174 mm). Engraved architectural title by John Chantry. (Lacking dedication leaf, some minor browning or spotting, a few tiny rust-holes affecting letters). Contemporary blind-panelled calf (lacking clasps, sticker affixed to upper cover, some light wear, hinges starting with a few gatherings becoming loose). Provenance: Dorothy Gerrard Thurwall (gift inscription). This edition, printed in small type, is widely known as the “Preaching Bible,” owing to its supposed suitability for use from the pulpit. Old and New Testament: ESTC R18074 (with the title-page for the New Testament dated 1666 as here); Wing B-2277. Concordance: ESTC R25717. Psalms: ESTC 17943; Wing B-2490. Property from the Collection of Edward A. Quattrocchi $500-700

15 BIBLE, in German. Biblia, Das ist: Die gantze Heilige Schrift altes und neues Testaments verteutschet durch D. Mart. Luth. Lüneburg: Johann Stern, 1707. 8vo (214 x 138 mm). Engraved frontispiece, title and 24 engraved plates. Contemporary German red morocco gilt, covers decorated in a baroque style with gilt foliate and floral borders incorporating an interlacing strapwork arabesque design forming a large central panel and four corner panels, each containing an elaborate gilt urn holding a large blooming floral motif; edges gilt and gauffered (some rubbing and minor wear to spine bands and board extremities). $1,000-1,500

16 BOCCACCIO, Giovanni (1313-1375). [Filocolo]. Inamoramẽto di Florio & di Biãzafiore chiamato Philocolo. Venice: Bernardino de Lissona Vercellense, 22 May 1520. Small 4to (206 x 150 mm). Title printed in Gothic within architectural woodcut border, text printed double-column in Roman type, woodcut initials. (Slight soiling to title-page, some minor spotting.) 18th-century sheep gilt, brown morocco lettering-piece gilt, edges sprinkled red and blue (foot of spine separating, worn). Provenance: Edward Davenport (armorial bookplate); John S. Eells, Jr. (blindstamp). Rare Venitian edition of Boccaccio’s Filocolo, inspired by the poem Florio e Biancifiore, which dates to ca 1160. The Filocolo is considered to be the first Italian literature written in prose, and was a source for Chaucer’s “The Franklin’s Tale.” RARE: according to online records, only two copies of this edition have appeared on the market at auction; OCLC locates only 8 copies. Essling 2074; STC Italian 111. Property from the Collection of Edward A. Quattrocchi $1,000-1,500

FINE BOOKS AND MANUSCRIPTS, INCLUDING AMERICANA

17 BOCCACCIO, Giovanni (1313-1375). Il Decamerone novissimamente alla sua vera e sana lettione ridotto. Edited by Lodovico Dolce. Venice: Francesco Bindoni & Mapheo Pasini, March 1541. 4to (208 x 150 mm). Woodcut printer’s device on title-page, woodcut ornament on A8, 3-line initial spaces with guide letters. (F quire misbound, a few minor marginal tears.) Contemporary vellum, yapp edges, edges stained red (wrinkled, lacking ties, some minor soiling). Provenance: a few early marginal annotations; signature on title-page (partially removed). FIRST EDITION of Dolce’s text. VERY RARE: according to online records, only two copies of this edition have appeared on the market at auction in the last 45 years. Not in Adams; BMC (Italy) 110; Graesse I, 450. Property from the Collection of Edward A. Quattrocchi $400-600

18 BOCCACCIO, Giovanni (1313-1375). Il Decameron. Amsterdam: [Elzevir], 1665. 12mo. Title-page printed in red and black and with woodcut globe device. (Minor spotting or browning to a few leaves.) 20th century tan morocco gilt, edges gilt, stamp-signed by Hardy (upper cover detached, some light rubbing or wear). Provenance: Unidentified armorial bookplate (motto: “Deo et Regi”); unidentified stamp to title verso (“La Scientia, Alere Flaman”); Charles Walker Andrews (1861-1946), American Lawyer (bookplate). FIRST EDITION, second issue, with the first line of the preface reading “Gl’amatori della lingua Toscana.” A reprint of the Giunta edition of 1527, the work of several humanists who collated Delfino’s 1516 edition against important manuscript copies, including the important Mannelli copy made in 1382, and which superseded all previous editions. Brunet I:1002; Willems 1349. Property from the Collection of Edward A. Quattrocchi $800-1,200

19 BOETHIUS, Anicius Manlius Torquatus Severinus (480?-524?). Consolationis Philosophiae Libri V. Leiden: Ex Officina Hackiana, 1671. 8vo (197 x 120 mm). Engraved title-page, engraved portrait, woodcut initials. Contemporary vellum (covers slightly bowed, some minor soiling). Later edition including the commentaries of Bernartius, Sitzmanus and Vallini. Few works were as influential or widely read during the Middle Ages as The Consolation of Philosophy. Brunet I:390. $200-300

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

[BOOKS ABOUT BOOKS]. ADLER, Elmer (1884-1962) and WINTERICH, John T. (1891-1970), editors. The Colophon. A Book Collectors’ Quarterly. Vols. 1-18, 20. New York: The Colophon Ltd., Pynson Printers, 1930-1935. 19 volumes, including duplicate numbers of Vols. 2, 4, 6, 7, 8, 10, 11 and 15. Together 27 volumes, 4to. Original printed boards (slight toning and soiling, light rubbing to extremities); several vols. with original glassines (some tearing with loss). Publisher’s ephemera laid in. FIRST EDITIONS, a nearly complete run of the periodical lacking only vol.19, including the often lacking color drypoint etching entitled “Hilltop” SIGNED BY DAVID B. MILNE in pencil lower margin in vol.V and the color woodcut print “An Eagle Ceremony at Tesuque Pueblo” by Gustave Baumann in vol.XII. [With:] The Colophon. New Series. Vol.I Nos.1-4, Vol.III no.2. New York: Pynson Printers, 1935-1936, 1938. 5 volumes, including duplicate numbers of Vol.I nos. 3-4 and Vol.III no. 2. Together 8 volumes, 8vo. Original publisher’s printed boards or cloth; original glassine to one vol. (tearing with loss). FIRST EDITIONS. -- The Annual of Bookmaking 1927-1937. New York: Pynson Printers, 1938. 4to. Original publisher’s cloth stamped in silver and black (slight darkening to spine). FIRST EDITION. -- The Colophon. New Graphic Series. New York: Pynson Printers, 1940. Vol.I No.4. 4to. Original publisher’s cloth (slight toning to extremities). FIRST EDITIONS.

[BOOK ILLUSTRATION -- WOODCUT]. -- [BIBLE, in German. Nuremberg: Anton Koberger, 17 February 1483.] Folio (381 x 261 mm). 4 leaves of the Koberger Bible, with 5 woodcut illustrations with hand-coloring, comprising: ff. XLVIII, CXLVI, CLXII, CCXXXXV. Loose in board portfolios. The only Bible in German printed by Koberger. The woodcuts, attributed to the Master of Cologne Bibles, were first used in Heinrich Quentell’s two Low German Bibles of ca 1478. The cuts became the prototype for later German Bible illustration. The woodcuts here represent: The golden calf; David and Bathsheba; Solomon and the Queen of Saba; and Tobias healing his blind father. Property of a Midwestern Museum $200-300

$300-400

[BOOK ILLUSTRATION -- WOODCUTS]. -- [VERGILIUS MARO, Publius. Opera. Strassburg: Johannes Grüninger, 1502.]

BOSWELL, James (1740-1795). The Life of Samuel Johnson. London: Henry Baldwin for Charles Dilly, 1791. [With:] The Principal Corrections and Additions to the First Edition of Mr. Boswell’s Life of Dr. Johnson. London: 1793.

Folio (300 x 212 mm). 12 leaves of Virgil’s Opera, with 13 woodcut illustrations and one woodcut initial with hand-coloring, comprising: ff. I, VIII, XX, LXX, XCVI, CLXII, CLXXXI, CLXXXVII, CCIII,CCIIII, CCVII, CCXVIII. (A few small mostly marginal wormtracks). Loose in board portfolios. Edited by Sebastian Brant, this edition is considered one of the great German woodcut books of the Renaissance including woodcuts by the artist known as the Late Master of the Grüninger Workshop. Property of a Midwestern Museum $500-700

2 volumes, 4to (271 x 205 mm). Frontispiece portrait, 2 engraved plates with facsimiles of signatures. (Occasional spotting). 20th-century dark blue levant gilt, spine in 6 compartments with 5 raised bands, gilt-lettered in 2, the rest gilt-decorated, edges gilt, STAMP SIGNED BY BIRDSALL (slightly rubbed); blue morocco-backed slipcase and chemise gilt. FIRST EDITION, FIRST ISSUE with the expected “give” reading on vol. 1, p.135, l.10, all 7 cancels, and imprint intact below the portrait. Boswell’s biography, published 16 May 1791, achieved immediate acclaim; it has never been out of print. The Corrections were published concurrently with the second edition of the Life. ESTC T064481; Grolier English 65; Rothschild 463, 466. Property from a Private Collection, Chicago, Illinois

FINE BOOKS AND MANUSCRIPTS, INCLUDING AMERICANA

$1,500-2,500

24 BOXHORN, Marcus Zuerius (1612-1653). Monumenta Illustrium Virorum et Elogia. Amsterdam: Joannem Janssonium, 1638. 4to (302 x 194 mm). Engraved title-page. 125 engraved plates. (Toning and dampstaining, 75 mm tear to plate 114.) Modern brown cloth (rebound). Provenance: Newberry Library (library deaccession stamp). FIRST EDITION of Boxhorn’s collection of engraved funerary epitaphs of notable historical figures and scholars including Virgil, Erasmus, Dante, Petrarch. and Alciati. Watt I.142w. [With:] BAYARDI, Ottavio Antonio (1690-1765). Catalogo degli Antichi Monumenti Dissotterrati dalla discoperta citta di Ercolano. Naples: Regia Stamperia di S.M., 1755. Folio (460 x 360 mm). Half-title, Engraved title vignette. (Toning and scattered spotting.) Modern green cloth, edges stained red (rebound, slight rubbing to spine). Provenance: John M. Wing (1845-1917), American printer, publisher and collector, (Old Corner Library bookplate), benefactor to; Newberry Library (library deaccession stamp). Second edition of Bayardi’s catalogue of the archaeological findings from the first excavation of the ancient city of Herculaneum. Text volume only, not including 8 volumes of plates published 1757-1792 commonly found with this work. Property from the Newberry Library, Chicago, Illinois $400-600 24 (part lot)

*25 [BRITISH HISTORY]. A group of 3 works, comprising: RYMER, Thomas. Acta Regia; being the account which Mr. Rapin de Thoyras published of the History of England... London: Printed for James, John and Paul Knapton, D. Midwinter, and others, [1734?]. Folio (385 x 240 mm). Contemporary half calf (rebacked, upper board detached, wear). Later edition. ESTC T110722. -- CAMPBELL, John. A Political Survey of Britain. London: Printed for the author, 1774. 2 volumes, 4to (385 x 240 mm). Contemporary calf (upper boards detached, wear). FIRST EDITION. ESTC T90453; Sabin 10239. -- TOPHAM, John. Some Account of the Collegiate Chapel of Saint Stephen. [London: published for the Society of Antiquaries, 1795]. Large folio (628 x 460 mm). 14 engraved plates (damp-staining and spotting affecting a few plates). Half blue morocco gilt (wear to extremities). Provenance: Frederick Roach? (signature, 1855). FIRST EDITION. ESTC T105074. -- Together, 3 works in 4 volumes, folios, FIRST EDITIONS except where noted. Provenance: John M. Wing (1845-1917), American printer, publisher and collector, (Old Corner Library bookplate), benefactor to; Newberry Library (library deaccession stamps). Bindings as described, condition as described. Property from the Newberry Library, Chicago, Illinois $300-500 26 BUONAMICI, Francesco (1533-1603). Discorsi Poetici Nella Accademia Fiorentina In Difesa d’ Aristotile. Florence: Giorgio Marescotti, 1597. 4to (197 x 134 mm). Title-page printed within architectural woodcut border, woodcut initials. (Title trimmed short, a few quires browned.) Contemporary vellum (endpapers renewed). Provenance: Sticker with shelfmark on title verso.

FIRST EDITION of Buonamici’s response to Ludovico Castelvetro’s 1570 commentary on Aristotle, which was widely known for its inaccuracy. Adams B-3278. $200-300 27 CAESAR, Caius Julius (100-44 B.C.). [The Commentaries]. Commentarii. Milan: Philippus Lavagna, 1478. Folio (311 x 224 mm). Collation: a–p8qr6. 132 leaves with fol 132, blank (of 152, lacking 20 leaf index, comprising A-B8 C4). 42 lines, headlines in manuscript throughout. Type: 112R. Capital spaces with guide letters. 19th century calf gilt (joints starting, some light wear). Provenance: early manuscript headlines, foliation and marginal annotations (marginal annotations occasionally trimmed); John Shepard Eells, Jr. (armorial bookplate). Reprinted from Zarotus’ 1476 edition, omitting P. J. Philelphus’ dedication. RARE: according to online records, only one copy of this edition has sold at auction in the last 40 years (sold Lawrence, 17 January 2006, lot 228). BMC VI, 706; BSB-Ink C-26; Goff C-20; GW 5867; Hain 4216; ISTC ic00020000 (citing only 24 institutional holdings). Property from the Collection of Edward A. Quattrocchi $3,000-4,000

27 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

CASTIGLIONE, Baldassare (1478-1529). [The Courtier.] Il Libro del Cortegiano. Florence: Benedetto Giunta, 1537.

[CAVENDISH, George (1500?-1562)]. The Negotiations of Thomas Woolsey, the Great Cardinall of England... London: for William Sheeres, 1641.

Small 8vo (154 x 102 mm). Woodcut device on title-page, 5-7 line initial spaces with guide letters. (Title laid down, lacking a portion of upper margin and soiled, A2 with repair recto, some spotting, lacking B8, blank.) Contemporary vellum, hand-lettered on spine and edges. Provenance: Arthur Mullin (bookplate). FIRST BENEDETTO GIUNTA EDITION of the first book to appear with his imprint. The first Giunta family press was established in Venice by Lucantonio Giunta in 1489; some thirty members of the family became printers or booksellers. RARE: according to online records, only three copies of this edition have sold at auction in the last 40 years.

Small 4to (185 x 142 mm). Engraved portrait frontispiece, woodcut ornament on title-page; with final blank. (Some spotting or soiling.) Contemporary mottled calf, later red morocco letteringpiece gilt (cover slightly bowed, some light wear). Provenance: Bent Juel-Jensen (1922-2006), physician and book collector (bookplate).

Property from the Collection of Edward A. Quattrocchi

FIRST EDITION, previously attributed to George Cavendish’s older brother, Sir William Cavendish. George Cavendish entered into service for Cardinal Wolsey in 1522, and remained a close member of the household until Wolsey’s death in 1530. ESTC R19386; STC C1619A (a variant with “Sheeres” instead of “Sheares” in the imprint; the text setting is the same).

$400-500

Property from the Collection of Edward A. Quattrocchi $400-500

[CAXTON CLUB]. WILKINS, Ernest Hatch. The Trees of the Genealogia Deorum of Boccaccio. Chicago: The Caxton Club, 1923.

CERVANTES SAAVEDRA, Miguel de (1547-1616). [Don Quixote]. The History and Adventures of the Renowned Don Quixote. Tobias Smollett, translator. London: for A. Millar and others, 1755.

4to. 24 plates, some printed in color. Original half vellum gilt, uncut, top edge gilt (some minor soiling).

2 volumes, 4to (285 x 221 mm). 28 engraved plates. (Some minor browning or spotting.) Contemporary sprinkled calf, contemporary brown morocco lettering-pieces gilt, later tan morocco letteringpieces gilt (some light wear, joints starting). Provenance: Arthur Mullin (bookplate).

LIMITED EDITION, one of 160 unnumbered copies printed on paper made by hand in Fabriano, Italy, and printed by R. R. Donnelley and Sons at the Lakeside Press. Property from the Collection of Edward A. Quattrocchi $100-200

Illustrated edition with engraved plates after Hayman. “Hayman was the most proficient English illustrator of his time, and this is his best book” (Gordon N. Ray, The Illustrator and the Book in England, p.5). Property from the Collection of Edward A. Quattrocchi $800-1,200

FINE BOOKS AND MANUSCRIPTS, INCLUDING AMERICANA

32 CHAUCER, Geoffrey (1340?-1400). [The Woorkes of Geffrey Chaucer, Newly Printed, with divers addicions...] London: Jhon Kyngston for Jhon Wight, 1561. Folio (314 x 213 mm). Black letter, text double column. Woodcut illustration for The Knight’s Tale (leaf B1, first used in the 1550 edition), woodcut initials. (Lacking [fleuron]1-4, A1 and A6, A2-5 and 3U gatherings soiled and frayed with repairs, tiny wormholes to several leaves affecting letters, a few leaves with marginal repairs occasionally affecting letters, 2G1 with small hole just affecting letters.) Modern half brown calf stamp-signed by J. P. Gray & Son (some light wear or staining). Provenance: Anthony Standen (ca 1548 - ?), English intelligencer (early signatures on final leaf); Willi Drewe (ex-dono inscription). THE EDITION OF CHAUCER LIKELY USED BY SHAKESPEARE AS A SOURCE FOR TROILUS AND CRESSIDA Fifth edition of the Collected Works, one of two recorded issues with this date: as here, with the preliminaries collating A6, and another with preliminary woodcuts and with preliminaries collating A4. Traditionally, it has been believed that the illustrated issue was printed first, with the cuts omitted in the second issue. More recent scholarship suggests that the printer came into possession of the woodcuts belatedly, and that the unillustrated issue was first (see David R. Carlson, “The Woodcut Illustrations in Early Printed Editions of Chaucer’s Canterbury Tales”, in Chaucer Illustrated: Five Hundred Years of the Canterbury Tales in Pictures, British Library, 2003). The text, edited by John Stowe, is based on William Thynne’s translation, which was the first serious attempt at a critical edition; the majority of the works added to here to the Chaucer canon for the first time are spurious. ESTC S107207; Grolier Langland to Prior 42; Pforzheimer 176; STC 5076. Property from the Collection of Edward A. Quattrocchi $2,000-3,000 32 33 [CHILDREN’S BOOKS]. A group of 4 works, comprising: GOREY, Edward. The Vinegar Works. The Gashlycrumb Tinies; The Insect God; The West Wing. New York: Simon & Schuster, 1963. 3 volumes. Provenance: Joan Hilda Baum (bookplate). FIRST EDITION. -- GRAHAME, Kenneth. The Reluctant Dragon. New York: Holt, Rinehart and Winston, 1983. FIRST EDITION. -- GREENAWAY, Kate, illustrator. A Day in a Child’s Life. London: George Routledge and Sons, n.d. Music by Myles B. Foster. FIRST EDITION. --RACKHAM, Arthur, illustrator. MILTON, John. Comus. London and New York: William Heinemann and Doubleday Page & Co., n.d. -- Together, 4 works in 6 volumes, 4to or smaller, first editions where indicated, all as issued in original publisher’s bindings, condition generally fine. Property from the Collection of Michael and Kay Melet $600-800

34 [CHINA -- TRAVEL & EXPLORATION]. ALLOM, Thomas (1804-1872), illustrator. -- WRIGHT, George Newenham (1794-1877). China in a Series of Views, Displaying the Scenery, Architecture, and Social Habits, of that Ancient Empire. London: Fisher, Son & Co., preface dated 1843. 4to (268 x 210 mm). 4 volumes in 2. 128 steel-engraved plates (including 4 engraved titles). (Some spotting to a few plates.) Contemporary red gilt-stamped morocco, edges gilt (rubbing to spine and extremities). Provenance: Blumenthal (bookplate). Later edition, with numerous plates after Allom illustrating. [With:] ALLOM. -- WRIGHT. Chinese Empire Illustrated. London: Printing and Publishing Company, [ca 1860]. 2 volumes (of 7), comprising vols. 3 and 4, 4to (267 x 214 mm). 48 steel-engraved plates. Original publisher’s giltstamped pictorial red cloth (spines defective, boards detached vol.4 and separating vol.3, wear). Provenance: Shirley Baker (signatures). Later edition. Property from a Prominent Chicago Collection $600-800 34 (part lot) V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

35 [CHINA -- TRAVEL & EXPLORATION]. A group of 13 works in 18 volumes, including: COSSIGNY, Joseph Francois Charpentier de. Voyage a Canton. Paris: [1799]. -- DAVIS, John Francis. The Chinese: A General Description of the Empire of China and its Inhabitants. London: Charles Knight, 1836. 2 volumes. -- TIFFANY, Osmond. The Canton Chinese, or the American’s Sojourn in the Celestial Empire. Boston and Cambridge: James Munroe and Company, 1849. -- HUC, M. A Journey Through the Chinese Empire. New York: Harper & Brothers, Publishers, 1855. 2 volumes. -- GRAY, John Henry. China. A History of the Laws, Manners, and Customs of the People. London: Macmillan and Co., 1878. 2 volumes. -- And 8 others. Together, 13 works in 18 volumes, 8vo, most first editions, all in 19th and 20th-century half leather, cloth or printed boards, condition generally good, complete list available on request. Property from a Prominent Chicago Collection $300-400 36 [CHINA -- TRAVEL & EXPLORATION]. A group of 13 works in 15 volumes, including: STAUNTON, George. An Historical Account of the Embassy to the Emperor of China…London: Printed for John Stockdale, 1797. -- MEADOWS, Thomas Taylor. Desultory Notes on the Government and People of China… London: Wm. H. Allen and Co., 1847. -- ESCAYRAC DE LAUTURE, Comte d’. Memoires Sur La Chine. Paris: Librairie du Magasin Pittoresque, 1865. -- BUSHELL, Stephen W. Chinese Art. London: Victoria and Albert Museum, 1919. 2 volumes. -- BALLER, F.W. The Sacred Edict. Shanghai: The China Inland Mission, 1921. --And 8 others. Together, 13 works in 15 volumes, 4to or 8vo, most first editions, all in 19th and 20th-century half leather, cloth, printed boards or wrappers, condition generally good (a few rebacked), complete list available on request. Property from a Prominent Chicago Collection $300-400 37 [CHINESE ART]. JONES, Owen (1809-1874). Examples of Chinese Ornament Selected from Objects in the South Kensington Museum and Other Collections. London: S. & T. Gilbert, 1867. 4to (334 x 225 mm). Chromolithographed title, title printed in red and black, 99 chromolithographed plates. (Occasional light spotting to text pages.) Original red gilt and blind-stamped cloth, edges gilt (rebacked preserving original spine, light soiling). Provenance: Blumenthal (bookplate). FIRST EDITION of Jones’s study of Chinese design and motifs found on ceramics, textiles and enamels. Many of the pattern motifs were sourced from South Kensington Museum’s early holdings (the museum was later renamed the Victoria and Albert Museum), or from a circle of collectors including Alfred Morrison, Louis Huth, Matthew Digby Wyatt, and Thomas Chappell. Property from a Prominent Chicago Collection $600-800 38 [CHINESE ART & OPERA]. STOWITTS, Hubert Julian (1892-1953). The Work of Stowitts for the Fox-God. Lyric Ballet in 3 Acts. Hollywood, CA: George Palmer Putnam, Inc., 1939. Folio. 59 mounted color plates after paintings by Hubert Stowitts, in-text illustrations and ornamentation printed in red, gold, and brown throughout. Original redstamped buckram, edges uncut (light soiling). FIRST AMERICAN EDITION, LIMITED ISSUE, number 49 of 400 copies SIGNED BY STOCKTON featuring his illustrations for designs, costumes, and décor for the classic Chinese Opera Fay-Yen-Fah along with a poem by Templeton Crocker and music by Joseph Redding. Property from a Prominent Chicago Collection $400-600 16

FINE BOOKS AND MANUSCRIPTS, INCLUDING AMERICANA

40 39 [CHINESE LAW]. STAUNTON, George Thomas (1781-1859), translator. Ta Tsing Leu Lee; Being the Fundamental Laws, and a Selection from the Supplementary Statutes, of the Penal Code of China. London: Printed for T. Cadell and W. Davies, 1810. 4to. (284 x 222 mm). Engraved calligraphic title-page (a facsimile of the title-page of the 1810 Chinese edition), advertisement leaf at end. (Spotting to a few leaves.) Later black cloth gilt. Provenance: E.A. Hitchcock (signature); unidentified stamp on title-page. FIRST ENGLISH EDITION of Staunton’s translation of the Qing Legal Code. Staunton’s translation, the first translation of the Qing Code into a European language, gave Europeans important insights into the Chinese legal system during the 19th century. Property from a Prominent Chicago Collection $800-1,200 40 CICERO, Marcus Tullius (106-43 B.C.). Tusculanae disputationes, with anonymous commentary. Venice: Joannes Tacuinus, de Tridino, 3 February 1494/5. Chancery folio (306 x 205 mm). Collation: a-i6 k4 (a1r title, a1v blank, a2r text and with commentary surround, k4r colophon, quire register, k4v blank). 58 leaves. 44 lines and headline. Type: 1:80R, 3:108R. Woodcut white-on-black and outline historiated initials. (Some minor spotting, light mostly marginal dampstain to several leaves.) Later vellum. Provenance: a few marginal annotations in an early hand; Marchese Maurizio Burlamacchi (1930-2016), Italian bibliophile (bookplate). Fourth edition with this commentary. RARE: according to online records, only one copy of this work has appeared on the market at auction since the 1940s (the Foyle copy, Christie’s New York, 11 July 2000, lot 151, that copy sold again Sotheby’s, 3 October 2002, lot 71). Not in BMC; Goff C-639; GW 6898; ISTC ic00639000 (recording only three copies in the United States). Property from the Collection of Edward A. Quattrocchi $1,000-1,500

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

*42

CLEMENS, Samuel Langhorne (“Mark Twain”) (1835-1910). Adventures of Huckleberry Finn (Tom Sawyer’s Comrade). New York: Charles L. Webster and Company, 1885.

CLEMENS, Samuel (“Mark Twain”). Adventures of Huckleberry Finn (Tom Sawyer’s Comrade). New York: Charles L. Webster and Company, 1885.

8vo (215 x 161 mm). Lithographic frontispiece by E. W. Kemble, photographic portrait frontispiece of the bust of Mark Twain by Karl Gerhardt (BAL state 2), illustrations in text. (Some spotting or staining throughout.) Original publisher’s half morocco, marbled boards, marbled edges (rebacked, preserving most of original spine); half morocco folding case. FIRST AMERICAN EDITION, mixed state, with the following issue points: the frontispiece is in the second state; the title leaf in the third state; first state of p. 13 with “Him and Another Man” plate listed as being on p. 88; first state of p. 57 with “was”; first state of pagination on p. 155; with final blank 23/8. BAL 3415; Johnson, p. 43-50.

Square 8vo. Lithographic frontispiece by E.W. Kemble, photographic portrait frontispiece of the bust of Mark Twain by Karl Gerhardt (BAL state 1), illustrations in text. Original pictorial blue cloth stamped in gold and black (tearing to head of spine with minor losses, wear with minor losses to foot of spine, spine darkened, joints starting, some light staining). FIRST AMERICAN EDITION, EARLY STATE, with early issue points: second state of p. 57 with “saw” in the eleventh line from the bottom; first state of the list of illustrations with “Him and Another Man” plate listed as being on p. 88; third state of pagination on folio 155); the title leaf is a cancel with 1884 copyright date; third state of p. 283 (a cancel); the portrait frontispiece is in first state. BAL 3415; Grolier American 87; Johnson, pp. 43-50.

$600-800 Property from the Estate of Peter Bergh, Edwards, Colorado $500-600

[CLUB BINDERY] -- [GROLIER CLUB]. Effigies of the Most Famous English Writers from Chaucer to Johnson. New York: The De Vinne Press for the Grolier Club, 1891.

[CRANBROOK PRESS]. CAXTON, William (1422?-1491). The Dictes and Sayings of the Philosophers: A Facsimile. Detroit: Cranbrook Press, 1901.

8vo (228 x 150 mm). Engraved portrait frontispiece, title printed in red and black. EXTRA-ILLUSTRATED by the addition of 80 engraved portraits. (Some minor offsetting of plates to text.) Contemporary red crushed levant gilt, spine in 6 compartments with 5 raised bands, gilt-lettered in three, the rest gilt-decorated, turn-ins gilt, top edge gilt, others uncut, STAMP-SIGNED BY THE CLUB BINDERY (tiny bump and scuff to top edge, some light rubbing to corners). Provenance: Edwin B. Holden (1861-1906), President of the Grolier Club (bookplate, sold his sale, American Art Association, 28 April 1920, lot 741). LIMITED EDITION, one of 200 copies of the LARGE-PAPER EDITION of the Grolier catalogue for their exhibit of effigies of English writers, EXTRA ILLUSTRATED by the addition of engraved portraits of English writers and BOUND BY THE CLUB BINDERY. Edwin B. Holden, an early member of the Grolier club, served as President of the organization in 1906. A FINE ASSOCATION. Property from a Private Collection, Chicago, Illinois $600-800 18

FINE BOOKS AND MANUSCRIPTS, INCLUDING AMERICANA

4to. Printed in black-letter throughout. Title and final text leaves printed within elaborate double-page woodcut border, woodcut initials, head- and tail-pieces. Original half vellum, morocco lettering-piece gilt, unopened (some minor chipping and rubbing to lettering-piece, tear with loss to spine). LIMITED EDITION, number 142 of 244 copies, printed in the manner of Caxton’s 1477 edition, one of the earliest books printed in England. Property from the Collection of Michael and Kay Melet $600-800

45 CRANMER, Thomas (1489-1556). An Aunswer by the Reverend Father in God Thomas Archbyshop of Canterbury...Unto a craftie and Sophisticall cavillation, devised by Stephen Gardner...agaynst the true and godly doctrine of the most holy Sacrament of the body and bloud of our Savior Jesu Christ. London: John Daye, 1580. Folio (262 x 180 mm). 2 woodcuts on smaller sheets trimmed to borders (one with small portion of lower corner and outer margin torn away), woodcut initials and decorations, woodcut device on colophon. (A few repairs to final leaf, several leaves starting in quire U bound in on old stubs, some minor browning or spotting.) 20th-century morocco, preserving old lettering-piece gilt. Second edition of Cranmer’s work repudiating the doctrines of transubstantiation, reprinted with a life of Cranmer. The plates depict his condemnation and death. The rectos of 2 leaves (N3 and Ff2) with portion of a headline in Latin present upside down in the lower margin: “The Latin headlines in rules appearing upside down at the foot of several versos in some copies indicate unused sheets of STC 11239 were employed in the printing” (STC 5992). ESTC S107277. Property from the Collection of Edward A. Quattrocchi $400-500

46 DANIEL, Samuel (1562-1619). The Civile Wares betweene the Howses of Lancaster and Yorke. London: Simon Waterson, 1609. Small 4to (180 x 134 mm). Engraved title-page, woodcut head-pieces. (Lacking A4, blank, title soiled and with marginal repairs). 19th-century calf gilt, red lettering-piece gilt, edges stained red (some light wear to extremities). Provenance: Corbyn Barrow (signature, 1854). Second edition, with cancel E4 reading “shire that” (ESTC’s Variant 1). Revising the text of the first edition, published in 1595, Daniel includes for the first time the seventh and eighth books, bringing the narrative to the marriage of Edward IV and Elizabeth Woodville. Coleridge, who praised Daniel’s purity of style, compared him to Wordsworth. STC S109257; STC 6245. Property from the Collection of Edward A. Quattrocchi $300-400

47 DANTE Alighieri (1265-1321). Dante col sito, et forma dell’inferno tratta dalla istessa descrittione del poeta. [Toscolano:] Alessandro Paganino Benacenses, [ca 1525]. 8vo (154 x 92 mm). Double-page woodcut depicting Jerusalem and the descent through purgatory and hell, double-page woodcut diagram of hell, full page woodcut diagram of purgatory. 3-line initial spaces with guide-letters, Roman and Italic types, with blanks I2 and H7. 19th-century morocco gilt, edges gilt. Provenance: Broughton (book label). Second edition, using the same text and woodcuts as the 24mo edition published in 1515. Paganini, inspired by the Aldines, published a series of works in octavo format. Adams D-91; Brunet II 502. Property from the Collection of Edward A. Quattrocchi $1,500-2,500

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DANTE ALIGHIERI (1265-1321). [Opere]. La Divina Commedia... con varie annotazioni, e copiosi rami adornata (Prose, e Rime Liriche Edite, ed Inedite) Venice: Antonio Zatta, 1757-1758. 4 volumes, 4to (277 x 205). Half-titles, title-page to vol. I printed in red and black, engraved portraits of Elisabetta Patrowna and Dante Alighieri, engraved dedication leaf, 109 engraved plates, engraved illustrations at the end of each Canto, letterpress folding table. (Vol. III with repairs to lower corners of leaves 1 and 2 of gatherings 2O-2Z occasionally affecting a few letters on 3 leaves, occasional minor mostly marginal dampstain, without: list of subscribers Eee3-4 vol. I, list of subscribers Fff4 vol. II, .) Contemporary mottled calf gilt, smooth spines gilt, red morocco lettering-pieces gilt, edges sprinkled green (a few joints separating, chipping to spines and lettering-pieces). A LARGE COPY OF THE FINE ZATTA EDITION, with plates after G. Zompini, M. Schiavone, F. Fontebaso, G. F. Marcaggi, M. Schiavone, G. Diziani, G. Magnini, G. Scaggiari, and J. Guarana. Zatta’s edition, the first substantial critical edition since the mid-sixteenth century, was the first to contain Giuseppe Pelli’s Memorie per servire alla vita di Dante e alla storia della sua famiglia, considered to be the most substantial biographical essay about Dante of the eighteenth century. Morazzoni 225. Property from the Collection of Edward A. Quattrocchi $3,500-4,500 49 [DERRYDALE PRESS] -- PALMEDO, Roland (1895-1977), editor. Skiing: The International Sport. New York: The Derrydale Press, 1937. 4to. Etched frontispiece signed by Frederick B. Taylor in pencil lower margin, numerous photographic plates and illustrations by Jacques Charmoz, Wayne Davis, Carl von Diebitsch, W. Russell Flint, Edwin Henel, Max Martens, A. Sheldon Pennoyer, Toni Shoenecker, Dwight Shepler and Frederick B. Taylor. Red gilt-stamped morocco, top edge gilt others uncut, stamp-signed Jas. MacDonald Co., N.Y. (rubbing to extremities and wear to head of spine, hinges separating). Provenance: A. P. Sauer (signature, 1937). LIMITED EDITION, number 39 of 60 copies of the “Deluxe Edition.” [With:] PALMEDO, Roland, editor. Skiing: The International Sport. New York: The Derrydale Press, 1937. 4to. Numerous photographic plates and illustrations. Original publisher’s blue cloth gilt, top edge gilt, others uncut (slight soiling, some wear to extremities). Provenance: A. P. Sauer (signature, 1938). LIMITED EDITION, one of 950 copies of the “Regular Edition.” $700-900 50 DE STAËL-HOLSTEIN, Anne Louise Germaine, Madame (1766-1817). Autograph letter signed “Mme de Staël”. [1813]. To Giovanni Battista Viotti.

49 (part lot)

1 page, 8vo, on a bifolium. In French. Inviting him for dinner and mentioning returning his violin (his Stradivarius?). (Browned, creased at folds); matted and framed. Unexamined out of frame. Viotti renewed his acquaintance with Madame de Staël in June 1813, shortly after she had arrived in London, and that fall, he began giving violin lessons to de Staël’s daughter Albertine. “A note from Madame de Staël, probably written in 1814, inviting ‘caro Viotti’ to dinner, assures him that ‘we shall give back the violin which I am keeping as a pledge that you come.’ Would Viotti have left the Buttero in the hands of his imperious friend?” (Warwick Lister, Amico, 2009, p. 283, quoting a similar letter from this same period from the New York Public Library for the Performing Arts collection). $100-200

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51 DICKENS, Charles (1812-1870). The Posthumous Papers of the Pickwick Club. London: Chapman and Hall, 1837. [Bound with:] PAILTHORPE, Frederick W. 24 Illustrations to the “Pickwick Club.” London: Robson and Kerslake, 1882. 8vo (206 x 128 mm). 43 engraved plates (including engraved title) by R. Seymour (6), R.W. Buss (2), and Hablot K. Browne [“Phiz”] (35). EXTRA-ILLUSTRATED by the addition of 24 plates (some toning as usual, expert repair to lower corner of plate facing p.484.) 20th-century royal blue levant gilt, upper cover with gilt-stamped portrait of Dickens giltstamped, facsimile signature gilt on rear board, spine in 6 compartments with 5 raised bands, gilt-lettered in 2, the rest gilt-decorated, turn-ins gilt, edges gilt, STAMP SIGNED BY BAYNTUN; original front wrapper of Pailthorpe’s Illustrations bound in: “with the publisher’s compliments.” FIRST ENGLISH EDITION IN BOOK FORM, PUBLISHER’S PRESENTATION COPY inscribed on verso of original wrapper. An EXTRA ILLUSTRATED copy of Dicken’s first novel. With all Smith’s first issue points present except signature E is present on p.25. Gimbel A16 and H1137; Hatton & Cleaver 3-88; Smith 3 Property from a Private Collection, Chicago, Illinois $1,000-1,500

52 DICKENS, Charles (1812-1870). Master Humphrey’s Clock. London: Chapman and Hall, 1840-1841. 3 volumes, 8vo (252 x 170 mm). Engraved frontispieces and numerous in-text illustrations by George Cattermole and Hablot K. Browne [‘Phiz’]. Original dark grayish-brown cloth stamped in gilt and blind, marbled edges (spines faded, a few separations along joints, tear crossing spine panel vol.II, chipping with minor losses to spine ends, some light rubbing). FIRST EDITION IN BOOK FORM, first appearing as a weekly serial from 4 April 1840 to 4 December 1841, including short stories and two novels, The Old Curiosity Shop and Barnaby Rudge. Gimbel A51; Smith I:6 Property from a Private Collection, Chicago, Illinois $300-400

53 DICKENS, Charles (1812-1870). American Notes For General Circulation. London: Chapman and Hall, 1842. 2 volumes, 8vo (197 x 120 mm). Half-titles. (Very minor spotting primarily affecting preliminaries.) Original grayish brown horizontally-ribbed blind-stamped cloth, spines giltlettered (slight fading to extremities and spine, tiny split to head of spine vol.I, corners bumped). Provenance: Edward A. Jones (signatures, 1842). FIRST EDITION, FIRST STATE, with the second page of the vol.I table of contents misnumbered as page xvi and 6pp. of advertisements at the end of vol.II. Dicken’s preface to American Notes was removed from the preliminary pages and the original pagination was not immediately altered, as here, in the first state, with p. x incorrectly numbered xvi. In the second state, the preliminaries were reprinted with the correct pagination. The preface was not published during Dickens’ lifetime, and first appeared in Forster’s biography of Dickens. Eckel, p 108; Gimbel A66; Smith 2:3 Property from a Private Collection, Chicago, Illinois $300-400 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

54 DICKENS, Charles (1812-1870). Pictures From Italy. London: Bradbury & Evans for the Author, 1846. 8vo (172 x 110 mm). 2-page publisher’s advertisements at beginning and end; half-title. Woodengraved vignette title and three wood-engravings in text by Samuel Palmer. (Some pale browning or spotting.) Original publisher’s blue blind-stamped cloth, spine gilt (minor wear to spine ends, spine slightly darkened, corners slightly bumped, a few very light stains). Provenance: Lucy Hampey (signature). FIRST EDITION. Dickens’s account was first published in The Daily News entitled “Traveling Sketches - Written on the Road”; he reproduced the work in book form as Pictures from Italy, retaining only two of the original twelve chapter titles, and incorporating a number of textual changes, as outlined in Smith. Eckel, p. 126; Gimbel A98; Smith II:7. Property from a Private Collection, Chicago, Illinois $200-300

55 DICKENS, Charles (1812-1870). Dombey and Son. London: Bradbury and Evans, 1848. 8vo (210 x 135 mm). Engraved frontispiece, engraved title, 36 (of 38) engraved plates after Hablot K. Browne [“Phiz”]. (Lacking plates facing p.113 and p.117. (Plates with browning and spotting as usual, damp-stain lower margin, some light spotting.) Later half dark green morocco gilt, spine gilt, edges marbled (upper hinge reinforced, lower hinge separated, some rubbing). Provenance: Thomas William Oliver (signature); Ed Woakes (signature); The University of Chicago Library (bookplate, deaccession stamp). FIRST EDITION IN BOOK FORM, including the first example of a so-called “dark plate,” facing p. 547. Eckel pp.82-85; Gimbel A103; Sadleir 691; Smith I:8 Property from the University of Chicago, Chicago, Illinois $150-250

56 DICKENS, Charles (1812-1870). The Personal History...of David Copperfield. London: Bradbury and Evans, 1849-1850. 20 parts in 19, 8vo. Engraved frontispiece, title and 38 plates after Hablot K. Browne [“Phiz”]. (Some minor browning.) Original printed blue-green pictorial wrappers (chipping with minor losses, soiling to a few wrappers, a few short tears); maroon morocco pull-off case gilt, chemise. Provenance: Thomas Latchwitt? (signatures). FIRST EDITION IN ORIGINAL MONTHLY PARTS, VIRTUALLY COMPLETE WITH ADVERTISEMENTS AND INSERTED SLIPS, with the “Copperfield Advertiser” in each part and all ads listed by Hatton & Cleaver except with slight variations to front ads in parts 2 and 6, and with an additional 8pp. slip “The Architectural Antiquities of Athens” inserted before the Copperfield Advertiser in part 19/20 not called for in Hatton & Cleaver. David Copperfield, written at the midpoint of Dickens’ career, draws from the author’s own life. The novel is scarce in parts. As Eckel notes, the printing was comparatively small, the parts were “much read and roughly handled,” and “fine, clean and unrepaired copies [were] difficult to procure” even in 1932. Gimbel A121; Hatton & Cleaver pp.253-272; Sadleir 686. $3,500-4,500

FINE BOOKS AND MANUSCRIPTS, INCLUDING AMERICANA

57 DICKENS, Charles (1812-1870). The Personal History of David Copperfield. London: Bradbury & Evans, 1850. 8vo. (206 x 130 mm). Half-title, engraved frontispiece, title and 38 plates after Hablot K. Browne [‘Phiz’]. (Occasional spotting, some browning to plates, one plate trimmed close just affecting title.) 20th-century dark red crushed levant gilt, spine in 6 compartments with 5 raised bands, gilt-lettered in 2, the rest gilt-decorated, turn-ins gilt, red watered silk doublures, top edge gilt, stamp-signed by Root; red cloth slipcase. FIRST EDITION IN BOOK FORM published on 14 November 1850, is considered Dickens’s most autobiographical novel. In his preface to the 1869 edition, Dickens writes: “Of all my books, I like this the best. It will be easily believed that I am a fond parent to every child of my fancy, and that no one can ever love that family as dearly as I love them. But, like many fond parents, I have in my heart of hearts a favourite child. And his name is David Copperfield.” Gimbel A122; Eckel, p.77; Sadleir 686; Smith I:9. Property from a Private Collection, Chicago, Illinois $800-1,200

58 DICKENS, Charles (1812-1870). [The Christmas Numbers from Household Words and All the Year Round]. Household Words. London: Bradbury & Evans, 18501858. -- All the Year Round. London: C. Whiting & Chapman and Hall, 1859-1867. 18 parts, 8vo (242 x 160mm), comprising 9 issues from Household Words and 9 issues from All the Year Round. (Minor damp stain to issue no.II, some light soiling to a few issues.) The Household Words issues without wrappers, as issued, 4 issues of All the Year Round (1859-1862) without wrappers, as issued, and 5 issues (1863-1867) in original blue printed wrappers (some slight soiling or minor staining, occasional creases or minor tears to wrappers); red cloth chemise; red cloth pull-off case and chemise. FIRST EDITIONS of the Christmas numbers from Household Words and All the Year Round including the stories ‘A Christmas Tree,’ ‘What Christmas Is, As We Grow Older,’ ‘The Holly-Tree Inn,’ ‘Somebody’s Luggage,’ ‘A Message from the Sea,’ ‘Mrs. Lirriper’s Lodgings,’ and several others. Gimbel E9-E20, E113-E118. Property from a Private Collection, Chicago, Illinois $600-800

59 DICKENS, Charles (1812-1870). A Child’s History of England. London: Bradbury & Evans, 18521854. 3 volumes, 8vo (151 x 118 mm). Wood-engraved frontispiece to each volume after Francis W. Topham, first state of advertisements at end of each volume. Original publisher’s reddish-brown blind-stamped cloth, upper covers with gilt vignette after Topham, marbled edges (slight wear to spines, light chipping to head of spines with a few minor losses, a few minor stains, a few hinges tightened). FIRST EDITION IN BOOK FORM, first serialized in Household Words between 25 January 1851 and 10 December 1853. Each of the three volumes in the book edition was published separately around Christmas (in 1851, 1852 and 1853) but postdated the following year. The Child’s History expresses an anti-aristocratic and anti-monarchical view of English history and society. Eckel 128-130; Gimbel A128; Smith II, 10. Property from a Private Collection, Chicago, Illinois $400-600

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

60 DICKENS, Charles (1812-1870). Hard Times. For These Times. London: Bradbury & Evans, 1854. 8vo (188 x 124 mm). Original publisher’s green moiré horizontally ribbed blind-stamped cloth, spine lettered in gilt (spine sunned, a few splits to lower joint, light chipping to spine ends with minor losses, corneres bumped). Provenance: W. H. Luke (bookseller’s label). FIRST EDITION IN BOOK FORM, IN THE FIRST BINDING. Hard Times, Dickens’s tenth novel, was first serialized in Household Words in 1854. One of two novels by Dickens without illustrations, the other being Great Expectations. Gimbel A136; Sadleir 689; Smith I:11. Property from a Private Collection, Chicago, Illinois $300-400

61 DICKENS, Charles (1812-1870). The Poor Traveller: Boots at the Holly-Tree Inn: And Mrs. Gamp. London: Bradbury & Evans, 1858. 16mo (170 x 108 mm). 1pp. advertisement at end. Original green printed wrapper (short separation to upper joint at foot of spine, some very minor peeling to head of spine); half green morocco slipcase, chemise. FIRST EDITION, FIRST ISSUE. “In 1858, Bradbury and Evans printed special reading editions arranged by Dickens that were uniformly bound in green printed pictorial paper wrappers, including the three works in the present volume. Additional titles similarly issued include A Christmas Carol, The Chimes, The Cricket On the Hearth, and The Story of Little Dombey. Eckel, p. 215; Gimbel D31. Property from a Private Collection, Chicago, Illinois $300-400

62 DICKENS, Charles (1812-1870). The Uncommercial Traveller. London: Chapman and Hall, 1861 [i.e. 1860]. 8vo (187 x 120 mm). Half-title; 32pp. publisher’s advertisement at end dated December 1860. Original publisher’s purple cloth, ruled in blind, gilt-lettered on spine, top edge gilt (discrete repairs to hinges preserving original endpapers, spine sunned, otherwise bright). FIRST EDITION IN BOOK FORM, published on 15 December 1860. Dickens initially published this series of seventeen sketches in All the Year Round earlier in 1860. Eckel, p 132; Gimbel A145; Smith 2:11. [With:] The Uncommercial Traveller. London: Chapman and Hall, 1861. 8vo (188 x 122 mm). Original publisher’s purple cloth, ruled in blind, gilt-lettered on spine (lower cover becoming detached, some fading). Second edition. Property from a Private Collection, Chicago, Illinois $400-600

FINE BOOKS AND MANUSCRIPTS, INCLUDING AMERICANA

63 [DICKENS, Charles]. FORSTER, John. The Life of Charles Dickens. London: Chapman and Hall, 1872-1874. -- Letters of Charles Dickens. London: Chapman and Hall, 1880-1882. Together, 6 volumes expanded to 12, 8vo (214 x 135 mm). Half-titles in first volume of each part, titles printed in red and black. EXTRA ILLUSTRATED by the addition of 500 engraved plates. 20th-century green morocco gilt, sides with gilt-stamped portraits of Dickens, with gilt-stamped variations of his signature, spines gilt, wide turn-ins gilt, top edges gilt, others uncut, STAMP SIGNED BY RIVIERE AND SON (minor sunning to a few volumes, very occasional scuff, otherwise fine and bright). [Tipped in:]: AN ORIGINAL AUTOGRAPH DOCUMENT SIGNED BY DICKENS (“Charles Dickens”), an envelope addressed to English judge, author, and Radical politician Thomas Noon Talfourd (17951854) (“The Hon: / Mr Justice Talfourd / Dundee? Square”). With Dickens’ blue stamp to envelope closure. Property from a Private Collection, Chicago, Illinois $5,000-7,000

64 [DICKENS, Charles]. Autograph document, signed (“Charles Dickens”), a check, drawn on Coutts Bank, payable to “House, £6.00.” London, 7 June 1864. Property from a Private Collection, Chicago, Illinois $800-1,200

65 [DICKENS, Charles (1812-1870)]. A group of 3 works about Dickens, comprising: RIMMER, Alfred. About England With Dickens. London: Chatto and Windus, 1883. 8vo. -- LANGTON, Robert. The Childhood and Youth of Charles Dickens. London: Hutchinson & Co., 1891. 8vo. -STONEHOUSE, John Harrison. Green Leaves: New Chapters in the Life of Charles Dickens. London: Henry Sotheran, 1931. 5 volumes, 8vo. Original printed wrappers. Together, 3 works in 7 volumes, 8vo, all FIRST EDITIONS, contemporary half morocco gilt except where indicated, condition generally fine.

