STEPPING INTO TOMORROW POST WAR ART & DESIGN | JULY 29, 2021
STEPPING INTO TOMORROW POST WAR ART & DESIGN SALE 915 July 29, 2021 10am CT | Chicago Lots 1–248 P R E V I E W B Y A P P O I N T ME N T O N LY P RO P E R T Y P I C K U P H O U R S Monday - Friday | 9:00am – 4:30pm By appointment only. All property must be paid for within seven days and picked up within thirty days per our Conditions of Sale. CONTENTS Post War & Art & Design | Lots 1-248 6-261 Artist Index 262 Hindman Team 264 Auction Inquiries 265 Conditions of Sale 268 All lots in this catalogue with a lower estimate value of $1,500 and above are searched against the Art Loss Register database.
To view the complete catalogue, Conditions of Sale and Sign up to bid, visit hindmanauctions.com
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FRONT COVER
Lot 227 | Lee Hall (American, 1935-2017) Dusk Jam
OPPOSITE
Lot 95A | Mauro Perucchetti (Italian, b. 1949) Sex and the City, 2011
© Hindman LLC 2021 Illinois Auctioneers License Number: 444.000521; Colorado Auctioneers License Number: 1057930; Wisconsin Auctioneers License Number 425-53; Florida Auctioneers License Number: AB3688; Missouri Auctioneers License Number: 92444; Georgia Auctioneers License Number: AU-C003121; Ohio Auctioneers License Number: 2019000131
P RO P E R T Y F RO M T H E T R U S T S A N D E S TAT E S O F Joshua B. Kind, Downers Grove, Illinois Joan Skewes-Cox Malone P RO P E R T Y F RO M T H E C O L L E C T I O N S O F Mrs. A. Edward Allinson Dr. Mark List Cohen and Jane Cohen, Atlanta, Georgia A Gentleman, Denver, Colorado Stephen and Katherine Harrison, Chicago, Illinois Homer E. Noble, Denver, Colorado Mary Lu R. Roffe, Chicago, Illinois Leonard Stark, Chicago, Illinois Ginny L. Williams, Denver, Colorado A Private Collector, Cambridge, Maryland A Private Collector, Chicago, Illinois A Private Collector, Franklin, Wisconsin A Private Collector, Scottsdale, Arizona The Western Union Company P RO P E R T Y S O L D T O B E N E F I T The Acquisition Fund of the Indianapolis Museum of Art at Newfields
O P P O S I TE Lot 207 | KAWS (American, b. 1974) FOUR FOOT COMPANION (Black) , 2007
POST WAR ART & DESIGN LOTS 1 – 248
*1
Jeremy Dickinson
(British, b. 1963) 40 Foot (Consent Leasing), 1998 oil on canvas signed Jeremy Dickinson, titled and dated (verso) 10 1/8 x 14 inches. Property from the Ginny L. Williams Collection, Denver, Colorado Provenance: Nils Stærk, Copenhagen $1,000 - 2,000
6
POST WAR ART & DESIGN
*2
Alik Cavaliere
(American, 1926-1998) The Money-Box from Toys by Artists, 1972 wire, steel and Plexiglas from the edition on 2000 8 x 7 1/4 x 5 5/8 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields Provenance: Bonnier International Design, New York $800 - 1,200
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
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3
Gastone Rinaldi
(Italian, 1920-2006) Pair of Pan Am Chairs RIMA, Italy chrome-plated steel, upholstery H 30 x Dia 25 inches. $500 - 600
8
POST WAR ART & DESIGN
*4
Ben Grasso
(American, b. 1979) Adaptation, 2011 oil on canvas signed Ben Grasso, titled and dated (verso) 70 x 50 inches. Property from the Ginny L. Williams Collection, Denver, Colorado $2,000 - 4,000 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
9
*5
Ben Grasso
(American, b. 1979) Caution, 2011 oil on canvas signed Ben Grasso, titled and dated (verso) 96 x 72 inches. Property from the Ginny L. Williams Collection, Denver, Colorado $3,000 - 5,000
10
POST WAR ART & DESIGN
*6
Salvador Dalí
(Spanish, 1904-1989) Important is the Rose, 1967 glass and rose thorns inscribed Dali, dated, stamped Daum and numbered 44/150 12 1/8 x 9 1/4 x 4 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields Bruce Hochman TM O.S. has kindly confirmed the authenticity of this lot. $1,500 - 2,500
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
11
7
Jenness Cortez
(American, b. 1944) Be Here Now, 2018 acrylic on panel signed Cortez and dated (lower left); titled (verso) 24 x 18 inches. Provenance: Harmon-Meek Gallery, Naples, Florida $5,000 - 7,000
12
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*8
Christina Burch
(American, b. 1972) Sea of Blood, 2009 acrylic on canvas signed Christina Burch and dated (verso) 23 1/4 x 23 1/4 inches. Property from the Ginny L. Williams Collection, Denver, Colorado Provenance: Voltz Clarke Gallery, New York Sold: Christie’s New York, March 10, 2011, Lot 161 $1,000 - 2,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
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9
Amy Sillman
(American, b. 1966) Prize, 1997 oil on canvas signed Amy Sillman, titled and dated (verso) 72 x 60 inches. Provenance: Casey Kaplan Gallery, New York $15,000 - 25,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
15
*10
Ann Hamilton
(American, b. 1956) Untitled (Horsecollar), 1993 linen and hand-sewn white horsehair AP VII/VIII 5 1/2 x 19 3/4 x 19 3/4 inches. Property from the Ginny L. Williams Collection, Denver, Colorado Provenance: Sean Kelly, New York $3,000 - 5,000
16
POST WAR ART & DESIGN
11
iGuzzini
Italy, Mid 20th Century Baobab Table Lamp acrylic, enameled metal manufacturer’s label to shade H 25 x Dia 17 1/2 inches. $500 - 700
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
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*12
*13
Ann Hamilton
Ann Hamilton
Property from the Ginny L. Williams Collection, Denver, Colorado
Property from the Ginny L. Williams Collection, Denver, Colorado
Provenance: Sean Kelly, New York $1,000 - 2,000
Provenance: Sean Kelly, New York $1,000 - 2,000
(American, b. 1956) Untitled, 1992 book and stones with lacquer AP V/XIV 3 5/8 x 9 1/4 x 38 5/8 inches.
(American, b. 1956) Untitled, 1992 book and stones with lacquer AP VI/XIV 4 1/2 x 38 x 9 inches.
12
13
18
POST WAR ART & DESIGN
14
Ludwig Mies van der Rohe (German/American, 1886-1969) Set of Eight BRNO Chairs Knoll, USA chrome-plated steel, upholstery manufacturer’s label to underside H 32 x W 22 x D 24 inches. $1,000 - 2,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
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15
Modernist
Mid 20th Century Articulated Wall Light chrome-plated steel, enameled aluminum H 27 x Dia 21 inches. $300 - 400
20
POST WAR ART & DESIGN
16
Bruce Nauman
(American, b. 1941) Suck Cuts, 1973 lithograph signed, dated and inscribed P.P. II in pencil 25 x 26 inches. $1,500 - 2,500
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
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17
Barbara Kruger
(American, b. 1945) I Shop Therefore I Am, 1990 photolithograph on paper shopping bag from the edition of 9000 17 1/2 x 11 inches. Published by Kölnischer Kunstverein, Cologne Printed by Zechel & Co. GmbH, Oberndorf/ Neckar, Germany $500 - 700
22
POST WAR ART & DESIGN
*18
Marvin Lowe
(American, 1927-2010) Red Limit, 1978 acrylic and canvas on cardboard signed Marvin Lowe, titled and dated (verso) 26 1/2 x 30 3/4 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $150 - 250
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
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19
Robert Gober
(American, b. 1954) Untitled, 1997 double sided lithograph in double sided frame edition of 40 + 12AP 4 1/2 x 6 1/2 inches. $1,000 - 2,000
24
POST WAR ART & DESIGN
20
Uri Aran
(Israeli, b. 1977) Untitled, 2013 graphite, colored pencil, pen and print on transfer paper dated (lower left) 11 x 14 inches. Provenance: White Columns 2013 Benefit Auction, New York $1,000 - 2,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
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21
HC Westermann
(American, 1922-1981) Untitled (To Rolf Nelson), 1963-68 (a group of six embellished envelopes) ink on paper each signed and inscribed Each: 4 x 9 1/2 inches. $1,500 - 2,500
26
POST WAR ART & DESIGN
22
HC Westermann
(American, 1922-1981) Untitled (Merry Christmas Rolf + Doreen), 1970 ink and watercolor on paper signed Cliff and dated (lower right) 10 1/2 x 8 inches. $600 - 800
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
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23
Charles and Ray Eames
(American, 1907-1978 | American, 1912-1988) Set of Six DCM Chairs Herman Miller, USA walnut plywood, chrome-plated steel, rubber manufacturer’s decal and paper labels to underside H 29 3/4 x W 19 1/2 x D 20 inches. $800 - 1,200
28
POST WAR ART & DESIGN
*24
Linda Stojak
(American, 20th century) Untitled #LS91-03, 15, 17, 39 and 62, (Five Works) mixed media signed and dated (verso) Largest: 24 x 24 inches. Property from the Ginny L. Williams Collection, Denver, Colorado $2,000 - 4,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
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*25
Fritz Koenig
(German, 1924-2017) Schaukel, 1961 bronze inscribed Koenig from the edition of 3 26 x 24 x 5 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields We gratefully acknowledge Dr. Dietrich Clarenbach for his assistance in cataloguing this lot Literature: Clarenbach, Dietrich, Fritz Koenig: Werkverzeichnis, Munich, 2003, no. 260 $20,000 - 40,000
30
POST WAR ART & DESIGN
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
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*26
Miguel Ortiz Berrocal
(Spanish, 1933-2006) Romeo e Giulietta, c. 1967 brass from an edition of 2000, impressed signature and number to underside ‘berrocal 385’ H 6 x W 8 1/2 x D 4 1/2 inches. Property from the Collection of Dr. Mark List Cohen and Jane Cohen, Atlanta, Georgia Provenance: Collection of Vera List, New York Thence by descent to the present owner $1,000 - 2,000
32
POST WAR ART & DESIGN
*27
Pablo Serrano
(Spanish, 1910-1985) Bull, 1955 marble inscribed Serrano 14 x 12 x 10 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $300 - 500
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
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*28
Victor Pasmore
(British, 1908-1998) Untitled, 1980 screenprint signed, dated and numbered 64/100 in pencil 24 3/4 x 22 inches. Property from a Private Collector, Franklin, Wisconsin $800 - 1,200
34
POST WAR ART & DESIGN
*29
Victor Pasmore
(British, 1908-1998) Points of Contact No. 24, 1974 screenprint signed, dated and numbered 65/70 in pencil 26 1/2 x 24 inches. Property from a Private Collector, Franklin, Wisconsin $800 - 1,200
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
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30
Arne Jacobsen
(Danish, 1902-1971) Sevener Desk Armchair, model 3217 Fritz Hansen, Denmark teak, chrome-plated steel, plastic stamped ‘FH Made in Denmark’ to underside H 31 x W 25 x D 16 inches. $800 - 1,200
36
POST WAR ART & DESIGN
*31
Julius Bissier
(German, 1893-1965) 4 Oct 61 (Lambda Pi Gamma), 1961 egg tempera on cotton signed Julius Bissier and dated (lower left) 6 1/2 x 9 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields Provenance: Lefebre Gallery, New York The Robert and Traude Hensel Collection $4,000 - 6,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
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32
Bill Curry
(American, 1927-1971) Table Lamp Stemlite, USA enameled metal, frosted glass manufacturer’s paper label to base H 26 x Dia 12 inches. $500 - 700
38
POST WAR ART & DESIGN
33
Tom Wesselmann
(American, 1931-2004) Still Life with Radio from the New York Ten portfolio, 1965 embossed paper with pencil additions signed, dated and numbered 183/200 in pencil 16 3/4 x 22 inches. $1,000 - 2,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
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*34
Rachel bas-Cohain
(American, 1937 - 1982) After Giorgio Morandi: Nature Morte, 1981 silk organza, eye shadow, plexiglass, thread 27 x 24 5/8 x 17 1/4 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $200 - 400
40
POST WAR ART & DESIGN
35
Peter Løvig Nielsen
(Danish, 1915-1989) Flip-Top Desk Løvig Dansk, Denmark teak manufacturer’s brand and label to underside H 34 x W 63 3/4 x D 28 3/4 inches. $1,000 - 2,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
41
*36
Rachel bas-Cohain
(American, 1937 - 1982) Ribbons of Bubbles 3/4 inch, 1970 soapy water, air pump, plexiglass, diffracted sunlight 36 x 36 x 3/4 in. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $200 - 400
42
POST WAR ART & DESIGN
*37
Murray Jones
(American, 1915-1964) Lake Series, 1964 Japanese paper and oil on Masonite signed Murray Jones and dated (verso) 48 x 48 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $300 - 500
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
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38
Robert Nickle
(American, 1919-1980) Untitled (#80702), 1972-73 signed ROBERT NICKLE (lower right); signed and dated verso 12 1/4 x 15 1/2 inches. Provenance: Richard Gray Gallery, Chicago Robert Henry Adams Fine Art, Chicago Sold: Hindman Auctions. March 27, 2019, Lot 1022 Acquired from the above by the present owner $1,500 - 2,500
44
POST WAR ART & DESIGN
39
Mexican
Mid 20th Century Pair of Lounge Chairs lacquered wood, rush H 26 3/4 x W 22 3/4 x D 31 inches. $1,000 - 2,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
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*40
Illum Wikkelso, Attribution
Mid 20th Century Coffee Table teak, glass H 20 1/4 x W 48 x D 37 1/2 inches. Jeffrey and Rebecca Kojder, Lafayette, Indiana $500 - 700
46
POST WAR ART & DESIGN
41
Danish
Mid 20th Century Credenza teak H 31 3/4 x W 86 3/4 x D 18 1/2 inches. $1,000 - 2,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
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*42
Murray Jones
(American, 1915 - 1964) Horyu IV, 1959 mixed media on board signed Murray Jones (verso) 72-3/4 x 37 x 1 1/2 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $300 - 500
48
POST WAR ART & DESIGN
43
Louise Nevelson
(American, 1899–1988) Untitled, 1975 etching with aquatint signed, dated and numbered 85/90 in pencil 29 3/4 x 20 inches. Provenance: Van Straaten Gallery, Chicago $800 - 1,200
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
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44
William Carlson
(American, b. 1950) Perfume Bottle Sculpture, 1989 cast, polished, and laminated glass, mixed stone signed ‘William Carlson 1989’ H 7 3/4 x W 11 x D 4 1/4 inches. $800 - 1,200
50
POST WAR ART & DESIGN
*45
George E. Ortman
(American, 1926-2015) Start, 1971 cast aluminum 26 1/2 x 18 x 5 5/8 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $800 - 1,200
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
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46
Sol LeWitt
(American, 1928-2007) Untitled (Four Tiles), 1985 Majolica tiles each signed LeWitt and dated 9 3/4 x 9 3/4 inches. $1,500 - 2,500
52
POST WAR ART & DESIGN
*47
Charles Jones
(American, 1950-2020) Four Horsemen, 1976 spray paint on honeycomb aluminum Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $200 - 400
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
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*49
Rinaldo Paluzzi
