Sale 830 | Japanese and Korean Works of Art by Hindman

JAPANESE & KOREAN WORKS OF ART SEPTEMBER 25, 2020

SALE 830

JAPANESE & KOREAN WORKS OF ART LOTS 400-673

FRIDAY, SEPTEMBER 25 | 10AM P R E VI E W BY APPOINTMENT P RO P E R T Y P I C K U P H O U R S MONDAY – FRIDAY | 9:00AM – 4:30PM By appointment. Lots marked with an asterisk (*) are tax exempt as permitted by law. V I E W T H E C O MP L E T E C ATA L O G U E AT H I N D MA N A U C TI O N S . C O M Photography Bill Ross Zoë Bare Amelia Moore Jordyn Cox

Mike Reinders Brodie Sturm Carmen Colome

Cover Lots 472 and 473 | Partial Sets of Armor Opposite Lot 458 | A Large Gilt Decorated Wood Figure of a Seated Monk

HindmanAuctions.com © Hindman LLC 2020 C H IC AGO, IL L IN O IS ILLINOIS AUCTION FIRM LICENSE NUMBER 444.000521

*400 Four Boxwood Netsuke

401 Two Boxwood Netsuke

19TH CENTURY the first showing a standing male figure with a monkey sitting on his left shoulder, unsigned; the second showing a standing immortal wearing a red coat, unsigned; the third showing a child, unsigned; the fourth showing six conjoined masks, unsigned. Length of largest 2 7/8 in., 7.5 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $500-$600

MEIJI/TAISHO PERIOD, SIGNED SHOZAN

403 An Ebony and A Boxwood Netsuke

404 Two Boxwood Netsuke

19TH CENTURY, SIGNED IKKO

銘「一虎」

the ebony example depicting a recumbent ox with all four tucked underneath its body, the boxwood example showing a recumbent aquatic bird with its head turned backwards, the body carved with detailed feathers and inlaid leaves; both signed Ikko. Length of larger 2 3/4 in., 6 cm. Property from a Private Collection, Chicago, Illinois Sydney L. Moss, London, May 22, 1959 Christie’s London, May 15, 1959 $600-$800

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銘「松山」

depicting an elephant balanced on the rear legs, with one front foot resting on a ball tied with a bow, the other raised, the trunk raising a ball aloft; the second depicting a hand holding a bull; both signed. Height of each 2 in., 5 cm. $150-$250

DOG FORM: 19TH CENTURY. SHISHI FORM: 20TH CENTURY the first in the form of a shishi seal, signed; the second depicting a seated dog on a fish, unsigned. Height of larger 1 3/8 in., 3.5 cm. Property from a Private Collection, Chicago, Illinois $300-$400

*405 Five Carved Netsuke 19TH-20TH CENTURY comprising four boxwood examples, the first carved in the form of a swimming cat fish, signed Hidemasa 秀正; the second also carved to show a catfish, signed; the third showing two rams in a mountain, unsigned; the fourth depicting a crouching evil with his mouth wide open, signed; a resin example in the form of a recumbent shishi lion, unsigned. Length of largest 2 in., 5 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $600-$800

406 Four Wood Netsuke 19TH-20TH CENTURY the first depicting a wolf with its front right paw on a monkey, signed 石川; the second showing two pigs with a cloth bag and a carrot, signed 石川; the third showing a recumbent dog, signed 山川; the third depicting a mouse carrying two silver ingots on its back, signed 吉川。 Length of largest 2 1/4 in, 5.7 cm. $500-$600

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407 Five Wood Netsukes 19TH-20TH CENTURY the first depicting a tiger with one paw raised and one paw on a piece of wood, signed Gyokuzan 玉山; the second a monkey riding a buffalo, signed Tamishi 玉石; the third depicting a standing frog with a smaller one on top of its head, signed 柳月; the fourth showing a recumbent leopard, signed; the fifth depicting a figure on a large conch, signed. Length of largest 1 3/4 in, 4.4 cm. $500-$600

408 Three Wood Netsukes 20TH CENTURY comprising a Japanese lion, dragon, and a mouse, all unsigned. Length of tallest 1 1/2 in., 3.8 cm. $150-$250

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409 A Boxwood Netsuke 19TH CENTURY, STYLE OF TOYOMASA of globular form, reticulated and carved to show an eagle on a pine tree. Length 1 1/2 in., 3.8 cm. Property from a Private Collection, Chicago, Illinois Sotheby’s London, March 2, 1959, lot 98 Sydney L. Moss, London, May 22, 1959 Sir Trevor Lawrence collection $400-$500

411 Two Boxwood Figural-Form Netsukes 20TH CENTURY the first depicting seated Okame, signed 法正; the second showing a dancer wearing a kitsune fox mask, signed Kunimitsu 國光. Height of larger one 1 1/4 in., 3.2 cm. Property from a Private Collection, Chicago, Illinois $400-$600

410 A Boxwood Netsuke EARLY 19TH CENTURY, KIOTO SCHOOL carved in the form of a folded lotus leaf, a spider chasing a fly atop the leave, unsigned. Length 2 1/8 in., 5.4 cm. Property from a Private Collection, Chicago, Illinois Sydney L. Moss, London, July 15, 1959 Ex. Collection of Julius Katchen, Paris $500-$600

412 Three Gilt Lacquered Wood Mask Netsukes 19TH CENTURY the first signed Deme Joman 出目上滿, the second signed Deme Uman 出目右滿, the third signed Deme Koman, 出目古滿. Length of largest 1 1/2 in., 3.8 cm. $300-$500

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413 [NETSUKE] A group of works about Japanese Netsuke, Inro and Ojime, comprising: DAVEY, Neil K. Netsuke : a comprehensive study based on the M.T. Hindson Collection. New York : Sotheby Parke Bernet, 1974. —LAZARNICK, George. The signature book of Netsuke, Inro and Ojime artists in photographs. Honolulu, Hawaii : Reed Publ., 1976. — DUCROS, Alain. Netsuke & sagemono. Granges-les-Valence : Takaramono, 1978. — BACKER, Richard; SMITH, Lawrence. Netsuke : the miniature sculpture of Japan. London : British Museum Publications, 1976. — KINSEY, Miriam. Contemporary netsuke. Rutland, Vt. : C.E. Tuttle Co., 1977. — COHEN, George. In search of Netsuke & Inro. Birmingham: Jacey Group of Companies, 1974 & 1976. — BUSHELL, Raymond; MASATOSHI. The art of Netsuke carving. Trumbull, CT : Weatherhill, 2002. — OKADA, Barbra Teri. Netsuke : masterpieces from the Metropolitan Museum of Art. New York : The Museum: Abrams [distributor], 1982. — HURTIG, Bernard. Masterpieces of Netsuke Art: One Thousand Favorites of Leading Collectors. New York, Published for the International Netsuke Collectors Society by Weatherhill, 1975. — OKADA, Barbra. Japanese netsuke and ojime : From the Herman and Paul Jaehne collection of the Newark museum. Newark: 1976, limited edition of 173/500, signed by author. Together 10 works in 10 volumes, all first edition except where noted, generally good condition. Property from the Collection of Michael and Kay Melet $800-$1,200

414 [JAPANESE ART—REFERENCE] A collection of reference books pertaining to Japanese art, comprising: Famous Ceramics in Japan. No. 6 Imari, No. 8 Oribe. Kodansha, 19821984.—SMITH, Bradley. Japan: A History in Art. Gemini-Smith Doubleday, 1964—HURTIG, Bernard. Masterpieces of Netsuke Art : One Thousand Favorites of Leading Collectors. Weatherhill, 1973.—TOLLNER, Madeline R. Netsuke: The Life and Legend of Japan in Miniature. The Abbey Press.—Art Institute of Chicago. Ukiyo-e Prints and Paintings of the Primitive Period.—MEINERTZBAGEN, Frederick. The Art of the Netsuke Carver. And others, comprising 36 volumes total. Property from a Private Collection, Chicago, Illinois $200-$300

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415 [NETSUKE] A group of works about Netsuke, comprising: BUSHELL, Raymond; MASATOSHI. The art of Netsuke carving. Trumbull, CT : Weatherhill, 2002. — MEINERTZHAGEN, Frederick. The art of the netsuke carver. London Routledge and Kegan: 1956. — KINSEY, Robert O & Miriam. Contemporary netsuke : miniature sculpture from Japan and beyond. Santa Ana, Calif. : Bowers Museum of Cultural Art, 1997.— GOODALL, Hollis; ATCHLEY, Virginia G. The Raymond and Frances Bushell Collection of netsuke: a legacy at the Los Angeles County Museum of Art. Chicago: Art Media Resources, 2003. — BUSHELL, Raymond. Netsuke, familiar and unfamiliar : new principles for collecting. New York : Weatherhill, 1989. — BUSHELL, Raymond. Collectors’ netsuke. New York : Weatherhill, 2002. — RYERSON, Egerton. The netsuke of Japan: legends, history, folklore and customs. New York: Barnes 1968. — KINSEY, Robert O. The poetry of netsuke. Santa Barbara, Calif. : Produced by Perpetua Press, 2004. — NOETZEL, Otto Heinrich. Yakimono-Netsuke: Netsuke aus Porzellan und Ton. Wilhelmshaven : Heinrichshofen’s Verlag, 1985. — SANDFIELD, Norman L. The ultimate Netsuke bibliography: an annotated guide to miniature Japanese carvings. Chicago : Art Media Resources, 1999. — FEINBERG, Leonard. Asian laughter: An anthology of oriental satire and humor. Boston: Weatherhill, 1971. — STANDFIELD, Norman L; SHELTON, Huey G. Ichiro, master netsuke carver. Chicago: Shelton Family Press: Distributed by Art Media Resources, 2009. — BUSHELL, Raymond. The wonderful world of netsuke. Rutland, Vt., C.E. Tuttle Co. 1964. — Reikichi, Ueda. The Netsuke Handbook. Tokyo: Charles E. Tuttle Co., 1964. — KURSTIN, Joseph. Netsuke: Story Carvings of Old Japan: Selections from the Collection of Joseph Kurstin. Self pub: 1994. — TAKAMADONIMIYA, Norihito. Gendai netsuke: Takamadonomiya korekushon: Contemporary netsuke : the H.I.H. Prince Takamado collection. Tokyo: Hakuchosha, 2003. — RYERSON, Egerton. The Netsuke Of Japan. Legends, History, Folklore & Customs. London: G. Bell & Sons, Ltd., 1958. — O’BRIEN, Mary Louise. Netsuke : A Guide for Collectors. Tokyo: Charles E. Tuttle Company, 1965. — Chiba City Museum of Art. Kinsey Korekushon: Gendai Netsuke: Contemporary Netsuke: The Kinsey Collection, Accompanied by H.I.H. Price Takamado Collection. 2001. Together 24 works in 24 volumes. Property from a Prominent Chicago Collection $500-$700

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*416 A Carved Wood Figure of Devil 19TH/20TH CENTURY the figure depicted seated with his right leg stretched, both hands folded at front, wearing draped robes, the face bearing a fierce expression with a pair of bulgy eyes and the mouth wide open revealing his teeth.Â Length 5 1/2 x height 4 1/4 in., 13.97 x 10.8 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $300-$500

417 A Carved Wood Figure of a Monkey the figure depicted seated, wearing a loose coat, its left hand placed on the left knee, the right hand raised above its head, the face carved with a pair of round eyes above a slightly open mouth showing its teeth.Â Height 18 in., 47 cm. Property from a Private Chicago Estate $40-$60

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418 A Mother-of-Pearl Inlaid Red Lacquer Two-Case Inro

419 A Gilt and Red Lacquer Three-Case Inro

18TH/19TH CENTURY, SIGNED CHOHEI SEI

19TH CENTURY decorated with a gold and silver takamaki tiger on one side, bamboo and rocks on the reverse, unsigned. Height 3 in., 7.62 cm. $600-$800

銘「樗平製」

decorated with mother-of-pearl inlays showing a fish on one side, sea shell and rocks on the revers, signed Chohei sie, by Nomura Chohei (active late 18th Century). Height 2 1/8 in., 5.4 cm. $1,000-$1,500

420 A Red and Black Lacquer Five-Case Inro

421 A Black and Gilt Decorated Lacquer Four-Case Inro

EDO PERIOD, 18TH/19TH CENTURY decorated with tsuikin technique depicting red prunus blossom against a black lacquer ground, unsigned. Height 4 1/4 in., 10.8 cm. $500-$600

18TH/19TH CENTURY depicting three crows on gold willow tree with gold and black takamakie all around on silver lacquer ground, unsigned. Height 3 in., 7.62 cm. $600-$800

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*422 Two Gilt and Black Lacquer Inros

423 A Cherry Bark Four-Case Inro

19TH CENTURY the first a four-tier example, painted with geese above a grass ground, the second a two-tier example decorated with chrysanthemum heads. Length of longer 3 1/8 in, 7.9 cm. Property from the Collection of Dr. Clarence C. Close, Northbrook, Illinois $200-$300

19TH CENTURY decorated with gold flowers with red lacquer centers, unsigned. Height 3 1/2 in., 8.89 cm. $500-$600

*424 A Wood Figural-Form Inro

425 A Gold Lacquer Five-Case Inro

19TH CENTURY carved to show a seated figure dressed in a loose robe, opening to the chest, both hands raised above his head; together with a wood figure of a tall devil. Height of inro 4 in., 10.16 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $300-$500

19TH CENTURY, SIGNED MINYOSAI KOSEN

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銘「珉洋齋古船」

decorated with gold, silver, black and red takamaki depicting five cranes, signed. Height 3 1/2 in., 8.89 cm. $1,000-$1,500

426 A Gold Lacquer Shibayama Inlaid Four-Case Inro

*427 A Gold Lacquer Five-Case Inro

19TH CENTURY decorated in shibayama style depicting cranes and reed on gold hiramakie on ikakeji ground, unsigned. Length 3 3/4 in., 9.53 cm. $1,000-$1,500

EDO PERIOD, 19TH CENTURY, SIGNED KANSAI

*428 A Gold Lacquer Four-Case Inro

429 A Gold Lacquer Shibayama Inlaid Three-Case Inro

EDO PERIOD, 19TH CENTURY, SIGNED KIJIGAWA ZO

19TH CENTURY of rectangular form, decorated in shibayama style depicting cranes and chrysanthemum blossoms on a gold ikakeji ground, encased in a gold hiramakie sheath, unsigned. Height 4 1/8 in., 10.48 cm. $1,000-$1,500

銘「梶川作」

decorated with landscape scene, with a reticulated bone ojime, signed. Length 3 1/2 in., 8.89 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $500-$600

銘「寬哉」

decorated with orchids, signed. Length 3 3/4 in., 9.53 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $500-$600

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430 [COLLECTIONS—NETSUKE & INRO] Hana-No-Matsuri (Private Collection of Baron Morimasa Takei). Tokyo, Taisho 6 [1917].

431 [COLLECTIONS] Three works about Japanese Private Collections, comprising:

8 volumes, 394 x 308 mm. Each titled Hana no Masegaki (Hedge of flowers) with subtitle Inro-fu zen hassatsu, containing approximately 1,000 black and white plates of the collection of Baron Morimassa Takei (1842-1926) of about 7,500 subjects. Gilt endpapers, sewn gold silk pictorial bindings enclosed in slipcases. AN EXTREMELY RARE COMPLETE SET. Property from a Prominent Chicago Collection $5,000-$7,000

LAWRENCE, Sir William Matthew Trevor, and HUISH, Marcus B. Catalogue of the Collection of Japanese Works of Art: formed between the years 1869 and 1894. London: Privately Printed, 1895. — NAKASHIMA, Tainosuke. Inro Makie Shu. Kyoto: T. Nakashima, 1940. with bookplate and Greenfield Collection sticker. — BOYER, Martha. Japanese Export Lacquers from The Seventeenth Century in The National Museum of Denmark. Copenhagen: The National Museum, 1959. Property from a Prominent Chicago Collection $600-$800

432 [COLLECTIONS] JOLY, Henri Louis (1876-1920). The W. L. Behrens Collection. London: Glendining & Co., 1913-14. 3 folios, 302 x 254 mm. Containing Fascicule I-II, Parts 1-4 respectively plates of netsuke, lacquer and inro, sword-fittings, Buddhistic section and Chinese antiques. Colored paper enclosed in three contemporary blue snap closure folios (some splitting). LIMITED EDITION, Fascicule I numbered 3 of 100 copies [With: ] JOLY, Henri Louis, ed. Catalogue of the H. Seymour Trower Collection of Japanese Art. London: Glendining & Co., 1913-14. 2 volumes, 300 x 250 mm. Sale catalogue and colotype plates, with prices realized. Blue cloth covered boards (marked, edges slightly bumped). Together 2 works in 5 volumes. Property from a Prominent Chicago Collection $1,500-$2,500

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433 An Amber Inlaid Boxwood ‘Leverets’ Ojime BY NICK LAMB depicting two English hares, marked NL in an 18k gold reserve to the underside. Length 7/8 in., 2.22 cm $250-$350

434 Two Fish-Form Ojime

435 Three Hardstone and Coral Ojime

MEIJI PERIOD, 19TH CENTURY the first a mother-of-pearl example, the second a boxwood example, both showing swimming fish, unsigned. Length of larger 1 1/2 in., 3.81 cm $250-$350

MEIJI PERIOD, 19TH CENTURY the first a red coral example carved in the form of the laughing Buddha, the second a celadon hardstone example in the shape of a bamboo section with two spiders, signed; the third a green hardstone example in the form of a Chinese archaic cong. Length of largest 1 in., 2.54 cm $150-$250

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436 A Metal Dog-Form Ojime

437 A Silver Horse-Form Ojime

MEIJI PERIOD, 19TH CENTURY the animal figure depicted seated with its head turned to the side, unsigned. Length 3/4 in., 1.91 cm $250-$350

MEIJI PERIOD, 19TH CENTURY the animal figure depicted in a recumbent posture with its head turned backwards, its mouth wide open, unsigned. Length 7/8 in., 2.22 cm. Acquired from Adameck’s Fine Oriental Art, Honolulu, Hawaii $250-$350

438 A Metal Hen-Form Ojime

439 A Metal Wolf Head-Form Ojime

MEIJI PERIOD, 19TH CENTURY the hen naturalistically cast seated with its feet tucked under the plump body, decorated with detailed feathers, unsigned. Length 7/8 in., 2.22 cm. $250-$350

MEIJI PERIOD, 19TH CENTURY

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銘「草」

cast depicting a wolf head with alert ears, its mouth wide open revealing its fangs and teeth, marked with a character to the reverse. Length 5/8 in., 1.59 cm. $250-$350

440 A Bronze Duck-Form Ojime

441 An Unusual Sentoku Bronze Conch Shell-Form Ojime

MEIJI PERIOD, 19TH CENTURY the bird figure depicted recumbent with its feet tucked underneath the plump body with incised details, it head facing forward with a long beak, unsigned. Length 3/4 in., 1.91 cm. $250-$350

MEIJI PERIOD, 19TH CENTURY naturalistically cast and inlaid in silver with various small barnacles and shells, unsigned. Height 7/8 in., 2.22 cm. Acquired from Orientations Gallery., New York, New York, September 1, 1993 $250-$350

442 A Bronze Squash-Form Ojime

443 A Silver and Bronze Pouch-Form Ojime

MEIJI PERIOD, 19TH CENTURY of small compressed form with a leaf atop the fruit, unsigned. Diameter 5/8 in., 1.59 cm. Acquired from Adameck’s Fine Oriental Art, July 4, 1986 $250-$350

MEIJI PERIOD, 19TH CENTURY inlaid with silver decoration, incised with floral design, unsigned. Height 5/8 in., 1.59 cm. $250-$350

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444 A Silver, Copper and Shakudo Kinchaku Pouch-Form Ojime