(part lot)

Property from a Private Collection, Chicago, Illinois $300-400 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

*66

DODWELL, Edward (1767-1832). Views and Descriptions of Cyclopian, or, Pelasgic Remains, in Greece and Italy. London: Adolphus Richter and Co., 1834.

DONNE, John (1573-1631). Biathanatos: A Declaration of that Paradox, or Thesis, that Self-Homicide is not so Naturally Sin. London: n.p., 1700.

Folio (480 x 335 mm). 131 lithographic plates after Dodwell and others. (Slight spotting, a few plates trimmed close affecting titles.) Modern green cloth (rebound, very minor toning, a few scuffs). Provenance: John M. Wing (1845-1917), American printer, publisher and collector, (Old Corner Library bookplate), benefactor to; Newberry Library (library deaccession stamp). FIRST EDITION, which Dodwell had intended as a supplement to his 1819 work, A Classical and Topographical Tour through Greece, During the Years 1801, 1806, and 1806, and which was published posthumously. Blackmer 494.

8vo (192 x 116 mm). Title-page printed within double rule border. (A few minor marginal repairs, some browning or spotting.) Modern quarter tan calf. Provenance: Collegii Sti Augustini apud Cantuarienses Liber (armorial bookplate with pencil note indicating the book’s sale); Hamilton Tyler (bookplate and signature).

Property from the Newberry Library, Chicago, Illinois

$600-800

Second edition of Donne’s controversial justification of suicide, first published by his son in 1644. ESTC R32816; Wing D-1860. Property from the Collection of Edward A. Quattrocchi

$800-1,200

DRAYTON, Michael (1563-1631). Poems. London: W. Stansby for John Smethwicke, 1613.

DREISER, Theodore (1871-1945). An American Tragedy. New York: Boni & Liveright, 1925.

8vo Woodcut headpieces and initials. (Repair to title-page, lacks extra leaf of commendatory sonnets Ii8=A5, lacking final blank, Gg3 upper corner repaired affecting a few letters, few headlines shaved, some minor soiling.) 20th century half brown morocco gilt, edges stained red.

2 volumes, 8vo. Title printed in blue and black. Original publisher’s cloth-backed blue boards, gilt-lettered spine, edges uncut (corners slightly rubbed, some soiling to spines and top edge). LIMITED EDITION, number 576 of 795 copies SIGNED BY DREISER. [Laid in:] 8pp. publisher’s advertising pamphlet for Fall 1925 mentioning this work.

Fifth edition. ESTC S412; Pforzheimer 305; STC 7221. Property from the Collection of Edward A. Quattrocchi

Property from a Private Collection, Chicago, Illinois $500-600 $400-600 26

FINE BOOKS AND MANUSCRIPTS, INCLUDING AMERICANA

EDWARDS, Ernest (1837-1903)], photographer. Portraits of Men of Eminence in Literature, Science, and Art, with Biographical Memoirs. Lovell Reeve, editor. Vol.I-II: London: Lovell Reeve & Co., 1863, 1864; Vol.III-V: London: Alfred William Bennett, 1865, 1866.

EMERSON, Ralph Waldo (1803-1882). Essays. Boston: James Munroe and Company, 1841.

5 (of 6, lacking volume VI) volumes, 8vo (225 x 172 mm). Numerous tipped-in albumen prints including portraits of Thackery, Burton, Dickens, and Darwin. (Slight spotting to a few prints, vol.III partially disbound.) Publisher’s red cloth gilt, top edge gilt (chipping to endpapers, a few hinges starting or loose to a few volumes, slight rubbing to spine ends). Provenance: Mercantile Library of New York (library stamps). FIRST EDITION of Edwards’ portraits of notable Victorian figures with accompanying biographical sketches.

8vo. Half-title. Original brown ribbed cloth gilt, yellow coated endpapers [BAL Binding C, no priority] (a few separations to joints, corners slightly bumped); red morocco slipcase gilt. Provenance: Foreman M. Lebold (1895-1953), collector of Lincolniana (bookplate). FIRST EDITION, including the first appearance of “Self Reliance.” BAL 5189; Grolier American 47. [Laid in:] Autograph letter signed (“R. W. Emerson”) to E. A. Perkins. Concord, MA, 6 September 1864. 2 pages, 8vo, separations to fold affecting text and signature. Responding to an invitation: “It will give me pleasure to come to Cleveland this season, if I can...”

$400-600 Property from the Collection of Sandra L. Bohannan $3,000-5,000

[ENGELBACH, Lewis]. -- ROWLANDSON, Thomas, illustrator. Naples and the Campagna Felice. London: R. Ackermann, 1815.

[ENGLISH LITERATURE & HISTORY]. A group of 5 works, comprising: LYLY, John (1554?-1606). Euphues the anatomie of Wit. [London: J. Haviland for James Boler, 1631.] 2 parts in one volume, small 4to (163 x 115 mm). (Title trimmed.) Modern half morocco. Third edition. -- CAREW, Thomas (1595?-1645?). Poems. London: I. D. for Thomas Walkley, 1642. 12mo. Later half vellum. -- CRASHAW, Richard (1613?-1649). Steps to the Temple. London: For Humphrey Moseley, 1648. Engraved title-page. 20th century polished calf gilt. -- BACON, Francis (1561-1626). The Historie of the Raigne of King Henry the Seventh. London: R. T. and R. H., 1561. Folio. Later calf, upper cover with the monogram of Sir William Sterling Maxwell. Provenance: Sir William Stirling Maxwell (armorial bookplate, binding). -- BURNET, Gilbert (1643-1715). Some Passages of the Life and Death of...John, Earl of Rochester. London: for Richard Chiswel, 1680. 8vo. Engraved portrait frontispiece. Contemporary calf (neatly rebacked). -Together, 5 works in 5 volumes, condition generally good.

8vo (238 x 148 mm). 16 hand-colored etchings with aquatint (including frontispiece engraved title vignette and plan), 2 hand-colored engraved maps (one folding). (One plate disbound, slight off-setting from plates to text.) Contemporary blind-tooled tan calf gilt, green morocco lettering-piece gilt, marbled edges (joints starting, minor rubbing or scuffing). Provenance: HCB (engraved bookplate); Coningsby Disraeli (1867-1936), British Conservative politician (bookplate); Jean Warriston Johnston (bookplate). FIRST EDITION IN BOOK FORM with p.212 mis-numbered 112 and numerous illustrations by Thomas Rowlandson. First published serially between 1809 and 1813. Abbey Travel 166; Tooley 419. $1,000-1,500

Property from the Collection of Edward A. Quattrocchi $600-800 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

[ENGLISH LITERATURE & HISTORY]. A group of 6 works, comprising:

FOXE, John (1516-1587). [Book of Martyrs]. “An Abridgement of the Booke of Acts and Monuments....” London: I. Windet, 1589. 8vo. Woodcut device on title, woodcut headpieces and in initial borders. Contemporary reversed calf (rebacked). -- HUME, David. History of the Houses of Douglas and Angus. London: Evan Tyler, 1648. Later half calf. -- BROWNE, Thomas, Sir (1605-1682). Religio Medici. London: Tho. Milbourn for Andrew Crook, 1659. 12mo. Engraved frontispiece. Later half calf. -- DRYDEN, John (16311700). Religio Laici, or a Laymans Faith. London: for Jacob Tonson, 1682. Small 4to. Modern half green calf. Provenance: Edward Hale Bierstadt (engraved bookplate by E. D. French dated 1894); William Harris Arnold (1854-1823), American collector (bookplate). First edition, the issue with second line of imprint ending “in”. -BLOUNT, Thomas Pope, Sir (1649-1697). De re Poetica: or, Remarks upon Poetry... London: Ric. Everingham for R. Bently, 1694. 4to. Modern morocco gilt. -- WYCHERLEY, William (1640?-1716). The Plain-Dealer. A Comedy. “The Plain-Dealer. As it is acted at the Theatre Royal.” London: for R. Wellington and E. Rumbal, 1700. 4to. Modern half calf. Seventh edition. -- Together, 6 works in 6 volumes, condition generally good.

WYCHERLEY, William (1640?-1716). Works. London: for Richard Wellington, 1713. 8vo. 1p. publisher’s advertisements. Contemporary calf. -BUTLER, Samuel (1612-1680). Hudibras. London: T.W. for D. Browne, 1726. Illustrated by William Hogarth. 12mo. Contemporary panelled calf. Provenance: W. K. Scudamore (bookplate). -- MILTON, John (16081674). Paradise Lost -- Paradise Regain’d. London: for J. and R. Tonson and others, 1750-1753. 4 volumes in 2, 8vo. Engraved portrait frontispiece to vol. I. Contemporary calf (covers detaching). -- [JOHNSON, Samuel (17091784)]. Rasselas. The Prince of Abissinia. A Tale. London: W. Strahan, et al, 1775. 12mo. contemporary calf (rebacked). Fifth edition. -- JOHNSON, Samuel (1709-1784). The Lives of the Most Eminent English Poets. London: for C. Bathhurst and others, 1781. 3 volumes (of 4, lacking vol. IV), 8vo. Engraved portrait frontispiece. Contemporary calf (covers detaching). -- BYRON, George Gordon Noel, Lord (1788-1824). Poems on Domestic Circumstances. London: for J. Bumpus, 1816. 8vo. Stab-sewn; cloth folding case. Provenance: Esher (bookplate). -- Together, 6 works in 9 volumes, condition generally good. Property from the Collection of Edward A. Quattrocchi

Property from the Collection of Edward A. Quattrocchi $500-700 $600-800

[ENGLISH LITERATURE & HISTORY]. A group of 6 works, comprising:

FAULKNER, William (1897-1962). A group of 4 works, comprising:

COWLEY, Abraham (1618-1667). Works. London: Henry Herringman, 167271. Folio. Engraved portrait frontispiece. Contemporary calf. Provenance: two pp. manuscript poem. Third edition. -- BACON, Francis (15611626). Sylva Sylvarum. London, 1676. Folio. Engraved frontispiece portrait, engraved title. Contemporary calf (rebacked). Tenth edition. -- BROWN, Thomas (1663-1704). Works. London: for Tho. Basset and others, 1686. Folio. Engraved portrait frontispiece, title printed in red and black. Contemporary calf (rebacked). -- BROWNE, Thomas, Sir (16051682). Works. London: for Tho. Basset and others, 1686. 4 works in 1 volume, 4to. Title printed in red and black. Later half calf (hinges repaired). -- MILTON, John (1608-1674). Paradise Lost. London: For Richard Bently and Jacob Tonson, 1691. Folio. Title-page printed within double rule border; 12 engraved plates (Lacking portrait frontispiece.) Contemporary blind-panelled mottled calf (rebacked). Fifth edition. -- DRYDEN, John (1631-1700). Fables Ancient and Modern... London: for Jacob Tonson, 1700. Folio. Half-title. Contemporary speckled calf (repaired). FIRST EDITION. -- Together, 6 works in 6 volumes, condition generally good.

Absalom, Absalom! 1936. -- The Hamlet. 1940. -- Intruder in the Dust. 1948. -- Big Woods. 1955. Together, 4 works in 4 volumes, all 8vo. ALL FIRST EDITIONS, FIRST PRINTINGS published by Random House in New York, in original publisher’s cloth and original dust jackets (price-clipped or corners clipped retaining price except Intruder in the Dust), condition generally fine.

Property from the Collection of Edward A. Quattrocchi $800-1,200 28

FINE BOOKS AND MANUSCRIPTS, INCLUDING AMERICANA

$500-700

FIELDING, Henry (1707-1754). Amelia. London: Printed for A. Millar, 1752.

[FINE PRESS]. -- [GRABHORN PRINTING]. A group of 11 works, including:

4 volumes, 12mo (186 x 99 mm). (Some very light spotting or staining.) Contemporary calf-backed boards (overall wear, joints broken, old repairs, lacking lettering-pieces); modern cloth slipcase. FIRST EDITION of Fielding’s last novel. Though two impressions of the first edition were printed a month apart, there are no recorded distinguishing characteristics between them. Samuel Johnson remarked on the publication of Fielding’s last novel that it was “perhaps the only book, which being printed off betimes one morning, a new edition was called for before night.” Cross III, p. 321; ESTC T89846; Rothschild 853. Property from the Collection of Edward A. Quattrocchi $400-600

Hymns to Aphrodite. 1927. 4to. Original half vellum. One of 200 unnumbered copies. -- GREEN, Floride. Some Personal Recollections of Lillie Hitchcock Coit. 1935. 4to. Original cloth-backed boards. One of 450 unnumbered copies. -- BARNES, R. G., translator. An Anglo-Saxon Gnomic Poem. 1968. Oblong 8vo. Original morocco-backed boards. One of 400 unnumbered copies SIGNED BY BARNES. -- 40 Years. A Chronology of Announcements & Keepsakes. The Roxburghe Club of San Francisco 19281967. Folio. Original cloth-backed boards. One of 150 unnumbered copies. Grabhorn-Hoyem Bibliography 15. -- Mother Goose: Twenty Nursery Rhymes. 1970. 4to. Original linen. One of 300 unnumbered copies. -- And 6 others. Together, 11 works in 11 volumes, most limited editions, most published San Francisco by the Grabhorn Press or Grabhorn-Hoyem, condition generally fine, complete list available on request. Property from the Estate of Lucia von Borisini Batten, Sold to Benefit the Albuquerque Museum Foundation $300-400

[FINE PRESS] -- [WARD RITCHIE PRESS & WARD RITCHIE’S COPIES]. A group of 14 works in 16 volumes, including:

[FINE PRESS]. A group of 5 works relating to English printing and England, comprising: MOORE, George. Ulick and Soracha. London: The Nonesuch Press, 1926. 8vo. Original cloth; printed parchment dust jacket. Number 259 of 1250 copies. -- COLERIDGE, Samuel Taylor. The Rime of the Ancient Mariner. Oxford: Oxford University Press, 1930. 8vo. Original cloth-backed board; original plain dust jacket. One of 750 copies. -- DONNE, John. The Love Poems of John Donne. New Rochelle: The Peter Pauper Press, n.d. 8vo. Original cloth-backed boards. One of 1000 copies. -- Victoria R. I. San Francisco: Press of Robert Grabhorn and Andrew Hoyem for David Magee, 1970. 3 volumes, 4to. Original cloth-backed boards. One of 625 copies. -- [With:] THOMPSON, Virginia. French Riviera Villages. New York: Mitchell Kennerley, 1938. 4to. Original cloth. One of 1000 copies. Together, 5 works in 7 volumes, ALL LIMITED EDITIONS. Property from the Estate of Lucia von Borisini Batten, Sold to Benefit the Albuquerque Museum Foundation

The Book as a Work of Art. An Exhibition of Books and Manuscripts from the Library of Mrs. Edward Laurene Doheny. Los Angeles: Ward Ritchie Press, 1935. 8vo. Original printed wrappers. One of 650 copies SIGNED BY ESTELLE DOHENY, WARD RITCHIE and 3 others. -- COWAN, Robert Ernest. Forgotten Characters of Old San Francisco. Los Angeles: Ward Ritchie Press, 1938. 8vo. Original printed boards; original dust jacket. One of 500 copies. -- Ballads of Eldorado. San Francisco: The Ward Ritchie Press for the Book Club of California, 1940. 8vo. Original boards. One of 300 copies. -- CHENEY, William M. Edwin H. CARPENTER, compiler. A Natural History of the Typestickers of Los Angeles. Los Angeles: The Rounce & Coffin Club, 1960. 8vo. Original cloth-backed boards; dust jacket. Provenance: Ward Ritchie (bookplate). -- HYLEN, Arnold. Los Angeles Before the Freeways 1850-1950. Images of an Era. Los Angeles: Castle Press for Dawson’s Book Shop, 1981. 8vo. Original cloth-backed boards. Provenance: Ward Ritchie (bookplate). One of 600 copies. -- And 9 others. Together, 14 works in 16 volumes, LIMITED EDITIONS where indicated, condition generally fine, complete list available on request.

$100-200

Property from the Estate of Lucia von Borisini Batten, Sold to Benefit the Albuquerque Museum Foundation $200-300 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

82 [FINE PRESS]. A group of 4 works, comprising: [ROYCROFTERS]. HUBBARD, Elbert. A Message to Garcia. East Aurora, New York: The Roycrofters, 1914. Original green suede binding (some toning); green silk doublures. FIRST EDITION. -- FURST, Herbert, editor. The Woodcut: An Annual. London: The Fleuron Limited, 1927-1929. Nos. I-III. 3 volumes, 4to. Later cloth. LIMITED EDITIONS of the “Special Edition”: no.I number 73 of 70 copies of a total edition of 75 copies; no.II and III number 10 and 69, respectively, of 75 copies of a total edition of 80 copies. -- FRASCONI, Antonio. The Face of Edgar Allan Poe. South Norwalk, CT: N.p., 1959. 11 original woodcuts. Original printed boards. LIMITED EDITION, number 237 of 250 copies SIGNED AND INSCRIBED BY FRASCONI. -- KINDERSLEY, David. Graphic Sayings. Cambridge: N.p., 1972. Oblong 4to. Title and sixteen designs of sayings or proverbs on different coloured papers by Kindersley, additional suite of 16 plates on Japanese paper loosely inserted in pocket at end. Original morocco-backed cloth gilt; glassine, printed board slipcase. LIMITED EDITION, number 8 of 130 copies SIGNED BY KINDERSLEY AND the printer Christopher Skelton. -- Together, 4 works in 6 volumes, 4to or smaller, ALL FIRST OR LIMITED EDITIONS, most original publisher’s bindings where indicated, condition generally fine. Property from the Collection of Michael and Kay Melet $500-700

83 [FINE PRESS]. A group of 8 works, including: [TIPOGRAFIA GIUNTINA]. DOUGLAS, Norman. In the Beginning. [Florence: Tipografia Giuntina, directed by L. Franceschini], “Privately Printed 1927.” 8vo. Original decorated paper-covered boards. Number 624 of 700 copies SIGNED BY DOUGLAS. -- [STANBROOK ABBEY PRESS]. MARITAIN, Raïssa Oumansoff. Patriarch Tree. Worcester: Stanbrook Abbey Press, 1965. 4to. Original quarter black morocco, decorated paper-covered boards. Number 149 of 500 copies. -- [BIRD AND BULL PRESS]. SHAW, Bernard. Flyleaves. Austin: Bird & Bull Press for W. Thomas Taylor, 1977. 4to. Original cloth. Errata slip laid in. One of 350 copies. -- [BIRD AND BULL PRESS]. STONEBACK, H. R. Cartographers of the Deus Loci: The Mill House. 1982. 8vo. Original vellum-backed boards; original plain dust jacket. Number 188 of 240 copies. Prospectus laid in. -- And 4 others. Together, 8 works in 8 volumes, most limited editions, condition generally fine, complete list available on request. Property from the Estate of Lucia von Borisini Batten, Sold to Benefit the Albuquerque Museum Foundation $300-400

84 [FINE PRESS]. A group of 9 works, including: [CUALA PRESS]. YEATS, William Butler (1865-1939). The Death of Synge and Other Passages from an Old Diary. Dublin: The Cuala Press, 1928. 8vo. Original linen-backed boards. One of 400 unnumbered copies. -- [WATCH HILL PRESS]. SIMON, André L. Star Chamber Revels. Peekskill, New York: Watch Hill Press, 1937. 8vo. Original cloth-backed boards; original glassine. One of 275 copies. -- [ROGERS, Bruce, his copy]. DUSCHNES, Philip C. Bruce Rogers A Gentle Man From Indiana. N.p.: The Stinehour Press, 1965. 8vo. Original printed stiff paper wrappers cordtied. One of 750 unnumbered copies. BRUCE ROGERS’ COPY. -- [BLACK SUN PRESS]. MINKOFF, George Robert. A Bibliography of the Black Sun Press. Great Neck, NY: G. R. Minkoff, 1970. 4to. Original cloth. One of 1250 unnumbered copies. -- [LIME KILN PRESS]. EVERSON, William. Blame it on the Jet Stream! [Santa Cruz, CA]: Lime Kiln Press, 1978. Oblong 8vo. Original quarter blue morocco gilt. Number 131 of 150 copies. -- And 4 others. Together, 9 works in 9 volumes, ALL LIMITED EDITIONS, condition generally fine, complete list available on request. Property from the Estate of Lucia von Borisini Batten, Sold to Benefit the Albuquerque Museum Foundation $300-400

FINE BOOKS AND MANUSCRIPTS, INCLUDING AMERICANA

[FORE-EDGE PAINTINGS]. COWPER, William (1731-1800). Poems, By William Cowper. London: J. Johnson, 1806.

[FORE-EDGE PAINTING]. - [CURRIE, Miss C. B. (1849-1940)]. BOWDLER, Thomas. Letters Written in Holland. London: J. Robson and W. Clark, J. Debrett, and C. Dilly, 1788.

2 volumes, 8vo (157 x 94 mm). Half-title in vol.II. (Very occasional spotting.) Contemporary dark green straight-grained morocco gilt, edges gilt concealing FORE-EDGE PAINTINGS of arched stone bridges with country towns (slight creasing to spines, some rubbing). Property from a Private Collection, Chicago, Illinois

8vo (195 x 221 mm). Folding map frontispiece and an additional folding map. (Mild, even toning.) 19th-century dark red straight-grained morocco elaborately gilt, edges gilt concealing a FORE-EDGE PAINTING of a watermill by Miss C. B. Currie (very minor wear to extremities and joints). FIRST EDITION, SIGNED AND NUMBERED BY MISS C. B. CURRIE on a front free endpaper. ESTC T63080.

$400-600

Property from a Private Collection, Chicago, Illinois $1,000-1,500

(part lot)

[FORE-EDGE PAINTINGS]. BAYNES, R. H. Lyra Anglicana: Hymns and Sacred Songs. London: Houlston & Wright, 1864.

[FORE-EDGE PAINTINGS]. A group of 3 works containing fore-edge paintings, comprising:

16mo (164 x 104 mm). Title-page printed in red and black. Contemporary blind-stamped brown morocco, edges gilt, concealing a FORE-EDGE PAINTING of Runcorn Bridge, Cheshire (rubbing to extremities). [With:] Liturgia; Seu Liber Precum Communium... London: Longman, Orme, Brown, Green, & Longmans, 1840. 32mo (118 x 75 mm). Contemporary red morocco gilt, edges gilt, concealing a FORE-EDGE PAINTING of Rugby Road Bridge (rebacked preserving original spine, slight soiling, minor rubbing to extremities). Provenance: Francis Maofachen? (signature, 1802); Sophia Dolson (signature, 1848); unidentified signature partially erased. Eighth edition.

MOORE, Thomas. Songs, Ballads and Sacred Songs. London, 1849. Contemporary brown morocco gilt, edges gilt, concealing a FORE-EDGE PAINTING of a view of Stockholm (rubbing to extremities). Provenance: Edm. Faunce Hardwick (signature, 1871); C. H. Wright (signature); Binns & Goodwin Booksellers, Bath (bookseller’s label). -- TENNYSON, Alfred. Maud and Other Poems. London, 1870. Contemporary red morocco gilt, edges gilt, concealing a FORE-EDGE PAINTING of a fishing scene. -- GOLDSMITH, Oliver. The Poetical and Prose Works. Edinburgh and London: Gall & Inglis, n.d. Contemporary giltstamped morocco, edges gilt, concealing a FORE-EDGE PAINTING of a north view of the city of Westminster from the roof of the Banqueting House White Hall (rubbing to extremities). Provenance: Arthur Kenneth I. Bruce (signature 1881). -- Together, 3 works in 3 volumes, all contemporary morocco gilt, edges gilt, all concealing fore-edge paintings, condition generally fine.

Property from the Collection of Michael and Kay Melet $300-400

Property from the Collection of Michael and Kay Melet $400-600

89 [THE FRENCH REVOLUTION]. A sammelband of Dublin editions of works by Edmund Burke, Joseph Priestley, Rev. R. Nares, William Eden, and Charles-Francois Dumouriez, comprising: BURKE. Reflections on the Revolution in France, and on the Proceedings in Certain Societies in London Relative to that Event. Dublin: for W. Watson and others, 1790. First or second Dublin edition. Todd 53aa. -- PRIESTLEY. Letters to the Right Honourable Edmund Burke, occasioned by his Reflections on the Revolution in France. Dublin: for J. Sheppard and others, 1791. First Dublin edition. -- BURKE. A letter from Mr. Burke to a Member of the National Assembly; in answer to some objection to his book no French affairs. Dublin: for G. Burnet and others, 1791. First Dublin edition. Todd 54i. -- NARES. Principles of Government deduces from Reason, supported by English Experience, and opposed to French Errors. Dublin: for B. Dornin, 1793. First Dublin Edition. -- [EDEN]. Some Remarks on the Apparent Circumstances of the War in the fourth week of October, 1795. Dublin: J. Chambers, 1795. First Dublin Edition. -- DUMOURIEZ. A Speculative Sketch of Europe. Dublin: for J. Moore and J. Milliken, 1798. Together 6 works in one volume, 8vo (206 x 199 mm). 19th-century half calf gilt, red morocco lettering-piece gilt. Provenance: John Ball (signatures with contemporary dates on the title-pages of the second, third and fourth works); Mary and James Donahoe (signatures on final leaf). Burke’s Reflections on the Revolution in France, an intellectual attack against the French Revolution, in which he argues that the Revolution will fail, due to its abstract foundation, drew several notable responses. In addition to the responses of Priestley, Nares, and Dumouriez, bound here, Burke’s work drew replies from Thomas Paine (The Rights of Man, 1791) and Mary Wollstonecraft (Vindication of the Rights of Man, 1790). Property from the Collection of Edward A. Quattrocchi $200-300

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

90 FROST, Robert (1874-1963). A Boy’s Will. London: David Nutt, 1913. 8vo. Half-title. Original brown bronze pebbled cloth lettered in gilt, edges uncut, top edge unopened (spine slightly sunned, slight rubbing to spine ends, lower hinge starting). FIRST EDITION, FIRST ISSUE, SIGNED BY FROST on half-title, in Crane’s “Binding A.” Of the 1,000 copies printed, no more than 350 were bound in this first binding. Crane A2. Property from the Collection of Robert and Norma Cotner $1,200-1,800

91 FROST, Robert (1874-1963). North of Boston. New York: Henry Holt and Company, 1924. 8vo. Original publisher’s green cloth-backed gilt-lettered boards (slight rubbing). Provenance: Richard Hatch (signature; bookplate). Later reprint SIGNED BY FROST on flyleaf (Deerfield, 10 March 1927). [With:] North of Boston. New York: Henry Holt and Company, 1915. Original publisher’s green cloth gilt (slight wear to spine ends, fading to extremities). Provenance: Note in an early owner’s hand describing a visit with Edwin Markham (1917). Third edition. -- North of Boston. New York: Henry Holt and Company, 1915. Original publisher’s green cloth gilt; original printed dust jacket (separations to folds, old tape repairs verso, front flap and spine panel separated). Provenance: R. Kearn (signature). Third edition. Property from the Collection of Robert and Norma Cotner $200-300

(part lot)

92 FROST, Robert (1874-1963). Mountain Interval. New York: Henry Holt and Company, November 1916. 8vo. Half-title; frontispiece. Original publisher’s gilt-lettered blue cloth. Provenance: Whitney W. Stark (presentation inscription, bookplate). FIRST EDITION, FIRST ISSUE, PRESENTATION COPY, SIGNED BY FROST, “For W.W. Stark by Robert Frost both of English 18 Amherst 1917.” With lines 6 and 7 repeating on p.88, and “Come” (later changed to “Gone”) on p.93. Mountain Interval includes the first appearance of “The Road Not Taken” in a Frost book. Crane A4. Property from the Collection of Robert and Norma Cotner $400-600

FINE BOOKS AND MANUSCRIPTS, INCLUDING AMERICANA

93 FROST, Robert (1874-1963). Mountain Interval. New York: Henry Holt and Company, 1924. 8vo. Frontispiece. Original cloth-backed green boards gilt (faint damp stain to boards and top edge; original printed dust jacket (a few minor short tears and chipping to edges; slight soiling; clipped). Later edition, SIGNED BY FROST WITH A 4-LINE QUOTATION from his poem, “A Fountain, a Bottle, a Donkey’s Ears, and Some Books”: “How had the tender verse escaped their outrage?/ By being invisible for what it was,/ Or else by some remoteness that defied them/ To find out what to do to hurt a poem.” Property from the Collection of Robert and Norma Cotner

94 FROST, Robert (1874-1963). A Further Range. New York: Henry Holt and Company, 1936. 8vo. Original red cloth stamped in gilt, top edge stained red; original printed dust jacket (edges with a few minor tears) Provenance: Marjorie Howard (presentation inscription, 1939). FIRST TRADE EDITION, second impression, PRESENTATION COPY, SIGNED BY FROST: “Robert Frost for Marjorie Howard 1939.” Crane A21.1 Property from the Collection of Robert and Norma Cotner $500-700

$1,000-1,500

FROST, Robert (1874-1963). A Witness Tree. New York: Henry Holt & Company, 1942.

FROST, Robert (1874-1963). In the Clearing. New York: Holt, Rinehart and Winston, 1962.

8vo. Frontispiece portrait. Original gray-green cloth-backed patterned boards gilt; board slipcase (minor chipping and a few separations to edges). Provenance: Joseph E. McCabe (gift inscription from James L. Bowers, Christmas 1960). FIRST EDITION, LIMITED ISSUE, number 680 of 735 copies SIGNED BY FROST. Joseph McCabe served as president of Coe College from 1958 to 1970. Crane A25. Property from the Collection of Robert and Norma Cotner

8vo. Original publisher’s slate-gray cloth stamped in silver (corners very slightly bumped); original printed dust-jacket (creasing and tearing to extremities; slight soiling to rear jacket; very minor spotting to dust jacket flaps). Provenance: Lesley Frost (1899-1983), Robert Frost’s daughter (ownership signature, Taylor Univ, 11 April 1962); Norma and Robert Cotner (presentation inscription). FIRST TRADE EDITION, LESLEY FROST”S COPY, PRESENTATION COPY, INSCRIBED BY FROST: “Robert Frost to Norma and Robert Cotner. Welcome visitors at Ripton VT June 3 62.” Crane A41.1

$400-600

Property from the Collection of Robert and Norma Cotner $400-600 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

97 FROST, Robert (1874-1963). Photographic reproduction signed and inscribed (“Robert Frost”), to R.V. Thornton, 1955. 9 x 7 1/4 in. silver gelatin print photographic portrait by Clara E. Sipprell tipped to mount, SIGNED BY SIPPRELL in pencil lower mount margin (mount tipped to backing board), matted and framed. SIGNED AND INSCRIBED BY FROST TO R.V. THORNTON in ink lower mount margin: “To R.V Thornton in heartiest western friendship Robert Frost Chicago Nov 1955.” Property from the Collection of Robert and Norma Cotner $1,000-1,500

98 FROST, Robert (1874-1963). A group of 7 signed limited editions, comprising: West-Running Brook. New York: Henry Holt, 1928. Number 377 of 1000 copies. -- Robert Frost. Collected Poems. New York: Random House, 1930. Number 490 of 1,000 copies. -- A Masque of Reason. New York: Henry Holt and Company, 1945. Slipcase. Number 585 of 800 copies. -- A Masque of Mercy. New York: Henry Holt and Company, 1947. Slipcase. Number 665 of 751 copies. -- Steeple Bush. New York: Henry Holt and Company, 1947. Slipcase. Number 208 of 751 copies. -- Hard not to be King. New York: House of Books, Ltd., 1951. Number 19 of 300 copies. -- In the Clearing. New York: Holt, Rinehart and Winston, 1962. Slipcase. Number 330 of 1500 copies. -- Together, 7 works in 7 volumes, 8vo, ALL FIRST EDITIONS, LIMITED ISSUES, SIGNED BY FROST, all in original publisher’s cloth or cloth-backed boards, slipcases where noted, condition generally fine. Property from the Collection of Robert and Norma Cotner $1,000-1,500

(part lot) 99 FROST, Robert (1874-1963). A group of 5 signed trade editions, comprising: New Hampshire. New York: Henry Holt & Company, 1936. Dust jacket. Later edition. INSCRIBED BY FROST to Lawrence Polek, Newport, August 1956. Provenance: Lawrence [Polek] (gift inscription, Dec. 1953). -- FROST, Robert. Collected Poems of Robert Frost. New York: Henry Holt and Company, 1939. Dust jacket. FIRST EDITION, FIRST PRINTING. INSCRIBED BY FROST: “Robert Frost January 10 GM BP MER”. -- CLYMER, W.B. Shubrick. – GREEN, Charles R. Robert Frost: A Bibliography. Amherst, MA: Jones Library Inc., 1937. INSCRIBED BY FROST to Jack Gilchrist, Boston, November 1940. -- FROST, Robert. Complete Poems of Robert Frost 1949. New York: Henry Holt and Company, 1949. Dust jacket. FIRST EDITION, FIRST PRINTING. INSCRIBED BY FROST. -- FROST, Robert. Come In and Other Poems. New York: Henry Holt and Company, 1943. Dust jacket. Provenance: Lee? (gift inscription 1943); Harold Corbin (bookplate). FIRST EDITION, FIRST PRINTING. INSCRIBED BY FROST to Harold and Florie Corbin, 18 October 1957. -- Together, 5 works in 5 volumes, 8vo, some first editions where indicated, all in original publisher’s cloth, cloth-backed boards or printed boards, with dust jackets where indicated, condition generally fine. [With:] BLUMENTHAL, Joseph. Robert Frost and his Printers. Austin, TX: W. Thomas Taylor, 1985. Original cloth-backed boards; original slipcase. FIRST EDITION. Property from the Collection of Robert and Norma Cotner $400-600 (part lot) 34

FINE BOOKS AND MANUSCRIPTS, INCLUDING AMERICANA

100 [FROST, Robert (1874-1963)]. A group of 7 works by or about Frost, comprising: American & British Verse from The Yale Review. New Haven: Yale University Press, 1920. Original printed boards. FIRST EDITION. -- A Witness Tree. New York: Henry Holt and Company, June 1942. Dust jacket Later edition. -- A Witness Tree. New York: Henry Holt and Company, March 1943. Dust jacket. Later edition. -- A Masque of Reason. New York: Henry Holt and Company, 1945. Dust jacket. FIRST EDITION, FIRST PRINTING. -- A Masque of Mercy. New York: Henry Holt and Company, 1947. Dust jacket. FIRST EDITION, FIRST PRINTING. -- ADAMS, Frederick B. To Russia with Frost. Boston: The Club of Odd Volumes, 1963. Slipcase. FIRST EDITION. -LATHEM, Edward Connery and THOMPSON, Lawrance, editors. Robert Frost: Farm-Poultryman. Hanover, NH: Dartmouth Publications, 1963. Original printed dust jacket. Provenance: Lawrance Thompson (signature, Princeton, 23 April 1971). FIRST EDITION. -- Together, 7 works in 7 volumes, 8vo, FIRST EDITIONS where indicated, all in original publisher’s cloth, clothbacked boards or printed boards, most with original dust jackets where indicated, condition generally fine. Property from the Collection of Robert and Norma Cotner $700-900 101 [FROST, Robert (1874-1963)]. A group of 7 works by or about Frost, comprising:

102 (part lot) American & British Verse from The Yale Review. New Haven: Yale University Press, 1920. Provenance: Anne (gift inscription, 1920). FIRST EDITION. -- A Further Range. New York: Henry Holt and Company, 1936. FIRST TRADE EDITION, second impression. -- A Masque of Reason. New York: Henry Holt and Company, 1945. Dust jacket. FIRST TRADE EDITION. -- A Masque of Reason. London: Jonathan Cape, 1948. FIRST ENGLISH EDITION. -- In the Clearing. New York: Hole, Rinehart and Winston, 1962. Dust jacket. FIRST TRADE EDITION. -- ADAMS, Frederick B. To Russia with Frost. Boston: The Club of Odd Volumes, 1963. Slipcase. Provenance: Bryan S. Reid Jr. (gift inscription, 1969). FIRST EDITION. -- LATHEM, Edward Connery and THOMPSON, Lawrance, editors. Robert Frost: Farm-Poultryman. Hanover, NH: Dartmouth Publications, 1963. Dust jacket. FIRST EDITION. -Together, 7 works in 7 volumes, all 8vo, ALL FIRST EDITIONS, all in original publisher’s cloth, cloth-backed boards, or printed boards, dust jackets where indicated, condition generally fine. Property from the Collection of Robert and Norma Cotner $600-800 102 FROST, Robert (1874-1963). A group of 28 Christmas cards, including: Two Tramps In Mud-Time. 1934. FIRST SEPARATE EDITION, LIMITED ISSUE, one of 175 copies printed for the Melchers of Montclair of a total edition of 775 copies. Crane B2. -- To A Young Wretch. 1937. FIRST SEPARATE EDITION, LIMITED ISSUE, one of 275 copies printed for Elinor and Robert Frost of a total edition of 820 copies. Crane B5. -- Triple Plate. 1939. FIRST EDITION, LIMITED ISSUE, one of 200 copies printed for the Melchers of Montclair / Marguerite and Fred of a total edition of 1,825 copies. Crane B7. -- Our Hold on the Planet. N.p., n.p.: 1940. FIRST EDITION, LIMITED ISSUE, one of 125 copies printed for Marguerite and Fred Melcher of a total edition of 975 copies. Crane B8. -- The Guardeen [Fragment of an Unpublished Play by Robert Frost]. Los Angeles: Privately Printed for Earl J. Bernheimer by the Ward Ritchie Press, 1943. FIRST EDITION, LIMITED ISSUE, number 6 of 96 copies SIGNED BY BERHEIMER. Crane B11. -- An Unstamped Letter in Our Rural Letter Box. 1944. FIRST EDITION, LIMITED ISSUE, one of 1,250 copies printed for Henry Holt and Company of a total edition of 2,050 copies. Crane B13. -- And 22 others. Together, 28 Christmas cards for the years 1934, 1937, 1939, 1940, 1943-1944, 1950, 1952-1954, 1956-1963 and 1965. With duplicate cards for 1956-1958, 1959, 1961, and 1962. ALL FIRST EDITIONS OR FIRST SEPARATE EDITIONS. Printed by The Spiral Press in New York except where indicated. All in original printed wrappers, condition generally fine, complete list available on request. Property from the Collection of Robert and Norma Cotner $400-600 103 FROST, Robert (1874-1963). A group of approximately 87 works by or about Frost consisting of later editions of his works, collected editions, and reference works, including: Selected Poems. New York: Henry Holt and Company, 1923. Provenance: Elizabeth Blair (signature, 1923). FIRST EDITION. -- Complete Poems of Robert Frost. New York, Chicago, San Francisco: Holt, Rinehart and Winston,1964. Later edition. -- Come In And Other Poems. London: Jonathan Cape, 1944. Later edition. -- Selected Poems. New York: Henry Holt and Company, 1944. Third edition. -- LATHEM, Edward Connery, editor. The Poetry of Robert Frost. New York: Henry Holt and Company, 1967. FIRST EDITION. -- And approximately 82 others. Published between various dates, in various 4to, 8vo and 12mo formats, most later editions except where indicated, publisher’s cloth, cloth-backed boards, or printed wrappers, many with dust jackets, condition generally fine, complete list available on request. Property from the Collection of Robert and Norma Cotner $300-400 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

104 [FROST, Robert (1874-1963)]. A group of approximately 143 reference works about Frost, including: COX, Sidney. Robert Frost. Original “Ordinary Man.” New York: Henry Holt and Company, 1929. LIMITED EDITION, number 178 SIGNED BY COX. Provenance: Edmond Garesche Benoist (bookplate). -- THOMPSON, Lawrance, editor. Selected Letters of Robert Frost. New York, Chicago, San Francisco: Holt, Rinehart and Winston,1964. FIRST EDITION, INSCRIBED BY THOMPSON to Norma and Robert Cotner. -- LATHEM, Edward Connery, editor. Interviews with Robert Frost. New York, Chicago, San Francisco: Holt, Rinehart and Winston, 1966. FIRST EDITION. INSCRIBED BY LATHEM. -- THOMPSON, Lawrance. The Early Years, 1874-1915. New York, Chicago, San Francisco: Holt, Rinehart and Winston, 1966. FIRST EDITION, SIGNED BY THOMPSON. -- GRADE, Arnold, editor. Family Letters of Robert and Elinor Frost. Albany, New York: State University of New York Press, 1972. FIRST EDITION. INSCRIBED BY LESLEY FROST to Robert A. Cotner. -- And approximately 138 others. Published between various dates, in various 4to, 8vo and 12mo formats, most later editions except where indicated, publisher’s cloth, cloth-backed boards or printed wrappers, many with dust jackets, condition generally fine, complete list available on request. Property from the Collection of Robert and Norma Cotner 105

$300-400 105 GUICCIARDINI, Francesco (1483-1540). The Historie of Giucciardin, Containing the Warres of Italie and other partes...reduced into English by Geffray Fenton. London: Thomas Vautrollier, 1579. Folio (288 x 189 mm). Woodcut device on title-page. (Lacking initial blank and one other preliminary leaf, title browned and slightly frayed, A1 silked, some minor browning or spotting). 19th century half morocco (rebacked and repaired, old calf cover bound in). FIRST EDITION IN ENGLISH of La historia d’Italia, “undoubtedly the greatest historical work that had appeared since the beginning of the modern era. It remains ...the final triumph of the Florentine school of philosophical historians which included Machiavelli, Segni, Pitti, Nardi, Farchi, Francescto Vettori and Donato Giannotti “ (J. A. Symonds). Guicciardini is regarded as the first “universal” historian, placing Italy within the larger context of the European system of states and demonstrating the interdependence of political events across the continent. ESTC S120755; STC 12458a. Property from the Collection of Edward A. Quattrocchi $500-700

106

106 HEMINGWAY, Ernest. Men Without Women. New York: Charles Scribner’s Sons, 1927. 8vo, original black cloth, printed front cover and spine labels (slightly shaken, endpapers slightly discolored); dust jacket (spine panel toned with some chipping at ends and with small area skinned near head, slight splitting along rear joint, minor chipping and wear to extremities, some soiling). Provenance: Robert G. Earley (small stamp on front free endpaper). FIRST EDITION, FIRST PRINTING (weighing 15.7 ounces), in first printing dust jacket with no blurbs in the orange bands on the front panel. Hanneman A7a.

$2,500-3,500 107 HEMINGWAY, Ernest (1899-1961). To Have and Have Not. New York: Charles Scribner’s Sons, 1937.

107

8vo. Original publisher’s black cloth gilt; original dust jacket (slight chipping at head of spine and corners). FIRST EDITION, FIRST PRINTING with the Scribner’s seal, and the capital “A” on the copyright page. Hanneman A14a. $600-800

108 - No Lot 36

FINE BOOKS AND MANUSCRIPTS, INCLUDING AMERICANA

109

110

HOBBES, Thomas (1588-1679). Leviathan, sive De materia, forma, et potestate civitatis ecclesiasticae et civilis. Amsterdam: J. Blaeu, 1670.

HOOKER, Richard (1554?-1600). Of the Lawes of Ecclesiastical Politie. London: Richard Bishop, [1639].

4to (201 x 147 mm). Woodcut device on title-page, woodcut initials. (Marginal wormtrack to first ca 40 leaves.) Contemporary mottled calf, edges sprinkled brown and red (rebacked, endpapers renewed, a few other small repairs).

6 parts in one volume, folio (286 x 187 mm). Engraved title-page, section titles printed within woodcut border. (Lacking initial blank, engraved title soiled, some minor soiling or staining.) Contemporary blind calf, edges stained red (some light wear). Provenance: Thomas Case (early signature on title-page); W. H. Spanhake (stamp).

FIRST SEPARATE EDITION IN LATIN. Hobbes prepared the translation himself, editing the text and including three apologetic dialogues in place of the original “Review and Conclusion.” His translation first appeared in Opera philosophica quae Latine scripsit omnia, published by Blaeu in 1668. “It is the Latin version in which Hobbes really expresses his opinions...in his Latin version he was less concerned with personalities” (MacDonald & Hargreaves 45).

Seventh edition of Hooker’s theory, which served as the basis for Locke’s Treatise of Civil Government. ESTC S119110; STC 13720. Property from the Collection of Edward A. Quattrocchi $300-400

Property from the Collection of Edward A. Quattrocchi $400-600

111

112

HOPPIN, Benjamin (1851-1923). A Diary kept while with the Peary Arctic Expedition of 1896. [New Haven?: n.p., 1897].

HUME, David (1711-1776). Essays and Treatises on Various Subjects...A new edition. London: A. Millar and A. Kincaid & A. Donaldson at Edinburgh, 1758.

8vo. Map frontispiece, one plate. Publisher’s blue cloth gilt. Provenance: Edward T. Owen (presentation inscription dated 29 June 1897).

4to (260 x 207 mm). (Some very minor spotting or browning.) Contemporary sprinkled calf, brown morocco lettering-piece gilt, edges stained red (Joints starting, some rubbing or wear).

FIRST EDITION, PRESENTATION COPY, INSCRIBED BY HOPPIN: “For Prof. Edward T. Owen ’72 from B. Hoppin ’72 Baddock, Cape Breton, Nova Scotia. For June 29th 1897.” Hoppin, Peary’s mineralogist, provides a first-hand account of the voyage of the Hope. RARE. Arctic Bib. 7401. $600-800

Second collected edition, later issue, with the 4 additional leaves signed *4 including the “Two additional essays.” THE FIRST SINGLE-VOLUME QUARTO EDITION, including Hume’s most important philosophical works, An Enquiry concerning Human Understanding (1748), An Enquiry concerning the Principles of Morals (1751), and The Natural History of Religion (1757), the first collected edition to include the Four Dissertations. Goldsmiths’ 9314; Higgs 1616; Jessop 5; Kress 5712. Property from the Collection of Edward A. Quattrocchi $500-700 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

113 [INDIAN & SOUTHEAST ASIAN ART]. A group of 8 works in 10 volumes, including: DOHRING, Karl Von. Buddhistische Templanlagen in Siam. Bangkok, Siam: Asia Publishing House, 1920. -- GROSLIER, George. La Sculpture Khmere Ancienne. Paris: Les Editions G. Cres & Co., 1925. -- INDIA HOUSE. A Descriptive Catalogue of the Marine Collection to be found at India House. New York: The Sign of the Gosden Head 1935. LIMITED EDITION, number 667 of 1,000 copies. --ROWLAND, Benjamin. WallPaintings of India Central Asia & Ceylon. Boston: The Merrymount Press, 1938. Limited Edition, number 405 of 500 copies. -- Broderies Hindoues. Paris: Ernst Henri, editeur, n.d. -- And 3 others. Together, 8 works in 10 volumes, large folio or 4to, most first editions, all in cloth or cloth-backed boards, condition generally good, complete list available on request. Property from a Prominent Chicago Collection $300-400 114

114 JOHNSON, Samuel (1709-1784). The Idler. London: printed for J. Newbery, 1761. 2 volumes, 8vo (161 x 94 mm). 3pp. publisher’s advertisements at end. (Some minor browning or spotting.) Contemporary half calf gilt, edges stained yellow (some minor wear, endleaves renewed). Provenance: Nicholas Frederic Brady (bookplate); Brick Row Book Shop, New Haven, CT (morocco book label). FIRST COLLECTED EDITION of the 104 sketches that appeared between 15 April 1759 and 5 April 1760. All but 12 were written by Johnson; the others were written by Joshua Reynolds and Thomas Warton. Courtney and Smith p. 83; ESTC T153829; Roscoe A-264. Property from the Collection of Edward A. Quattrocchi $600-800 115 JOHNSON, Samuel (1709-1784). A Dictionary of the English Language. London: for J. F. and C. Rivington and others, 1785.