(American, 1927-2013) Spacial Construction, 1973 acrylic on wood 59 x 90 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $400 - 600
54
POST WAR ART & DESIGN
*50
Rinaldo Paluzzi
(American, 1927-2013) Spacial Construction, 1974 acrylic on canvas signed R Paluzzi, titled and dated (verso) 69 1/2 x 69 1/2 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $400 - 600
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
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POST WAR ART & DESIGN
*51
Rinaldo Paluzzi
(American, 1927-2013) Spacial Construction Series #46-48, 1972 (triptych) acrylic on canvas signed R Paluzzi, titled and dated (verso) 50 x 150 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $1,000 - 2,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
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52
Roberto Monsani
(Italian, b. 1929) Life Collection Illuminated Wall Unit Acerbis, Italy lacquered board, laminate, smoked glass impressed manufacturer’s mark Assembled | H 87 1/2 x 82 1/2 x 23 3/4 inches. $2,000 - 4,000
58
POST WAR ART & DESIGN
53
Disderot
France, Mid 20th Century Pair of Sconces, model 2091, c. 1968 folded anodized aluminum H 9 3/4 x W 9 3/4 x D 5 1/2 inches. $1,000 - 2,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
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54
Florence Knoll
(American, 1917-2019) Credenza Knoll Associates, USA rosewood, chrome-plated steel manufacturer’s label to back H 25 1/2 x W 74 1/2 x 18 1/4 inches. $2,500 - 3,500
60
POST WAR ART & DESIGN
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
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55
Charles and Ray Eames
(American, 1907-1978 | American, 1912-1988) Lounge Chair and Ottoman, model 670 and model 671 Herman Miller, USA rosewood plywood, leather, enameled aluminum, rubber manufacturer’s paper labels to underside Chair | H 32 x W 33 x D 30 inches. $2,500 - 3,500
62
POST WAR ART & DESIGN
*56
Pablo Serrano
(Spanish, 1910-1985) The Vault of Man, 1962 bronze inscribed Serrano and dated 13 1/2 x 14 x 13 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $700 - 900
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
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57
Eero Saarinen
(Finnish/American, 1910-1961) Womb Chair, c. 1950s Knoll Associates, USA upholstery, chrome-plated steel manufacturer’s label to underside H 35 1/2 x W 39 x D 30 inches. Property from the Joan Skewes-Cox Malone Estate $1,000 - 1,500
64
POST WAR ART & DESIGN
58
Italian
Late 20th Century Travertine Coffee Table foil label ‘Made In Italy’ to underside H 17 1/4 x W 55 x D 28 inches. $500 - 700
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
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59
Warren McArthur
(American, 1885-1961) Pair of Lounge Chairs Namco, Australia aluminum, leather H 33 x W 24 x D 26 inches. $1,500 - 2,500
66
POST WAR ART & DESIGN
*60
Étienne Hajdu
(French, 1907 - 1996) La Femme au Chignon, 1956 pink marble inscribed Hadju 27 1/2 x 19 1/2 x 7 7/8 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $700 - 900
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
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61
Italian
Late 20th Century Travertine Coffee Table foil label ‘Made In Italy’ to underside H 19 3/4 x W 28 1/2 x D 28 1/2 inches. $300 - 600
68
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62
Kipp Stewart
(American, b. 1928) Chaise Lounge Terra, USA bronze tubing, nylon cord H 22 1/2 x W 77 x D 23 inches. $800 - 1,200
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
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*63
Takis
(Greek, 1925-2019) Magnetic Sandbox and Magnetic Sandbox from Toys by Artists, 1972 steel, magnet and Formica numbered 93/2000 and 127/2000 each 12 x 12 x 4 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields Provenance: Bonnier International Design $600 - 800
70
POST WAR ART & DESIGN
64
Richard Koppe
(American, 1916-1973) Untitled, 1954 ink on paper signed Koppe and dated (lower right) 20 x 26 inches. $500 - 700
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
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*65
Michael Kidner
(English, 1917-2009) The Elastic Membrane (set of 9), 1979 paper, plexiglas, elastic, ink and metal signed and numbered 216/300 in pencil 17 1/2 x 14 x 3 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $800 - 1,200
72
POST WAR ART & DESIGN
*66
Tony Rosenthal
(American, 1914-2009) Disco, 1969 brass inscribed Rosenthal Diameter: 6 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $1,000 - 2,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
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Cy Mann
Cy Mann
(American, 20th Century) Benz Linear Settee Mann Designs, USA leather, chrome-plated steel manufacturer’s label to underside H 30 x W 71 1/2 x D 34 1/4 inches. $400 - 600
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POST WAR ART & DESIGN
(American, 20th Century) Benz Linear Settee Mann Designs, USA leather, chrome-plated steel manufacturer’s label to underside H 30 x W 71 1/2 x D 34 1/4 inches. $400 - 600
69
Gordon and Jane Martz
(American, 1924-2015 | American, 19292007) Table Lamp Marshall Studios, USA glazed stoneware, walnut, linen signed H 17 x Dia 7 inches. $300 - 500
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
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*70
Jean Davidson
(American, 1923-2003) Untitled, 1985 oil and charcoal on linen signed Jean Davidson and dated (verso) 78 x 60 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $300 - 500
76
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*71
Gary Freeman
(American, 1937-2014) Untitled, 1971 aluminum and bronze 48 3/4 x 42 1/4 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $200 - 400
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
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*72
Étienne Hajdu
(French, 1907-1996) Danse Espagnole, 1954 aluminum bas relief 38 x 38 x 5 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $5,000 - 7,000
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73
Livio Seguso
Italian, Mid 20th Century Untitled Sculpture sommerso glass signed ‘Livio Seguso’ Overall | H 15 x Dia 5 1/2 inches. $400 - 600
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
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74
Charles and Ray Eames
(American, 1907-1978 | American, 1912-1988) Aluminum Group Lounge Chair and Ottoman Herman Miller, USA cast aluminum, leather, enameled steel, plastic, upholstery impressed manufacturer’s mark to underside Chair | H 39 3/4 x W 22 x D 25 3/4 inches. Property from a Gentleman, Denver, Colorado $700 - 900
80
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*75
Sasson Soffer
(American, 1925-2009) Study for ‘Midmien’, 1970 stainless steel inscribed Sasson Soffer and numbered 25/70 10 x 4 3/4 x 10 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $200 - 400
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
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Artist Unknown
(American, 20th century) Untitled (Reeds) nails, wire and wood Height: 28 inches. $200 - 400
82
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77
Georges Liautaud (Haitian, 1899-1991) The Devil, c. 1960 metal inscribed G. Liautaud Height: 22 inches. $800 - 1,200
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
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*78
Dimitri Hadzi
(American, 1921-2006) Centaur Abducting a Woman, 1953 Bronze 32 3/8 x 40 x 16 1/2 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $2,000 - 4,000
84
POST WAR ART & DESIGN
*79
Luciano Minguzzi
(Italian, 1911-2004) Studio per ombre nel bosco (Study for Shadows), 1959 Bronze inscribed Minguzzi 39 x 52 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $2,000 - 4,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
85
80
Richard Hunt
(American, b. 1935) Untitled, 1986 bronze inscribed R. Hunt and dated 41 x 25 x 13 inches. $6,000 - 8,000
86
POST WAR ART & DESIGN
*81
Etienne Beothy
(French, 1897-1961) Marin I, 1951 bronze inscribed E Beothy, titled, dated and numbered 1/3 38 x 6 1/2 x 3 1/8 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $3,000 - 5,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
87
*82
Walter Channing
(American, 1940-2015) Red Pencil, 1976 wood and paint 76 x 10 1/4 x 11 1/2 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $200 - 400
88
POST WAR ART & DESIGN
*83
Walter Channing
(American, 1940-2015) Ruler, 1976 wood signed Walter Channing and dated 71 1/2 x 14 3/4 x 12 1/4 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $200 - 400
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
89
*84
Rinaldo Paluzzi
(American, 1927 - 2013) Construction, 1964 bronze inscribed Paluzzi and dated 58 x 11 x 10 1/2 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $300 - 500
90
POST WAR ART & DESIGN
*85
Terence Main
(American, b. 1954) Amity, from Apparition Series, 1989 cast bronze, glass, 12v Halogen lamp inscribed Main, titled and dated 90 x 18 x 15 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $800 - 1,200
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
91
86
Bertil Vallien
(Swedish, b. 1938) Head 7, 1996 Kosta Boda, Sweden sand-cast glass, steel, iron, wood signed ‘B. Vallien Kosta Boda Unique 959252’ Overall | H 72 x W 13 3/4 x D 13 3/4 inches. Property from a Private Collection Provenance: Heller Gallery, New York $3,000 - 5,000
92
POST WAR ART & DESIGN
87
Bertil Vallien
(Swedish, b. 1938) Untitled Sculpture cast, polished and hotworked glass, steel, wood signed ‘B. Vallien, 7531461, Kosta Boda Unique’ Overall | H 15 x W 14 x D 7 inches. $2,000 - 4,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
93
88
Martin Kippenberger
(German, 1953–1997) Vom Scheitel bis zur Speiseröhre, 1990 wood, key fob and photograph signed and dated in pencil; annotated E.A. in pen, aside from the edition of 100 11 x 2 x 2 inches. $600 - 800
94
POST WAR ART & DESIGN
89
Nina Beier
(Danish, b. 1975) Plunge, 2015 broom, coins, resin and glass head 5 1/4 x 13 x 6 3/4 inches. $2,000 - 3,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
95
90
Christopher Ries
(American, b. 1952) Triumph, 2000 cut and polished optical crystal signed ‘Christopher Ries’ H 19 1/4 x W 13 x D 4 1/2 inches. $5,000 - 7,000
96
POST WAR ART & DESIGN
91
Jon Kuhn
(American, b. 1949) Endless Visions, 2000 cut and laminated glass, stainless steel signed ‘Jon Kuhn 2003 Endless Visions’ H 19 x W 12 1/4 x D 12 1/4 inches. $4,000 - 6,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
97
92
Jon Kuhn
(American, b. 1949) Spinning Stratus, 2001 cut and laminated glass, stainless steel signed ‘Jon Kuhn 2001 Spinning Stratus’ H 17 1/4 x Dia 14 1/4 inches. $6,000 - 8,000
98
POST WAR ART & DESIGN
*93
George Segal
(American, 1924-2000) Sleeping Woman, 1970 plaster and gauze edition 118/125, signed G Segal (underside) 17 3/4 x 12 1/4 x 10 1/4 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $700 - 900
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
99
94
Arman
(American/French, 1928–2005) Diana (Noli me Tanere), 1986 bronze inscribed Arman and numbered EA 3/3 70 x 31 1/4 x 19 1/4 inches. $15,000 - 25,000
100 P O S T WA R A R T & D E S I G N
95
Arman
(American/French, 1928-2005) Untitled clock parts encased in resin Height: 8 1/2 inches. Provenance: Neiman Marcus $2,000 - 4,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 101
102 P O S T WA R A R T & D E S I G N
95A
Mauro Perucchetti
(Italian, b. 1949) Sex and the City, 2011 pigmented resin, stainless steel and Swarovski crystals on acrylic panel inscribed Mauro Perucchetti and numbered 4/8 63 x 63 x 10 inches. Provenance: Halcyon Gallery, London $30,000 - 50,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 103
96
Paul Stankard
(American, b. 1943) Floating Golden Orb Column lampworked glass, polished clear glass H 7 3/4 x W 5 x D 4 1/4 inches. $2,000 - 4,000
104 P O S T WA R A R T & D E S I G N
*97
Feliciano Béjar
(Mexican, 1920-2007) Triangle of Time, 1979 mixed media 27 1/2 x 31 x 11 3/4 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $800 - 1,200
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 105
*98
Luis Fernando Benedit
(Argentinian, 1937-2011) Bird Habitat from Toys by Artists, 1972 Plexiglas stamped Luis F. Benedit and numbered 70/2000 20 x 18 1/8 x 10 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields Provenance: Bonnier International Design, New York $800 - 1,200
106 P O S T WA R A R T & D E S I G N
*99
Luis Fernando Benedit
(Argentinian, 1937-2011) Hamster Habitat from Toys by Artists, 1972 Plexiglas and plastic stamped Luis F. Benedit and numbered 157/2000 24 x 15 5/8 x 7 5/8 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields Provenance: Bonnier International Design, New York $800 - 1,200
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 107
*100
Giorgio Scarpa
(Italian, 1938-2012) The Geoform from Toys by Artists, 1972 polyvinylchloride tubes stamped Giorgio Scarpa and numbered 279/2000 from the edition of 2000 dimensions variable; 68 x 68 inches at largest. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields Provenance: Bonnier International Design, New York $200 - 400
108 P O S T WA R A R T & D E S I G N
*101
Michael Tyzack
(British, 1933-2007) NOCTURNE, 1972 acrylic on canvas signed Michael Tyzack, titled and dated (verso) 78 x 54 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $300 - 500
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 109
*102
Shiro Kuramata
(Japanese, 1934-1991) Hammer House Time Studio, Japan zinc alloy, ebonized wood manufacturer’s label to packaging and hammer H 2 1/4 x W 11 x D 1 inch. Thomas Oakes, Chicago, Illinois together with original box $1,000 - 1,500
110 P O S T WA R A R T & D E S I G N
*103
Eric Orr
(American, 1939-1988) Naked Singularity #2, 1987 copper and lights water elemental sculpture 120 x 21 x 19 3/4 inches. Property from the Collection of Dr. Mark List Cohen and Jane Cohen, Atlanta, Georgia $3,000 - 5,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 111
104
George Nelson & Associates
(American, 1908-1986) Omni Five Bay Wall Unit, c. 1956 walnut, aluminum, steel unmarked Assembled | H 99 3/4 x W 163 1/2 x D 15 inches. System is composed of six uprights, twenty shelves, and four drop-down cabinets. $1,500 - 2,500
112 P O S T WA R A R T & D E S I G N
105
George Nelson & Associates
(American, 1908-1986) Stool Seat Wall Clock, model 7512, c. 1957 Howard Miller, Fritz Hansen, USA/Denmark teak, lacquered wood and enameled metal stamped ‘FH DENMARK’ with Howard Miller paper label to verso Dia 13 inches. $300 - 500
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 113
106
Gene Davis
(American, 1920-1985) A group of four works from Series 1 (Jack-in-the-Box; Graf Zeppelin; John Barleycorn; and Bullet Proof), 1969 screenprints on canvas laminated to board each signed, titled and numbered 11/150 in ink each 30 x 20 or 20 x 30 inches. Property from The Western Union Company $2,500 - 3,500