445 A Mixed Metal Reticulated Bead-Form Ojime

MEIJI PERIOD, 19TH CENTURY the pouch depicted with a silver inlaid handle and a gilt inlaid gourd, unsigned. Height 7/8 in., 2.22 cm. Acquired from Gaijin, Fine Japanese Works of Art, Virginia, January 10, 1987 Ex. Beasly Collection $250-$350

MEIJI PERIOD, 19TH CENTURY the reticulated bead with inlaid bronze birds, unsigned. Height 1/2 in., 1.27 cm $250-$250

446 A Silver and Bronze Bead-Form Ojime

447 A Bronze Bead-Form Ojime

MEIJI PERIOD, 19TH CENTURY

MEIJI PERIOD, 19TH CENTURY of oval form, cast with blossoming chrysanthemums, unsigned. Height 3/4 in., 3.81 cm. $250-$350

銘「松玉寫」

the oval bead inlaid with bronze and silver showing a hand citron issuing from a flower pot, marked to the reverse. Length 7/8 in., 2.22 cm. $250-$350

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448 A Bronze Bead-Form Ojime

449 A Bronze Bead-Form Ojime

MEIJI PERIOD, 19TH CENTURY of oval form, decorated on one side with a standing peacock amongst prunus branches, unsigned. Height 7/8 in., 2.22 cm. $250-$350

MEIJI PERIOD, 19TH CENTURY of faceted form, the exterior cast in relief showing a butterfly flying above a seated dog, unsigned. Height 7/8 in., 2.22 cm. $250-$350

450 A Mixed Metal Bead-Form Ojime

451 A Mixed Metal Bead-Form Ojime

MEIJI PERIOD, 19TH CENTURY of olive form, inlaid with mixed-metal sea shells, unsigned. Length 7/8 in., 2.22 cm. Acquired from Gaijin, Fine Japanese Works of Art, Virginia, September 2, 1993 $250-$350

MEIJI PERIOD, 19TH CENTURY of oval form, inlaid with copper and silver showing a goose flying above plants, the reverse depicting a crescent moon, unsigned. Length 7/8 in., 2.22 cm. $250-$350

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452 A Bronze Figural-Form Ojime

453 A Bronze Figural-Form Ojime

MEIJI PERIOD, 19TH CENTURY the figure depicted standing, dressed in loose robes and a hat, his right hand bearing a drum-shaped rattle, his face cast with a smile, signed on the underside. Height 5/8 in., 1.59 cm. $250-$350

MEIJI PERIOD, 19TH CENTURY the figure depicted kneeling, facing forwards, dressed in loose garments and a long overcoat, carrying a monkey on the back, signed on the underside. Height 3/4 in., 3.81 cm. $250-$350

454 A Bronze Figural-Form Ojime

455 A Bronze Figural-Form Ojime

MEIJI PERIOD, 19TH CENTURY the figure depicted standing, dressed in voluminous robes, his left hand bearing a bowl and his right hand bearing a hammer, signed on the underside. Height 3 1/4 in., 8.26 cm. $250-$350

MEIJI PERIOD, 19TH CENTURY the figure depicting standing, dressed in draped robes, with long hair, his right hand carrying a sword, the sword scabbard on the reverse. Height 3/4 in., 3.81 cm. $250-$350

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*456 A Bronze Figure of an Immortal

*457 A Pewter Figure of a Standing Bodhisattva

20TH CENTURY the immortal figure cast standing, dressed in draped robes, the face having bushy eyebrows and long beard, bearing a three-character marker’s mark to the reverse of the robe. Height 10 1/4 in., 26 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $300-$500

the deity depicted standing on a lotus throne, wearing a loose deity, the left hand holding a lotus spray, the right hand carrying a vase, all hair pulled to a high chignon. Height 11 7/8 in., 30 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $60-$80

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*458 A Large Gilt Decorated Wood Figure of a Seated Monk

459 A Hardwood Shrine with a Gilt Wood Figure of Buddha

19TH CENTURY the monk figure seated on rockwork above lotus blossoms, dressed in voluminous robes, his left hand lowered and his right hand bearing a staff, backed by flames. Height 30 in., 76.2 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $600-$800

19TH CENTURY the Buddha figure standing on a lotus base, supported on a tiered throne, wearing draped robes, the face carved with a serene expression, underneath tight curls with an urna, set in a hardwood Buddhist shrine. Height 9 3/4 in, 24.8 cm. $600-$800

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460 A Gilt Lacquered Wood Figure of Seated Kannan 19TH CENTURY the deity depicted seated on a double lotus plinth, above a stepped base, dressed in draped robes, the face carrying a calm expression underneath an elaborate crown, backed by a large leaf-form mandala. Height 19 1/2 in., 49.5 cm. $1,200-$1,400

461 A Black Lacquered Shrine with a Polychrome and Black Painted Wood Figure of a Guardian 19TH CENTURY the wrathful guardian figure depicted standing with both feet apart, his right hand placed on his waist, the left hand lowered alongside his body, wearing a loose dhoti, the face carved with a fierce facial expression, back by red lacquered flames, set in a lacquered wood shrine. Height 14 1/2 in., 36.8 cm. $700-$900

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462 A Black Lacquered Shrine with a Gilt Wood Figure of Kannon

*463 A Large Gilt Wood Figure of Kannon

19TH/20TH CENTURY the Kannon seated on a lotus base, further set on a tiered throne, wearing long robes and an elaborate crown, backed by a mandala with incised foliate scrolls, set in a black lacquered wood shrine. Height 11 5/8 in., 29.5 cm. $800-$1,200

the deity depicted seated on a lotus base, dressed in voluminous robes, wearing elaborate jewelry and a crown, backed by a mandala decorated with openworked lotus scrolls. Height 28 x length 17 x depth 15 in., 71.1 x 43.2 x 38.1 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $2,500-$3,500

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*464 A Polychrome and Gilt Decorated Wood Traveling Shrine with a Gilt Wood Figure of a Multi-Armed Bodhisattva

465 A Small Black Lacquered Shrine with a Carved Wood Figure of Kannon

19TH CENTURY the multi-armed deity on a raised lotus throne with two attendants at front, further set on crashing waves and a tiered base, set in a rectangular black and gilt lacquered wood shrine. Height 3 1/2 in., 8.89 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $150-$250

19TH/20TH CENTURY the Kannon depicted standing on a raised lotus base above rockwork, dressed in draped robes, set in a gilt and black lacquered shrine. Height 7 in., 17.8 cm. $700-$900

466 A Black and Gilt Lacquered Wood Shrine with a Gilt Wood Figure of Standing Buddha

467 Three Gilt Lacquered Wood Figures of Buddha

19TH CENTURY the Buddha depicted standing on a lotus base, further set atop a stepped plinth, dressed in long robes, backed by a leafform mandala, set in a black and gilt lacquered wood shrine. Height 11 1/2 in., 29.2 cm. $800-$1,200

each depicted standing on a lotus base, wearing draped robes. Average height of eacb 19 in., 48.3 cm. Property from a Private Chicago Estate $100-$200

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*468 Two Polychrome Painted Wood Figures

469 A Carved and Polychrome Lacquered Wood Standing Buddha

19TH CENTURY the first a figure of a standing monk, the second a figure of a standing guardian. Height of taller 13 in., 33 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $200-$300

LATE 19TH-EARLY 20TH CENTURY the Buddha depicted standing above a lotus plinth, dressed in draped robes, the left hand raised while the right hand stretched alongside the body. Height 26 1/2 in., 67.3 cm. Property Sold to Benefit the Art Acquisition Fund at the Indianapolis Museum of Art at Newfields $800-$1,000

470 A Pair of Finely Carved Polychrome and Gilt Painted Wood Temple Carvings

*471 A Noh Mask

18TH CENTURY each finely carved in openwork depicting heavenly maiden amongst auspicious clouds. Height of each 8 1/2 x length 12 in., 21.6 x 30.5 cm. Property from a Private Collection, Highland Park, Illinois Purchased from Marshall Field & Company, September 17, 1980 $500-$700

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together with a mother-of-pearl inlaid metal whisk. Length of mask 8 1/4 in., 21 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $50-$70

472 A Partial Set of Armor

473 A Partial Set of Armor

18TH CENTURY comprising a helmet, a face mask, underarm pieces, shoulder guards, skirt, thigh protectors and lower leg guards. Property from a Private Chicago Estate $1,500-$2,500

EDO PERIOD, 19TH CENTURY comprising a helmet, a neck guard, underarm pieces, shoulder guards, skirt, thigh protectors and lower leg guards. Property from a Private Chicago Estate $1,500-$2,500

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474 A Japanese Suit of Armor EDO PERIOD, 19TH CENTURY comprising a helmet, a face mask, underarm pieces, shoulder guards, skirt, thigh protectors and lower leg guards. $3,000-$5,000

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475 A Pair of Inlaid and Lacquered Iron Stirrups, Abumi EDO PERIOD, 18TH/19TH CENTURY of typical form and decorated on the surface with mon, the upper surface lacquered red. Length 11 x height 9 1/2 in., 27.9 x 24.1 cm. Property from a Private Chicago Estate $250-$350

476 A Katana SIGNED HIZENNOKUNIJUNIN YOSHITADA, DATED 1943

昭和十七年九月肥前國住人吉忠作之

having its original scabbard, together with a silk bag. Length of blade 26 1/2 in., 67.31 cm. Length overall 40 1/2 in., 102.87 cm. $1,200-$1,400

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477 A Japanese Katana DATED 1664

寬文三年十月十日山野勘十郞久英二胴切落

inscribed Yamano-Kanjurou-Hisahide(Kaou), Futatsudo-Kiriotosu, dated the tenth day in the tenth month of Kanbun (corresponding to 1664), with bone scabbard. Blade length 20 1/2 in., 52 cm. Overall length 32 3/8 in., 82 cm. Property from a Private Canadian Collection $600-$800

478 A Sword having a hardwood scabbard, carved with bamboo leaves. Length of blade 12 in., 30.48 cm. Length overall 20 in., 50.8 cm. Property from a Private Chicago Estate $100-$200

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479 [SAMURI] A group of works about the art of Samuri, comprising: KEYES, Roger S. The art of surimono in the Chester Beatty Library, Dublin. London: Sotheby; New York: Harper and Row, 1985. 2 vol. — ROBINSON, H Russell. Japanese arms & armor. New York: Crown Publishers, 1969. — KEYES, Roger S. The male journey in Japanese prints. Berkeley: University of California Press, 1989. — RICHARD, Naomi Noble. Court and Samurai in an age of transition medieval paintings and blades from the Gotoh Museum, Tokyo. New York: Japan Society, 1990. — BOTTOMLEY, Ian. Japanese armor : the Galeno Collection. Berkeley: Stone Bridge Press, 1998. — MILLER, David. Samurai warriors. New York: St. Martin’s Press, 2000. — The Shogun age exhibition : from the Tokugawa Art Museum, Japan. Nagoya: The Committee, 1984. — BOWIE, Theodore Robert. Art of the surimono. Bloomington: Indiana University Art Museum, 1981. — TURNBULL, Stephen R. Samurai warriors. Poole: Blandford, 1991. — YOSHIKAWA, Eiji. Musashi. New York: Harper & Row/Kodansha International, 1995. — RATTI, Oscar; WESTBROOK, Adele. Secrets of the samurai : a survey of the martial arts of feudal Japan. Edison: Castle Books, 1999. — SATO, Hiroaki. Legends of the samurai. Woodstock: Overlook Press, 1995. — VARLEY, H Paul. Warriors of Japan as portrayed in the war tales. Honolulu: University of Hawaii Press, 1994. — YUMOTO, John M. The Samurai Sword: a Handbook. Kanagawa: Tuttle Publishing, 2013. Together 15 works in 16 volumes. Property from a Prominent Chicago Collection $80-$120

480 [JAPANESE ARMS] Three works about Japanese swords and weaponry, comprising: JOLY, Henry W. Japanese Works of Art Selected from the Mosle Collection: Armour/Weapons/Sword-Fittings/Lacquer/Pictures/Textiles. Leipzig: E. A. Seemann, 1914. 2 vol., limited edition 161 of 200, 411 x 308 mm. — The Mosle Collection Corrigenda et Addenda Volume 1. Germany: Poeschel & Trepte, 1933. — OGASAWARA, Nobuo. Sword Guards and Fittings From Japan: The Collection of Museum of Decorative Art, Copenhagen. Japan: Kodansha, 1983. 2 vol, 267 x 381 mm. Together 3 works in 5 volumes, all first edition, in generally fine condition. Property from a Prominent Chicago Collection $2,000-$4,000

481 [JAPANESE SWORD FITTINGS] 裝劔奇賞 Sôken kishô (Strange and Wonderful Sword Fittings), 1781 and 1828. 14 volumes. Woodblock printed illustrations, ink on double leaves, sewn in paper bindings. Property from a Prominent Chicago Collection $1,000-$2,000

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*482 Six Mixed Metal Sword Fittings

*483 Ten Mixed Metal Kozuka

EDO PERIOD, 18TH-19TH CENTURY comprising four kozuka, the first signed 东□, the second 安壽, the third Okawa Teikan 水府小臣紫峰迂波贞幹, the fourth □谷宗园; a pair of fuchi-gashira. Length of longest 3 3/4 in., 9.5 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $800-$1,200

19TH-20TH CENTURY of rectangular form, with various decorations, two signed. Length of longest 3 7/8 in., 9.8 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $800-$1,200

*484 Twenty-Seven Mixed Metal Sword Fittings

485 Fourteen Mixed Metal Menuki

EDO PERIOD (1603-1868) comprising eight kozuka, one signed Toshimitsu 利光, one signed 重友, one signed possibly 秀琴□切, one signed possibly 七十六戈矩隋□ and eighteen menuki, one kashira. Length of largest 3 7/8 in., 9.84 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $1,000-$2,000

EDO PERIOD, 18TH-19TH CENTURY comprising six pairs and two individual examples: three pairs showing striding dragons, the fourth pair melons born on leafy branches, the fifth pair lobsters, the sixth pair shishi lions, one individual example showing a seated shishi, the second auspicious symbols. Length of largest 2 1/4 in., 5.72 cm. $600-$800

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*486 A Set of Five Inlaid Bronze Sword Fittings

*487 Five Iron Tsubas

18TH/19TH CENTURY comprising a tsuba, a pair of menuki, a pair of fuchi-gashira, each with inlaid decoration showing birds resting on tree branches, unsigned. Length of largest 2 7/8 in., 7.5 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $500-$700

EDO PERIOD, 18TH-19TH CENTURY comprising a quatrefoil form example decorated gold, silver and shakudo inlaid flowering plants; a round, reticulated example decorated with openworked louts scrolls; a flori-form example decorated with reticulated leafy vines; a square example having gilt decorated foliate scrolls; a round, reticulated example showing a landscape with a figure in a pavilion; unsigned. Diameter of largest 3 3/8 in., 85.7 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $600-$800

*488 Twelve Iron Tsuba

*489 A Mixed-Metal Tsuba

EDO PERIOD, 18TH-19TH CENTURY of various forms, one rectangular example signed Kunihiro, 國廣. Length of largest 3 in., 7.6 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $700-$900

EDO PERIOD, BY MASAMORI

正守

of oval form, inlaid in iroe takazogan with a male seated underneath pruned trees in an outdoor setting, signed Mamamori. Width 3 in., 8 cm. Property from the Estate of Ernest Eastman Leavitt, Boston, Massachusetts $500-$700

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*490 A Gilt Bronze Tsuba 19TH CENTURY, BY MITSUMASA

彥根住光政

the oval, reticulated tsuba decorated with birds amongst pine trees, signed Mitsumasa. Length 2 3/8 in., 6 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $600-$800

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*491 Two Bronze Tsuba EDO PERIOD, 18TH CENTURY each with copper, shakudo and gilt details, the smaller, round example decorated with birds resting on branches emerging from haystack; the larger, square example decorated on the front showing a figure seated between rockwork, underneath a flying goose, the reverse showing pine trees, signed 民庚(?)寫 on the reverse. Length of larger 3 1/2 in., 9 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $1,000-$1,500

*493 Three Iron Tsuba EDO PERIOD, 18TH-19TH CENTURY each of rounded form, the first with inlaid gold decoration showing a sinuous dragon; the second also inlaid in gold depicting a large coiling snake; the third having gilt decorated openworked decoration showing a pair of dragons amongst foliate scrolls; unsigned. Diameter of largest 3 1/8 in., 7.9 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $500-$700

*492 Two Inlaid Tsuba EDO PERIOD, 18TH/19TH CENTURY the first an iron example, of rectangular form, inlaid in gold and bronze showing leafy vines and a spider web, signed; the second a bronze example, of quatrefoil form, inlaid in gilt bronze showing leafy branches, unsigned. Length of larger 3 in., 7.7 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $1,000-$1,500

*494 Four Tsuba 19TH CENTURY comprising two bronze examples, one signed 長州住正定; two cast iron examples, one signed 國廣. Diameter of largest 3 3/8 in., 8.4 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $600-$800

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*495 Five Tsuba 19TH CENTURY comprising one bronze example, signed 千藏; four cast iron examples, two signed. Length of largest 4 in., 10.2 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $600-$800

*496 Four Metal Tsuba 18TH-20TH CENTURY the first a smaller, round copper example, incised with a half a chrysanthemum flower and a leafy branch, the second a quatrefoil copper example, cast with a striding dragon above rushing waves; the third a round, reticulated brass example decorated with bamboo motif; the fourth an inlaid bronze example, showing a figure next to bamboo; unsigned. Length of largest 3 3/8 in., 8.6 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $600-$800

*497 Four Tsuba

*498 Four Inlaid Tsuba

EDO PERIOD, 18TH/19TH CENTURY comprising a bronze example, signed 吉田信騰; three inlaid iron examples, one signed 正阿. Diameter of largest 3 1/4 in., 8.3 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $600-$800

EDO PERIOD, 18TH-19TH CENTURY comprising an inlaid bronze example, signed; three inlaid iron examples, signed 久則. Length of largest 3 1/2 in., 8.9 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $600-$800

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*499 Four Inlaid Iron Tsuba EDO PERIOD, 19TH CENTURY each inlaid in gold, silver and shakudo, the first showing various butterflies, the second a riverscape scene with a tall pavilion, a flowering tree, a bridge, a waterwheel, all above waves; the third showing blossoming chrysanthemums; the fourth decorated on the front showing two figures fighting against a dragon amongst waves, the reverse with flowering prunus issuing from rockery; unsigned. Length of largest 2 3/4 in., 6.9 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $600-$800

*501 Seven Inlaid Iron Tsuba EDO PERIOD, 18TH-19TH CENTURY the first of rounded rectangular form, inlaid in silver and gold depicting a dragonfly and a brocade ball; the second of circular form, inlaid in silver showing insects and flowers; the third of large, circular form, inlaid in gold depicting a crane standing on rockery, underneath pine trees and the sun; the fourth of quatrefoil form, cast in relief showing ducks between pine trees and plants; the fifth of circular form, inlaid in gold, silver and shakudo showing a mouse on fruits below plants; the sixth of rounded rectangular form, inlaid in gold and silver showing birds underneath trees; the seventh of circular form, cast in relief showing insects; unsigned. Length of largest 3 1/4 in., 8.3 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $500-$700

*500 Four Inlaid Iron Tsuba EDO PERIOD, 18TH/19TH CENTURY one signed. Length of largest 3 1/4 in., 8.3 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $600-$800

*502 Five Inlaid Iron Tsuba EDO PERIOD, 18TH/19TH CENTURY comprising three examples signed 正阿, two examples signed 為芝。 Length of largest 3 1/4 in., 8.3 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $600-$800

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*503 Ten Inlaid Tsuba EDO PERIOD, v19TH CENTURY of various forms, inlaid in gold, silver and copper showing flowers, fruits and leafy vines, unsigned. Length of largest 3 1/4 in., 8.3 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $600-$800