115

2 volumes, 4to (267 x 212 mm). Engraved portrait frontispiece to vol. I dated August 21st 1786. (Lacking half-title to vol. I, light offsetting of frontispiece to title, scant spotting or soiling to a few leaves.) Contemporary reversed calf, blind roll tooling to covers, brown and green morocco lettering-pieces gilt (some rubbing or wear, a few joints just starting). Sixth edition, FIRST QUARTO EDITION, of Johnson’s “most amazing, enduring and endearing one-man feat in the field of lexicography” (PMM). ESTC T116655. Property from the Collection of Edward A. Quattrocchi $400-600 116 JONSON, Benjamin (1572-1637). Seianus, his Fall. [Extracted from:] The Workes of Benjamin Jonson. London: William Stansby, 1616. Small folio (280 x 174 mm). Comprising pp. 357-438. (Small repairs to text Mm5-6 with a few words supplied in facsimile some light staining or browning). Provenance: Bennett H. Jackson (bookplate). FIRST COLLECTED EDITION, published in the month of Shakespeare’s death, listing him as a player. The 1616 folio edition of Jonson’s works provided a precedent for Heminges and Condell when they prepared the first folio edition of Shakespeare’s works seven years later, to which Jonson provided verses. See ESTC S111817.; see STC 14751. Property from the Collection of Edward A. Quattrocchi

116

$1,000-1,500

FINE BOOKS AND MANUSCRIPTS, INCLUDING AMERICANA

117 [KELMSCOTT PRESS]. RUSKIN, John (1819-1900). The Nature of Gothic: A Chapter of the Stones of Venice. Hammersmith: The Kelmscott Press for George Allen, 1892. 8vo. Woodcut border and initials, line-block diagrams in-text; original prospectus laid in. (Minor offsetting of Kelmscott device to text opening.) Original stiff vellum, green silk ties (covers very slightly bowed, some very minor soiling). LIMITED EDITION, one of 500 unnumbered copies on paper (no vellum copies were issued), the fourth book of the Kelmscott Press, printed in Golden type. Peterson A4. Property from the Collection of Edward A. Quattrocchi $800-1,200

118 [KELMSCOTT PRESS]. MORRIS, William (1834-1896). Love is Enough. Hammersmith: The Kelmscott Press, 1897. 4to. Printed in Troy type (stage directions in Chaucer type) in red and black, woodcut initial capitals in blue and black, 2 full-page woodcuts by W. H. Hooper after Sir Edward Burne-Jones, woodcut borders. Original limp vellum, yapp edges, green silk ties (lacking tie ends, one laid in). LIMITED EDITION, one of 300 copies on paper, one of only two Kelmscott Press books printed in three colors. Peterson A52. Property from the Collection of David Strauss, New York, New York $5,000-6,000

119 KUNZ, George Frederick (1858-1932). The Book of the Pearl. New York: The Century Co., 1908. 4to. Title printed within green decorative border, numerous plates (many printed in color), numerous in-text illustrations. Citron crushed levant gilt, spine in 6 compartments with 5 raised bands, gilt-lettered in two, the rest gilt-decorated, board edges and turn-ins gilt, tan watered silk doublures and endpapers, top edge gilt, others uncut (very slight wear to extremities, otherwise fine). PRESENTATION COPY, INSCRIBED BY KUNZ: “To Miss Julia Halsey Munson, with the compliments of the senior author George F. Kunz New York July 10 1913.” A FINE COPY of “this beautiful example of modern book design, executed in high quality materials...prized not only for the enormous amount of reliable information that it contains, indeed still unmatched in any work since, but also for the large number of high quality illustrations in black and white” (Sinkankis 3690). Property from the Collection of Erwin Boehning $300-400 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

120 LE COMTE, Louis Daniel (1655-1728). Memoirs and Observations Topographical, Physical, Mathematical, Mechanical, Natural, Civil and Ecclesiastical. Made in a Late Journey Through the Empire of China. London: Printed for Benj. Tooke and Sam Buckley, 1697. 8vo (188 x 115 mm). Engraved portrait frontispiece, 3 engraved plates (2 folding), 1 engraved folding table. (Toning and spotting affecting a few leaves.) Contemporary panelled calf gilt (rubbing to extremities). FIRST ENGLISH EDITION of Le Comte’s experience as a Jesuit missionary in China, with a folding plate depicting the observatory established by the Jesuits in Pekin. ESTC R15898; Wing L831. Property from a Prominent Chicago Collection 120

$500-700 121 LEO I (ca 360-461, Pope from 400). Sermones et epistolae. Translated from Latin into Italian by Filippo Corsini. Florence: [Antonio di Bartolommeo Miscomini], 21 May 1485. Chancery folio (277 x 205 mm). Collation: I4; 2-218 2210. 173 leaves (of 174; lacking final blank). 33 lines. Roman type 3:112. Capital spaces with guide letters, illuminated with 2 6-line initials in blue with elaborate red penwork, numerous 2-line initials in blue. (First and last leaves inlaid, repairs to a few lower corner margins occasionally just touching a letter or two). 20th-century blind-stamped blue morocco by Vignal (upper cover detached, lower joint slightly rubbed, minor chipping to spine ends). FIRST EDITION IN ITALIAN of Leo I’s sermons. The Bishop of Aleria’s epistle, beginning on 1v, shows Corsini worked from the Latin edition of Sweynheym and Pannartz, published in 1470 in Rome, or one of its reprints (the present edition omitting a few miscellaneous pieces at the end). BMC VI, 638; BSB-Ink L-104; HC 10016; Goff L-136. Property from the Collection of Edward A. Quattrocchi $3,000-4,000 122

121

LEVER, Charles (1806-1872). Works. Boston: Little Brown and Company, 18941895. 40 volumes, 8vo (213 x 137 mm). Frontispieces, a profusion of plates and in-text illustrations. Original green cloth, red and black printed labels on spines, top edge gilt, others uncut. LIMITED EDITION, number 1181 of 1250 copies printed for sale in America. $100-200 123 LOCKE, John (1632-1704). An Essay concerning Humane Understanding. London: for Albasham, John Churchill, and Samuel Manship, 1694. Folio. Engraved portrait frontispiece Sylvester Brounower; title-page printed within double rule border. (Some minor soiling or browning.) Modern calf. Second edition, second issue with the Churchill/Manship imprint. The expanded second edition, the foundation for classical British Empiricism, arose from Locke’s correspondence with Irish scientist William Molyneux. Locke concludes that “though knowledge must necessarily fall short of complete comprehension, it can at least be ‘sufficient’ enough to convince us that we are not at the mercy of pure chance, and can to some extent control our own destiny (PMM 164). Brunet VII: 883; ESTC R21459; Wing L-2740. Property from the Collection of Edward A. Quattrocchi $600-800

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124 LOCKE, John (1632-1704). Two Treatises of Government. London: for Awnsham and John Churchill, 1698. 8vo (190 x 117 mm). Title printed within double rule border. (Worming primarily in outer margins and affecting letters, some browning.) Contemporary blind calf, red morocco lettering-piece (old rebacking, covers detached, some wear). Provenance: Edward Chilton (engraved armorial bookplate on title verso dated 1697); Edward Warner Gude (blindstamp and signature 1960). Third edition. “The importance of this book in the history of English political thought is sometimes ignored... The constructive doctrines which are elaborated in the second treatise became the basis of social and political philosophy for many generations” (Pforzheimer). ESTC R868; Wing L-2768. Property from the Collection of Dr. Theo C. Mataxis Jr. $800-1,200 125 LOCKE, John (1632-1704). Some Familiar Letters between Mr. Locke, and Several of his Friends. London: for A. and J. Churchill, 1708.

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8vo (188 x 110 mm). Title-page printed within double rule border, woodcut devices on title-page. Contemporary panelled calf (neatly rebacked to style). FIRST EDITION of Locke’s correspondence with philosopher and scientist William Molyneux (1656-1698) and Dutch theologian Philip van Limborch (1633-1712). The letters on pp. 297-540 are in Latin. ESTC T117287; Pforzheimer 611. Property from the Collection of Edward A. Quattrocchi $400-500 126 LONGFELLOW, Henry Wadsworth (1807-1892). The Song of Hiawatha. Boston: Ticknor and Fields, 1860. 8vo. Publisher’s advertisements dated November 1855. (Some spotting to a few leaves at beginning and end.) Original publisher’s blind-stamped brown cloth gilt-lettered on spine (some light wear to spine ends, a few minor stains, spine slightly leaned); quarter red morocco slipcase. Provenance: E. A. Beatly? (early faint inscription on front flyleaf); A. H. Armour & Co. (early bookseller’s label).

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FIRST AMERICAN EDITION of Longfellow’s epic poem. BAL 12111. A BRIGHT COPY. Property from the Collection of John S. Leipsic $300-400 127 LONGFELLOW, Henry Wadsworth (1807-1892). 4 works, comprising: The Golden Legend. Boston: Ticknor, Reed, and Fields, 1851. 4 pp. advertisements dated October 1851. Original brown cloth gilt. BAL 12102 (first printing, title-page dated “M DCCC LI”). -- The New-England Tragedies. Boston: Ticknor and Fields, 1868. Original purple cloth gilt. BAL 12150 (early printing from unbattered type, binding B, no priority.). -- The Divine Tragedy. Boston: James R. Osgood and Company, 1871. Original publisher’s green cloth gilt. FIRST EDITION, SIGNED BY LONGFELLOW on title-page. BAL’s small paper format, measuring 6 7/8 x 4 1/2”. BAL 12157 (small paper format measuring 6 7/8 x 4 1/2”). -- The Masque of Pandora. Boston: James R. Osgood and Company, 1875. Original purple cloth gilt. BAL 12170 (first printing). -- Together, 3 volumes, ALL FIRST EDITIONS, ONE SIGNED BY LONGFELLOW, condition generally good.

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Property from the Collection of John S. Leipsic $250-350 128 LUDOLF, Hiob (1624-1704). Lexicon Aethiopico-Latinum: ex omnibus libris impressis, et multis MSStis contextum... Editio secunda. Frankfurt: John David Zunner, 1699. Folio (312 x 194 mm). Title-page printed in red and black. (Some browning or spotting.) Contemporary boards (worn, a few leaves becoming loose). Provenance: unidentified paper seal lower margin title-page. Second edition of Ludolf’s Ethiopic-Latin dictionary, first published in London by Thomas Roycroft in 1661. Property from the University of Chicago, Chicago, Illinois 128 $400-600 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

129 MACHIAVELLI, Niccolo (1469-1527). Discorsi...sopra la prima deca di Tito Livio. Venice: Giovanni Antonio and Nicolini da Sabio, Melchior Sessa, 1537. 8vo (160 x 103 mm). Woodcut device on title-page. (Some minor staining.) Later half vellum, upper cover with the gilt arms of the Bridgewater family. Provenance: a few early manuscript annotations verso of last blank leaf; the Bridgewater family library (binding, bookplate and shelfmark, see below). Early edition of Machiavelli’s Discourses, preceded by Antonio Blado’s 1531 edition published in Rome, and a 1534 edition published by Sessa. In 1540, the first Aldine edition was published. The Bridgewater family library was acquired by Henry Huntington en bloc in 1917 from the fourth Earl of Ellsemere; at the time, it was the oldest family library still in private hands. Small portions of the library were sold in the 19th century; Henry Huntington sold some books from the collection at auction between 1918 and 1924. The rest of the collection comprises the core of the Huntington Library’s early English collections. VERY RARE: according to American Book Prices Current, no copy this edition has sold at auction in the last 40 years; OCLC traces only two copies (held by the Bibliothèque Sainte-Geneviève and the Staatsbibliothek zu Berlin). Not in Adams; Grasse IV 323; STC (Italy) II 293. Property from the Collection of Edward A. Quattrocchi $500-700

130 MACHIAVELLI, Niccolò (1469-1527). Machiavels Discourses upon the First Decade of T. Livius. Translated by Edward Dacres. London: Thomas Paine for William Hills and Daniel Pakeman, 1636. 12mo (144 x 82 mm). Woodcut ornaments and initials. (First gathering disbound, some minor browning or staining, a few rust-holes occasionally affecting letters.) Contemporary blind calf, edges stained red (old rebacking, some minor wear). FIRST EDITION IN ENGLISH, with animadversions in italics on the title-page and [B1] a cancelandum. “Machiavelli founded the science of modern politics on the study of mankind - it should be remembered that a parallel work to The Prince was his historical essay on the first ten books of Livy” (PMM 63, see next lot). ESTC S109049; STC 17160. Property from the Collection of Edward A. Quattrocchi $1,000-1,500

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131 MACHIAVELLI, Niccolò (1469-1527). Nicholas Machiavel’s Prince. Also, The life of Castruccio Castracani of Lucca. And the meanes Duke Valentine us’d to put to death Vitellozzo Vitelli, Oliverotto of Fermo Paul, and the Duke of Gravina. Translated by Edward Dacres. London: R. Bishop for William Hils and Daniel Pakeman, 1640. 12mo (140 x 77 mm). Collation: A6, B-O12. Printed rule borders throughout. (Some borders shaved, a few pale stains.) Modern calf. Provenance: a few old annotations and markings to blank areas and verso of final leaf. FIRST EDITION IN ENGLISH. “’The Prince’ is far more than a book of directions to any one of the many Italian princelings. Machiavelli had profited by his journeys to France and Germany to make the most able analyses (in his reports to his government) of a national government, and he now wrote for the guidance of the ruler by whom alone Italy, desperately divided, could be restored to political health. Hitherto political speculation had tended to be a rhetorical exercise based on the implicit assumption of Church or Empire....Politics was a science to be divorced entirely from ethics, and nothing must stand in the way of its machinery. Many of the remedies he proposed for the rescue of Italy were eventually applied. His concept of the qualities demanded from a ruler and the absolute need of a national militia came to fruition in the monarchies of the seventeenth century and their national armies” (PMM). Bertelli & Innocenti XVII, 38; Gerber III, p. 104, no. 2; PMM 63; STC 17168. Property from the Collection of Edward A. Quattrocchi 131 $25,000-35,000 132 MACHIAVELLI, Niccolo (1469-1527). The Works of the Famous Nicholas Machiavel, Citizen and Secretary of Florence. Written originally in Italian, and from thence newly and faithfully Translated into English... Henry Neville, translator. London: for John Starkey, Charles Harper and John Amery, 1680. Folio (312 x 193 mm). General title-page and 4 section titles printed within double rule border. (Some dampstaining or browning.) contemporary calf (defective, covers detached). Provenance: Thomas Shillington (signature on title-page); Tiffany Thayer (102-1959) American actor, founder of Fortean Society (bookplate). Second edition in English of the collected works of Machiavelli, first published in 1675. With section titles for The history of Florence, The Prince, The discourses...upon the first decade of Titus Livius, and The art of war. ESTC R13145; Wing M-129. Property from the Collection of Edward A. Quattrocchi $300-400

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135

133 [MAGNA CARTA] Magna Charta, cum statutis quae antiqua vocantur, iam recens excusa, & summa fide emendata, iuxta vetusta exemplaria ad Parliamenti rotulos examinata: quibus accesserunt nonnulla nunc primum typis edita... London: Richard Tottell, 12 June 1556. 2 parts in 1 volume, 12mo (134 x 90 mm). Woodcut initials. 20th-century half brown calf, edges stained red (upper cover detached). Provenance: early marginalia; H. H. Hedderwick (gift inscription). FIRST TOTTELL EDITION, with line 1 of the title-page to the second part reading “SECVN-”. Another Tottell edition, dated 1556 on the titlepage (but actually published ca 1560 according to STC), reads “SECVNDA” in line 1 of the title-page to part II. A revised edition of Thomas Berthelet’s version published in 1531. Beale S15; ESTC S101069; STC 9277.5. Property from the Collection of Edward A. Quattrocchi $1,500-2,500 134 MANDEVILLE, Bernard de (1670?-1733). An Enquiry into the Origin of Honour and The Usefulness of Christianity in War. London: for John Brotherton, 1732. 8vo (191 x 120 mm). Woodcut device on title-page. Contemporary sprinkled calf (Old rebacking, endpapers renewed, covers detached). Provenance: Lincoln’s Inn Library (withdraw stamp). FIRST EDITION, a continuation of the dialogues found in Mandeville’s Fable of the Bees. ESTC T59021; Rothschild 1375. Property from the Collection of Edward A. Quattrocchi $250-350 135 METHODIUS, Saint, Archbishop of Tyre (827-869). [Revelationes]. Revelationes divinae a sanctis angelis factae de principio mundi. Edited by Sebastian Brant. Basel: Michael Furter, 14 February 1500. 4to (207 x 144 mm). Collation: a-g8 h-i6. 68 leaves. 36 lines and marginalia. Type: 156bG, 6:106G, 1:83G, 4:64G. 61 woodcuts (some repeated), a few with hand-coloring in red, woodcut initials hand-colored in red, red strokes. (Tiny mostly marginal wormholes to a few leaves occasionally touching letters, some minor browning or soiling.) 19th-century calf gilt (rebacked, hinges reinforced, some wear). Provenance: unidentified bookplate, obscured by the bookplate of; Chester Dudley Ward. Second illustrated edition of the Divine Revelations, first published by Furter in 1498. Furter also printed two later editions in 1504 and 1515. The second edition is often attributed to 1516 as the date in the colophon reads “MCCCCC.XVI.Kal.’ Martii.” “XVI,” however, indicates that the book was printed sixteen days before the Kalends of March, as was the usual manner of recording the date using the Julian Calendar. The original edition of the text was published in 1475; this second illustrated edition is nearly a page-for-page reprint of Furter’s 1498 edition with the same woodcuts. VERY RARE: online records record only 3 complete copies of this edition at auction in the last 40 years. Adams 1369 (dating the work 1516); BMC III, 786; BSB-Ink M-354; Goff M-525; GW M23062; ISTC im00525000. Property from the Collection of Edward A. Quattrocchi $2,000-3,000 44

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136 MILTON, John (1608-1674). Paradise Regain’d...to which is added Samson Agonistes. London: for John Starkey, 1680. 8vo (174 x 106 mm). With leaf A1 with license printed verso before title, 4pp. publisher’s catalogue at end. Contemporary mottled calf, later red morocco lettering-piece gilt (some chipping to spine ends, joints starting, some wear). Provenance: “B” (unidentified stamp with crown). Second edition, which includes a separate dated title-page for Samson Agonistes, all with continuous pagination and register as usual. ESTC R300; Grolier Wither to Prior 614; Wing M02153. Property from the Collection of Edward A. Quattrocchi $400-600

137 MILTON, John (1608-1674). The Works. London: n.p., 1697. Folio (315 x 200 mm). Title-page printed within double rule border and with woodcut device. Contemporary blind-panelled calf (rebacked, some wear, a few leaves at the beginning becoming disbound). Provenance: Harvard University Library (bookplate, duplicate stamp on title verso, blind stamp). FIRST COLLECTED EDITION of Milton’s prose works. Pforzheimer 728; Wing M-2086. Property from the Collection of Edward A. Quattrocchi $300-400

138 MILTON, John (1608-1674). A Complete Collection of the Historical, Political, and Miscellaneous Works. Amsterdam [but London]: n.p., 1698. 3 volumes, folio (324 x 192 mm). Half-title in vol.I with engraved portrait frontispiece by Faithorne on verso, title-pages printed in red and black. (A few tears or rust-holes affecting letters, some toning or browning.) Contemporary blind-panelled calf, later red morocco lettering-piece gilt. Provenance: George Thomas Wyndham (bookplate). Collected edition, “commonly known as ‘Toland’s’, but he was not the editor. He remarked elsewhere that he would have omitted several of the works” (Coleridge 73). ESTC R19720; Wing M-2087. Property from the Collection of Edward A. Quattrocchi $600-800

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139 [MINIATURE BOOK]. ALIGHIERI, Dante (ca 1265-1321). La Divina Commedia di Dante. Milan: Ulrico Hoepli, 1878. 128mo (51 x 29 mm). Half-titles, engraved frontispiece, title in red and black. Contemporary black levant, spine in 5 compartments with 4 raised bands, giltlettered in one compartment, turn-ins and black morocco doublures gilt, blue watered silk endpapers, edges stained red (light rubbing to upper joint). Originally printed by the Salmin Brothers of Padua, Hoepli purchased a number of copies and issued the identical volume but with a new title page. The printing process was arduous, in part because of the minuscule 2-point Didot type (so-called “flies’ eye” type), according to Spielmann, “thought to be the smallest ever employed,” and “said to have injured the eyesight of both the compositor and the corrector.” Because only 30 pages could be printed in a month, the work took many years to complete. The project was begun in 1850 by Giacomo Gnocchi, but the work was abandoned. Resumed in 1873 by his son Giovanni, the edition was completed at the Printing Works ‘Alla Minerva’ in Padua overseen by Gaetano Gianuzzi and completed on 9 June 1878. After “1,000 copies were printed and the type was destroyed.”(Welsh 2168). Spielmann 114. Property from a Private Collection, Chicago, Illinois $1,000-1,500

140 [MINIATURE BOOK]. -- [BIBLE, in English]. The Bible in Miniuture [sic], or a Concise History of the Old and New Testaments. London: [Elizabeth] Newberry, 1780. 64mo (41 x 28 mm). Engraved title pages (including second title for the New Testament) and 13 (of 14) engraved plates. (Lacking plate facing p.221.) Original olive green morocco gilt, onlaid red calf ovals with cross and JHS overlaid front and back, marbled endpapers, edges gilt (light wear to corners and joints). Provenance: H. Reeve (ownership inscription, 26 May 1790); William Thorowgood (d. 1877), typographer and type founder (inscription) given to his granddaughter; Lucy Ellen Hibberdine (presentation inscription, 22 November 1860). FIRST EDITION of “the best-known miniature Bible” (Adomeit). THE EARLIEST ISSUE without an imprint on p.256, without a period after the date on the first title page and with parentheses enclosing the page numbers. The binding first appeared on the first edition of Harris’ miniature Bible (published 1771, Adomeit B18), and is known in several colors, most commonly red, here in the rarer olive green. Adomeit B26; ESTC T124732. Property from a Private Collection, Chicago, Illinois $400-600

141 [MINIATURE BOOK]. CICERO, Marcus Tullius (106-43 B. C. E.). - [BLAEU, Willem Jansz (1608-1639)]. M. Tullii Ciceronis De Officiis Libri III. Amsterdam: Guiljel I. Caesium, 1625. 64mo (61 x 40 mm). Engraved title page. Contemporary red morocco gilt, spine in 4 compartments with 3 raised bands, black morocco lettering-piece gilt in one, the rest gilt-decorated, turn-ins gilt, edges gilt (slight cracking at joints). Provenance: P. Foley (inscription, 1906). A rare edition of Cicero’s works. Not in Spielmann. Property from a Private Collection, Chicago, Illinois $400-600

FINE BOOKS AND MANUSCRIPTS, INCLUDING AMERICANA

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143

[MINIATURE BOOKS]. EPICTETUS. -- CEBES. Epicteti Enchiridion, Et Cebetis Tabula. Lugduni Batavorum: Ioan. Maire, 1646.

[MINIATURE BOOK]. The Psalms of David in Metre. As they are used in the Kirk of Scotland. Edinburgh: P. Williamson, 1779.

48mo (87 x 42 mm). Engraved vignette on title, half-titles. 19thcentury red morocco gilt, spine in 5 compartments with 4 raised bands, gilt-lettered in 2, turn-ins gilt, edges gilt (spine slightly darkened, light rubbing to extremities). Provenance: Sir William Stirling Maxwell (bookplates).

64mo (40 x 71 mm). Engraved title (mild even toning.) Contemporary tooled red morocco, smooth spine in 3 compartments gilt thistle tooling. Provenance: Bathia Dunbar (signature, 1785).

A later revised edition in Greek and Latin of Epictetus’ and Cebes’ philosophical discourses.

First published in 1778, the original letterpress title page was replaced with the present engraved title. ESTC T208367. Property from a Private Collection, Chicago, Illinois

Property from a Private Collection, Chicago, Illinois $200-300 $200-300

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[MINIATURE BOOK]. -- [ROOSEVELT, Franklin D. (1882-1945), his copy]. EPICTETUS (ca 50-135). -- SNECANUS, Johannes Daniel (ca 1580-1655). Epicteti Enchiridion, et Cebetis Tabula. Rotterdam: Arnoldi Leers, 1654.

[MINIATURE BOOKS]. A group of 4 miniature books, comprising:

48mo (89 x 43 mm). Engraved title, half-title. (Ink stains on pp.26-27, very minor toning.) Contemporary dark red morocco gilt, smooth spine in 5 compartments gilt, edges gilt (corners bumped, upper joint separated). Provenance: Franklin D. Roosevelt (bookplate on front free endpaper, numbered “M111 No. 1414”); George Abbot James (bookplate). FRANKLIN DELANO ROOSEVELT’S COPY. Property from a Private Collection, Chicago, Illinois $200-300

ROHLFS, Matthias. Hamburgischer nützlicher Schreib Calender aufs 1781 Jahr. Hamburg: Heinrich Christian Grund, 1781. Contemporary olive cloth gilt. -- COLLOT D’HERBOIS, Jean Marie. Almanach du Père Gérard, Pour L’année 1792. Paris: Chez Buisson, 1792. Contemporary marbled calf, spine in 4 compartments with 3 raised bands, gilt decoration in 3 compartments, red leather gilt-lettered spine label. -- BRUTUS, Marcus Junius. Lettre de Brutus a Ciceron. N.p., n.d., [ca 1793]. Contemporary red straight-grained morocco gilt, edges gilt. -WESLEY, John. A Collection of Hymns, for the Use of the People Called Methodists. London: John Mason, 1838. Contemporary calf gilt. Provenance: Martha Downs (signature, 1841); Eleanor M. Harthew (signature, 1907). -- Together 4 works in 4 volumes, all FIRST EDITIONS except Wesley, 48mo, condition generally fine. Property from a Private Collection, Chicago, Illinois $300-400

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146 [MANUSCRIPTS -- ILLUMINATED]. BOOK OF HOURS, use of Rome, in Latin. [Southern Netherlands (Ghent or Bruges), c.1460]. 92 x 64mm, 241 leaves, on vellum. 14 lines in black ink written in a gothic bookhand; rubrics in red. One-line initials in burnished gold flourished with black and in blue flourished with red; two-line initials in burnished gold against grounds and infills of pink and blue with white decoration; 13 LARGE HISTORIATED INITIALS set within pink initials patterned with white within a blue and gold frame, with burnished gold inner bar borders connecting upper & lower floral borders of acanthus and flowers in blue, green, red, pink and liquid gold (several historiated with birds); 4 LARGE ILLUMINATED INITIALS in pink patterned with white and foliate infills of blue, pink and white on gold grounds, two with full floral border, the others with burnished gold inner bar borders connecting upper & lower floral borders. (Some pigments rubbed away on one full border, other occasional marginal wear and soiling). Bound in early 18th or 19th-century crimson velvet; felt-lined cloth folding case. PROVENANCE: 1. The calendar suggests a model from the southern Netherlands, perhaps Bruges, including Amand in red (6 February), Gertrude (16 March), Basil in red (13 June), Eligius in red (25 June and 1 December), Bertin (5 September), Remy and Bavo in red (1 October), Donatian, the patron of Bruges, in red (13 October), Livinus of Ghent (11 November) and Nicaise in red (13 December). Amalberga also appears in the Litany. The texts are all very standard and the book was probably made for the open market at home or abroad. 2. William Henry Jervis Wegg (initialed note on front flyleaf: “Dr. M. R. James considers this a very beautiful example of Franco-Flemish work”, sold Sotheby’s April 29, 1941, lot 430). $8,000-12,000 147 [MANUSCRIPTS -- ILLUMINATED]. Leaf from a Book of Hours with historiated initial “S” on recto depicting the Pentecost. [France, c.1450]. One leaf, 155 x 104mm. On Vellum. 16 lines of text in a gothic bookhand in dark brown ink, rubrics in red. With historiated 6-line initial “S” depicting the Pentecost opening the text: “Spiritus Domini replevit orbem terrarum…”. Recto decorated with foliate and floral border in upper and lower margins, with a bar border in burnished gold and blue on inner margin. Eight 1-to 2-line initials in gold on blue or red grounds, on recto and verso. Matted. Provenance: Gift from Fanny and Philip Duschnes, December 1948 (printed presentation message on mat). Property of a Midwestern Museum $800-1,200

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148 [MANUSCRIPTS -- ILLUMINATED]. Antiphonal leaf with large historiated initial “D” on verso depicting the Crucifixion with the Virgin Mary, St. John the Evangelist and St. Mary Magdalene at the foot of the Cross. [Italy, 15th century]. One leaf, 555 by 385mm. On vellum. With six lines of music and verse in Latin written in brown ink. The large initial “D” opening the text: “Domini est terra et plenitudo eius orbis terrarum…” from Psalm 23:1 (in the Latin vulgate) for the Vigil of the Nativity service, painted in colors with foliate border extensions in colors and gold. With two other initials in blue with red penwork decorations, one on each side of the leaf, opening text “Hodie scietis…”. (Some damp-wrinkling to leaf, with some rubbing to text, other discolorations and small stains, two tiny holes in sky on painted image.) $4,000-6,000

149 [MANUSCRIPTS -- ILLUMINATED]. BIBLE, in Latin. 3 leaves. [France (Paris?), 13th century]. 3 leaves, each 290 x 203mm. On vellum. Double column. Text in a small gothic rotunda script in dark brown ink. With running titles and chapter numbers in alternating red and blue letters with penwork decoration. With eight 2- to 3-line initials alternately in red and blue with penwork marginal extensions. (Some minor staining and wrinkling.) $1,000-1,500

150 [MANUSCRIPTS -- ILLUMINATED]. Cover title: A Collection of Thoughts. Illuminated manuscript, vellum. N.p., n.d. [20th century]. Small folio. Title-page within decorative gouache and gilt border, 61 illuminated leaves, decorative borders and letters in gouache heightened in gold. 20th century vellum gilt STAMP-SIGNED BY SANGORSKI AND SUTCLIFFE. Including quotes and aphorisms by Cicero, Seneca, Epictetus, Stevenson, Thoreau, Shakespeare, Bacon, and numerous others, each with an illuminated initial, within wide illuminated borders. $600-800

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MAUGHAN, William Charles (1836-1914). The Alps of Arabia. Travels in Egypt, Sinai, Arabia and the Holy Land. London: Henry S. King & Co., 1873.

[MIDDLE EASTERN ART]. POPE, Arthur U. (1881-1969) and ACKERMANN, Phyllis (1893-1977), editors. A Survey of Persian Art from Prehistoric Times to the Present. London and New York: Oxford University Press, 1938-1939.

8vo (218 x 140 mm). Half-title, frontispiece map (library stamp affecting image), 36pp. publisher’s advertisements at end. Publisher’s decorated red cloth gilt (hinges starting, binding loose). Provenance: Clinton Hall Association, N.Y. For the Use of the Mercantile Library (library stamps). FIRST EDITION of Maughan’s narrative account of his travels through the Middle East. $300-400

6 volumes, large folio. Half-titles, titles printed in blue and black, 1,482 plates, a few in color, numerous in-text illustrations. Original publisher’s blue cloth gilt (sunning to spines, a few scuffs, rubbing to extremities, old adhesive remnants to upper cover of vol.IV). FIRST EDITION of Pope’s survey of Persian art, architecture, and material culture, published under the auspices of the American Institute for Iranian Art and Archaeology. Pope was a pioneer in the study of Persian art, heritage, and culture, and he was an important collector, curator, and art dealer. Property from a Prominent Chicago Collection $800-1,200

153 [MIDDLE EASTERN ART]. SAKISIAN, Arménag Bey (1875-1949). La Miniature Persane du XIIe au XVIIe Siècle. Paris and Brussels: Les Editions G. Van Oest, 1929. Folio. 106 plates (including 2 in color) of reproductions of 193 Persian miniatures. Half blue morocco gilt, top edge gilt (rubbing to extremities, slight soiling to bottom edge); original wrappers bound in. Provenance: M.L. Hermanos (bookplate). FIRST EDITION of Sakisian’s academic study of Persian miniatures produced in Iran between the 12th and 17th centuries. [With:] BINYON, Laurence (1869-1943). -- Wilkinson, James Vere Stewart (18851957). -- GRAY, Basil (1904-1989). Persian Miniature Painting. Including a Critical and Descriptive Catalogue of the Miniatures Exhibited at Burlington House January-March, 1931. London: Oxford University Press, Humphrey (continued)

Milford, 1933. Folio. Frontispiece, 113 plates, a few in color. Original yellow-brown cloth stamped in gilt (very light rubbing to extremities). FIRST EDITION. Property from a Prominent Chicago Collection $500-700 154 [MIDDLE EASTERN ART]. SARRE, Friedreich (1865-1945). Islamische Bucheinbande. Berlin: Scarabaeus Verlag, preface dated 1923. 4to. 36 full-color mounted reproductions of Islamic book bindings, title in black with multi-colored border, text printed with gilt borders. Later green cloth, green morocco gilt spine label. Provenance: C. T. Loo & Co. (bookseller’s stamp). LIMITED EDITION, one of 110 copies, including examples of Egyptian, Persian, and Turkish Islamic book bindings from the 14th-19th centuries. Property from a Prominent Chicago Collection

FINE BOOKS AND MANUSCRIPTS, INCLUDING AMERICANA

$400-600

155 MILNE, Alan Alexander (1882-1956). Winnie-The-Pooh. London: Methuen & Co. Ltd, 1926. 8vo. Half-title; numerous illustrations by Ernest H. Shepard. Publisher’s green gilt-stamped cloth. Quarter burgundy morocco gilt slipcase, chemise. FIRST TRADE EDITION of Milne’s beloved classic. [With:] MILNE, Alan Alexander. Now We Are Six. London: Methuen & Co. Ltd, 1927. 8vo. Half-title; numerous illustrations by Ernest H. Shepard. Publisher’s burgundy gilt-stamped cloth, top edge gilt, pink pictorial endpapers; quarter burgundy morocco gilt slipcase, chemise (a touch of wear to spine ends). FIRST TRADE EDITION. MILNE, Alan Alexander. Now We Are Six. London: Methuen & Co. Ltd, 1927. 8vo. Half-title; numerous illustrations by Ernest H. Shepard. Publisher’s gilt decorated red leather, edges gilt, pink pictorial endpapers; quarter morocco gilt slipcase. Provenance: Bobby Harris (bookplate). FIRST EDITION DELUXE ISSUE of the third title of Milne’s adventures of Christopher Robin and Winnie-the-Pooh. From the total deluxe edition of 50,000 copies, the Ship Binding Company bound 5,000 in leather with 2,000 in the present red, and the remaining 3,000 equally divided between blue and green leather. Property from the Collection of Michael and Kay Melet $1,000-1,500

156 [MONASTERY HILL BINDING]. ARNOLD, Matthew. Essays. London: Arthur L. Humphreys, 1906. 8vo. Title printed in red and black. Brown crushed levant gilt, turn-ins gilt, purple watered silk doublures and endleaves, top edge gilt, others uncut, stamp-signed by the Monastery Hill Bindery (very slight rubbing to joints); original wrappers bound in. Provenance: W. G. M. (pencil note at end, 10 April 1947). Collected edition, part of the “Belles Lettres Series,” reprinted from the First Series of “Essays in Criticism” by permission from Macmillan and Co. Property from the Collection of Edward A. Quattrocchi $600-800

157 [MONASTERY HILL BINDING]. RUSKIN, John. Sesames and Lilies. London: Arthur L. Humphreys, 1906. Small 4to. Blue morocco gilt by the Monastery Hill Bindery. 8vo. Title printed in red and black. (Small stains to a few leaves.) Navy crushed levant gilt, turn-ins gilt, navy watered silk doublures and endleaves, top edge gilt, others uncut, stamp-signed by the Monastery Hill Bindery; original wrappers bound in. Collected edition, reprinted by permission of Mr. George Allen. Property from the Collection of Edward A. Quattrocchi $600-800

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158 MONTESQUIEU, Charles de Secondat (1689-1755). De l’Esprit des Loix. Geneva: Barillot, [but Paris: Prault, c.1748]. 2 volumes, 4to (242 x 179 mm). Woodcut devices on title-pages, woodcut tail-pieces. (Two leaves with old repairs to lower blank margin just touching a letter, staining to a few leaves.) Contemporary French mottled calf gilt, brown and tan morocco lettering-pieces gilt, edges stained red (some light wear). Provenance: P. A. Verhaeghie? (signature dated 1773). Second edition, with “Barillot” in the imprint, first issue with the errata leaf at the end of vol. I, published in the same year as the rare first edition. Montesquieu’s theories had a profound influence on Hamilton’s Federalist Papers and Tocqueville’s Democracy in America and influenced the thinking which led to the American and French Revolutions. “The United States Constitution in particular is a lasting tribute to the principles he advocated” (PMM). Tchemerzine VII 460 (a); see PMM 197. Property from the Collection of Edward A. Quattrocchi $400-600 159 MORE, Thomas, Sir. (1478-1535). The Workes ... wrytten by him in the Englysh tongue. Edited by William Rastell (1508?-1565). London: John Cawood, John Wally and Richarde Tottell, 1557. 4to (275 x 187 mm). Black letter, double column. Woodcut title border with the Queen’s arms in top compartment and female figures with olive branches at sides [McKerrow and Ferguson 81]. Large and small woodcut initials. With the unsigned leaf after CC5, and the 8 unpaginated leaves of More’s juvenilia. (Worming at beginning through ss6, a few wormholes at the end affecting text, short tears to a few leaves, D3 with a small flaw affecting a few letters, some minor dampstaining.) Contemporary calf (rebacked). Provenance: Thomas, First Viscount Weymouth, Baron Thynne of Warminster (1640-1714), (engraved armorial bookplate dated 1704), by descent to; the Marquess of Bath at Longleat (offered Sotheby’s London, 11 June 1979, lot 110). FIRST EDITION of the collected works in English. Rastell, living as a Catholic exile in Louvain during the reign of Edward VI, edited his uncle’s English works, arranging them in chronological order and adding the “valuable marginal notes.” The first quire, including the table compiled by Thomas Paynell, was printed by Cawood, but Tottell printed the rest of the book. ESTC S115047; Pforzheimer 743; STC 18076. Property from the Collection of Edward A. Quattrocchi $8,000-12,000 160 MORGAN, Sylvanus, (1620-1693). The Sphere of Gentry. London: William Leybourn, 1661. 4 parts in 1 volume, folio (305 x 194 mm). Engraved title-page, engraved dedication leaf, folding engraved plate, numerous engraved plates and illustrations. (Title soiled, some minor soiling to a few leaves,) Contemporary calf (old neat rebacking, some wear). Provenance: Unidentified bookplate with cypher; Wilfred Merton (1888-1957), managing director of Emery Walker, Printers and Engravers (bookplate). FIRST EDITION, WITH THE RARE FOLDING HOWARD PEDIGREE. ESTC R2775; Wing M-2743. Property from the Collection of Edward A. Quattrocchi $300-400

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162

PETRARCA, Francesco (1304-1374). [Opera Latina.] Librorum Francisci Petrarche impressorum annotatio. Venice: Simon Bevilaqua, 15 July 1503.

PETRARCA, Francesco (1304-1374). Il Petrarca. Venice: House of Aldus and Andrea of Asola, July 1521.

Folio (296 x 204 mm). 494 leaves. Woodcut architectural border on A1. (Final leaf with tears repaired verso.) Modern calf. Provenance: Bibliotheca Numophylacii Regis Saxoniae (bookplate).

8vo (157 x 96 mm). Woodcut Aldine device on verso final leaf, 3-line initial spaces with guide letters; with leaves s7, z8, and B8, blank except for foliation. 19th century red morocco gilt, upper cover gilt-lettered (some slight wear to joints and corners). Provenance: A few underlinings in text; unidentified stamp on title-page.

Third edition of the Latin works of Petrarch, without the 30-leaf “Bucolicum carmen” at end. Petrarca, considered to be the “first humanist” established “the vogue and ideology of classical antiquity and humanistic studies... In this sense he was ‘the founder of the Renaissance’” [Wedeck & Schweitzer, Dictionary of the Renaissance.] Adams P-774.

Third Aldine edition of the Canzoniere, preceded by the 1501 and 1514 editions. Following the death of Andrea d’Asolano in 1529, a newly-reopened Aldine press issued a fourth edition of Petrarch in 1533. Adams P-794. Property from the Collection of Edward A. Quattrocchi

Property from the Collection of Edward A. Quattrocchi $800-1,200 $600-800

163 PETRARCA, Francesco (1304-1374), Canzonieri. Il Petrarcha colla spositione di Misser Giovanni Andrea Gesualdo. Venice: Giovanni Antonio and Nicolini da Sabio, 1541.

calf, wide gilt border, windhead, star, wolf and flower cornerpieces, smooth spine elaborately gilt with flower and drawer-handle tooling gilt, brown and olive lettering-pieces gilt, edges stained red, decorative paper pastedowns and endleaves. Provenance: Heinrich Schöningh (Münster booklabel).

Small 4to (209 x 149 mm). With gloss surrounding single column of text. (Some minor spotting.) Contemporary vellum, yapp edges, handlettered on bottom edge and spine (lacking ties, soiled, small loss to lower corner). Provenance: Paolo Mila (signature on title-page).

The second Aldine edition, closely following the first edition of 1505. Adams P-1858; Renouard 63:7.

Presumed second Gesualdo edition, first published in 1533. An early edition with Gesualdo’s popular commentaries, divided into two parts: I Sonetti e le Canzoni, and I Sonetti e le Canzoni... in Morte di Madonna Lavra. Adams P-807; BMC Italian 504; Graesse V:226.

PONTANUS. Amorum Libri II, De amore conjugalis III... Venice: Aldus, 1518.

Property from the Collection of Edward A. Quattrocchi

[Bound with:]

6-line initial spaces with guide-letters, woodcut Aldine device on title-page and verso of final leaf, with blanks s8 and x5. (Minor marginal worming to a few leaves at end, a few old marginal repairs to final leaf, rust-hole affecting one leaf.) FIRST (and only) ALDINE EDITION of the second volume of Pontanus’ Latin verse. The first volume was printed in 1505. Adams P-1864; Renouard 85:10.

$200-300 164 PONTANUS, Johannes Jovianus (1426-1503). Opera. Venice: Aldus, 1513. 12mo. Later calf gilt, edges stained red. 8vo (160 x 95 mm). 6-line initial spaces with guide-letters, woodcut Aldine device on title-page and verso of final leaf. (Lacking ii8, blank, 16th century

Property from the Collection of Edward A. Quattrocchi $1,000-1,500

(continued) V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

165 POTTER, Beatrix (1866-1943). Original pencil drawing showing the head and shoulders of a rabbit in profile nibbling some greens. [c.1890s]. 177 x 138mm. SIGNED with initials “H.B.P.” at lower right corner. Additionally inscribed in lower margin: “a rabbit for Nicola”. With a later crayon border in green and orange in an unknown hand. (Some light spotting and toning.) Mounted on backing board. A finely detailed study of a rabbit which likely dates from the 1890s, before publication of her first children’s book, The Tale of Peter Rabbit (1901). From her early childhood Potter was interested in nature, and her parents encouraged her artistic pursuits. She and her younger brother Walter Bertram kept numerous small animals as pets in their schoolroom which they frequently studied and drew. Her highly detailed studies of lizards, snails, bats, mice, rabbits, butterflies and insects display a keen scientific observation and artistic ability. During the family’s long summer holidays to rural areas she also took the opportunity to draw the plants, fungi and animals she encountered in the countryside. Potter had a succession of two pet rabbits who served as models for some of her earliest published work, and inspired some of her most beloved characters. The first, her favorite, was “Benjamin Bouncer”, who often accompanied her on leash; the second was “Peter Piper,” whom she trained to perform tricks. She often wrote about their antics in her journals. The present drawing demonstrates both her technical ability and anatomical knowledge, which would provide the groundwork for her later more fluid illustrations in her Peter Rabbit books. The recipient of this drawing has not been identified, and the inscription may have been added later by Potter? at the time of gifting. The V & A has two similar pencil studies of rabbits which seem to date from the same period as this drawing, both acquired in 1973 as part of the extensive Leslie Linder Bequest of Beatrix Potter material [see BP.1014(IV) and BP.377]. $10,000-15,000

*166 QUR’AN, Illuminated Arabic manuscript on paper. [Copied in Turkey by Hafez Khalil?, ca A.H. 12th century / ca 17th-18th century A. D.] 12mo (147 x 95 mm). 73 leaves comprising a selection of the Qur’an, within double gold with blue rule borders, in Naskhi script, gold and blue palmettes, gold and polychrome divisions, ff.1v with gold and polychrome headpiece. (Tear to first leaf crossing border, some browning, minor soiling or dampstaining.) Black morocco Islamic binding, central gilt arabesques on sides and flap, brown morocco doublures gilt (some separations to joints, some light rubbing or wear). [With:] ISLAMIC MANUSCRIPT. Comprising 5 leaves mounted in an accordion fold album. Cloth album, marbled paper sides with floral painting. Property from the Collection of Curtis Lampi, Ventura, California $400-600 (part lot)

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168

[ILLUSTRATED BOOKS]. RACKHAM, Arthur (1867-1939), illustrator. Some British Ballads. London: Constable & Co. Ltd., [1919].

[RESPUBLICA]. Respublica, sive Status Regni Poloniae, Lituaniae, Prussiae, Livoniae... Leiden: Elzevir, 1627.

4to. 16 color-printed plates by Rackham tipped to mounts, numerous black and white in-text illustrations, printed tissue guards. (Slight spotting or toning to a few leaves not affecting plates.) Original publisher’s quarter vellum gilt, top edge gilt, others uncut (minor soiling, corners slightly bumped). Provenance: G V Stanley (bookplate). LIMITED EDITION, number 17 of 575 copies SIGNED BY RACKHAM.

24mo (107 x 54 mm). Engraved title-page. (Some minor browning or spotting.) 17th-century vellum, upper cover blindstamped “H. E. L. 1644,” edges sprinkled red (some soiling or rubbing). Provenance: H. E. L. (binding); Amandus Eckstrom (signature 20 October 1847); Haus Lawan? Sr. (signature 1947). FIRST EDITION, including extracts from the works of Cromer, Lasicki, De Thou, Botero, Neugebauer, and Krzysztanowicz, and including John Barclay’s “Judicium de Polonia.” Willems 286.

$400-600 Property from the Collection of Edward A. Quattrocchi $200-300

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170

SANNAZARO, Jacopo (1458-1530). Arcadia. Venice: Niccolo Zoppino, 10 September 1524.

SARPI, Paolo (1552-1623). Historia del Concilio Tridentino. London: John Bill, 1619.

8vo. Title-page printed within woodcut architectural border, fullpage woodcut on title verso, woodcut device on final leaf. (Some soiling or dampstaining.) Later vellum, spine gilt-lettered (covers bowed, some minor soiling). Provenance: Richard Horton Smith (1831-1919) English barrister, Masonic Lodge Officer (armorial bookplate); James V. Rice (bookplate).

Folio (287 x 187 mm). Woodcut device of royal arms on title-page, woodcut initials. (Title-page laid down and slightly soiled, some spotting or browning.) Contemporary vellum, yapp edges, title hand-lettered on spine (lacking ties, hinges broken, covers slightly bowed, soiled).

Later edition. The first authorized edition of Sannazaro’s work, based on his 1495 manuscript, was published in Naples in 1504. In Italy alone, more than 66 editions of Arcadia were published. RARE: according to online records, only one other copy of this edition has sold at auction in the last 45 years (sold Sotheby’s London, 1975). Not in Adams.

