Yifan Li - Portfolio by levan Li

PORTFOLIO YIFAN / LEVAN LI

University of California, Berkeley The Master of Architecture

CONTENTS LIFE IN BETWEEN

Instructor: Adriana Cuellar

BEAM WALLS

Instructor: David Jaehning, Eli Gottlieb & Hassan Ally

Page 24

CROSS LAINATED WALLS

Instructor: David Jaehning, Eli Gottlieb & Hassan Ally

Page 36

VARIABLE POROCITY

Instructor: Roddy Creedon

Page 52

SEE-THRU THEATER

Instructor: Mark Cavagnero & Benjamin Golze

Page 60

THE THIRD MOMENT

Instructor: Dan Spiegel

Page 70

FURNITURE DESIGN

Reception Desk

Page 88

Cage Pandent Light

Page 89

Exhibition Booth

Page 90

Varything Cafe

Page 91

Proper Food

Page 92

Food/Bev Concept

Page 93

Sweet Maple

Page 94

Drake’s Flyaway

Page 95

University of California, Berkeley ARCH 201 / Fall 2020 University of California, Berkeley ARCH 202 / Spring 2021 University of California, Berkeley ARCH 202 / Spring 2021 University of California, Berkeley ARCH 100B / Spring 2018 University of California, Berkeley ARCH 100C / Fall 2018 University of California, Berkeley ARCH 203 / Fall 2021 Mark Cavagnero Associates Internship / Summer 2018 Allied Architecture and Design Internship / Summer 2018

WORK SAMPLES

THL Studio Summer 2021 THL Studio Spring 2022

Allied Architecture and Design Spring 2020 Allied Architecture and Design Fall 2019 Allied Architecture and Design Internship / Spring 2019 Allied Architecture and Design Fall 2019

Page 6

LIFE IN BETWEEN ACADEMIC

Instructor: Adriana Cuellar University of California, Berkeley ARCH 201 / Fall 2020

Oakland, CA

Life and urban activities are defined by the spaces between everyday itineraries. These spaces contain the interactions of people when they are circulating in the city. What happens in these inbetween spaces reflect the efficiency and safety of a city being designed.

Local Housing Facade Study

4 5

BEFORE PANDEMIC 1. ACTIVITIES AT LOCAL PARK 2. UNUSEFUL ROOFTOP SPACE 3. WORKING IN OFFICE 4. DINNING AT RESTAURANT 5. HIGH USE OF BUSES 6. NOT WORKING AT HOME 7. INDIVIDUAL SHOPPERS 8. NON-OPERATED PRIVATE GARDEN

6 8

1 SH S WA AND H

9 4

5 7

DURING PANDEMIC 1. NO ACTIVITIES AT LOCAL PARK 2. UNUSEFUL ROOFTOP SPACE 3. NON-OPERATED OFFICE 4. DINNING WITH TAKE OUT 5. LOW USE OF BUSES 6. WORKING FROM HOME 7. SHOPPERS WAIT IN LINE FOR ENTERING 8. ACTIVITIES IN PRIVATE GARDEN 9. ACTIVITIES IN PRIVATE BALCONY

1 10 E IN N LIF WEE T BE

5 7

3 AFTER PANDEMIC 1. ACTIVITIES AT LOCAL PARK 2. ACTIVITIES AT ROOFTOP SPACE 3. WORKING IN OFFICE 4. DINNING WITH BOTH TAKE OUT AND INDOOR 5. SMALLER PUBLIC SHARE SPACE BUSES 6. WORKING FROM HOME 7. DELIVERY SHOPPING MODE 8. ACTIVITIES IN PRIVATE GARDEN 10. NEW DELIVERY METHOD 11. NEW RECEIVING INFRASTRUCTURE

8 11

Activities Changes Diagram

The research focuses on the mobility and community activities changes throughout the Covid-19 period. The issue is addressed by recording schedule changes, time changes, and activities changes within the Elmhurst area. Three analysis drawings were created with scales different from city scale, to neighborhood scale and to architectural scale, in order to explore the life changes within the in-between spaces.