*505 Ten Cast Iron Tsuba 19TH CENTURY one signed 江府住正?, the others unsigned. Diameter of largest 3 3/8 in., 8.4 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $600-$800

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*504 Seven Inlaid Cast Iron Tsuba EDO PERIOD, 18TH/19TH CENTURY unsigned. Length of largest 3 1/4 in., 8.3 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $500-$700

*506 Six Cast Iron Tsuba 19TH CENTURY five signed, one unsigned. Length of largest 3 1/8 in., 7.9 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $600-$800

*507 Seven Cast Iron Tsubas

*508 Nine Cast Iron Tsubas

19TH CENTURY of various forms, unsigned. Diameter of largest 3 1/8 in., 7.9 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $500-$700

19TH CENTURY of various forms, unsigned. Length 3 7/16 in., 8.7 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $500-$700

*509 Ten Cast Iron Tsubas

*510 Ten Cast Iron Tsubas

19TH CENTURY of various forms, inlaid in gold or silver, unsigned. Diameter of largest 3 1/2 in., 8.9 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $600-$800

19TH CENTURY of various form, each with openworked decoration, unsigned. Diameter of largest 3 3/8 in., 8.4 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $600-$800

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*511 Two Iron Tsubas EDO PERIOD, 18TH-19TH CENTURY the first of rounded, rectangular form, inlaid in gold and silver depicting a seated fisher man holding a large fish and a fishing rod underneath tree, signed Shoami 正阿弥; the other of oval form, decorated with openworked leaves, signed 江府住滿喜. Length of larger 3 in., 7.7 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $1,000-$1,500

512 A Silver Rectangular Belt Buckle EARLY 20TH CENTURY decorated with an erotic scene with kenji characters, marked sterling, 純銀. Weight 2 ozt. $600-$800

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*513 Two Silver Articulated Models of Insects MEIJI/TAISHO PERIOD, SIGNED KOZAN (TAKASE TORAKICHI, 2869-1934)

銘「好山」

comprising a semi (cicada) and an agha-cho (swallowtail butterfly); each marked to the reverse of the wings. Cicada: length 2 1/2 in., 6.35 cm. Butterfly: length 2 7/8 in., 7.3 cm. Property from the Collection of John R. and Rose Meengs, Holland, Michigan $5,000-$6,000

Alternate Views

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*515 A Japanese Export Silver Three-Piece Tea Service MARK OF MIYAMOTO SHOKO TOKYO., STERLING comprising a teapot and cover, a sugar bowl and a creamer; marked on undersides. Height of teapot 4 7/8 in., 12.4 cm. Gross weight (3) 31 ozt 1 dwt (979.7 gr.) Property from the Collection of John R. and Rose Meengs, Holland, Michigan $1,500-$2,500

*514 A Silver ‘Orchard’ Vase 20TH CENTURY, BY JYOKU ZO, MARKED SILVER

銘「十九作」

the globular body surmounted by a tall neck and a slightly flared mouth, the exterior chased with gilt orchids, marked on underside. Height 13 1/2 in., 34.29 cm. Weight 40.975 oz Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $1,000-$1,500

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516 A Silver Mounted Hardwood Hinged Box 20TH CENTURY, BY YOSHIHIRO

義弘刻

of rectangular form, the cover decorated in varying degrees of relief of silver, shakudo and gold showing blossoming chrysanthemums, mark on the cover. Height 3 1/4 x length 8 3/8 x width 5 3/4 in., 8.26 x 21.27 x 14.6 cm $800-$1,200

*517 A Silver Covered Box

518 A Bronze Planter

19TH/20TH CENTURY of circular form, the exterior densely chased with floral scrolls, unsigned. Diameter 5 1/2 in., 14 cm. Weight 12 ozt 5 dwt Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $200-$300

MEIJI PERIOD (1868-1912) the straight walls raised on three short circular feet, topped with a lipped mouth, the exterior cast with a coiling dragon and a monkey with a deer against a diaper ground, flanked by a pair of stylized handles with loose rings. Diameter 6 5/8 x height 5 1/4 in., 16.83 x 13.33 cm. $600-$800

519 Two Bronze Rectangular Planters

520 A Patinated Bronze Flower Arranging Vessel, Suiban

19TH CENTURY each raised on bracket feet, the sides decorated with dragons in crashing waves, having a pair of lion head-form handles. $250-$350

MEIJI PERIOD, BY SEIMIN

大日本文政年整珉铸

having short, straight walls, the exterior decorated with floral blossoms born on meandering leafy vines, surmounted by a galleried mouth decorated with a keyfret band, the underside bearing a nine-character mark reading dai Nihon Bunsei nen Seimin chu. Diameter 6 3/8 in., 2.5 cm. Property from a Private Chicago Estate $150-$250

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521 A Large Bronze ‘Elephant’ Jardinière MEIJI PERIOD, LATE 19TH CENTURY, SIGNED SEIYA

誠谷作

the large, globular vessel cast to the exterior in relief with various elephants. Diameter 16 x height 10 1/2 in., 40.6 x 26.7 cm. Property from a Private Collection, Highland Park, Illinois Purchased from Antique Art, Thousand Oaks, California, March 18, 1993 $2,000-$3,000

522 A Silver and Bronze Hibachi MEIJI PERIOD, LATE 19TH CENTURY, BY THE GOROSABURO STUDIO, KYOTO decorated with crashing waves inlaid with silver figures of plovers. Diameter 6 1/8 in., 15.56 cm. Property from a Private Collection, Highland Park, Illinois Purchased from Kagedo, Seattle, March 25, 1993 $700-$900

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523 A Bronze Flower Pot, Usabata MEIJI PERIOD, LATE 19TH CENTURY the exterior of the conical vessel cast in relief with auspicious objects, supported on crashing waves forming the stand, inlaid with shakudo birds. Diameter 11 in., 28 cm. Property from a Private Collection, Highland Park, Illinois Purchased from Orientations, San Francisco, July 21, 1984 $700-$900

524 Three Bronze Tripod Incense Burners and Covers LATE 19TH-EARLY 20TH CENTURY the larges example has two twisted-rope form handles, the domed cover has a curling dragon, the body molded with taotie masks and cloud scrolls. Height of tallest 9 1/8 in., 23.2 cm. $1,000-$2,000

525 Two Bronze Incense Burners and a Chinese Pewter Tray

526 A Pair of Bronze Dragon Vases

20TH CENTURY the larger example of globular form with reticulated walls, raised on a stand cast with a clambering dragon; the smaller example with deep, tapering walls, flanked by a pair of arched handles, raised on leaf-form stands, the circular cover surmounted by a seated shishi lion-form finial; the Chinese pewter tray with incised floral decoration. Length of tray 11 1/4 in., 28.6 cm. Property from a Private Chicago Estate $200-$400

MEIJI PERIOD (1868-1912) each vase having a globular body resting on a splayed circular foot, surmounted by a cylindrical neck and a galleried mouth, cast overall in high relief showing a fierce dragon amongst clouds, the mouth and the foot decorated with keyfret borders. Height 14 1/4 in., 35.9 cm. $1,000-$1,500

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*527 A Bronze Tripod Incense Burner LATE 19TH/EARLY 20TH CENTURY of faceted form, each side cast with a panel enclosing flowers, set with a pair of deer-head handles, raised on three feet with beast masks. Height 8 1/4 in., 20.9 cm. Property from the Estate of William B. Potter, Mokena, Illinois $50-$70

529 Two Metal Articles 19TH-20TH CENTURY the first a bronze vase with floral decoration, the second a brass incense burner. Height of tallest 15 3/4 in., 40 cm. Property from a Private Chicago Estate $200-$300

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528 A Silver Inlaid Bronze Planter MEIJI PERIOD, LATE 19TH CENTURY the deep, straight walls topped with an everted mouth rim, the lower part of the exterior inlaid in silver showing birds in flight above a river, raised on a hardwood stand. Diameter 10 3/8 in., 26.35 cm. Property from a Private Collection, Highland Park, Illinois $600-$800

530 A Small Bronze, Shakudo and Gilt Metal Basket-Form Vessel MEIJI PERIOD, LATE 19TH CENTURY in the form of a fish basket, the weaved straight sides raised on cylindrical feet, the exterior inset with a small crab and a small insect. Height 2 1/4 in., 5.7 cm. Property from a Private Collection, Highland Park, Illinois $300-$500

531 A ‘Multitude of Chrysanthemums’ Cast Incense Burner 20TH CENTURY, BY SANSO KOSAI

銘「宏采」

the ovoid body densely decorated with chrysanthemum blossoms, the underside inscribed Kosai. Height 4 1/2 in., 11.4 cm. Property from a Private Chicago Estate $80-$120

533 A Pair of Copper, Silver and Gold Inlaid Bronze Vases MEIJI PERIOD, LATE 19TH CENTURY each slender vase with rounded shoulders, tapering to a raised, circular foot ring, the exterior inlaid in copper, silver and gold, one vase showing a quail in flight amongst flowering plants, the other quail standing amongst floral blossoms. Height 6 1/4 in., 2.46 cm. Property from a Private Collection, Highland Park, Illinois Purchased from Hastings House Antiques, Essex, Connecticut, June 10, 1995 $600-$800

532 A Small Bronze Vase 20TH CENTURY of pear shaped form, the front decorated with two inlaid bronze birds, above incised plants, the narrow neck cast with a pair of elephant headform handles, suspending loose rings, the reverse with inscriptions. Height 6 1/4 in., 15.8 cm. $300-$500

*534 Three Mixed Metal Vases LATE 19TH/EARLY 20TH CENTURY comprising a pair and a single vase, each decorated with chrysanthemums and birds. Height of tallest 7 1/2 in, 19 cm. Property from the Collection of Dr. Clarence C. Close, Northbrook, Illinois $500-$700

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*535 Four Mixed Metal Vases 20TH CENTURY the first a globular vase, bearing a two-character maker’s mark to the underside; the second a baluster vase with inlaid fish decoration; the third a bottle vase decorated with coins; the fourth a small, elongated vase decorated with birds. Height of tallest 9 7/8 in., 25 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $600-$800

537 A Tetsubin

19TH/20TH CENTURY cast in iron with foliate decoration. Diameter 4 in., 10.16 cm $80-$120

538 A Tetsubin

MEIJI PERIOD

19TH CENTURY, BY RYUBUNDO

cast in iron and decorated in shallow relief showing a landscape, signed。 Height 9 in., 22.9 cm. $300-$500

cast in iron, the exterior decorated in shallow relief with crab, signed Rhybundo. Height 8.5 in., 21.6 cm. $600-$800

瑞雲堂造

536 A Small Tetsubin

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龍文堂

539 A Tetsubin LATE 19TH/EARLY 20TH CENTURY

晴壽堂

of tapering globular form, signed. Height 11 in., 30 cm. $500-$700

540 A Tetsubin 19TH CENTURY, BY RYUBUNDO

龍文堂

cast in iron with straight walls, the exterior decorated with birds in flight above flowering plants, the mouth rim decorated with a leaf band, signed Ryubundo. Height 10 in., 25.4 cm. $600-$800

541 A Tetsubin

542 A Tetsubin

19TH CENTURY, BY RYUBUNDO

cast in iron, the globular body with the exterior cast in relief showing characters, signed Ryubundo zo. Height 8.5 in., 21.6 cm. $500-$700

cast in iron, the globular body with low relief prunus decoration, signed Ryubundo zo. Height 9 in., 22.9 cm. $500-$700

龍文堂

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543 A Tetsubin 19TH CENTURY, BY RYUBUNDO

龍文堂

cast in iron, of tapering globular form, the exterior cast in shallow relief showing tall grass, signed Ryubundo zo. Height 9 in., 22.9 cm. $500-$700

544 Three Japanese Articles

545 Six Metal Articles

a covered box, a pottery teapot, and bronze okimono. Property from a Private Chicago Estate $150-$250

comprising a gong, four boxes and one circular mirror. Diameter of largest 9 inches. Property Sold to Benefit the Art Acquisition Fund at the Indianapolis Museum of Art at Newfields $150-$250

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546 [JAPANESE CERAMICS] AUDSLEY, George Ashdown, and BOWES, James Lord. Keramic Art of Japan. London: Henry Sotheran & Co, 1875. 440 x 290 mm. The seven parts of text and plates (some missing) contained in a folding gilt lettered folio (marked, with bruises at edges), together with adverts. LIMITED EDITION of 1000 copies. The RARE FIRST EDITION set, “dedicated, by special permission, to the most distinguished Collector and Patron of Japanese Art, His Royal Highness the DUKE OF EDINBURGH, K.G., K.T., &c.”, originally available to subscribers of the Liverpool Arts Club. Property from a Prominent Chicago Collection $1,000-$2,000

547 [JAPANESE CERAMICS] AUDSLEY, George Ashdown, and BOWES, James Lord. Keramic Art of Japan. Liverpool/London: Henry Sotheran & Co, 1875. 2 volumes, 400 x 290. Text and plates bound as two volumes (spotting). Sides gilt, contemporary gilt lettered green leather covered marble boards (marked). Property from a Prominent Chicago Collection $500-$700

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548 Two Porcelain Incense Burners, Koro

549 A Satsuma Porcelain Imitating Furoshiki Vase and Cover

LATE 19TH CENTURY-20TH CENTURY the first a satsuma example, the second a blue and white example. Height 5 1/4 in., 13.34 cm Property from a Private Chicago Estate $200-$300

20TH CENTURY the well potted body rising from straight foot to gently sloping sides, painted to the exterior with a scene of birds and flowers reserved against a gilt ground imitating layers of brocaded silk, covered by a conforming lid and finished with gilt rope tie decoration and handles. Height overall 8 1/2 in., 21.6 cm. Property from a Private Chicago Estate $300-$500

550 A Satsuma Jardinière

551 Five Blue Ground Satsuma Vases

19TH/EARLY 20TH CENTURY the gently tapering walls rising to a short neck and a flared mouth, the exterior finely painted two reserves, one enclosing two monks above a landscape, the other a lady with a small child in an interior scene, underneath a band filled with diaper pattern. Length 12 1/2 in., 31.75 cm. Property from a Private Collection, Chicago, Illinois $600-$800

19TH CENTURY four examples painted with geisha figures, one painted with floral design. Height of tallest 5 in., 12.7 cm. Property Sold to Benefit the Art Acquisition Fund at the Indianapolis Museum of Art at Newfields $300-$400

J A PAN ESE AN D KO REAN WORKS OF ART

552 A Pair of Blue Ground Satsuma Vases

553 Three Satsuma Articles

20TH CENTURY decorated with geisha. Height 6 in., 15.2 cm. Property from a Private Chicago Estate $80-$120

19TH-20TH CENTURY comprising a baluster bottle vase, an ovid vase with a flori-form mouth and a circular covered box. Height of tallest 6 3/8 in. Property Sold to Benefit the Art Acquisition Fund at the Indianapolis Museum of Art at Newfields $60-$80

554 Two Satsuma Articles

555 Seven Blue and White Porcelain Articles

LATE 19TH/EARLY 20TH CENTURY the first a circular plate, the second a shallow bowl, each painted with figures in a garden. Larger: diam 10 in., 25 cm. Property from a Private Collection, Tubac, Arizona $300-$400

17TH-20TH CENTURY comprising a charger, a circular stand, an alms bowl, two wine cups, a large teapot, and a small dish. Diameter of largest 14 in., 35.6 cm. Property Sold to Benefit the Art Acquisition Fund at the Indianapolis Museum of Art at Newfields $200-$300

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556 Four Porcelain Articles

*557 Three Porcelain Articles

20TH CENTURY comprising a large blue and white charger, a large imari bowl, a satsuma vase and an molded gourd-form teapot. Diameter of largest 18 1/4 in., 46.36 cm Property from a Private Chicago Estate $150-$250

comprising a blue and white bowl, a kunati plate and a satsuma vase. Height of vase 9 1/2 in., 24 cm Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $150-$250

558 A Porcelain Cup and Saucer

559 Two Japanese Export Porcelain Articles

19TH CENTURY painted with figures in landscapes. Diameter of cup: 3 1/2 in., 8.9 cm. Property Sold to Benefit the Art Acquisition Fund at the Indianapolis Museum of Art at Newfields $60-$80

20TH CENTURY the first a polychrome enameled teapot, the second an imari bowl. Height of tallest 6 1/2 in., 16.5 cm. Property from a Private Chicago Estate $80-$120

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560 Eight Porcelain Articles

561 A Satsuma Miniature Bottle

19TH-20TH CENTURY comprising a pair of polychrome enameled porcelain plates, an imari covered bowl, an imari incense burner, an imari bowl, one kutani bowl, one brown glazed porcelain conical bowl and a green glazed pottery bowl. Largest diameter 10 1/2 inches. Property Sold to Benefit the Art Acquisition Fund at the Indianapolis Museum of Art at Newfields $100-$200

MEIJI PERIOD (1868-1912) with floral decoration. Height 2 3/4 in., 7 cm. $80-$120

562 A Kakiemon Porcelain Covered Box

*563 A Polychrome Decorated Porcelain Figure of Kannon

EDO PERIOD, 18TH CENTURY the oval box glazed white overall, the cover molded to show a red and green enameled oxherd sitting atop a recumbent ox, the sides decorated flower blossoms. Length 3 1/8 in., 7.9 cm. Property from a Private Collection, Chicago, Illinois $700-$900

20TH CENTURY the deity depicted seated in dhyanasana, both hands folded and lowered, holding a scroll, dressed in draped robes and wearing a hood, the bare chest adorned with a beaded necklace. Height 15 in., 38 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $250-$350

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564 Three Glazed Pottery Tea Bowls 19TH-20TH CENTURY comprising a green glazed example, a white and green glazed example and a brown and black glazed example. Height of tallest 3 1/2 in., 8.9 cm. Property Sold to Benefit the Art Acquisition Fund at the Indianapolis Museum of Art at Newfields $100-$200

565 Two Pottery Haniwa Heads MODERN each raised on a later hardwood stand. Height of largest head 8 1/2 in., 21.59 cm. Property from a Private Collection, Highland Park, Illinois $100-$200

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566 [POTTERY] Three works about Japanese and Korean Pottery, comprising: CHONG, Myong-ho. Koryo chongja. Soul Tukpyolsi: Kyongin Munhwasa, 1982. 鄭明鎬著《高青磁》景仁文化社出版 — MIZUMACHI, Wasaburo; NABESHIMA, Naotsugo. Karatsu Ceramics. Tokyo: Hakusha, 1963. —BOWES, James L. Japanese Pottery with notes describing the thoughts and subjects employed in its decoration. Livepool: Edward Howell, 1890. Provenance: Ex. Greenfield Collection. Property from a Prominent Chicago Collection $400-$600

567 [JAPANESE CERAMICS] A group of works about Japanese Ceramics, comprising:

Zauho Kankokai. Sekai toji zenshu/世界陶磁全集. 1, 2, 6. Tokyo: Kawade Shobo Shinsha, Showa, 1961. —EMERSON-DELL, Kathleen. Bridging East and West : Japanese ceramics from the Kōzan Studio: selections from the Perry Foundation. Baltimore: The Walters Art Gallery; Seattle; London: The University of Washington Press, 1994. — SEKI, Kazuo. Seifu Yohei III: the brilliance of the Meiji era, beginning of the modern ceramic age. Tokyo: Sojusha Bijutsu Shuppan, 2012. — Porcelain for palaces: the fashion for Japan in Europe, 16501750. London: Oriental Ceramic Society, 1990. — AYERS, John. The Baur Collection Geneva: Japanese ceramics. Geneve: Collections Baur, 1982. — SCHIFFER, Nancy N. Imari, Satsuma and Other Japanese Export Ceramics. Atglen: Schiffer, 2000. — ANDACHT, Sandra. Treasury of Satsuma. Des Moines, Iowa: Wallace-Homestead Book Co., 1981. — CARDEIRO, C Philip. Art Asia Museum presents an exhibition of Japanese Hirado porcelain, 1640-1909. Monterey: Art Asia Museum; Hong Kong: Far Eastern Press (distrib.), 1989. — MILLER, Roy Andrew. Japanese ceramics. Tokyo: Toto Shuppan; Rutland: Tuttle, 1961. — Seattle Art Museum. Ceramic art of Japan: one hundred masterpieces from Japanese collections. Seattle: Seattle Art Museum, 1972. — STITT, Irene. Japanese ceramics of the last 100 years. New York: Crown Publishers, 1974. — PETERSON, Susan. Shoji Hamada: a potter’s way & work. London: Herbert Press, 2004. — WILSON, Richard L. Inside Japanese ceramics : a primer of materials, techniques, and traditions. New York: Weatherhill, 1999. — FAULKNER, R. F. Shino and Oribe kiln sites. Oxford: Ashmolean Museum, 1981. — CLEVELAND, Richard S. 200 years of Japanese porcelain. City Art Museum of St. Louis.; William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts., 1971. — NAGATAKE, Takeshi. Japanese ceramics from the Tanakamaru Collection: an exhibition organized in collaboration with the Japan Foundation, the Metropolitan Museum of Art, New York, November 9, 1979-January 6, 1980, Seattle Art Museum, February 7-March 30, 1980. New York: The Metropolitan Museum of Art, 1979. — BOWES, James Lord. Japanese marks and seals. Ann Arbor: Ars Ceramica, 1976. — SATO, Masahiko. Kyoto ceramics. New York: Weatherhill, 1973. — MUNSTERBERG, Hugo. The ceramic art of Japan: a handbook for collector. Rutland: Tuttle Co, 1964. Together 21 works in 23 volumes. Property from a Prominent Chicago Collection $300-$500

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568 A Red Cloisonné Vase

*569 Four Cloisonné Articles

CIRCA 1880-1910, SIGNED KAWAGUCHI ZO

20TH CENTURY comprising two brush washers and two vases. Height of largest 13 in., 33 cm Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $200-$400

早川造

the faceted, pear shaped body rising to a narrow neck and a flared mouth, signed, raised on a later wood stand. Height of vase 10 in., 25.4 cm. Property from a Private Collection, Highland Park, Illinois Purchased from Flying Cranes Antiques, New York City, April 28, 1984 $300-$500

570 A Pair of Polychrome Painted Lacquered Wood Gourd-Form Vases

571 Six Lacquered Articles

19TH/EARLY 20TH CENTURY each of gourd form, lacquered red overall, the exterior carved with meandering leafy vines. Height 7 5/8 in., 19.37 cm. Property from a Private Collection, Highland Park, Illinois $300-$500

19TH-20TH CENTURY Length of the largest 7 1/4 in. Property Sold to Benefit the Art Acquisition Fund at the Indianapolis Museum of Art at Newfields $80-$120

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*572 Two Lacquer Trays

*573 Two Gold Lacquer Scholar’s Objects

19TH-20TH CENTURY the first a small rectangular tray, the front with low relief decoration showing two cranes flying towards pine trees emerging from rockwork, the reverse with nashiji ground; the second decorated with a gilt highlighted landscape against a black lacquer ground. Length of larger 10 1/8 in., 25.7 cm Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $300-$400

19TH-EARLY 20TH CENTURY the first a rectangular stationary box and cover, decorated with sea shells, the second a square tray signed Sato seizo. Length of larger 8 3/8 x width 8 3/8 in., 21.3 x 21.3 cm Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $600-$800

*574 A Gold and Black Lacquer Writing Box, Suzuribako

*575 A Gold and Black Lacquer Document Box, Rhyoshibako

19TH CENTURY of standard rectangular form, the kabusebuta (cover) decorated with chrysanthemum blossoms, the interior fitted with a frame holding the suzuri (ink stone) and a green decorated suiteki (water dropper), together with the original bamboo box. Length 10 1/8 x height 2 1/2 x width 9 in., 25.5 x 6.5 x 23 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $300-$400

19TH CENTURY of standard rectangular form, the kabusebuta (cover) decorated with a rooster and a hen in an outdoor scene , the interior fitted with a frame dividing two compartments. Length 9 x width 7 3/4 x height 1 1/4 in., 23 x 19.6 x 4 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $500-$600

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*576 A Gold and Black Lacquer Writing Box, Suzuribako

*577 A Gold and Black Lacquer Writing Box, Suzuribako

18TH/19TH CENTURY of standard rectangular form, the kabusebuta (cover) decorated with a warrior riding a horse, the interior fitted with a frame holding the suzuri (ink stone) and a metal double heart-form suiteki (water dropper), decorated with leaves against a nashiji ground. Length 10 x width 8 3/4 x height 2 3/8 in., 25.6 x 22.5 x 6 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $1,000-$2,000

19TH CENTURY of standard rectangular form, the kabusebuta (cover) decorated with a scene showing figures crossing a bridge, the interior fitted with a frame holding the suzuri (ink stone) and a metal peach-form suiteki (water dropper). Length 9 5/8 x height 2 1/4 x width 7 7/8 in., x 24.5 x 5.5 x 19.5 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $600-$800

*578 A Gilt Lacquer Fruit-Form Covered Box

*579 Two Gilt Decorated Black Lacquer Document Boxes, Ryoshibako

19TH/EARLY 20TH CENTURY the cover decorated with persimmons, the interior having a nashiji ground. Length 4 1/8 in., 10.48 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $200-$300

19TH CENTURY each of standard rectangular form, the first the cover decorated with a ho-ho bird perched on leafy tree issuing from rockwork, the sides with blossoming chrysanthemums, having a tray, the reverse of the cover and the interior decorated with nashiji ground; the second decorated with gilt floral roundels against a diaper ground, the reverse of the cover decorated with horses, the interior decorated with nashiji ground, together with two trays and a smaller covered box. Height of larger 6 x length 16 1/2 x width 13 1/2 in., 15.24 x 41.91 x 34.29 cm Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $600-$800

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*580 Four Gold and Black Lacquer Scholar’s Objects

*581 A Gilt Decorated Black Lacquer Box for Inro

19TH-20TH CENTURY comprising a rectangular covered box with an en suite miniature ink box; a rectangular box with lotus decoration; a circular kogo box. Length of largest 3 3/4 in., 9.7 cm Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $300-$500

LATE 19TH CENTURY/20TH CENTURY of rectangular for, comprising two shelves each with various compartments, secured by a larger frame. Height 7 3/8 x length 12 1/2 x width 10 3/8 in., 18.5 x 32 x 27 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $200-$300

*582 A Small Gilt Decorated Black Lacquer Trunk

583 A Gilt Decorated Black Lacquer Square Stand

19TH/20TH CENTURY of rectangular form, the cover decorated with a folding fan, the sides decorated with a continuous landscape. Height 8 x length 13 3/8 x width 8 in., 20.32 x 33.97 x 20.32 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $300-$400

MEIJI PERIOD, LATE 19TH CENTURY the detachable cover decorated in gilt showing bamboo, flowering prunus and other plants in najishi ground mountain, the sides decorated with flying cranes and the feet with further landscape scenes. Height 7 5/8 in., 19.37 cm. Property from a Private Collection, Highland Park, Illinois Purchased from Ashkenazie & Co., jade & oriental art., San Francisco, California, July 25, 1981 $600-$800

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584 A Gilt Decorated Brown Lacquered Brush Pot MEIJI PERIOD (1868-1912) of cylindrical form, the exterior decorated with a crane, a butterfly and another insect.Â Height 4 1/2 in., 11.43 cm. Property from a Private Collection, Highland Park, Illinois $200-$300

*585 Three Covered Boxes 19TH-20TH CENTURY comprising a bronze example and two lacquer examples. Diameter of larger 3 3/8 in., 8.5 cm Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $200-$300

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*586 Three Lacquer Wares 20TH CENTURY comprising a circular tray, a rectangular box and cover and an octagonal box and cover. Length of largest 11 x width 9 x height 3 7/8 in., 28 x 23 x 9.2 cm Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $150-$250

587 [LACQUER] Nihon no shitsugei (Japanese lacquer arts).. Tokyo: Chuokoronsha, 1978. 6 volumes. Comprising the first four volumes on maki-e,, volume 5, Negoro urushie, and volume 6, Raden, kamakura-bori, chinkin. Original gilt lettered boards, slipcases. Provenance: Ex. Greenfield Collection (adhesive label). Property from a Prominent Chicago Collection $500-$700

588 [COLLECTIONS—LACQUER ARTS] Casal Collection. Complied under the Supervision of Osaka Municipal Museum of Fine Arts. Tokyo: Unsodo Co., 1973-75. 2 volumes, 430 x 368 mm. Comprising Inro or Medicine Boxes, 1973, and Makie Bunga, 1975. Each with numerous collotype plates, listed with English translations, Japanese introductory text. Golden silk, burgundy folios in original publishers gilt and silver flecked cardboard slipcases. The RARE and fine catalogue of “one of only a few collections in Japan that were put together by a European,” Ugo Alfonso Casal, an Italian-born scholar who resided in Japan, now in the Osaka City Museum of Fine Arts. Property from a Prominent Chicago Collection $800-$1,200

589 SHIBATA, Zeshin. Masterpieces of Zeshiin Shibata. Tokyo: Gakken, 1981. 2 volumes. Comprising Volume 1: 漆工品・漆絵・絵画 Shikkohin urushie kaiga and Volume 2: 画稿・版画・図案 Gako hanga zu’an. Pictorial covers, together in original slipcase. Property from a Prominent Chicago Collection $200-$400

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590 A Bamboo Flower Arranging Basket

591 A Bamboo Flower Arranging Basket

MEIJI PERIOD (1868-1912) in the form of a handled jar, unsigned. Height 11 1/4 in., 28.57 cm. Property from a Private Collection, Highland Park, Illinois $400-$600

20TH CENTURY of tapering cylindrical form with an overhanging gnarled handle, unsigned. Height 19 in., 48.26 cm. Property from a Private Collection, Highland Park, Illinois $300-$500

592 A Bamboo Flower Arranging Basket

593 A Bamboo Flower Arranging Basket

MEIJI PERIOD (1868-1912) of ovoid form, unsigned. Height 27 1/2 in., 69.85 cm. Property from a Private Collection, Highland Park, Illinois $300-$500

20TH CENTURY

J A PAN ESE AN D KO REAN WORKS OF ART

春嶺作

of rectangular form with a yellow patina, signed Height 12 1/2 in., 32 cm. Property from a Private Collection, Highland Park, Illinois $500-$700

594 A Bamboo Flower Arranging Bakset

595 A Bamboo Flower Arranging Basket

MEIJI PERIOD (1868-1912) applied with an overlay design of bamboo leaves, having a wisteria root handle, unsigned. Height 20 1/2 in., 52 cm. Property from a Private Collection, Highland Park, Illinois Purchased from Kagedo, Japanese Art and Antiques, Seattle, 1993 $500-$700

MEIJI PERIOD (1868-1912) of tapering square form with a narrow twisting slat weave, unsigned. Height 18 1/2 in., 47 cm. Property from a Private Collection, Highland Park, Illinois Purchased from Kagedo, Japanese Art and Antiques, Seattle, 1993 $500-$700

596 A Bamboo Flower Arranging Basket

597 A Bamboo Flower Arranging Basket

MEIJI PERIOD (1868-1912)

MEIJI PERIOD (1868-1912) of tapering cylindrical form, signed. Height 18 1/2 in., 47 cm. Property from a Private Collection, Highland Park, Illinois $500-$700

祥鳳

of rectangular form with a double-strand handle, signed. Height 16 1/2 in., 41.9 cm. Property from a Private Collection, Highland Park, Illinois $600-$800

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598 A Bamboo Flower Arranging Basket

599 A Bamboo Flower Arranging Basket

MEIJI PERIOD (1868-1912) of squat form with four short legs, unsigned. Height 13 in., 33 cm. Property from a Private Collection, Highland Park, Illinois $300-$500

MEIJI PERIOD (1868-1912) of globular form, unsigned. Height 15 in., 38 cm. Property from a Private Collection, Highland Park, Illinois $300-$500

600 A Bamboo Flower Arranging Basket

601 A Bamboo Flower Arranging Basket

MEIJI PERIOD (1868-1912)

of baluster form, signed. Height 17 1/2 in., 44.45 cm. Property from a Private Collection, Highland Park, Illinois $600-$800

of baluster form with a flaring mouth, signed. Height 18 in., 45.72 cm. Property from a Private Collection, Highland Park, Illinois $600-$800

伸齋造

J A PAN ESE AN D KO REAN WORKS OF ART

伸齋造

602 A Bamboo Flower Arranging Basket

603 A Bamboo Flower Arranging Basket

MEIJI PERIOD (1868-1912) of baluster ovoid form, unsigned. Height 26 in., 66 cm. Property from a Private Collection, Highland Park, Illinois $400-$600

20TH CENTURY of cylindrical form with a spreading base, unsigned. Height 23 in., 58.42 cm. Property from a Private Collection, Highland Park, Illinois $250-$350

604 A Bamboo Flower Arranging Basket

605 A Bamboo Flower Arranging Basket

20TH CENTURY of circular form, raised on a spreading foot, unsigned. Height 22 in., 55.88 cm. Property from a Private Collection, Highland Park, Illinois $300-$500

MEIJI PERIOD (1868-1912)

林工

of flat flaring form, raised on a short straight foot, signed. Height 10 in., 25.4 cm. Property from a Private Collection, Highland Park, Illinois $300-$500

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606 A Bamboo Flower Arranging Basket

607 A Bamboo Flower Arranging Basket

MEIJI PERIOD (1868-1912) of a rounded square tapering form, the weave extending diagonally from the corners, having a triple strand loop handle, unsigned. Height 14 in., 35.56 cm. Property from a Private Collection, Highland Park, Illinois Purchased from Kagedo, Japanese Art and Antiques, Seattle, 1993 $500-$700

MEIJI PERIOD (1868-1912) having a twisting loop weave and a double strand loop handle, having a rich red patina, unsigned. Height 15 1/2 in., 39.4 cm. Property from a Private Collection, Highland Park, Illinois Purchased from Kagedo, Japanese Art and Antiques, Seattle, 1993 $500-$700

608 A Bamboo Flower Arranging Basket

609 A Bamboo Flower Arranging Basket

MEIJI PERIOD (1868-1912) of baluster square form, surmounted by a short neck and a lipped mouth, unsigned. Height 13 in., 33 cm. Property from a Private Collection, Highland Park, Illinois $400-$600

20TH CENTURY of cylindrical form with a flaring mouth, unsigned. Height 7 in., 17.78 cm. Property from a Private Collection, Highland Park, Illinois $300-$500

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*610 Yamaguchi Ryuun

*611 Morigami Jin

(Japanese, b. 1940) Black Wave 2000 bamboo Height 22 1/2 in., 57.2 cm. Property from the Estate of Joan Conway Crancer, St. Louis, Missouri Acquired from TAI Gallery / Textile Arts, Santa Fe $500-$600

(Japanese, b. 1955) Quiet Ocean 2004 madake, rattan Height 13 1/4 in., 33.7 cm. Property from the Estate of Joan Conway Crancer, St. Louis, Missouri $300-$500

*612 Nagakura Kenichi

*613 Nagakura Kenichi

(Japanese, 1952-2018) Bamboo Waves I 2002 bamboo flower basket Width 15 1/2 in., 39.4 cm. Property from the Estate of Joan Conway Crancer, St. Louis, Missouri Acquired from TAI Gallery / Textile Arts, Santa Fe $600-$800

(Japanese, 1952-2018) Falling Form II 2005 bamboo basket Width 23 1/2 in., 59.7 cm. Property from the Estate of Joan Conway Crancer, St. Louis, Missouri Acquired from TAI Gallery / Textile Arts, Santa Fe $600-$800

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614 An Embroidered Silk ‘Cockatiel’ Panel 20TH CENTURY of rectangular form, worked in silk threads depicting a rooster perched on flowering branches in a garden, framed. Height 44 x width 11 in., 112 x 28 cm (visible). $700-$900

615 An Embroidered Silk ‘Cockatiel’ Panel 20TH CENTURY of rectangular form, worked in red, silvered and gilt threads depicting two fighting cockerels, set above a mustard green ground, framed. Height 47 x width 49 1/4 in., 119.5 x 125 cm (visible). $1,500-$2,500

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616 A Embroidered Silk ‘Dragon’ Panel

*617 Two Embroidered Silk Priest Robes

20TH CENTURY of rectangular form, worked in couched gilt metal threads showing a sinuous dragon amongst clouds above waves, framed. Height 59 x width 13 1/4 in., 150 x 39 cm (visible). $800-$1,200

19TH CENTURY the first embroidered with dragons amongst clouds, the second with Buddhist wheels amidst auspicious clouds, each against an apricot ground. Length 76 x width 40 1/2 in., 193 x 102.9 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $600-$800

618 Six Embroidered Silk Kimono

*619 Three Silk Textiles

20TH CENTURY with various decorations. Average length from back of collar to hem 75 1/2 in. x pit to pit 26 in., 191 x 65 cm. Property from a Private Chicago Estate $80-$120

20TH CENTURY comprising a large silk panel, a silk kimono and a silk coat. Length of panel 79 x width 45 in., 200.5 x 114 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $800-$1,200

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620 A Two-Fold Floor Screen 19TH CENTURY Riverscape ink and color on gold leaves unsigned Height of each panel 56 x width 24 in., 142.24 x 60.96 cm. $500-$700

621 A Four-Fold Floor Screen 19TH/20TH CENTURY Chrysanthemum and Riverscape ink and color on gold leaves unsigned $500-$700

J A PAN ESE AN D KO REAN WORKS OF ART

622 Anonymous

623 Kiyohara Harunobu

depicted the Gion Festival in Kyoto, ink and color on paper, three works, mounted. Image: 13 x 13 3/4 in., 33 x 35 cm. Property Sold to Benefit the Art Acquisition Fund at the Indianapolis Museum of Art at Newfields $100-$150

Courtier on Horseback with Attendant in Snow ink and color on silk, hanging scroll signed, one artist’s seal Image: 13 5/8 x 22 3/8 in., 34.6 x 56.8 cm. Property Sold to Benefit the Art Acquisition Fund at the Indianapolis Museum of Art at Newfields $150-$250

*624 Anonymous

625 Two Fan Leaves

19TH CENTURY Two Boys At Play ink and color on paper, fan leaf, framed one artist’s seal Length 19 1/2 in., 49.53 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $60-$80

the rounded example by Utagawa Hiroshige 歌川広重 (Japanese, 17971858). Larger image: 7 1/2 x 19 in., 19 x 22.9 cm. Property Sold to Benefit the Art Acquisition Fund at the Indianapolis Museum of Art at Newfields $100-$200

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*626 Attributed to Kano Tsunenobu

*627 Attributed to Kano Tanyu

(1636-1713) Landscape ink on silk, hanging scroll signed and sealed Property from the Collection Vlasheslav Batov, Bartlett, Illinois $500-$700

(1602-1674) Eagle ink and color on paper, hanging scroll sealed Property from the Collection Vlasheslav Batov, Bartlett, Illinois $600-$800

*628 Attributed to Kano Chikanobu

*629 Kano Osanobu

(1660-1728) Eagle Perched on Branch ink on paper, hanging scroll signed and sealed 39 3/4 x 14 1/2 in., 101 x 37 cm. Property from the Collection Vlasheslav Batov, Bartlett, Illinois $1,500-$2,500

(1796-1846) Landscape ink on paper, hanging scroll signed and sealed Property from the Collection Vlasheslav Batov, Bartlett, Illinois $700-$900

J A PAN ESE AN D KO REAN WORKS OF ART

*630 Attributed to Mori Sosen

631 Anonymous

(Japanese, 1747- 1821) Two Monkeys ink and color on silk, framed signed Sosen, two artist’s seals Height of image 41 3/4 x 15 in., 106 x 38.1 cm Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $1,500-$2,000