114 P O S T WA R A R T & D E S I G N
*107
Gene Davis
(American, 1920-1985) Untitled, 1973 screenprint on canvas signed and numbered 60/198 in crayon 80 x 40 inches. Property from the Collection of Dr. Mark List Cohen and Jane Cohen, Atlanta, Georgia Provenance: Collection of Vera List, New York Thence by descent to the present owner $2,000 - 4,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 115
108
George Nelson & Associates
(American, 1908-1986) Thin Edge Cabinet Herman Miller, USA walnut, aluminum manufacturer’s foil label to interior of drawer H 39 3/4 x W 40 x D 18 1/2 inches. $1,000 - 2,000
116 P O S T WA R A R T & D E S I G N
109
George Nelson & Associates
(American, 1908-1986) Pair of Thin Edge Cabinets, with center vanity Herman Miller, USA walnut, aluminum manufacturer’s foil label to interior of drawer Overall | H 32 x W 98 x D 18 1/2 inches. $1,500 - 2,500
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 117
110
Richard Anuszkiewicz
(American, 1930-2020) Diamond Chroma from the New York Ten portfolio, 1965 screenprint signed, dated and numbered 183/200 in pencil 20 x 15 inches. $300 - 500
118 P O S T WA R A R T & D E S I G N
111
Richard Anuszkiewicz (American, 1930-2020) Untitled screenprint 9 x 28 inches. $200 - 400
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 119
120 P O S T WA R A R T & D E S I G N
112
Richard Smith
(British, 1931-2016) Wave Length, 1987 acrylic on canvas 52 x 128 inches. Property from a Private Collection, Chicago, Illinois $3,000 - 5,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 121
113
Robert Natkin
(American, 1930-2010) Hitchcock Series 181, 1983 acrylic on canvas signed Natkin (lower center) 48 x 62 inches. Provenance: Galerie Timothy Roberts, Montreal, Quebec Harmon-Meek Gallery, Naples, Florida $4,000 - 6,000
122 P O S T WA R A R T & D E S I G N
114
Dennis Hopper
( American, 1936-2010) Early Painting, 1980 mixed media on canvas signed D Hopper (verso) 48 x 48 inches. $5,000 - 7,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 123
115
Luke Gray
(American, b.1961) Big Space Collector #2, 1997 acrylic on canvas signed L. Gray, titled and dated (verso) 76 x 104 inches. Property from a Corporate Art Collection Provenance: Exhibited: New York, New York, Snyder Fine Art, “Space Collector” Paintings, May 7 - June 6, 1998 $1,000 - 2,000
124 P O S T WA R A R T & D E S I G N
116
Afro Cleotto
(Italian, b. 1963) Ridivengo Vessel, 2005 blown and carved glass unmarked H 26 x W 8 x D 4 1/2 inches. Property from a Private Collection Provenance: Pismo Gallery, Denver $1,500 - 2,500
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 125
*117
Herbert Creecy
(American, 1939 - 2003) Untitled, 1974 acrylic on canvas signed Hebert Creecy, titled and dated (verso) 68 1/2 x 68 1/2 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields Provenance: OK Harris Works of Art, New York $400 - 600
126 P O S T WA R A R T & D E S I G N
*118
Jay Stanger
(American, b. 1956) Wooden Rug, 1993 mixed woods, cast epoxy, inlaid and dyed veneers signed ‘Jay Stanger 1993’ 96 x 64 inches. Property from the Collection of Dr. Robert C. Springborn and Mrs. Carolyn J. Springborn, Naples, Florida Provenance: Gallery NAGA, Boston, MA $2,000 - 4,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 127
119
Edna Jeanette Tacon (American, 1913-1980) Nocturnal Fantasy mixed media on paper signed E. Tacon (lower left) 20 x 14 inches $500 - 700
128 P O S T WA R A R T & D E S I G N
120
Herbert Bayer
(American/Austrian, 1901-1983) Pickup Sticks, 1957 screenprint on canvas signed, dated, inscribed, and numbered 10/38 13 x 18 1/2 inches. $1,000 - 2,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 129
*121
Kadar Brock
(American, b. 1980) Through the Empty Space, Through the Secret Places of the Heart oil on canvas signed and titled (verso) 72 x 60 inches. Property from the Ginny L. Williams Collection, Denver, Colorado $1,000 - 2,000
130 P O S T WA R A R T & D E S I G N
*122
Janis Pauluks
(Latvian, 1906-1984) Morning Symphony, 1960 oil on canvas signed Janis Pauluks, titled and dated (verso) 53 x 35 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $600 - 800
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 131
*123
Hans Erni
(Swiss, 1909-2015) KYBERNETES, 1967 tempera on canvas signed Erni and dated (lower right); signed, titled and dated (verso) 32 1/4 x 19 1/4 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields Provenance: Dr. and Mrs. Norbert Neuss $2,000 - 4,000
132 P O S T WA R A R T & D E S I G N
*124
Richard B. Mock
(American, 1944-2006) Untitled (Dog) oil on canvas 14 x 12 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields Provenance: Cunningham Gallery, Indianapolis, Indiana $400 - 600
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 133
125
Dale Chihuly
(American, b. 1941) Fiesta Ikebana, 2003 lithograph signed and numbered 165/175 41 x 29 inches. $800 - 1,200
134 P O S T WA R A R T & D E S I G N
126
Dale Chihuly
(American, b. 1941) Orange-Red Seaform, 1994 blown glass signed ‘Chihuly 94’ H 6 1/2 x W 10 x D 6 1/2 inches. $2,000 - 4,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 135
*127
Charles Clough
(American, b. 1951) Fellapain, 1993 enamel on Masonite signed Clough, titled and dated (verso) 28 3/4 x 20 3/4 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $200 - 400
136 P O S T WA R A R T & D E S I G N
128
Larry Poons
(American, b. 1937) Untitled, 1992 monotype signed and dated in pencil 24 x 18 inches. Property from a Private Collection, Cambridge, Maryland $800 - 1,200
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 137
*129
Rinaldo Paluzzi
(American, 1927-2013) White Construction, 1959 oil on canvas signed Rinaldo Paluzzi and dated (lower right) 50 x 32 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields Provenance: Feingarten Galleries, New York $100 - 200
138 P O S T WA R A R T & D E S I G N
130
Emerson Woelffer
(American, 1914-2003) Untitled, 1954 lithograph signed, dated, and numbered 232/300 in pencil 22 x 17 inches $500 - 700
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 139
*131
David Hare
(American, 1917-1992) Figure and Window, 1962 bronze over steel inscribed Hare and dated 22 1/2 x 10 1/2 x 6 3/4 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $5,000 - 7,000
140 P O S T WA R A R T & D E S I G N
132
Albert Paley
(American, b. 1940) Zebra Form, 2006 forged steel, wood signed ‘Albert Paley 2006’ Overall | H 17 1/8 x W 151/4 x D 5 1/2 inches. $2,000 - 4,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 141
133
Jean-Francois Fourtou
(French, b. 1964) Untitled (Three Giraffes), 1999 iron, polyster, vegetable fiber and oil signed Fourtou and dated 37 1/2 x 23 5/8 x 8 inches. Property from a Private Collection Provenance: Galerie Georges-Philppe & Nathalie Vallois $15,000 - 25,000
142 P O S T WA R A R T & D E S I G N
*134
Martha Slaymaker
(American, 1935-1999) Symbol XIV, 1965 oil on canvas signed Martha Slaymaker, titled and dated (verso) 50 x 40 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $200 - 400
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 143
144 P O S T WA R A R T & D E S I G N
*135
Roger Bissière
(French, 1886-1964) Carré Lune (Composition 206), 1954 oil on canvas signed Bissiere and dated (Iower right) 31 1/4 x 29 1/2 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields Provenance: Galerie Jeanne-Bucher, Paris Private Collection, Oslo Galerie Jeanne-Bucher, Paris Theodore Schempp, New York Joseph Cantor, New York, 1962 Joseph Cantor Foundation, 1981 Gifted to the Indianapolis Museum of Art, 1987 Exhibited: Hanover, Germany, Lübeck et Recklinghausen, Kestner Gesellschaft, St. Annen-Museum et Städtische Kunsthalle, 1957, no. 40 Eindhoven, Netherlands, Stedelijk van Abbe-Museum et Stedelijk Museum, 1957 no. 49 Paris, France, Musée National d’Art Moderne, 1959, no. 77 Paris, France, Grand Palais, Salon d’Automne, no. 4 Indianapolis, Indiana, Indianapolis Museum of Art, 1988, no. 3 Literature: Bissière, Isabelle & Duval, Virginie, Bissière: Catalogue Raisonné 1944-1964, Neuchâtel, Switzerland, 2001, no. 2163, pg. 726 $15,000 - 25,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 145
*136
Roger Bissière
(French, 1886-1964) Untitled, 1962 oil on panel dated (lower left) 13 1/2 x 10 5/8 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields Provenance: Galerie Jeanne-Bucher, Paris Theodore Schempp, New York, 1964 Literature: Bissière, Isabelle & Duval, Virginie, Bissière: Catalogue Raisonné 1944-1964, Neuchâtel, Switzerland, 2001, no. 2709, pg. 929 Please note the date and signature have been reworked $1,500 - 2,500
146 P O S T WA R A R T & D E S I G N
137
John Zinsser
(American, b. 1961) Iron City, 1997 oil on canvas signed John Zinsser, titled and dated (verso) 72 x 60 inches. $1,000 - 2,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 147
138
Swedish
Mid 20th Century Flatweave Rug hand-woven wool woven signature to edge ‘AK’ 99 x 69 inches. $1,000 - 2,000
148 P O S T WA R A R T & D E S I G N
*139
Louttre Bissiere
(French, 1926-2012) Arbres Rêveurs oil on canvas initialed LB (lower right) and titled (verso) 12 x 12 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $300 - 500
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 149
140
Ben Sewell
(Australian, b. 1972) Waiting, 2005 blown and carved glass signed ‘Sewell 2005’ H 18 x W 7 1/2 x D 2 3/4 inches. Property from a Private Collection Provenance: Chappell Gallery, New York $1,000 - 2,000
150 P O S T WA R A R T & D E S I G N
141
Ben Sewell
(Australian, b. 1972) North, 2005 blown and carved glass signed ‘Sewell 2005’ H 17 1/4 x W 7 1/2 x 2 3/4 inches. Property from a Private Collection Provenance: Chappell Gallery, New York $1,000 - 2,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 151
*142
A Keith Haring Leather and Wool Boy’s Bomber Jacket
Retailed by Pop Shop, New York, Circa Early 1990s Property from the Collection of Mary Lu R. Roffe, Chicago, Illinois $500 - 700
152 P O S T WA R A R T & D E S I G N
*143
Jean Dubuffet
(French, 1901-1985) Banque de l’hourloupe cartes a jouer et a tirer, 1967 screenprinted playing cards in original box box numbered 227/350 in marker each 9 3/4 x 6 3/8 inches. Property from the Joshua B. Kind Trust, Downers Grove, Illinois Printed by Kelpra Studio, London Published by Editions Alecto, London $800 - 1,200
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 153
*144
Corneille (Cornelis van Beverloo) (Belgian, 1922-2010) Souverainement l’Ete . . ., 1962 oil on canvas signed Corneille, titled and dated (verso) 21 1/2 x 25 3/4 inches.
Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $10,000 - 15,000
154 P O S T WA R A R T & D E S I G N
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 155
145
Edward Wormley
(American, 1907-1995) Set of Six Dining Chairs Dunbar, USA walnut, upholstery manufacturer’s brass plaque to underside H 32 3/4 x W 23 x D 20 inches. $1,000 - 1,500
156 P O S T WA R A R T & D E S I G N
146
Wilhelm Kåge
(Swedish, 1889-1960) Two Argenta Vessels Gustavsberg, Sweden glazed stoneware, silver signature to each example Tallest | H 7 1/2 x W 6 x D 3 1/2 inches. Jeffrey and Rebecca Kojder, Lafayette, Indiana $800 - 1,200
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 157
147
Wilhelm Kåge
(Swedish, 1889-1960) Five Argenta Pieces Gustavsberg, Sweden glazed stoneware, silver signature to each example Tallest | H 6 1/4 x W 4 1/4 x D 4 1/4 inches. Jeffrey and Rebecca Kojder, Lafayette, Indiana $800 - 1,200
158 P O S T WA R A R T & D E S I G N
148
Wilhelm Kåge
(Swedish, 1889-1960) Three Argenta Pieces Gustavsberg, Sweden glazed stoneware, silver signature to each example Tallest | H 6 x Dia 5 3/4 inches. Jeffrey and Rebecca Kojder, Lafayette, Indiana $1,000 - 2,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 159
149
Wilhelm Kåge
(Swedish, 1889-1960) Four Argenta Pieces Gustavsberg, Sweden glazed stoneware, silver signature to each example Tallest | H 7 x Dia 2 1/2 inches. Jeffrey and Rebecca Kojder, Lafayette, Indiana $800 - 1,200
160 P O S T WA R A R T & D E S I G N
150
Wilhelm Kåge
(Swedish, 1889-1960) Seven Argenta Pieces Gustavsberg, Sweden glazed stoneware, silver signature to each example Tallest | H 7 x Dia 3 inches. Jeffrey and Rebecca Kojder, Lafayette, Indiana $1,000 - 1,500
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 161
*151
Robert Berkshire
(American, 1932-2010) Demise II, 1981 acrylic on canvas 84 x 84 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $500 - 700
162 P O S T WA R A R T & D E S I G N
152
Albert Nagele
(American, 1935-2018) Green East, 1982 oil on canvas signed Al Nagele, titled and dated (verso) 65 x 54 inches. $1,000 - 2,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 163
*153
Rachel bas-Cohain
(American, 1937 - 1982) Red Nickel, a Stretched Rubber Grid #4, 1973 ink on rubber signed Rachel bas-Cohain and dated (lower right); titled (lower left) 10 5/8 x 10 5/8 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $200 - 400
164 P O S T WA R A R T & D E S I G N
154
Swedish
Mid 20th Century Flatweave Rug hand-woven wool woven signature to edge ‘W’ 95 x 67 inches. $800 - 1,200
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 165
155
Albert Nagele
(American, 1935-2018) West Wall #5 oil on canvas signed Al Nagele, titled and dated (verso) 62 x 89 inches. $1,500 - 2,500
166 P O S T WA R A R T & D E S I G N
156
Evy Svensson
(Swedish, 20th Century) Flatweave Rug hand-woven wool woven signature to edge ‘ES’ 100 x 65 1/2 inches. $1,000 - 2,000 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 167
157
Albert Nagele
(American, 1935-2018) Untitled, 1979 oil on canvas signed Albert Nagele and dated (verso) 85 1/2 x 23 1/2 inches. $800 - 1,200
168 P O S T WA R A R T & D E S I G N
158
Swedish
Mid 20th Century Flatweave Rug wool 94 x 68 1/2 inches. $700 - 900
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 169
159
Mark Mahosky
(American, b. 1960) Untitled, 2001 oil on canvas and burlap 13 1/4 x 23 1/2 inches. Property from a Corporate Art Collection Provenance: Fleisher Ollman Gallery, Philadelphia $300 - 500
170 P O S T WA R A R T & D E S I G N
160
Swedish
Mid 20th Century Flatweave Rug wool 107 x 78 inches. $700 - 900
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 171
161
Swedish
Mid 20th Century Flatweave Rug wool 91 x 67 inches. $800 - 1,200
172 P O S T WA R A R T & D E S I G N
*162
Beatrice Riese
(American, 1917-2004) Blue Octave, 1982 oil on linen signed Beatrice Riese, titled and dated (verso) 50 1/4 x 50 1/4 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $700 - 900
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 173
163
Swedish
Mid 20th Century Flatweave Rug wool 95 x 64 inches. $500 - 600
174 P O S T WA R A R T & D E S I G N
164
Stig Lindberg
(Swedish, 1916-1982) Lamp Base Gustavsberg, Sweden glazed stoneware signed H 16 x Dia 3 3/4 inches. Jeffrey and Rebecca Kojder, Lafayette, Indiana $400 - 500
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 175
*165
Rinaldo Paluzzi