FIRST EDITION of Sarpi’s history of the Council of Trent, published under the pseudonym “Pietro Soave Polano,” and condemned by the Vatican due to its anti-papal stance. The manuscript was smuggled out of Italy with the help of the British Embassy and was translated into Latin, English and French. ESTC S116701; STC 21760. Property from the Collection of Edward A. Quattrocchi

Property from the Collection of Edward A. Quattrocchi $700-900 $250-350 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

171 SHAKESPEARE, William (1564-1616). Mr. William Shakespear’s Comedies, Histories, and Tragedies. Published according to the true Original Copies. Unto which is added, SEVEN PLAYS, Never before Printed in Folio. [London: Printed for H. Herringman, E. Brewster, and R. Bentley, 1685.] Folio (354 x 222 mm.). Woodcut initials. (Lacking the first 6 leaves, H1, 2H5, and the final leaf, all supplied in facsimile, a few leaves with mostly marginal repairs occasionally affecting border and a few letters supplied in pen facsimile, tiny wormhole in lower margin of several leaves at end, some minor soiling, a few rust-holes occasionally affecting letters.) Early 20th-century blind-stamped reversed calf, brown morocco lettering-piece gilt, edges gilt (upper cover detached). Provenance: Louis Auchincloss (19172010), American lawyer, novelist and historian (morocco bookplate). FOURTH FOLIO EDITION, issue unknown. The edition was set from the second issue of the Third Folio. The Fourth Folio is the last edition of Shakespeare’s plays published in the 17th century, and was regarded by 18th-century editors, readers and collectors as textually the best edition, until Samuel Johnson and especially Edward Capell demonstrated the superiority of the First Folio. The most immediately striking aspect of the Fourth Folio is its height. Herringman and his co-publishers decided on a larger paper size to increase the number of lines per page and decrease the bulk of the book; thus, including the added plays, the number of sheets in the Fourth Folio is almost exactly the same as that in the First and Second. Greg III, 1119-21; Pforzheimer 910; Wing S-2916. Property from the Collection of Edward A. Quattrocchi $15,000-20,000

172 SHAKESPEARE, William (1564-1616). Much adoe about Nothing. -- Loves Labour’s Lost. [Extracted from the First Folio]. [London: printed by Thomas Cotes, 1632]. Folio (300 x 207 mm). Comprising 44 pages (pp. 101-144) on 22 leaves (I3-M6). (A few rule borders slightly shaved, affecting the signature and catchword on one leaf, some minor staining to a few leaves.) 20th-century brown morocco-backed boards, brown morocco lettering-piece gilt on upper cover. Provenance: Bennett H. Jackson (bookplate). Second folio printing of these Shakespearean comedies. Much Ado about Nothing was first published in a quarto edition in 1600 which is generally regarded as being accurate and reliable. Loves Labour’s Lost was first published in a quarto edition of 1598. The title-page of that edition states that the play was “Newly corrected and augmented by W. Shakespere,” suggesting it is a revision of an earlier edition. These quarto editions of each play are the basis of the text published in the 1623 First Folio, which was reprinted nearly page-for-page and issued just 9 years later as the Second Folio. See W.B. Todd. “The Issues and States of the Second Folio and Milton’s Epitaph,” in: Studies in Bibliography V (1952-53), pp. 81-108. (for Second Folio). Property from the Collection of Edward A. Quattrocchi $4,000-6,000

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174

SHAKESPEARE, William (1564-1616). The Dramatic Works ... revised by George Steevens. London: W. Bulmer and Co., Shakespeare Printing-Office, for John and Josiah Boydell, George and W. Nicol, from the types of W. Martin, 1802.

SOPHOCLES (ca 496-406 B.C.). Tragoediae Septem. Una cum omnibus Graecis scholiis, in Greek. Commentary by Joachim Camerarius (1500-1574). [Geneva]: Henri Estienne, 1568.

9 volumes, folio (414 x 318 mm). Half-titles to each volume; 97 engraved plates after H. Fuseli, W. Hamilton, J. Northcote, J. Opie, J. Reynolds, G. Romney, R. Smirke, T. Stothard, F. Wheatley, R. Westall and others. (Some intermittent spotting, a few leaves with slight browning, some minor offsetting from a few plates to text.) Contemporary tan diced calf gilt, elaborate blind roll-tooling to sides, spines in 6 compartments with 5 wide raised bands gilt, board edges and turn ins gilt, edges gilt (upper joints to vols. VIII and IX repaired, a few other joints starting, a few minor scuffs, primarily to top edge and spine). Provenance: Thomas Yard (armorial bookplate). The original paintings, the source for the “sumptuous plates, the production of which swallowed up a fortune,” filled the Shakespeare Gallery in Pall Mall (Jaggard). According the prospectus, issued in 1798, a printing house, type foundry, and ink factory were all opened for the production of Boydell’s edition with plates by the leading English artists of the day. Jaggard 506 and 508; Lowndes VI, 2263. Property from the Collection of Mr. and Mrs. Brian P. Burns

Two parts in one volume, 4to (243 x 144 mm). Estienne’s woodcut device on title-page (Renouard 10); with ggg4 blank (lacking final blank). Greek type, Camerarius’ commentaries mostly in Roman. Contemporary blind-panelled calf, edges stained red (rebacked). Provenance: Early signature on titlepage (rubbed out); Reverend William Bruce (1757-1841), Irish Presbyterian minister (bookplate, Edinburgh). FIRST ESTIENNE EDITION, “a very excellent and accurate edition, and highly creditable to the editorial talents of [Henri Estienne]; it is formed on the basis of that of Turnebus, on each page of which we have the ancient Scholia of the Roman edition of 1518, and those of Turnebus, corrected by the editor...there is not an Edition in which I read Sophocles with so much pleasure” (Dibdin). The Greek text is followed by the commentary of Joachim Camerarius, and his Latin versions of “Ajax” and “Elektra.” Adams S-1340; Brunet I:356; Renouard I:102; Schreiber, Estiennes 171. Property from the Collection of Edward A. Quattrocchi $1,500-2,500

$1,500-2,500

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176

STEINBECK, John (1902-1968). Cannery Row. New York: Viking Press, 1945.

STERNE, Laurence (1713-1768). A Sentimental Journey Through France and Italy. London: T. Becket and P.A. De Hondt, 1768.

8vo. Original publisher’s blue-lettered buff cloth, top edge stained blue; original dust pictorial dust jacket (edges with a few chips or tears occasionally with minor losses). Provenance: Jacob Benjamin (signature, 1947). First edition, first state of Steinbeck’s novel set in Monterey, California on a street lined with sardine canneries. Goldstone & Payne A22.a $400-600

2 volumes, 16mo (144 x 90 mm). Half-titles. Contemporary calf gilt, spine in 6 compartments with 5 raised bands, red morocco lettering-pieces gilt in one compartment, the rest gilt-decorated, turn-ins gilt, edges gilt (slight wear to joints and extremities); reddish-brown cloth slipcase. FIRST EDITION of Sterne’s successful novel which is credited with popularizing travel accounts in the late 18th century. ESTC T14747. Property from a Private Collection, Chicago, Illinois $400-600

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177 SUCKLING, John, Sir (1609-1642). Fragmenta aurea. A Collection of All the Incomparable Peeces... London: for Humphrey Moseley, 1646. 8vo (180 x 104 mm). Engraved portrait frontispiece by William Marshall trimmed and mounted to front leaf. (A few page numbers or headlines shaved, small repair affecting one letter, some dampstaining.) Late 18th-century morocco gilt (rebacked preserving spine, some wear). Provenance: Fairfax Rhodes (1845-1928), English collector (armorial bookplate); W. G. Lacy (armorial bookplate). FIRST EDITION, third state of the general title-page with the first line set in capital and lower case letters, but with the first state of “Churchyard” with an unbroken “d” and with a rule under the date, with the corresponding second state of page [vi] with “allowred” corrected to “allowed.” ESTC R218856; Grolier Wither to Prior 827; STC S6126B. Property from the Collection of Edward A. Quattrocchi $600-800

178 TACITUS, Publius Cornelius. The Annales...The Description of Germanie. -- The End of Nero and Beginning of Galba. Foure Bookes of the Histories of Cornelius Tacitus. The life of Agricola. London: John Legat for Richard Whitaker, 1640. 2 works bound in one, small folio (278 x 175 mm). One engraved plate (Shoulder notes and plate shaved affecting letters, lacking first and last blank leaves, some minor staining.) Later half calf (rebacked preserving portion of original spine, worn). Provenance: William Reeda (bookplate). Sixth edition (stated on the title-page of the second work), with Richard Greenwey’s translation of The Annales. and Henry Savile’s translation of The end of Nero. ESTC S117601; STC 23648. Property from the Collection of Edward A. Quattrocchi $300-400

179 TARKINGTON, Booth (1869-1946). Penrod. Garden City, New York: Doubleday, Page & Company, 1914. 8vo. Original publisher’s pictorial blue cloth; original dust jacket (a few tears and soiling; price-clipped). FIRST EDITION, mixed state, with “sence” on p. 19, but with p. viii unnumbered. Parley to Penrod, p.132. $500-700

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181

TASSO, Torquato (1544-1595). La Gerusalemme liberata. Genoa: Giuseppe Pavoni, 1617.

TASSO, Torquato (1544-95). Opere di Torquato Tasso. Florence: Tartini e Franchi, 1724.

3 parts in one volume, small 4to (284 x 197 mm). 2 engraved architectural title-pages, 19 full-page engraved plates (of 20, lacking the plate facing “Canto Secondo”, replaced by a smaller plate depicting Satan mounted to a larger sheet); woodcut headpieces, tail-pieces, and initials; text openings in the first part printed within woodcut architectural borders. (Some worming to gutter margin, some minor soiling.) Later vellum, brown morocco lettering-piece gilt. Provenance: unidentified bookplate, obscured by the bookplate of; Conte di San Martino Valperga.

6 volumes, 4to (297 x 205 mm). Engraved folding portrait frontispiece (browned); title-page printed in red and black, engraved vignettes on titles, Canto openings printed within woodcut borders, woodcut initials. (Some minor browning or spotting.) Contemporary mottled calf gilt, spines in 6 compartments with 5 raised bands, brown and green morocco lettering-pieces gilt in two, the rest gilt-decorated, edges stained yellow (some light wear). Provenance: Leo S. Olschki, GermanItalian publisher (bookplate).

A FINE ILLUSTRATED EDITION with plates by Camillo Cunigio after Bernardo Castello, and with the text and commentary by Scipio Gentili and Giulio Guastavini found in the first illustrated edition published by Bartoli in 1590 in Genoa. Brunet V: 666.

An early critical edition, with the engraved portrait by Franceschini after Ferretti, and with the engraved vignette depicting a printing press on title-pages. Brunet V: 663 (“Edition donnee par Bottari, qui y a joint uno bonne preface”); Gamba 982.

Property from the Collection of Edward A. Quattrocchi

$400-600

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183

THACKERAY, William Makepeace (1811-1863). Vanity Fair. London: Bradbury and Evans, 1848.

VERGILIUS MARO, Publius (70-19 B.C.). Opera, quae quidem extant, omnia. Basel: Henricum Petri, 1561.

8vo (207 x 130 mm). 1pp. publisher’s advertisement, engraved frontispiece, title and 38 plates, wood-engraved illustrations. 20th-century navy morocco gilt, spine in 6 compartments with 5 raised bands, gilt-lettered in 2, the rest gilt-decorated, turn-ins gilt, top edge gilt, STAMP-SIGNED BY RIVIERE & SON. FIRST EDITION IN BOOK FORM FIRST ISSUE with the suppressed woodcut of the “Marquis of Steyne” on p.336, the heading on page one in rustic type, “Mr. Pitt” for “Sir Pitt” on p.45. Grolier English 87; Van Duzer 231.

Small folio (303 x 202 mm). Woodcut device on title-page, text printed in two columns. (Some browning or soiling, marginal wormhole to a few leaves, small repair to blank area of titlepage.) Old half vellum, portion of letterpress label to spine (spine defective, hinges starting, worn). Provenance: a few marginal notes in an early hand; John Michael (signature 1789); George W. Layng (signature, 1826).

Property from a Private Collection, Chicago, Illinois

Property from the Collection of Edward A. Quattrocchi

$600-800

$400-600

Humanist edition, edited Georg Fabricius, and including the commentaries of Donatus and Servius. Adams V-497.

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

184

185

VERGILIUS MARO, Publius (70-19 B.C.). Works. John Dryden, translator. London, 1697.

[16th CENTURY PRINTING - EUROPE]. A group of 4 works, comprising:

Folio (355 x 216 mm). Title-page printed in red and black within double rule border. Engraved frontispiece by M. Vander Gucht, and 101 engraved plates after F. Cleyn, most by W. Hollar and P. Lombart. (Tears to a few leaves and ca 5 plates with repairs, some browning or spotting.) Contemporary blind-panelled calf (rebacked preserving old lettering-piece gilt, endpapers renewed). Provenance: Hugh Earle of Loudoun Lord Machline (engraved bookplate). FIRST EDITION OF DRYDEN’S TRANSLATION, an early example of publication by subscription. 101 subscribers at five guineas had their coat-of-arms printed beneath the engravings; there were an additional 252 subscribers at two guineas. The plates in the present edition were first produced for Ogilby’s Virgil of 1654. ESTC R26296; Wing V-616. Property from the Collection of Edward A. Quattrocchi $400-600

CLARAVACEO, Girolamo. Hieronymi Claravacaei Cremonensis ad Paulum III Pont. Max. Fastorum libri XII. Milan: Franciscum & Simonem Moschenios Fratres, 1554. 8vo. Woodcut device on title-page. Contemporary vellum (text block detached). [With:] JOVIUS, Paulus (1483-1552). Pauli Iovii novocomensis episcopi Nucerini Illustrium vivorum vitae. Florence: Laurentii Torrentini Ducalis Typographi, 1572. Folio. Engraved Contemporary limp vellum (endpapers renewed). Later edition. Not in Adams. -- LEROY, Louis (Regius). De la Vicissitude et variete de choses en l’univers… Paris: L’Huillier, 1579. Folio. Contemporary vellum (endpapers renewed). Later edition. Not in Adams. -- FRIGERIO, Ambrogio (1537-1598). Vita gloriosissima et miracoli ecclesi del Beato Confessore Santo Nicola di Tolentino. Ferrara: Vittorio Baldini, 1588. 4to. (Lacking first leaf: title-page recto/woodcut verso, provided in manuscript facsimile; lacking final 8 leaves comprising index). Contemporary vellum gilt (hinges repaired). Second edition. -- Together, 4 works in 4 volumes, condition generally good. Property from the Collection of Edward A. Quattrocchi $400-600

186

187

[16th CENTURY PRINTING - LYON]. A group of 3 works, comprising:

[16th CENTURY PRINTING - VENICE]. A group of 3 works, comprising:

VALLA, Laurentius. Laurentii Vallae de Linguae Latinae Elegantia… Lyon: Sebastian Gryphius, 1538. 8vo. Woodcut devices. Contemporary vellum (worming). Not in Adams. -- TERENTIUS AFER, Publius (185-159 B.C.). Comoediae… Lyon: Sebastian Gryphius, 1549. 12mo. Woodcut device. Later marbled paper-backed boards. Provenance: D. Giuseppe Tosi (letterpress bookplate). Not in Adams. -- GALIENUS, Claudius. Cl. Gal. Libellus cui titulum fecit: Quos, quibus et quando purgare oporteat, a Sebastiano Coquillato Scipione in linguam latinam conversus ejusdemque commentariis illustratus. Lyon: Gulielmum Rouillium, 1557. 12mo. Woodcut device. Contemporary vellum (hinges starting). Not in Adams. -- Together, 3 works in 3 volumes, condition generally good. Property from the Collection of Edward A. Quattrocchi

BEMBO, Pietro (1470-1547). Gli asolani.... Venice: Aldus, 1505. Woodcut devices. (Lacking 4 leaves: c1, i2, n1, and n2 [blank].) Contemporary vellum (a few gatherings becoming disbound). Provenance: Ownership inscription on first leaf (“Coll. Polinani? Soc. Jesu”). FIRST EDITION, FIRST ISSUE, with the dedication to Lucrezia Borgia, dated August 1504, on a1va2r, which was removed for the second issue. -- COLLENUCCIO, Pandolfo (1444-1541). Compendio delle historie del Regno di Napoli. Venice: Michele Tramezino, July 1541. 8vo. Woodcut device. (Upper corner repaired two leaves touching text.) Contemporary vellum gilt. Not in Adams. -- CICERO, Marcus Tullius (106-43 B.C.). Rhetoricorum ad C. Herennium libri IV, and other works. Venice: Ex Bibliotheca Aldina, 1569. Comprising ff. 184 only (lacking 34 leaves). Later vellum. See Adams C-1689. -- Together, 3 works in 3 volumes, condition generally good.

$300-400

Property from the Collection of Edward A. Quattrocchi $600-800

FINE BOOKS AND MANUSCRIPTS, INCLUDING AMERICANA

188

189

[17th CENTURY PRINTING - ENGLAND]. A group of 6 works, comprising

[17th CENTURY PRINTING - EUROPE]. A group of 8 works, comprising:

SANDYS, George (1578-1644). A Relation of a Journey... London: for Andrew Crooke, 1637. Folio. Engraved title, engraved vignettes. Modern calf. Fourth edition. -- MILTON, John (1608-1674). Pro populo Anglicano defensio contra Claudii Anonymi, alias Salmasii, defensionem regiam. London [i.e., Utrecht]: Gardianis, 1652. 12mo. Woodcut device and headpieces. Contemporary vellum. Provenance: Alexander Gruntt (armorial bookplate). -- EUSEBIUS OF CAESAREA. The Ancient Ecclesiastical Histories of the First Six Hundred Years after Christ. London: Abraham Miller, 1663. Folio. (First few leaves bound in on stubs.) Modern calf. -- ERASMUS, Desiderius (1466?-1536). Adagiorum Epitome. Editio Novissima, cum triplici indice. Oxford: W. Hall, 1666. 12mo. Title-page printed in red and black (laid down with small losses touching letters). Modern calf. -- BATES, William (1625-1699). Vitae selectorum aliquot virorum... London: A. G. & J. P., 1681. 4to. Contemporary vellum. -- CATULLUS, Caius Valerius (84?-54 B.C.). Observationes. London: Isaacum Littleburii, 1684. 4to. Title printed in red and black. Contemporary English panelled calf, “Newby Hall” gilt-lettered vertically on upper cover along spine (covers detached). Provenance: Newby Hall (binding). -- Together 6 works in 6 volumes, condition generally good.

OWEN, John (ca 1564-ca 1622/1628). Epigrammatum. Amsterdam: Ioanne Ianssonium, 1634. 16mo. Engraved title. Contemporary vellum. -- LUDOVICUS, John. Passer Solitarius hoc est Vita & functiones Animae contemplativae… Munich: Adam Berg, 1634. [Bound with:] Trihebdomadale Animae per Hujus Vitae Desertum ad Aeternitatem proficiscentis. Munich: Adam Berg, 1634. Engraved title to first work, woodcut devices. (Last leaf of second work supplied in manuscript facsimile.) 2 works in one volume, 12mo. Contemporary pigskin decorated in blind (lacking one clasp). -- PILIUS, Martinus. M. Pilii...de amtitione liber, et alia ejus poemata. The Hague: Theodore Maire, 1641. 12mo. Woodcut device. Contemporary vellum. Provenance: Lycee Louis Le Grand, Paris (stamps). -- SENECA, Lucius Annaeus (ca 3 B.C.-65 A.D.). Opera omnia. Lyon: Elzevir, 1649. Volume one (of 4) only, 12mo. Engraved title-page and plates. Later calf (spine perished). -- PETAU, Denis (1583-1652). Rationarium temporum in partes duas, libras tredecim tributum… Paris: Sebastian Cramoisy, 1652. 12mo. Contemporary vellum (hinges starting). -- MARTINUS DE SANCTA MARIA. Liber Resignatur, seu prima Bibliorum Elementa. Paris: Josse, 1673. 2 volumes in one, 8vo. Engraved headpieces, woodcut initials. Contemporary vellum (upper hinge separated). -- FRONTINUS. Strategematicon sive de solertibus ducum factis & dictis libri IV. S. Tennulius… Lyon and Amsterdam: A. & A. Gaesbeeck, 1675. 12mo. Engraved title; woodcut devices. Contemporary vellum. -- Together, 8 works in 7 volumes, condition generally good.

Property from the Collection of Edward A. Quattrocchi $500-700

Property from the Collection of Edward A. Quattrocchi $600-800

190

191

[17th CENTURY PRINTING - ITALY]. A group of 5 works, comprising:

[18th & 19th CENTURY PRINTING - ITALY]. A group of 4 works, comprising:

TASSO, Torquato (1544-1595). La Gerusalemme liberata. “Il Goffredo....” Padua: Bolzetta, 1616. 2 parts in 1 vol. 4to. Woodcut device and initials. Contemporary limp vellum. Provenance: Bibliotech Rosales Bernate (bookplate). -- DRESSELLIO, Jeremy. Della Retta Intentione ch’e la regola di Tutte l”Attioni Humane. Opera. Rome: Herman Scheus, 1645. 12mo. Engraved title. Contemporary vellum. Provenance: Tosi Laurentii (signature on title). -- TANARA, Vincenzo (d.1667). [L’Economia del Cittadino in Villa Del Signore Vincenzo Tanara. Venice: Michel Angelo Barboni, 1670.] 8vo. (Title-page provided in manuscript facsimile). Contemporary vellumbacked boards. -- LINDA, Lucas de. Le Relationi et Descrittioni Universali et Particolari del Mondo. Bologna: Gioseffo Longhi, 1674. 4to. Woodcut device and initials. Contemporary vellum. -- MATTIOLO, Pietro Andrea (1500-1577). Opera. Parma: Alberto Pazzoni, 1694. 4to. Half-title, woodcut devices. Contemporary vellum. Provenance: early inscription on title. -Together, 5 works in 5 volumes, condition generally good.

OVID (43 BC-17? AD). Opera omnia. Amsterdam: Waesbergios, Boom & Goethals, 1702. 3 volumes, 8vo. Engraved frontispiece in vol. I, engraved title-pages. Contemporary vellum. -- CASTIGLIONE, Baldassarre. Opere volgari, e latine. Padova: Giuseppe Comino, 1733. 4to. Engraved portrait frontispiece, engraved vignettes. Contemporary vellum. Provenance: Conte Leonardo Vitetti (armorial bookplate). -- [BIBLE, in Greek]. Novum Testamentum, cum Verisione Latina. John Leusden, editor. Lyon and London: Wetstenios and John Nourse, 1772. 8vo. Engraved title, engraved folding map. Contemporary vellum. Provenance: George H. Culshaw (bookplate). -- ROSCOE, William (1753-1831). The Life and Pontificate of Leo the Tenth. Liverpool: J. McCreery for T. Cadell and W. Davies, 1805. 4 volumes, 4to. Engraved frontispieces. Modern half calf antique. FIRST EDITION. -- Together 4 works in 9 volumes, condition generally good.

Property from the Collection of Edward A. Quattrocchi

$400-600

Property from the Collection of Edward A. Quattrocchi

$500-700

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

235

FINE BOOKS AND MANUSCRIPTS, INCLUDING AMERICANA

Printed & Manuscript Americana Lots 192-273

192 ADAMS, John Quincy (1767-1848). Engraved document signed as President (“J. Q. Adams”), countersigned by Commissioner of the General Land Office George Graham, 10 May 1826. 1 page, on vellum, accomplished in manuscript, paper seal, docketed verso. Land grant for 80 acres in Wooster, Ohio for John Vaughn. $400-600

*193 ATWATER, Caleb (1778-1867). Remarks Made on a Tour to Prairie du Chien; thence to Washington City, in 1829. Columbus: Jenkins and Glover, 1831. 8vo (175 x 105 mm). (Some browning and spotting, as usual.) Contemporary boards (modern rebacking, some wear). FIRST EDITION, one of apparently two issues (no priority known): one as above, the other with the imprint of Isaac Whiting on the title-page with the Jenkins and Grover imprint on verso. “Some very curious particulars relating to customs of the Winnebagoes are related by Atwater... The real object of his tour was to procure as Commissioner of the government, a cession of the title of the Winnebago, Pottawatomie, Chippewa, and Ottawa Indians, in the rich mineral lands, now forming the State of Wisconsin and part of Illinois” (Field 54). Howes A-379; Sabin 2335. Property from the Estate of Mary Patricia Reynolds, Bowling Green, Kentucky $500-700

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

*194 AUDUBON, John James (1785-1851). The Birds of America, from Drawings Made in the United States and their Territories. New York: J.J. Audubon; Philadelphia: J.B. Chevalier, [1839-] 1840-1844. 7 volumes, royal 8vo (265 x 168 mm). Half-titles, 500 HAND-COLORED LITHOGRAPHED PLATES after Audubon by W. E. Hitchcock, R. Trembly and others, printed and colored by J. T. Bowen, wood-engraved anatomical diagrams in text. (Some scant spotting, primarily to text leaves and tissue guards, a few leaves with pale dampstain lower corner, a few outer corners torn away.) 19th-century half red morocco gilt (rubbing to extremities, a few joints separating vols.V and VI); blue cloth slipcases. Audubon’s double-elephant folio edition of The Birds of America (1827-1838) established his reputation as the greatest ornithological artist of his time. Though that edition was published in London to ensure the quality of the plates, he employed the Philadelphia firm of J. T. Bowen to produce this more commercially viable edition under the close supervision of his sons. The original subscription price was $100, and its commercial success granted Audubon financial security. To the original plate count included in the double-elephant folio edition, the octavo edition adds 65 new images for a total of 500 plates, making it “the most extensive color plate book produced in America up to that time” (Reese). Ayer/Zimmer, p.22; Bennett, p.5; McGill/Wood, p.208; Nissen IVB 51; Reese 34; Sabin 2364. Property from the Estate of Mary Patricia Reynolds, Bowling Green, Kentucky $25,000-35,000

195 - No Lot

FINE BOOKS AND MANUSCRIPTS, INCLUDING AMERICANA

196 AUDUBON, John James (1785-1851). Common Cormorant (Plate CCLXVI) Phalacrocorax Carbo Engraving with etching, aquatint and hand-coloring, 1838, on J Whatman Turkey paper watermarked 1835, sheet 25 1/2 x 38 1/4 in. (646 x 974 mm). Thin layer of old adhesive verso, a few short marginal tears, some toning from old framing. Low p.124. Property from the Collection of Brigid McClain $2,000-3,000

197 AUDUBON, John James (1785-1851). Florida Cormorant...View Florida Keys (Plate CCLII) Carbo Floridanus Engraving with etching, aquatint and hand-coloring, on J Whatman paper watermarked 1834, sheet 25 3/4 x 38 3/4 in. (657 x 985 mm). 6-in. L-shaped tear to upper margin repaired not affecting image, a few very short marginal tears, some minor marginal toning from old framing, matted and framed. Low p.119 (Variant 1). Property from a Corporate Art Collection $1,000-1,500

198 AUDUBON, John James (1785-1851). American Crossbill (Plate CXCVII) Loxia curvirostra Engraving with etching, aquatint and hand-coloring, 1838, on J Whatman Turkey Mill paper watermarked 1834, sheet 38 x 25 1/2 in. (968 x 648 mm). A few short tears to edges, small loss to upper right corner, some very pale mostly marginal soiling, outer margin slightly toned from old matting, matted and framed. Low p.101 (Variant 1). Property from a Corporate Art Collection $800-1,200

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

*199 BRADFORD, John (1749-1830). A General Instructor: or the Office, Duty, and Authority of Justices of the Peace, Sheriffs, Coroners, and Constables, in the State of Kentucky. Lexington, KY: John Bradford, 1800. 12mo (186 x 111). (Occasional spotting, pages toned.) Contemporary calf, red leather spine label (rebacked and repaired, minor wear at joints). Provenance: George Cleveland (1760-1867), early Bourbon County pioneer (early letterpress bookplate); William B. Branham, Bourbon County magistrate (ownership signatures to title, later inscription by descendant T.W. Hedges). FIRST EDITION. Known as the “Caxton of Kentucky,” Bradford was the first resident printer in Kentucky, printing the first newspaper and pamphlet published west of the Alleghenies with the first Kentucky Gazette in 1787, and Kentucky Almanac in 1788, respectively. He printed the first book in Kentucky in 1792. An early legal treatise printed in the western frontier with notable Kentucky provenance. Evans 37034; HRS Kentucky 1787-1810, 131; Jillson, Rare Kentucky Books, p.27. Property from the Estate of Mary Patricia Reynolds, Bowling Green, Kentucky $1,000-1,500

*200 BRADFORD, John (1749-1830). A General Instructor; or the Office, Duty, and Authority of the Justices of the Peace, Sheriffs, Coroners and Constables in the State of Kentucky. Lexington, KY: John Bradford, 1820. 8vo (186 x 109 mm). (Some browning or spotting.) Contemporary calf, brown morocco blindstamped lettering piece. Provenance: George Cleveland, early Bourbon County pioneer (early letterpress bookplate); James Van Winkle (early signature); William B. Branham, Bourbon County Magistrate (signatures); T. W. Hudges (inscription). FIRST EDITION, with the notice of copyright dated 30 September 1800, and including legal definitions, maxims and general rules, and actions and remedies. VERY RARE: according to American Book Prices Current, only one copy (lacking 4pp. of text) has sold at auction in the last 40 years. Evans 37034; Jillson p.27; McMurtrie Kentucky 131. Property from the Estate of Mary Patricia Reynolds, Bowling Green, Kentucky $500-700

*201 BROWN, Samuel R. (1775-1817). The Western Gazetteer; Or Emigrant’s Directory. Auburn, NY: H. C. Southwick, 1817. 8vo (202 x 127 mm). (Some browning and spotting.) Contemporary tree calf (rebacked preserving original morocco lettering-piece). Provenance: Solomon Fitch (early signature); Arthur W. Hall (bookplate); Harry L. Jackson (signature, 1958). FIRST EDITION, third issue, with 360 pages. “One of the earliest American-printed emigrant’s guides” (Howes B-867). Graff 433; Sabin 8558. Property from the Estate of Mary Patricia Reynolds, Bowling Green, Kentucky $400-600

FINE BOOKS AND MANUSCRIPTS, INCLUDING AMERICANA

202 [CAPONE, Alphonse]. THE UNITED STATES OF AMERICA V. ALPHONSE CAPONE. An archive of approximately 443 carbon copy typescript pages and 58 mimeographed pages relating to the 1931 case against Al Capone. Comprising carbon copy typescripts of proceedings before Honorable James H. Wilkerson in 1931 on: Monday, October 5 (48pp.); Tuesday, October 6 (86pp.); Saturday, October 24 (25pp.); Thursday, October 15 (78pp.); Thursday, October 15 (119pp.); Saturday, October 10 (77pp.). Also with carbon copy typescript “Additional Assignment of Errors” (3pp.), carbon copy typescript of proceedings to settle a bill of exceptions, Tuesday, December 1, 1931, at 10am (7pp.), and with 57pp. mimeographed briefs and documents for the indictment including the jury decision. With heavy card cover sheets, duplicated by A. M. Hanson, Shorthand Reporter, 155 North Clark Street [Chicago]; all library bound in green cloth. Provenance: John J. Kennelly, Attorney (gilt lettering on cover). AL CAPONE GUILTY OF TAX EVASION The trial of Alphonse Capone opened on October 5, 1931 in Chicago, with Judge James H. Wilkerson presiding. Having received a tip that Capone and his organization had tried to influence prospective jury members, Judge Wilkerson began the trial with a request: “Judge Barnes has another trial commencing today, go to his courtroom and bring me his entire panel of jurors; take my entire panel to Judge Barnes courtroom.” After the new jury panel was seated, Judge Wilkerson ordered that voir dire could begin. On October 17, 1931, after just 9 hours of deliberation, the jury returned their verdict: Capone was found guilty of three felonies and two misdemeanors, relating to his failure to file or pay income taxes between 1925 and 1929. Judge Wilkerson sentenced Al Capone to serve 11 years in prison and to pay $80,000 in fines and fees. The present copy includes jury selection proceedings from October 5th and 6th, Assistant U. S. District Attorney Jacob Grossman’s argument to the jury, and the direct and cross examination of several witnesses. [With:] Three archives of carbon copy typescripts of cases against several Capone associates, each library bound with John J. Kennelly’s name stamped on the cover, comprising: The People of the State of Illinois vs. John Scalisi and Albert Anselmi, 1926. Including transcripts, abstract of record and brief. -- The Estate of Frank Nitti vs. Commissioner of Internal Revenue, 1948. Including transcript, briefs, pleadings and opinions. -- The People of the State of Illinois vs. Jack McGurn, 1930. Including transcript, abstract and brief of the search and seizure case. THRICE SIGNED BY THE ATTORNEYS FOR THE DEFENDENT Thomas D. Nash and Michael J. Ahern (“Nash and Ahern”). TWICE SIGNED BY McGURN using his given name (“James Gebardi”). Please see HindmanAuctions.com for additional information.

(part lot)

Property from the Collection of Sandra Silva $3,000-4,000 203 [CHICAGO]. NORRIS, J. Wellington. A Business Advertiser and General Directory of the City of Chicago, for the Year 1845-6, together with a Historical and Statistical Account. Second year of publication. Chicago: J. Campbell & Co. Publishers, 1845. 8vo (195 x 115 mm). Steel engraved frontispiece (torn along fold, a portion lacking), steel engraved map, steel engraved illustrations of buildings; numerous advertisements printed within borders and occasionally illustrated. Addenda and errata leaf and 10 pp. advertisements, some on colored paper, at end. (Some spotting, heavier to the first few leaves, some browning. Original printed wrappers (frayed, a few tears occasionally affecting text, old tape repair front wrapper verso). A SCARCE PRE-FIRE CHICAGO IMPRINT Second edition, with a map of Chicago in 1812, and illustrations of the First Universalist Church (Washington Street, between Clarke & Dearborn), First Methodist Church (corner of Clarke and Washington), Tabernacle Church (Lasalle St. opposite the public square), Catholic Church (corner of Wabash and Madison), Unitarian Church (Washington St. between Clarke and Dearborn), First Baptist Church (corner of Washington and LaSalle), Rush Medical College (Dearborn Street), St. James Church (Cass Street between Michigan and Illinois), and Lake House. Lacking a portion of the frontispiece, “City of Chicago,---South-West View, 1845,” believed by McMurtrie to be among the earliest views of Chicago. EXCEEDINGLY RARE: According to online records, no copy of this rare pre-fire Chicago imprint has sold at auction since the Streeter sale, 1967. Rare Book Hub traces only two copies ever sold at auction. Graff 3029; Howes N-183; McMurtrie First Printers of Chicago p. 33; Sabin 12639; Streeter sale 1483. Property of a Midwestern Institution $3,000-4,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

204 [CHICAGO] -- [DALEY, Richard M. (b.1942)]. -- [CLINTON - 52nd PRESIDENTIAL INAUGURATION]. A group of personal effects and tickets, comprising: Cummerbund and bowtie; 1 ticket to the Presidential Inaugural Gala, January 19, 1993 (also with one ticket stub); 1 pass to the Presidential Inaugural Gala, January 19, 1993; 1 Southeast Standing ticket to the Inauguration Ceremonies, January 20, 1993; 4 general admission tickets to the Presidential Inaugural Ball, January 20, 1993; 2 box tickets to the Presidential Inaugural Ball, January 20, 1993. [With:] 1 ticket to the Presidential Inaugural Ball, January 20, 1997. Provenance: Richard M. Daley (by repute), gifted to; Patrick McClain (1926-2020), aide to Mayor Richard M. Daley; by descent to present owner. MAYOR RICHARD M. DALEY’S ATTENDS THE CLINTON INAUGURATION. Daley’s brother, William M. Daley, was appointed to the board of Fannie Mae in 1993; in 1997, Clinton appointed William M. Daley United States Secretary of Commerce, a position he held until 2000. $300-400

205 [CHICAGO] -- [DALEY, Richard J. (1902-1976), his copy]. TRUMAN, Harry S. (18841972). Memoirs: Year of Decisions. Garden City, New York: Doubleday & Company, Inc., 1955. Volume 1 only (of 2), 8vo. Original publisher’s printed cloth (upper hinge starting). Provenance: Richard J. Daley (presentation inscription), by descent to; Richard M. Daley, gifted to; Patrick McClain (1926-2020), aide to Mayor Richard M. Daley; by descent to present owner. FIRST EDITION, PRESENTATION COPY, INSCRIBED BY TRUMAN TO DALEY: “To my good friend Hon. Dick Daley the great Mayor of the Windy City 10/6/56 Harry Truman.” Daley cast his vote for Truman as a delegate at the 1948 Democratic National Convention; he named the newest campus of the City Colleges of Chicago “Harry S. Truman College” in 1976. $800-1,200

206 [CHICAGO] -- [DALEY, Richard J. (1902-1976), his copy]. WILSON, Woodrow (18561924). Leaders of Men. Princeton: Princeton University Press, 1952. 8vo. Original publisher’s cloth. Provenance: Richard J. Daley (presentation inscription), by descent to; Richard M. Daley, gifted to; Patrick McClain (1926-2020), aide to Mayor Richard M. Daley; by descent to present owner. FIRST EDITION, INSCRIBED BY FORMER GOVERNOR OF ILLINOIS ADLAI STEVENSON TO DALEY: “To Dick Daley - Harold Dodds, then President of Princeton, sent this to me for Christmas in 1952 after my first defeat - and I send it to you before your next victory! Adlai E. Stevenson Christmas 1957.” In early 1952, while Stevenson was serving as Governor of Illinois, Harry S. Truman announced that he would not seek another term as President. Stevenson was approached by Truman to run for the office and he won the Democratic nomination despite ultimately losing the election to Dwight D. Eisenhower. In 1957, Daley was serving in his first term as Mayor of Chicago; he was elected to a second term in 1959. Daley was ultimately re-elected 5 times and had been Mayor for 21 years at the time of his death. A SUPERB ASSOCATION. $800-1,200

FINE BOOKS AND MANUSCRIPTS, INCLUDING AMERICANA

*207

*208

CURRIER and IVES, publishers -- after Arthur F. Tait

CURRIER and IVES, publishers -- after Louis Maurer

American Hunting Scenes: “An Early Start.” 1863. (G.0187). Large format lithograph with handcoloring, sheet 24 3/4 x 32 in. A few tiny marginal spots, some minor soiling to verso, a few pencil annotations verso, matted and framed.

The Last Shot. 1858. (G.3720). Large format lithograph with hand coloring heightened in gum arabic, overall size 22 1/4 x 29 1/2 in. Some overall browning and toning, a few stains, matted and framed.

Property from the Estate of Mary Patricia Reynolds, Bowling Green, Kentucky

$1,000-2,000

$1,000-1,500

*209

*210

CURRIER and IVES, publishers -- after Francis F. Palmer

CURRIER and IVES, publishers -- after Robert A. Clarke

The “Lightning Express” Trains: “Leaving the Junction.” 1863. (G.3803). Large format lithograph with hand coloring heightened in gum arabic, overall size 21 1/4 x 32 1/4 in. Image trimmed to border and inlaid within larger overall sheet with lettered caption, tear at top of image repaired, browning from old framing in margin and on verso, matted and framed. Property from the Estate of Mary Patricia Reynolds, Bowling Green, Kentucky

The Road,--Summer. 1853. (G.5606). Large format lithograph with hand coloring heightened in gum arabic, sheet 22 x 28 in. Some staining verso from old framing, some marginal browning from matting, some spotting, a few stains. Property from the Estate of Mary Patricia Reynolds, Bowling Green, Kentucky $600-800

$1,500-2,500 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

*212

CURRIER and IVES, publishers

CURRIER and IVES, publishers -- Louis Maurer, after

View of Harpers Ferry, VA (From the Potomac Side). Ca 1860. Medium format lithograph with hand coloring heightened in gum arabic, sheet 21 3/4 x 18 in. Some mostly marginal spotting or staining, some browning, heavier verso.

Hiawatha’s Wedding. 1858. (G.3055). -- Hiawatha’s Wooing. 1860. (G.3037). -- 2 lithographs with hand coloring, large format, visible area approximately 16 1/2 x 20 1/4 in. or larger, some browning, spotting or toning, matted and framed (unexamined out of frame).

Property from the Estate of Mary Patricia Reynolds, Bowling Green, Kentucky

$400-600

$200-400

(part lot)

*211

(part lot)

*213

*214

CURRIER and IVES, publishers -- Frances F. Palmer, after

CURRIER and IVES, publishers -- Louis Maurer, after

“High Water” in the Mississippi. 1868. (G.3057). -- “Low Water” in the Mississippi. 1868. (G.4150). -- 2 lithographs with hand coloring, large format, visible area approximately 32 x 23, some browning, spotting or toning, matted and framed (unexamined out of frame).

The American Fireman: Facing the Enemy. 1858. (G.0166). -- The American Fireman: Prompt to the Rescue. 1858. (G.0167). -- 4 lithographs with hand coloring, medium format, visible area approximately 19 x 14 1/4 in., some browning, spotting or toning, matted and framed (unexamined out of frame).

Property from the Estate of Mary Patricia Reynolds, Bowling Green, Kentucky

$300-500

$400-600

FINE BOOKS AND MANUSCRIPTS, INCLUDING AMERICANA

*215

(part lot)

*216

(part lot)

CURRIER and IVES, publishers -- Louis Maurer, after

CURRIER and IVES, publishers

The Life of a Fireman: The Fire. – “Now Then with a Will - Shake Her Up, Boys!’’. (G.3783). -- The Life of a Fireman: The Race. – “Jump Her Boys, Jump Her!’’. (G.3787). -- The Life of a Fireman: The Ruins – “Take Up’’ – “Man Your Rope’’ (G.3788). -- The Life of a Fireman: “The Metropolitan System”. -- 4 lithographs with hand coloring, large format, visible area approximately 19 x 26 1/2 in. or larger, some browning, spotting or toning, matted and framed (unexamined out of frame).

Louis Maurer, after. Camping Out: [“Some of the Right Sort”]. 1856. (G.0867). Trimmed with loss of portion of caption, surface abrasions affecting the caption. -- Arthur F. Tait, after. Camping in the Woods: “Laying Off”. 1863. (G.0865). -- 2 lithographs with hand coloring, large format, visible area approximately 20 x 27 in. or larger, some browning, spotting or toning, matted and framed (unexamined out of frame).

Property from the Estate of Mary Patricia Reynolds, Bowling Green, Kentucky

Property from the Estate of Mary Patricia Reynolds, Bowling Green, Kentucky $500-700

$1,000-1,500

(part lot)

*217

*218

[RURAL SCENES]. CURRIER and IVES, publishers

[HORSE RACING AND COACHING]. CURRIER and IVES, publishers

Arthur F. Tait, after. Arguing the Point. 1855. (G.0287). -- Eastman Johnson, after. Husking. 1861. (G.3249). -- 2 lithographs with hand coloring, large format, visible area approximately 20 1/2 x 28 in. or larger, some browning, spotting or toning, matted and framed (unexamined out of frame). Property from the Estate of Mary Patricia Reynolds, Bowling Green, Kentucky $800-1,200

Louis Maurer, after. “Four-in-Hand”. 1861. (G.2271). -- Scott Leighton, after. The Queen of the Turf Maud S, Driven by W. W. Bair... 1880. (G.5440). -- Scott Leighton, after. The Fiend of the Road. 1881. (G.2113). -- Louis Maurer, after. The Futurity Race at Sheepshead Bay: Sept. 03, 1888... 1889. (G.2392). -- 4 lithographs with hand coloring, large format, visible area approximately 19 3/4 x 27 in. or larger, some browning, spotting or toning, matted and framed (unexamined out of frame). Property from the Estate of Mary Patricia Reynolds, Bowling Green, Kentucky $500-700 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

(part lot) *219

*220

DARBY, William (1775-1854). The Emigrant’s Guide to the Western and Southwestern States and Territories. New York: Kirk & Mercein, 1818.

DUKE, Basil (1838-1916). 3 works in 3 volumes, including:

8vo (215 x 132 mm). Diagram illustrating land surveying, one folding engraved map of Mobile, Perdido & Pensacola Bays (of 2, lacking the map of the United States, a few short tears, spotting throughout.) Late 20th-century tan calf gilt. FIRST EDITION focusing primarily on the more settled regions of the Ohio and Mississippi river valleys, Darby writes that, though Texas is “justly claimed” by the United States, immigration should not yet be encouraged. Howes D-61; Sabin 18527; Wagner-Camp 14b. Property from the Estate of Mary Patricia Reynolds, Bowling Green, Kentucky

History of Morgan’s Cavalry. Cincinnati: Miami Printing and Publishing Co., 1867. Provenance: James Brennan, member of Co. E in the Kentucky 2nd Infantry (inscription). -- Morgan’s Cavalry. New York and Washington: Neale Publishing Company, 1906. -- Reminiscences of General Basil W. Duke, C.S.A. Garden City and New York: Doubleday, Page & Company, 1911. -- Together, 3 works in 3 volumes, all first edition, 8vo, uniformly bound in 20th-century half red morocco with marbled boards, spines in 6 compartments with 5 raised bands gilt, all in very fine condition. Property from the Estate of Mary Patricia Reynolds, Bowling Green, Kentucky $200-300

$300-500

221

222

EARHART, Amelia (1897-1937). Photograph signed.

[THE FEDERALIST PAPERS]. -- HAMILTON, Alexander (1739-1802), James MADISON (1751-1836) and John JAY (1745-1829). The Federalist, on the New Constitution...A New Edition. City of Washington: Jacob Gideon, 1818.

2 1/2 x 4 1/4 in. photo, n.d. (Some loss to surface lower right corner, some minor creasing, tiny hole lower left.) Stamped “603” verso. Provenance: acquired by the present owner from A. Kalaniaiomaomaokukolu, whose grandmother obtained Earhart’s signature. SIGNED BY EARHART: “Best Wishes Amelia Earhart.” $500-700

8vo (213 x 126 mm). (Some browning or spotting). Contemporary sheep (worn, joints broken, a few leaves becoming disbound). Provenance: Timothy Fuller (signature dated 30 December 1830). A new edition, the first to include Madison’s revisions, “one of the new nation’s most important contributions to the theory of government” (PMM). Sabin 23985. Property from the Collection of Edward A. Quattrocchi $400-600

FINE BOOKS AND MANUSCRIPTS, INCLUDING AMERICANA

*223 FILSON, John (ca 1747-1788). The Discovery, Settlement and present State of Kentucke: and An Essay towards the Topography, and Natural History of that important Country: To which is added...The Adventures of Col. Daniel Boon, one of the first Settlers, comprehending every important Occurrence in the political History of that Province... Wilmington, Del.: James Adams, 1784. 8vo in 4s (196 x 194 mm). Without the map, as usual. (Small tissue repair to gutter margin title page recto crossing a few letters but not affecting legibility, without final blank leaf P4, some browning or spotting throughout.) Modern calf. FIRST EDITION OF THE FIRST BOOK ON KENTUCKY, AND THE FIRST BIOGRAPHY OF DANIEL BOONE. John Filson, one of the founders of Cincinnati, acquired 13,000 acres in Lexington, Kentucky, where he worked as a teacher and surveyor. Daniel Boone himself (along with Levi Todd and James Harrod) vouch for the authenticity of Filson’s text: “at the request of the author of this book, and map, [we] have carefully revised them, and recommend them to the public, as exceedingly good performances, containing as accurate a description of our country as we think can possibly be given.” Filson’s text occupies 41 pages, followed by three appendices, the first of which is “The Adventures of Col. Daniel Boon,” dictated by Boone. Filson refines Boone’s diction, but the resulting narrative stands as a classic account of the settlement and exploration of the frontier. Boone concludes that “This account of my adventures will inform the reader of the most remarkable events of this country.” Included here are also descriptions of the discoveries of mammoth bones and burial sites are also recounted, as are descriptions of Indian customs and manners. Tenoor Rook’s map, mentioned on the title-page, was printed separately in Philadelphia and is virtually never found with the text. According to American Book Prices Current, no copy of the book with the map has been sold at auction since the Robert Hoe copy was sold as part of the stock of George D. Smith in 1921. Church 1202; Clark Old South II:23; Evans 18467; Field 536; Graff 1323; Howes F-129 (“d”); Jillson Kentucky 2; Sabin 24336; Streeter Sale III:1621. Property from the Estate of Mary Patricia Reynolds, Bowling Green, Kentucky $20,000-30,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

*224 FILSON, John (ca 1747-1788). Histoire de Kentucke, Nouvelle Colonie a l’oueste de la Virginie. Paris: Chez Buisson, 1785. 8vo (202 x 120 mm). Half-title, facsimile fold-out map. (Lacking map, supplied in facsimile, small stain on title page, occasional spotting.) 19th-century quarter calf gilt with marbled boards, spine in 6 compartments with 5 raised bands, 2 gilt-lettered, the rest gilt-decorated, edges dyed red. FIRST EDITION IN FRENCH. Howes F-129; Sabin 24338. [With:] [KENTUCKY]. M’MURTRIE, Henry (1793-1865). Louisville and Its Environs. Louisville: S. Penn, 1819. 8vo. (212 x 127 mm). Folding map and table. (Splits at creases of map, title and preliminary pages loose, spotting throughout.) 20th century tan calf (spine and front board sunned). FIRST EDITION. Provenance: Alden Spooner (1783-1848), Brooklyn publisher of The Long Island Star (presentation slip); Brooklyn Apprentices’ Library, later renamed the Youths Free Library, Brooklyn Institute (stamps, presentation slip); Long Island Historical Society (stamps, 1863 presentation slip). Howes M-174. Property from the Estate of Mary Patricia Reynolds, Bowling Green, Kentucky $600-800

(part lot) *225 FILSON, John (ca 1747-1788). A Map of Kentucky Drawn From Actual Observations. London: John Stockdale, 1793. Engraved map with hand-coloring in outline, sheet 509 x 468 mm. Inset map “A Plan of the Rapids in the River Ohio,” compass rose. (All edges tipped to backing board, separation with small loss along center fold, 3 1/2-in. tear crossing border and image, some minor spotting.) Based on Filson’s map of 1784, this edition, published 23 November 23 1793, appeared in Stockdale’s edition of Filson’s The Discovery, Settlement and Present State of Kentucky (1793) and two different 1794 editions of Jedidiah Morse’s The American Geography; Or, A View of the Present Situation of the United States of America. Despite numerous smaller-format versions of Filson’s 1784 map, the 1792 Stockdale edition is the only other full-sized edition of the map, and is the only obtainable full-sized edition of Filson’s map. Filson created the map to be included with his The Discovery, Settlement and Present State of Kentucke (see previous lot), though the map is rarely found with copies of the work. Property from the Estate of Mary Patricia Reynolds, Bowling Green, Kentucky $2,500-3,500

226 FRANKLIN, Benjamin (1706-1790). The Way to Wealth, written by the late Dr. Franklin. Extracted from his Political Works. Nottingham: C. Sutton, n.d [but ca 1800]. 12mo (178 x 97 mm). Woodcut portrait. 12pp. chapbook, uncut on one sheet (some creasing and short tears to edges). Reprint containing condensed content from the frequently reprinted preface to Poor Richard improved: Being an Almanack and Ephemeris…for the Year of our Lord 1758. Includes Franklin’s famous adages including “early to bed, and early to rise, makes a man healthy, wealthy and wise,” and “there are no gains, without pains.” $300-400

FINE BOOKS AND MANUSCRIPTS, INCLUDING AMERICANA

227

228

GORDON, William (1728-1807). The History of the Rise, Progress, and Establishment, of the Independence of the United States of America: Including an Account of the Late War; and of the Thirteen Colonies, from their Origin to that Period. New York: Hodge, Allen, and Campbell, 1789.