Schedule Changes Diagram

Front Yard Business Trajectory

Based on the research and observation, there is a great number of local businesses mostly concentrated along International Blvd that support life in this area. Also, the poor public transportation system leads to the limitation of accessibility. When pandemic happened, both of these problems got amplified and hindered the life between people and local businesses, by too many people sharing the same resource and too far from getting supplies. Thus, the proposal is to reduce the economic pressure from International Blvd. and shorten the distance between people and the local businesses. The main idea is to spread out the local businesses by activating the front yard in residential areas and connect them with a new economic city network. There are new neighborhood bike routes introduced into the area and about 1,500 houses’ front yards got chosen to create a new model of local business. (2) Distribution Centers, (6) In-Between Markets and (14) Bike Routes constitute the system of in-between product flow. There are three example sites chosen from each program to further explain the entire product flow in different scales(Small scale: Front Yard Porch; Medium scale: In-Between Market; Large scale: Distribution Center).

IN-BETWEEN MARKET CITY OF OAKLAND

STREET BUSINESS

RECYCLE STORE OAKLAND RECYCLE GROCERY STORE

DISTRIBUTION CENTER SHARE BIKE LYFT

IN-BETWEEN MARKET CITY OF OAKLAND

STREET BUSINESS

FREE FOOD FOOD BANK

LOCAL FARM ANV FARM

SUPER MARKET

STREET BUSINESS

SHARE BIKE LYFT

WALGREEN STREET BUSINESS

IN-BETWEEN MARKET CITY OF OAKLAND

DISTRIBUTION CENTER URBAN FARM SUPPORT CITY SLICKER

NEIGHBORHOOD BIKE ROUTE, TYP. OAK DOT

RESTAURANT

City Network Trajectory SHARE BIKE LYFT

_ DRIVE-WAY IN FRONT _ SYMMETRY FRONT YARD GRID _ PRODUCTS RETAIL _ DRIVE-WAY ON SIDE _ SYMMETRY FRONT YARD GRID _ EXHIBITION/ GIFT SHOP

_ DRIVE-WAY ON SIDE _ SYMMETRY FRONT YARD GRID _ RESTAURANT

_ DRIVE-WAY ON SIDE _ SYMMETRY FRONT YARD GRID _ MARKET

_ DRIVE-WAY ON SIDE _ SYMMETRY FRONT YARD GRID _ TOYS SHOP

_ NO DRI _ NON-SY _ CAFE/ C

IVE-WAY YMMETRY FRONT YARD GRID COFFEE STORE

_ DRIVE-WAY ON SIDE _ SYMMETRY FRONT YARD GRID _ PHOTOGRAPH SERVICE

_ DRIVE-WAY ON SIDE _ SYMMETRY FRONT YARD GRID _ BIKE SHOP _ DRIVE-WAY ON SIDE _ FLAT ROOF _ RESTAURANT

_ DRIVE-WAY ON SIDE _ FLAT ROOF _ ENTERTAINMENT

_ DRIVE-WAY ON SIDE _ NON-SYMMETRY FRONT YARD GRID _ FLOWER SHOP

Example Street Housing Facade Analysis And Proposal

36”

48”

10 4

60”

48”

5 8

6 2

13 3 10

14 11

1 1. NEIGHBORHOOD BIKE ROUTE 2. SIDEWALK AND ROAD SIDE GREEN AREA 3. DRIVE WAY 4. EXISTING HOUSES 5. DINING AREA 6. PROMOTION WALL 7. BIKE RACKS 8. SERVICE BAR COUNTER 9. PORCH ROOFLINE 10. PRODUCT SHELVES 11. CASHIER COUNTER 12. HANING SHELVES AND BASKET 13. CEILING STRUCTURE AND CEILING MODULAR 14. PORCH CEILING(WOOD)