LATE 19TH CENTURY-EARLY 20TH CENTURY Birds and Cherry Blossom ink and color on silk, hanging scroll signed, with one artist’s seal Image 40 x 12 3/4 in., 101.6 x 32.39 cm. $500-$700

632 Attributed to Kiyohara Yukinobu

633 Shunpo

(Japanese, 1643-1682) Bird and Cherry Blossom ink and color on silk, hanging scroll signed, with an artist’s seal Image 29 x 13 1/2 in., 73.7 x 34.3 cm. $500-$700

(Active circa 1880)

春峰

Landscape ink on silk, framed signed Shunpo, an artist’s seal Property from a Private Collection, Highland Park, Illinois $150-$250

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634 Two Scroll Paintings Portrait of Daruma Portrait of Tenpō Shūon Image: 17 3/4 x 13 inches; 31 x 12 3/4 inches. Property Sold to Benefit the Art Acquisition Fund at the Indianapolis Museum of Art at Newfields $300-$500

635 Three Scroll Paintings ink and color on paper/silk, hanging scrolls the first example by Tsuruoka Kōu (Japanese, 1835-? ) , signed Kou ga, with two artist seals; the second example by Suzuki Hyakunen (Japanese, 18251891), the last example by anonymous artist. Largest image: 49 3/4 x 19 1/2 in., 126.4 x 49.5 cm. Property Sold to Benefit the Art Acquisition Fund at the Indianapolis Museum of Art at Newfields $300-$400

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636 A Set of Three Prints after Toba Sojo 20TH CENTURY each depicting a folk tale, together with the original bamboo box.Â Property from a Private Collection, Chicago, Illinois $800-$1,200

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637 Four Prints the first by Hasui Kawase (1883-1957), Zentsuji Temple, Sanuki; the second after Tsuchiya Koitsu (1870-1949); the third showing a pair of water birds and the fourth depicting orchids. Height of largest image 11 1/2 x 14 1/2 in., 29.21 x 36.83 cm $500-$600

638 Katsushika Hokusai (Japanese, 1760-1849) Two Koban Yoko-e Prints from the Tokaido gojusantsugi (53 Stations on the Tokaido Road) Series Edo period (1615-1868), circa 1779-1849 comprising Fuchu and Yokkaichi, both without publisher’s seal, each mounted and accompanied with an authentication card by S. M. Shiba Miyanoshita. Image: 6 1/4 x 4 3/8 in., 15.9 x 11.1 cm. Property from a Prominent Chicago Collection $800-$1,200

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639 [EROTIC ART] LANE, Richard (1926-2002). Shunga Books of the Ukiyo-e School: Volume IV, Moronobu and the Kambun Master. Tokyo: Gabundo, 1978. [With: ] Volume V: Hambei and the Kamigata Masters. Tokyo: Gabundo, 1978. Limited edition number 21 of 500 sets. 9 volumes in one folio. 1978年《元禄のエロス：師宣寬文・名品艶本集：浮世絵黎

明期の魁》菱川師宣著，画文堂出版 1979年《元禄のエロス: 半兵衛・七郎兵衛・上方名品艶本集：浮世絵のルーツを探る》吉田半兵衛編集，画文堂出版 Property from a Prominent Chicago Collection $200-$400

640 Five Woodblock Prints 19TH CENTURY the first by Kitao Masanobu (1761-1816), signed: Kitao Shigemasa ga, publisher: Urokogata-ya Magobei (Karukindō); the second by Hosoi Yeishi (1756-1829); the third by Utagawa Sadafusa, depicting a woman holding a fan; the fourth by Ikeda Eisen (1790-1848), depicting a woman fixing her obi in the back; the fifth by Ikeda Eisen (1790-1848), depicting a lady holding her make-up box. Largest image: 14 5/8 x 10 in., 37.1 x 25.4 cm. Property Sold to Benefit the Art Acquisition Fund at the Indianapolis Museum of Art at Newfields $200-$300

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641 Hiroshi Yoshida (1876-1950) Elephant color woodblock print, framed signed, sealed and dated 1931 Height 14 3/4 x width 9 1/2 in., 37.5 x 24.1 cm. $800-$1,200

642 Four Japanese and Indian Prints 19TH-20TH CENTURY comprising one from Oishi Matora (Japanes, 1793–1833), one depicting landscape of Udaipur, India, and two modern Japanese woodblock print, each mounted and framed. Largest image: 15 x 10 1/4 in., 38.1 x 26 cm. Property from a Prominent Chicago Collection $400-$600

J A PAN ESE AN D KO REAN WORKS OF ART

643 Haku MakiÂ (1924-2000) Seat-1 Poem-Z Cell-B three woodblock prints, framed signed and sealed Height of largest 17 1/2 x width 17 1/2 in., 44.5 x 44.5 cm. $300-$500

644 Paul Jacoulet (French, 1896-1960) Une Histoire Tres Drole Mongols BergeĚ&#x20AC;res Des Haute Montagnes Coree two color woodblock prints, framed signed and sealed Height of each image 15 1/2 x width 11 1/2 in., 39.4 x 29.2 cm. Property from a Prominent Chicago Collection $300-$500

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645 [HOKUSAI] Three ink and color woodblock printed works of Hokusai, comprising:

和漢繪本魁初編 / 画狂老人卍筆 Ehon sakigake shohen. Illustrations of soldiers. —北斎画譜 Hokusai gafu (Hokusai picture album)1849. Three volumes in a pictorial folio. —北斎漫畫十一編 Hokusai manga juichi hen. Together three works in five volumes. Property from a Prominent Chicago Collection $800-$1,200

646 [JAPANESE PRINTS—MODERN] MICHENER, James A, ed. The Modern Japanese Print: An Appreciation. Rutland, VT: Tuttle, 1962. 547 x 393 mm. With text on Japanese vellum and containing ten original tipped-in prints by ten artists: Hiratsuka, Un’Ichi, Maekawa Sempan, Mori Yoshitoshi, Watanabe Sadao, Kinoshita Tomio, Shima Tamami, Azechi Umetaro, Iwami Reika, Yoshida Masaji, and Maki Haku, each signed and individually numbered by the respective artist. Original tricolor cloth covered gilt lettered boards, wooden slipcase (marked, split at join). RARE LIMITED EDITION number 453 of 510 copies, 475 of which were for sale. SIGNED BY THE AUTHOR AND TEN ARTISTS. Property from a Private Collection, Chicago, Illinois $2,000-$3,000

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647 [COLLECTION—MUSEUM] A group of works about Japanese Prints in museums, comprising: GUNSAULUS, Helen C. The Clarence Buckingham Collection of Japanese Prints. Volume I : The Primitives. Chicago: The Art Institute of Chicago, 1955. — GENTLES, Margret O. The Clarence Buckingham Collection of Japanese Prints. Voume II: Harunobu, Koryusai, Shigemasa, their followers and ontemporaries. Chicago: The Art Institute of Chicago, 1965, with Greenfield Collection sticker. — Sagawa Art Museum Library. Sagawa Bijutsu Shiryokan ukiyoe korekushon. Volume 1: Ukiyoe from Edo period; Volume 2: Ukiyoe by Hiroshige; Volume 3: Ukiyoe from Meiji period. Kyoto: Sagawa Insatsu, 1990. — NARAZAKI, Muneshige. Ukiyo-e masterpieces in European collections, 3 volumes. Tokyo: Kodansha, 1988-90. Together 3 works in 8 volumes. Property from a Prominent Chicago Collection $1,500-$2,500

648 [UKIYOU-E] A group of works about Japanese Ukiyo-e Prints, comprising:

649 [MODERN & CONTEMPORARY PRINTS] A group of works about Modern & Contemporary Japanese Prints, comprising:

YONEMURA, Ann. Yokohama: Prints from Nineteenth-Century Japan. Washington: Smithsonian Institution, 1990. —NEUER, Roni; YOSHIDA, Susugo. Ukiyo-e: 250 years of Japanese art. New York: Mayflower Books, 1981. — Kuniyoshi. — Eight hundred years of Japanese printmaking: from the collection of Dr. and Mrs. James B. Austin. Pittsburgh: Museum of Art, Carnegie Institute, 1976. — HAJEK, Lubor. Japanese graphic art. London: Octopus Books, 1976. — LANE, Richard. Images from the floating world: the Japanese print : including an illustrated dictionary of ukiyo-e. New York: Dorset Press, 1982. — KEYES, Roger S. Japanese woodblock prints: a catalogue of the Mary A. Ainsworth Collection. Oberlin, Ohio: Allen Memorial Art Museum, Oberlin College; Bloomington, Ind.: Distributed by Indiana University Press, 1984. — KUNIYOSHI, Utagawa. The Raymond A. Bidwell collection of prints by Utagawa Kuniyoshi, 1798-1861. Springfield: Published by the Raymond A. and Bertha U. Bidwell Fund for the Museum of Fine Arts, 1968. — STATLER, Oliver. Modern Japanese prints: an art reborn. Boston: Tuttle Pub., 2012. — IVES, Colta Feller. The great wave: the influence of Japanese woodcuts on French prints. New York: Metropolitan Museum of Art, distributed by New York Graphic Society, 1974. — Christie’s New York. Japanese prints, paintings, illustrated books and drawings from the collection of the the late Theodor Scheiwe, part 1&2. New York: Christie’s, 1989. WORES, Theodore. Theodore Wores: an American artist in Meiji Japan. Pasadena: Pacific Asia Museum, 1993. — ROBINSON, Basil W. Kuniyoshi. London: HMSO, 1961. — KUWAYAMA, George. Contemporary Japanese prints. Los Angeles: Los Angeles County Museum of Art, 1972. — NARASAKI, Muneshige. Shoki ukiyoe & Utamaro. Tokyo: Kodansha, 1965. 2 vol. — SCHRAUBETADTER, Carl. Care and repair of Japanese prints. Asian Conservation Laboratory, 1978. Together 21 works in 23 volumes. Property from a Prominent Chicago Collection $200-$400

SAKAKIBARA, Yoshiro. Kanzaka Sekka: modern Rinpa. Kyoto: Kyōto Shoin, 1993. — NARAZAKI, Muneshige. Nihon hanga bijutsu zenshu 5. Tokyo: Kodansha, 1960. — LANE, Richard. Hokusai, life and work. New York: Dutton, 1989. — JIUN; YABUMOTO, Eitaro, Soshiro and Sogoro. Jiun sonja iho. Tokyo: Nichibo Shuppansha, 1980. — SCHWAAB, Dean J. Osaka prints. New York: Rizzoli, 1989. — HILLIER, Jack Ronald. Japanese colour prints. London: Phaidon, 1971. — BINNIE, Paul. A dialogue with the past: the first 100 Japanese prints. Chicago: Art Media Resources, 2007. — MILLES, Paul. The prints of Paul Jacoulet. London: Sawers, 1982. — ILLING, Richard. The art of Japanese prints. New York: Gallery Books, 1983. — Impressions. Number 32, 2011; Number 33, 2012. — HILLIER, Jack; SMITH, Lawrence. Japanese prints: 300 years of albums and books. London: British Museum Publications, 1980. — STATLER, Oliver. Modern Japanese prints: an art reborn. Rutland: Tuttle, 1959. — MILES, Richard; JACOULET, Paul. Watercolors of Paul Jacoulet. Pasadena: Pacific Asia Museum in association with Meilinki Enterprises, 1989. —《第70回記念版画展》Japan: 2002. — HARADA, Taji. Taiji: the world of Taiji Harada depicting the four seasons of Japan. Japan: Asahi Shimbun, 1989. Together 21 works in 22 volumes. Property from a Prominent Chicago Collection $300-$500

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650 [COLLECTION—PRINTS AND DRAWINGS] A group of auction catalogs about the Vever collection of Japanese prints and drawings, comprising: HILLIER, Jack (1912-1995). Japanese Prints & Drawings from the Vever Collections. London : Sotheby Parke Bernet, 1976. 3 volumes, publishers slipcase. [With: ] Catalogue of highly important Japanese prints, illustrated books and drawings, from the Henri Vever collection. London : Sotheby & Co., 19741977. 4 volumes. together 2 works in 7 volumes. Property from a Prominent Chicago Collection $200-$400

651 [JAPANESE PAINTINGS & PRINTS] A group of works about Japanese paintings and prints, comprising: HILLIER, J. The Uninhibited Brush: Japanese Art in the Shijo Style, 1974. London: Hugh M. Moss, Ltd, 1974. Limited edition number 424 of 1000 copies. Signed with a personal note to the author dated 1976. — BINYON, Laurence. A catalogue of Japanese & Chinese woodcuts preserved in the Sub-Department of Oriental Prints and Drawings in the British Museum. London: British Museum, 1916. — NOGUCHI, Yone. Hiroshige. Kegan Paul, Trench, Trubner & Co., London/E. Weyhe, New York/Kyo Bun Kwan, Tokyo: 1934. — 《原色浮世絵大百科事典》/ Genshoku ukiyoe dai hyakkajiten (Encyclopedia of Japanese Prints), volume 8. Tokyo: Taishukan, 1981. — TERUJI, Yoshida and TATSURO, Akai. Nikuhitsu ukiyoe gekan: Nikuhitsu ukiyoe (Ukiyo-e paintings vol.2: Ukiyo-e paintings). Tokyo: Kodansha, 1963. Together 5 works in 6 volumes. Property from a Prominent Chicago Collection $400-$600

652 [JAPANESE PAINTING & PRINTS] A group of rare works about Japanese Paintings and Prints, comprising: MICHENER, James A. Hokusai Sketch-Book Selections from The Manga. Rutland, Vermont & Tokyo: Charles E. Tuttle Company, 1958. Folded paper binding, foldout insert, numerous color plates and illustrations.– HILIER, J. The Uninhibited Brush. Japanese Art in the Shijo Style. London: Hugh M. Moss Publishing Limited, 1974. Number 592 of 1000 copies.– HILER, J., compiler. The Harari Collection of Japanese Paintings and Drawings. London: Lund Humpries, 1970. 2 volumes. – MORRIS, Ivan. The Tale of Genji Scroll. Tokyo: Kodansha Internation, 1971. Number 117 of 1500 copies. Together 4 works in 5 volumes, all first edition, original slipcases. Property from the Collection of Michael and Kay Melet $1,000-$2,000

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653 [JAPANESE PAINTING AND CALLIGRAPHY] A group of works about Japanese Painting and Calligraphy, comprising: PAINE, Robert Treat. Catalogue of a special exhibition of Japanese Screen paintings, landscapes and figures. Boston: Museum of Fine Arts, 1935-38. — AOKI, Mokubei. Nihon bijutsu kaiga zenshu. 21, Mokubei chikuden/日本美術絵画全集第21卷木米竹田. Tokyo : Shueisha, 1977. — SHIMIZU, Yoshiaki. Masters of Japanese calligraphy : 8th-19th century. New York: Japan Society, 1984. — CASTILE, Rimpa. Exquisite visions: Rimpa paintings from Japan. New York: Japan House Gallery, 1980. — ADDISS, Stephen. The art of Zen: paintings and calligraphy by Japanese monks, 1600-1925. New York: Harry N. Abrams, 1998. — AIDA, Kohei. Japanese brush painting in color. Tokyo: Japan Publications, 1973. — NOMA, Seiroku. Artistry in ink. New York: Crown, 1958. — AWAKAWA, Yasuichi. Zen painting. Tokyo: Kodansha International, 1982. — Nihon fuzokuga taisei: Tokugawa jidai shoki & chuki; Fuzoku shiryo: jo; Nara Heian jidai; Kamakura jidai; Toyotomi jidai. Tokyo: Chuo Bijutsusha, 1929. — Masterpieces from the Shin’enkan Collection: Japanese painting of the Edo period. Los Angeles: Los Angeles County Museum of Art, 1986. — ADDISS, Stephen. Japanese quest for a new vision: the impact of visiting Chinese painters, 1600-1900 : selections from the Hutchinson collection at the Spencer Museum of Art. Kansas City: Spencer Museum of Art, University of Kansas, 1986. — SHIMBUN, Yomiuri. Words in motion: modern Japanese calligraphy. Japan: 1984. — SHIMIZU, Yoshiaki. Japanese ink paintings from American collections: the Muromachi period: an exhibition in honor of Shujiro Shimada. Princeton: Art Museum, Princeton University, 1976. — HILLIER, Jack Ronald. Japanese drawings of the 18th and 19th centuries. Washington, D.C: Internat. Exhibitions Foundation, 1980. — ROSENFIELD, John M.; RATHBUN, William Jay; CRANSTON, Funiko E. Song of the brush: Japanese paintings from the Sanso Collection. Seattle: Seattle Art Museum, 1979. — KURODA, Taizo; TAKEUCHI, Melinda; YAMANE, Yuzo. Worlds Seen and Imagined : Japanese Screens from the Idemitsu Museum of Arts. New York: The Asia Society Galleries, 1995. — BROWN, Kendall H. The politics of reclusion: painting and power in Momoyama Japan. Honolulu: University of Hawai’i Press, 1997. — FONTEIN, Jan; HICKMAN, Money L. Zen: painting et calligraphy. Boston: Museum of Fine Arts; Distributed by New York Graphic Society, Greenwich, Conn., 1970. SIGHED by author. — TODA, Kenji. Japanese Scroll Painting. Chicago: The University of Chicago Press, 1935. — EARNSHAW, Christopher J. Sho Japanese Calligraphy: an In-Depth Introduction to the Art of Writing Characters. North Clarendon: Tuttle Publishing, 1989. — ADDISS, Stephen. Zenga and Nanga: paintings by Japanese monks and scholars : selections from the Kurt and Millie Gitter collection. New Orleans: New Orleans museum of art, 1976. — GITTER, Kurt A; FISTER, Pat. Japanese fan paintings from western collections. New Orleans: New Orleans museum of art, 1985. — GRILLI, Elise. Japanese Picture Scrolls. New York: Crown, 1980. — Society of Friends of Eastern Art. Index of Japanese painters. Rutland: Tuttle 1973. Together 30 works in 36 volumes. Property from a Prominent Chicago Collection $400-$600

654 [COLLECTION—PAINTING] HILLER, Jack (1912-1995). Catalogue of the Japanese Paintings and Prints in the Collection of Mr. & Mrs Richard P. Gale. London: Routledge & Kegan Paul Ltd, 1970. 2 volumes. 248 x 305 mm. [With:] The Harari Collection of Japanese Paintings and Drawings. Boston: Boston Book and Art, 1970. 3 volumes. 241 x 305 mm. The Art of the Japanese Book. New York: Sotheby’s Publications, 1987. 2 volumes. 247 x 337 mm. Property from a Prominent Chicago Collection $800-$1,200

655 [JAPANESE ART & HISTORY] BING, M. S. Collection Hayashi: Objects d’Art du Japon et de la Chine. Paris: Durand-Ruel, 1902. 305 x 229 mm. 1 volume. FIRST EDITION. [With:] Histoire de l’Art du Japon. Paris: Maurice De Brunoff, 1900. 2 volumes. FIRST EDITION. Hardcover with decorated vellum spine. 406 x 305 mm. Property from a Prominent Chicago Collection $500-$700