(American, 1927–2013) Adentro III, 1968 acrylic on canvas signed Paluzzi, titled and dated (verso) 79 x 58 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $400 - 600
176 P O S T WA R A R T & D E S I G N
166
Lu Peng
(Chinese, b. 1967) Acupuncture 1 and Acupuncture 2 (a pair of works) mixed media on paper each 23 1/4 x 14 3/4 inches. $3,000 - 5,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 177
167
Lin Fenghua and Liu Yong
(Chinese, b. 1964, Taiwanese, b. 1949) Terracotta Warrior, 2007 terracotta and acrylic signed Lin Fenghua Liu Yong and dated 23 1/2 x 6 x 5 inches. Property from a Private Collection Provenance: Olyvia Oriental Gallery, London $3,000 - 5,000
178 P O S T WA R A R T & D E S I G N
168
Kwok Hon-Sum, Guo Hansen (Chinese, 1947-2004) Esoteric Methods ink on paper 70 x 37 inches. $8,000 - 12,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 179
180 P O S T WA R A R T & D E S I G N
169
Irving Kriesberg
(American, 1919-2009) Maternal Visions, c. 1950s oil on canvas signed Kriesberg (upper center) 56 1/4 x 87 3/4 inches. $10,000 - 15,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 181
170
Gerald Thurston
(American, 1914-2005) Table Lamp Lightolier, USA enameled steel, brass, linen H 26 1/4 x Dia 23 inches. $400 - 600
182 P O S T WA R A R T & D E S I G N
171
Stig Lindberg and Berndt Friberg
(Swedish, 1916-1982 | Swedish, 1899-1981) Collection of Three Vases glazed stoneware signature to each example Tallest | H 15 x Dia 2 3/4 inches. $800 - 1,200
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 183
*172
Maria F. Fleischl
(American, 1911-1997) Light in Winter Forest oil on canvas signed Fleischl (lower right); signed (verso) 36 x 24 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $200 - 400
184 P O S T WA R A R T & D E S I G N
173
Carl-Harry Stålhane
(Swedish, 1920-1990) Collection of Four Bowls Rörstrand, Sweden glazed stoneware signature to each example Tallest | H 3 1/2 x Dia 9 inches. Jeffrey and Rebecca Kojder, Lafayette, Indiana $800 - 1,200
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 185
*174
Ary Stillman
(American, 1891-1967) Walpurgisnacht (Night of the Witches), 1946 oil on canvas signed Stillman (lower right) 24 x 28 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $300 - 500
186 P O S T WA R A R T & D E S I G N
175
Carl-Harry Stålhane
(Swedish, 1920-1990) Collection of Five Vessels Rörstrand, Sweden glazed stoneware signature to each example Tallest | H 9 1/4 x W 3 1/2 x D 2 1/2 inches. Jeffrey and Rebecca Kojder, Lafayette, Indiana $1,000 - 2,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 187
*176
Edward Millman
(American, 1907-1964) Baroque Blue, 1960 oil on board signed Edward Millman (lower right) 35 x 23 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $500 - 700
188 P O S T WA R A R T & D E S I G N
177
Wilhelm Kåge
(Swedish, 1889-1960) Two Bowls Gustavsberg, Sweden glazed stoneware signature to each example Largest | H 3 1/2 x Dia 11 1/2 inches. Jeffrey and Rebecca Kojder, Lafayette, Indiana $1,000 - 2,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 189
178
Gyorgy Kepes
(American/Hungarian, 1906-2001) Moss Scape, 1965 oil and sand on canvas signed Gyorgy Kepes, titled, and dated (verso) 14 x 18 inches. Property from the Joan Skewes-Cox Malone Estate $1,000 - 2,000
190 P O S T WA R A R T & D E S I G N
179
Carl-Harry Stålhane
(Swedish, 1920-1990) Collection of Five Vessels Rörstrand, Sweden and Designhuset glazed stoneware signature to each example Tallest | H 6 1/4 x Dia 4 inches. Jeffrey and Rebecca Kojder, Lafayette, Indiana $800 - 1,200
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 191
*180
Gyorgy Kepes
(American/Hungarian, 1906-2001) Troubled Mirror, 1962 oil and sand on canvas signed Gyorgy Kepes, titled and dated (verso) 60 x 60 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields Exhibited: Boston, Massachusetts, The Swetzoff Gallery, Invitational Exhibition Boston Arts Festival, 1962 $4,000 - 6,000
192 P O S T WA R A R T & D E S I G N
181
Carl-Harry Stålhane
(Swedish, 1920-1990) Collection of Six Vessels Rörstrand, Sweden glazed stoneware signature to each example Tallest | H 8 x Dia 2 inches. Jeffrey and Rebecca Kojder, Lafayette, Indiana $1,000 - 2,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 193
*182
Alfred Manessier
(French, 1911-1993) Le Grand Nord (The Grand North), 1967 oil on canvas signed Manessier and dated (upper right) 6 x 9 1/2 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields Provenance: The Robert and Traude Hensel Collection $3,000 - 5,000
194 P O S T WA R A R T & D E S I G N
183
Gunnar Nylund
(Swedish, 1904-1997) Collection of Four Vessels Rörstrand, Sweden glazed stoneware signature to each example Tallest | H 6 3/4 x Dia 2 inches. Jeffrey and Rebecca Kojder, Lafayette, Indiana $800 - 1,200
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 195
*184
Harry Engel
(Romanian/American, 1901-1970) Capri, 1956 oil and encaustic on canvas signed Harry Engel (lower right); signed, titled and dated (verso) 50 x 40 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $400 - 600
196 P O S T WA R A R T & D E S I G N
*185
Carl-Harry Stålhane, Berndt Friberg (Swedish 1920-1990 | Swedish, 1899-1991) Two Vessels Gustavsberg, Sweden Rorstrand, Sweden glazed stoneware signature to each example Tallest | H 5 1/2 x Dia 3 1/4 inches. Jeffrey and Rebecca Kojder, Lafayette, Indiana $700 - 900
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 197
*186
Pablo Serrano
(Spanish, 1908-1985) La Hermana del Hombre Bóveda (The Tortured Man), 1962 bronze 13 x 13 x 11 1/2 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $700 - 900
198 P O S T WA R A R T & D E S I G N
*187
Rinaldo Paluzzi
(American, 1927-2013) Oriundo bronze 12 1/2 x 12 x 7 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $200 - 400
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 199
*188
Blanche J. Schmeidler
(American, 1915-1966) Still Life, White Vase, c. 1964 oil on canvas signed Schmeidler (lower right): signed and titled (verso) 36 x 46 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $300 - 500
200 P O S T WA R A R T & D E S I G N
*189
Harry Engel
(Romanian/American, 1901-1970) Chickens and Fish, 1957 encaustic on Masonite 24 x 30 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields Provenance: Associated American Artists, New York Exhibited: Indianapolis, Indian, John Heron Art Museum, Indiana Artists Exhibition, Fiftieth Annual Show, June 2-September 1, 1957 $300 - 500
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 201
*190
Peter Plamondon
(American, 1944-2020) Dishes on Quilt, 1981 oil on canvas initialed PP and dated (lower right) 40 x 50 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields Provenance: The Alpha Gallery, Boston. Massachusetts $500 - 700
202 P O S T WA R A R T & D E S I G N
*191
Jerry Wilkerson
(American, 1943-2007) Fig Newtons, 1983 mixed media 5 1/2 x 16 x 4 inches. Property from the Collection of Dr. Mark List Cohen and Jane Cohen, Atlanta, Georgia $3,000 - 5,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 203
*192
David Gilhooly
(American, 1943-2013) Donuts (14 works) glazed ceramic Tray: 9 1/2 x 15 x 1 inches. Property from the Collection of Dr. Mark List Cohen and Jane Cohen, Atlanta, Georgia $3,000 - 5,000
204 P O S T WA R A R T & D E S I G N
*193
David Gilhooly
(American, 1943-2013) Frog Sandwich glazed ceramic Height: 7 1/2 inches. Property from the Collection of Dr. Mark List Cohen and Jane Cohen, Atlanta, Georgia $1,500 - 2,500
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 205
194
Marc Petrovic
(American, b. 1967) Migrations blown glass, oak, copper, steel signed ‘Marc Petrovic’ Overall | H 29 1/2 x W 17 x D 5 inches. $1,500 - 2,500
206 P O S T WA R A R T & D E S I G N
*195
Robert Kaufmann
(American, 1913-1959) Watermelon, 1955 casein on Masonite signed Robert D. Kaufman and dated (right center edge) 16 3/4 x 29 3/4 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $200 - 400
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 207
*196
John Hultberg
(American, 1922-2005) Cloud Drama, 1963 oil on canvas signed John Hultberg, titled and dated (verso) 39 x 50 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields Provenance: Martha Jackson Gallery, New York Exhibited: Indianapolis, Indiana, The Heron Museum of Art $500 - 700
208 P O S T WA R A R T & D E S I G N
197
Andre Lanskoy
(French/Russian, 1902-1976) Abstract Balcony oil on canvas signed Lanskoy (lower left) 44 x 28 inches. Collection of Mrs. A. Edward Allinson $6,000 - 8,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 209
*198
Chuck Connelly (American, b. 1955) Untitled (Bar Scene) oil on canvas 42 x 40 inches.
Property from the Collection of Stephen and Katherine Harrison, Chicago, Illinois $2,000 - 4,000
210 P O S T WA R A R T & D E S I G N
*199
Georges Yatrides
(French, 1931-2019) Children’s Games, 1961 oil on canvas signed Yatrides and dated (upper left) 28 1/2 x 23 1/2 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields Provenance: International Galleries, Chicago $200 - 400
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 211
200
Luis Montoya / Leslie Ortiz
(American, b. 1950) (American, b. 1957) Balancing Act patinated bronze 19 x 8 x 8 inches. $1,000 - 2,000
212 P O S T WA R A R T & D E S I G N
201
Eileen Gray
(Irish/French, 1878-1976) Set of Five No. 1 Barstools leather, enameled and chrome-plated steel H 28 1/2 x Dia 14 1/2 inches. $1,000 - 2,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 213
202
Jean Nouvel
(French, b. 1945) LI-DA Dining Table Roche Bobois, France acrylic resin, wood impressed manufacturer’s mark to base H 30 x Dia 70 1/2 inches. Private Collection, Scottsdale, Arizona $1,000 - 2,000
214 P O S T WA R A R T & D E S I G N
*203
Sandra Jorgensen
(American, 20th century) Herb’s Texaco IV, 1981 oil on canvas signed S Jorgensen, titled and dated (verso) 26 x 32 inches. Property from the Collection of Leonard Stark, Chicago, Illinois Provenance: Richard Gray Gallery, Chicago $300 - 500
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 215
204
The False Image (Roger Brown, Eleanor Dube, Phil Hanson and Christina Ramberg) (American, 20th Century) False Image Decals, 1969 commercially produced screenprints overall: 9 3/4 x 6 1/2 inches. $800 - 1,200
216 P O S T WA R A R T & D E S I G N
205
Christina Ramberg
(American, 1946-1995) Untitled from the Screen Prints 1970 portfolio, 1970 screenprint signed in pencil 15 x 15 inches. $3,000 - 5,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 217
206
KAWS
(American, b. 1974) URGE, 2020 color screenprints on Saunders Waterford paper each signed, dated, and numbered 137/250 in pencil each 17 x 12 1/2 inches. $40,000 - 60,000
218 P O S T WA R A R T & D E S I G N
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 219
220 P O S T WA R A R T & D E S I G N
207
KAWS
(American, b. 1974) FOUR FOOT COMPANION (Black), 2007 painted cast vinyl stamped KAWS and dated; from the edition of 100 50 x 22 x 14 inches. Provenance: OriginalFake Shop, Tokyo Acquired from the above in 2007 $50,000 - 70,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 221
208
Ed Flood
(American, 1944-1985) Untitled (Figure 1), 1971 screenprint signed, dated, and inscribed A/P in pencil 20 x 26 inches. $800 - 1,200
222 P O S T WA R A R T & D E S I G N
*209
Marina Cappelletto
(Italian/American, b. 1953) Pinned Spirit, 1983 oil on panel signed Maria Cappelletto, titled and dated (verso) 46 1/2 x 60 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields Provenance: Pam Adler Gallery, New York $200 - 400
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 223
210
Liang Chansheng
(Chinese, b. 1967) Buddha, 1992 paper-cut signed and dated (lower right) 20 1/2 x 24 inches $2,000 - 4,000
224 P O S T WA R A R T & D E S I G N
211
Mark di Suvero
(American, b. 1937) Untitled, 2000 ink and watercolor on paper 22 x 28 inches. $1,500 - 2,500
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 225
*212
Pablo Serrano
(Spanish, 1910-1985) Abstract Around Cube, 1957 bronze 28 x 24 x 24 in. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $700 - 900
226 P O S T WA R A R T & D E S I G N
*213
Karl Reidel
(German, 1927-2006) Ballet, 1961 Bronze 17 x 36 x 8 1/2 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $800 - 1,200
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 227
214
Ernest Neizvestny
(Russian/American, 1926-2016) Dualism bronze inscribed E. Neiz and numbered 4 Height: 13 1/2 inches. Property from the Collection of Homer E. Noble, Denver, Colorado $5,000 - 7,000
228 P O S T WA R A R T & D E S I G N
215
John Kearney
(American, b. 1924) Untitled, 1966 steel signed John Kearney and dated in wire Height: 36 inches. $1,500 - 2,500
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 229
*216
William Chattaway
(English, 1927-2019) Male Standing Figure, 1962 bronze inscribed Chattaway, dated and numbered 1/6 10 x 9 x 32 1/4 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $2,000 - 4,000
230 P O S T WA R A R T & D E S I G N
*217
Pablo Serrano
(Spanish, 1910-1985) Prince Baltasar Carlos, 1962 bronze 13 1/2 x 9 x 7 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $700 - 900
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 231
*218
Manuel Viola
(Spanish, 1919-1987) Llaga de Noche (Night’s Wound) oil on canvas signed Viola (lower right) and titled (verso) 35 x 55 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $500 - 700
232 P O S T WA R A R T & D E S I G N
*219
Modernist
Mid 20th Century Globe Lamps brass, acrylic H 14 1/2 x Dia 14 inches. Thomas Oakes, Chicago, Illinois $600 - 800
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 233
220
Hiro Yokose
(Japanese, b. 1951) Untitled #4555 oil and wax on canvas and wood signed, titled, and dated (verso) 48 x 72 inches. $2,000 - 4,000
234 P O S T WA R A R T & D E S I G N
*221
Jacques Charlier
(Belgian, b. 1939) Untitled, 1964 acrylic on canvas signed J Charlier and dated (verso) 51 1/4 x 71 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $1,000 - 2,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 235
*222
Jonathan Adler
(American, b. 1966) Pair of Lounge Chairs upholstery, wood, lacquered brass manufacturer’s plaque to underside H 28 1/2 x W 33 1/4 x D 31 inches. Thomas Oakes, Chicago, Illinois $800 - 1,200
236 P O S T WA R A R T & D E S I G N
223
Hans-Agne Jakobsson
(Swedish, 1919-2009) Table Lamp AB Markaryd, Sweden glass, brass marked with paper label H 15 x Dia 8 1/2 inches. Jeffrey and Rebecca Kojder, Lafayette, Indiana $300 - 400
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 237
224
Stig Lindberg
(Swedish, 1916-1982) Three Reptil Vases Gustavsberg, Sweden glazed stoneware signed Tallest | H 12 inches. $400 - 600
238 P O S T WA R A R T & D E S I G N
*225
Jacques Charlier
(Belgian, b. 1939) Untitled, 1964 acrylic on canvas signed J Charlier and dated (verso) 59 1/4 x 59 1/4 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $1,000 - 2,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 239
*226
Trix and Robert Haussmann