GRANT, Ulysses S. (1822-1885). Engraved document signed as President (“U. S. Grant”), countersigned by George M. Robeson, Secretary of the Navy, 27 January 1873.

3 volumes, 8vo (208 x 130 mm). (Lacking 2 folding maps, as usual; some toning and spotting.) Contemporary calf (separation to joints, vol.II upper joint with contemporary stab-sewn repair, overall rubbing). Provenance: Garret Lydecker (signature to vol.I); Mrs. H. C. Brown (signature to vol.II). FIRST AMERICAN EDITION with the long list of subscriber’s names to vol. III as called for by Sabin. “Gordon is deservedly reckoned as one of the most impartial and reliable of the numerous historians of the American Revolution” (Sabin). Howes G-256; Sabin 28011.

1 page, on vellum, accomplished in manuscript, paper seal, signature slightly smudged. Military appointment of Robert H. Wyman (1822-1882) as Commodore in the Navy. Wyman served in the Mexican and American War and the Civil War, after which he commanded the Colorado for the European Squadron. Following his tour of sea duty, he headed the Navy’s Hydrographic Office, and under Wyman’s direction, the office implemented a systematic and sustained program of charting and surveying around the world. He was eventually promoted to Rear Admiral. $600-800

$300-400

229

230

[GREAT AWAKENING]. CAMPBELL, John (1691-1761). A Treatise of Conversion, Faith, and Justification... Boston: Rogers & Fowle, 1743.

HENRY, Alexander (1739-1824). Travels and Adventures in Canada and the Indian Territories, between the years 1760 and 1776. New York: I. Riley, 1809.

8vo (162 x 95 mm). (Some browning.) Contemporary sheep (worn, joints starting). Provenance: G? Williams (signature dated 1744); J. Chandler Amis (signature). FIRST EDITION of Campbell’s response to the Great Awakening: “Suffer me I beseech you who are the weakest and most unworthy in the Sacred Order of the Ministry to intreat both Ministers and People of the New Scheme to desist from invading the Provinces and Districts of their Fellow Laborers and Brethren.” Evans 5149

8vo (198 x 124 mm). Engraved portrait frontispiece; errata leaf. (Some spotting and minor stains.) Contemporary half calf gilt (rubbing, hinges loose). FIRST EDITION of Henry’s account of the fur trade in Canada. The present copy includes not only the portrait (not issued in all copies) but also the errata leaf. Field 686; Graff 1866; Howes H420; Sabin 31383; Streeter 3661; Wagner-Camp 7.

Property from the Collection of Edward A. Quattrocchi

Property from the Collection of Carol and George Engstrom

$200-300

$400-600

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

231

232

[ILLINOIS -- MAP]. Illinois. Philadelphia: Anthony Finley, 1833.

[ILLINOIS -- MAPS]. A group of 4 maps, comprising:

Engraved map of Illinois with hand-coloring, 480 x 332 mm, matted and framed, unexamined out of frame. Depicting Michigan at Illinois’ northern border, and the Missouri Territory along the western border. With an inset map of the lead mine region east of the Mississippi River.

BURR, David. Map of Illinois with parts of Indiana, Ouisconsin, &c. N.p., 1836. Engraved map. -- BRADFORD, T.G. Illinois. Boston, 1838. Engraved map with hand coloring. -- Thompson Brothers & Burr. Map of Naperville, DuPage County, Illinois. N.p., 1874. Engraved map with hand coloring. -- Naperville: Lisle & Naperville Townships. N.p., n.d. Engraved map with hand coloring.

$200-300

*233

234

IMLAY, Gilbert (ca 1754-1828). A Topographical Description of the Western Territory of North America. London: J. Debrett, 1793.

[JEFFERYS, Thomas]. La Peninsule et Golfe de la Floride ou Canale de Bahama avec les Isles de Bahama. Paris: Le Rouge, 1777.

8vo (204 x 125 mm). Half-titles. Folding frontispiece map, 2 additional folding maps, and 1 folding table of distances. 20th-century calf, gilt.

Engraved map of Florida with hand coloring, visible area 482 x 705 mm, matted and framed, unexamined out of frame. (A few tiny holes, some light dampstaining.) French edition of Jefferys’ map of Florida, comprising one sheet of a larger two-sheet map depicting Florida and the Gulf region (without Carte De La Floride Occidentale et Louisiane, which details the Gulf region and the Florida Panhandle). The map was produced to be included in Le Rouge’s Pilote Americain Septentrionale, printed for the use of the French Navy during the American Revolution, which drew on the North American Pilot (1775).

Second edition of Imlay’s account of western expansion; expanded by the addition of John Filson’s The Discovery, Settlement, and Present State of Kentucky (see lot 289), continually paginated comprising pp.269-415. With the author’s name on the title-page erroneously listed as “George” instead of Gilbert. Bradford 2572; ESTC T51472; Howes I-12; Sabin 34355 Property from the Estate of Mary Patricia Reynolds, Bowling Green, Kentucky $400-600

FINE BOOKS AND MANUSCRIPTS, INCLUDING AMERICANA

$800-1,200

*235 LEWIS, James Otto (1799-1858). [Aboriginal Port Folio. Philadelphia: Published by the Author, 1835-1836]. 8 parts (of 10) bound in one volume, folio (450 x 283 mm). 63 hand-colored lithographed plates (of 80) comprising parts 1-8 (of 10, lacking 8 plates each from parts 9 and 10, and lacking the “Men-Dow-Min or the Corn” plate from part 2); 3 letterpress broadside prospectus “Advertisement” leaves for parts 1-3 [all issued]. (Tears crossing image of two plates repaired verso, a few plates with marginal losses repaired verso, a few plates with marginal tears occasionally repaired, some minor spotting). Contemporary half morocco gilt (rebacked preserving original spine, recornered and repaired. Provenance: Thaddeus P. Mott (1831-1894), Union Army soldier, member of the Egyptian and Turkish military forces (gift inscription, 7 December 1869). FIRST EDITION recording the dress of the Potawatomi, Winnebago, Shawnee, Sioux, Miami, Fox, Iowa and other tribes at treaties of Prairie du Chien, Fort Wayne, Fond du Lac and Green Bay, scarcer than Catlin’s North American Indian Portfolio, Maximilian’s Reise in das Innere von NordAmerica or McKenney and Hall’s History of the Indian Tribes. Publication was costly, and the work was intended to be issued in 10 parts each comprising 8 plates issued in printed wrappers. The publisher’s bankruptcy during the printing of part 9 caused the edition to be reduced; part 10 was barely finished and sparsely distributed. An 11th part would have contained “Historical and Biographical Description of the Indians,” but it was never published. The title (not present here) and three advertisement leaves complete the only text in the work, excluding text on the wrappers. Copies are most commonly found with 72 plates, rarely with 77, and very occasionally with 80. Field 936; Howes L-315; Reese Stamped with a National Character 23; Sabin 40812. Property from the Estate of Sportscaster Chris Schenkel, Lake Tippecanoe, Indiana $15,000-25,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

236 LINCOLN, Abraham (1809-1865). Autograph endorsement signed as President (“A. Lincoln”), 24 February 1863. 1 page, 4to, 249 x 192 mm. Accomplished on verso of Lt. Col. John Aaron Rawlins manuscript endorsement signed, written in a secretarial hand, Young’s Point, Louisiana, 10 February 1863. Accomplished beneath General William Vandever autograph endorsement signed, House of Representatives, 23 February 1863. LINCOLN GRANTS IOWA REPRESENTATIVE WILLIAM VANDEVER A LEAVE OF ABSENCE: “Let this leave of ab-sence be extended twenty additional days. A. Lincoln February 24, 1863.” Lieutenant Colonel and Assistant Adjutant General John Aaron Rawlins (1831-1869) signs an order granting Brigadier General William Vandever (1817-1893) a 20-day leave of absence on 10 February. Writing from Washington D. C. nearly two weeks later on the verso, Vandever submits a request to Secretary of War Stanton: “I respectfully ask an extension of the within leave for twenty days - I find it important to remain a short time in this city as my official term as a member of the House is about to expire.” Although Vandever’s official congressional biography notes that he served in Congress until 24 September 1861 (early in his second term), he never officially resigned his seat when he mustered into the U. S. Army. In May 1862, George H. Browne, Congressman from Rhode Island, challenged the constitutionality of Vandever holding a military commission and commanding a regiment while remaining a member of Congress. Consideration by the House was deferred until December 1862. On March 4, 1863, the day after Vandever’s second House term ended, the Senate approved his appointment as a Brigadier General. $4,000-6,000

FINE BOOKS AND MANUSCRIPTS, INCLUDING AMERICANA

*237

237

238

[KENTUCKY]. Laws of Kentucky.... To which is prefixed the Constitution of the United States, with the amendments. The act of separation from the state of Virginia. And the Constitution of Kentucky. Lexington, [KY]: John Bradford, 1799, 1807. 2 volumes (of 3, lacking vol. 3, published in 1817), 8vo (201 x 114 mm). Vol. I: [3], vi-lxxvii [i.e., vi-lxxxvii], [2]-514 pp.; Vol. II: . [2] (1)-506 pp. (Some browning, spotting, or staining.) Contemporary calf, vol. II decorated in blind with brown morocco lettering-piece gilt (some minor staining or wear. covers to vol. II slightly bowed). Provenance: James Denney (ex dono inscription from his son Caleb S. Denny, lengthy pencil inscription); Strother M. Cook (bookplate, inscription). FIRST EDITION, with the pagination of the preliminary material in Volume I as found in ESTC (McMurtrie records another variant). The preliminary material in Volume I comprises a printing of the United States Constitution, the Constitution of the state of Kentucky (first printed by Bradford in 1795), and the Act of Separation from the State of Virginia, through which Kentucky gained statehood in 1792. RARE: American Book Prices Current records only one copy sold in the last 40 years, sold Doyle, 24 November 2014, lot 200. ESTC W14034; Evans 35683; Jillson p. 24; McMurtrie Kentucky 118, 298. Property from the Estate of Mary Patricia Reynolds, Bowling Green, Kentucky $2,000-3,000 *238 [KENTUCKY--JURISPRUDENCE]. Acts Passed...for the Commonwealth of Kentucky. Frankfort: Gerard & Berry, 1816; Jacob H. Holeman, 1824, 1826, 1831; Amos Kendall and Company: 1825; J.G. Dana and A.G. Hodges, 1830; Albert G. Hodges, 1832, 1835. 8 volumes (incomplete), 8vo (each approx. 202 x 121 mm). (Spotting throughout, occasional expert repairs.) 6 earliest volumes bound in 20th-century tan leather backed marbled boards. 1832 and 1835 bound in quarter maroon leather. Provenance: Edward Burgett, Lawrence County, KY (inscriptions in 4 earliest volumes, one dated 15 March 1859). FIRST EDITIONS of the reports of the acts passed in the 24th, 32nd, 33rd, 34th, 38th, 39th, 40th, 43rd general assembly for the Commonwealth of Kentucky. HRS Kentucky 1787-1810, 605. Property from the Estate of Mary Patricia Reynolds, Bowling Green, Kentucky $300-400 *239 [KENTUCKY -- BIBLIOGRAPHY]. JILLSON, Willard Rouse (1890-1975). A group of six reference works on Kentucky, comprising: The Big Sandy Valley. Louisville: John P. Morton & Company, 1923. -- The Kentuckie Country. Washington, D. C.: H.L. & J.B. McQueen, 1931. With dust jacket. -- The Next Oil Pool. Lexington: Transylvania Press, 1932. SIGNED. -- Pioneer Kentucky. Frankfort: State Journal Company, 1934. INSCRIBED. -- Rare Kentucky Books, 1776-1926. Louisville: Standard Printing Co., 1939. -- The Newspapers and Periodicals of Frankfort, Kentucky, 1795-1945. Frankfort: Kentucky State Historical Society, 1945. -- Together, 6 works in 6 volumes, all first editions, 8vo, all in publisher’s bindings, condition generally fine. Property from the Estate of Mary Patricia Reynolds, Bowling Green, Kentucky $50-75 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

*240

(part lot)

*241

(part lot)

[KENTUCKY--GEOGRAPHY]. A group of 3 works, comprising:

[KENTUCKY HISTORY]. A group of 8 works, comprising:

[FLAGG, Edward] The Far West: Or, A Tour Beyond the Mountains. New York: Harper & Brothers, 1838. 2 volumes. Original brown textured cloth, paper spine labels. Sabin 24651. -- FLINT, Timothy. A Condensed Geography and History of the Western States, or the Mississippi Valley. Cincinnati: E.H. Flint, 1828. 2 volumes. Original cloth blacked boards, paper spine labels. Sabin 24786. -- FUNKHOUSER, W.D. Wild Life in Kentucky. Frankfort, KY: The Kentucky Geological Survey, 1925. Series VI, volume XVI of The Kentucky Geological Survey. Original dark blue cloth gilt. -- FUNKHOUSER, W.D. - WEBB, W.S. Ancient Life in Kentucky. Frankfort: Kentucky Geological Survey, 1928. Series VI, volume XXXIV of the The Kentucky Geological Survey. Original dark blue cloth gilt. -- Together, 3 works in 6 volumes, all first editions, 12mo and 8vo, condition generally good.

BUTLER, Mann. A History of the Commonwealth of Kentucky. Louisville: Wilcox, Dickerman & Company, 1834. 20th-century green leather. -- COLLINS, Richard. Historical Sketches of Kentucky. Maysville, KY and Cincinnati: Lewis Collins and J.A. & U.P. James, 1847. 20th-century calf gilt. -- CASSEDAY, Ben. The History of Louisville. Louisville: Hull and Brother, 1852. 20th-century quarter calf with marbled boards. -- MUTZENBERG, Charles. Kentucky’s Famous Feuds and Tragedies. New York: R.F. Fenno & Company, 1917. Original printed maroon cloth. -- And 4 others. Together 8 works in 10 volumes, 8vo, condition generally fine.

Property from the Estate of Mary Patricia Reynolds, Bowling Green, Kentucky

Property from the Estate of Mary Patricia Reynolds, Bowling Green, Kentucky $400-600

$300-400

*242

(part lot)

[KENTUCKY--JURISPRUDENCE]. A group of 4 works, comprising: MADISON, James and Thomas JEFFERSON. Resolutions of Virginia and Kentucky Penned by Madison and Jefferson in Relation to the Sedition Laws. Richmond: Robert I. Smith, 1832. 20th-century quarter calf with marbled boards. Provenance: Eugene Casserly (bookplate). Howes V-122; Sabin 43720. -- BATES, Daniel. Life and Trial of Dr. Abner Baker, Jr. Louisville: Prentice and Weissinger, 1846. 20th-century quarter calf with marbled boards. -- HUMPHREYS, Charles. A Compendium of the Common Law in Force in Kentucky. Lexington: William Gibbes Hunt, 1822. Contemporary tooled leather. -- TOULMIN, Harry and James BLAIR. Review of the Criminal Law of the Commonwealth of Kentucky. Frankfort: W. Hunter, 1804. 20th-century brown calf. -- Together, 4 works in 4 volumes, all first edition, 8vo, condition generally good. Property from the Estate of Mary Patricia Reynolds, Bowling Green, Kentucky $300-400

*243

(part lot)

[KENTUCKY & WESTERN SETTLEMENT NARRATIVES]. A Group of 7 works, comprising: ATHERTON, William C. Narrative of the Suffering & Defeat of the NorthWestern Army. Frankfort, KY: A.G. Hodges, 1842. Contemporary tooled calf. Sabin 2273. -- FLINT, Timothy. Indian Wars of the West. Cincinnati: E.H. Flint, 1833. Near-contemporary calf backed blue paper boards. Sabin notes: “Stevens ‘Bibliotheca Historia’ quotes an 1830 edition,” but no evidence of this edition has been found. Sabin 24790. Howes F-201-- [CLARKE, Lewis Garrard - CLARKE, Milton]. Narratives of the Sufferings of Lewis and Milton Clarke. Boston: Bela Marsh, 1846. Original stamped blue cloth gilt. Sabin 13434. -- M’CLUNG, John A. Sketches of Western Adventure. Maysville, KY: L. Collins, 1832. Contemporary mottled calf, gilt-lettered spine. Sabin 43052. -- THOMPSON, J.J. A History of the Feud Between the Hill and Evans Parties of Garrard County, KY. Cincinnati: U.P. James, [1854]. Original printed wrappers. Reprint of Louisville edition of the same year. -- And 2 others. -- Together, 7 works in 7 volumes, all first edition except where noted, 8vo and 12mo, condition generally very good. Property from the Estate of Mary Patricia Reynolds, Bowling Green, Kentucky $500-700

FINE BOOKS AND MANUSCRIPTS, INCLUDING AMERICANA

*244

*245

LITTELL, Charles (1768-1824). The Statute Law of Kentucky. Frankfort: William Hunter, 1809, 1810, 1814.

LITTELL, William (1768-1824) -- SWIGERT, Jacob (1793-1869). A Digest of the Statute Law of Kentucky. Frankfort: Kendall and Russell, 1822.

3 volumes (of 5, lacking vol.3, 1811 and vol.V, 1819), 8vo (203 x 130 mm). (Spotting throughout.) Mid-20th century brown calf gilt by Alan Grace (lacking most spine labels).

2 volumes, 8vo (206 x 129 mm). (Spotting and browning, a few creases) Contemporary sheep, red morocco lettering-pieces gilt (scuffing and light wear, creasing to spines). Provenance: Lawrence Circuit Court (ownership inscriptions in 19th century hand).

FIRST EDITION of the first critically edited compilation of Kentucky laws and statutes, recognized as a founding documents of state jurisprudence. HRS Kentucky 340, 508, 726; Jillson Rare Kentucky Books, p.41. Property from the Estate of Mary Patricia Reynolds, Bowling Green, Kentucky

FIRST EDITION of Kentucky lawyer Littell’s digest report of the laws and statues of Kentucky from 1799 to 1822, which included notes and commentaries on decisions made by the Court of Appeals written with the assistance of lawyer and judge Jacob Swigert. HRS Kentucky 983, 985.

$400-500

Property from the Estate of Mary Patricia Reynolds, Bowling Green, Kentucky $300-400

(part lot)

246

*247

MADISON, James (1751-1836). Engraved document signed as President (“James Madison”), countersigned by A. J. Dallas, acting Secretary of War, 20 May 1815.

[MAMMOTH CAVE]. A group of 3 works about Mammoth Cave, comprising:

1 page, on vellum, accomplished in manuscript, paper seal, creased from folding, some minor browning and offsetting. Brevet appointment of Josiah H. Vose as Major “for distinguished and meritorious services in the said Army.” $2,000-3,000

[CROGHAN, John]. Rambles in the Mammoth Cave, During the Year 1844. Louisville: Morton & Griswold, 1845. Fold-out “Map of the Explored Parts of the Mammoth Cave of KY.” Modern leather. Howes C-905; Jillson, Rare Kentucky Books, p.108; Sabin 17590. -- RANDOLPH, Helen. F. Mammoth Cave and the Cave Region of Kentucky. Louisville: Standard Printing Company, 1924. Folding map, illustrations, and advertisements including a full-page ad for “the New Brown Hotel / The South’s Most Modern Hotel” which had just opened in 1923. Original publisher’s blue cloth gilt. -- LOGAN, John A. Echoes from the Hills of the Mammoth Cave Country. Bowling Green, KY: Porter-Coombs Printing Company, 1930. Original publishers red cloth. -- Together, 3 works in 3 volumes, all FIRST EDITIONS, 12mo and 8vo, conditional generally very good. Property from the Estate of Mary Patricia Reynolds, Bowling Green, Kentucky $200-300

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248 MARQUETTE, Jacques (1637-1675). Ontdekking Van eenige Landen en Volkeren, in ‘t Noorder-gedeelte Van America. Door P. Marquette en Joliet. Gedaan in het Jaar 167. Leiden: Pieter Vander Aa, 1707. 8vo (178 x 112 mm). Engraved title page vignette by J. Goeree, engraved folding map “Land en Volkontdekking in’t Noorder ge deelte van America, door P. Marquette en Joliet”; 2 folding engraved plates. (Small wormtrack to gutter margins, stab holes from old binding in gutter margin, minor chipping with loss to lower corner of title-page). 19th-century wrappers, waste leaves from an 1867 collection of German poetry (chipping with losses); board folding case. Provenance: Chicago Historical Society (perforated stamp and manuscript annotations, withdrawn September 1948); Wright Howes (18821978), Chicago bookseller and bibliographer (pencilwritten note about the first edition of the present work on personal memo sheet). FIRST EDITION IN DUTCH, BY THE CO-DISCOVERER OF THE UPPER MISSISSIPPI, a translation of Marquette’s Découverte de quelques pays et nations de l’Amerique septentrionale in Thevenot’s Recueil de voyages published Paris,1681. The publisher, Vander Aa, published the present edition in parts and also issued them separately. Marquette first arrived in Quebec in September 1666 and later founded the mission of St. Ignace on the Straits of Mackinac, the first settlement in Michigan. In 1673, he joined Louis Jolliet’s expedition in search of an overland route to the Mississippi River, during which they became the first Europeans to explore the Upper Mississippi, travelling as far south as the mouth of the Arkansas River. On their return, they travelled back to the mouth of the Illinois River and reached Lake Michigan near the site of present-day Chicago by way of the Chicago Portage. Alden & Landis 707/102; Sabin 44666n. $1,000-1,500

*249 MARSHALL, Humphrey (1760-1841). The History of Kentucky. Frankfort: Henry Gore, 1812. One volume (all published), 8vo (203 x 120 mm). (Lacking the rare plate, some browning or staining.) Contemporary calf, smooth spine gilt, red morocco lettering-piece gilt. FIRST EDITION of the “most valuable early Kentucky history, with the fullest treatment of border wars and massacres” (Howes). Only one volume was issued in 1812, despite a note on the title-page indicating that two volumes would be published. The second edition of 1824 was complete in two volumes. The plate is not called for in most of the bibliographies (except Jillson) and is generally lacking in institutional copies. VERY RARE: according to online records, only two copies have sold at auction since the Streeter sale. Bradford 3204; Howes M-313; Jillson p.47 (“always difficult to obtain”); McMurtrie 435; Sabin 44780; Streeter Sale III: 1647 (also lacking the plate). Property from the Estate of Mary Patricia Reynolds, Bowling Green, Kentucky $1,000-1,500

*250 MARSHALL, Humphrey (1760-1841). The History of Kentucky. Frankfort: Geo. S. Robinson, 1824. 2 volumes, 8vo (203 x 121 mm). (Spotting, some wrinkling.) Contemporary mottled calf gilt (rebacked, very light wear to corners). Second edition, (see previous lot) including the Ancient Annals of Kentucky by Constantine Samuel Rafinesque (1783-1840), detailing border skirmishes and conflicts between white settlers and American Indians. Humphrey Marshall served in both the Virginia and Kentucky Houses of Representatives, and represented Kentucky in the United States Senate from 1795-1801. Sabin 44780. Property from the Estate of Mary Patricia Reynolds, Bowling Green, Kentucky $200-300

FINE BOOKS AND MANUSCRIPTS, INCLUDING AMERICANA

*251

*252

METCALF, Samuel Lytler (1798-1856). A Collection of Some of the Most Interesting Narratives of Indian Warfare in the West, Containing an Account of the Adventures of Colonel Daniel Boone. Lexington, KY: William G. Hunt, 1821.

MICHAUX, François André (1770-1855). Travels to the Westward of the Allegany [sic] Mountains. London: Richard Phillips, 1805.

8vo (209 x 125 mm). Errata slip pasted to last page. (Some spotting or browning, ca 5 leaves with burn marks to lower corners). Contemporary calf, smooth spine gilt, red morocco lettering-piece gilt. Provenance: James Miller (early signature). FIRST EDITION, [Metcalf’s compilation] “seeking to preserve for posterity early border narratives, has become almost as rare as the originals themselves” (Howes). Included are the captivity narratives of Colonel James Smith, Jackson Johonnet, John Slover, and a description of Daniel Boone’s battles with Native Americans, as well as descriptions of episodes from the French and Indian War. Howes M-560; Sabin 48166; Streeter III:1655.

8vo (210 x 226 mm). Folding frontispiece map (outer margin of map creased.) 20th-century green leather-backed blue cloth, spine gilt-lettered (spine sunned, light wear to joints). Later edition, abridging the second English edition, a new translation from the French which differs from the 1805 Mawman and Crosby issues. Howes M-579; Sabin 48706. Property from the Estate of Mary Patricia Reynolds, Bowling Green, Kentucky $300-400

Property from the Estate of Mary Patricia Reynolds, Bowling Green, Kentucky $1,000-1,500

253

254

MONROE, James. Letter signed as Secretary of State (“Jas Monroe”), to the Collector of the Customs, Portsmouth, New Hampshire. Washington D. C., 26 June 1812.

MONROE, James (1758-1831). Engraved document signed as President (“James Monroe”), COUNTERSIGNED BY SECRETARY OF STATE JOHN QUINCY ADAMS (“John Quincy Adams”), and by the collector of the port, 30 January 1819.

1 page, legal folio, 320 x 200 mm, with integral leaf, docketed, a few separations to folds, some with tape repairs verso, some toning to creases. WRITING AS SECRETARY OF STATE, JAMES MONROE EXPLAINS IN SOME DETAIL THE ISSUING OF PRIVATEER COMMISSIONS Monroe describes the procedure for issuing Letters of Marque; “I send you herewith five blank Commissions...for such private armed Vessels as may be fitted out in your District...and copies of an act passed this day, concerning ‘Letters of Marque, Prizes and Prize goods.’ ...In filling up the bonds, you will particularly observe, that if the compliment of Men belonging to the Vessel is no more than one hundred and fifty, the bond is to be for five thousand dollars; if more than that number, then the bond is to be for ten thousand dollars. In either case, the bond is toe be signed by the owner or owners, the Commander, and two responsible sureties not interested in the vessel.” $1,000-1,500

1 page, on vellum, 4to, 367 x 265 mm, accomplished in manuscript with scalloped edge at top, paper seal, docketed verso, creased from folding, some minor browning, “M” of “Monroe” affected slightly by one fold. Ship’s passport for the Ship China of New York, with David Whittier as Captain, to pass “without any hindrance seisure or molestation.” $1,000-1,500

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255 MORRIS, Robert (1734-1806). Autograph letter signed (“Rob’t Morris”), to John Langdon. Philadelphia, 15 December 1778. 1 page, 8vo, 239 x 194 mm, docketed verso, some spotting or staining, creased. MORRIS WRITES TO SECOND CONTINENTAL CONGRESS MEMBER JOHN LANGDON ABOUT REPAYMENT TO THE MARINE COMMITTEE “Your Favour of the 9th all came safe to hand with the draft on the Marine Committee for Ten Thousand Dollars which is not yet paid, but payment is promised.” He continues: “I have only seen Mr. Germain in the street when I desired him to call & see what you had written respecting him, this he has not done & you would see by my former letter that I had paid him Fifteen hundred pounds lawfully.” $600-800

256 MORRIS, Robert (1734-1806), as U. S. Superintendent of Finance. Letter signed (“Rob’t Morris”), to John Langdon. Office of Finance, Philadelphia, 2 May 1782. 2 pages, 8vo, 228 x 189 mm, in a secretarial hand, docketd verso, on a bifolium, creased. MORRIS DISCUSSES SHARES OF THE BANK OF NORTH AMERICA “YOU MAY DEPEND THAT YOU HAVE NO BETTER PROPERTY THAN THESE SHARES.” “I was informed that Mr. Livermore had been there to take leave and that he is going off this morning. I have therefore risen early to send by him a Packet inclosing the Certificates from the Bank of your shares therein, you may depend that you have no better property than these shares. I think the Proprietors will receive this year upwards of Six p’cent for their money.” In a postscript, Morris reports “you will receive herein another draft of Samuel Livermore Esq. on the Honble Meshech Weare Esqr. dated the 19th. Instant at Ten days for Two Hundred and thirty four dollars which Please to Recover and Credit the United States for the amount.” $500-700

*257 PALMER, Harold Sutton (1854-1933), illustrator. -- AUSTIN, Mary Hunter (1868-1934). California, the Land of the Sun. New York and London: The Macmillan Company, Adam and Charles Black, 1914. 8vo. 32 color-printed plates tipped in, one folding map. (Frontispiece disbound, some minor spotting to last few leaves.) Original publisher’s decorated cloth (a touch of wear to extremities, otherwise bright). FIRST AMERICAN EDITION in a fine publisher’s cloth binding. “Austin’s best writing, which is concerned with nature or Native American life, is reminiscent of the work of Ralph Waldo Emerson and John Muir in its transcendental tone and occasional primitivist leaning”(Encyclopaedia Britannica). Inman, A & C Black Colour Books 649. Property from the Estate of Peter Bergh, Edwards, Colorado $300-400

FINE BOOKS AND MANUSCRIPTS, INCLUDING AMERICANA

258

259

[PRIVATEERS]. Partly printed document accomplished in manuscript, signed by Andrew Giddinge and William Coombs, countersigned by by John Parker, Samuel Penhallon Jr., Samuel Cutts, 23 June 1788.

RAMSAY, David (1749-1815). The History of the American Revolution. Philadelphia: R. Aitken & Son, 1789.

1 page, 4to, 332 x 206 mm, separations along creases. Granting letters of marque to a Privateer schooner, the Mayflower, belonging to Andrew Giddings and William Coombs, both of Newburyport, MA and Samuel Cutts of Portsmouth, NH. Captained by Andrew Giddings, the Mayflower was provisioned to have 8 carriage guns and 35 men. Giddings died at sea in 1779. He and Coombs were both members of the Marine Society of Newburyport, and Coombs championed merchant investment in privateers. Coombs owned a wharf in Newburyport, and in 1798, after Congress established a navy, he was one of eight initial subscribers to finance the first “subscription” vessel of the U. S. Navy, the sloop Merrimack. Samuel Cutts, a Portsmouth merchant, played a pivotal role in the early Revolution. He met with Paul Revere in 1774 and helped coordinate with local the raid on Fort William and Mary, commencing on 14 December 1776, and resulting in the seizure about 100 barrels of gunpowder, enough to supply the local militia in not only Portsmouth, but nearby Exeter and Dover.

2 volumes, 8vo (112 x 195 mm). (A few wormholes to endpapers and flyleaves; a few leaves loose vol.I, toning and spotting.) Contemporary calf, spine gilt (rubbed, upper board detached vol.I; upper joint separating vol.II; wear to head of spine vol.II). Provenance: John Clarion? Jr. (signature); M.S. Jones (signature). FIRST EDITION of Ramsay’s account of the Revolution, drawn from materials collected by the author while serving as a member of the Continental Congress in the years 1782, 1783, 1785 and 1786. Evans 22090; Howes R-35; Sabin 67687. $800-1,200

$400-600

260 ROOSEVELT, Theodore (1858-1919). Engraved document signed as President (“Theodore Roosevelt”), countersigned by William H. Moody, Secretary of the Navy, 7 May 1902. 1 page, on vellum, accomplished in manuscript, paper seal, signature slightly smudged. Military appointment of Charles B. Hatch, Junior as Ensign in the Navy. $500-700 261 ROOSEVELT, Theodore (1858-1919). Draft typescript signed as President (“Theodore Roosevelt”), with an 8-word emendation in Roosevelt’s hand, to Lawrence F. Abbott. Washington, D. C., 16 February 1909. (continued)

1 ½ pages, 4to, on White House stationery. “THERE IS NO REASON YOU SHOULD NOT PUBLISH THE ARTICLE” During his final weeks in office, Roosevelt writes Lawrence F. Abbott of The Outlook: “There is no reason at all that you should not publish BunauVarilla’s article [in The Outlook] as long as you have said you would. It is simply that I ought not to be in a controversy with him. It would be like Balfour having a joint debate with Poultney Bigelow.” Philippe Bunau-Varilla (1859-1940) greatly influenced the selection of the the construction site for the Panama Canal; he worked closely with Roosevelt in the orchestration of the Panamanian Revolution. $600-800

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262 STARR, Frederick (1858-1933). Indians of Southern Mexico. An Ethnographic Album. Chicago: N.p., 1899. Oblong folio. 141 photogravures. Publisher’s gilt-lettered navy cloth (a few minor scuffs). LIMITED EDITION, number 367 of 560 copies SIGNED BY STARR of his anthropological study of tribes in the states of Mexico, Michoacan, Tlaxcala and Puebla. The tribes visited by Starr include the Otomi, Tarascan, Aztec, Tlaxcalan, Mixtec, Triqui, Zapotec, Mixe, Tehuantepecano, Juave, Chontal, Cuicatec, and Chinantec. Property from the Collection of Michael and Kay Melet $800-1,200

*263 STOWE, Harriet Beecher (1811-1896) -- HENSON, Josiah (1789-1883). Father Henson’s Story of His Own Life. Boston and Cleveland: John P. Jewett and Henry P. Jewett, 1858. 8vo. Portrait frontispiece. (Spotting to preliminary leaves.) Original publisher’s brown cloth gilt (slightly leaned, minor chipping to extremities). FIRST EDITION of Henson’s autobiography, with an introduction by Harriet Beecher Stowe, of the work widely believed to have inspired Stowe’s novel Uncle Tom’s Cabin. Sabin 31433. Property from the Estate of Mary Patricia Reynolds, Bowling Green, Kentucky $200-300

264 TANNER, Henry Schenck (1786-1858). The American Traveller, or Guide through the United States. Philadelphia: Published by the author, 1836. 12mo (148 x 87 mm). Engraved frontispiece, 3 engraved plates; engraved folding map with hand coloring (some minor separations to folds reinforced verso); 4 engraved double-page folding maps (the map of New York separated along fold). (Some overall browning or spotting.) Original publisher’s cloth, printed label to upper cover (possibly lacking printed label on spine, joints starting, some soiling and overall wear). Provenance: Alexander J. McLane (gift inscription, 1 April 1859). Second edition, preceded by an edition of 1840, with engraved plans of Baltimore, Boston, New York, and Philadelphia. The engraved folding map, The Travellers Guide or Map of the Roads, Canals & Rail Roads of the United States, depicts the United States east of the Mississippi River with inset plans of several cities. $500-700 86

FINE BOOKS AND MANUSCRIPTS, INCLUDING AMERICANA

265 TRUMAN, Harry S. (1884-1972). Mr. Citizen. New York: Bernard Geis Associates,1960. 8vo. Original publisher’s maroon cloth gilt, top edge stained red. Pictorial slipcase (very minor toning to extremities. LIMITED EDITION, number 884 of 1000 copies SIGNED BY TRUMAN of Truman’s autobiography describing his return to life as an ordinary citizen after leaving the White House. $400-600

266 TYLER, John (1790-1862). Autograph endorsement signed as President (“J. Tyler”), 29 December 1842. 1 page, 4to, 251 x 201 mm, on verso of letter addressed to him, a few tiny separations along creases. Provenance: Cardinal Spellman Philatelic Museum. William Collins of Portsmouth, Virginia, writes requesting a loan of muskets for use at the Military Academy. Tyler responds: “If this could be done it would be a public benefit and no public loss.” $300-400

267 WARD, Artemas. Partly printed document accomplished in manuscript signed on verso (“Artemas Ward”). 1 page, folio, 334 x 208 mm, signed by Ward on verso, a few tiny holes to folds, some toning, rear outer panel browned. SIGNED BY WARD on verso of a land grant. Ward, a Commander in Chief of the Massachusetts Militia during the 1775 Siege of Boston, was second in command of the Continental Army until his resignation in 1776. $500-700

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268 WASHINGTON, George (1732-1799). Address panel with autograph free frank signed (“G:o Washington”), as Commander in Chief of the Continental Army, 5 August 1777. 1 page, oblong 8vo, 3 x 6 1/2 in., dated along left edge, matted and framed with edges visible, unexamined out of frame. An address panel to Colonel George Baylor. Provenance: Charles Hamilton authenticity label and wax seal on back of frame. A FINE WASHINGTON FRANKING SIGNATURE on an address panel addressed in a different hand, intended for Colonel George Baylor “of a Regt. of Horses near Fredericksburg Virginia.” Baylor served as Washington’s first aide-de-camp during the Revolutionary War. He was later appointed to lead the 3rd Regiment of Continental Light Dragoons, which often served as escort for Martha Washington. SIGNED BY WASHINGTON AS DELEGATES BEGAN SIGNING THE DECLARATION OF INDEPENDENCE. $3,000-5,000 269 WASHINGTON, George (1732-1799). The Writings of George Washington from the Original Manuscript Sources 1745-1799. John C. Fitzpatrick, editor. Washington: United States Government Printing Office, 1931-1944. 39 volumes, 8vo. Original blue cloth (minor soiling to a few volumes, spines slightly sunned). FIRST EDITION of the “George Washington Bicentennial Edition.” $300-500

FINE BOOKS AND MANUSCRIPTS, INCLUDING AMERICANA

270

*271

WEBSTER, Daniel (1782-1852). Autograph letter signed (“Dan’l Webster”), to J. M. White. N.p., 4 March n.y.

WEBSTER, Delia Ann (1817-1904). Kentucky Jurisprudence. [sic] A History of the Trial of Miss Delia A. Webster. Vergennes, VT: E. W. Blaisdell, 1845.

1 page, 8vo, matted and framed, unexamined out of frame. Requesting notes, bills and arguments relating to “the case in which the Commonwealth Bank of Ken. is party. My object is to process the necessary materials for studying the matter in the recess.”

12mo (189 x 113 mm). (Spotting throughout.) Original printed wrappers, stab-sewn (corners creased).

$300-400

FIRST EDITION of Webster’s own account of her trial in which she was convicted of aiding the Hayden Family, 3 self-emancipated fugitives from slavery in Kentucky. She was sentenced to “2 years hard labor,” however, she was pardoned just 2 months later on February 24, 1845. She returned to Vermont and published this account, which Jillson calls, “an unusual item of much interest.” Webster would later become an active participant in the Underground Railroad and served as a nurse during the Civil War. Jillson, Rare Kentucky Books, pp.108-109. RARE: OCLC locates only 3 copies; according to online records, only 2 other copies ever sold. Property from the Estate of Mary Patricia Reynolds, Bowling Green, Kentucky $200-300

(part lot) *272

*273

[WESTERN EXPANSION]. A group of 5 works, comprising:

WITHERS, Alexander (1792-1865). Chronicles of Border Warfare. Clarksburg, VA: Joseph Israel, 1831.

[McAFEE, Robert Breckinridge]. History of the Late War in the Western Country. Lexington: Worsley & Smith, 1816. FIRST EDITION. Contemporary leather; modern leather gilt and marbled paper slipcase. Sabin 42929 -- DRAKE, Samuel G. Biography and History of the Indians of North America. Boston, New York, and Philadelphia: O.L. Perkins, G. & C. & N. Carvill, and Grigg & Elliot, 1834. Contemporary leather. -- [PRITTS, Joseph]. Incidents of Border Life. Lancaster, PA: G. Hills, 1841. Contemporary mottled calf. Howes P-622. Sabin 65719. -- BUTTERFIELD,

12mo (178 x 105 mm). Advertisements at end. (Scattered spotting, a few marginal pencil annotations.) Contemporary marbled calf, smooth spine gilt in 5 compartments, leather gilt-lettered spine label (a few scuffs, some creasing on spine).

C.W. An Historical Account of the Expedition Against Sandusky. Cincinnati: Robert Clarke & Co., 1873. Contemporary half leather gilt with marbled boards. -- THOMPSON, Ed Porter. History of the Orphan Brigade. Louisville: Lewis N. Thompson, 1898. Original printed brown cloth rebacked with brown sheep gilt. -- Together 5 works in 5 volumes, 8vo, condition generally very good.

FIRST EDITION of Wither’s “scarce book [of which] very few copies are complete or in good condition. Having been issued in a remote corner of Northwestern Virginia, and designed principally for a local circulation, almost every copy was read by a country fire-side until scarcely legible...The author took much pains to be authentic, and his chronicles are considered by Western antiquarians, to form the best collection of frontier life and Indian warfare, that has been printed.”(Field 1690). Howes W-601; Sabin 104928. Property from the Estate of Mary Patricia Reynolds, Bowling Green, Kentucky

Property from the Estate of Mary Patricia Reynolds, Bowling Green, Kentucky

$200-300

$400-600

End of Session I V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

323

FINE BOOKS AND MANUSCRIPTS, INCLUDING AMERICANA

Session II: Friday, 13 November | 10amCT Livres d' Artiste Lots 274-339

274 ADAMS, Ansel (1902-1984). Images 1923-1974. Boston: New York Graphic Society, 1974. Oblong folio. 115 extended range photolithographic reproductions. Original leather-backed grey cloth; publisher’s pictorial dust jacket; unopened in original shrink wrap; original silver-stamped folding case (slight fading to extremities). FIRST EDITION, LIMITED ISSUE, number 196 of 1,000 copies of the “De Luxe Edition” SIGNED BY ADAMS. [Laid into slipcase:] ORIGINAL GELATIN SILVER PRINT PHOTOGRAPH. Fern Spring, Dusk, Yosemite Valley, California, ca. 1961. LIMITED EDITION, number CXCVI of 500 copies numbered in Roman numerals of a total edition of 1,000. SIGNED BY ADAMS in pencil on mount, dry mounted on archival board. Property from the Collection of Michael and Kay Melet $1,000-2,000

275 ADAMS, Ansel (1902-1984). -- AUSTIN, Mary (1968-1934). Taos Pueblo. Boston: New York Graphic Society, 1977. Folio. 12 reproductions of Adams’ photographs. Quarter tan morocco over orange cloth, matching orange cloth slipcase (very minor scuffs). LIMITED EDITION, number 895 of 950 copies SIGNED BY ADAMS, a later facsimile edition of Adam’s first book originally published in 1930 by the Grabhorn Press in an edition of 108 copies. $1,000-1,500

276 - no lot

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277 ALBERS, Josef (1888-1976). Formulation: Articulation I & II. New York and New Haven: Harry N. Abrams and Ives-Sillman, 1972. 2 volumes, oblong folio (each 20 3/4 x 15 3/4 in). 127 color screenprints in colors, on 66 sheets of wove paper, each folded (as issued), each numbered in black ink. Loose as issued in original linen-covered grey portfolios and slipcases (some minor staining to slipcases, a few minor separations along edges). LIMITED EDITION, number 224 of 1000 copies SIGNED BY ALBERS on half-title. Property from the Collection of Michael and Kay Melet $10,000-15,000

278 ARP, Jean (1887-1966). Dreams and Projects. New York: Curt Valentin, 1951-1952. 4to. 28 woodcuts by Arp. (Minor offsetting as usual.) Loose as issued in original printed wrappers; publisher’s slipcase and chemise (slight toning, a few small stains, minor separations to edges of slipcase). LIMITED EDITION, number 218 of 320 copies SIGNED BY ARP. Property from the Collection of Michael and Kay Melet $800-1,200

FINE BOOKS AND MANUSCRIPTS, INCLUDING AMERICANA

279 AVEDON, Richard (1923-2004). Avedon. Photographs 1947-1977. New York: Farrar, Straus, & Giroux, 1978. Folio. Numerous photographic illustrations. Original publisher’s photo-pictorial boards, original printed clear acetate dust jacket (small adhesive remnants and minor creasing to top edge). FIRST EDITION, SIGNED BY AVEDON. Property from the Collection of Michael and Kay Melet $600-800

280 AVEDON, Richard (1923-2004). In the American West, 1979-1984. New York: Harry N. Abrams, Inc., 1985. Folio. Numerous photographic illustrations. Publisher’s black-stamped brown cloth with mounted photographic reproductions on the front and rear covers; original clear acetate jacket. FIRST EDITION, reproducing Avedon’s striking portraits of western workers and drifters SIGNED BY AVEDON in the year of publication. Property from the Collection of Michael and Kay Melet $500-700

281 [BAKST, Léon (1866-1924)]. LEVINSON, André (1887-1933). Bakst. The Story of the Artist’s Life. London: The Bayard Press, 1923. Folio. Half-title, title-page printed in black and brown, 68 plates, most in color, tipped to mounts, lettered tissue guards, numerous in-text illustrations. (Occasional light spotting.) Original vellum lettered and decorated in brown, uncut (some spotting or soiling, lower joints starting). Provenance: Isseido (bookseller’s label). LIMITED EDITION, number 79 of 315 copies. Levinson’s illustrated biography of Bakst reproduces numerous examples of his set-designs, costumes, portraits, drawings, and paintings. Property from the Collection of Michael and Kay Melet $2,500-3,500

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282 BASKIN, Leonard (1922-2000). TENNYSON, Alfred Lord (18091892). Tiresias. Northampton, MA: Gehenna Press, 1970. 12mo. Etched frontispiece and 4 etchings SIGNED BY BASKIN in pencil lower margin. Gilt-lettered vellum, yapp edges. Vellum-backed cloth folding case lettered in gilt (minor soiling). LIMITED EDITION, number 36 of 50 copies SIGNED BY BASKIN. Property from the Collection of Michael and Kay Melet $500-700

283 BASKIN, Leonard (1922-2000). FRAZER, James, translator. Terminalia From Ovid’s Fasti. Northampton, MA: Gehenna Press, 1972. 4to. 8 etchings, each SIGNED AND NUMBERED in pencil lower margin 26/35. Gilt-lettered brown morocco, edges uncut; quarter brown morocco folding case with gilt-lettered spine (fading to upper internal board). LIMITED EDITION, number 26 of 35 copies SIGNED BY BASKIN. Original prospectus laid in. Property from the Collection of Michael and Kay Melet $2,000-3,000

284 BEARD, Peter (1938-2020). Peter Beard. Cologne: Taschen, 2006. Large folio. Numerous photographic reproductions of Beard’s collages. Original half maroon leather gilt, upper cover with central mounted photographic reproduction; maroon cloth gilt folding case; wooden stand. LIMITED EDITION, number 1,799 of 2,250 copies of the “COLLECTED EDITION” SIGNED BY BEARD of a total edition of 2,500. Property from the Collection of Michael and Kay Melet $1,500-2,500

FINE BOOKS AND MANUSCRIPTS, INCLUDING AMERICANA

285 CALDER, Alexander (1898-1976). LIPMAN, Jean and FOOTE, Nancy, editors. Calder’s Circus. New York: E. P. Dutton & Co., Inc. in association with the Whitney Museum of American Art, 1972. 4to. Numerous illustrations. Publisher’s yellow pictorial boards; dust jacket (price-clipped); slipcase. FIRST EDITION, SIGNED BY CALDER. Property from the Collection of Michael and Kay Melet $400-600

286 CHAGALL, Marc (1887-1985). -- ÉLUARD, Paul (1895-1952). Le Dur Désir de Durer. Stephen Spender and Frances Cornford, translators. Philadelphia and London: The Grey Falcon Press, The Trianon Press, 1950. 4to. Color frontispiece printed by Daniel Jacomet under Chagall’s supervision, 25 illustrations. Original printed wrappers with illustration by Chagall on upper cover, original glassine (light toning, slight chipping to spine). FIRST EDITION, LIMITED ISSUE, number 732 of 750 copies printed for the Trianon Press, of a total edition of 1,500. Property from the Collection of Michael and Kay Melet $400-600

287 CHAGALL, Marc (1887-1985). Chagall Lithographs. Vol.I: Monte Carlo: André Sauret, 1960; Vol.II: Monte Carlo and Boston: André Sauret and Boston Book and Art Shop, Inc., 1963; Vol.III: Paris: André Sauret, 1969; Vols.IV, V and VI: New York: Crown Publishers, Inc., 1974, 1984, 1986. 4to, 6 volumes. Text in English, German or French corresponding with place of publication. 28 original lithographs (including dust jackets), numerous reproductions of Chagall’s lithographs. Original publisher’s cloth; original lithographed dust jackets (slight chipping with minor losses to extremities of a few volumes, some minor toning to extremities); original glassines (a few short tears with occasional old tape repairs); original board slipcases. Provenance: Vols.I-IV sold Sotheby’s Parke Bernet 1975 (lot stickers on board slipcases). FIRST EDITION IN ENGLISH of vols.II, IV-VI; FIRST EDITION IN GERMAN of vol.I; FIRST EDITION IN FRENCH of vol.III. Property from the Collection of Michael and Kay Melet $3,000-4,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

288 CHAGALL, Marc (1887-1985). -- BACHELARD, Gaston (1884-1962). Drawings for the Bible. New York: Harcourt, Brace and Company, 1960. 4to. 24 original color lithographs, 96 reproductions in black and white. Original lithographed boards by Chagall (very minor separation to joints). FIRST AMERICAN EDITION of Chagall’s biblically themed drawings of 1958-1959. His first set of biblical drawings was reproduced in Verve 33/34, and this second suite was first published in Verve 37/38. Property from the Collection of Michael and Kay Melet $1,500-2,500

289 CHAGALL, Marc (1887-1985). Jerusalem Windows. New York: George Braziller, 1962. 4to. 2 original color lithographs by Chagall, numerous illustrations. Publisher’s red cloth; original printed dust jacket (very minor chipping to top edge, short tear with minor loss at head of spine); clear acetate jacket (a few tears or small losses, adhesive remnant to rear panel). FIRST EDITION, illustrating Chagall’s designs for 12 stained glass windows for the synagogue at Hadassah-Hebrew University Medical Center in Jerusalem. Property from the Collection of Michael and Kay Melet $300-400

290 CHAGALL, Marc (1887-1985), illustrator. -- PRÉVERT, Jacques (1900-1977). Le Cirque D’izis. Monte Carlo: André Sauret, 1965. Folio. 4 original lithographs, numerous black and white reproductions of photographs by Izis Bidermanas. Original publisher’s black-stamped red cloth; original printed dust jacket; original printed acetate wrapper; original board slipcase (slight separations along bottom edges). FIRST EDITION, SIGNED BY CHAGALL on the second lithograph. The collaboration between Chagall, the poet Prévert, and the photographer Bidermanas documents French circus life in the 20th century. Property from the Collection of Michael and Kay Melet $400-600

FINE BOOKS AND MANUSCRIPTS, INCLUDING AMERICANA

291 CUNNINGHAM, Imogen (1883-1976). Imogen! Imogen Cunningham Photographs 1910-1973. Seattle and London: Published for the Henry Art Gallery by the University of Washington Press, 1974. 4to. ORIGINAL SIGNED PHOTOGRAPH LAID IN; numerous black and white reproductions of Cunningham’s photographs. Original silver-stamped morocco-backed black cloth; slipcase (slight fading to extremities). LIMITED EDITION, number 134 of 150 copies SIGNED BY CUNNINGHAM. Property from the Collection of Michael and Kay Melet $600-800

292 DALI, Salvador (1904-1989). DESCHARNES, Robert (19262014). The World of Salvador Dali. New York: The Viking Press, 1968. 4to. Numerous color reproductions of Dali’s paintings and drawings. Publisher’s orange cloth gilt; pictorial dust jacket (price-clipped, slight chipping and tears to edges with old tape repairs verso). Later edition, SIGNED BY DALI with a drawing in red ink, 1969. Property from the Collection of Michael and Kay Melet $600-800

293 [DERRIÈRE LE MIROIR - CHAGALL]. A group of 4 Marc Chagall issues, comprising: CHAGALL. No. 27/28. March/April 1950. -- CHAGALL. No. 225. October 1977. -- CHAGALL. No. 235. October 1979. -- CHAGALL. No. 246. May 1981. All published Paris: Maeght Éditeur. Each with numerous lithographs and illustrations, loose as issued in original lithographed wrappers. First trade editions, condition generally fine.