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656 [JAPANESE ART] A group of works about Japanese Art, comprising: KITAMURA, Tetsuro. Zaigai Nihon no shiho, dai 10-kan: Kogei. Tokyo: Mainichi Shinbunsha, 1981. — MEECH, Julia; YABUSHITA, Hiroshi; KOHLER, Stephan. Rain and snow: the umbrella in Japanese art. New York: Japan Society, 1993. — HEMPEL, Rose. The Heian civilization of Japan. Oxford: Phaidon, 1983. — VAN SOEST, H A B. Goudleer. Dutch: 1975. — WATSON, William. The Great Japan Exhibition: art of the Edo period, 1600-1868. London: Royal Academy of Arts, 1982. — FULLER, Richard. Japanese art in the Seattle Art Museum. Seattle: The Museum, 1960. — LILLEHOJ, Elizabeth. Archaism and antiquarianism in Korean and Japanese art. Chicago: The Center for the Art of East Asia, University of Chicago, 2013. — NOMA, Seiroku. The arts of Japan: 2 vol. Tokyo; New York: Kodansha International, 2003. — TOMATSU, Shomei. Shomei Tomatsu: skin of the nation. San Francisco; London: San Francisco Museum of Modern Art in association with Yale University Press, 2004. — FENOLLOSA, Ernest & Mary McNeil. Epochs of Chinese & Japanese art: 2 vol. New York: F.A. Stokes Co., 1921. — SANSOM, George B. A history of Japan: 3 vol. Stanford: Stanford University Press, 1982. — HOSOBURO, Takekoshi. The economic Aspects of the History of the Civilization of Japan: 3 vol. London: George Allen & Unwin, 1930. — BORTON, Hugh. Peasant uprising in Japan of the Tokugawa period. New York: Paragon Book Reprint Corp., 1968. — STEARNS, Robert. Photography and beyond in Japan: space, time and memory. Tokyo: Hara Museum of Contemporary Art; New York: Distributed by Harry N. Abrams, Inc., 1995. — TSUNODA, Ryusaku; THEODORE De Bary, Wm; KEENE, Donald. Sources of the Japanese tradition. New York: Columbia University Press, 1958. — STERN, Harold P. Birds, beasts, blossoms and bugs: the nature of Japan. New York: H.N. Abrams, 1976. — ARTHUR, Drexler. The Architecture of Japan. New Yort: Museum of Modern Art. Together 21 works in 27 volumes. Property from a Prominent Chicago Collection $500-$700

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657 [JAPANESE ART & DESIGN] A group of six rare works pertaining to the history of Japanese art and design, comprising: HUNTER, Dard. A Papermaking Pilgrimage to Japan, Korea, and China. New York: 1936. Text with appendix of paper samples. Original binding by Gerhard Gerlach and original slipcase. LIMITED EDITION number 358 of 370 copies SIGNED BY THE AUTHOR AND PUBLISHER.—Shoku bunruisan. Tokyo Teishitsu Hakubutsukan (Textile patterns in the Imperial Household Museum). Tōkyō: Yūrindō, Meiji 25 [1892]. Volume 8 only, with color and gilt plates, modern black binding. Provenance: Joseph Blumenthal, ex libris.—CULTER, Thomas V. A Grammar of Japanese Ornament and Design. London: B.T. Batsford, 1880. Copious illustrations, green cloth (split). Provenance: Frederick James Higginbottom (1859-1943) ex libris, Ex. Greenfield Collection (adhesive label).—BOWES, James Lord. Japanese Marks and Seals. London: Henry Sotheran & Co., 1882. Some loose pages, marbled half leather boards.—HENDERSON, H.G., trans. An Illustrated History of Japanese Art. Kyoto: K. Hoshino, 1935. Gilt leather, original slipcase. Ex. Shanghai American School Library copy (inkstamps).—Legend in Japanese Art. London & New York: John Lane, 1908. Numerous illustrations in color. Original pictorial gilt red cloth. Property from a Prominent Chicago Collection $500-$700

658 [JAPANESE ART] A group of works about Japanese Art, comprising:

659 AUDSLEY, George Ashdown, The Ornamental Arts of Japan. New York: Charles Scribner’s Sons, 1883-84.

MASON, Penelope. History of Japanese Art. 1993. —CALZA, Gian Carlo. Hokusai. 2003. —ELISSEEFF, Danielle & ELISSEEFF, Vadime. Art of Japan. 1985. —HICKMAN, Money L. & YASUHIRO SATO. The Paintings of Jakuchu. 1989. —CONANT, Ellen P. & OWYOUNG, Steven D. & RIMER, J. Thomas. Nihonga: Transcending the Past: Japanese-Style Painting, 1868-1968. 1995. —HIDEYUKI OKA. How to Wrap Five More Eggs: Traditional Japanese Packaging. 1982. Together 6 works in 6 volumes, all first edition except where noted, format and format, condition generally good condition. Property from the Collection of Michael and Kay Melet $700-$900

391 x 280 mm. Illustrated with plates, some chromolithographed, some b&w, three quarter red morocco and cloth, spine tooled and lettered in gilt, raised bands, all edges gilt, floral endpapers. Comprising surveys of painting, embroidery, textile fabrics, lacquer, encrusted work, metal work, cloisonné enamel, and heraldry. Together 9 parts in 4 volumes. Property from a Prominent Chicago Collection $600-$800

660 [COLLECTION—EUROPEAN] Japanese Art: The Great European Collections. Tokyo: Kodansha, 1994-98. 10 volumes, comprising: Volume 1: The British Museum I. 1994. Volume 2: British Museum II. 1994 Volume 4: The British Library, Victoria & Albert Museum, the Ashmolean Museum, Oxford. 1996 Volume 5: The Chester Beatty Library, Dublin. 1996. Volume 6: Musée Guimet, Paris. 1997. Volume 8: Museum für Ostasiatische Kunst, Berlin. 1994. Volume 9: Rijksmuseum voor Volkenkunde, Leiden. 1996. Volume 10: The National Museum, Cracow. 1995. Volume 11: Österreichisches Museums für Angewandte Kunst, Vienna, Náprstek Museum and National Gallery, Prague, the Museum of Applied Arts, Budapest. 1997. Volume 12: Selected Japanese arts in Europe. 1998. Property from a Prominent Chicago Collection $400-$600

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661 [CHINESE PAINTINGS] Five Japanese ink and color woodblock printed works about traditional Chinese paintings, comprising:

漢画独稽古 Kanga hitori geiko (Guide to Learn Chinese Painting).— 漢畫指南 Kanga shinan (Guide to Chinese Painting), 1779. Two volumes.—漢畫指南二編 Kanga shinan, nihen (Guide to Chinese

Painting), 1812. Three volumes, ink and color illustrations, sewn binding in yellow paper (intact, some marks).—融斎画譜 Yūsai gafu (Yusai Picture Album).—絵本故事談 Ehon Kojidan (On painting narratives). Five volumes. —華鳥畫譜 Kacho gafu (Album of bird and flower pictures), 1903. Ink and color illustrations, four collector’s seals. Pictorial silvered paper sewn bindings (intact). Together 5 works 14 volumes. Property from a Prominent Chicago Collection $1,000-$2,000

662 [ILLUSTRATED BOOKS] A group of woodblock printed works about Japanese Paintings, comprising:

萬物雛形工業畫譜 Banbutsu kōgyō hinagata. Tokyo: Honshu, 1881.

Richly illustrated, sewn bindings in blue paper. With seals of Kyoto Seizan Junior College.—華山翁蘭竹画譜 Kazan-o ranchiku gafu. Tokyo, 1880. Two volumes, sewn paper bindings (losses to exterior labels, marked).—繪本通寶志 Ehon tsūhōshi, 1780. Volume 8, landscape, only. Sewn in blue paper (worming).—光琳百図 Kōrin hyakuzu (One Hundred Pictures by Korin). 1826. 2 volumes containing reproductions of works by 尾形光琳; Ogata Korin (1658-1716), sewn paper bindings.— 素絢山水畫譜 Soken sansui gafu. 1818. Two volumes containing the work of 山口素絢 Yamaguchi Soken (1759-1818). Sewn paper bindings (worming, heavier on the first volume).—圓翁画譜 En’ō gafu. Two volumes, ink and color printed, sewn bindings in blue paper (soiling and worming).—亥中之月Inaka-no-tsuki. Kyoto, 1889. Ink and color in sewn pictorial paper bindings (intact).— 《東辟堂製木画譜》Tohodo seiki gafu. Ink and color illustration, light blue paper sewn bindings—With two others. A total of 9 works in 16 volumes. Property from a Prominent Chicago Collection $800-$1,200

663 [JAPANESE RELIGION & BELIEFS] Two woodblock printed works on the Ekikyō and Shinto, comprising:

易原圖略說 A Concise Interpretation of the Ekikyō’s Essential Diagrams. Text by 谷山龍山Taniyama Longshan( 1831-1888.—宝つかみ取 Takara Tsukamidori，181. Wrriten by 菱垣義陳Yoshinobu Hishigaki, and painted by 探月斎 Tangetsusai. Property from a Prominent Chicago Collection $400-$600

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664 [JAPANESE LITERATURE] Three ink and color woodblock printed works of Japanese poetry and literature, comprising:

665 [JAPAN STUDIES] A group of rare works about Westerners in Japan, comprising:

Property from a Prominent Chicago Collection $200-$400

TERAMOTO, K. Nanban Torai Kibun (Collection of prints depicting Japan’s first impression of foreigners and their strange customs). Tokyo: Fujita Kobo, 1980. — CLIFFORD, H. J. Account of a voyage of discovery to the west coast of Corea, and the great Loo-Choo island. London: John Murray, 1818. — MORSE, Edward S. Japanese Homes and Their Surroundings. Boston: Ed. Ticknor and Company, 1886. — HUMBERT, Aime. Japan and the Japanese: illustrated. New York: D. Appleton, 1874. Together 4 works in 4 volumes, all first editions. Property from a Prominent Chicago Collection $1,000-$2,000

666 [JAPANESE MUSIC] A group of 4 works about Japanese sheet music, comprising:

667 [JAPANESE FOLKLORE & YOKAI] Three works of Japanese folklore, comprising:

Property from a Prominent Chicago Collection $80-$120

hyakki gadan (Kyosai’s pictures of one hundred demons), 1890. Ink and color woodblock prints of illustrations, enclosed in a blue folio. First edition,published posthumously.—還魂紙料 Kankon shiryō (Material on the passed). Second volume only. Sewn bindings in paper. —椿説鬼魅談語三編下 Chinsetsu Kimidango (Explanations of Chinsetsu demons). Tokyo, 1857. Second volume of the third edition. Together 3 works in 5 volumes of folded leaves each with paper sewn bindings. Property from a Prominent Chicago Collection $1,000-$2,000

山東京伝 Santō Kyōden, 1916. Ink woodblock prints and illustrations in sewn binding.—芍藥亭詠藻廣陵集 Teiei mo hiroshi ryōshū. Pictorial sewn bindings.—A book of poetry of 蟬丸 Semimaru.

《新曲紀文大盡》Shamisen Music Score 《小唄歌詞集》Japanese Ballad-Type Song 《飛梅(トビウメ)の段再版》菅原四段目，大阪船町加嶋屋清助板《伊勢參宮》佐佐木信綱作歌，杵屋佐吉作曲

河鍋暁斎 Kawanabe Kyōsai (1831-1889). 暁斎百鬼画談 Kyōsai

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668 [ASIAN ART] A group of works about Asian arts practice and collections, comprising: LEACH, Bernard. Hamada Potter. Tokyo & New York: Kodansha International, 1975. Limited first edition, with hand laid paper cover, silkscreened urushi, with publisher’s protective cover.– VISSER, H.F.E. Asiatic Art in Private Collections of Holland and Belgium. New York: Seven Arts Book Society, 1952. Numerous color and black and white plates, dust jacket. – GÖTZE, Heinz, ed. Chinese and Japanese Calligraphy Spanning Two Thousand Years. Munich: Prestel-Verlag, 1989, pictorial dust jacket.– TUCHSCHEHER, Jean-Michel.– Etoffes Merveilleuses Du Musee Historique Des Tissus, Lyon. Tokyo: Editions Gakken, 1976. 3 volumes. Publisher’s red cloth and slipcover. – HERBERTS, Kurt. Das Buch der Ostasiatischen Lackkunst. Dusseldorf: Econ-Verlag, 1959. Original board, pictorial dust jacket, slipcover. – ADHYATMAN, Sumarah, ed. Koleksi Keramik Adam Malik: The Adam Malik Ceramic Collection. Jakarta: The Ceramic Society of Indonesia, 1980. Original board, dusk jacket, and slip cover. – BUSSAGLI, Mario. – Oriental Architecture. Milan: Electra Editrice, 1973. Together 7 works in 9 volumes, original cloth except as noted. Property from the Collection of Michael and Kay Melet $800-$1,200

669 [THE ORIENTAL SERIES] BRINKLEY, Captain F. (1841-1912), et al. The Oriental Series. Boston and Tokyo, J.B. Millet Co., 19011910. 24 volumes. Color frontispiece in each volume with photographs throughout the text. Japan vellum and paper over boards, tops gilt, edges uncut, paper jacket. COMPLETE EDITION with volumes 1-8 on Japan, 9-12 on China written by Brinkley, a journalist and scholar who resided in Japan for 40 years. 1901-1910年《東方系列》12冊 Property from the Collection of Michael and Kay Melet $2,000-$4,000

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*670 Three Korean Porcelain Bottle Vases 19TH CENTURY comprising a large white glazed example, two a blue and white examples. Height of tallest 14 in., 35.56 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $600-$800

671 Two Korean Porcelain Water Droppers 19TH CENTURY the first a white glazed example, in the form of a frog, the second an underglaze blue example, in the form of a fish.Â Length of the largest 4 1/4 in., 10.8 cm. $700-$900

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672 A Korean Black Lacquered and Mother-of-Pearl Inlaid ‘Najeon Chilgi’ Table Cabinet together with an associated hardwood stand. Height overall 22 1/2 x width 18 1/4 x 10 in., x 57 x 47 x 20.5 cm. Property from a Private Chicago Estate $120-$140

673 [KOREAN ART] A group of works about Korean Art, comprising: GOMPERTZ, Godfrey Saint George Montague. Korean pottery and porcelain of the Yi period. London: Faber & Faber, 1968. — The art of the Korean pottery, 2 vol. New York: Asian house gallery. — ITO, Ikutaro; MINO, Yutaka. The Radiance of jade and the clarity of water: Korean ceramics from the Ataka collection. Chicago: Art Institute of Chicago; New York: Hudson Hills Press, 1991. — Kungnip Chungang Pangmulgwan. 高麗靑磁名品特別展/Koryo chongja myongpum tukpyolchn. Soul Tukpyolsi: Tongchon Munhwasa, 1989. — KANG, U-bang; CHO, Yoonjung. Korean Buddhist sculpture: art and truth. Chicago: Art Media Resources, 2005. — D’ARGENCE, Rene-Yvon Lefebvre. 5,000 Years of Korean Art. San Francisco: Asian Art Museum of San Francisco, 1979. — WHITFIELD, Roderick. Treasures from Korea: Art Through 5000 Years. Indiana: Indiana University Press, 1984. — YI, Ki-baek. 韓國美術五千年/5000 years of Korean arts. Soul Tukpyolsi: Kwangmyong Chulpansa, 1976. — MCKILLOP, Beth; THOMAS, Ian; YAPP, Patrick. Korean art and design. London: Victoria and Albert Museum, 1992. — Goryeo dynasty: Korea’s age of enlightenment, 918-1392. San Francisco: Asian Art Museum, 2003. — KIM, Chae-won; GOMPERTZ, Godfrey Saint George Montague. The Ceramic Art of Korea. London: Faber & Faber, 1961. — ROUSSET, Huguette. Arts de la Coree. Paris: Office du Livre, 1987. — LEE, Yong Deok. Depth of Shadow/Lee, Yong Deok: National Art Museum of China, 2005.11.23 - 2005.12.14. Seoul, 2005. — COVELL, Jon Etta Hastings Carter; PYONJIPKUK, Sisa Yongosa. Korea’s colorful heritage. Seoul: Si-sa-yong-o-sa, Inc.; Honolulu: Dae-Won-Sa, 1985. — GOMPERTZ, Godfrey Saint George Montague. Korean celadon: and other wares of the Koryo period. New York: Thomas Yoseloff, 1965. — GOMPERTZ, Godfrey Saint George Montague. Korean Pottery & Porcelain of the Yi Period. Connecticut: Praeger, 1968. — LI, Byong-Ch’Ang. Masterpieces of Korean art, 2 vol. Tokyo: Chez l’auteur, 1978. Together 17 works in 19 volumes. Property from a Prominent Chicago Collection $100-$200 90

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Omri Amrany and Julie Rotblatt Amrany The Spirit Maquette numbered 29/123 from an edition of 55 To be offered October 20 in Hindmanâ&#x20AC;&#x2122;s Sports Memorabilia sale

AUCTION INQUIRIES | ASIAN WORKS OF ART

Annie Wu Director, Senior Specialist anniewu@hindmanauctions.com

Flora Zhang Cataloguer florazhang@hindmanauctions.com

Megan Sadler Associate Cataloguer megansadler@hindmanauctions.com

HINDMAN SPECIALIST DEPARTMENTS AND SERVICES FINANCE

Marco Gusella Controller marcogusella@hindmanauctions.com 312.280.1212

CLIENT SERVICES

Rita Swanberg Client Experience Manager ritaswanberg@hindmanauctions.com 312.280.1212

ESTATES, APPRAISALS AND BUSINESS DEVELOPMENT

Alyssa Quinlan Senior Vice President, Business Development alyssaquinlan@hindmanauctions.com 312.447.3272 Molly E. Gron, J.D. National Director, Trusts & Estates Senior Director, Chicago mollygron@hindmanauctions.com 312.334.4235 Katie Matusik Director, Appraisals and Valuations katelynmatusik@hindmanauctions.com 312.334.4224 Susan Mackenzie Business Development Director, Midwest susanmackenzie@hindmanauctions.com 312.447.3267 Vaughn Smith Business Development Manager vaughnsmith@hindmanauctions.com 312.334.4238 Briar Koehl Business Development Senior Associate briarkoehl@hindmanauctions.com 312.600.6075 Miranda Maxfield Business Development Associate mirandaluce@hindmanauctions.com 312.334.4208 Samantha Schwartz Business Development Associate samanthaschwartz@hindmanauctions.com 312.447.3297

MUSEUM SERVICES

Fine Art

Asian Works of Art

Atlanta

Zack Wirsum Senior Specialist zacharywirsum@hindmanauctions.com

Flora Zhang Cataloguer florazhang@hindmanauctions.com

Cincinnati

Monica Brown Senior Specialist monicabrown@hindmanauctions.com

Megan Sadler Associate Cataloguer megansadler@hindmanauctions.com

Nate Brady Associate Specialist nathanbrady@hindmanauctions.com

Fine Jewelry and Timepieces

Joseph Stanfield Director, Senior Specialist josephstanfield@hindmanauctions.com

Julianna Tancredi Cataloguer juliannatancredi@hindmanauctions.com Mary Grace Bilby Account Executive marygracebilby@hindmanauctions.com 312.334.4216

Fine Furniture, Decorative Arts and Silver

Corbin Horn Director, Senior Specialist corbinhorn@hindmanauctions.com 312.334.4214 Mike Intihar Senior Specialist mikeintihar@hindmanauctions.com

Sally Klarr, G.G. Senior Specialist sallyklarr@hindmanauctions.com Marisa Ackerman, G.G. Specialist marisaackerman@hindmanauctions.com Hana Thomson Cataloguer hanathomson@hindmanauctions.com Madeline Schroeder Associate Cataloguer madelineschroeder@hindmanauctions.com 312.334.4223

6270 Este Avenue Cincinnati, Ohio 45232 Tel: 513.871.1670 cincinnati@hindmanauctions.com

Cleveland

2515 Jay Avenue 1st Floor Cleveland, Ohio 44113 Tel: 216.292.8300 cleveland@hindmanauctions.com

Denver

2737 Larimer Street, Suite C Denver, Colorado 80205 denver@hindmanauctions.com 303.825.1855

Milwaukee

414 East Mason Street Milwaukee, Wisconsin 53202 milwaukee@hindmanauctions.com 414.220.9200

Naples

850 6th Avenue South Naples, Florida 34102 naples@hindmanauctions.com 239.643.4448

Nick Coombs Specialist nickcoombs@hindmanauctions.com

Michael Hall Cataloguer michaelhall@hindmanauctions.com

West Palm Beach

Genevieve King Associate Specialist genevieveking@hindmanauctions.com

Sports Memorabilia

Benjamin Fisher Senior Specialist benjaminfisher@hindmanauctions.com

Modern Design

Hudson Berry Director, Specialist hudsonberry@hindmanauctions.com Sabrina Granados Associate Cataloguer sabrinagranados@hindmanauctions.com

Arts of the American West

CONSIGNMENT DEPARTMENT

Books and Manuscripts

Alexandria Dreas Consignment Manager alexandriadreas@hindmanauctions.com 303.825.1855 Gretchen Hause Director, Senior Specialist gretchenhause@hindmanauctions.com

Maggie Porter VP Sales Strategy maggieporteri@hindmanauctions.com

Francis Wahlgren Senior Consultant franciswahlgren@hindmanauctions.com

Kimberly Burt VP, Marketing and Luxury Goods kimberlyburt@hindmanauctions.com

Maria Fernandez Cataloguer mariafernandez@hindmanauctions.com 312.334.4236

Katie Hammond Guilbault, G.G. Business Development Director, San Diego Senior Specialist, Jewelry and Timepieces katieguilbault@hindmanauctions.com

668 Miami Circle NE Atlanta, Georgia 30324 atlanta@hindmanauctions.com 404.800.0192

Couture and Luxury Accessories

Michael Shapiro Senior Advisor, Museums and Private Collections michaelshapiro@hindmanauctions.com 312.334.4210 Jim Sharp Chief Operating Officer jimsharp@hindmanauctions.com

Annie Wu Director, Senior Specialist anniewu@hindmanauctions.com

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Timothy Long Director, Senior Specialist timothylong@hindmanauctions.com

James Smith Specialist jamessmith@hindmanauctions.com

Hindman Interiors

hindmanauctions.com 312.280.1212

1608 South Dixie Highway West Palm Beach, Florida 33401 westpalmbeach@hindmanauctions.com 561.833.8053

San Diego

8910 University Center Lane, Suite 400 San Diego, California 92122 sandiego@hindmanauctions.com 858.442.6104

Scottsdale

REGIONAL OFFICES

15475 North Greenway Hayden Loop Suite B17 Scottsdale, Arizona 85260 scottsdale@hindmanauctions.com 480.490.3175

Arrington Caison Account Executive arringtoncaison@hindmanauctions.com 312.447.3282

St. Louis

Abby Chambers Account Executive abbychambers@hindmanauctions.com 312.334.4234

32 North Brentwood Boulevard Clayton, Missouri 63105 stlouis@hindmanauctions.com 314.833.0833

Washington, D.C.