(Swiss, b. 1933 | Swiss, b. 1931) Sofa, c. 1970 De Sede, USA/Switzerland upholstery, chrome-plated steel H 27 1/4 x W 86 x D 32 1/2 inches. Thomas Oakes, Chicago, Illinois $1,000 - 2,000
240 P O S T WA R A R T & D E S I G N
*227
Lee Hall
(American, 1935-2017) Dusk Jam, 1977 polymer tempera on linen signed Lee Hall, titled and dated (verso) 78 x 72 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields Provenance: The Betty Parsons Gallery, New York $400 - 600
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 241
228
Dale Chihuly
(American, b. 1941) Five Piece Purple Persian Set with Red and Green Lips, c. 1988 blown glass singed ‘Chihuly 1988’ to the largest element H 18 x W 30 D 13 inches. $6,000 - 8,000
242 P O S T WA R A R T & D E S I G N
*229
Charlotte Perriand, Pierre Jeanneret and Le Corbusier
(French, 1903-1999 | Swiss, 1896-1967 | French/ Swiss, 1887-1965) Pair of LC2 Lounge Chairs Cassina, Italy upholstery, chrome-plated steel, rubber manufacturer’s paper label to underside H 26 x W 29 3/4 x D 27 1/4 inches. Property from the Collection of Eric Cooper, Lake Forest, Illinois $1,000 - 2,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 243
*230
Edward H. Betts
(American, 1920 - 2008) River Passage, 1964 polymer on Masonite signed Betts (lower right) 39 1/2 x 45 x1/2 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $400 - 600
244 P O S T WA R A R T & D E S I G N
*231
Edwin Ruda
(American, 1922-2014) New York Plus Blue, 1969 acrylic on canvas signed Ed Ruda and dated (verso) 75 x 137 x 1-1/4 in. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $800 - 1,200
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 245
232
Hans-Agne Jakobsson
(Swedish, 1919-2009) Table Lamp AB Markaryd, Sweden enameled metal, frosted glass H 18 x Dia 10 inches. Jeffrey and Rebecca Kojder, Lafayette, Indiana $300 - 400
246 P O S T WA R A R T & D E S I G N
*233
Sarah Hurt
(American, 1907-1985) Emergence (Vertical) or Impact (Horizontal), 1973 acrylic on canvas signed Sarah Hurt (lower right); signed and titled (verso) 58 x 42 inches or 42 x 58 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $200 - 400
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 247
234
Aldo Londi
(Italian, 1911-2003) Large Rimini Blu Vase Bittosi, Italy glazed stoneware stamped manufacturer’s marks to underside H 14 1/2 x Dia 14 inches. $400 - 600
248 P O S T WA R A R T & D E S I G N
*235
Jay Musler
(American, b. 1949) Mosiac Yellow Bowl, 2006 constructed and painted glass signed ‘MUSLER 2006’ H 2 3/4 x Dia 18 1/2 inches. Property from the Estate of Leslie “Mitzi” S. Magin sold to Benefit the Following Four Naples, Florida Charities: Ave Maria School of Law, NCH Healthcare System, Saint Ann School Foundation, and St. John Neumann Catholic High School $800 - 1,200
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 249
*236
Terry Steadham
(American, 1945-2014) Untitled, 1971 acrylic and oil on canvas signed T. Steadham and dated (lower right) 96 x 72 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $300 - 500
250 P O S T WA R A R T & D E S I G N
237
Shintaro Miyake
(Japanese, b. 1970) Banana Boat, 2003 colored pencil on paper 8 x 13 inches. Provenance: Tomio Koyama Gallery Acquired from the above by the present owner in 2003 $800 - 1,200
238
Li Jin
(Chinese, b. 1958) Man at Desk ink on paper 16 1/2 x 18 1/4 inches $3,000 - 5,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 251
*239
Wendell Castle
(American, 1932-2018) Set of Four Chairs polychromed poplar, upholstery signed ‘W.C. 93’ H 37 inches. Property from the Collection of Dr. Robert C. Springborn and Mrs. Carolyn J. Springborn $5,000 - 7,000
252 P O S T WA R A R T & D E S I G N
240
Henry Heerup
(American, 1907-1993) Untitled (Two Heads) oil on canvas signed Henry Heerup (verso) 17 1/2 x 22 1/2 inches. $1,000 - 2,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 253
*241
Montserrat Gudiol
(Spanish, 1933-2015) Woman and Tree, 1962 oil on wood signed Montserrat Gudiol (lower left) 24 x 20 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields Provenance: Sala Gaspar, Barcelona, Spain $2,000 - 4,000 254 P O S T WA R A R T & D E S I G N
*242
Margo Hoff
(American, 1912-2008) Dancers (a pair of works) gouache and graphite on paper each signed M Hoff each 22 1/2 x 16 inches. Property from the Collection of Leonard Stark, Chicago, Illinois $1,000 - 2,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 255
*243
Ellie Siskind
(American, 1933-2019) Vigilante/Witness (Skidmore Vigilantes), 1986 acrylic on canvas signed SISKIND (lower right), signed and titled (verso) 56 x 48 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields $400 - 600
256 P O S T WA R A R T & D E S I G N
*244
Joan R. Caldwell
(American, 1926-2015) Pandemonium, 1960 oil on Masonite signed Joan Caldwell (lower left); signed (verso) 18 x 24 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields Exhibited: Indiana Artists Club, Inc., Twenty-Eight Annual Exhibition, October 18-27, 1960 $400 - 600
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 257
245
Till Freiwald
(Peruvian, b. 1963) Untitled, 2004 watercolor on paper 30 x 20 3/4 inches. Provenance: Mark Moore Gallery, Santa Monica Acquired from the above by the present owner in 2004 $1,500 - 2,500
258 P O S T WA R A R T & D E S I G N
246
Cindy Sherman
(American, b. 1954) Untitled (Self Portrait with Sun Tan), 2003 chromogenic print signed, dated and numbered 244/350 30 x 20 inches. $2,000 - 4,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 259
247
Sergio Vega
(Argentine, b. 1959) Untitled (From Modernismo Tropical), 2002 c-print each from the edition of 5 11 x 14 inches. Provenance: Julia Friedman Gallery, Chicago $1,000 - 2,000
260 P O S T WA R A R T & D E S I G N
248
Ellen Lanyon
(American, 1926-2013) Masks I Venetian Bateleur, Masks II Galapagos Pulcinella and Masks III Harlequin Red Fin, 1981 (a group of three works from Carnevale del Teatro) colored pencil on black paper each signed Ellen Lanyon, titled and dated (lower left) each 19 3/4 x 27 1/2 inches. $1,000 - 2,000
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 261
ARTIST INDEX ARTIST NAME
LOT
Adler, Jonathan. . . . . . . . . . . . . . . . . . . . . . . . . 222 Anuszkiewicz, Richard. . . . . . . . . . . . . . . . 110, 111 Aran, Uri. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 Arman. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94, 95 Artist Unknown. . . . . . . . . . . . . . . . . . . . . . . . . . 76 bas-Cohain, Rachel. . . . . . . . . . . . . . . . 34, 36, 153 Bayer, Herbert. . . . . . . . . . . . . . . . . . . . . . . . . . 120 Beier, Nina . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89 Béjar, Feliciano . . . . . . . . . . . . . . . . . . . . . . . . . . 97 Benedit, Luis Fernando . . . . . . . . . . . . . . . . . 98, 99 Beothy, Etienne. . . . . . . . . . . . . . . . . . . . . . . . . . 81 Berkshire, Robert . . . . . . . . . . . . . . . . . . . . . . . 151 Berrocal, Miguel Ortiz. . . . . . . . . . . . . . . . . . . . . 26 Betts, Edward H.. . . . . . . . . . . . . . . . . . . . . . . . 230 Bissier, Julius . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 Bissiere, Louttre . . . . . . . . . . . . . . . . . . . . . . . . 139 Bissière, Roger. . . . . . . . . . . . . . . . . . . . . 135, 136 Brock, Kadar. . . . . . . . . . . . . . . . . . . . . . . . . . . 121 Burch, Christina. . . . . . . . . . . . . . . . . . . . . . . . . . . 8 Caldwell, Joan R.. . . . . . . . . . . . . . . . . . . . . . . . 244 Cappelletto, Marina. . . . . . . . . . . . . . . . . . . . . . 209 Carlson, William . . . . . . . . . . . . . . . . . . . . . . . . . 44 Castle, Wendell. . . . . . . . . . . . . . . . . . . . . . . . . 239 Cavaliere, Alik. . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Channing, Walter. . . . . . . . . . . . . . . . . . . . . . 82, 83 Chansheng, Liang. . . . . . . . . . . . . . . . . . . . . . . 210 Charlier, Jacques. . . . . . . . . . . . . . . . . . . . 221, 225 Chattaway, William. . . . . . . . . . . . . . . . . . . . . . . 216 Chihuly, Dale. . . . . . . . . . . . . . . . . . . 125, 126, 228 Cleotto, Afro . . . . . . . . . . . . . . . . . . . . . . . . . . . 116 Clough, Charles. . . . . . . . . . . . . . . . . . . . . . . . . 127 Connelly, Chuck. . . . . . . . . . . . . . . . . . . . . . . . . 198 Corneille (Cornelis van Beverloo). . . . . . . . . . . . 144 Cortez, Jenness. . . . . . . . . . . . . . . . . . . . . . . . . . . 7 Creecy, Herbert. . . . . . . . . . . . . . . . . . . . . . . . . 117 Curry, Bill. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32 Dalí, Salvador. . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 Danish . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 Davidson, Jean. . . . . . . . . . . . . . . . . . . . . . . . . . 70 Davis, Gene. . . . . . . . . . . . . . . . . . . . . . . . 106, 107 di Suvero, Mark. . . . . . . . . . . . . . . . . . . . . . . . . 211 Dickinson, Jeremy. . . . . . . . . . . . . . . . . . . . . . . . . 1 Disderot. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53 Dubuffet, Jean. . . . . . . . . . . . . . . . . . . . . . . . . . 143 Eames, Charles and Ray. . . . . . . . . . . . . 23, 55, 74 Engel, Harry. . . . . . . . . . . . . . . . . . . . . . . 184, 189 Erni, Hans. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123 False Image, The (Roger Brown, Eleanor Dube, Phil Hanson, and Christina Ramberg). . . . . . . . . . . . 204 Fenghua, Lin and Liu Yong. . . . . . . . . . . . . . . . . 167 Fleischl, Maria F.. . . . . . . . . . . . . . . . . . . . . . . . 172 Flood, Ed. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 208 Fourtou, Jean-Francois. . . . . . . . . . . . . . . . . . . . 133 Freeman, Gary. . . . . . . . . . . . . . . . . . . . . . . . . . . 71 Freiwald, Till. . . . . . . . . . . . . . . . . . . . . . . . . . . . 245 Gilhooly, David. . . . . . . . . . . . . . . . . . . . . . 192, 193 Gober, Robert. . . . . . . . . . . . . . . . . . . . . . . . . . . 19 Grasso, Ben . . . . . . . . . . . . . . . . . . . . . . . . . . . 4, 5 Gray, Eileen. . . . . . . . . . . . . . . . . . . . . . . . . . . . 201 Gray, Luke. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115 Gudiol, Montserrat. . . . . . . . . . . . . . . . . . . . . . . 241 Hadzi, Dimitri. . . . . . . . . . . . . . . . . . . . . . . . . . . . 78 Hajdu, Étienne. . . . . . . . . . . . . . . . . . . . . . . . 60, 72 Hall, Lee. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 227 262 P O S T WA R A R T & D E S I G N
ARTIST NAME
LOT
Hamilton, Ann. . . . . . . . . . . . . . . . . . . . . 10, 12, 13 Hare, David. . . . . . . . . . . . . . . . . . . . . . . . . . . . 131 Haring, Keith (after). . . . . . . . . . . . . . . . . . . . . . 142 Haussmann, Trix and Robert . . . . . . . . . . . . . . . 226 Heerup, Henry. . . . . . . . . . . . . . . . . . . . . . . . . . 240 Hoff, Margo. . . . . . . . . . . . . . . . . . . . . . . . . . . . 242 Hon-Sum, Kwok (Guo Hansen). . . . . . . . . . . . . . 168 Hopper, Dennis. . . . . . . . . . . . . . . . . . . . . . . . . 114 Hultberg, John. . . . . . . . . . . . . . . . . . . . . . . . . . 196 Hunt, Richard . . . . . . . . . . . . . . . . . . . . . . . . . . . 80 Hurt, Sarah. . . . . . . . . . . . . . . . . . . . . . . . . . . . 233 iGuzzini. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 Italian. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58, 61 Jacobsen, Arne. . . . . . . . . . . . . . . . . . . . . . . . . . 30 Jakobsson, Hans-Agne. . . . . . . . . . . . . . . . 223, 232 Jin, Li . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 238 Jones, Charles . . . . . . . . . . . . . . . . . . . . . . . . . . 47 Jones, Murray. . . . . . . . . . . . . . . . . . . . . . . . 37, 42 Jorgensen, Sandra. . . . . . . . . . . . . . . . . . . . . . . 203 Kåge, Wilhelm. . . . . . . . . . . . . . . . . . 146-150, 177 Kaufmann, Robert. . . . . . . . . . . . . . . . . . . . . . . 195 KAWS. . . . . . . . . . . . . . . . . . . . . . . . . . . . 206, 207 Kearney, John. . . . . . . . . . . . . . . . . . . . . . . . . . 215 Kepes, Gyorgy. . . . . . . . . . . . . . . . . . . . . . 178, 180 Kidner, Michael. . . . . . . . . . . . . . . . . . . . . . . . . . 65 Kippenberger, Martin. . . . . . . . . . . . . . . . . . . . . . 88 Klingelholler, Harald. . . . . . . . . . . . . . . . . . . . . . . 48 Knoll, Florence. . . . . . . . . . . . . . . . . . . . . . . . . . . 54 Koenig, Fritz. . . . . . . . . . . . . . . . . . . . . . . . . . . . 25 Koppe, Richard. . . . . . . . . . . . . . . . . . . . . . . . . . 64 Kriesberg, Irving . . . . . . . . . . . . . . . . . . . . . . . . 169 Kruger, Barbara. . . . . . . . . . . . . . . . . . . . . . . . . . 17 Kuhn, Jon. . . . . . . . . . . . . . . . . . . . . . . . . . . 91, 92 Kuramata, Shiro . . . . . . . . . . . . . . . . . . . . . . . . 102 Lanskoy, Andre . . . . . . . . . . . . . . . . . . . . . . . . . 197 Lanyon, Ellen. . . . . . . . . . . . . . . . . . . . . . . . . . . 248 LeWitt, Sol . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46 Liautaud, Georges. . . . . . . . . . . . . . . . . . . . . . . . 77 Lindberg, Stig . . . . . . . . . . . . . . . . . . . . . . 164, 224 Lindberg, Stig and Berndt Friberg. . . . . . . . . . . . 171 Londi, Aldo . . . . . . . . . . . . . . . . . . . . . . . . . . . . 234 Løvig Nielsen, Peter. . . . . . . . . . . . . . . . . . . . . . . 35 Lowe, Marvin. . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 Mahosky, Mark . . . . . . . . . . . . . . . . . . . . . . . . . 159 Main, Terence. . . . . . . . . . . . . . . . . . . . . . . . . . . 85 Manessier, Alfred. . . . . . . . . . . . . . . . . . . . . . . . 182 Mann, Cy. . . . . . . . . . . . . . . . . . . . . . . . . . . . 67, 68 Martz, Gordon and Jane. . . . . . . . . . . . . . . . . . . . 69 McArthur, Warren. . . . . . . . . . . . . . . . . . . . . . . . . 59 Mexican . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39 Millman, Edward . . . . . . . . . . . . . . . . . . . . . . . . 176 Minguzzi, Luciano . . . . . . . . . . . . . . . . . . . . . . . . 79 Miyake, Shintaro. . . . . . . . . . . . . . . . . . . . . . . . 237 Mock, Richard B.. . . . . . . . . . . . . . . . . . . . . . . . 124 Modernist. . . . . . . . . . . . . . . . . . . . . . . . . . 15, 219 Monsani, Roberto. . . . . . . . . . . . . . . . . . . . . . . . 52 Montoya, Luis and Leslie Ortiz. . . . . . . . . . . . . . 200 Musler, Jay . . . . . . . . . . . . . . . . . . . . . . . . . . . . 235 Nagele, Albert. . . . . . . . . . . . . . . . . . 152, 155, 157 Natkin, Robert. . . . . . . . . . . . . . . . . . . . . . . . . . 113 Nauman, Bruce. . . . . . . . . . . . . . . . . . . . . . . . . . 16 Neizvestny, Ernest. . . . . . . . . . . . . . . . . . . . . . . 214 Nelson, George (& Associates). 104, 105, 108, 109 Nevelson, Louise. . . . . . . . . . . . . . . . . . . . . . . . . 43
ARTIST NAME
LOT