$400-500

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294 [DERRIÈRE LE MIROIR - MIRÓ]. A group of 6 Joan Miró issues, comprising: MIRÓ. No. 87/88/89. June/July/August 1956. -- MIRÓ. No. 139/140. June/July 1963. -- MIRÓ. No. 193/194. October/November 1971. -MIRÓ & UBAC. No. 155. December 1965.-- MIRÓ. No. 203. April 1973. -- MIRÓ. No. 231. November 1978. All published Paris: Maeght Éditeur. Each with numerous lithographs and illustrations, loose as issued in original lithographed wrappers. First trade editions, condition generally fine. $600-800

295 DUBUFFET, Jean (1901-1985). -- GUILLEVIC, Eugene (1907-1997). Élégies. Paris: Le Calligraphe, 1946. 8vo. Double-page color lithograph by Dubuffet. Original printed wrappers, uncut; original glassine (tear with loss to foot of spine). LIMITED EDITION, number 54 of 296 copies of a total edition of 306. $500-700 296 - no lot 98

FINE BOOKS AND MANUSCRIPTS, INCLUDING AMERICANA

297 ELUARD, Paul. Un poeme dans chaque livre. Paris: Louis Broder, 1956. Small square 4to (190 x 190 mm). 16 etchings, drypoints, lithographs and woodcuts. 20th-century black calf decorated across both covers with an irregular mosaic of horizontal polished calf bands in different colors, the bands continuing across the smooth spine except for a narrow border at joints, with author’s name incorporated in onlays of different colored calf, plain silver polished calf doublures and endpapers, edges gilt, STAMP-SIGNED BY P. L. MARTIN 1964 (a touch of slight rubbing to upper cover, otherwise fine); black calf-tipped fleece-lined chemise and slipcase. LIMITED EDITION, one of 100 copies, SIGNED BY THE ARTISTS (except Laurens, Leger and Tanguy, as usual). With illustrations by Pablo Picasso (2), Georges Braque, Fernand Léger, Max Ernst, André Beaudin, Marc Chagall, André Masson, Hans Arp, Oscar Dominguez, Joan Miró, Alberto Giacometti, Jacques Villon, Henri Laurens, Valentine Hugo and Yves Tanguy. Published as the fourth work in the Ecrits et gravures series, this work is a tribute to Paul Éluard, who died in 1952, including poems from Exemples (1921), Cours naturel (1938), Mourir de ne pas mourir (1924), and Capitale de la douleur (1926). IN A FINE BINDING BY PIERRE-LUCIEN MARTIN. Property from the Collection of Michael and Kay Melet $20,000-30,000

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297A

298

FOLON, Jean-Michel (1934-2005). Affiches de Folon. Geneva: Alice Editions, 1978.

HOCKNEY, David (b.1937). Hockney’s Alphabet. Stephen Spender, editor. London: Faber & Faber, 1991.

Folio. Original color etching in aquatint SIGNED AND NUMBERED BY FOLON in pencil lower margin 156/200. 25 reproductions of posters by Folon, loose as issued in original portfolio. Original printed cardboard wrappers with cloth ties (some light fraying to ties). LIMITED EDITION, number 156 of 200 copies. Property from the Collection of Michael and Kay Melet $200-300

Folio. Each letter of the alphabet and “&” illustrated by Hockney and accompanied by a poem or short text by a contributor. Original quarter vellum, handmade Fabriano Roma paper sides; original slipcase. LIMITED EDITION, one of 250 copies SIGNED HOCKNEY, SPENDER, AND 22 CONTRIBUTORS: Douglas Adams, Martin Amis, Julian Barnes, William Boyd, Margaret Drabble, Patrick Leigh Fermor, William Golding, Seamus Heaney, David Hockney, Kazuo Ishiguro, Erica Jong, Doris Lessing, Norman Mailer, Ian McEwan, Arthur Miller, Iris Murdoch, Nigel Nicolson, John Julius Norwich, Joyce Carol Oates, V.S. Pritchett, Craig Raine, Susan Sontag, Stephen Spender, and John Updike. Printed for the AIDS Crisis Trust, all proceeds from the book were donated to support its programs to help people suffering from the disease. A FINE COPY. $1,200-1,800

299

300

HOSOE, Eikoh (b. 1933). Man and Woman. Tokyo: CamerArt, 1961.

Jerusalem: City of Mankind. New York: The International Fund for Concerned Photography, 1973.

4to. Numerous reproductions of Hosoe’s photographs. Poems by Taro Yamamoto. Text by Ed van der Elsken and Tatsuo Fukushima. Stapled pamphlet containing the English translation of the Japanese text laid in. Original gray-stamped yellow boards; original dust jacket (price-clipped, chipping and sunning to spine); original printed card slipcase (slight soiling and wear to extremities). Laid-in: Stapled pamphlet containing the English translation of the Japanese text. FIRST EDITION of Hosoe’s study of the human body, an “attempt to catch the human drama, its secret rites held in darkness.” $600-800

Folio. 12 photographs by Leonard Freed, Ernst Haas, Cornell Capa, and Marc Riboud, and others, comprising: 7 dye-transfer prints and 5 silver prints, each mounted in a paper folder, each SIGNED AND NUMBERED in pencil 7/100. Loose as issued in gilt-lettered red cloth folding case with a mounted photograph (possibly lacking spine label); lucite slipcase. LIMITED EDITION, one of 115 unnumbered copies of the commemorative portfolio produced by the International Fund for Concerned Photography for the Women’s Division of the American Friends of the Israel Museum, New York. Property from the Collection of Michael and Kay Melet $1,000-1,500

100 F I N E B O O K S A N D M A N U S C R I P T S , I N C L U D I N G A M E R I C A N A

301 KLEE, Paul (1879-1940), illustrator. -- VOLTAIRE, Francois Marie Arouet de (1694-1778). Kandide, oder Die beste Welt. Munich: Kurt Wolff, [1920]. Small 4to. 26 illustrations after Klee; title-page printed in green and black. Original cloth-backed green boards gilt; original board slipcase, printed label . FIRST EDITION THUS, an important example of German expressionism, “one of the few examples of Klee’s book illustration as well as an important record of his early drawing style” (The Artist & The Book, 143). A FINE COPY, RARE WITH THE ORIGINAL SLIPCASE. $300-400

302 LÉGER, FERNAND (1881-1955). -- RIMBAUD, Arthur (1854-1891). Les Illuminations. Lausanne: Grosclaude Éditions des Gaules, [1949]. Folio. 15 lithographs (13 with pochoir). (Minor offsetting of plates to text.) Loose as issued in original printed wrappers (tear with small loss to spine end); original chemise (minor soiling, some light wear to joints with minor losses); slipcase. LIMITED EDITION, number 232 of 275 copies SIGNED BY LÉGER and the editor Louis Grosclaude on Papier Vélin Teinté of a total edition of 395. Saphire 24-38. Property from the Collection of Michael and Kay Melet $2,000-3,000

303 [LÉGER, FERNAND (1881-1955)]. Fernand Léger: Sa vie, son oeuvre, son reve. Milan: Edizioni Apollinaire, 1971. Folio. Numerous photographic reproductions, and letters, manuscripts, documents, and ephemera in facsimile. Original printed wrappers, uncut and unopened; original glassine (sunning to spine, a few tears with losses to spine ends); illustrated slipcase. Provenance: Wittenborn Art Books (bookseller’s label). LIMITED EDITION, number 375 of 1,057 copies of the “Luxury Edition” of a total edition of 1150. Property from the Collection of Michael and Kay Melet $300-400

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 101

*304 L’Estampe Moderne. Charles Masson and Henri Piazza, editors. Paris: L’Imprimerie Campenois, 1897-1899. Nos. 1-24, Folio. 99 (of 100) color lithographic and collotype plates by Alphonse Mucha. Louis Rhead, Henri Boutet, Edward Burne-Jones, Theophile Steinlen, Marcel-Lenoir and others, publisher’s blind stamps in margins, with lettered tissue guards. Later half blue morocco gilt; one original wrapper bound into each volume. FIRST EDITION, issued in 24 monthly parts between May 1897 and April 1899, with each part comprising four prints; an extra suite of lithographs (“planches de prime”) were offered by the publisher as an incentive to potential subscribers. Property from the Collection of James Gutglass, Fox Point, Wisconsin $2,000-3,000 305 - no lot

306 LEVINE, Jack (1915-2010), illustrator. -- MICHENER, James A. (1907-1997). Facing East. New York: Maecenas Press, Random House, 1970. Large Folio. 4 original lithographs, original woodcut on Japan paper, ten original woodcuts in text by Levine. Loose as issued in silk portfolio with leather flap (slight soiling and minor scuffing), housed with the additional leather portfolio containing 54 reproductions of Levine’s watercolors and sketches. LIMITED EDITION, number 290 of 2,500 copies, SIGNED BY LEVINE AND MICHENER. Property from the Collection of Michael and Kay Melet $300-400

307 [MASEREEL, Frans (1889-1972)]. A group of 3 works by Masereel, comprising: My Book of Hours. 167 Designs Engraved on Wood by Frans Masereel. N.p.: printed by the author, 1922. (Some separation to joints and minor chipping.) FIRST AMERICAN EDITION, LIMITED ISSUE, number 387 of 600 copies SIGNED BY MASEREEL. -- Das Werk. 60 Holzchnitte von Frans Masereel. Munich: Kurt Wolff Verlag, 1928. -- Landschaften Und Stimmungen. 60 Holzschnitte von Frans Masereel. Munich: Kurt Wolff Verlag, 1929. -- Together, 3 works in 3 volumes, 12mo or smaller, all FIRST EDITIONS, all in original printed boards, condition generally good except where indicated. Property from a Private Collection, Chicago, Illinois $300-400

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308

309

MATISSE, Henri (1869-1954). Verve. Volume IV, no. 13, “De La Couleur.” Paris: Éditions de la Revue Verve, 1945.

MIRÓ, Joan (1893-1974). Joan Miró. Lithographs. Vol.I: Text by Michel Leiris and Fernand Mourlot. New York: Tudor Publishing Company, 1972; Vol.II: Text by Raymond Queneau. New York: Léon Amiel Publisher, 1975; Vol.III: Text by Joan Teixidor. Paris: Maeght Éditeur, 1977.

4to. 2 lithographs by Matisse, including title-page. Lithographed wrappers by Matisse (a few short tears with occasional losses, slight toning). Property from the Collection of Michael and Kay Melet $600-800

3 volumes (of 6), comprising vols.I-III, 4to. 27 original lithographs, numerous reproductions of Miró’s Lithographs. Original publisher’s cloth, original lithographic dust jackets (vol.I dust jacket has minor creasing to extremities and slight soiling); original wrap around bands to vol.II and vol.III; original glassines to vol.II and vol.III; later slipcase to vol.I. Provenance: vol.III, Barron’s (bookseller’s label). LIMITED EDITION, each one of 5,000 copies of the “English-language Edition” (vol.I number 40, vol.II an unnumbered copy, vol.III number 713). Property from the Collection of Michael and Kay Melet $800-1,200

310

311

MOORE, Henry (1898-1986). Heads, Figures and Ideas. London and Greenwich, CT: George Rainbird, New York Graphic Society, 1958.

MOURLOT, Fernand (1895-1988). Souvenirs et portraits d’artistes. Paris: [Alain A. C. Mazo], 1972.

Folio. Original color lithograph, numerous illustrations. Original cloth-backed pictorial boards (corners very slightly bumped); original pictorial dust jacket (extremities with a few tiny chips or short tears). FIRST EDITION of the trade edition preceded by a signed limited edition of 150 copies.

Folio. 25 original lithographs (19 in color) by Braque, Buffet, Chagall, Giacometti, Matisse, Miró, Picasso, and others. (Light offsetting from a few plates.) Loose as issued in printed paper wrappers portfolio (slight toning to wrapper); linen folding case.

$200-300

$1,000-1,500

LIMITED EDITION, number 616 of 800 copies.

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 103

312 [ART REFERENCE & EXHIBITION CATALOGUES]. A group of 4 reference works and exhibition catalogues about French artists, comprising: BERNARD, Emile. Lettres de Vincent Van Gogh A Emile Bernard. Paris: Ambroise Vollard, 1911. Original wrappers bound in. -- RIVIÈRE, Georges. Le Maître Paul Cézanne. Paris: H. Floury, Éditeur, 1923. Original wrappers bound in. -- MUSÉE DE L’ORANGERIE. Claude Monet. Exposition Rétrospective, 1931; Portraits et Figures de Femmes Pastels et Dessins, 1935; Cezanne, 1936, second edition; Degas, 1937; Exposition E. Vuillard, 1938; all published Paris: Musée National de l’Orangerie, 1931-1938. 5 exhibition catalogues bound in 2 volumes. Original wrappers bound in. Provenance: R.M.L. (signature); Edwin E. Hokin (signature); Grace and Edwin Hokin (bookplate). -- SEUPHOR, Michel. L’Art Abstrait. Ses origines, ses premiers maîtres. Paris: Maeght, 1950. Later edition. -- Together, 8 works in 5 volumes, 8vo, FIRST EDITIONS except where noted, all half morocco, condition generally fine. $500-700

313

OKAMURA, Takashi (b. 1927). CHASTEL, André (1912-1990) The Vatican Frescoes of Michelangelo. New York: Abbeville Press, 1980. 4 volumes comprising: 2 volumes photographic reproductions, 1 volume text supplement, 1 volume additional suite of plates, large folio. 352 photographic reproductions by Okamura. Original maroon morocco-backed white morocco gilt, red and blue circular design to front covers. Text supplement volume in original cream limp gilt-lettered cloth with red and blue strapwork decoration. The 3 volumes housed together in a blue cloth folding case gilt, covers with white, red and gilt strapwork decoration. [With:] 18 photographic plates. Loose as issued in blue cloth gilt portfolio, cloth ties. All laid within original cardboard box. FIRST EDITION, LIMITED ISSUE, number 321 of 400 copies in English of a total edition of 600. Okamura’s photographs document Michelangelo’s Vatican frescoes before a 14-year restoration began in 1981. Property from the Collection of Michael and Kay Melet $1,000-1,500

314 ORKIN, Ruth (1921-1985). A World Through My Window. New York: Harper & Row, Publishers, 1978. 4to. Numerous color reproductions of Orkin’s photographs. Original black cloth, original dust jacket (slight surface abrasion, price sticker on cover). FIRST EDITION, SIGNED BY ORKIN, whose panoramic photographs show the changing seasons and skyline in New York taken from her Central Park West apartment. Property from the Collection of Michael and Kay Melet $700-900

104 F I N E B O O K S A N D M A N U S C R I P T S , I N C L U D I N G A M E R I C A N A

315 PICASSO, Pablo (1881-1973). -- MOURLOT, Fernand (1895-1988). Picasso Lithographe. Monte Carlo: André Sauret, Éditions du Livre, 1949, 1950, 1956, 1964. 4 volumes, folio. 4 original lithograph frontispieces by Picasso, numerous reproductions. Original lithographed paper wrappers by Picasso (a few hinges starting, slight wear to spine ends); original glassines (light wear to extremities, some tearing with losses to vol.II and III). FIRST EDITIONS. Vol.I, LIMITED ISSUE, number 1,154 of 2,500 copies. Property from the Collection of Michael and Kay Melet $1,200-1,800

316 PICASSO, Pablo (1881-1973). -- RUSSOLI, Frano. Picasso Venti Pochoirs Originali. Milan: Silvana Editoriale D’Arte, 1955. Folio. 20 pochoir plates after Picasso, numbered tissue guards. Publisher’s cloth-backed pictorial boards (slight wear and toning to spine ends and corners); original glassine wrappers (a few tears occasionally with losses). LIMITED EDITION, number 108 of an unspecified limitation. Property from the Collection of Michael and Kay Melet $2,000-3,000

317 PICASSO, Pablo (1881-1973). -- SABARTÉS, Jaime (18811968). Picasso: Toreros. Patrick Gregory, translator. London: A. Zwemmer Ltd; Monte Carlo: A. Sauret. 1961. Oblong 4to. 4 lithographs, including one printed in color (“Le Picador”); numerous black and white or brown, black and white reproductions. Original publisher’s red cloth with designs after Picasso stamped in black (spine slightly sunned); original red printed slipcase (slight wear to extremities). Provenance: bookseller’s stamp, New Delhi. FIRST ENGLISH EDITION. Bloch 1014-1017; Cramer 113; Mourlot 346. Property from the Collection of Michael and Kay Melet $1,000-2,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 105

318

319

[POLLOCK, Jackson (1912-1956)]. O’CONNOR, Francis Valentine; THAW, Eugene Victor, editors. Jackson Pollock. A Catalogue Raisonné of Paintings, Drawings and Other Works. New Haven and London: Yale University Press, 1978.

RAY, Man (1890-1976). Man Ray Photographs 1920-1934 Paris. Hartford, CT and New York: James Thrall Soby and Random House, 1934.

4 volumes, 4to. Numerous black and white reproductions of Pollock’s works. Original publisher’s linen stamped in black and gilt (some minor loss of black pigment to spines, more pronounced vol.III); cloth slipcase with printed label (slight fading to extremities). FIRST EDITION of Pollock’s catalogue raisonné. [With:] Supplement Number One. Francis Valentine O’Connor, editor. New York: The Pollack-Krasner Foundation, Inc., 1995. Original publisher’s linen; cloth slipcase with printed label; original unopened shrink wrap. FIRST EDITION of the first supplement. Property from the Collection of Michael and Kay Melet

4to. 104 heliogravures (tiny damp stain to lower margins not affecting images). Spiral-bound photographic illustrated wrappers (slight creasing, chipping and soiling). Provenance: sold Sotheby’s Parke Bernet (lot sticker on upper cover) FIRST EDITION, second issue with the publisher’s fictitious “second edition” claim on title-page. The publisher attempted to create more demand for the book by recalling a large portion of the first print run canceling the title-page, and replacing it with the present title-page falsely stating “second edition.” Auer 210; Roth 80. Property from the Collection of Michael and Kay Melet $1,000-1,500

$800-1,200

320

321

RAY, Man (1890-1976). La Photographie N’Est Pas L’Art. [Paris]: GLM, 1937.

RODIN, Auguste (1840-1917). LAWTON, Frederick. The Life and Work of Auguste Rodin. London: T. Fisher Unwin, 1906.

8vo. 12 halftones. Loose as issued in original blue printed wrappers (some very minor toning); black die-cut outer wrapper. FIRST EDITION of Ray’s surrealist work accompanied by André Breton’s text. Parr & Badger I, 108-109.

8vo. Portrait frontispiece. (Damp-staining to margins not affecting image.) Numerous photographic illustrations (spotting throughout.) Later leather, top edge gilt (rebacked, rubbing to extremities). FIRST EDITION of Lawton’s comprehensive biography of Rodin. Tipped-in: 2pp. Autograph note signed “Rodin” to Antonin Proust, 24 May 1888. Rodin suggests to Proust, the French Minister of Fine Art, the possibility of presenting the Medal of Honor to the sculptor Camille Lefèvre.

Property from the Collection of Michael and Kay Melet $3,000-4,000

$800-1,200 106 F I N E B O O K S A N D M A N U S C R I P T S , I N C L U D I N G A M E R I C A N A

322

323

RUBIN, Gail (1938-1978). The Earth and the Fulness Thereof. New York: The Jewish Museum with Artchrome, Ltd., 1977.

SAN LAZARRO, Gualtieri di (1904-1974). San Lazzaro et Ses Amis. Paris: XXe Siècle, 1975.

Large folio. 10 color photographic prints in original mats as issued, each SIGNED AND NUMBERED in pencil lower margin 90/100. (Faces separating from backing boards with original glue remnants visible not affecting photographs.) Loose as issued in silver-lettered blue cloth folding case, hand-written paper label to spine (some minor separation to joints). LIMITED EDITION, number 90 of 100 copies. Original prospectus laid in.

Folio. 9 original lithographs by Bill, Calder, Chagall, Ernst, Hartung, Miró, Moore, Sutherland, and Wou-Ki; 6 lithographs after Braque, Fontana, Magnelli, Magritte, Picasso, and Poliakoff. (Some slight off-setting of plates to text). Loose as issued in original printed wrappers; linen-backed folding case with photographic portrait of San Lazarro tipped to inner cover (small stain on spine, upper edge slightly bumped).

Property from the Collection of Michael and Kay Melet

$200-300

$2,000-3,000

324

325

[SCHIELE, Egon (1890-1918)]. MITSCH, Erwin. Egon Schiele: Watercolours and Drawings. New York: Harry N. Abrams, Inc., 1969.

SCHLES, Ken (b.1960). Invisible City. Pasadena: Twelvetree Press, 1988.

Large folio. 64 plates reproducing Schiele’s works. Original beige cloth gilt; original mylar dust jacket (some tears to extremities). Provenance: Ursus Books (bookseller’s label). LIMITED EDITION, number A162 of A300 copies printed for Harry N. Abrams, Inc. of a total edition of 400 copies.

LIMITED EDITION, number 402 of 575 copies on vélin d’Arches.

4to. 62 black and white photographic plates. Original publisher’s cloth, upper cover and spine stamped in blind; original photoillustrated dust jacket. FIRST EDITION, one of 2,000 copies. A FINE COPY. Auer, p. 676. $200-300

Property from the Collection of Michael and Kay Melet $500-700 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 107

326

327

STEICHEN, Edward (1879-1973). -- SANDBURG, Carl (18781967). Steichen The Photographer. New York: Harcourt, Brace and Company, 1929.

LE BROCQUY, Louis (1916-2012), illustrator. -- SYNGE, John Millington (1871-1909). -- SULTAN, Stanley (1928-2013), editor. The Playboy of the Western World. Barre, MA: Imprint Society, 1970.

4to. Full-page reproductions of photographs by Steichen. Original publisher’s black cloth gilt (a few scuffs, light wear to spine ends). FIRST EDITION, LIMITED ISSUE, number 27 of 925 copies SIGNED BY SANDBURG AND STEICHEN. Property from the Collection of Michael and Kay Melet $1,500-2,500

4to. 7 color illustrations including frontispiece after brush drawings by le Brocquy. Original yellow cloth with gilt design on front cover (after title-page illustration); original yellow board slipcase (minor soiling). LIMITED EDITION, number 1669 of 1950 copies SIGNED BY LE BROCQUY, printed for members of the Imprint Society by the Dolmen Press in Dublin, Ireland. Property from the Collection of Michael and Kay Melet $300-500

328

329

TANGUY, Yves (1900-1955); ROSEY, Guy (1896-1981). Drapeau nègre. tout un poème. Paris: Éditions Surréalistes, 1933.

TANGUY, Ives (1900-1955). -- BRETON, André (1896-1966). Yves Tanguy. New York: Pierre Matisse Editions, 1946.

8vo. Frontispiece after a drawing by Tanguy. Original printed wrappers, uncut; original glassine (tear with loss to foot of spine). Provenance: Grace and Edwin Hokin (bookplate). LIMITED EDITION, number 11 of 15 copies on papier voiron, SIGNED BY TANGUY and ROSEY, of a total edition of 500.

4to. 2 color plates mounted, numerous black and white reproductions. Original printed boards (slight soiling, chipping to spine ends). STAMPED “REVIEWER’S COPY” on limitation page, one of 1,200 copies designed by Marcel Duchamp containing text in French and English by Breton.

$800-1,200

Property from the Collection of Michael and Kay Melet $500-700

108 F I N E B O O K S A N D M A N U S C R I P T S , I N C L U D I N G A M E R I C A N A

330 [TIBER PRESS - ABSTRACT EXPRESSIONISM]. ASHBERY, John. The Poems. Prints by Joan MITCHELL. -- KOCH, Kenneth. Permanently. Prints by Alfred LESLIE. [with:] O’HARA, Frank. Odes. Prints by Michael GOLDBERG. -- SCHUYLER, James. Salute. Prints by Grace HARTIGAN. New York: Tiber Press, [1960]. 4 volumes, folio. Each volume with three full-page color silkscreen prints “hors texte”, and additional silkscreens on the title pages and upper covers. With prospectus. Original cloth-backed illustrated boards with publisher’s thick acetate dust-jackets; original cloth slipcase; original cardboard box. LIMITED EDITION, number 87 of 200 COPIES, EACH SIGNED BY THE POET AND ARTIST on the limitation page on Hahnemüle paper. Tiber Press was founded in New York in 1953 by master printer Floriano Vecchi and Richard Miller; they specialized in dynamic screenprints by the leading Abstract Expressionist artists of the time. This project was the press’s most ambitious: the text was hand set and printed in Walbaum-Antiqua type on handmade paper by Brüder Harmann in West Berlin; the flat sheets were brought back to Tiber Press where they were printed with the artists’ works, which were drawn or painted directly onto silk screens solely for this publication. A significant collaboration between four of the most influential American poets of the second half of the 20th century and four important second-generation New York School artists. Each of the collaborators lived in New York City; the press “left the choice of partners in this project to the individuals themselves, and, in collaborating, the poet and painter were acknowledging an awareness of some real relationship between their work” (prospectus). A FINE COPY. $4,000-6,000

331 TING, Walasse. One Cent Life. Bern: E. W. Kornfeld, 1964. Folio. 68 lithographs including examples by Andy Warhol, Sam Francis, James Rosenquist, Robert Indiana, Robert Rauschenberg, Roy Lichtenstein, Pierre Alechinsky, Claes Oldenberg, Jim Dine and others. Loose as issued in original cloth-covered boards, pictorial dust jacket designed by Machteld Appel (minor losses to spine ends); original cloth slipcase (some minor rubbing). Provenance: Alma and Sam (presentation inscriptions and letter, see below). LIMITED EDITION, number 202 of 2,000 copies. PRESENTATION COPY, INSCRIBED BY TING in two acrostic poems to Sam and Alma: “to Splendor Ambassador & Man from Walasse Summer 1970”; “America Lovely Mermaid Alma.” Manet to Hockney 135; A Century of Artist Books pp. 208-9. [Laid in:] Autograph letter signed (“Walasse”), to Alma and Sam. N.p., 20 July 1970. 1 page, 4to, on pink sheet. In full: “Dear Alma & Sam Thank so much for the most beautiful party in flint it is just like the Painting Raining Sunshine, I love your house, full of sunshine on hundred thousand flower garden maybe I should sending you 2 dozen lively butterflies let they fly in your house love. Enclosed a Book was published 6 years ago.” Property from the Collection of Michael and Kay Melet $5,000-7,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 109

332

333

TRÉMOIS, Pierre-Yves. Le Livre D’Eros. Paris: Club du Livre, 1970.

VASARELY, Victor. Progressions 3. Neuchatel: Éditions du Griffon, 1974.

Oblong folio. 100 reproductions of gravures, monotypes and gouaches by Trémois. Original red gold-decorated leather, spine lettered in black; original quarter black leather gilt folding case. LIMITED EDITION, number 4,429 of 5,700 copies on vélin chiffon of a total edition of 6,300 copies. $300-400

Folio. 8 heliogravures, loose as issued. Original printed wrappers (portion of acetate at corners and edges peeling). FIRST EDITION of the third portfolio in Vasarely’s 3-part Progressions series. Property from the Collection of Michael and Kay Melet $200-300

334

335

[VERVE]. Verve; Vol 1 nos. 2-4. Paris: Tériade, 1938-1939.

VILLON, Jacques (1875-1963), illustrator. -- HÉSIOD (fl. 700 B.C.). Les Travaux et les Jours. Paris: Tériade, 1962.

Folio, 3 numbers bound in one volume (348 x 257 mm). Lithographed plates by Kandinsky, Masson, Chagall, Miró, Rattner, Klee, Matisse and Derain and numerous reproductions. Original publisher’s silver-lettered cloth; original wrappers bound in (slight rubbing to spine ends, minor soiling). $300-400

4to. 23 etchings (4 in color, 15 double-page). Loose as issued in original printed wrappers; original board chemise (joints starting, lacking slipcase). LIMITED EDITION, number 55 of 180 copies on Vélin de Rives SIGNED BY VILLON. Property from the Collection of Alec Nienhauser $500-700

110 F I N E B O O K S A N D M A N U S C R I P T S , I N C L U D I N G A M E R I C A N A

*336

337

VLAMINCK, Maurice de, illustrator. -- VANDERPYL, Fritz. Voyages. Paris: Éditions de la Galerie Simon, 1920.

VUILLARD, Edouard (1868-1940). Dix-Neuf Lithographies en Couleurs. Boston: Book and Art Shop, [1964].

4to. 18 in-text woodcuts by Vlaminck. (Some minor offsetting of woodcuts to text.) Contemporary vellum-backed marbled boards (some minor soiling to spine); original wrappers with a woodcut by Vlaminck bound in. Provenance: Mildred Bliss, Dumbarton Oaks (bookplate, withdrawal stamp).

Folio. 19 color lithographs. Loose as issued in original publisher’s cloth folding case (top corners slightly bumped, very minor soiling to extremities). LIMITED EDITION, number 154 of 180 copies.

LIMITED EDITION, number 48 of 90 copies on Hollande van Gelder SIGNED BY VLAMINCK AND VANDERPYL of a total edition of 107.

Property from the Collection of Phillip and Ellen Lively

Property from the Collection of Liza Strauss, San Francisco, California

$400-600

$2,000-3,000

(part lot) 338

339

WARD, Lynd (1905-1985). Gods’ Man. New York: Jonathan Cape and Harrison Smith, 1929.

WEBB, Peter. The Erotic Arts. London: Secker & Warburg, 1975.

8vo. Half-title. 144 leaves with woodcut illustrations. Original cloth-backed pictorial boards, printed paper spine label, top edge stained black, others uncut (minor toning to covers and spine label). FIRST TRADE EDITION of Ward’s wordless novel told through woodcut illustrations. God’s Man was the first of Ward’s six wordless novels, which have influenced the development of the graphic novel format in the United States. [With:] VASSOS, John (1898-1985). Phobia. New York: Covici Friede, 1931. 4to. Half-title, 24 plates in reproduction. Original publisher’s black cloth stamped in silver (slight wear to extremities, fading to spine, minor soiling). FIRST EDITION, LIMITED ISSUE, number 457 of 1,500 copies SIGNED BY VASSOS.

8vo. 14-color screen print SIGNED BY ALLEN JONES in pencil lower margin, and numbered 100/100; copper plate engraving SIGNED BY DAVID HOCKNEY in pencil lower margin, and numbered 100/100; numerous reproductions. Modern green morocco gilt, edges gilt. FIRST EDITION, LIMITED ISSUE, number 100 of 126 copies. Property from the Collection of Michael and Kay Melet $2,000-3,000

Property from a Private Collection, Chicago, Illinois $200-300

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 111

112 F I N E B O O K S A N D M A N U S C R I P T S , I N C L U D I N G A M E R I C A N A

The Edward Gorey Collection of Thomas J. Barrett Lots 340-476

340 GOREY, Edward (1925-2000). The Unstrung Harp. New York and Boston: Duell, Sloan and Pearce; Little Brown & Co., 1953. 8vo. Illustrated. Original pictorial boards (a touch of wear to bottom edge and corners); original illustrated dust jacket (slight rubbing to folds, tear with small loss to foot of spine). FIRST EDITION OF GOREY’S FIRST BOOK. SIGNED BY GOREY on the title-page. Toledano A1a. Property from the Collection of Thomas J. Barrett $150-250

341 GOREY, Edward (1925-2000). The Unstrung Harp. New York and Boston: Duell, Sloan and Pearce; Little Brown & Co., 1953. 8vo. Illustrated. Original pictorial boards (a touch of wear to bottom edge and corners); original illustrated dust jacket (slight rubbing to folds, tear with small loss to foot of spine). FIRST EDITION, second printing, with “Published November 1953 / Reprinted November 1953” on copyright page. SIGNED BY GOREY on the title-page. Toledano A1a. Property from the Collection of Thomas J. Barrett $80-120

342 GOREY, Edward (1925-2000). The Listing Attic. New York and Boston: Duell, Sloan and Pearce; Little Brown & Co., 1954. 8vo. Illustrated. Original pictorial boards (slight wear along bottom edge); original pictorial dust jacket (a few short tears with occasional minor losses to edges, a few short creases). FIRST EDITION, SIGNED BY GOREY on the title-page. Toledano A2a. Property from the Collection of Thomas J. Barrett $200-300 Opposite Lot 453

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 113

343 GOREY, Edward (1925-2000). The Doubtful Guest. Garden City, NY: Doubleday & Co., Inc., 1957. Oblong 8vo. Illustrated. Original pictorial boards; original pictorial dust jacket. FIRST EDITION, SIGNED BY GOREY on the title-page. Toledano A3a. Property from the Collection of Thomas J. Barrett $100-200

344 GOREY, Edward (1925-2000). The Object-Lesson. Garden City, NY: Doubleday & Co., Inc., 1958. Oblong 8vo. Illustrated. Original illustrated greenish-gray paper over boards; original pictorial dust jacket (a few short tears to edges, crease to front panel). FIRST EDITION, IN THE FIRST BINDING, SIGNED BY GOREY on the title-page. Toledano A4a. Property from the Collection of Thomas J. Barrett $400-600

345 GOREY, Edward (1925-2000). The Bug Book. New York: Looking Glass Library, 1959. 12mo. Illustrated. Original illustrated wrappers (slight toning to extremities). FIRST EDITION, LIMITED ISSUE, one of 600 unnumbered copies SIGNED BY GOREY on title-page. Issued as a Christmas greeting by the publisher and not for public sale. RARE. Toledano A5a. Property from the Collection of Thomas J. Barrett $500-700

114 F I N E B O O K S A N D M A N U S C R I P T S , I N C L U D I N G A M E R I C A N A

346

347

GOREY, Edward (1925-2000). The Fatal Lozenge. New York: Ivan Obolensky, 1960.

12mo. Illustrated. Original pictorial wrappers (some slight wear to extremities).

FIRST EDITION, FIRST ISSUE with “$1.25” on front cover. SIGNED BY GOREY on the title-page. Toledano A6a.

FIRST EDITION, second issue with “$1.75” on front cover. SIGNED BY GOREY on the title-page. Toledano A6b.

Property from the Collection of Thomas J. Barrett

$100-200

(part lot) 348

349

GOREY, Edward (1925-2000). The Curious Sofa. New York: Ivan Obolensky, 1961.

GOREY, Edward (1925-2000). The Hapless Child. New York: Ivan Obolensky, 1961.

12mo. Illustrated. Original pictorial wrappers (slight rubbing to extremities).

Square 8vo. Illustrated. Original purple wrappers (a touch of rubbing).

FIRST EDITION, with “$1.50” price on front wrapper. SIGNED BY GOREY as “Ogdred Weary” on title-page. The statement “this is copy no 83 of an edition limited to 212 copies” on copyright page is a spoof. Toledano A7a.

FIRST EDITION, SIGNED BY GOREY on the title-page. Toledano A8a.

Property from the Collection of Thomas J. Barrett $100-200

[With:] GOREY. The Hapless Child. New York: Honor Astor, 1961. 12mo. Illustrated. Original blue wrappers (slightly rubbed). Reprint edition. Not in Toledano. Property from the Collection of Thomas J. Barrett $100-200

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 115

350 GOREY, Edward (1925-2000). The Beastly Baby. N.p.: The Fantod Press, 1962. 12mo. Illustrated. Original pictorial wrappers (some very minor soiling to a few edges). FIRST EDITION, LIMITED ISSUE, one of 500 unnumbered copies, SIGNED BY GOREY as “Ogdred Weary” on the title-page. The first book bearing Gorey’s Fantod Press imprint. RARE: according to online records, no signed copies of this work have ever appeared on the market at auction. Toledano A9a. Property from the Collection of Thomas J. Barrett $1,000-1,500

351 GOREY, Edward (1925-2000). Willowdale Handcar. Indianapolis & New York: Bobbs-Merrill Co., Inc., 1962. Square 12mo. Illustrated. Original lavender pictorial wrappers (some very minor soiling). FIRST EDITION, SIGNED BY GOREY on the title-page. First appearance was in Holiday Magazine, May 1962, as “The Imprudent Excursion.” Toledano A10a. Property from the Collection of Thomas J. Barrett $150-250

352 GOREY, Edward (1925-2000). The Vinegar Works: Three Volumes of Moral Instruction. New York: Simon and Schuster, 1963. 3 volumes, square 8vo. Illustrated. Original pictorial boards (some light wear to joints, spines darkened); housed together in original pictorial slipcase (some rubbing). FIRST EDITION, SIGNED BY GOREY in each volume on the title-page. The three works comprising The Ghastlycrumb Tinies, The Insect God, and The West Wing. Toledano A13. Property from the Collection of Thomas J. Barrett $300-400

116 F I N E B O O K S A N D M A N U S C R I P T S , I N C L U D I N G A M E R I C A N A

353 GOREY, Edward (1925-2000). The Vinegar Works: Three Volumes of Moral Instruction. New York: Simon and Schuster, 1963. 3 volumes, square 8vo. Illustrated. Original pictorial boards (some light wear to joints, spines darkened); housed together in original pictorial slipcase (some rubbing). FIRST EDITION. Toledano A13. Property from the Collection of Thomas J. Barrett $200-300

354 GOREY, Edward (1925-2000). Wuggly Ump. Philadelphia & New York: J. B. Lippincott Company, 1963. Oblong 12mo. Illustrated. Original pictorial boards (some light staining); original pictorial dust jacket (spine panel darkened, some minor soiling, minor losses to spine ends). FIRST EDITION, SIGNED BY GOREY on the title-page. Toledano A15a. Property from the Collection of Thomas J. Barrett $100-200

355 GOREY, Edward (1925-2000). The Sinking Spell. New York: Ivan Obolensky, Inc., 1964. 12mo. Illustrated. Original pictorial wrappers. FIRST EDITION, SIGNED BY GOREY on the title-page. Toledano A17a (noting that the copyright page reads “1964,” but that the work was actually published in 1965). Property from the Collection of Thomas J. Barrett $100-200

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 117

356 GOREY, Edward (1925-2000). The Remembered Visit: A Story Taken from Life. New York: Simon and Schuster, 1965. Oblong 8vo. Illustrated. Original pictorial boards; original pictorial dust jacket (slight soiling). FIRST EDITION, SIGNED BY GOREY on the title-page. Toledano A19a. Property from the Collection of Thomas J. Barrett $150-250

357 GOREY, Edward (1925-2000). The Gilded Bat. New York: Simon and Schuster, 1966. Oblong 12mo. Illustrated. Original pictorial boards (a touch of wear to spine ends and corners); original pictorial dust jacket (some slight rubbing or wear to extremities, a few short tears). Provenance: gift inscription, 1966. FIRST EDITION, SIGNED BY GOREY on the title-page. Toledano A21a. Property from the Collection of Thomas J. Barrett $200-300

358 GOREY, Edward (1995-2000). Three Books from the Fantod Press, Set I: The Evil Garden; The Inanimate Tragedy; The Pious Infant. N.p.: The Fantod Press, 1966. 3 volumes, oblong 12mo. Illustrated. Original pictorial wrappers; original yellow envelope (some light wear and a few pale stains). LIMITED EDITIONS, each one of 500 unnumbered copies, EACH SIGNED BY GOREY on the title-pages as either “Mrs. Regera Dowdy” or “Edward Gorey.” Toledano A24. Property from the Collection of Thomas J. Barrett $600-800

118 F I N E B O O K S A N D M A N U S C R I P T S , I N C L U D I N G A M E R I C A N A

359

(part lot)

360

GOREY, Edward (1925-2000). -- Victoria CHESS, illustrator. Fletcher and Zenobia. New York: Meredith Press, 1967.

GOREY, Edward (1925-2000). The Utter Zoo. New York: Meredith Press, 1967.

Square 8vo. Text by Gorey, illustrations by Chess. Original pictorial boards; original pictorial dust jacket (two short closed tears to lower edge). FIRST EDITION, SIGNED BY GOREY on the title-page. Toledano A25.

Square 8vo. Illustrated. Original pictorial boards (slight bump to foot of spine); original pictorial dust-jacket (some very light soiling).

[With:] GOREY. -- CHESS. Fletcher and Zenobia Save the Circus. New York: Dodd, Mead and Company, 1971. Text by Gorey, illustrations by Chess. Original pictorial boards; original pictorial dust jacket (soiling to small area of spine and lower cover). FIRST EDITION, SIGNED BY GOREY on the title-page. Toledano A40. [Also with:] A second copy, unsigned.

FIRST EDITION, SIGNED BY GOREY on the title-page. Toledano A26a. Property from the Collection of Thomas J. Barrett $200-300

Property from the Collection of Thomas J. Barrett $150-250

361

362

GOREY, Edward (1925-2000). The Blue Aspic. New York: Meredith Press, 1968.

GOREY, Edward (1925-2000). A Gorey Festival. New York: Ivan Obolensky, 1968.

Oblong 8vo. Illustrated. Original pictorial boards (very slight rubbing to corners); original pictorial dust jacket.

4 works in 4 volumes, 12mo. Illustrated. Original pictorial wrappers; original slipcase with illustrated label.

FIRST EDITION, SIGNED BY GOREY on the title-page. Toledano A27a. Property from the Collection of Thomas J. Barrett

Reprints of four works, comprising: The Fatal Lozenge, The Curious Sofa, The Hapless Child, and The Sinking Spell. EACH SIGNED BY GOREY as “Edward Gorey” or “Ogdred Weary.” Toledano A28.

$200-300

Property from the Collection of Thomas J. Barrett $200-300 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 119

363

364

GOREY, Edward (1925-2000). The Secrets: The Other Statue. New York: Simon and Schuster, 1968. Oblong 8vo. Illustrated. Original pictorial boards; original pictorial dust jacket (spine panel slightly toned, short closed tear to rear panel repaired verso).

GOREY, Edward (1925-2000). The Secrets: The Other Statue. New York: Simon and Schuster, 1968.

FIRST EDITION, SIGNED BY GOREY on the title-page. Toledano A29a.

Property from the Collection of Thomas J. Barrett

$150-250

$100-200

365

366

GOREY, Edward (1925-2000). The Secrets: The Other Statue. New York: Simon and Schuster, 1968.

GOREY, Edward (1925-2000). The Epiplectic Bicycle. New York: Dodd, Mead & Co., 1969.

Oblong 8vo. Illustrated. Original pale lavender pictorial wrappers.

Oblong 8vo. Illustrated. Original pictorial boards; FIRST ISSUE DUST JACKET with the printed price “$3.00.”

Second edition, SIGNED BY GOREY on the title-page. Toledano A29b.

Oblong 8vo. Illustrated. Original pictorial boards (tiny split at foot of rear joint, head of rear joint slightly bumped); original pictorial dust jacket (spine panel slightly toned, a few short tears).

FIRST EDITION, SIGNED BY GOREY on the title-page. Toledano A30a.

Property from the Collection of Thomas J. Barrett

$100-200

120 F I N E B O O K S A N D M A N U S C R I P T S , I N C L U D I N G A M E R I C A N A

367

368

GOREY, Edward (1925-2000). The Iron Tonic: or, a Winter Afternoon in the Lonely Valley. New York: Albondocani Press, 1969.

GOREY, Edward (1925-2000). The Sopping Thursday. New York: Gotham Book Mart, 1970.

Oblong 8vo. Illustrated. Original green illustrated wrappers.

Oblong 8vo. Illustrated. Original light gray printed wrappers.

LIMITED EDITION, number 115 of 200 numbered copies SIGNED BY GOREY of a total edition of 226. Toledano A31b.

LIMITED EDITION, number 194 of 300 copies SIGNED BY GOREY of a total edition of 326. Toledano A35b.