Front Yard Porch Spatial Concept

Small Scale Program: Front Yard Porch

The first one is the front yard porch. The front yards along the bike routes will be designed to hold local business with the form of continuous porch. The design should be flexible enough to fit different business types and remain variations under the same style, also it should be efficient enough to be mass produced and thoughtful enough to protect or reflect the original living environment. The usable front yard spaces are turned into a 5’ by 5’ grid. The pitch roofline becomes the main design language extracted from the existing condition. A mesh wall system is introduced as a main structure to provide the possibilities of being walls, ceilings, millwork structures, furniture and hanging structures, without reducing access of sun-light, vehicles, views, nature elements and so on. The owners can keep their businesses running by continuing producing products or providing services from home, and customers can remain or improve the quality of life under or after pandemic.

Front Yard Porch

Floor Plan & Elevation

5’ X 5’ GRID LINE, TYP. STEEL HOOK HALF SIZE WALL, (1) LAYER OF MESH, AND ONLY LOCATED ON THE EDGE OF FRONT YARD GRID CL WALL

ASSOCIATE COMPONENT, CAN BE CHANGED BASE ON NEED COMPONENT BOLTED TO THE HOOK FALL SIZE WALL, CENTER TO THE GRID LINE, TYP. (2) LAYERS OF MESH METAL MESH STEEL HOOK

CL WALL

HANGING COMPONENT 1”

CEILING STRUCTURE, STL, PAINT WHITE

2”

METAL MESH, 1/4” DIA.

1 1/2”, TYP.

SPACE INSIDE HOLLOW STEEL FRAME FOR ELECTRICAL ACCESS

METAL MESH BENDED AND WELD TO THE COLUMN, POLISH WELD POINT

2”

ALIGN, TYP.

STEEL WALL FRAME, PAINT WHITE

+10’ - 0” T.O WALL 3”

PORCH CEILING, WD

STEEL CEILING FRAME, PAINT WHITE CEILING MESH MODULAR CONNECTION BOLT, TYP. STEEL WALL FRAME

15’ - 0”, VARIO

STEEL HOOK SHELVING COMPONENT STEEL WALL FRAME, PAINT WHITE, 2” WIDTH ON ALL SIDES

EQ.

THICKER FRAME

ADDITIONAL CROSS STRUCTURE

EQ.

METAL MESH, 1 1/2” X 1 1/2” SPACING GRID, WELD AT ALL INTERSECTIONS, TYP.

EQ.

EDGE OF FRONT YARD GRID, THICKER FRAME EDGE AT ALL GRID EDGE LOCATION THICKER FRAME

FOLDED LINE STEEL HOOK

EQ.

STEEL WALL FRAME BELOW THINNER FRAME

BASKET COMPONENT EQ.

THINNER FRAME

(10) EQ.

EQ.

INNER OF FRONT YARD GRID, THINNER FRAME EDGE AT ALL INNER GRID LOCATION

EQ.

CEILING MESH MODULAR CONNECTION BOLT, (4) IN TOTAL FOR EACH MODULAR

EQ.

STEEL HOOK

ALIGN

EQ.

3”

OPENING

METAL MESH STOP HERE OPENING FOR FOOT KICK AND FLOOR SLOPE

+0’ - 5” T.O. OPENING

FURNITURE SUPPORT COMPONENT

+0’ - 0” GROUND

FURNITURE SURFACE, LIKE TABLES OR SEATINGS

-0’ - 10” MOUNTED PLATE

METAL MESH, (1) LAYER, 1 1/2” X 1 1/2” SPACING GRID, WELD AT ALL INTERSECTIONS, TYP.