Nickle, Robert. . . . . . . . . . . . . . . . . . . . . . . . . . . 38 Nouvel, Jean. . . . . . . . . . . . . . . . . . . . . . . . . . . 202 Nylund, Gunnar. . . . . . . . . . . . . . . . . . . . . . . . . 183 Orr, Eric. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103 Ortman, George E.. . . . . . . . . . . . . . . . . . . . . . . . 45 Paley, Albert . . . . . . . . . . . . . . . . . . . . . . . . . . . 132 Paluzzi, Rinaldo. . . . . . . . 49-51, 84, 129, 165, 187 Pasmore, Victor. . . . . . . . . . . . . . . . . . . . . . . 28, 29 Pauluks, Janis. . . . . . . . . . . . . . . . . . . . . . . . . . 122 Peng, Lu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166 Perriand, Charlotte; Pierre Jeanneret; and Le Corbusier. . . . . . . . . . . . . . . . . . . . . . . . 229 Perucchetti, Mauro . . . . . . . . . . . . . . . . . . . . . . 95A Petrovic, Marc. . . . . . . . . . . . . . . . . . . . . . . . . . 194 Plamondon, Peter . . . . . . . . . . . . . . . . . . . . . . . 190 Poons, Larry . . . . . . . . . . . . . . . . . . . . . . . . . . . 128 Ramberg, Christina. . . . . . . . . . . . . . . . . . . . . . 205 Reidel, Karl. . . . . . . . . . . . . . . . . . . . . . . . . . . . 213 Ries, Christopher. . . . . . . . . . . . . . . . . . . . . . . . . 90 Riese, Beatrice. . . . . . . . . . . . . . . . . . . . . . . . . 162 Rinaldi, Gastone. . . . . . . . . . . . . . . . . . . . . . . . . . 3 Rosenthal, Tony. . . . . . . . . . . . . . . . . . . . . . . . . . 66 Ruda, Edwin . . . . . . . . . . . . . . . . . . . . . . . . . . . 231 Saarinen, Eero. . . . . . . . . . . . . . . . . . . . . . . . . . . 57 Scarpa, Giorgio. . . . . . . . . . . . . . . . . . . . . . . . . 100 Schmeidler, Blanche J.. . . . . . . . . . . . . . . . . . . . 188 Segal, George. . . . . . . . . . . . . . . . . . . . . . . . . . . 93 Seguso, Livio. . . . . . . . . . . . . . . . . . . . . . . . . . . . 73 Serrano, Pablo. . . . . . . . . . . . 27, 56, 186, 212, 217 Sewell, Ben. . . . . . . . . . . . . . . . . . . . . . . . 140, 141 Sherman, Cindy. . . . . . . . . . . . . . . . . . . . . . . . . 246 Sillman, Amy. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 Siskind, Ellie. . . . . . . . . . . . . . . . . . . . . . . . . . . 243 Slaymaker, Martha. . . . . . . . . . . . . . . . . . . . . . . 134 Smith, Richard. . . . . . . . . . . . . . . . . . . . . . . . . . 112 Soffer, Sasson. . . . . . . . . . . . . . . . . . . . . . . . . . . 75 Stålhane, Carl-Harry. . . . . . . . . 173, 175, 179, 181 Stålhane, Carl-Harry and Berndt Friberg . . . . . . . 185 Stanger, Jay. . . . . . . . . . . . . . . . . . . . . . . . . . . . 118 Stankard, Paul. . . . . . . . . . . . . . . . . . . . . . . . . . . 96 Steadham, Terry . . . . . . . . . . . . . . . . . . . . . . . . 236 Stewart, Kipp. . . . . . . . . . . . . . . . . . . . . . . . . . . 62 Stillman, Ary. . . . . . . . . . . . . . . . . . . . . . . . . . . 174 Stojak, Linda. . . . . . . . . . . . . . . . . . . . . . . . . . . . 24 Svensson, Evy. . . . . . . . . . . . . . . . . . . . . . . . . . 156 Swedish. . . . . . . . . 138, 154, 158, 160, 161, 163 Tacon, Edna Jeanette. . . . . . . . . . . . . . . . . . . . . 119 Takis. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63 Thurston, Gerald. . . . . . . . . . . . . . . . . . . . . . . . 170 Tyzack, Michael. . . . . . . . . . . . . . . . . . . . . . . . . 101 Vallien, Bertil. . . . . . . . . . . . . . . . . . . . . . . . . 86, 87 van der Rohe, Ludwig Mies . . . . . . . . . . . . . . . . . 14 Vega, Sergio . . . . . . . . . . . . . . . . . . . . . . . . . . . 247 Viola, Manuel . . . . . . . . . . . . . . . . . . . . . . . . . . 218 Wesselmann, Tom. . . . . . . . . . . . . . . . . . . . . . . . 33 Westermann, HC. . . . . . . . . . . . . . . . . . . . . . 21, 22 Wikkelsø, Illum (attribution). . . . . . . . . . . . . . . . . 40 Wilkerson, Jerry. . . . . . . . . . . . . . . . . . . . . . . . . 191 Woelffer, Emerson. . . . . . . . . . . . . . . . . . . . . . . 130 Wormley, Edward. . . . . . . . . . . . . . . . . . . . . . . . 145 Yatrides, Georges . . . . . . . . . . . . . . . . . . . . . . . 199 Yokose, Hiro . . . . . . . . . . . . . . . . . . . . . . . . . . . 220 Zinsser, John. . . . . . . . . . . . . . . . . . . . . . . . . . . 137
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DETROIT PAM IACOBELLI BUSINESS DEVELOPMENT DIRECTOR 313.774.0900 DETROIT@HINDMANAUCTIONS.COM
SAN DIEGO KATIE GUILBAULT, G.G. BUSINESS DEVELOPMENT DIRECTOR 858.442.6104 SANDIEGO@HINDMANAUCTIONS.COM
CINCINNATI KRISTIN VAUGHN BUSINESS DEVELOPMENT MANAGER 513.871.1670 CINCINNATI@HINDMANAUCTIONS.COM
MILWAUKEE SARA MULLOY BUSINESS DEVELOPMENT DIRECTOR 414.220.9200 MILWAUKEE@HINDMANAUCTIONS.COM
SCOTTSDALE LOGAN BROWNING BUSINESS DEVELOPMENT DIRECTOR 480.546.5150 SCOTTSDALE@HINDMANAUCTIONS.COM
CLEVELAND CARRIE PINNEY BUSINESS DEVELOPMENT MANAGER 216.292.8300 CLEVELAND@HINDMANAUCTIONS.COM
NAPLES ELIZABETH RADER, PHD BUSINESS DEVELOPMENT DIRECTOR 239.643.4448 NAPLES@HINDMANAUCTIONS.COM
ST. LOUIS ANNA SHAVER BUSINESS DEVELOPMENT MANAGER 314.833.0833 STLOUIS@HINDMANAUCTIONS.COM
DENVER MARON HINDMAN VICE CHAIR 303.825.1855 DENVER@HINDMANAUCTIONS.COM
PALM BEACH, MIAMI SARAH ROY BUSINESS DEVELOPMENT DIRECTOR 561.833.8053 PALMBEACH@HINDMANAUCTIONS.COM
WASHINGTON D.C. MAURA ROSS BUSINESS DEVELOPMENT DIRECTOR 202.853.1638 WASHINGTONDC@HINDMANAUCTIONS.COM
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Auction Inquiries FINANCE MARCO GUSELLA DIRECTOR, FINANCE MARCOGUSELLA @HINDMANAUCTIONS.COM 312.280.1212 CLIENT SERVICES RITA SWANBERG MANAGER, CLIENT SERVICES RITASWANBERG @HINDMANAUCTIONS.COM 312.280.1212 ESTATES, APPRAISALS & BUSINESS DEVELOPMENT VAUGHN SMITH BUSINESS DEVELOPMENT MANAGER VAUGHNSMITH @HINDMANAUCTIONS.COM 312.334.4238 BRIAR KOEHL BUSINESS DEVELOPMENT SENIOR ASSOCIATE BRIARKOEHL @HINDMANAUCTIONS.COM 312.600.6075 SAMANTHA SCHWARTZ BUSINESS DEVELOPMENT ASSOCIATE, TRUSTS & ESTATES SAMANTHASCHWARTZ @HINDMANAUCTIONS.COM 312.447.3297 NNEKA DUNHAM BUSINESS DEVELOPMENT ASSOCIATE, WEST NNEKADUNHAM @HINDMANAUCTIONS.COM 312.334.4232 HANNAH UNGER BUSINESS DEVELOPMENT ASSOCIATE, EAST HANNAHUNGER @HINDMANAUCTIONS.COM 312.447.3267 MUSEUM SERVICES MICHAEL SHAPIRO SENIOR ADVISOR MUSEUMS & PRIVATE COLLECTIONS MICHAELSHAPIRO @HINDMANAUCTIONS.COM 312.334.4210 MIRANDA MAXFIELD BUSINESS DEVELOPMENT SENIOR ASSOCIATE, MUSEUM SERVICES MIRANDALUCE @HINDMANAUCTIONS.COM 312.334.4208 CONSIGNMENT DEPARTMENT JIM SHARP CHIEF OPERATING OFFICER JIMSHARP @HINDMANAUCTIONS.COM MAGGIE PORTER VP SALES STRATEGY, DEPUTY COO MAGGIEPORTER @HINDMANAUCTIONS.COM MOLLY MORSE LIMMER SENIOR VICE PRESIDENT, DECORATIVE ARTS & COLLECTIBLES MOLLYLIMMER @HINDMANAUCTIONS.COM
FINE ART JOSEPH STANFIELD VP, SENIOR SPECIALIST JOSEPHSTANFIELD @HINDMANAUCTIONS.COM ZACK WIRSUM SENIOR SPECIALIST, POST WAR & CONTEMPORARY ART ZACHARYWIRSUM @HINDMANAUCTIONS.COM MONICA BROWN SENIOR SPECIALIST, PRINTS & MULTIPLES MONICABROWN @HINDMANAUCTIONS.COM KATHERINE HLAVIN DIRECTOR AND SPECIALIST, WESTERN & WILDLIFE ART KATHERINEHLAVIN @HINDMANAUCTIONS.COM PAULINE ARCHAMBAULT SPECIALIST PAULINEARCHAMBAULT @HINDMANAUCTIONS.COM NATE BRADY ASSOCIATE SPECIALIST NATHANBRADY @HINDMANAUCTIONS.COM ALEXANDRIA DREAS CATALOGUER ALEXANDRIADREAS @HINDMANAUCTIONS.COM JULIANNA TANCREDI CATALOGUER JULIANNATANCREDI @HINDMANAUCTIONS.COM ABBY CHAMBERS DEPARTMENT COORDINATOR ABBYCHAMBERS @HINDMANAUCTIONS.COM EUROPEAN FURNITURE & DECORATIVE ARTS CORBIN HORN DIRECTOR, SENIOR SPECIALIST CORBINHORN @HINDMANAUCTIONS.COM 312.334.4214 MIKE INTIHAR SENIOR SPECIALIST MIKEINTIHAR @HINDMANAUCTIONS.COM NICK COOMBS SPECIALIST NICKCOOMBS @HINDMANAUCTIONS.COM GENEVIEVE KING ASSOCIATE SPECIALIST GENEVIEVEKING @HINDMANAUCTIONS.COM ELIZABETH REED CATALOGUER ELIZABETHREED @HINDMANAUCTIONS.COM AMERICAN FURNITURE, FOLK & DECORATIVE ARTS BENJAMIN FISHER DIRECTOR, SENIOR SPECIALIST BENJAMINFISHER @HINDMANAUCTIONS.COM
JENNIFER HOWE SENIOR SPECIALIST JENNIFERHOWE @HINDMANAUCTIONS.COM LEAH VOGELPOHL SPECIALIST LEAHVOGELPOHL @HINDMANAUCTIONS.COM ANTIQUITIES JACOB COLEY DIRECTOR, SPECIALIST ANTIQUITIES & PRE-COLUMBIAN ART JACOBCOLEY @HINDMANAUCTIONS.COM MODERN DESIGN HUDSON BERRY DIRECTOR, SPECIALIST HUDSONBERRY @HINDMANAUCTIONS.COM SABRINA GRANADOS ASSOCIATE CATALOGUER SABRINAGRANADOS @HINDMANAUCTIONS.COM NATIVE AMERICAN, PREHISTORIC & TRIBAL ART DANICA FARNAND DIRECTOR, SENIOR SPECIALIST DANICAFARNAND @HINDMANAUCTIONS.COM ERIN RUST SPECIALIST ERINRUST @HINDMANAUCTIONS.COM MADISON LIGHT ASSOCIATE CATALOGER MADISONLIGHT @HINDMANAUCTIONS.COM BOOKS & MANUSCRIPTS GRETCHEN HAUSE DIRECTOR, SENIOR SPECIALIST GRETCHENHAUSE @HINDMANAUCTIONS.COM KATIE HORSTMAN SENIOR SPECIALIST KATIEHORSTMAN @HINDMANAUCTIONS.COM DANIELLE LINN SPECIALIST DANIELLELINN @HINDMANAUCTIONS.COM EMILY PAYNE SPECIALIST EMILYPAYNE @HINDMANAUCTIONS.COM KAYLAN GUNN ASSOCIATE SPECIALIST KAYLANGUNN @HINDMANAUCTIONS.COM FRANCIS WAHLGREN SENIOR CONSULTANT FRANCISWAHLGREN @HINDMANAUCTIONS.COM
ASIAN ART ANNIE WU DIRECTOR, SENIOR SPECIALIST ANNIEWU @HINDMANAUCTIONS.COM FLORA ZHANG ASSOCIATE SPECIALIST FLORAZHANG @HINDMANAUCTIONS.COM MEGAN SADLER CATALOGUER MEGANSADLER @HINDMANAUCTIONS.COM MARIELLE EPSTEIN DEPARTMENT COORDINATOR MARIELLEEPSTEIN @HINDMANAUCTIONS.COM JEWELRY & TIMEPIECES SALLY KLARR, G.G. DIRECTOR, SENIOR SPECIALIST SALLYKLARR @HINDMANAUCTIONS.COM KATIE HAMMOND GUILBAULT, G.G. BUSINESS DEVELOPMENT DIRECTOR, SAN DIEGO, SENIOR SPECIALIST, JEWELRY AND TIMEPIECES KATIEGUILBAULT @HINDMANAUCTIONS.COM MARISA ACKERMAN, G.G. SPECIALIST MARISAACKERMAN @HINDMANAUCTIONS.COM KARINA HAMMER, G.G. SPECIALIST KARINAHAMMER @HINDMANAUCTIONS.COM HANA THOMSON CATALOGUER HANATHOMSON @HINDMANAUCTIONS.COM MADELINE SCHROEDER ASSOCIATE CATALOGUER MADELINESCHROEDER @HINDMANAUCTIONS.COM COUTURE & LUXURY ACCESSORIES TIMOTHY LONG DIRECTOR, SENIOR SPECIALIST TIMOTHYLONG @HINDMANAUCTIONS.COM MICHAEL HALL CATALOGUER MICHAELHALL @HINDMANAUCTIONS.COM ARMS, ARMOR & MILITARIA TIM CAREY DIRECTOR, SPECIALIST TIMCAREY @HINDMANAUCTIONS.COM SPORTS MEMORABILIA JAMES SMITH SPECIALIST JAMESSMITH @HINDMANAUCTIONS.COM
PATRICIA TENCH SENIOR CATALOGUER PATRICIATENCH @HINDMANAUCTIONS.COM BENTON LUDGIN DEPARTMENT COORDINATOR BENTONLUDGIN @HINDMANAUCTIONS.COM
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Upcoming Auction Schedule 948 | CHICAGO COLLECTIONS JULY 13 | CHICAGO 923 | EUROPEAN FURNITURE & DECORATIVE ARTS JULY 20-21 | CHICAGO 924 | EUROPEAN FURNITURE & DECORATIVE ARTS JULY 22 | ONLINE 838 | ARMS, ARMOR & MILITARIA JULY 26 | CINCINNATI 922 | SUMMER FINE JEWELRY JULY 28 | CHICAGO 915 | STEPPING INTO TOMORROW JULY 21 | CHICAGO 978 | HINDMAN COLLECTIONS AUGUST 4 | CHICAGO 925 | CINCINNATI COLLECTIONS AUGUST 13 | CINCINNATI 820 | FINE ART & DESIGN SELECTIONS AUGUST 12 | ONLINE 926 | AMERICAN HISTORICAL EPHEMERA & PHOTOGRAPHY AUGUST 20 | CINCINNATI 927 | ESSENTIAL JEWELRY AUGUST 25 | CHICAGO 872 | CHICAGO COLLECTIONS SEPTEMBER 10 | CHICAGO 929 | IMPORTANT JEWELRY SEPTEMBER 13 | CHICAGO 930 | NATIVE AMERICAN ART SEPTEMBER 16 | CINCINNATI 937 | ARMS, ARMOR & MILITARIA SEPTEMBER 20 | ONLINE 932 | FALL FASHION SEPTEMBER 21 | CHICAGO Sonia Delaunay (French/Ukrainian, 1885–1979) Self-Portrait, 1916
935 | ESSENTIAL JEWELRY SEPTEMBER 22 | ONLINE
PRE-SALE AUCTION ESTIMATE: $20,000 - 30,000 TO BE OFFERED AT AUCTION SEPTEMBER 27, AMERICAN & EUROPEAN ART
909 | AMERICAN & EUROPEAN ART SEPTEMBER 27 | CHICAGO 907 | POST WAR & CONTEMPORARY ART SEPTEMBER 28 | CHICAGO 908 | PRINTS & MULTIPLES SEPTEMBER 29 | CHICAGO
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GUIDE FOR PROSPECTIVE SELLERS Evaluation of Property If you have property you wish to sell, please call our Consignment Department at 312.280.1212 to arrange for a consultation. At that time, you may make an appointment to bring your property or photographs, along with any other pertinent information, to Hindman LLC and we will be happy to provide you with complimentary estimates and advice. If you have a large collection, an appointment may be made to evaluate the property on-site. Fees for on-site visits may vary.
Bidding Increments Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The standard bidding increments are:
Standard Commission Rates Our standard rate of commission is equal to ten percent (10%) of the hammer price on each lot sold for $5,001 or more; and twenty-five percent (25%) of the hammer price on each lot sold for less than $5,001, with a minimum commission of $75 per lot sold. If your property fails to reach the reserve price agreed upon between you and Hindman LLC, you may be obligated to pay a reduced commission rate of five percent (5%) of the reserve price.
$0 - $500 ........................................ $25 $500 - $1,000 ..................................... $50 $1,000 - $2,000 ................................... $100 $2,000 - $5,000 ................................... $250 $5,000 - $10,000 ................................. $500 $10,000 - $20,000 .............................. $1,000 $20,000 - $50,000 .............................. $2,500 $50,000 - $100,000 ............................ $5,000 $100,000 - $200,000 .......................... $10,000 Above > $200,000 .... At Auctioneer’s Discretion
Shipping Arrangements Hindman LLC can advise you as to how to have your property delivered to our galleries. Packing, shipping and insurance are payable by the seller. In certain instances, packing and shipping costs may be paid by Hindman LLC and deducted from the proceeds of the sale. We may recommend packers and shippers, but we are not responsible for their acts or omissions.
In-House Bidding Our auctions are free and open to the public with no obligation for attendees to bid. Registration requires your full contact information, photo identification, credit card information, your signature and agreement to the Conditions of Sale.. If you are the successful bidder, your paddle number and the hammer price will be announced by the auctioneer.
Appraisals Appraisals can be arranged for insurance, donation, estate tax, family division or other purposes. Appraisal fees vary according to circumstances. Please contact our Estates and Appraisals Department at 312.280.1212 for further information.
Live Bid Online Hindman LLC allows absentee and live bidding through our website at hindmanauctions.com as well as absentee and live bidding through third party online bidding providers which vary by sale. For more information regarding online bidding please visit our website at hindmanauctions.com.
GUIDE FOR PROSPECTIVE BUYERS Conditions of Sale Hindman LLC encourages all prospective buyers to read the Conditions of Sale printed in this catalogue. Exhibitions Hindman LLC recommends that all prospective buyers attend the pre-sale exhibition prior to the auction. Staff members are available at our pre-sale exhibitions to advise prospective buyers on particular objects or on any aspect of the bidding process. Estimates Hindman LLC provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not definitive. All pre-sale estimates are subject to revision. Condition Reports We are happy to provide a condition report for lots with a low estimate of $300 and above. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property offered for sale due to the highly subjective nature of condition reports.