Property from the Collection of Thomas J. Barrett

$400-600

$300-400

369

370

GOREY, Edward (1995-2000). Three Books from the Fantod Press, Set II: The Osbick Bird; The Chinese Obelisks; Donald has a Difficulty. N.p.: The Fantod Press, 1970.

GOREY, Edward (1995-2000). Three Books from the Fantod Press, Set III: The Deranged Cousins; The Eleventh Episode; [The Untitled Book]. N.p.: The Fantod Press, 1971.

3 volumes, oblong 12mo. Illustrated. Original pictorial wrappers (a few tiny stains on the Osbick wrapper); original fuchsia envelope.

3 volumes, oblong 12mo. Illustrated. Original pictorial wrappers (very slight wear to spine ends); original tan envelope.

PRESENTATION COPIES INSCRIBED BY GOREY: “For Ken. Edward Gorey.” LIMITED EDITIONS, each one of 500 unnumbered copies. Toledano A36.

LIMITED EDITION, each one of 500 unnumbered copies of a total edition of 526. EACH SIGNED BY GOREY on the title-pages as “Edward Gorey,” “Raddory Gewe,” or “Edward Pig.” Toledano A42b.

Property from the Collection of Thomas J. Barrett

$600-800

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 121

(part lot) 371

372

GOREY, Edward (1925-2000). Amphigorey. New York: G. P. Putnam’s Sons, 1972.

GOREY, Edward (1925-2000). Amphigorey. -- Amphigorey Too. -- Amphigorey Also. New York: G. P. Putnam’s Sons, 1972. -- Ibid. 1975. -- New York: Congdon & Weed, 1983.

4to. Illustrated. Original pictorial boards; original pictorial dust jacket (two short closed tears along top edge). FIRST EDITION, SIGNED BY GOREY on title-page. Gorey’s first compilation, comprising 15 of his works. Toledano A44b. Property from the Collection of Thomas J. Barrett $200-300

3 works in 3 volumes, 4to. Illustrated. Original pictorial boards and dust jacket (Amphigorey Too); original pictorial wrappers (Amphigorey, Amphigorey Also). FIRST EDITION of Amphigorey Too. First paperback edition of Amphigorey and Amphigorey Also. Toledano A44d; A58a; A85d. [With:] [POSTER]. Amphigorey Also. A poster for Congdon & Weed’s edition SIGNED BY GOREY lower right. Property from the Collection of Thomas J. Barrett $300-400

(part lot) 373

374

GOREY, Edward (1925-2000). The Awdrey-Gore Legacy. New York: Dodd, Mead & Co., 1972.

GOREY, Edward (1925-2000). Categor Y. New York: Gotham Book Mart, 1973.

Oblong 8vo. Illustrated. Original pictorial boards (edges and corners slightly rubbed); original pictorial dust jacket (slight wear to corners).

Square 12mo. Illustrated. Original blue wrappers, printed label to upper cover.

FIRST EDITION, SIGNED BY GOREY on title-page. Toledano A45a.

FIRST TRADE EDITION, SIGNED BY GOREY on the title-page. [With:] Another copy. New York: Adama, 1986. Reprint edition SIGNED BY GOREY on the title-page. Toledano A50c; A50f.

Property from the Collection of Thomas J. Barrett Property from the Collection of Thomas J. Barrett $150-250 $100-200

122 F I N E B O O K S A N D M A N U S C R I P T S , I N C L U D I N G A M E R I C A N A

375 GOREY, Edward (1995-2000). Three Books from the Fantod Press, Set IV: The Abandoned Sock; The Disrespectful Summons; The Lost Lions. N.p.: The Fantod Press, 1973. 3 volumes, oblong 12mo. Illustrated. Original pictorial wrappers; original white envelope (some minor soiling, a few short tears). LIMITED EDITION, one of 500 unnumbered copies of a total edition of 526. EACH SIGNED BY GOREY on the title-pages. Toledano A52b. Property from the Collection of Thomas J. Barrett $600-800

376 GOREY, Edward (1925-2000). The Lavender Leotard. New York: Gotham Book Mart, 1973. 12mo. Illustrated. Original lavender pictorial wrappers, tutu on front cover hand-painted by Gorey. FIRST TRADE EDITION, one of 1,000 copies, SIGNED BY GOREY on the title-page. Toledano A53c. Property from the Collection of Thomas J. Barrett $200-300

377

378

GOREY, Edward (1925-2000). A Limerick. Dennis, MA: Salt-Works Press, 1973.

[MINIATURE BOOK]. -- GOREY, Edward (1925-2000), illustrator. Jack the Giant-Killer. New York: Scholastic Magazines, 1973.

16mo. 6 pages, illustrated. Original brown printed wrappers. 16mo. Illustrated. Accordion fold booklet. FIRST EDITION, SIGNED BY GOREY on the front cover, one of 16 books included with Soma-Haoma #3 Trajectories. Toledano A54.

FIRST EDITION, SIGNED BY GOREY on the front cover. Toledano B55.

Property from the Collection of Thomas J. Barrett Property from the Collection of Thomas J. Barrett $250-350 $150-250 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 123

379

380

GOREY, Edward (1925-2000). Amphigorey Too. New York: G. P. Putnam’s Sons, 1975.

GOREY, Edward (1925-2000). The Glorious Nosebleed. New York: Dodd, Mead & Co., 1974.

4to. Illustrated. Original pictorial boards; original pictorial dust jacket.

Oblong 12mo. Illustrated. Original pictorial boards; original pictorial dust jacket (price-clipped, very slight rubbing to small portion of upper joint); original slipcase.

FIRST EDITION, SIGNED BY GOREY on title-page, of the second compilation of Gorey’s works, including 20 books as well as the preliminary sketches of The Chinese Obelisks. Toledano A58a.

LIMITED EDITION, number 160 of 250 numbered copies SIGNED BY GOREY of a total edition of 276. Toledano A59b.

Property from the Collection of Thomas J. Barrett

$200-300

$250-350

381

382

GOREY, Edward (1925-2000), illustrator. -- WILSON, Edmund (1895-1972). Rats of Rutland Grange. New York: Gotham Book Mart, 1974.

GOREY, Edward (1925-2000). L’heure Bleue. N.p.: The Fantod Press, 1975. 12mo. Illustrated. Original pictorial wrappers.

Oblong 8vo. Illustrated. Original tan pictorial wrappers. FIRST TRADE EDITION, one of 1,000 copies, SIGNED BY GOREY on the title-page. Toledano B59c.

LIMITED EDITION, this copy labeled “HC” (hors commerce) and SIGNED BY GOREY of a total edition of 526. Toledano A60a. Property from the Collection of Thomas J. Barrett

Property from the Collection of Thomas J. Barrett $300-400 $150-250

124 F I N E B O O K S A N D M A N U S C R I P T S , I N C L U D I N G A M E R I C A N A

383

384

GOREY, Edward (1925-2000). The Broken Spoke. New York: Dodd, Mead & Co., 1976.

GOREY, Edward (1925-2000). Les Passementeries Horribles. Zurich: Diogenes, 1978.

Oblong 8vo. Illustrated. Original pictorial boards; original pictorial dust jacket; original slipcase.

12mo. Illustrated. Original blue pictorial wrappers. Provenance: Charles (presentation inscription).

LIMITED EDITION, number 12 of 250 numbered copies SIGNED BY GOREY of a total edition of 276. Toledano A63b.

LIMITED EDITION, number 261 of 300 numbered copies SIGNED BY GOREY of a total edition of 326. PRESENTATION COPY inscribed “for Charles.” Toledano A64b.

Property from the Collection of Thomas J. Barrett Property from the Collection of Thomas J. Barrett $200-300 $300-400

385

386

GOREY, Edward (1925-2000). The Loathsome Couple. New York: Dodd, Mead & Co., 1977.

GOREY, Edward (1925-2000). Dogear Wryde Postcards. Alms for Oblivion Series. N.p., 1978. -- Dogear Wryde Postcards. Interpretive Series. N.p., 1979.

Square 8vo. Ilustrated. Original pictorial boards; original pictorial dust jacket; original slipcase. LIMITED EDITION, letter D of 26 lettered copies SIGNED BY GOREY of a total edition of 276. Toledano A67a.

2 works, comprising 16 and 13 illustrated postcards respectively, captioned on verso, loose as issued in original pictorial envelopes (some slight soiling on verso).

Property from the Collection of Thomas J. Barrett

FIRST EDITIONS, EACH SIGNED ON ENVELOPE BY GOREY as “Dogear Wryde.” Toledano A68; A75c.

$400-600

Property from the Collection of Thomas J. Barrett $100-200 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 125

387

388

GOREY, Edward (1925-2000). The Green Beads. New York: Albondocani Press, 1978.

GOREY, Edward (1925-2000). Dracula: A Toy Theatre. New York: Charles Scribner’s Sons, 1979.

Oblong 12mo. Illustrated. Original lavender pictorial wrappers. LIMITED EDITION, letter Q of 26 lettered copies SIGNED BY GOREY of a total edition of 426. Toledano A71a.

Folio. Illustrated. Original spiral-bound stiff pictorial wrappers. FIRST EDITION, SIGNED BY GOREY on the title-page. Reproducing the sets and costumes of the Broadway production of Dracula designed by Gorey. Toledano A73.

Property from the Collection of Thomas J. Barrett

[With:]

$400-600

Souvenir Program. “Frank Langella in Dracula.” New York: Johnray Publishing & Distributing Corp., 1977. Illustrated. Original pictorial wrappers. SIGNED BY GOREY on title-page. [With:] Two postcards announcing a Gotham Book Mart exhibit of Gorey’s original drawings and sketch designs for Dracula, with a celebration on Halloween, 1977. Property from the Collection of Thomas J. Barrett $300-400

389

390

GOREY, Edward (1925-2000). Dracula: A Toy Theatre. New York: Charles Scribner’s Sons, 1979.

GOREY, Edward (1925-2000). Gorey Posters. New York: Harry N. Abrams, 1979.

Folio. Illustrated. Original spiral-bound stiff pictorial wrappers.

Folio. Illustrated. Original pictorial wrappers (short tear at head of spine, some light rubbing to extremities).

FIRST EDITION, SIGNED BY GOREY on the title-page. Reproducing the sets and costumes of the Broadway production of Dracula designed by Gorey. Toledano A73.

FIRST EDITION, SIGNED BY GOREY on the title-page. Toledano A74.

Property from the Collection of Thomas J. Barrett

$200-300

$150-250

126 F I N E B O O K S A N D M A N U S C R I P T S , I N C L U D I N G A M E R I C A N A

391

392

GOREY, Edward (1925-2000). Dancing Cats and Neglected Murderesses. New York: Workman, 1980.

GOREY, Edward (1925-2000). F.M.R.A. New York: Andrew Alpern, 1980.

12mo. Illustrated. Original lavender pictorial wrappers (slight toning to head of spine).

8vo. Title, printed contents list, printed ephemera. Loose as issued in original cloth folding case.

LIMITED EDITION, number 261 of 300 copies SIGNED BY GOREY of a total edition of 326. Toledano A77b.

LIMITED EDITION, number 284 of 400 numbered copies SIGNED BY GOREY of a total edition of 426. Toledano A78b. Property from the Collection of Thomas J. Barrett

Property from the Collection of Thomas J. Barrett

$250-350

$200-300

393

394

GOREY, Edward (1925-2000). Dogear Wryde Postcards: Neglected Murderesses Series. [New York], n.p., 1980.

GOREY, Edward (1925-2000). Les Urnes Utiles. Cambridge, MA: Halty-Ferguson, 1980.

12 illustrated postcards, captioned on verso, loose as issued in original pictorial envelope (some slight soiling on verso).

Oblong 12mo. Illustrated. Original pale blue pictorial wrappers.

LIMITED EDITION, number 83 of 250 copies SIGNED BY GOREY. Toledano A79.

LIMITED EDITION, number 205 of 250 numbered copies SIGNED BY GOREY of a total edition of 276. Toledano A80b. Property from the Collection of Thomas J. Barrett

Property from the Collection of Thomas J. Barrett $200-300 $100-150

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 127

395

396

GOREY, Edward (1925-2000). Le Melange Funeste. New York: Gotham Book Mart, 1981. 12mo. Illustrated flaps. Original lavender pictorial wrappers.

GOREY, Edward (1925-2000). Le Mélange Funeste. New York: Gotham Book Mart, 1981.

LIMITED EDITION, this copy labeled “HC” (hors commerce) and SIGNED BY GOREY of a total edition of 526.

LIMITED EDITION, number 324 of 500 numbered copies SIGNED BY GOREY of a total edition of 526. Toledano A81a.

Property from the Collection of Thomas J. Barrett

$250-350

$200-300

397

398

GOREY, Edward (1925-2000). The Dwindling Party. New York: Random House, 1982.

GOREY, Edward (1925-2000). The Water Flowers. New York: Congdon & Weed, Inc., 1982.

8vo. Pop-up book with 6 spreads. Original pictorial boards (price sticker upper right corner).

Oblong 8vo. Illustrated. Original pictorial boards (a touch of wear to bottom edge); original pictorial dust jacket.

FIRST EDITION, SIGNED BY GOREY on the title panel. A FINE COPY. Toledano A83a.

FIRST EDITION, SIGNED BY GOREY on the title-page. Toledano A84a.

Property from the Collection of Thomas J. Barrett

$200-300

$150-250

128 F I N E B O O K S A N D M A N U S C R I P T S , I N C L U D I N G A M E R I C A N A

12mo. Illustrated flaps. Original lavender pictorial wrappers.

399

400

GOREY, Edward (1925-2000). Amphigorey Also. New York: Congdon & Weed, 1983.

GOREY, Edward (1925-2000). The Eclectic Abecedarium. New York: Adama Books, 1983.

4to. Illustrated. Original pictorial boards; original pictorial dust jacket; original slipcase, printed label.

12mo. Illustrated. Original pictoral boards.

LIMITED EDITION, number 88 of 250 numbered copies SIGNED BY GOREY of total edition of 276. The third compilation of Gorey’s works, comprising 17 books. Toledano A85b. Property from the Collection of Thomas J. Barrett

Reprint edition SIGNED BY GOREY on the title-page. Toledano A86c. Property from the Collection of Thomas J. Barrett $200-300

$200-300

401

402

GOREY, Edward (1925-2000). E. D. Ward, a Mercurial Bear. New York: Gotham Book Mart, 1983.

GOREY, Edward (1925-2000). The Prune People. -- The Prune People II. New York: Albondocani Press, 1985.

12mo. Paper doll cutouts. Original white pictorial wrappers.

2 volumes, oblong 12mo. Illustrated. Original burnt orange or brown pictorial wrappers.

FIRST EDITION, SIGNED BY GOREY as “Dogear Wryde” on lower cover. Toledano A87. Property from the Collection of Thomas J. Barrett $100-200

LIMITED EDITIONS, number 217 of 400 numbered copies of a total edition of 426, and number 138 of 300 numbered copies of a total edition of 326, BOTH SIGNED BY GOREY. Publisher’s announcement laid into The Prune People. Toledano A88b and A91b. Property from the Collection of Thomas J. Barrett $300-400

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 129

403

404

GOREY, Edward (1925-2000). The Tunnel Calamity. New York: Magic Windows Books, G. P. Putnam’s Sons, 1984.

GOREY, Edward (1925-2000). Les Echanges Malandreux. Worcester, MA: Metacom Press, 1985.

Peepshow printed in color. Accordion binding with 9 bellows, pictorial boards.

12mo. Illustrated flaps. Original brown pictorial wrappers.

FIRST EDITION, SIGNED BY GOREY on verso of rear board. Toledano A89. Property from the Collection of Thomas J. Barrett $100-200

LIMITED EDITION, number 331 of 500 numbered copies SIGNED BY GOREY of a total edition of 526. Toledano A90b. Property from the Collection of Thomas J. Barrett $250-350

405

406

GOREY, Edward (1925-2000). Les Echanges Malandreux. Worcester, MA: Metacom Press, 1985.

GOREY, Edward (1925-2000). The Improvable Landscape. New York: Albondocani Press, 1986.

12mo. Illustrated flaps. Original brown pictorial wrappers.

Oblong 12mo. Illustrated. Original olive green pictorial wrappers.

LIMITED EDITION, number 342 of 500 numbered copies SIGNED BY GOREY of a total edition of 526. Toledano A90b.

LIMITED EDITION, number 215 of 300 numbered copies SIGNED BY GOREY of a total edition of 326. Original publisher’s announcement card laid in. Toledano A92b.

Property from the Collection of Thomas J. Barrett Property from the Collection of Thomas J. Barrett $250-350 $400-500

130 F I N E B O O K S A N D M A N U S C R I P T S , I N C L U D I N G A M E R I C A N A

407

408

GOREY, Edward (1925-2000). The Raging Tide: or, the Black Doll’s Imbroglio. New York: Beaufort Books, 1987.

GOREY, Edward (1925-2000), illustrator. -- BECKETT, Samuel (1906-1989). Beginning to End. New York: Gotham Book Mart, 1988.

Oblong 8vo. Illustrated. Original pictorial boards; original printed dust jacket (price-clipped, spine panel slightly toned). LIMITED EDITION, number 57 of 200 copies SIGNED BY GOREY of a total edition of 226. Toledano A93b.

8vo. Illustrated. Original black cloth-backed pictorial boards. LIMITED EDITION, number 267 of 300 numbered copies SIGNED BY GOREY AND BECKETT of a total edition of 326. Toledano B76b.

Property from the Collection of Thomas J. Barrett Property from the Collection of Thomas J. Barrett $150-250 $500-700

409

410

GOREY, Edward (1925-2000). The Dripping Faucet. Worcester, MA: Metacom, 1989.

GOREY, Edward (1925-2000). The Helpless Doorknob. N.p.: n.p., 1989.

8vo. Illustrated. Original olive printed wrappers.

16 pictorial laminated cards and booklet laid into clear plastic box.

LIMITED EDITION, number 183 of 500 numbered copies SIGNED BY GOREY of a total edition of 526. Toledano A94b.

LIMITED EDITION, number 289 of 500 copies SIGNED BY GOREY. Toledano A95a.

Property from the Collection of Thomas J. Barrett Property from the Collection of Thomas J. Barrett $200-300 $200-300

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 131

411

412

GOREY, Edward (1925-2000). Menaced Objects. Dogear Wryde Postcards. [New York]: n.p., 1989.

[MINIATURE BOOK]. GOREY, Edward (1925-2000). Q.R.V. Boston: Anne & David Bromer, 1989.

16 illustrated postcards, captioned on verso, loose as issued in original pictorial envelope (some slight soiling on verso).

24mo. Illustrated. Original patterned-paper covered boards, printed label to upper cover; Gotham Book Mart envelope.

LIMITED EDITION, number 124 of 250 copies SIGNED BY GOREY. Toledano A96a.

LIMITED EDITION, number 245 of 280 copies SIGNED BY GOREY of a total edition of 400. Toledano A97b.

Property from the Collection of Thomas J. Barrett

$100-150

$400-600

413

414

GOREY, Edward (1925-2000). Dogear Wryde Postcards: Tragedies Topiares Series. [New York]: n.p., 1989.

GOREY, Edward (1925-2000). Q. R. V. The Universal Solvent. N.p.: The Fantod Press, 1990.

12 illustrated postcards, captioned verso, loose as issued in original pictorial envelope (some slight soiling on verso).

12mo. Illustrated. Original pictorial wrappers.

LIMITED EDITION, number 227 of 250 copies SIGNED BY GOREY. Toledano A98a.

FIRST TRADE EDITION, SIGNED BY GOREY on the title-page. Toledano A97c. Property from the Collection of Thomas J. Barrett

Property from the Collection of Thomas J. Barrett $100-200 $100-200

132 F I N E B O O K S A N D M A N U S C R I P T S , I N C L U D I N G A M E R I C A N A

415

416

GOREY, Edward (1925-2000). The Fraught Settee. N.p.: The Fantod Press, 1990.

Oblong 12mo. Illustrated. Original gray pictorial wrappers.

LIMITED EDITION, number 238 of 500 copies SIGNED BY GOREY. Toledano A99.

LIMITED EDITION, number 406 of 500 copies SIGNED BY GOREY. Toledano A99.

Property from the Collection of Thomas J. Barrett

$100-200

417

418

GOREY, Edward (1925-2000). The Stupid Joke, by Eduard Blutig. N.p.: The Fantod Press, 1990.

GOREY, Edward (1925-2000). The Tuning Fork, by Eduard Blutig. N.p.: The Fantod Press, 1990.

Oblong 12mo. Illustrated. Original lavender pictorial wrappers (two small stains on lower wrapper).

Oblong 12mo. Illustrated. Original pale blue pictorial wrappers.

LIMITED EDITION, number 384 of 500 copies SIGNED BY GOREY as “Mrs. Regera Dowdy.” Toledano A100.

LIMITED EDITION, number 457 of 500 copies SIGNED BY GOREY as “Mrs. Regera Dowdy,” the translator. Toledano A101. Property from the Collection of Thomas J. Barrett

Property from the Collection of Thomas J. Barrett $100-200 $150-250

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 133

419

420

GOREY, Edward (1925-2000). Dogear Wryde Postcards. Whatever Next? N.p.: n.p., 1990.

GOREY, Edward (1925-2000). The Betrayed Confidence: Seven Series of Dogear Wryde Postcards. Orleans, MA: Parnassus Imprints, 1992.

12 illustrated postcards, captioned on verso, loose as issued in original pictorial envelope. LIMITED EDITION, number 219 of 250 numbered copies SIGNED BY GOREY of a total edition of 276. Toledano A102b. Property from the Collection of Thomas J. Barrett $150-250

Square 8vo. Illustrated. Original pictorial wrappers; original slipcase. LIMITED EDITION, number 165 of 250 copies SIGNED BY GOREY. [Laid in:] AN ORIGINAL PRINT SIGNED BY GOREY LOWER MARGIN AND NUMBERED 165/200, measuring 6 x 7” and previously unpublished. Toledano A104a. Property from the Collection of Thomas J. Barrett $300-400

421

422

GOREY, Edward (1925-2000). Two Novels. The Grand Passion. The Doleful Domesticity. N.p.: The Fantod Press, 1992.

GOREY, Edward (1925-2000). The Dancing Rock. -- The Floating Elephant. N.p.: n.p., 1993.

2 volumes, 12mo. Illustrated. Original orange or pink pictorial wrappers; issued together in original printed envelope.

2 works in one volume, 16mo. Illustrated. Bound dos-a-dos, original lavender printed wrappers; original envelope.

LIMITED EDITIONS, number 365 of 500 copies SIGNED BY GOREY. Toledano A105 & A106 (but issued together).

LIMITED EDITION, numbers 32 and 69 of 100 copies TWICE SIGNED BY GOREY as “Dogear Wryde” and “Ogdred Weary.” Toledano A108a.

Property from the Collection of Thomas J. Barrett Property from the Collection of Thomas J. Barrett $200-300 $100-200

134 F I N E B O O K S A N D M A N U S C R I P T S , I N C L U D I N G A M E R I C A N A

423

424

[MINIATURE BOOK]. GOREY, Edward (1925-2000). The Pointless Book: or, Nature & Art. N.p., The Fantod Press, 1993.

GOREY, Edward (1925-2000). Figbash Acrobate. N.p.: The Fantod Press, 1994.

24mo. Illustrated. Original buff printed wrappers.

16mo. Illustrated. Original pale blue pictorial wrappers.

LIMITED EDITION, number 84 of 100 copies SIGNED BY GOREY as “Garrod Weedy.” Toledano A109a.

LIMITED EDITION, letter T of 26 lettered copies SIGNED BY GOREY as “Aedwyrd Goré” of a total edition of 426. Toledano A110a.

Property from the Collection of Thomas J. Barrett Property from the Collection of Thomas J. Barrett $150-250 $200-300

425

426

GOREY, Edward (1925-2000). The Retrieved Locket. N.p.: Fantod Press, 1994.

GOREY, Edward (1925-2000), illustrator. -- UPDIKE, John (19322009). The Twelve Terrors of Christmas. New York: Gotham Book Mart, 1994.

Square 12mo. Illustrated. Original gray pictorial wrappers. 12mo. Illustrated. Original brown pictorial boards. LIMITED EDITION, number 460 of 500 numbered copies SIGNED BY GOREY of a total edition of 526. Toledano A112b. Property from the Collection of Thomas J. Barrett

LIMITED EDITION, number 49 of 100 copies SIGNED BY GOREY AND UPDIKE and bound in boards of a total edition of 526. Toledano B80b.

$100-200

Property from the Collection of Thomas J. Barrett $400-600

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 135

427

428

GOREY, Edward (1925-2000). The Fantod Pack. New York: Gotham Book Mart, 1995.

GOREY, Edward (1925-2000). The Unknown Vegetable. N.p.: The Fantod Press, 1995.

16mo. 20 laminated cards with illustrations by Gorey; text booklet of card interpretations. Text volume: original stapled grey pictorial wrappers. Cards loose as issued and housed with text volume in original gray pictorial box.

Oblong 12mo. Illustrated. Original pale lavender pictorial wrappers. LIMITED EDITION, letter O of 26 lettered copies SIGNED BY GOREY of a total edition of 276. Toledano A114a.

LIMITED EDITION, letter U of 26 lettered copies SIGNED BY GOREY of a total edition of 776. Toledano A113a.

Property from the Collection of Thomas J. Barrett

$300-400

429

430

GOREY, Edward (1925-2000). Dogear Wryde Postcards. Q. R. V. Hikuptah. -- Q. R. V. Unwmkd. Imperf. N.p.: n.p., 1996.

Two sets of 12 illustrated postcards, captioned on verso, each loose as issued in original pictorial envelope.

LIMITED EDITION, letter U of 26 lettered copies SIGNED BY GOREY ON THE ENVELOPE as “Dogear Wryde,” of a total edition of 526. Not in Toledano.

LIMITED EDITION, one of 500 unnumbered copies SIGNED BY GOREY ON THE ENVELOPE as “Dogear Wryde,” of a total edition of 526. Not in Toledano.

Property from the Collection of Thomas J. Barrett

$400-600

$100-200

136 F I N E B O O K S A N D M A N U S C R I P T S , I N C L U D I N G A M E R I C A N A

431

432

GOREY, Edward (1925-2000). The Deadly Blotter: Thoughtful Alphabet XVII. N.p.: The Fantod Press, 1997.

12mo. Illustrated. Original grey pictorial wrappers.

LIMITED EDITION, letter Q of 26 lettered copies SIGNED BY GOREY of a total edition of 776. Not in Toledano.

LIMITED EDITION, number 21 of 750 copies SIGNED BY GOREY of a total edition of 776. Not in Toledano.

Property from the Collection of Thomas J. Barrett

$300-400

$100-200

433

434

GOREY, Edward (1995-2000). The Haunted Tea-Cosy. New York: Harcourt, Brace & Co., 1997.

Square 8vo. Illustrated. Original pictorial boards; original pictorial dust jacket (price-clipped); original slipcase.

LIMITED EDITION, letter Q of 26 lettered copies SIGNED BY GOREY of a total edition of 526. Not in Toledano.

LIMITED EDITION, number 13 of 500 numbered copies SIGNED BY GOREY of a total edition of 526. Not in Toledano.

Property from the Collection of Thomas J. Barrett

$300-400

$150-250

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 137

435

436

GOREY, Edward (1925-2000). The Just Dessert. N.p.: The Fantod Press, 1997.

12mo. Illustrated. Original lavender pictorial wrappers.

LIMITED EDITION, letter O of 26 lettered copies SIGNED BY GOREY of a total edition of 776. Not in Toledano.

LIMITED EDITION, number 21 of 750 numbered copies SIGNED BY GOREY of a total edition of 776. Not in Toledano.

Property from the Collection of Thomas J. Barrett

$150-250

$100-200

437

438

GOREY, Edward (1925-2000). The Headless Bust: A Melancholy Meditation on the False Millenium. New York: Harcourt, Brace & Co., 1999.

Square 8vo. Illustrated. Original pictorial boards; original pictorial dust-jacket (price-clipped); original slipcase.

LIMITED EDITION, letter Q of 26 lettered copies SIGNED BY GOREY of a total edition of 776. With the Bahum Bug bean-bag doll. Not in Toledano.

LIMITED EDITION, number 44 of 750 copies SIGNED BY GOREY of a total edition of 776. With the Bahum Bug bean-bag doll. Not in Toledano.

Property from the Collection of Thomas J. Barrett

$300-400

$150-250

138 F I N E B O O K S A N D M A N U S C R I P T S , I N C L U D I N G A M E R I C A N A

439

440

GOREY, Edward (1925-2000). The Catafalque Works. Zurich: Diogenes, 1979. A group of 5 (of 9) volumes, comprising:

GOREY, Edward (1925-2000). The Fantod Works. Zurich: Diogenes, 1978. A group of 7 (of 10) volumes, comprising:

The Deranged Cousins -- The Nursery Frieze -- The Inanimate Tragedy -- The Iron Tonic -- The Pious Infant.

The Disrespectful Summons -- The Abandoned Sock -- The Lost Lions -- L’Heure Bleue -- The Lavendar Leotard -- Les Passementeries Horribles -- Leaves from a Mislaid Album.

EACH SIGNED BY GOREY on the title-page. EACH SIGNED BY GOREY on the title-page. Property from the Collection of Thomas J. Barrett Property from the Collection of Thomas J. Barrett $250-350 $300-400

442 GOREY, Edward. A group of 5 works SIGNED BY GOREY, comprising:

EACH SIGNED BY GOREY on the title-page (except where indicated).

The Listing Attic [and] The Unstrung Harp. London: Abelard, 1974. FIRST ENGLISH EDITION. Toledano A2e. -- The Doubtful Guest. New York: Dodd, Mead & Co.,1978. Reprint. Toledano A3d. -- The Gashlycrumb Tinies. New York: Peter Weed, [1992]. Reprint. Toledano A11f. -- The Black Doll. New York: Gotham Book Mart, 1973. FIRST TRADE EDITION. Toledano A49c. -- TARCOV, Edith H. Rumpelstiltskin. Illustrated by Gorey. New York, etc.: Scholastic Book Services, 1973. FIRST EDITION. Toledano B57a. -- Together, 5 works in 5 volumes, all in original publisher’s bindings as issued. EACH SIGNED BY GOREY on the title-page. Condition generally fine.

Property from the Collection of Thomas J. Barrett

$200-300

441 GOREY, Edward (1925-2000). A group of 5 works published by Diogenes, comprising: The Osbick Bird. 1972. -- The Eleventh Episode. 1975. -- Another copy (unsigned). -- The Fatal Lozenge. 1975. -- The Remembered Visit. 1975.

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 139

443

444

GOREY, Edward. A group of 6 works SIGNED BY GOREY, comprising:

GOREY, Edward (1995-2000). A group of 15 trade and reprint editions, comprising:

The Gorey Alphabet. London: Constable, 1960. FIRST ENGLISH EDITION of The Fatal Lozenge. Toledano A6c. -- Wuggly Ump. New York: Adama, 1963 [but 1983]. Reprint. Toledano A15d. -- Dancing Cats and Neglected Murderesses. New York: Workman, 1980. FIRST TRADE EDITION. Toledano A77c. -- La Balade Troublante. N.p.: The Fantod Press, 1991. FIRST EDITION. Toledano A103. -- Gorey Cats. Paper Dolls. San Francisco, Troubadour Press, 1982. FIRST EDITION. Toledano B67. -- Gorey Stories: A Musical Entertainment. New York: Samuel French, Inc., 1983. Second edition. Toledano C29b. -- Together, 6 works in 6 volumes, all in original publisher’s bindings as issued. EACH SIGNED BY GOREY on the title-page. Condition generally fine. Property from the Collection of Thomas J. Barrett $200-300

The Bug Book. 1985. Reprint. Toledano A5c. -- The Curious Sofa. 1980. Reprint. Toledano A7e. -- The Hapless Child. 1980. Reissue. Toledano A8f. -- The Gilded Bat. 1979. Reissue. Toledano A21f. -- The Blue Aspic. 1968. Second edition, fourth issue. Toledano A27b. -- The Epiplectic Bicycle. 1969. FIRST EDITION, fifth printing. Toledano A30b. -- NEUMEYER, Peter. Donald Has a Difficulty. 1970. Reprint. Toledano A33b. -- The Sopping Thursday. 1971. Reprint. Toledano A35e. -- The Awdrey-Gore Legacy. 1972. Second edition, fourth printing. Toledano A45c. -- The Loathsome Couple. 1977. FIRST TRADE EDITION. Toledano A67c. -- The Betrayed Confidence. 1992. FIRST TRADE EDITION. Toledano A104b. -- NEUMEYER. Donald and the... 1983. Reprint. Toledano B41c. -- EVANS, Larry. Gorey Games. 1979. FIRST PAPERBACK EDITION. Toledano B64b. -- The Iron Tonic. NY, etc.: Harcourt, n.d. [ca 1990]. Not in Toledano. -- The New York Review. Quiz Book. NY, 1989. Not in Toledano. -- Together, 15 works in 15 volumes, all in original publisher’s bindings as issued, condition generally fine. Property from the Collection of Thomas J. Barrett $200-300

445 GOREY, Edward (1995-2000). A group of 18 trade and reprint editions, comprising: The Willowdale Handcar or the Return of the Black Doll. 1979. Reprint. Toledano A10d. -- The Sinking Spell. 1964. Toledano A17a. -- The Utter Zoo. N.d. Reprint, fourth issue. Toledano A26b. -- The Blue Aspic. [1968 or later]. Original shrinkwrap (edition unknown). See Toledano A27. -- The Glorious Nosebleed. 1975. FIRST TRADE EDITION. Toledano A59c. -- The Broken Spoke. 1976. FIRST TRADE EDITION. A63c. -- Dancing Cats and Neglected Murderesses. 1980. FIRST TRADE EDITION. Toledano A77c. -- The Water Flowers. 1982. FIRST EDITION. Toledano A84a. -- The Helpless Doorknob. 1989. FIRST EDITION, second printing. Toledano A95b. -- The Dancing Rock. -- The Floating Elephant. 1993. FIRST TRADE EDITION. Toledano A108b. -- The Pointless Book: or, Nature & Art. N.p., 1993. FIRST TRADE EDITION. Toledano A109b. -- Edward Gorey’s Haunted Looking Glass. 1984. Later reprint. Toledano B9d. -- MOSS, Howard. Instant Lives & More. 1974. FIRST TRADE EDITION. Toledano B58b. -- Another copy. First paperback edition. Toledano B58c. -- Gorey X 3. 1976. FIRST EDITION. Toledano B62. -LAMPORT, Felicia. Light Metres. 1982. Later edition. Toledano B69d. -- ELIOT, T. S. Old Possum’s Book of Practical Cats. 1982 or later. See Toledano B70. (continued) 140 F I N E B O O K S A N D M A N U S C R I P T S , I N C L U D I N G A M E R I C A N A

-- McDERMOTT, Kevin. Elephant House or, The Home of Edward Gorey. [2003 or later]. Original shrinkwrap (edition unknown). -- Together, 18 works in 18 volumes, all in original publisher’s bindings as issued, condition generally fine. Property from the Collection of Thomas J. Barrett $200-300 446 [GOREY, Edward]. TOLEDANO, Henry. Goreyography. San Francisco: Word Play Publications, 1996. 8vo. Illustrated. Original silver-stamped black cloth; original pictorial dust jacket. LIMITED EDITION, number 141 of 200 copies SIGNED BY GOREY, TOLEDANO, and two other contributors, of a total edition of 226. Property from the Collection of Thomas J. Barrett $100-200

447 [GOREY, Edward]. ROSS, Clifford and Karen WILKIN. The World of Edward Gorey. New York: Henry N. Abrams, 1996. Oblong 4to. Illustrated. Original black cloth; original pictorial dust jacket; original slipcase, printed paper label with Gorey’s monogram. LIMITED EDITION, letter L of 26 lettered copies SIGNED BY GOREY, ROSS and WILKIN of a total edition of 276. Property from the Collection of Thomas J. Barrett $100-200 447

448 [GOREY - BIBLIOGRAPHY]. A group of 3 works, comprising: ROSS, Clifford & Karen WILKIN. The World of Edward Gorey. New York: Harry N. Abrams, 1996. Illustrated. Original cloth; original pictorial dust jacket; original slipcase. LIMITED EDITION, number 293 of 300 copies SIGNED BY GOREY, ROSS and WILKIN of a total edition of 326. -- WILKIN, Karen, editor. Ascending Peculiarity. Edward Gorey on Edward Gorey. New York, San Diego and London: Harcourt, 2001. Illustrated. Original boards; original pictorial dust jacket. FIRST EDITION, SIGNED BY WILKIN. -- TOLEDANO, Henry. Goreography. San Francisco: Word Play Publications, 1996. Illustrated. Original pictorial wrappers. -- Together, 3 works in 3 volumes, condition generally fine. Property from the Collection of Thomas J. Barrett $200-300 448

449 [GOREY - BIBLIOGRAPHY AND CONTRIBUTIONS]. A group of 5 works, comprising: TOLEDANO, Henry. Goreography. San Francisco: Word Play Publications, 1996. Illustrated. Original pictorial wrappers. -- ROSS, Clifford & Karen WILKIN. The World of Edward Gorey. New York: Harry N. Abrams, 1996. Illustrated. Original cloth; original pictorial dust jacket; original slipcase. FIRST TRADE EDITION. -- WILKIN, Karen, editor. Ascending Peculiarity. Edward Gorey on Edward Gorey. New York, San Diego and London: Harcourt, 2001. Illustrated. Original boards; original pictorial dust jacket. FIRST EDITION. -- HALPERN, Daniel, editor. Who’s Writing This? Hopewell, NJ: Ecco Press, 1995. Hardcover, d/j. FIRST EDITION, with Gorey’s contribution entitled “A Penchant for Pseudonyms.” -- HALPERN, Daniel, editor. Antaeus. Issue No. 75/74, Autumn 1994. Hopewell, NJ: Antaeus, 1995. Softcover. FIRST EDITION, with Gorey’s contribution entitled “Serious Life: A Locket.” -Together, 5 works in 5 volumes, condition generally fine. Property from the Collection of Thomas J. Barrett

449

$200-300 450 [GOREY -- COVER DESIGNS]. A group of 6 works with covers designed by Gorey, comprising: STEWART, Michael. Belle. NY, 1977. Hardcover, d/j. -- AICKMAN, Robert. Painted Devils. NY, 1979. Hardcover. -- FRUTTERO, Carlo & Franco LUCENTINI. The D. Case or the Truth about the Mystery of Edwin Drood. NY, 1989. Hardcover, d/j. -- CONRAD, Joseph. The Secret Agent. NY, 1953. Paperback. -- CONRAD, Joseph. Victory. NY, 1957. Paperback. -- MELVILLE, Herman. Redburn. NY, 1957. Paperback. -- PUSHKIN, Andrew. The Captain’s Daughter. NY, n.d. Paperback. -- Together, 6 works in 6 volumes, Condition generally fine. See Toledano pp.110126. Property from the Collection of Thomas J. Barrett 450

$100-200 451 [GOREY -- COVER DESIGNS]. A group of 8 works with cover designs by Gorey, comprising: McNALLY, Raymond T. A Clutch of Vampires. NY, 1974. Hardcover, d/j. -- MANLEY, Seon & Gogo LEWIS. Sisters of Sorcery. NY, 1976. Hardcover, d/j. -- FRAYLING, Christopher. The Vampyre, a Bedside Companion. NY, 1978. Hardcover, d/j. -- LEWIS, C. Day, translator. The Aeneid of Virgil. NY, 1953. Paperback. -- HADAS, Moses, translator. Three Greek Romances. NY, 1953. Paperback. -- JONES, Ernest. Hamlet and Oedipus. NY, 1954. Paperback. -- CONRAD, Joseph. Victory. NY, 1957. Paperback. -- MELVILLE, Herman. Redburn. NY, 1957. Paperback. -- Together, 8 works in 8 volumes, condition generally fine. See Toledano pp.110-126. Property from the Collection of Thomas J. Barrett $100-200

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452 GOREY, Edward (1925-2000). Insect on Unicycle. Zürich: Diogenes Verlag, 1978. Etching, on Arches paper, 14 x 11 3/4 in., SIGNED BY GOREY and numbered in pencil lower margin, 5/120. (Cloth tape from framing upper margin verso.) One of 6 etchings created by Gorey and distributed by Diogenes Verlag in 1975, each consisting of 120 Arabic numbered and 20 Roman numbered copies. Though the etchings were sold individually, they are considered a set. VERY RARE: according to online records, no complete set of all 6 etchings has ever sold at auction, and only one copy of this etching has ever sold at auction. See Goreyana Blogspot, 4 April 2011. Property from the Collection of Thomas J. Barrett $1,500-2,500

453 GOREY, Edward (1925-2000). Baby Transported. Zürich: Diogenes Verlag, 1978. Etching, on Arches paper, 14 x 11 3/4 in., SIGNED BY GOREY and numbered in pencil lower margin, 5/120. (Small surface abrasions to upper and lower margin verso, small pale stain upper margin.) One of 6 etchings created by Gorey and distributed by Diogenes Verlag in 1975, each consisting of 120 Arabic numbered and 20 Roman numbered copies. Though the etchings were sold individually, they are considered a set. VERY RARE: according to online records, no complete set of all 6 etchings has ever sold at auction, and no copy of this etching has ever sold at auction. See Goreyana Blogspot, 4 April 2011. Property from the Collection of Thomas J. Barrett $1,500-2,500

454 GOREY, Edward (1925-2000). Malocclusion (Teddy Bear on Cliff). Zürich: Diogenes Verlag, 1978. Etching, on Arches paper, 14 x 11 3/4 in., SIGNED BY GOREY and numbered in pencil lower margin, 5/120. (Cloth tape from framing upper margin verso.) One of 6 etchings created by Gorey and distributed by Diogenes Verlag in 1975, each consisting of 120 Arabic numbered and 20 Roman numbered copies. Though the etchings were sold individually, they are considered a set. VERY RARE: according to online records, no complete set of all 6 etchings has ever sold at auction, and only one copy of this etching has ever sold at auction. See Goreyana Blogspot, 4 April 2011. Property from the Collection of Thomas J. Barrett $1,500-2,500

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455 GOREY, Edward (1925-2000). Girl with Gymnasium Friend. Zürich: Diogenes Verlag, 1978. Etching, on Arches paper, 14 x 11 3/4 in., SIGNED BY GOREY and numbered in pencil lower margin, 5/120. (Small marginal surface abrasion at upper right corner of print, cloth tape from framing upper margin verso.) One of 6 etchings created by Gorey and distributed by Diogenes Verlag in 1975, each consisting of 120 Arabic numbered and 20 Roman numbered copies. Though the etchings were sold individually, they are considered a set. VERY RARE: according to online records, no complete set of all 6 etchings has ever sold at auction, and no copy of this etching has ever sold at auction. See Goreyana Blogspot, 4 April 2011. Property from the Collection of Thomas J. Barrett $1,500-2,500

456 GOREY, Edward (1925-2000). Child and Elephant Table. Zürich: Diogenes Verlag, 1978. Etching, on Arches paper, 14 x 11 3/4 in., SIGNED BY GOREY and numbered in pencil lower margin, 5/120. (Small surface abrasions to margins verso, cloth tape from framing upper margin verso, small pale stain upper margin.) According to Rick Jones of the Edward Gorey House, the common title for this etching, “Baby seated Under Rolling Elephant,” is incorrect. This correct title appears in the original Diogenes brochure for this set of prints. One of 6 etchings created by Gorey and distributed by Diogenes Verlag in 1975, each consisting of 120 Arabic numbered and 20 Roman numbered copies. Though the etchings were sold individually, they are considered a set. VERY RARE: according to online records, no complete set of all 6 etchings has ever sold at auction, and no copy of this etching has ever sold at auction. See Goreyana Blogspot, 4 April 2011. Property from the Collection of Thomas J. Barrett $1,500-2,500

457 GOREY, Edward (1925-2000). Woman Beneath Rolling Elephant. Zürich: Diogenes Verlag, 1978. Etching, on Arches paper, 14 x 11 3/4 in., SIGNED BY GOREY and numbered in pencil lower margin, 5/120. (Small surface abrasion lower margin verso, cloth tape from framing upper margin verso, small pale stain upper margin.) One of 6 etchings created by Gorey and distributed by Diogenes Verlag in 1975, each consisting of 120 Arabic numbered and 20 Roman numbered copies. Though the etchings were sold individually, they are considered a set. VERY RARE: according to online records, no complete set of all 6 etchings has ever sold at auction, and no copy of this etching has ever sold at auction. See Goreyana Blogspot, 4 April 2011. Property from the Collection of Thomas J. Barrett $1,500-2,500

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458

459

GOREY, Edward (1925-2000). Cat in Window observing Night Moon. [New York: Gotham Book Mart, 1985].

GOREY, Edward (1925-2000). Sleeping Cat Turned Right. [New York: Gotham Book Mart, n.d.].

Hand-pulled collagraph, on Arches paper, 12 1/2 x 10 in., SIGNED BY GOREY and numbered in pencil lower margin, 6/50. (Cellotape upper margin verso.) Though intended as an edition of 50 copies, only 40 were completed and signed by Gorey. Gotham Book Mart #10.

Hand-pulled collagraph, on Arches paper, 9 x 9 3/4 in., SIGNED BY GOREY and numbered in pencil lower margin, 5/50. (Cellotape upper margin verso, some very minor spotting verso.) VERY RARE: according to online records, no copy of this print has ever sold at auction. Gotham Book Mart #117.

Property from the Collection of Thomas J. Barrett

$600-800

$800-1,200

460

461

GOREY, Edward (1925-2000). Bibliophile with Cats. [New York: Gotham Book Mart, 1996].

Color lithograph, 12 x 8 in., NUMBERED AND SIGNED BY GOREY in pencil lower margin, letter T of 26 lettered copies. The print was produced in two editions by Gotham Book Mart, of 26 lettered and 750 numbered copies.

Color lithograph, 12 x 8 in., NUMBERED AND SIGNED BY GOREY in pencil lower margin, number 21 of 750 numbered copies. The print was produced in two editions by Gotham Book Mart, of 26 lettered and 750 numbered copies.