700 12th Street, NW Suite 700 Washington, D.C. 20005 washingtondc@hindman.com 202.853.1638

GUIDE FOR PROSPECTIVE SELLERS

Evaluation of Property If you have property you wish to sell, please call our Consignment Department at 312.280.1212 to arrange for a consultation. At that time, you may make an appointment to bring your property or photographs, along with any other pertinent information, to Hindman LLC and we will be happy to provide you with complimentary estimates and advice. If you have a large collection, an appointment may be made to evaluate the property on-site. Fees for on-site visits may vary. Standard Commission Rates Our standard rate of commission is equal to ten percent (10%) of the hammer price on each lot sold for $5,001 or more; and twenty-five percent (25%) of the hammer price on each lot sold for less than $5,001, with a minimum commission of $75 per lot sold. If your property fails to reach the reserve price agreed upon between you and Hindman LLC, you may be obligated to pay a reduced commission rate of five percent (5%) of the reserve price. Shipping Arrangements Hindman LLC can advise you as to how to have your property delivered to our galleries. Packing, shipping and insurance are payable by the seller. In certain instances, packing and shipping costs may be paid by Hindman LLC and deducted from the proceeds of the sale. We may recommend packers and shippers, but we are not responsible for their acts or omissions. Appraisals Appraisals can be arranged for insurance, donation, estate tax, family division or other purposes. Appraisal fees vary according to circumstances. Please contact our Estates and Appraisals Department at 312.280.1212 for further information.

GUIDE FOR PROSPECTIVE BUYERS Conditions of Sale Hindman LLC encourages all prospective buyers to read the Conditions of Sale printed in this catalogue. Exhibitions Hindman LLC recommends that all prospective buyers attend the pre-sale exhibition prior to the auction. Staff members are available at our pre-sale exhibitions to advise prospective buyers on particular objects or on any aspect of the bidding process. Estimates Hindman LLC provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not definitive. All pre-sale estimates are subject to revision. Condition Reports We are happy to provide a condition report for lots with a low estimate of $300 and above. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property offered for sale due to the highly subjective nature of condition reports. Bidding at Auction The highest bidder acknowledged by the auctioneer will be the purchaser. In addition to the hammer price, the buyer agrees to pay Hindman LLC a buyer’s premium as well as any applicable taxes.

Bidding Increments Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The normal bidding increments are:

$0 - $200 ........................................ $10 $200 - $500 ........................................ $25 $500 - $1,000 ..................................... $50 $1,000 - $2,000 ................................... $100 $2,000 - $5,000 ................................... $200 $5,000 - $10,000 ................................. $500 $10,000 - $20,000 .............................. $1,000 $20,000 - $50,000 .............................. $2,000 $50,000 - $100,000 ............................ $5,000 $100,000 - $200,000 .......................... $10,000 Over > $200,000 ...... Auctioneer’s Discretion

In-House Bidding Live bidding at Hindman LLC is by paddle only. Please register for a paddle at the entrance of the sales room. If you are the successful bidder, your paddle number and the hammer price will be announced by the auctioneer. Online Bidding Hindman LLC allows absentee and live bidding through our website at hindmanauctions.com as well as absentee and live bidding through third party online bidding providers which vary by sale. For more information regarding online bidding please visit our website at hindmanauctions.com. Absentee Bidding If you are unable to attend an auction, you may use the absentee bid form provided at the back of this catalogue. Hindman LLC will exercise written order bids and telephone bids at no additional charge. Lots will always be sold as inexpensively as is allowed other bids and reserves as are on our books or bids executed in competition from the audience. Tax Exempt Notice Lots marked with an asterisk (*) are tax exempt as permitted by law.

DRIVING DIRECTIONS/PARKING From the WEST: Take I-290 east. Take the Paulina Street/Ashland Boulevard exit 28B. Stay straight to go onto West Congress Parkway. Turn left onto South Paulina Street. Take a slight right onto West Ogden Avenue. Turn right onto West Lake Street. Building will be on the left side at 1338 West Lake Street. From the NORTH/NORTHWEST: Take I-90/I-94 east toward Chicago. Take the Ogden Avenue exit 50A. Stay straight to go onto North Racine Avenue. Turn right onto West Lake Street. Building will be on the right side at 1338 West Lake Street. From the SOUTHWEST: Take I-55 north. Exit 292A I-90/I-94 W Wisconsin Follow I-90/I-94 W Wisconsin to the Lake Street exit 51A. Turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street. From the SOUTH/SOUTHEAST: Take I-90/I-94 west Follow I-90/I-94 W via the exit on the left toward Chicago Loop. Take the Lake Street exit 51A and turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

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CONDITIONS OF SALE These Conditions of Sale set out the terms upon which Hindman LLC (“we,” “us,” or “our”) sells property by lot in this catalogue. You agree to be bound by these terms by registering to bid and/or by bidding in our auction. A glossary at the end defines the words in bold type.

A. BEFORE THE AUCTION

1. LOT DESCRIPTIONS AND WARRANTIES Our description of a lot, any statement of a lot’s condition, and any other oral or written statement about a lot—such as its nature, condition, artist, period, materials, dimensions, weight, exhibition or publication history, or provenance—are our opinion and shall not to be relied upon by you as a statement of fact. Except for the limited authenticity warranty contained in paragraphs E and F below, we do not provide any guarantee of our description or the nature of a lot. 2. CONDITION The physical condition of lots in our auctions can vary due to age, normal wear and tear, previous damage, and restoration/repair. All lots are sold “AS IS,” in the condition they are in at the time of the auction, and we and the seller make no representation or warranty and assume no liability of any kind as to a lot’s condition. Any reference to condition in a catalogue description or a condition report shall not amount to a full accounting of condition and may not include all faults, inherent defects, restoration, alteration, or adaptation. Likewise, images in our catalogue may not depict a lot accurately, as colors and shades may appear different in print or on screen than on physical inspection. We are not responsible for providing you with a description of a lot’s condition in the catalogue or in a condition report. 3. VIEWING LOTS We offer pre-auction viewings, either scheduled or by appointment, that are free of charge. If you believe that the catalogue description or condition reports are not sufficient, we suggest you inspect a lot personally or through a knowledgeable representative before you bid on a lot to make sure that you accept the description and its condition. We recommend you hire a professional adviser if you are not familiar with how to address the nature or condition of an object. 4. ESTIMATES Estimates of a lot account for the condition, rarity, quality, and provenance of the object and are based upon prices realized for similar objects in past auctions. Neither you nor anyone else may rely on our estimates as a prediction or guarantee of the actual selling price of a lot or its value for any other purpose. Estimates do not include the buyer’s premium, any applicable taxes, and any other applicable charges. 5. WITHDRAWAL We may, in our sole discretion, withdraw a lot from auction at any time prior to or during the sale and shall have no liability to you for our decision to withdraw.

B. REGISTERING TO BID

1. NEW BIDDERS New bidders must register at least twenty-four (24) hours before an auction and must provide us with documentation of their identity. (a) Individuals must provide photo identification (driver’s license, non-driver ID card, or passport) and, if not shown on the photo identification, proof of current address (a current utility bill or bank statement). (b) Corporate clients must provide a Certificate of Incorporation or its equivalent bearing the company’s name and registered address, together with documentary proof of directors and beneficial owners. (c) Trusts, partnerships, offshore companies, and other business entities must contact us in advance of the auction to discuss our requirements. If we are not satisfied with the information you provide us in our bidder identification and other registration procedures, we may refuse to register you to bid, and if you make a successful bid, we may cancel the contract for sale between you and the seller. New bidders may be required to provide us with a financial reference and/or a deposit before we allow them to bid. 2. RETURNING BIDDERS If you have not bought anything from us recently, then we may require you to register as a new bidder, as described in the paragraph above. Please contact us at least twenty-four (24) hours prior to the auction. 3. BIDDING FOR ANOTHER PERSON If you are bidding as an agent on behalf of another person, your principal must be a registered bidder and must provide us with written authorization

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allowing you to bid. You, as the agent, shall accept personal liability to pay the purchase price and all other sums due unless we have agreed in writing before the auction that you are acting as an agent on behalf of your principal and that we will only seek payment from your principal. 4. BIDDING IN THE SALEROOM If you wish to bid in the saleroom, you must first acquire a bidding paddle at least thirty (30) minutes before the auction. 5. OUR BIDDING SERVICES We offer the following bidding services as a convenience to our clients, subject to these Conditions of Sale. We shall not be responsible for any error, omission, or failure, human or otherwise, in providing these services. (a) Phone Bids: You must contact us at least twenty-four (24) hours prior to the auction to arrange a phone bid. We will accept bids by telephone for lots only if our staff is available to take the bids. We agree that we may record telephone bids. (b) Internet Bids: You can bid in our live sales via our bidding platform or through third-party bidding sites. (c) Written Bids: You can find a Written Bid Form in the back of our catalogues, at the auction location, or online at www.hindmanauctions.com. We must receive your completed Written Bid Form at least twenty-four (24) hours before the auction. We will endeavor to execute written bids at the lowest possible price consistent with the reserve. If you make a written bid on a lot that does not have a reserve and there is no higher bid than yours, we will bid on your behalf at approximately fifty percent (50%) of the low estimate or, if lower, the amount of your bid. The first written bid we receive of those for identical amounts will be given priority over other bids. 6. CREDIT CARD AUTHORIZATION HOLD When you register to bid you may be asked to provide us with a valid credit card number. You authorize us to verify the validity of the credit card by placing a $100 authorization hold on the card that will remain until it falls off, usually within 48 hours.

C. DURING THE AUCTION

1. BIDDING IN THE AUCTION (a) Live Auctions. We will appoint an individual auctioneer to administer a live auction. The auctioneer may accept bids from (a) written bids left with us by bidders before the auction; (b) bidders in the saleroom; (c) telephone bidders; and (d) Internet bidders. Bidding generally starts below the low estimate and increases in steps, called bid increments. The auctioneer will decide at his/ her sole option where the bidding should start and the bid increments. Bid increments may vary from auction to auction. You shall comply with all laws and regulations in force that govern your bidding. (b) Online-only Auctions. Bids may only be submitted on our website or through third-party bidding sites between the dates and times specified in the lot’s description. Your bid is submitted once you place and confirm your bid amount. You agree that a bid is final once it is placed and that you may never amend or revoke your bid. You are fully responsible for any errors you make in bidding. Bidding generally opens at or below the low estimate and increases in steps (bidding increments) to be determined in Hindman’s sole discretion. 2. AUCTIONEER’S DISCRETION The auctioneer shall have absolute discretion to (a) admit a bidder into or remove a bidder from the saleroom or online auction; (b) accept or refuse any bid; (c) change the order of the lots in the auction; (d) move the bidding backward or forward; (e) withdraw any lot from the auction; (f) divide any lot or combine any two or more lots; (g) reopen or continue the bidding even after the hammer has fallen; and (h) continue the bidding, determine the successful bidder, cancel the sale of the lot, or reoffer and resell any lot in the event that there is an error or dispute related to bidding or the application of the reserve, whether during or after the auction. You must provide us with written notice within three (3) business days of the date of the auction if you believe that the auctioneer has accepted the successful bid in error. The auctioneer will consider the claim and decide in good faith if the sale of the lot is final, whether he/she will cancel the sale of the lot, or whether he/she will reoffer and resell the lot. The auctioneer’s decision in exercise of this discretion is final. This paragraph does not in any way affect our ability to cancel the sale of a lot under other applicable provisions of these Conditions of Sale, including the rights of cancellation set forth in sections B(1), D(6), E(2), and G(1). 3. BIDDING ON BEHALF OF THE SELLER The auctioneer may, at his/her sole option, bid on behalf of the seller up to one bidding increment before the reserve by making either consecutive or responsive bids. The auctioneer will not identify these as bids made on behalf of the seller. If a lot is offered without reserve, the auctioneer will open the bidding at approximately fifty percent (50%) of the lot’s low estimate; where

necessary, will lower the asking bid until a bid is received; and will solicit higher bids from that amount. If there are no bids on a lot, the auctioneer may deem the lot unsold. 4. SUCCESSFUL BIDS AND INVOICES Subject to paragraph C(2), the contract of sale between the seller and the successful bidder is formed when the final bid is accepted and the auctioneer’s hammer strikes. The successful bid price is the hammer price, and we will issue an invoice only to the registered bidder who made the successful bid. While we send out invoices by mail and/or email after the auction, we shall not be responsible for telling you whether your bid was successful. You should contact us immediately after the auction to find out the success of your bid in order to avoid having to pay storage charges.

D. AFTER THE AUCTION

1. THE BUYER’S PREMIUM In addition to the hammer price, the successful bidder agrees to pay us a buyer’s premium on the hammer price of each lot sold. On all lots, we charge twenty-five percent (25%) of the hammer price up to and including $250,000; twenty percent (20%) of any amount in excess of $250,000 up to and including $3,000,000; and twelve percent (12%) of any amount in excess of $3,000,000. If the bidder bids through a third-party platform the bidder agrees to pay us a surcharge equal to the fee levied by the third-party platform. The third-party platform fee is in addition to the buyer’s premium. 2. TAXES The successful bidder is responsible for any applicable taxes, including any sales or use tax or equivalent tax wherever such taxes may arise on the hammer price, the buyer’s premium, and/or any other charges related to the lot. A sales or use tax is dependent upon a number of factors, including, but not limited to, our volume of sale and the place of delivery of the lot, regardless of the nationality or citizenship of the successful bidder. The applicable sales tax rate will be determined based upon the state, county, or locale to which the lot will be shipped or where it is picked-up in person. We collect sales tax in states where legally required. 3. MAKING PAYMENT (a) Immediately following the auction, you must pay the purchase price, consisting of the hammer price, plus the buyer’s premium, plus any applicable duties and sales, use, or other applicable taxes. Payment is due no later than by the end of the seventh (7th) calendar day following the date of the auction, which we refer to as the due date. (b) We will only accept payment from the registered successful bidder. Once issued, we cannot change the buyer’s name on an invoice or reissue the invoice in a different name. (c) You must pay for lots in US dollars in one of the following ways: (i) Wire transfer. (ii) Bank checks: You must make these payable to Hindman LLC, and we may impose other conditions. Once we have deposited your check, property cannot be released until five (5) business days have passed. (iii) Personal checks: You must make these payable to Hindman LLC, and they must be drawn from US dollar accounts from a US bank. The property will not be released until the check has cleared and the funds are received by us. (iv) Cash: We accept cash payments (including money orders and traveler’s checks) subject to a maximum aggregate of US $10,000 per buyer, per sale. (d) You must quote your invoice number when making a payment. All payments sent by post must be sent to Hindman LLC, 1338 West Lake Street, Chicago, IL 60607, ATTN: Client Accounting Department. 4. TRANSFERRING OWNERSHIP TO YOU You will not own the lot and title will not pass to you until we have received full payment in good funds of the purchase price, even in circumstances where we have released the lot to you. 5. TRANSFERRING RISK TO YOU Unless we have agreed otherwise with you, the risk in and responsibility for the lot will transfer to you from whichever is the earlier of the following: (a) when you collect the lot; or (b) the end of the thirtieth (30th) day following the date of the auction or, if earlier, the date the lot is taken into care by a third-party warehouse. 6. YOUR FAILURE TO PAY If you fail to pay us the purchase price in full in good funds by the due date, we will be entitled to do one or more of the following (as well as enforce any other rights and remedies we have by law) at our sole discretion: (a) We can charge interest from the due date at a rate of up to one and onehalf percent (1.5%) per month on the unpaid amount due. (b) We can cancel the sale of the lot and sell the lot again, publicly or privately, on such terms as we believe appropriate, in which case you must pay us any shortfall between the amount you owe us and the resale price, plus all costs, expenses, losses, damages, and legal fees we incur due to the cancellation. (c) We can pay the seller the amount due to them, in which case you acknowledge and understand that we will have all the seller’s rights to pursue you for such amount.