MOUNTED PLATE, BOLTED TO THE CONCRETE BLOCK

CONCRETE BLOCK -1’ - 6” B.O. CONCRETE BLOCK

CEILING MESH MODULAR, SURFACE FLUSH WITH THE CEILING FRAME

NOTE: ALL MEASUREMENT IN THIS DRAWINGS ARE BASE ON 1:3 PORCH CEILING SLOPE.

THICKER FRAME

THINNER FRAME

+15’ - 2” T.O. SUPPORT

SHADING LUMBERS, (11) PER SET, 1” X 2”, LENGTH DEPENDS ON PORCH CEILING SLOPE

EDGE LUMBER. 2” X 4”, LENGTH DEPENDS ON PORCH CEILING SLOPE INNER LUMBER. 2” X 4” X 57” SHADING LUMBERS, SIT ON INNER LUMBERS

+10’ - 0” T.O. WALL ALIGN

OUS DEPENDING ON PORCH CEILING SLOPE

OPEN

THINNER FRAME

GRID EDGE MODULAR

THICKER FRAME

SLOPE RATE = 1:3

SLOPE RATE = 1:2

SLOPE RATE = 1:1

END LUMBER, 2” X 4” X 60”

SLOPE MIGHT BE DIFFERENT DEPENDS ON THE (E) ROOFLINE

STEEL PLATE, 1/8” THICK

STEEL CEILING FRAME

END LUMBER EDGE LUMBER

INNER LUMBER GRID LINE, TYP.

SHADING LUMBER

OPEN

GRID EDGE MODULAR

THINNER FRAME

OPEN

(12) EQ. SPACINGS MEASURE FROM THE CENTER OF THE LUMBERS

SHADED AREA EXPOSED AREA

THINNER FRAME

OPEN

GRID INNER MODULAR

THINNER FRAME

15’ - 0”, VARIOUS DEPENDING ON THE SIZE OF FRONT YARD

THINNER FRAME

15’ - 0”, VARIOUS DEPENDING ON PORCH CEILING SLOPE

Front Yard Porch Assembly Details

View From Street

In-Between Market Rooftop Space

Intersection Diagram

Medium Scale Program: In-Between Market

The second program will be introduced from the system is In-Between Market. It is a temporary stop of product flow and smaller scale of distribution center. All In-between Market are empty lots located at the intersection of a bike route and a normal street, which provide the access for both delivery trucks and customers. This example site is the only one with an on sale existing structure because the owner left the area when pandemic happened. The concept of In-Between Market will be transition and connection. Transition will be represented as the contrast between solid and vague, various and uniform, positive and negative. The connection is about interaction of programs and volumes. The pitch roofline was re-created to retain the strong connection to the rest of the street. The In-Between Market collects the local businesses’ products and delivers them to one of the Distribution Centers every day, so the products from the local community can be traveled further into different areas of the city. Inversely, it also receives the products of other communities from distribution centers and sells to local customers. Moreover, the In-Between Market also acts like a share space with additional green spaces and outdoor roof-top dining space.

+30’ - 0” ROOF

+17’ - 0” 2ND FLOOR

+10’ - 0” PORCH ROOF LINE 8

+0’ - 0” 1ST FLOOR (2) EQ. SPACING, 17’ - 6” EACH

(12) EQ. SPACING, 7’ - 11” EACH

ELEVATIONS

SECTIONS

+30’ - 0” ROOF

+17’ - 0” 2ND FLOOR

10 9

+10’ - 0” PORCH ROOF LINE 12

+0’ - 0” 1ST FLOOR (12) EQ. SPACING, 7’ - 11” EACH

(2) EQ. SPACING, 17’ - 6” EACH

4 21

35’ - 0”

35’ - 0” 4 20

7 8

17 16

8 13

PLAN - 1ST FLOOR

PLAN - 2ND FLOOR

8 95’ - 0”