Property from the Collection of Thomas J. Barrett

$800-1,200

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462 [GOREY, Edward]. LOCKE, John. “Books Seem to Me to Be Pestilent Things, and Infect All That Trade in Them...” New York: Gotham Book Mart & Gallery Inc., ca 1980. 10 copies. Small folio with 90 x 70 mm illustration after Gorey above a quote by John Locke. Locke’s commentary on the book trade: ““Books seem to me to be pestilent things, and infect all that trade in them… with something very perverse and brutal. Printers, binders, sellers, and others that make a trade and gain out of them have universally so odd a turn and corruption of mind, that they have a way of dealing peculiar to themselves, and not conformed to the good of society, and that general fairness that cements mankind.” Property from the Collection of Thomas J. Barrett $100-200

463 GOREY, Edward (1925-2000). Beanbag Animal. Figbash. Ca 1980s? Cloth doll, filled with rice, approximately 6-in. tall with approximately 19-in. wingspan. Figbash in black cloth with red stylized Asian design. With original tag: “Designed life-size And sewn by hand And filled with rice By Edward Gorey,” SIGNED BY GOREY on the tag. The original Figbash dolls were done in black fabric and created to accompany the lettered copies of The Raging Tide. They were often sold at Gorey’s stage productions, and, according to Toledano, “were handmade by Gorey” (see p. 156). Property from the Collection of Thomas J. Barrett $500-700

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 145

465

466

464

464 GOREY, Edward (1925-2000). Two Beanbag Animals. Figbash. Ca 1980s? Cloth dolls, filled with rice, each approximately 7-in. tall with approximately 19-in. wingspan. 2 Figbash characters in holiday-themed cloth: one in green cloth with peppermint candy desigh, one in green cloth with poinsettia design. The original Figbash dolls were done in black fabric and created to accompany the lettered copies of The Raging Tide. They were often sold at Gorey’s stage productions, and, according to Toledano, “were handmade by Gorey” (see p. 156). Property from the Collection of Thomas J. Barrett $400-600 465 GOREY, Edward (1925-2000). Beanbag Animals. Cats. [Middle Falls, NY: Toy Works], 1978. Cloth dolls, filled with rice, each approximately 6 1/2-in. tall. Cats in different color shirts: lavender and gray striped, yellow and brown striped, and blue and green striped. The first beanbag animals were manufactured by Toy Works, including a pig, a frog, at least three different colored cats, and a bat. The bats remained in production for many years and are therefore inexpensive, but “the others are rare” (Toledano p.156). Property from the Collection of Thomas J. Barrett $300-400 466 GOREY, Edward (1925-2000). Beanbag Animal. Pig. [Middle Falls, NY: Toy Works], 1979. Cloth doll, filled with rice, approximately 7-in. tall. A purple pig, in a tweed jacket with yellow bowtie. The first beanbag animals were manufactured by Toy Works, including a pig, a frog, at least three different colored cats, and a bat. The bats remained in production for many years... but “the others are rare” (Toledano p.156). [With:] GOREY. Beanbag Animal. Bat. [Middle Falls, NY]: Toy Works, 1980. Cloth doll, filled with rice, approximately 5 1/2-in. tall with approximately 16-in. wingspan. Black and white crosshatch-patterned cloth, red “jewel” eyes, with Toy Works tag. Property from the Collection of Thomas J. Barrett $200-300

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467 GOREY, Edward (1925-2000). Poster signed. November 18-20, 1994. “The 18th Annual International Antiquarian Boston Book Fair.” 21 x 13 in. LIMITED EDITION, SIGNED BY GOREY, number 61 of 250 copies. Property from the Collection of Thomas J. Barrett $150-250

467

468 [GOREY -- POSTERS]. A group of 4 posters SIGNED BY GOREY, comprising: The Gashlycrumb Tinies. New York, 1979. SIGNED BY GOREY upper right. -- The Chinese Obelisks. New York, 1979. (Small stain lower corner.) SIGNED BY GOREY lower left. -- American Music Theater Festival presents Amphigorey the Musical. Philadelphia, 1992. SIGNED BY GOREY lower right. -- The Lollipop Trollops and other poems by Alexander Theroux. Promotional poster. [New York]: Dalkey Archive Press, ca 1992. SIGNED BY GOREY lower right. -- Condition generally fine. See Toledano p.159. Property from the Collection of Thomas J. Barrett $200-300

468 (part lot)

469 GOREY, Edward (1925-2000). Albondocani Press Christmas Cards. A group of 10 cards (plus duplicates of 3 cards). New York: Albondocani Press, 1975-1990. Comprising: Gertrude Stein as a child decorates a dog for Christmas. 1975. -- A second copy. -- A Future Unremembered Poet of the Seventeenth century accepts a Christmas Cookie from the Great Veiled Bear. 1977. -- Hertha Strugg’s fifth Christmas. 1979. -- Ettie Lou Stooper does a tinsel dance at a tree-trimming party in Gumsville, Nebraska, Christmas Eve, 1923. 1981. -- Un cadeau ennuyeux. 1983. -- Noël chez les volants des Alpes Dolomites. 1985. -- In Stubville, Nebraska on December 23, 1911 Christmas tree ornaments fell from a cloudless sky. 1986. -- A second copy. -- L’Étoile en Orient. 1987. Christmas in the Eggplant Hills. 1989. -- Fruitcake. 1990. -- A second copy. Together, 13 cards, each a LIMITED EDITION, one of 400 or 450. Each unsigned with original envelopes. Cards were issued to be used as a holiday greeting by the artist and the publisher, and not were not available for sale. Ampersand Books / Albondocani Press printed the first card in 1975, and issued a card “every other year or so until 1990” (Toledano p.158).

469 (part lot)

Property from the Collection of Thomas J. Barrett $400-600

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 147

470 GOREY, Edward. Christmas Cards. New York: Gotham Book Mart, 1977. A group of 2 Christmas Cards, comprising “Giftbearer” and “Tree Delivery.” Both with original envelopes. BOTH SIGNED BY GOREY LOWER RIGHT. Property from the Collection of Thomas J. Barrett $50-75

471 [GOREY MISCELLANY - STATIONERY]. A group of Christmas and greeting cards and rubber stamps, comprising: [GREETING CARDS - BALLET]. [New York]. n.d. 2 sets of 12 cards comprising 3 each of 4 designs with matching envelopes. Drawings by Gorey for the New York City Ballet. See Toledano p.159. -- [CHRISTMAS CARDS]. Hyannis: Nauset Workshop, 1989, 1990. 2 sets, 10 cards and envelopes each, depicting a cat and girl looking out a window, and “Noel.” Produced to support public service organizations across Cape Cod. -- [CHRISTMAS CARDS]. New York: Artpost [1997]. 3 sets, 12 cards and envelopes each, comprising: “The Crestwood Carolers add a hymn from the tenth century to their repertory,” “Suppiluliumas dozes while the family finishes decorating the fireplace,” and “Christmas at Hugglebee Pond.” See Toledano p.158. -- [RUBBER STAMPS]. 10 rubber stamps affixed to wooden mounts depicting Gorey characters, cats, bats, and books. Apparently unused. Kidstamps, 1987 (1), 1988 (1), 1992 (3), 1995 (5). Property from the Collection of Thomas J. Barrett $100-200

472 GOREY, Edward. A group of calendars and engagement books, comprising: Gorey Endings, 1979. Spiral bound wall calendar. -- The Edward Gorey Calendar for 1980. Spiral bound wall calendar, with original printed envelope. SIGNED BY GOREY on the cover. -- An Edward Gorey Bestiary, 1984. Spiral bound engagement calendar. SIGNED BY GOREY on the title-page. -- The Old Possum’s Book of Practical Cats T. S. Eliot Calendar for 1989. Spiral-bound engagement book. SIGNED BY GOREY on the title-page. -- The Old Possum’s Book of Practical Cats T. S. Eliot Calendar for 1991. Spiral-bound engagement book. SIGNED BY GOREY on the titlepage. -- The Gashlycrumb Tinies, 1998. Deluxe engagement book. As new in original shrinkwrap. -- The Gashlycrumb Tinies, 2000. Wall calendar. As new in original shrinkwrap. -- Together, 7 calendars, all in fine unused condition, most SIGNED BY GOREY. Property from the Collection of Thomas J. Barrett $200-300

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473

474

GOREY, Edward. A group of postcards, with one vinyl record, including:

GOREY, Edward. A group of buttons, clothing, towels and a tote bag. Buttons (19) Property from the Collection of Thomas J. Barrett

Dogear Wryde Postcards. Scenes de Ballet. N.p.: n.p., 1976. 10 postcards designed for the New York City Ballet (comprising 2 each of 5 images), in original white envelope. Toledano A65. -- A second set. -- Edward Gorey Presents. 1966. An illustrated prospectus for The Gilded Bat, SIGNED BY GOREY. -- [VINYL ALBUM]. The Freeze. One False Move. Alta Loma, CA: Dr. Strange Records, [1998]. LIMITED EDITION, number 881 of 1,000 copies SIGNED BY GOREY and the members of the band. -- 14 event and exhibition announcement postcards including two SIGNED BY GOREY. (A few with postmarks). -- 9 publication announcement postcards. (A few with postmarks). -- 5 correspondence postcards with designs by Gorey including one SIGNED BY GOREY. -- 4 bookmarks (2 from Gotham Book Mart, 2 advertising Mystery!). -Together, 54 items, condition generally fine.

$100-200

Property from the Collection of Thomas J. Barrett $150-250

475

476

GOREY, Edward. A group of 12 periodical appearances, including illustrations and features, comprising:

GOREY, Edward. A group of exhibition catalogues and announcements, checklists, and bookseller catalogues, including:

“A Gorey Christmas.” In: The New York Times Book Review. Dec. 2, 1990, pp. 16-18. -- “Collecting Edward Gorey.” In: Firsts. Dec. 1994. Vol. 4, No. 12, pp. 26-33. -- “The Deadly Blotter. An Alphabetical Mystery.” In: Family Circle Mary Higgins Clark Mystery. Summer-Fall 1997. Vol. 23, No. 3, pp. 28-29. -- “The Haunted Tea Cozy.” In: The New York Times Magazine. December 21, 1997. -- “Ten Years Ago.” In: Firsts. Dec. 2004. Vol. 14, No. 10. pp. 54-56. -- “Cat Fancy” [cover illustration]. In: The New Yorker. Dec. 10, 2018. Vol. XCIV, No. 40. -- KENT, Allegra. “Dancescape: Edward Gorey’s Ballet Whimsy.” In: Dance. July 2000, Vol. LXXIV, No. 7, pp. 12-15. -- [Cover illustration]. In: The New York Review of Books. May 13, 1993. Vol. XL, No. 9. -- GREEN, Blake. “Welcome to Edward Gorey’s Strange World.” In: New York Newsday Part 2. Apr. 14, 1994. pp. B4-5. -- DIBBELL, Jeremy. “Gorey Details.” In: Fine Books and Collections. Summer 2014. Vol. 12, No. 3, p. 57-58. -- [Illustrations]. In: Your Company. Winter 1994. Vol. 4, No. 2, pp. 23, 25. -- [Illustrations]. In: The New Yorker. Nov. 9, 1992. Vol. LXVIII, No. 38. -- Together, 12 issues.

5 Exhibit catalogues, all FIRST EDITION (see Toledano p.176), comprising: Phantasmagorey. The Work of Edward Gorey. New Haven, 1974. -- Ephemera Etcetera. New York: Gotham Book Mart, [1975]. -- Phantasmagorey Too. The World of Edward Gorey. Boston, 1979. -- Gorey Stories. Minneapolis, 1985. -- Artist of Mystery. Original Works by Edward Gorey. San Francisco: Cartoon Art Museum, 1993. LIMITED EDITION, number 12 of 100 numbered copies SIGNED BY GOREY of a total edition of 526. [With:] 3 exhibition announcement cards, including 2 SIGNED BY GOREY. -[POSTER]. Soho Weekly News. Gorey Scenes from Transylvania. 4to. SIGNED BY GOREY. -- 3 Gotham Book Mart catalogues. -- 4 additional checklists and dealers’ catalogues. -- Together, 16 items, condition generally fine, complete list available on request. Property from the Collection of Thomas J. Barrett

Property from the Collection of Thomas J. Barrett $250-350 $100-200 End of Sale V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 149

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GUIDE FOR PROSPECTIVE SELLERS

Evaluation of Property If you have property you wish to sell, please call our Consignment Department at 312.280.1212 to arrange for a consultation. At that time, you may make an appointment to bring your property or photographs, along with any other pertinent information, to Hindman LLC and we will be happy to provide you with complimentary estimates and advice. If you have a large collection, an appointment may be made to evaluate the property on-site. Fees for on-site visits may vary. Standard Commission Rates Our standard rate of commission is equal to ten percent (10%) of the hammer price on each lot sold for $5,001 or more; and twenty-five percent (25%) of the hammer price on each lot sold for less than $5,001, with a minimum commission of $75 per lot sold. If your property fails to reach the reserve price agreed upon between you and Hindman LLC, you may be obligated to pay a reduced commission rate of five percent (5%) of the reserve price. Shipping Arrangements Hindman LLC can advise you as to how to have your property delivered to our galleries. Packing, shipping and insurance are payable by the seller. In certain instances, packing and shipping costs may be paid by Hindman LLC and deducted from the proceeds of the sale. We may recommend packers and shippers, but we are not responsible for their acts or omissions. Appraisals Appraisals can be arranged for insurance, donation, estate tax, family division or other purposes. Appraisal fees vary according to circumstances. Please contact our Estates and Appraisals Department at 312.280.1212 for further information.

GUIDE FOR PROSPECTIVE BUYERS Conditions of Sale Hindman LLC encourages all prospective buyers to read the Conditions of Sale printed in this catalogue. Exhibitions Hindman LLC recommends that all prospective buyers attend the pre-sale exhibition prior to the auction. Staff members are available at our pre-sale exhibitions to advise prospective buyers on particular objects or on any aspect of the bidding process. Estimates Hindman LLC provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not definitive. All pre-sale estimates are subject to revision. Condition Reports We are happy to provide a condition report for lots with a low estimate of $300 and above. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property offered for sale due to the highly subjective nature of condition reports. Bidding at Auction The highest bidder acknowledged by the auctioneer will be the purchaser. In addition to the hammer price, the buyer agrees to pay Hindman LLC a buyer’s premium as well as any applicable taxes.

Bidding Increments Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The normal bidding increments are:

$0 - $200 ........................................ $10 $200 - $500 ........................................ $25 $500 - $1,000 ..................................... $50 $1,000 - $2,000 ................................... $100 $2,000 - $5,000 ................................... $200 $5,000 - $10,000 ................................. $500 $10,000 - $20,000 .............................. $1,000 $20,000 - $50,000 .............................. $2,000 $50,000 - $100,000 ............................ $5,000 $100,000 - $200,000 .......................... $10,000 Over ‘ $200,000 ...... Auctioneer’s Discretion In-House Bidding Live bidding at Hindman LLC is by paddle only. Please register for a paddle at the entrance of the sales room. If you are the successful bidder, your paddle number and the hammer price will be announced by the auctioneer. Online Bidding Hindman LLC allows absentee and live bidding through our website at hindmanauctions.com as well as absentee and live bidding through third party online bidding providers which vary by sale. For more information regarding online bidding please visit our website at hindmanauctions.com. Absentee Bidding If you are unable to attend an auction, you may use the absentee bid form provided at the back of this catalogue. Hindman LLC will exercise written order bids and telephone bids at no additional charge. Lots will always be sold as inexpensively as is allowed other bids and reserves as are on our books or bids executed in competition from the audience. Tax Exempt Notice Lots marked with an asterisk (*) are tax exempt as permitted by law.

DRIVING DIRECTIONS/PARKING From the WEST: Take I-290 east. Take the Paulina Street/Ashland Boulevard exit 28B. Stay straight to go onto West Congress Parkway. Turn left onto South Paulina Street. Take a slight right onto West Ogden Avenue. Turn right onto West Lake Street. Building will be on the left side at 1338 West Lake Street. From the NORTH/NORTHWEST: Take I-90/I-94 east toward Chicago. Take the Ogden Avenue exit 50A. Stay straight to go onto North Racine Avenue. Turn right onto West Lake Street. Building will be on the right side at 1338 West Lake Street. From the SOUTHWEST: Take I-55 north. Exit 292A I-90/I-94 W Wisconsin Follow I-90/I-94 W Wisconsin to the Lake Street exit 51A. Turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street. From the SOUTH/SOUTHEAST: Take I-90/I-94 west Follow I-90/I-94 W via the exit on the left toward Chicago Loop. Take the Lake Street exit 51A and turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

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CONDITIONS OF SALE These Conditions of Sale set out the terms upon which Hindman LLC (“we,” “us,” or “our”) sells property by lot in this catalogue. You agree to be bound by these terms by registering to bid and/or by bidding in our auction. A glossary at the end defines the words in bold type.

A. BEFORE THE AUCTION

1. LOT DESCRIPTIONS AND WARRANTIES Our description of a lot, any statement of a lot’s condition, and any other oral or written statement about a lot—such as its nature, condition, artist, period, materials, dimensions, weight, exhibition or publication history, or provenance—are our opinion and shall not to be relied upon by you as a statement of fact. Except for the limited authenticity warranty contained in paragraphs E and F below, we do not provide any guarantee of our description or the nature of a lot. 2. CONDITION The physical condition of lots in our auctions can vary due to age, normal wear and tear, previous damage, and restoration/repair. All lots are sold “AS IS,” in the condition they are in at the time of the auction, and we and the seller make no representation or warranty and assume no liability of any kind as to a lot’s condition. Any reference to condition in a catalogue description or a condition report shall not amount to a full accounting of condition and may not include all faults, inherent defects, restoration, alteration, or adaptation. Likewise, images in our catalogue may not depict a lot accurately, as colors and shades may appear different in print or on screen than on physical inspection. We are not responsible for providing you with a description of a lot’s condition in the catalogue or in a condition report. 3. VIEWING LOTS We offer pre-auction viewings, either scheduled or by appointment, that are free of charge. If you believe that the catalogue description or condition reports are not sufficient, we suggest you inspect a lot personally or through a knowledgeable representative before you bid on a lot to make sure that you accept the description and its condition. We recommend you hire a professional adviser if you are not familiar with how to address the nature or condition of an object. 4. ESTIMATES Estimates of a lot account for the condition, rarity, quality, and provenance of the object and are based upon prices realized for similar objects in past auctions. Neither you nor anyone else may rely on our estimates as a prediction or guarantee of the actual selling price of a lot or its value for any other purpose. Estimates do not include the buyer’s premium, any applicable taxes, and any other applicable charges. 5. WITHDRAWAL We may, in our sole discretion, withdraw a lot from auction at any time prior to or during the sale and shall have no liability to you for our decision to withdraw.

B. REGISTERING TO BID

1. NEW BIDDERS New bidders must register at least twenty-four (24) hours before an auction and must provide us with documentation of their identity. (a) Individuals must provide photo identification (driver’s license, non-driver ID card, or passport) and, if not shown on the photo identification, proof of current address (a current utility bill or bank statement). (b) Corporate clients must provide a Certificate of Incorporation or its equivalent bearing the company’s name and registered address, together with documentary proof of directors and beneficial owners. (c) Trusts, partnerships, offshore companies, and other business entities must contact us in advance of the auction to discuss our requirements. If we are not satisfied with the information you provide us in our bidder identification and other registration procedures, we may refuse to register you to bid, and if you make a successful bid, we may cancel the contract for sale between you and the seller. New bidders may be required to provide us with a financial reference and/or a deposit before we allow them to bid. 2. RETURNING BIDDERS If you have not bought anything from us recently, then we may require you to register as a new bidder, as described in the paragraph above. Please contact us at least twenty-four (24) hours prior to the auction. 3. BIDDING FOR ANOTHER PERSON If you are bidding as an agent on behalf of another person, your principal must be a registered bidder and must provide us with written authorization

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allowing you to bid. You, as the agent, shall accept personal liability to pay the purchase price and all other sums due unless we have agreed in writing before the auction that you are acting as an agent on behalf of your principal and that we will only seek payment from your principal. 4. BIDDING IN THE SALEROOM If you wish to bid in the saleroom, you must first acquire a bidding paddle at least thirty (30) minutes before the auction. 5. OUR BIDDING SERVICES We offer the following bidding services as a convenience to our clients, subject to these Conditions of Sale. We shall not be responsible for any error, omission, or failure, human or otherwise, in providing these services. (a) Phone Bids: You must contact us at least twenty-four (24) hours prior to the auction to arrange a phone bid. We will accept bids by telephone for lots only if our staff is available to take the bids. We agree that we may record telephone bids. (b) Internet Bids: You can bid in our live sales via our bidding platform or through third-party bidding sites. (c) Written Bids: You can find a Written Bid Form in the back of our catalogues, at the auction location, or online at www.hindmanauctions.com. We must receive your completed Written Bid Form at least twenty-four (24) hours before the auction. We will endeavor to execute written bids at the lowest possible price consistent with the reserve. If you make a written bid on a lot that does not have a reserve and there is no higher bid than yours, we will bid on your behalf at approximately fifty percent (50%) of the low estimate or, if lower, the amount of your bid. The first written bid we receive of those for identical amounts will be given priority over other bids. 6. CREDIT CARD AUTHORIZATION HOLD When you register to bid you may be asked to provide us with a valid credit card number. You authorize us to verify the validity of the credit card by placing a $100 authorization hold on the card that will remain until it falls off, usually within 48 hours.

C. DURING THE AUCTION

1. BIDDING IN THE AUCTION (a) Live Auctions. We will appoint an individual auctioneer to administer a live auction. The auctioneer may accept bids from (a) written bids left with us by bidders before the auction; (b) bidders in the saleroom; (c) telephone bidders; and (d) Internet bidders. Bidding generally starts below the low estimate and increases in steps, called bid increments. The auctioneer will decide at his/ her sole option where the bidding should start and the bid increments. Bid increments may vary from auction to auction. You shall comply with all laws and regulations in force that govern your bidding. (b) Online-only Auctions. Bids may only be submitted on our website or through third-party bidding sites between the dates and times specified in the lot’s description. Your bid is submitted once you place and confirm your bid amount. You agree that a bid is final once it is placed and that you may never amend or revoke your bid. You are fully responsible for any errors you make in bidding. Bidding generally opens at or below the low estimate and increases in steps (bidding increments) to be determined in Hindman’s sole discretion. 2. AUCTIONEER’S DISCRETION The auctioneer shall have absolute discretion to (a) admit a bidder into or remove a bidder from the saleroom or online auction; (b) accept or refuse any bid; (c) change the order of the lots in the auction; (d) move the bidding backward or forward; (e) withdraw any lot from the auction; (f) divide any lot or combine any two or more lots; (g) reopen or continue the bidding even after the hammer has fallen; and (h) continue the bidding, determine the successful bidder, cancel the sale of the lot, or reoffer and resell any lot in the event that there is an error or dispute related to bidding or the application of the reserve, whether during or after the auction. You must provide us with written notice within three (3) business days of the date of the auction if you believe that the auctioneer has accepted the successful bid in error. The auctioneer will consider the claim and decide in good faith if the sale of the lot is final, whether he/she will cancel the sale of the lot, or whether he/she will reoffer and resell the lot. The auctioneer’s decision in exercise of this discretion is final. This paragraph does not in any way affect our ability to cancel the sale of a lot under other applicable provisions of these Conditions of Sale, including the rights of cancellation set forth in sections B(1), D(6), E(2), and G(1). 3. BIDDING ON BEHALF OF THE SELLER The auctioneer may, at his/her sole option, bid on behalf of the seller up to one bidding increment before the reserve by making either consecutive or responsive bids. The auctioneer will not identify these as bids made on behalf of the seller. If a lot is offered without reserve, the auctioneer will open the bidding at approximately fifty percent (50%) of the lot’s low estimate; where

necessary, will lower the asking bid until a bid is received; and will solicit higher bids from that amount. If there are no bids on a lot, the auctioneer may deem the lot unsold. 4. SUCCESSFUL BIDS AND INVOICES Subject to paragraph C(2), the contract of sale between the seller and the successful bidder is formed when the final bid is accepted and the auctioneer’s hammer strikes. The successful bid price is the hammer price, and we will issue an invoice only to the registered bidder who made the successful bid. While we send out invoices by mail and/or email after the auction, we shall not be responsible for telling you whether your bid was successful. You should contact us immediately after the auction to find out the success of your bid in order to avoid having to pay storage charges.

D. AFTER THE AUCTION

1. THE BUYER’S PREMIUM In addition to the hammer price, the successful bidder agrees to pay us a buyer’s premium on the hammer price of each lot sold. On all lots, we charge twenty-five percent (25%) of the hammer price up to and including $250,000; twenty percent (20%) of any amount in excess of $250,000 up to and including $3,000,000; and twelve percent (12%) of any amount in excess of $3,000,000. If the bidder bids through a third-party platform the bidder agrees to pay us a surcharge equal to the fee levied by the third-party platform. The third-party platform fee is in addition to the buyer’s premium. 2. TAXES The successful bidder is responsible for any applicable taxes, including any sales or use tax or equivalent tax wherever such taxes may arise on the hammer price, the buyer’s premium, and/or any other charges related to the lot. A sales or use tax is dependent upon a number of factors, including, but not limited to, our volume of sale and the place of delivery of the lot, regardless of the nationality or citizenship of the successful bidder. The applicable sales tax rate will be determined based upon the state, county, or locale to which the lot will be shipped or where it is picked-up in person. We collect sales tax in states where legally required. 3. MAKING PAYMENT (a) Immediately following the auction, you must pay the purchase price, consisting of the hammer price, plus the buyer’s premium, plus any applicable duties and sales, use, or other applicable taxes. Payment is due no later than by the end of the seventh (7th) calendar day following the date of the auction, which we refer to as the due date. (b) We will only accept payment from the registered successful bidder. Once issued, we cannot change the buyer’s name on an invoice or reissue the invoice in a different name. (c) You must pay for lots in US dollars in one of the following ways: (i) Wire transfer. (ii) Bank checks: You must make these payable to Hindman LLC, and we may impose other conditions. Once we have deposited your check, property cannot be released until five (5) business days have passed. (iii) Personal checks: You must make these payable to Hindman LLC, and they must be drawn from US dollar accounts from a US bank. The property will not be released until the check has cleared and the funds are received by us. (iv) Cash: We accept cash payments (including money orders and traveler’s checks) subject to a maximum aggregate of US $10,000 per buyer, per sale. (d) You must quote your invoice number when making a payment. All payments sent by post must be sent to Hindman LLC, 1338 West Lake Street, Chicago, IL 60607, ATTN: Client Accounting Department. 4. TRANSFERRING OWNERSHIP TO YOU You will not own the lot and title will not pass to you until we have received full payment in good funds of the purchase price, even in circumstances where we have released the lot to you. 5. TRANSFERRING RISK TO YOU Unless we have agreed otherwise with you, the risk in and responsibility for the lot will transfer to you from whichever is the earlier of the following: (a) when you collect the lot; or (b) the end of the thirtieth (30th) day following the date of the auction or, if earlier, the date the lot is taken into care by a third-party warehouse. 6. YOUR FAILURE TO PAY If you fail to pay us the purchase price in full in good funds by the due date, we will be entitled to do one or more of the following (as well as enforce any other rights and remedies we have by law) at our sole discretion: (a) We can charge interest from the due date at a rate of up to one and onehalf percent (1.5%) per month on the unpaid amount due. (b) We can cancel the sale of the lot and sell the lot again, publicly or privately, on such terms as we believe appropriate, in which case you must pay us any shortfall between the amount you owe us and the resale price, plus all costs, expenses, losses, damages, and legal fees we incur due to the cancellation. (c) We can pay the seller the amount due to them, in which case you acknowledge and understand that we will have all the seller’s rights to pursue you for such amount.

(d) We can hold you legally responsible for the amount you owe us and bring legal proceedings against you to recover the amount owed by you, plus other losses, interest, legal fees, and costs as allowed by law. (e) We can reveal your identity and contact details to the seller. (f) We can reject any bids made by or on behalf of you in future auctions or require you to provide us with a deposit before accepting any bids. (g) We can exercise all the rights and remedies of a person holding security over any property in our possession owned by you, whether by way of pledge, security interest, or in any other way as permitted by the law of the place where such property is located. You will be deemed to have granted such security to us and we may retain such property as collateral security for your obligations to us. (h) We can take any other action we deem necessary or appropriate. 7. SHIPPING, COLLECTION, AND STORAGE (a) You must collect purchased lots within thirty (30) days of the auction. We can assist in making shipping arrangements by suggesting art handlers, packers, transporters, or experts, but you must arrange all transport and shipping with them, and we are not responsible for their acts, failure to act, or neglect. (b) If you do not collect any purchased lot within thirty (30) days following the auction, we may, at our sole option, (i) charge you storage and insurance costs; (ii) move the lot to another Hindman location or to a third-party warehouse, whereupon we will charge you transport costs, insurance costs, and administration fees for doing so, and you will be subject to the third-party storage warehouse’s standard terms and responsible for paying its standard fees and costs; or (iii) sell the lot in any commercially reasonable way we think appropriate. (c) In accordance with applicable state law, if you have paid for the lot in full but you do not collect the lot within the time specified by the law of the state where the auction takes place, we may charge you state sales tax for the lot. (d) Nothing in this paragraph is intended to limit our rights under paragraph D(6). 8. EXPORTING, IMPORTING, AND ENDANGERED SPECIES (a) The shipping of a lot is affected by United States export laws or the import laws of other countries. If you are outside the United States, then local laws may prevent you from importing a lot. You alone are responsible for seeking advice prior to bidding and meeting the requirements of any law or regulation applying to the export or import of a lot. (b) Lots made of or including (regardless of the percentage) endangered and other protected species of wildlife—such as, among other things, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whalebone, certain species of coral, and Brazilian rosewood—may be subject to export controls in the US and import controls in other countries. You should check the relevant wildlife laws and regulations before bidding on any lot containing wildlife material if you plan to export the lot from the United States, import the lot into another country, or ship the lot between states. Your purchase of a lot containing endangered and other protected species of wildlife is at your own risk, and you shall be responsible for any scientific test or other reports required for export from the United States or for shipment between states. We will not cancel your purchase and refund the purchase price if your lot may not be exported, imported, or shipped between states, or if it is seized for any reason by a government authority. It is your responsibility to determine and satisfy the requirements of any applicable laws or regulations relating to import, export, and/or interstate shipping of a lot containing endangered and other protected species of wildlife.

E. WARRANTIES

1. SELLER’S WARRANTIES For each lot, the seller gives a warranty that the seller (a) is the owner of the lot or a joint owner of the lot acting with the permission of the other co-owners or, if the seller is not the owner or a joint owner of the lot, has the permission of the owner to sell the lot or the right to do so by law; and (b) has the right to transfer ownership of the lot to the buyer without any restrictions or claims by anyone else. If either of the above warranties are incorrect, the seller shall not have to pay more than the purchase price (as defined in paragraph D(3) above) paid by you to us. The seller will not be responsible to you for any reason for loss of profits or business, expected savings, loss of opportunity or interest, costs, damages, other damages, or expenses. The seller gives no warranty other than as set out above, and as far as the seller is allowed by law, all warranties from the seller to you, and all other obligations upon the seller that may be added to this agreement by law, are excluded. No employee or agent of Hindman is authorized to make a representation or provide other information, whether orally or in writing, that amends the seller’s warranties or creates an additional warranty on behalf of the seller with respect to a lot. Any such representation, other information, or additional warranty shall be null and void.

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2. OUR LIMITED AUTHENTICITY WARRANTY Our limited authenticity warranty, which lasts for one (1) year from the date of a live auction or three (3) months from an online only auction, is that the lots in our sales are authentic as defined in paragraph H, below. You must notify Hindman regarding concerns of authenticity in writing within one (1) year of the date of a live auction or within three (3) months of the date of an online only auction. Following receipt of that written notification, subject to the terms below, Hindman will refund the purchase price paid by the client. The terms of this limited authenticity warranty are as follows: (a) It will be honored for claims notified in writing within a period of one (1) year from the date of a live auction or three (3) months from an online only auction. After such time, we will not be obligated to honor the limited authenticity warranty. (b) It is given only for information shown in UPPERCASE type in the first line of the catalogue description (the Heading). It does not apply to any information other than that in the Heading, even if it is shown in UPPERCASE type. (c) It does not apply to any Heading or part of a Heading that is qualified. “Qualified” means limited by a clarification in a lot’s catalogue description or by the use in a Heading of one of the terms listed in the definition of “qualified” provided in paragraph H, below. Qualified Headings are not covered at all by this limited authenticity warranty. (d) It applies to the Heading as amended by any saleroom notice. (e) It does not apply where scholarship has developed since the auction, leading to a change in generally accepted opinion. Further, it does not apply if the Heading either matched the generally accepted opinion of experts at the date of the auction or drew attention to any conflict of opinion. (f) It does not apply if the lot can only be shown not to be authentic by a scientific process that, on the date we published the catalogue, was not available or generally accepted for use, was unreasonably expensive or impractical, or was likely to have damaged the lot. (g) Its benefit is only available to the original buyer shown on the invoice for the lot, issued at the time of the sale, and only if, on the date of the notice of claim, the original buyer is the full owner of the lot and the lot is free from any claim, interest, or restriction by anyone else. The benefit of this limited authenticity warranty may not be transferred by the original buyer to anyone else. (h) In order to make a claim under the limited authenticity warranty, you must (i) give us written notice of your claim within one (1) year of the date of a live auction or three (3) months from an online only auction ; (ii) at our option, pay for and provide us with the written opinions of two recognized experts in the field, mutually agreed upon by you and us, confirming that the lot is not authentic (we reserve the right to obtain additional opinions at our expense); and (iii) return the lot at your expense to the saleroom from which you bought it in the condition it was in at the time of sale. (i) Your only right under this limited authenticity warranty is to cancel the sale and receive a refund of the purchase price paid by you to us. We will not, under any circumstances, be required to pay you more than the purchase price, nor will we be liable for any loss of profits or business, loss of opportunity or value, expected savings or interest, costs, damages, other damages, or expenses. (j) No employee or agent of Hindman is authorized to make a representation or provide additional information, whether orally or in writing, that amends the limited authenticity warranty or creates an additional warranty with respect to a lot. Any such representation, other information, or additional warranty shall be null and void. 3. ADDITIONAL WARRANTY FOR BOOKS If the lot is a book, then we give an additional warranty to the original buyer shown on the invoice for the lot issued at the time of the sale in the following circumstances: (a) We will refund the purchase price to the original buyer if we, in our sole discretion, are convinced that the book is defective in text or illustration, subject to the following terms: (i) This additional warranty does not apply to (A) the absence of blanks, half titles, tissue guards, or advertisements; or damage in respect of bindings, stains, spotting, marginal tears, or other defects not affecting the completeness of the text or illustration; (B) drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps, or periodicals; (C) books not identified by title; (D) lots sold without a printed estimate; (E) books that are described in the catalog as sold not subject to return; or (F) defects stated in any condition report or announced at the time of sale. (ii) To make a claim under this additional warranty, you must give written details of the defect within twenty-one (21) days of the date of the sale and return the lot within twenty-one (21) days of the date of the sale to the saleroom at which you bought it in the same condition as at the time of sale. (iii) Paragraphs E(2)(b), (c), (d), (e), (h), and (i) also apply to a claim under this additional warranty. (c) No employee or agent of Hindman is authorized to make a representation or provide other information, whether orally or in writing, that amends the additional warranty for books or creates an additional warranty with respect to a lot. Any such representation, other information, or additional warranty shall be null and void. 154 F I N E B O O K S A N D M A N U S C R I P T S , I N C L U D I N G A M E R I C A N A

4. JEWELRY (a) Colored gemstones (such as rubies, sapphires, and emeralds) may have been treated to improve their appearance through methods such as heating and/or various clarity enhancements. These methods are considered common by the international jewelry trade but may make a gemstone more fragile and/or cause the gemstone to require special care over time. (b) All types of gemstones may have been improved by some method. You may request a gemological report for any item that does not have a report if the request is made to us at least three (3) weeks before the date of the auction and you pay the fee for the report. (c) We do not obtain a gemological report for every gemstone sold in our auctions. When we do get gemological reports from internationally accepted gemological laboratories, such reports are described in the catalogue. Reports from American gemological laboratories describe any improvement or treatment to the gemstone. Reports from European gemological laboratories describe any improvement or treatment only if we request that they do so, but they do confirm when no improvement or treatment has been made. Because of differences in approach and technology, laboratories may not agree on whether a gemstone has been treated, the amount of treatment, or whether that treatment is permanent. The gemological laboratories only report on the improvements or treatments known to them at the date they make the report. (d) For jewelry sales, estimates are based on the information in any gemological report. If no report is available, assume that the gemstones may have been treated or enhanced. 5. WATCHES AND CLOCKS (a) Almost all clocks and watches are repaired in their lifetime and may include parts that are not original. We do not give a warranty that any individual component part of any watch is authentic. Watchbands described as “associated” are not part of the original watch and may not be authentic. Clocks may be sold without pendulums, weights, or keys. (b) As collectors’ watches often have very fine and complex mechanisms, you are responsible for any general service, change of battery, or further repair work that may be necessary. We do not give a warranty that any watch is in good working order. Certificates are not available unless described in the catalogue. (c) Most wristwatches have been opened to find out the type and quality of movement. For that reason, wristwatches with water-resistant cases may not be waterproof, and we recommend you have them checked by a competent watchmaker before use. (d) Many of the watches offered for sale in this catalogue are pictured with straps made of endangered or protected animal materials such as alligator or crocodile skin. When straps are shown for display purposes only and are not for sale. We may remove and retain the strap prior to shipment from the sale site. Please check with the department for details on a lot with such a strap. 6. YOUR WARRANTIES You warrant to us and the seller that (a) the funds you use for payment are not connected with any criminal activity, including tax evasion, and neither are you under investigation, nor have you been charged with or convicted of money laundering, terrorist activities, or other crimes; (b) where you are bidding on behalf of another person, (i) you have conducted appropriate customer due diligence on the ultimate buyer(s) of the lot(s) in accordance with all applicable anti-money laundering and sanctions laws, you consent to us relying on this due diligence, you will retain for a period of not less than five (5) years the documentation evidencing the due diligence, and you will make such documentation promptly available for immediate inspection by an independent third-party auditor upon our written request to do so; (ii) the arrangements between you and the ultimate buyer(s) in relation to the lot or otherwise do not, in whole or in part, facilitate tax crimes; (iii) you do not know, and have no reason to suspect, that the funds used for payment are connected with or the proceeds of any criminal activity, including tax evasion, or that the ultimate buyer(s) are under investigation for, or have been charged with or convicted of, money laundering, terrorist activities, or other crimes.

F. OUR LIABILITY TO YOU

(a) We give no warranty in relation to any statement made, or information given, by us or our representatives or employees about any lot other than as set out in the limited authenticity warranty or in the additional warranty for books, and as far as we are allowed by law, all warranties and other terms that may be added to this agreement by law are excluded. The seller’s warranties contained in paragraph E(1) are their own, and we do not have any liability to you in relation to those warranties. (b) We are not responsible to you for any reason (whether for breaking this agreement or for any other matter relating to your purchase of, or bid for, any lot) other than in the event of fraud or fraudulent misrepresentation by us, or other than as expressly set out in these Conditions of Sale. (c) WE DO NOT GIVE ANY REPRESENTATION, WARRANTY, OR GUARANTEE

OR ASSUME ANY LIABILITY OF ANY KIND IN RESPECT OF ANY LOT WITH REGARD TO MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, DESCRIPTION, SIZE, QUALITY, CONDITION, ATTRIBUTION, AUTHENTICITY, RARITY, IMPORTANCE, MEDIUM, PROVENANCE, EXHIBITION HISTORY, LITERATURE, OR HISTORICAL RELEVANCE. EXCEPT AS REQUIRED BY LOCAL LAW, ANY WARRANTY OF ANY KIND IS EXCLUDED BY THIS PARAGRAPH. (d) Our written and telephone bidding services, online bidding services, and condition reports are free services, and we are not responsible to you for any error, omission, or failure of these services. (e) We have no responsibility to any person other than a buyer in connection with the purchase of any lot. (f) If, despite the terms in paragraphs F(a)–(e) or E(2)–(3) above, we are found to be liable to you for any reason, we shall not have to pay more than the purchase price paid by you to us. We will not be responsible to you for any reason for loss of profits or business, loss of opportunity or value, expected savings or interest, costs, damages, or expenses.

G. OTHER TERMS

1. OUR ABILITY TO CANCEL In addition to the other rights of cancellation contained herein, we can cancel a sale of a lot if (i) any of your warranties in paragraph E(4) are not correct; (ii) we reasonably believe that completing the transaction is, or may be, unlawful; or (iii) we reasonably believe that the sale places us or the seller under any liability to anyone else or may damage our reputation. 2. RECORDINGS We may videotape and/or audio record proceedings at any auction. We will keep any personal information confidential, except to the extent that disclosure is required by law. If you do not want to be videotaped, you may decide to make a telephone or written bid or bid online instead. Unless we agree otherwise in writing, you may not videotape or record proceedings at any auction. 3. COPYRIGHT We own the copyright in all images, illustrations, and written material produced by or for us relating to a lot, including the contents of our catalogues, unless otherwise noted therein. You cannot use them without our prior written permission. We make no representation and offer no guarantee that the buyer of a lot will gain any copyright or other reproduction rights. 4. ENFORCING THIS AGREEMENT If a court finds that any part of this agreement is invalid, illegal, or impossible to enforce, that part of the agreement will be treated as being deleted, and the rest of this agreement will not be affected. 5. TRANSFERRING YOUR RIGHTS AND RESPONSIBILITIES You may not grant a security over or transfer your rights or responsibilities under these terms unless we have given our written permission. This agreement will be binding on your successors or estate and anyone who takes over your rights and responsibilities. 6. PERSONAL INFORMATION We will hold and process your personal information in line with our privacy policy at www.hindmanauctions.com. 7. WAIVER No failure or delay to exercise any right or remedy contained herein shall constitute a waiver of that or any other right or remedy, nor shall it prevent or restrict the further exercise of that or any other right or remedy. No single or partial exercise of such right or remedy shall prevent or restrict the further exercise of that or any other right or remedy. 8. LAW AND DISPUTES This agreement, and any noncontractual obligations arising out of or in connection with this agreement, or any other rights you may have relating to the purchase of a lot will be governed by the laws of Illinois. Before we or you start any court proceedings (except in the limited circumstances where the dispute, controversy, or claim is related to proceedings brought by someone else and this dispute could be joined to those proceedings), you and we agree to try to settle the dispute by mediation submitted to JAMS, or its successor, for mediation in Illinois. If the dispute is not settled by mediation within sixty (60) days from the date when mediation is initiated, then the dispute shall be submitted to JAMS, or its successor, for final and binding arbitration in accordance with its Comprehensive Arbitration Rules and Procedures or, if the dispute involves a non-US party, the JAMS International Arbitration Rules. The seat of the arbitration shall be Illinois, and the arbitration shall be conducted by one arbitrator, who shall be appointed within thirty (30) days after the initiation of the arbitration. The language used in the arbitral proceedings shall be English. The arbitrator shall order the production of documents only upon a showing that such documents are relevant and material to the outcome of the dispute. The arbitration shall be confidential, except to the extent necessary to enforce a judgment or where disclosure is required by law. The arbitration award shall be final and binding on all parties involved. Judgment upon the award may be entered by any court having jurisdiction thereof or having jurisdiction over the relevant party or its assets. This

arbitration and any proceedings conducted hereunder shall be governed by Title 9 (Arbitration) of the United States Code and by the United Nations Convention on the Recognition and Enforcement of Foreign Arbitral Awards of June 10, 1958.

H. GLOSSARY

authentic: a genuine example, rather than a copy or forgery of (a) the work of a particular artist, author, or manufacturer, if the lot is described in the Heading as the work of that artist, author, or manufacturer; (b) a work created within a particular period or culture, if the lot is described in the Heading as a work created during that period or culture; (c) a work of a particular origin or source, if the lot is described in the Heading as being of that origin or source; or (d) in the case of gems, a work that is made of a particular material, if the lot is described in the Heading as being made of that material. buyer’s premium: the charge the buyer pays us along with the hammer price. catalogue description: the description of a lot in the catalogue for the auction, as amended by any saleroom notice. due date: has the meaning given to it in paragraph D(3)(a). estimate: the price range included in the catalogue or any saleroom notice within which we believe a lot may sell. Low estimate means the lower figure in the range, and high estimate means the higher figure. The mid estimate is the midpoint between the two. hammer price: the amount of the highest bid the auctioneer accepts for the sale of a lot. Heading: has the meaning given to it in paragraph E(2). limited authenticity warranty: the guarantee we give in paragraph E(2) that a lot is authentic. other damages: any special, consequential, incidental, or indirect damages of any kind or any damages that fall within the meaning of “special,” “incidental,” or “consequential” under local law. purchase price: has the meaning given to it in paragraph D(3)(a). provenance: the ownership history of a lot. qualified: has the meaning given to it in paragraph E(2), subject to the following terms: (a) “Cast from a model by” means, in our opinion, a work from the artist’s model, originating in his circle and cast during his lifetime or shortly thereafter. (b) “Attributed to” means, in our opinion, a work probably by the artist. (c) “In the style of” means, in our opinion, a work of the period of the artist and closely related to his style. (d) “Ascribed to” means, in our opinion, a work traditionally regarded as by the artist. (e) “In the manner of” means, in our opinion, a later imitation of the period, of the style, or of the artist’s work. (f) “After” means, in our opinion, a copy or after-cast of a work of the artist. reserve: the confidential amount below which we will not sell a lot. saleroom notice: a written notice posted next to the lot in the saleroom and on www.hindmanauctions.com, which is also read to prospective telephone bidders and provided to clients who have left commission bids, or an announcement made by the auctioneer either at the beginning of the sale or before a particular lot is auctioned. UPPERCASE type: type having all capital letters. warranty: a statement or representation in which the person making it guarantees that the facts set out in it are correct. Updated 9/20

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 155

B I D FOR M

FX 312.280.1211 EM BID@HINDMANAUCTIONS.COM

Online registration/bid requests must be received at least 24 hours before the auction begins. Hindman LLC will confirm all bids received by fax or by return email. Phone bids will not be accepted on lots with a low estimate below $300. Hindman LLC allows absentee and telephone bidding registeration through our website at hindmanauctions.com

Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The normal bidding increments are:

NAME

SALE No. - NAME

800 - Fine Books and Manuscripts BUSINESS NAME

BILLING ADDRESS

CITY

STATE

COUNTRY/ZIP

CONTACT NAME

PRIMARY PHONE

$0 – 200 $200 – 500 $500 – 1,000 $1,000 – 2,000 $2,000 – 5,000 $5,000 – 10,000 $10,000 – 20,000 $20,000 – 50,000 $50,000 – 100,000 $100,000 – 200,000 $200,000 +

$10 $25 $50 $100 $200 $500 $1,000 $2,000 $5,000 $10,000 AUCTIONEER’S DISCRETION

SECONDARY PHONE

For absentee bids, indicate your limit for each lot. Your bids will be excecuted at the lowest prices allowed by reserves and competing bids. If we receive more than one bid of the same value, the first one received will take precedence.

FAX

I authorize Hindman LLC to bid on my behalf up to the amount stated below. By bidding at auction you agree to be bound to the Conditions of Sale as stated in the sale catalog and on our website. SIG N ATURE

DAT E

( FO R H INDM AN L CC)

DAT E

A per lot buyer’s premium is added to the final hammer price as per the following: $0 – 250,000 $250,001 – 3,000,000 $3,000,001 +

25% 20% 12%

Hindman LLC is not responsible for failure or other inadvertent errors relating to the execution of your bids.

First time bidders please provide a valid credit card and one of the following: Passport/Driver’s License/National Identity Card LOT No.

LOT DESCRIPTION

ABSENTEE BID

PHONE BID

BACK-UP BID

USD ($) L IMIT EX C L . BUY E R’S P REM I U M

PL EAS E C H EC K

F O R T EL EPH O N E B I D D ER S O N LY

1338 WEST LAKE STREET CHICAGO, ILLINOIS 60607 PH 312.280.1212 FX 312.280.1211 EM BID@HINDMANAUCTIONS.COM HINDMANAUCTIONS.COM

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156 F I N E B O O K S A N D M A N U S C R I P T S , I N C L U D I N G A M E R I C A N A

Upcoming Auctions Sale 829 Artistsâ&#x20AC;&#x2122; Books and Monographs November 6-20 | Online

ALBERS, Josef (1888-1976) Formulation: Articulation [I & II] New York and New Haven: Harry N. Abrams and Ives-Sillman, 1972 The complete suite of 127 color screenprints on 66 sheets on Mohawk Superfine Bristol paper LIMITED EDITION, number 224 of 1000 copies SIGNED BY ALBERS Estimate $10,000.00 - $15,000.00 TO BE OFFERED AT AUCTION NOVEMBER 12, 2020

Literature from a Private New Orleans Collection March 19 | Live & Online

Inquiries Gretchen Hause, Director & Senior Specialist 312.334.4229 gretchenhause@hindmanauctions.com

HindmanAuctions.com

SALE 759 | LOT 222 TOLKIEN, John Ronald Reuel (1892-1973). Autograph letter signed (“JRRT”). To George Sayer,Oxford, 7 August 1952. “G[eorge] A[llen] & U[nwin] are now clamouring to reconsider The Lord of the Rings.” SOLD FOR $35,000.

Upcoming Auctions 819 | FINE FURNITURE, DECORATIVE ARTS AND SILVER NOVEMBER 4 | CHICAGO

808 | HOLIDAY ESSENTIAL JEWELRY DECEMBER 3 | CHICAGO

800 | FINE BOOKS AND MANUSCRIPTS NOVEMBER 12 | CHICAGO

812 | IMPORTANT JEWELRY DECEMBER 7 | CHICAGO

802 | MODERN DESIGN NOVEMBER 17 | CHICAGO

809 | POST WAR AND CONTEMPORARY ART DECEMBER 9 | CHICAGO

803 | EARLY 20TH CENTURY DESIGN NOVEMBER 17 | CHICAGO

810 | PRINTS AND MULTIPLES DECEMBER 9 | CHICAGO

829 | FINE BOOKS AND MANUSCRIPTS NOVEMBER 20 | ONLINE

811 | AMERICAN AND EUROPEAN ART DECEMBER 10 | CHICAGO

818 | ANTIQUITIES AND ISLAMIC ART NOVEMBER 23 | CHICAGO

770 | LUXE HOLIDAY COUTURE AND LUXURY ACCESSORIES DECEMBER 11 | CHICAGO

814 | DECEMBER PALM BEACH COLLECTIONS DECEMBER 1 | PALM BEACH

804 | FINE ART + DESIGN SELECTIONS DECEMBER 15 | CHICAGO

158 F I N E B O O K S A N D M A N U S C R I P T S , I N C L U D I N G A M E R I C A N A

1338 West Lake Street Chicago, Illinois 60607 l ph 312. 280.1212 l f x 312. 280.1211 l hindmanauctions.com