Absentee Bidding If you are unable to attend an auction, you may place an absentee bid, either through our website at hindmanauctions.com or through the bid form provided at the back of this catalogue. An absentee bid is the highest price you are willing to pay exclusive of buyer’s premium and applicable sales tax. Hindman LLC will exercise absentee bids at no additional charge. Absentee bids are always confidential, and bids are executed at the lowest price possible by the auctioneer according to reserves and competing bids. Telephone Bidding You may register telephone bid requests either through our website at hindmanauctions.com or through the bid form provided at the back of this catalogue. Upon registering for a telephone bid, you will be called on the day of the auction by a Hindman representative approximately five lots before your item is scheduled to be sold. They will communicate to you the bidding activity and will relay your bids to the auctioneer at your discretion. Please note we can only accept telephone bids for lots with a low estimate of $300 or above unless otherwise noted online. Telephone bids may be requested up to 2 hours prior to the auction start time. Tax Exempt Notice Lots marked with an asterisk (*) are tax exempt as permitted by law. Updated 4/21
Bidding at Auction The highest bidder acknowledged by the auctioneer will be the purchaser. In addition to the hammer price, the buyer agrees to pay Hindman LLC a buyer’s premium as well as any applicable taxes.
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CONDITIONS OF SALE These Conditions of Sale set out the terms upon which Hindman LLC (“we,” “us,” or “our”) sells property by lot in this catalogue. You agree to be bound by these terms by registering to bid and/or by bidding in our auction. A glossary at the end defines the words in bold type.
A. BEFORE THE AUCTION
1. LOT DESCRIPTIONS AND WARRANTIES Our description of a lot, any statement of a lot’s condition, and any other oral or written statement about a lot—such as its nature, condition, artist, period, materials, dimensions, weight, exhibition or publication history, or provenance—are our opinion and shall not to be relied upon by you as a statement of fact. Except for the limited authenticity warranty contained in paragraphs E and F below, we do not provide any guarantee of our description or the nature of a lot. 2. CONDITION The physical condition of lots in our auctions can vary due to age, normal wear and tear, previous damage, and restoration/repair. All lots are sold “AS IS,” in the condition they are in at the time of the auction, and we and the seller make no representation or warranty and assume no liability of any kind as to a lot’s condition. Any reference to condition in a catalogue description or a condition report shall not amount to a full accounting of condition and may not include all faults, inherent defects, restoration, alteration, or adaptation. Likewise, images in our catalogue may not depict a lot accurately, as colors and shades may appear different in print or on screen than on physical inspection. We are not responsible for providing you with a description of a lot’s condition in the catalogue or in a condition report. 3. VIEWING LOTS We offer pre-auction viewings, either scheduled or by appointment, that are free of charge. If you believe that the catalogue description or condition reports are not sufficient, we suggest you inspect a lot personally or through a knowledgeable representative before you bid on a lot to make sure that you accept the description and its condition. We recommend you hire a professional adviser if you are not familiar with how to address the nature or condition of an object. 4. ESTIMATES Estimates of a lot account for the condition, rarity, quality, and provenance of the object and are based upon prices realized for similar objects in past auctions. Neither you nor anyone else may rely on our estimates as a prediction or guarantee of the actual selling price of a lot or its value for any other purpose. Estimates do not include the buyer’s premium, any applicable taxes, and any other applicable charges. 5. WITHDRAWAL We may, in our sole discretion, withdraw a lot from auction at any time prior to or during the sale and shall have no liability to you for our decision to withdraw.
B. REGISTERING TO BID
1. NEW BIDDERS New bidders must register at least twenty-four (24) hours before an auction and must provide us with documentation of their identity. (a) Individuals must provide photo identification (driver’s license, non-driver ID card, or passport) and, if not shown on the photo identification, proof of current address (a current utility bill or bank statement). (b) Corporate clients must provide a Certificate of Incorporation or its equivalent bearing the company’s name and registered address, together with documentary proof of directors and beneficial owners. (c) Trusts, partnerships, offshore companies, and other business entities must contact us in advance of the auction to discuss our requirements. If we are not satisfied with the information you provide us in our bidder identification and other registration procedures, we may refuse to register you to bid, and if you make a successful bid, we may cancel the contract for sale between you and the seller. New bidders may be required to provide us with a financial reference and/or a deposit before we allow them to bid. 2. RETURNING BIDDERS If you have not bought anything from us recently, then we may require you to register as a new bidder, as described in the paragraph above. Please contact us at least twenty-four (24) hours prior to the auction. 3. BIDDING FOR ANOTHER PERSON If you are bidding as an agent on behalf of another person, your principal must be a registered bidder and must provide us with written authorization
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allowing you to bid. You, as the agent, shall accept personal liability to pay the purchase price and all other sums due unless we have agreed in writing before the auction that you are acting as an agent on behalf of your principal and that we will only seek payment from your principal. 4. BIDDING IN THE SALEROOM If you wish to bid in the saleroom, you must first acquire a bidding paddle at least thirty (30) minutes before the auction. 5. OUR BIDDING SERVICES We offer the following bidding services as a convenience to our clients, subject to these Conditions of Sale. We shall not be responsible for any error, omission, or failure, human or otherwise, in providing these services. (a) Phone Bids: You must contact us at least twenty-four (24) hours prior to the auction to arrange a phone bid. We will accept bids by telephone for lots only if our staff is available to take the bids. We agree that we may record telephone bids. (b) Internet Bids: You can bid in our live sales via our bidding platform or through third-party bidding sites. (c) Written Bids: You can find a Written Bid Form in the back of our catalogues, at the auction location, or online at www.hindmanauctions.com. We must receive your completed Written Bid Form at least twenty-four (24) hours before the auction. We will endeavor to execute written bids at the lowest possible price consistent with the reserve. If you make a written bid on a lot that does not have a reserve and there is no higher bid than yours, we will bid on your behalf at approximately fifty percent (50%) of the low estimate or, if lower, the amount of your bid. The first written bid we receive of those for identical amounts will be given priority over other bids. 6. CREDIT CARD AUTHORIZATION HOLD When you register to bid you may be asked to provide us with a valid credit card number. You authorize us to verify the validity of the credit card by placing a $100 authorization hold on the card that will remain until it falls off, usually within 48 hours.
C. DURING THE AUCTION
1. BIDDING IN THE AUCTION (a) Live Auctions. We will appoint an individual auctioneer to administer a live auction. The auctioneer may accept bids from (a) written bids left with us by bidders before the auction; (b) bidders in the saleroom; (c) telephone bidders; and (d) Internet bidders. Bidding generally starts below the low estimate and increases in steps, called bid increments. The auctioneer will decide at his/ her sole option where the bidding should start and the bid increments. Bid increments may vary from auction to auction. You shall comply with all laws and regulations in force that govern your bidding. (b) Online-only Auctions. Bids may only be submitted on our website or through third-party bidding sites between the dates and times specified in the lot’s description. Your bid is submitted once you place and confirm your bid amount. You agree that a bid is final once it is placed and that you may never amend or revoke your bid. You are fully responsible for any errors you make in bidding. Bidding generally opens at or below the low estimate and increases in steps (bidding increments) to be determined in Hindman’s sole discretion. 2. AUCTIONEER’S DISCRETION The auctioneer shall have absolute discretion to (a) admit a bidder into or remove a bidder from the saleroom or online auction; (b) accept or refuse any bid; (c) change the order of the lots in the auction; (d) move the bidding backward or forward; (e) withdraw any lot from the auction; (f) divide any lot or combine any two or more lots; (g) reopen or continue the bidding even after the hammer has fallen; and (h) continue the bidding, determine the successful bidder, cancel the sale of the lot, or reoffer and resell any lot in the event that there is an error or dispute related to bidding or the application of the reserve, whether during or after the auction. You must provide us with written notice within three (3) business days of the date of the auction if you believe that the auctioneer has accepted the successful bid in error. The auctioneer will consider the claim and decide in good faith if the sale of the lot is final, whether he/she will cancel the sale of the lot, or whether he/she will reoffer and resell the lot. The auctioneer’s decision in exercise of this discretion is final. This paragraph does not in any way affect our ability to cancel the sale of a lot under other applicable provisions of these Conditions of Sale, including the rights of cancellation set forth in sections B(1), D(6), E(2), and G(1). 3. BIDDING ON BEHALF OF THE SELLER The auctioneer may, at his/her sole option, bid on behalf of the seller up to one bidding increment before the reserve by making either consecutive or responsive bids. The auctioneer will not identify these as bids made on behalf of the seller. If a lot is offered without reserve, the auctioneer will open the bidding at approximately fifty percent (50%) of the lot’s low estimate; where
necessary, will lower the asking bid until a bid is received; and will solicit higher bids from that amount. If there are no bids on a lot, the auctioneer may deem the lot unsold. 4. SUCCESSFUL BIDS AND INVOICES Subject to paragraph C(2), the contract of sale between the seller and the successful bidder is formed when the final bid is accepted and the auctioneer’s hammer strikes. The successful bid price is the hammer price, and we will issue an invoice only to the registered bidder who made the successful bid. While we send out invoices by mail and/or email after the auction, we shall not be responsible for telling you whether your bid was successful. You should contact us immediately after the auction to find out the success of your bid in order to avoid having to pay storage charges.
D. AFTER THE AUCTION
1. THE BUYER’S PREMIUM In addition to the hammer price, the successful bidder agrees to pay us a buyer’s premium on the hammer price of each lot sold. On all lots, we charge twenty-five percent (25%) of the hammer price up to and including $400,000; twenty percent (20%) of any amount in excess of $400,001 up to and including $4,000,000; and twelve percent (12%) of any amount in excess of $4,000,001. If the bidder bids through a third-party platform the bidder agrees to pay us a surcharge equal to the fee levied by the third-party platform. The third-party platform fee is in addition to the buyer’s premium. 2. TAXES The successful bidder is responsible for any applicable taxes, including any sales or use tax or equivalent tax wherever such taxes may arise on the hammer price, the buyer’s premium, and/or any other charges related to the lot. A sales or use tax is dependent upon a number of factors, including, but not limited to, our volume of sale and the place of delivery of the lot, regardless of the nationality or citizenship of the successful bidder. The applicable sales tax rate will be determined based upon the state, county, or locale to which the lot will be shipped or where it is picked-up in person. We collect sales tax in states where legally required. 3. MAKING PAYMENT (a) Immediately following the auction, you must pay the purchase price, consisting of the hammer price, plus the buyer’s premium, plus any applicable duties and sales, use, or other applicable taxes. Payment is due no later than by the end of the seventh (7th) calendar day following the date of the auction, which we refer to as the due date. (b) We will only accept payment from the registered successful bidder. Once issued, we cannot change the buyer’s name on an invoice or reissue the invoice in a different name. (c) You must pay for lots in US dollars in one of the following ways: (i) Wire transfer. (ii) Bank checks: You must make these payable to Hindman LLC, and we may impose other conditions. Once we have deposited your check, property cannot be released until five (5) business days have passed. (iii) Personal checks: You must make these payable to Hindman LLC, and they must be drawn from US dollar accounts from a US bank. The property will not be released until the check has cleared and the funds are received by us. (d) You must quote your invoice number when making a payment. All payments sent by post must be sent to Hindman LLC, 1338 West Lake Street, Chicago, IL 60607, ATTN: Client Accounting Department. 4. TRANSFERRING OWNERSHIP TO YOU You will not own the lot and title will not pass to you until we have received full payment in good funds of the purchase price, even in circumstances where we have released the lot to you. 5. TRANSFERRING RISK TO YOU Unless we have agreed otherwise with you, the risk in and responsibility for the lot will transfer to you from whichever is the earlier of the following: (a) when you collect the lot; or (b) the end of the thirtieth (30th) day following the date of the auction or, if earlier, the date the lot is taken into care by a third-party warehouse. 6. YOUR FAILURE TO PAY If you fail to pay us the purchase price in full in good funds by the due date, we will be entitled to do one or more of the following (as well as enforce any other rights and remedies we have by law) at our sole discretion: (a) We can charge interest from the due date at a rate of up to one and onehalf percent (1.5%) per month on the unpaid amount due. (b) We can cancel the sale of the lot and sell the lot again, publicly or privately, on such terms as we believe appropriate, in which case you must pay us any shortfall between the amount you owe us and the resale price, plus all costs, expenses, losses, damages, and legal fees we incur due to the cancellation. (c) We can pay the seller the amount due to them, in which case you acknowledge and understand that we will have all the seller’s rights to pursue you for such amount.
(d) We can hold you legally responsible for the amount you owe us and bring legal proceedings against you to recover the amount owed by you, plus other losses, interest, legal fees, and costs as allowed by law. (e) We can reveal your identity and contact details to the seller. (f) We can reject any bids made by or on behalf of you in future auctions or require you to provide us with a deposit before accepting any bids. (g) We can exercise all the rights and remedies of a person holding security over any property in our possession owned by you, whether by way of pledge, security interest, or in any other way as permitted by the law of the place where such property is located. You will be deemed to have granted such security to us and we may retain such property as collateral security for your obligations to us. (h) We can take any other action we deem necessary or appropriate. 7. SHIPPING, COLLECTION, AND STORAGE (a) You must collect purchased lots within thirty (30) days of the auction. We can assist in making shipping arrangements by suggesting art handlers, packers, transporters, or experts, but you must arrange all transport and shipping with them, and we are not responsible for their acts, failure to act, or neglect. (b) If you do not collect any purchased lot within thirty (30) days following the auction, we may, at our sole option, (i) charge you storage and insurance costs; (ii) move the lot to another Hindman location or to a third-party warehouse, whereupon we will charge you transport costs, insurance costs, and administration fees for doing so, and you will be subject to the third-party storage warehouse’s standard terms and responsible for paying its standard fees and costs; or (iii) sell the lot in any commercially reasonable way we think appropriate. (c) In accordance with applicable state law, if you have paid for the lot in full but you do not collect the lot within the time specified by the law of the state where the auction takes place, we may charge you state sales tax for the lot. (d) Nothing in this paragraph is intended to limit our rights under paragraph D(6). 8. EXPORTING, IMPORTING, AND ENDANGERED SPECIES (a) The shipping of a lot is affected by United States export laws or the import laws of other countries. If you are outside the United States, then local laws may prevent you from importing a lot. You alone are responsible for seeking advice prior to bidding and meeting the requirements of any law or regulation applying to the export or import of a lot. (b) Lots made of or including (regardless of the percentage) endangered and other protected species of wildlife—such as, among other things, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whalebone, certain species of coral, and Brazilian rosewood—may be subject to export controls in the US and import controls in other countries. You should check the relevant wildlife laws and regulations before bidding on any lot containing wildlife material if you plan to export the lot from the United States, import the lot into another country, or ship the lot between states. Your purchase of a lot containing endangered and other protected species of wildlife is at your own risk, and you shall be responsible for any scientific test or other reports required for export from the United States or for shipment between states. We will not cancel your purchase and refund the purchase price if your lot may not be exported, imported, or shipped between states, or if it is seized for any reason by a government authority. It is your responsibility to determine and satisfy the requirements of any applicable laws or regulations relating to import, export, and/or interstate shipping of a lot containing endangered and other protected species of wildlife.
E. WARRANTIES
1. SELLER’S WARRANTIES For each lot, the seller gives a warranty that the seller (a) is the owner of the lot or a joint owner of the lot acting with the permission of the other co-owners or, if the seller is not the owner or a joint owner of the lot, has the permission of the owner to sell the lot or the right to do so by law; and (b) has the right to transfer ownership of the lot to the buyer without any restrictions or claims by anyone else. If either of the above warranties are incorrect, the seller shall not have to pay more than the purchase price (as defined in paragraph D(3) above) paid by you to us. The seller will not be responsible to you for any reason for loss of profits or business, expected savings, loss of opportunity or interest, costs, damages, other damages, or expenses. The seller gives no warranty other than as set out above, and as far as the seller is allowed by law, all warranties from the seller to you, and all other obligations upon the seller that may be added to this agreement by law, are excluded. No employee or agent of Hindman is authorized to make a representation or provide other information, whether orally or in writing, that amends the seller’s warranties or creates an additional warranty on behalf of the seller with respect to a lot. Any such representation, other information, or additional warranty shall be null and void.