95’ - 0” 11 8 10

20 9

9 8

1 5 4

4 9

4 3

SECTIONS 4

5 1. 78TH AVE. (NEIGHBORHOOD BIKE ROUTE) 2. LOCKWOOD ST. (DELIVERY TRUCK ACCESS) 3. SIDEWALK, TYP. 4. (E) NEIGHBORHOOD HOUSINGS, TYP. 5. FRONT YARD BUSINESS 6. OUTDOOR DINNING AREA 4 7. BACK PATH 8. ENTRY/ FOLD UP DOOR 9. RESTROOM 10. ELEVATOR 11. MARKET STORAGE/ EMPLOYEE OFFICE 12. CASHIER COUNTER 13. SERVICE STATION 14. MARKET SPACE 15. STAIR 16. SEPARATION LINE FOR TEMPORARY STORAGE 17. SHELVES 18. INDOOR STORAGE 19. RECEIVING WINDOW 20. WALL SHELVES 21. DELIVERY TRUCK/ RECEIVING AND SHIPPING DOCK 22. BIKE RACKS

Level 1 Floor Plan & Elevations

1. STAIR 2. ROOFTOP DINNING AREA 3. ELEVATOR/ ELEVATOR LOBBY 4. ROOFTOP PORCH 5. RESROOM 6. CASHIER COUNTER 7. SERVICE STATION 8. WALL SHELVES 9. LIGHTWELL IN STORAGE 10. LIGHTWELL IN MARKET SPACE 11. MARKET SPACE 12. INDOOR STORAGE

+30’ - 0” ROOF +26’ - 6” B.O. ROOF 2

+10’ - 0” PORCH ROOF LINE 6

5 +0’ - 0” 1ST FLOOR

+30’ - 0” ROOF +26’ - 6” B.O. ROOF 4

+17’ - 0” 2ND FLOOR +10’ - 0” PORCH ROOF LINE

+0’ - 0” 1ST FLOOR 7 WORM EYE OBLIQUE

2 4 3 4

PLAN OBLIQUE

7 8

9 4

4 3

Level 2 Floor Plan & Elevations

1. 78TH AVE. (NEIGHBORHOOD BIKE ROUTE) 2. LOCKWOOD ST. (DELIVERY TRUCK ACCESS) 3. SIDEWALK, TYP. 4. (E) NEIGHBORHOOD HOUSINGS, TYP. 5. RECEIVING WINDOW 6. LIGHTWELL IN STORAGE 7. LIGHTWELL IN MARKET SPACE 8. STAIRS 9. LIGHTWELL IN SERVICE AREA 10. SERVICE STATION 11. ROOF TOP PORCH 12. OUTDOOR DINNING AREA 13. NEXT DOOR FRONT YARD BUSINESS

Explode Diagram

Product Flow Network

Large Scale Program: Distribution Center

The last program will be the distribution centers. Their role is to help provide the product flow between different communities and create the bonds between local businesses and the city network. Both of the Distribution centers are located on International Blvd. which has easy access for delivery trucks and surrounding personal deliveries. Besides functioning as a distribution center, they are also similar to the in-between markets that have their own shopping and dining area so can serve the customer from international Blvd. The walls between storage and public area are all glass, which exposes the entire distribution process to the public. And it also represents the connection between the product flow and the public.

View From Street

Distribution Center Storage Area

+50’ - 0” T.O. ROOF

SECTION

+40’ - 0” B.O. ROOF

+30’ - 0” ROOFTOP 2

+15’ - 0” 2ND FLOOR

1. INDOOR SHOPPING AREA 2. OUTDOOR DINNING BALCONY 3. ROOFTOP MULTI-USE EVENT AREA 6. MAIN PRODUCT STORAGE AREA 7. CONVEYOR BELT

+0’ - 0” 1ST FLOOR

15. STACKER CRANE 16. FRONT YARD BUSINESS

SECTION

9 5

3. ROOF TOP MULTI-USE EVENT AREA 4. INDOOR DINNING AREA 5. SHIPPING DOCK 6. MAIN PRODUCT STORAGE AREA 7. CONVEYOR BELT 8. CUSTOMER RESTROOM