(d) We can hold you legally responsible for the amount you owe us and bring legal proceedings against you to recover the amount owed by you, plus other losses, interest, legal fees, and costs as allowed by law. (e) We can reveal your identity and contact details to the seller. (f) We can reject any bids made by or on behalf of you in future auctions or require you to provide us with a deposit before accepting any bids. (g) We can exercise all the rights and remedies of a person holding security over any property in our possession owned by you, whether by way of pledge, security interest, or in any other way as permitted by the law of the place where such property is located. You will be deemed to have granted such security to us and we may retain such property as collateral security for your obligations to us. (h) We can take any other action we deem necessary or appropriate. 7. SHIPPING, COLLECTION, AND STORAGE (a) You must collect purchased lots within thirty (30) days of the auction. We can assist in making shipping arrangements by suggesting art handlers, packers, transporters, or experts, but you must arrange all transport and shipping with them, and we are not responsible for their acts, failure to act, or neglect. (b) If you do not collect any purchased lot within thirty (30) days following the auction, we may, at our sole option, (i) charge you storage and insurance costs; (ii) move the lot to another Hindman location or to a third-party warehouse, whereupon we will charge you transport costs, insurance costs, and administration fees for doing so, and you will be subject to the third-party storage warehouse’s standard terms and responsible for paying its standard fees and costs; or (iii) sell the lot in any commercially reasonable way we think appropriate. (c) In accordance with applicable state law, if you have paid for the lot in full but you do not collect the lot within the time specified by the law of the state where the auction takes place, we may charge you state sales tax for the lot. (d) Nothing in this paragraph is intended to limit our rights under paragraph D(6). 8. EXPORTING, IMPORTING, AND ENDANGERED SPECIES (a) The shipping of a lot is affected by United States export laws or the import laws of other countries. If you are outside the United States, then local laws may prevent you from importing a lot. You alone are responsible for seeking advice prior to bidding and meeting the requirements of any law or regulation applying to the export or import of a lot. (b) Lots made of or including (regardless of the percentage) endangered and other protected species of wildlife—such as, among other things, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whalebone, certain species of coral, and Brazilian rosewood—may be subject to export controls in the US and import controls in other countries. You should check the relevant wildlife laws and regulations before bidding on any lot containing wildlife material if you plan to export the lot from the United States, import the lot into another country, or ship the lot between states. Your purchase of a lot containing endangered and other protected species of wildlife is at your own risk, and you shall be responsible for any scientific test or other reports required for export from the United States or for shipment between states. We will not cancel your purchase and refund the purchase price if your lot may not be exported, imported, or shipped between states, or if it is seized for any reason by a government authority. It is your responsibility to determine and satisfy the requirements of any applicable laws or regulations relating to import, export, and/or interstate shipping of a lot containing endangered and other protected species of wildlife.

E. WARRANTIES

1. SELLER’S WARRANTIES For each lot, the seller gives a warranty that the seller (a) is the owner of the lot or a joint owner of the lot acting with the permission of the other co-owners or, if the seller is not the owner or a joint owner of the lot, has the permission of the owner to sell the lot or the right to do so by law; and (b) has the right to transfer ownership of the lot to the buyer without any restrictions or claims by anyone else. If either of the above warranties are incorrect, the seller shall not have to pay more than the purchase price (as defined in paragraph D(3) above) paid by you to us. The seller will not be responsible to you for any reason for loss of profits or business, expected savings, loss of opportunity or interest, costs, damages, other damages, or expenses. The seller gives no warranty other than as set out above, and as far as the seller is allowed by law, all warranties from the seller to you, and all other obligations upon the seller that may be added to this agreement by law, are excluded. No employee or agent of Hindman is authorized to make a representation or provide other information, whether orally or in writing, that amends the seller’s warranties or creates an additional warranty on behalf of the seller with respect to a lot. Any such representation, other information, or additional warranty shall be null and void.

VI EW T H E CO MPL ET E CATAL O G U E AT H I N D MAN A U C T I ONS . C OM

2. OUR LIMITED AUTHENTICITY WARRANTY Our limited authenticity warranty, which lasts for one (1) year from the date of a live auction or three (3) months from an online only auction, is that the lots in our sales are authentic as defined in paragraph H, below. You must notify Hindman regarding concerns of authenticity in writing within one (1) year of the date of a live auction or within three (3) months of the date of an online only auction. Following receipt of that written notification, subject to the terms below, Hindman will refund the purchase price paid by the client. The terms of this limited authenticity warranty are as follows: (a) It will be honored for claims notified in writing within a period of one (1) year from the date of a live auction or three (3) months from an online only auction. After such time, we will not be obligated to honor the limited authenticity warranty. (b) It is given only for information shown in UPPERCASE type in the first line of the catalogue description (the Heading). It does not apply to any information other than that in the Heading, even if it is shown in UPPERCASE type. (c) It does not apply to any Heading or part of a Heading that is qualified. “Qualified” means limited by a clarification in a lot’s catalogue description or by the use in a Heading of one of the terms listed in the definition of “qualified” provided in paragraph H, below. Qualified Headings are not covered at all by this limited authenticity warranty. (d) It applies to the Heading as amended by any saleroom notice. (e) It does not apply where scholarship has developed since the auction, leading to a change in generally accepted opinion. Further, it does not apply if the Heading either matched the generally accepted opinion of experts at the date of the auction or drew attention to any conflict of opinion. (f) It does not apply if the lot can only be shown not to be authentic by a scientific process that, on the date we published the catalogue, was not available or generally accepted for use, was unreasonably expensive or impractical, or was likely to have damaged the lot. (g) Its benefit is only available to the original buyer shown on the invoice for the lot, issued at the time of the sale, and only if, on the date of the notice of claim, the original buyer is the full owner of the lot and the lot is free from any claim, interest, or restriction by anyone else. The benefit of this limited authenticity warranty may not be transferred by the original buyer to anyone else. (h) In order to make a claim under the limited authenticity warranty, you must (i) give us written notice of your claim within one (1) year of the date of a live auction or three (3) months from an online only auction ; (ii) at our option, pay for and provide us with the written opinions of two recognized experts in the field, mutually agreed upon by you and us, confirming that the lot is not authentic (we reserve the right to obtain additional opinions at our expense); and (iii) return the lot at your expense to the saleroom from which you bought it in the condition it was in at the time of sale. (i) Your only right under this limited authenticity warranty is to cancel the sale and receive a refund of the purchase price paid by you to us. We will not, under any circumstances, be required to pay you more than the purchase price, nor will we be liable for any loss of profits or business, loss of opportunity or value, expected savings or interest, costs, damages, other damages, or expenses. (j) No employee or agent of Hindman is authorized to make a representation or provide additional information, whether orally or in writing, that amends the limited authenticity warranty or creates an additional warranty with respect to a lot. Any such representation, other information, or additional warranty shall be null and void. 3. ADDITIONAL WARRANTY FOR BOOKS If the lot is a book, then we give an additional warranty to the original buyer shown on the invoice for the lot issued at the time of the sale in the following circumstances: (a) We will refund the purchase price to the original buyer if we, in our sole discretion, are convinced that the book is defective in text or illustration, subject to the following terms: (i) This additional warranty does not apply to (A) the absence of blanks, half titles, tissue guards, or advertisements; or damage in respect of bindings, stains, spotting, marginal tears, or other defects not affecting the completeness of the text or illustration; (B) drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps, or periodicals; (C) books not identified by title; (D) lots sold without a printed estimate; (E) books that are described in the catalogue as sold not subject to return; or (F) defects stated in any condition report or announced at the time of sale. (ii) To make a claim under this additional warranty, you must give written details of the defect within twenty-one (21) days of the date of the sale and return the lot within twenty-one (21) days of the date of the sale to the saleroom at which you bought it in the same condition as at the time of sale. (iii) Paragraphs E(2)(b), (c), (d), (e), (h), and (i) also apply to a claim under this additional warranty. (c) No employee or agent of Hindman is authorized to make a representation or provide other information, whether orally or in writing, that amends the additional warranty for books or creates an additional warranty with respect to a lot. Any such representation, other information, or additional warranty shall be null and void. 96

J A PAN ESE AN D KO REAN WORKS OF ART

4. JEWELRY (a) Colored gemstones (such as rubies, sapphires, and emeralds) may have been treated to improve their appearance through methods such as heating and/or various clarity enhancements. These methods are considered common by the international jewelry trade but may make a gemstone more fragile and/or cause the gemstone to require special care over time. (b) All types of gemstones may have been improved by some method. You may request a gemological report for any item that does not have a report if the request is made to us at least three (3) weeks before the date of the auction and you pay the fee for the report. (c) We do not obtain a gemological report for every gemstone sold in our auctions. When we do get gemological reports from internationally accepted gemological laboratories, such reports are described in the catalogue. Reports from American gemological laboratories describe any improvement or treatment to the gemstone. Reports from European gemological laboratories describe any improvement or treatment only if we request that they do so, but they do confirm when no improvement or treatment has been made. Because of differences in approach and technology, laboratories may not agree on whether a gemstone has been treated, the amount of treatment, or whether that treatment is permanent. The gemological laboratories only report on the improvements or treatments known to them at the date they make the report. (d) For jewelry sales, estimates are based on the information in any gemological report. If no report is available, assume that the gemstones may have been treated or enhanced. 5. WATCHES AND CLOCKS (a) Almost all clocks and watches are repaired in their lifetime and may include parts that are not original. We do not give a warranty that any individual component part of any watch is authentic. Watchbands described as “associated” are not part of the original watch and may not be authentic. Clocks may be sold without pendulums, weights, or keys. (b) As collectors’ watches often have very fine and complex mechanisms, you are responsible for any general service, change of battery, or further repair work that may be necessary. We do not give a warranty that any watch is in good working order. Certificates are not available unless described in the catalogue. (c) Most wristwatches have been opened to find out the type and quality of movement. For that reason, wristwatches with water-resistant cases may not be waterproof, and we recommend you have them checked by a competent watchmaker before use. (d) Many of the watches offered for sale in this catalogue are pictured with straps made of endangered or protected animal materials such as alligator or crocodile skin. When straps are shown for display purposes only and are not for sale. We may remove and retain the strap prior to shipment from the sale site. Please check with the department for details on a lot with such a strap. 6. YOUR WARRANTIES You warrant to us and the seller that (a) the funds you use for payment are not connected with any criminal activity, including tax evasion, and neither are you under investigation, nor have you been charged with or convicted of money laundering, terrorist activities, or other crimes; (b) where you are bidding on behalf of another person, (i) you have conducted appropriate customer due diligence on the ultimate buyer(s) of the lot(s) in accordance with all applicable anti-money laundering and sanctions laws, you consent to us relying on this due diligence, you will retain for a period of not less than five (5) years the documentation evidencing the due diligence, and you will make such documentation promptly available for immediate inspection by an independent third-party auditor upon our written request to do so; (ii) the arrangements between you and the ultimate buyer(s) in relation to the lot or otherwise do not, in whole or in part, facilitate tax crimes; (iii) you do not know, and have no reason to suspect, that the funds used for payment are connected with or the proceeds of any criminal activity, including tax evasion, or that the ultimate buyer(s) are under investigation for, or have been charged with or convicted of, money laundering, terrorist activities, or other crimes.

F. OUR LIABILITY TO YOU

(a) We give no warranty in relation to any statement made, or information given, by us or our representatives or employees about any lot other than as set out in the limited authenticity warranty or in the additional warranty for books, and as far as we are allowed by law, all warranties and other terms that may be added to this agreement by law are excluded. The seller’s warranties contained in paragraph E(1) are their own, and we do not have any liability to you in relation to those warranties. (b) We are not responsible to you for any reason (whether for breaking this agreement or for any other matter relating to your purchase of, or bid for, any lot) other than in the event of fraud or fraudulent misrepresentation by us, or other than as expressly set out in these Conditions of Sale. (c) WE DO NOT GIVE ANY REPRESENTATION, WARRANTY, OR GUARANTEE

OR ASSUME ANY LIABILITY OF ANY KIND IN RESPECT OF ANY LOT WITH REGARD TO MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, DESCRIPTION, SIZE, QUALITY, CONDITION, ATTRIBUTION, AUTHENTICITY, RARITY, IMPORTANCE, MEDIUM, PROVENANCE, EXHIBITION HISTORY, LITERATURE, OR HISTORICAL RELEVANCE. EXCEPT AS REQUIRED BY LOCAL LAW, ANY WARRANTY OF ANY KIND IS EXCLUDED BY THIS PARAGRAPH. (d) Our written and telephone bidding services, online bidding services, and condition reports are free services, and we are not responsible to you for any error, omission, or failure of these services. (e) We have no responsibility to any person other than a buyer in connection with the purchase of any lot. (f) If, despite the terms in paragraphs F(a)–(e) or E(2)–(3) above, we are found to be liable to you for any reason, we shall not have to pay more than the purchase price paid by you to us. We will not be responsible to you for any reason for loss of profits or business, loss of opportunity or value, expected savings or interest, costs, damages, or expenses.

G. OTHER TERMS

1. OUR ABILITY TO CANCEL In addition to the other rights of cancellation contained herein, we can cancel a sale of a lot if (i) any of your warranties in paragraph E(4) are not correct; (ii) we reasonably believe that completing the transaction is, or may be, unlawful; or (iii) we reasonably believe that the sale places us or the seller under any liability to anyone else or may damage our reputation. 2. RECORDINGS We may videotape and/or audio record proceedings at any auction. We will keep any personal information confidential, except to the extent that disclosure is required by law. If you do not want to be videotaped, you may decide to make a telephone or written bid or bid online instead. Unless we agree otherwise in writing, you may not videotape or record proceedings at any auction. 3. COPYRIGHT We own the copyright in all images, illustrations, and written material produced by or for us relating to a lot, including the contents of our catalogues, unless otherwise noted therein. You cannot use them without our prior written permission. We make no representation and offer no guarantee that the buyer of a lot will gain any copyright or other reproduction rights. 4. ENFORCING THIS AGREEMENT If a court finds that any part of this agreement is invalid, illegal, or impossible to enforce, that part of the agreement will be treated as being deleted, and the rest of this agreement will not be affected. 5. TRANSFERRING YOUR RIGHTS AND RESPONSIBILITIES You may not grant a security over or transfer your rights or responsibilities under these terms unless we have given our written permission. This agreement will be binding on your successors or estate and anyone who takes over your rights and responsibilities. 6. PERSONAL INFORMATION We will hold and process your personal information in line with our privacy policy at www.hindmanauctions.com. 7. WAIVER No failure or delay to exercise any right or remedy contained herein shall constitute a waiver of that or any other right or remedy, nor shall it prevent or restrict the further exercise of that or any other right or remedy. No single or partial exercise of such right or remedy shall prevent or restrict the further exercise of that or any other right or remedy. 8. LAW AND DISPUTES This agreement, and any noncontractual obligations arising out of or in connection with this agreement, or any other rights you may have relating to the purchase of a lot will be governed by the laws of Illinois. Before we or you start any court proceedings (except in the limited circumstances where the dispute, controversy, or claim is related to proceedings brought by someone else and this dispute could be joined to those proceedings), you and we agree to try to settle the dispute by mediation submitted to JAMS, or its successor, for mediation in Illinois. If the dispute is not settled by mediation within sixty (60) days from the date when mediation is initiated, then the dispute shall be submitted to JAMS, or its successor, for final and binding arbitration in accordance with its Comprehensive Arbitration Rules and Procedures or, if the dispute involves a non-US party, the JAMS International Arbitration Rules. The seat of the arbitration shall be Illinois, and the arbitration shall be conducted by one arbitrator, who shall be appointed within thirty (30) days after the initiation of the arbitration. The language used in the arbitral proceedings shall be English. The arbitrator shall order the production of documents only upon a showing that such documents are relevant and material to the outcome of the dispute. The arbitration shall be confidential, except to the extent necessary to enforce a judgment or where disclosure is required by law. The arbitration award shall be final and binding on all parties involved. Judgment upon the award may be entered by any court having jurisdiction thereof or having jurisdiction over the relevant party or its assets. This

arbitration and any proceedings conducted hereunder shall be governed by Title 9 (Arbitration) of the United States Code and by the United Nations Convention on the Recognition and Enforcement of Foreign Arbitral Awards of June 10, 1958.

H. GLOSSARY

authentic: a genuine example, rather than a copy or forgery of (a) the work of a particular artist, author, or manufacturer, if the lot is described in the Heading as the work of that artist, author, or manufacturer; (b) a work created within a particular period or culture, if the lot is described in the Heading as a work created during that period or culture; (c) a work of a particular origin or source, if the lot is described in the Heading as being of that origin or source; or (d) in the case of gems, a work that is made of a particular material, if the lot is described in the Heading as being made of that material. buyer’s premium: the charge the buyer pays us along with the hammer price. catalogue description: the description of a lot in the catalogue for the auction, as amended by any saleroom notice. due date: has the meaning given to it in paragraph D(3)(a). estimate: the price range included in the catalogue or any saleroom notice within which we believe a lot may sell. Low estimate means the lower figure in the range, and high estimate means the higher figure. The mid estimate is the midpoint between the two. hammer price: the amount of the highest bid the auctioneer accepts for the sale of a lot. Heading: has the meaning given to it in paragraph E(2). limited authenticity warranty: the guarantee we give in paragraph E(2) that a lot is authentic. other damages: any special, consequential, incidental, or indirect damages of any kind or any damages that fall within the meaning of “special,” “incidental,” or “consequential” under local law. purchase price: has the meaning given to it in paragraph D(3)(a). provenance: the ownership history of a lot. qualified: has the meaning given to it in paragraph E(2), subject to the following terms: (a) “Cast from a model by” means, in our opinion, a work from the artist’s model, originating in his circle and cast during his lifetime or shortly thereafter. (b) “Attributed to” means, in our opinion, a work probably by the artist. (c) “In the style of” means, in our opinion, a work of the period of the artist and closely related to his style. (d) “Ascribed to” means, in our opinion, a work traditionally regarded as by the artist. (e) “In the manner of” means, in our opinion, a later imitation of the period, of the style, or of the artist’s work. (f) “After” means, in our opinion, a copy or after-cast of a work of the artist. reserve: the confidential amount below which we will not sell a lot. saleroom notice: a written notice posted next to the lot in the saleroom and on www.hindmanauctions.com, which is also read to prospective telephone bidders and provided to clients who have left commission bids, or an announcement made by the auctioneer either at the beginning of the sale or before a particular lot is auctioned. UPPERCASE type: type having all capital letters. warranty: a statement or representation in which the person making it guarantees that the facts set out in it are correct. Updated 9/20

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B I D FOR M

FX 312.280.1211 EMBID@HINDMANAUCTIONS.COM

Online registration/bid requests must be received at least 24 hours before the auction begins. Hindman LLC will confirm all bids received by fax or by return email. Phone bids will not be accepted on lots with a low estimate below $300. Hindman LLC allows absentee and telephone bidding registration through our website at hindmanauctions.com

NAME

Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The normal bidding increments are:

SALE No./NAME

830 - Japanese and Korean Works of Art BUSINESS NAME

BILLING ADDRESS

CITY

STATE

$0 – 200 $200 – 500 $500 – 1,000 $1,000 – 2,000 $2,000 – 5,000 $5,000 – 10,000 $10,000 – 20,000 $20,000 – 50,000 $50,000 – 100,000 $100,000 – 200,000 $200,000 +

$10 $25 $50 $100 $200 $500 $1,000 $2,000 $5,000 $10,000 AUCTIONEER’S DISCRETION

For absentee bids, indicate your limit for each lot. Your bids will be excecuted at the lowest prices allowed by reserves and competing bids. If we receive more than one bid of the same value, the first one received will take precedence.

COUNTRY/ZIP

CONTACT NAME

A per lot buyer’s premium is added to the final hammer price as per the following:

PRIMARY PHONE

SECONDARY PHONE

FAX

$0 – 250,000 $250,001 – 3,000,000 $3,000,001 +

25% 20% 12%

Hindman LLC is not responsible for failure or other inadvertent errors relating to the execution of your bids.

I authorize Hindman LLC to bid on my behalf up to the amount stated below. By bidding at auction you agree to be bound to the Conditions of Sale as stated in the sale catalogue and on our website.

SI G N ATU R E

DATE

( F O R H I N D MAN LC C )

DATE

First time bidders please provide a valid credit card and one of the following: Passport/Driver’s License/National Identity Card

LOT No.

LOT DESCRIPTION

ABSENTEE BID

PHONE BID

BACK-UP BID

U S D ( $ ) L I M I T E X CL. B UYER ’S PREMIUM

PLEAS E C H EC K

F O R TELEPH O N E B ID D ER S O N LY

1338 WEST LAKE STREET CHICAGO, ILLINOIS 60607 PH 312.280.1212 FX 312.280.1211 EMBID@HINDMANAUCTIONS.COM HINDMANAUCTIONS.COM

How did you hear about Hindman?

J A PAN ESE AN D KO REAN WORKS OF ART

1338 West L ake Street Chicago, Illinois 60607 l ph 312.280.1212 l hindmanauctions.com