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2. OUR LIMITED AUTHENTICITY WARRANTY Our limited authenticity warranty, which lasts for one (1) year from the date of a live auction or three (3) months from an online only auction, is that the lots in our sales are authentic as defined in paragraph H, below. You must notify Hindman regarding concerns of authenticity in writing within one (1) year of the date of a live auction or within three (3) months of the date of an online only auction. Following receipt of that written notification, subject to the terms below, Hindman will refund the purchase price paid by the client. The terms of this limited authenticity warranty are as follows: (a) It will be honored for claims notified in writing within a period of one (1) year from the date of a live auction or three (3) months from an online only auction. After such time, we will not be obligated to honor the limited authenticity warranty. (b) It is given only for information shown in UPPERCASE type in the first line of the catalogue description (the Heading). It does not apply to any information other than that in the Heading, even if it is shown in UPPERCASE type. (c) It does not apply to any Heading or part of a Heading that is qualified. “Qualified” means limited by a clarification in a lot’s catalogue description or by the use in a Heading of one of the terms listed in the definition of “qualified” provided in paragraph H, below. Qualified Headings are not covered at all by this limited authenticity warranty. (d) It applies to the Heading as amended by any saleroom notice. (e) It does not apply where scholarship has developed since the auction, leading to a change in generally accepted opinion. Further, it does not apply if the Heading either matched the generally accepted opinion of experts at the date of the auction or drew attention to any conflict of opinion. (f) It does not apply if the lot can only be shown not to be authentic by a scientific process that, on the date we published the catalogue, was not available or generally accepted for use, was unreasonably expensive or impractical, or was likely to have damaged the lot. (g) Its benefit is only available to the original buyer shown on the invoice for the lot, issued at the time of the sale, and only if, on the date of the notice of claim, the original buyer is the full owner of the lot and the lot is free from any claim, interest, or restriction by anyone else. The benefit of this limited authenticity warranty may not be transferred by the original buyer to anyone else. (h) In order to make a claim under the limited authenticity warranty, you must (i) give us written notice of your claim within one (1) year of the date of a live auction or three (3) months from an online only auction ; (ii) at our option, pay for and provide us with the written opinions of two recognized experts in the field, mutually agreed upon by you and us, confirming that the lot is not authentic (we reserve the right to obtain additional opinions at our expense); and (iii) return the lot at your expense to the saleroom from which you bought it in the condition it was in at the time of sale. (i) Your only right under this limited authenticity warranty is to cancel the sale and receive a refund of the purchase price paid by you to us. We will not, under any circumstances, be required to pay you more than the purchase price, nor will we be liable for any loss of profits or business, loss of opportunity or value, expected savings or interest, costs, damages, other damages, or expenses. (j) No employee or agent of Hindman is authorized to make a representation or provide additional information, whether orally or in writing, that amends the limited authenticity warranty or creates an additional warranty with respect to a lot. Any such representation, other information, or additional warranty shall be null and void. 3. ADDITIONAL WARRANTY FOR BOOKS If the lot is a book, then we give an additional warranty to the original buyer shown on the invoice for the lot issued at the time of the sale in the following circumstances: (a) We will refund the purchase price to the original buyer if we, in our sole discretion, are convinced that the book is defective in text or illustration, subject to the following terms: (i) This additional warranty does not apply to (A) the absence of blanks, half titles, tissue guards, or advertisements; or damage in respect of bindings, stains, spotting, marginal tears, or other defects not affecting the completeness of the text or illustration; (B) drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps, or periodicals; (C) books not identified by title; (D) lots sold without a printed estimate; (E) books that are described in the catalog as sold not subject to return; or (F) defects stated in any condition report or announced at the time of sale. (ii) To make a claim under this additional warranty, you must give written details of the defect within twenty-one (21) days of the date of the sale and return the lot within twenty-one (21) days of the date of the sale to the saleroom at which you bought it in the same condition as at the time of sale. (iii) Paragraphs E(2)(b), (c), (d), (e), (h), and (i) also apply to a claim under this additional warranty. (c) No employee or agent of Hindman is authorized to make a representation or provide other information, whether orally or in writing, that amends the additional warranty for books or creates an additional warranty with respect to a lot. Any such representation, other information, or additional warranty shall be null and void. 270 P O S T WA R A R T & D E S I G N
4. JEWELRY (a) Colored gemstones (such as rubies, sapphires, and emeralds) may have been treated to improve their appearance through methods such as heating and/or various clarity enhancements. These methods are considered common by the international jewelry trade but may make a gemstone more fragile and/or cause the gemstone to require special care over time. (b) All types of gemstones may have been improved by some method. You may request a gemological report for any item that does not have a report if the request is made to us at least three (3) weeks before the date of the auction and you pay the fee for the report. (c) We do not obtain a gemological report for every gemstone sold in our auctions. When we do get gemological reports from internationally accepted gemological laboratories, such reports are described in the catalogue. Reports from American gemological laboratories describe any improvement or treatment to the gemstone. Reports from European gemological laboratories describe any improvement or treatment only if we request that they do so, but they do confirm when no improvement or treatment has been made. Because of differences in approach and technology, laboratories may not agree on whether a gemstone has been treated, the amount of treatment, or whether that treatment is permanent. The gemological laboratories only report on the improvements or treatments known to them at the date they make the report. (d) For jewelry sales, estimates are based on the information in any gemological report. If no report is available, assume that the gemstones may have been treated or enhanced. 5. WATCHES AND CLOCKS (a) Almost all clocks and watches are repaired in their lifetime and may include parts that are not original. We do not give a warranty that any individual component part of any watch is authentic. Watchbands described as “associated” are not part of the original watch and may not be authentic. Clocks may be sold without pendulums, weights, or keys. (b) As collectors’ watches often have very fine and complex mechanisms, you are responsible for any general service, change of battery, or further repair work that may be necessary. We do not give a warranty that any watch is in good working order. Certificates are not available unless described in the catalogue. (c) Most wristwatches have been opened to find out the type and quality of movement. For that reason, wristwatches with water-resistant cases may not be waterproof, and we recommend you have them checked by a competent watchmaker before use. (d) Many of the watches offered for sale in this catalogue are pictured with straps made of endangered or protected animal materials such as alligator or crocodile skin. When straps are shown for display purposes only and are not for sale. We may remove and retain the strap prior to shipment from the sale site. Please check with the department for details on a lot with such a strap. 6. YOUR WARRANTIES You warrant to us and the seller that (a) the funds you use for payment are not connected with any criminal activity, including tax evasion, and neither are you under investigation, nor have you been charged with or convicted of money laundering, terrorist activities, or other crimes; (b) where you are bidding on behalf of another person, (i) you have conducted appropriate customer due diligence on the ultimate buyer(s) of the lot(s) in accordance with all applicable anti-money laundering and sanctions laws, you consent to us relying on this due diligence, you will retain for a period of not less than five (5) years the documentation evidencing the due diligence, and you will make such documentation promptly available for immediate inspection by an independent third-party auditor upon our written request to do so; (ii) the arrangements between you and the ultimate buyer(s) in relation to the lot or otherwise do not, in whole or in part, facilitate tax crimes; (iii) you do not know, and have no reason to suspect, that the funds used for payment are connected with or the proceeds of any criminal activity, including tax evasion, or that the ultimate buyer(s) are under investigation for, or have been charged with or convicted of, money laundering, terrorist activities, or other crimes.
F. OUR LIABILITY TO YOU
(a) We give no warranty in relation to any statement made, or information given, by us or our representatives or employees about any lot other than as set out in the limited authenticity warranty or in the additional warranty for books, and as far as we are allowed by law, all warranties and other terms that may be added to this agreement by law are excluded. The seller’s warranties contained in paragraph E(1) are their own, and we do not have any liability to you in relation to those warranties. (b) We are not responsible to you for any reason (whether for breaking this agreement or for any other matter relating to your purchase of, or bid for, any lot) other than in the event of fraud or fraudulent misrepresentation by us, or other than as expressly set out in these Conditions of Sale. (c) WE DO NOT GIVE ANY REPRESENTATION, WARRANTY, OR GUARANTEE
OR ASSUME ANY LIABILITY OF ANY KIND IN RESPECT OF ANY LOT WITH REGARD TO MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, DESCRIPTION, SIZE, QUALITY, CONDITION, ATTRIBUTION, AUTHENTICITY, RARITY, IMPORTANCE, MEDIUM, PROVENANCE, EXHIBITION HISTORY, LITERATURE, OR HISTORICAL RELEVANCE. EXCEPT AS REQUIRED BY LOCAL LAW, ANY WARRANTY OF ANY KIND IS EXCLUDED BY THIS PARAGRAPH. (d) Our written and telephone bidding services, online bidding services, and condition reports are free services, and we are not responsible to you for any error, omission, or failure of these services. (e) We have no responsibility to any person other than a buyer in connection with the purchase of any lot. (f) If, despite the terms in paragraphs F(a)–(e) or E(2)–(3) above, we are found to be liable to you for any reason, we shall not have to pay more than the purchase price paid by you to us. We will not be responsible to you for any reason for loss of profits or business, loss of opportunity or value, expected savings or interest, costs, damages, or expenses.
G. OTHER TERMS
1. OUR ABILITY TO CANCEL In addition to the other rights of cancellation contained herein, we can cancel a sale of a lot if (i) any of your warranties in paragraph E(4) are not correct; (ii) we reasonably believe that completing the transaction is, or may be, unlawful; or (iii) we reasonably believe that the sale places us or the seller under any liability to anyone else or may damage our reputation. 2. RECORDINGS We may videotape and/or audio record proceedings at any auction. We will keep any personal information confidential, except to the extent that disclosure is required by law. If you do not want to be videotaped, you may decide to make a telephone or written bid or bid online instead. Unless we agree otherwise in writing, you may not videotape or record proceedings at any auction. 3. COPYRIGHT We own the copyright in all images, illustrations, and written material produced by or for us relating to a lot, including the contents of our catalogues, unless otherwise noted therein. You cannot use them without our prior written permission. We make no representation and offer no guarantee that the buyer of a lot will gain any copyright or other reproduction rights. 4. ENFORCING THIS AGREEMENT If a court finds that any part of this agreement is invalid, illegal, or impossible to enforce, that part of the agreement will be treated as being deleted, and the rest of this agreement will not be affected. 5. TRANSFERRING YOUR RIGHTS AND RESPONSIBILITIES You may not grant a security over or transfer your rights or responsibilities under these terms unless we have given our written permission. This agreement will be binding on your successors or estate and anyone who takes over your rights and responsibilities. 6. PERSONAL INFORMATION We will hold and process your personal information in line with our privacy policy at www.hindmanauctions.com. 7. WAIVER No failure or delay to exercise any right or remedy contained herein shall constitute a waiver of that or any other right or remedy, nor shall it prevent or restrict the further exercise of that or any other right or remedy. No single or partial exercise of such right or remedy shall prevent or restrict the further exercise of that or any other right or remedy. 8. LAW AND DISPUTES This agreement, and any noncontractual obligations arising out of or in connection with this agreement, or any other rights you may have relating to the purchase of a lot will be governed by the laws of Illinois. Before we or you start any court proceedings (except in the limited circumstances where the dispute, controversy, or claim is related to proceedings brought by someone else and this dispute could be joined to those proceedings), you and we agree to try to settle the dispute by mediation submitted to JAMS, or its successor, for mediation in Illinois. If the dispute is not settled by mediation within sixty (60) days from the date when mediation is initiated, then the dispute shall be submitted to JAMS, or its successor, for final and binding arbitration in accordance with its Comprehensive Arbitration Rules and Procedures or, if the dispute involves a non-US party, the JAMS International Arbitration Rules. The seat of the arbitration shall be Illinois, and the arbitration shall be conducted by one arbitrator, who shall be appointed within thirty (30) days after the initiation of the arbitration. The language used in the arbitral proceedings shall be English. The arbitrator shall order the production of documents only upon a showing that such documents are relevant and material to the outcome of the dispute. The arbitration shall be confidential, except to the extent necessary to enforce a judgment or where disclosure is required by law. The arbitration award shall be final and binding on all parties involved. Judgment upon the award may be entered by any court having jurisdiction thereof or having jurisdiction over the relevant party or its assets. This
arbitration and any proceedings conducted hereunder shall be governed by Title 9 (Arbitration) of the United States Code and by the United Nations Convention on the Recognition and Enforcement of Foreign Arbitral Awards of June 10, 1958.
H. GLOSSARY
authentic: a genuine example, rather than a copy or forgery of (a) the work of a particular artist, author, or manufacturer, if the lot is described in the Heading as the work of that artist, author, or manufacturer; (b) a work created within a particular period or culture, if the lot is described in the Heading as a work created during that period or culture; (c) a work of a particular origin or source, if the lot is described in the Heading as being of that origin or source; or (d) in the case of gems, a work that is made of a particular material, if the lot is described in the Heading as being made of that material. buyer’s premium: the charge the buyer pays us along with the hammer price. catalogue description: the description of a lot in the catalogue for the auction, as amended by any saleroom notice. due date: has the meaning given to it in paragraph D(3)(a). estimate: the price range included in the catalogue or any saleroom notice within which we believe a lot may sell. Low estimate means the lower figure in the range, and high estimate means the higher figure. The mid estimate is the midpoint between the two. hammer price: the amount of the highest bid the auctioneer accepts for the sale of a lot. Heading: has the meaning given to it in paragraph E(2). limited authenticity warranty: the guarantee we give in paragraph E(2) that a lot is authentic. other damages: any special, consequential, incidental, or indirect damages of any kind or any damages that fall within the meaning of “special,” “incidental,” or “consequential” under local law. purchase price: has the meaning given to it in paragraph D(3)(a). provenance: the ownership history of a lot. qualified: has the meaning given to it in paragraph E(2), subject to the following terms: (a) “Cast from a model by” means, in our opinion, a work from the artist’s model, originating in his circle and cast during his lifetime or shortly thereafter. (b) “Attributed to” means, in our opinion, a work probably by the artist. (c) “In the style of” means, in our opinion, a work of the period of the artist and closely related to his style. (d) “Ascribed to” means, in our opinion, a work traditionally regarded as by the artist. (e) “In the manner of” means, in our opinion, a later imitation of the period, of the style, or of the artist’s work. (f) “After” means, in our opinion, a copy or after-cast of a work of the artist. reserve: the confidential amount below which we will not sell a lot. saleroom notice: a written notice posted next to the lot in the saleroom and on www.hindmanauctions.com, which is also read to prospective telephone bidders and provided to clients who have left commission bids, or an announcement made by the auctioneer either at the beginning of the sale or before a particular lot is auctioned. UPPERCASE type: type having all capital letters. warranty: a statement or representation in which the person making it guarantees that the facts set out in it are correct. Updated 4/21
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BID FORM
FX 312.280.1211 EM BID@HINDMANAUCTIONS.COM
Online registration/bid requests must be received at least 24 hours before the auction begins. Hindman LLC will confirm all bids received by fax or by return email. Phone bids will not be accepted on lots with a low estimate below $300. Hindman LLC allows absentee and telephone bidding registration through our website at www.hindmanauctions.com
Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The normal bidding increments are:
NAME
SALE No./NAME
915 - Stepping Into Tomorrow BUSINESS NAME
BILLING ADDRESS
CITY
STATE
COUNTRY/ZIP
CONTACT NAME
PRIMARY PHONE
For absentee bids, indicate your limit for each lot. Your bids will be executed at the lowest prices allowed by reserves and competing bids. If we receive more than one bid of the same value, the first one received will take precedence.
I authorize Hindman LLC to bid on my behalf up to the amount stated below. By bidding at auction you agree to be bound to the Conditions of Sale as stated in the sale catalogue and on our website. DAT E
( FO R H INDM AN L CC)
$10 $25 $50 $100 $200 $500 $1,000 $2,000 $5,000 $10,000 AUCTIONEER’S DISCRETION
SECONDARY PHONE
FAX
SIG N ATURE
$0 – 200 $200 – 500 $500 – 1,000 $1,000 – 2,000 $2,000 – 5,000 $5,000 – 10,000 $10,000 – 20,000 $20,000 – 50,000 $50,000 – 100,000 $100,000 – 200,000 $200,000 +
A per lot buyer’s premium is added to the final hammer price as per the following: $0 – 250,000 $250,001 – 3,000,000 $3,000,001 +
25% 20% 12%
Hindman LLC is not responsible for failure or other inadvertent errors relating to the execution of your bids.
DAT E
First time bidders please provide a valid Credit Card and one of the following: Passport/Driver’s License/National Identity Card LOT No.
LOT DESCRIPTION
ABSENTEE BID
PHONE BID
BACK-UP BID
USD ($) L IMIT EX C L . BUY E R’S P REM I U M
PL EAS E C H EC K
F O R T EL EPH O N E B I D D ER S O N LY
1338 WEST LAKE STREET CHICAGO, ILLINOIS 60607 PH 312.280.1212 FX 312.280.1211 EM BID@HINDMANAUCTIONS.COM HINDMANAUCTIONS.COM
How did you hear about Hindman?
272 P O S T WA R A R T & D E S I G N
1338 West L ake Street Chicago, Illinois 60607 l ph 312.280.1212 l hindmanauctions.com