9. EMPLOYEE RESTROOM 10. SERVICE STATION 11. PICK UP WINDOW 12. OFFICE/ MECHANICAL ROOM 13. CONTROL ROOM 14. RECEIVING DOCK

ELEVATION

1. INDOOR SHOPPING AREA 2. OUTDOOR DINNING BALCONY 3. ROOFTOP MULTI-USE EVENT AREA

PLAN - 3RD FLOOR

+50’ - 0” T.O. ROOF

PLAN - 2ND FLOOR

19 23

24 25

+30’ - 0” ROOFTOP

27 26

+40’ - 0” B.O. ROOF 19

+15’ - 0” 2ND FLOOR

155’ - 0”

+0’ - 0” 1ST FLOOR

17 16 130’ - 0” 15

80’ - 0” 5

9 17

PLAN - 1ST FLOOR

120’ - 0”

5 10

+50’ - 0” T.O. ROOF

8 6

+40’ - 0” B.O. ROOF

100’ - 0”

+30’ - 0” ROOFTOP

+15’ - 0” 2ND FLOOR

+0’ - 0” 1ST FLOOR

Sections & Elevation

285’ - 0”

1. INTERNATIONAL BLVD. 2. 81ST. AVE. (NEIGHBORHOOD BIKE ROUTE) 3. 82ND. AVE. (DELIVERY TRUCK ACCESS) 4. FRONT YARD BUSINESS 5. INDOOR SHOPPING AREA 6. RECEIVING DOCK 7. RECEIVING STAGING/ UNPACK STATION 8. QUEUING AREA 9. STACKER CRANES 10. MAIN PRODUCT STORAGE AREA 11. CONVEYOR BELT 12. CONTROL ROOM 13. OFFICE/ MECHANICAL ROOM 14. EMPLOYEE RESTROOM 15. SHIPPING STAGING/ PACKAGING STATION 16. SHIPPING DOCK 17. EMERGENCY EXITS 18. MEETING ROOM 19. OUTDOOR DINNING BALCONY 20. INDOOR DINNING AREA 21. VIEW OF NEIGHBORHOOD BIKE ROUTE 22. RESTAURANT QUEUING AREA 23. CUSTOMERS RESTROOM 24. SERVICE STATION 25. PICK UP WINDOW 26. RESTAURANT KITCHEN\ 27. EMPLOYEE LOUNGE 28. STORAGE 29. ROOFTOP OUTDOOR MULTI-USE EVENT AREA

Floor Plan

BEAM WALLS ACADEMIC

Instructor: David Jeahning, Eli Gottlieb & Hassan Ally University of California, Berkeley ARCH 202 / Spring 2021

San Francisco, CA

This project is a pavilion located at the Main Lawn of San Francisco Botanical Garden in Golden Gate Park. The idea is about Sense of Tininess which is generated from the walking experience inside the Golden Gate Park. The vision is blocked by the tall trees surrounded and always don’t know there might be a huge modern structure hidden behind the forest. The similar surrounding views also cause the feeling of loss. All these experiences are caused by the huge size difference between humans and the environment. The goal here is to use the Beam Walls as a structural concept to recreate the experience through Structural Absentation and Visual Limitation.

Digital Model

Botanical Garden, San Francisco

There are five long rectangular panels built at the same height as the story to act like both beams and walls in order to eliminate the notion of structure. These panels consist of a huge beam structure to hang a horizontal square panel and create a sense of weightlessness. Due to the high strength properties of the material (mass timber), it provides a long-span open space below which functioning as a combination of gallery and café. The open floor plan help improves the use of the space with a flexible program layout and the freedom of circulation. All connection pieces are hidden inside the panels and left a pure-panel exposure which helps simplify the overall reading and emphasize the structure itself.

25 0’

50’

100’

200’

SAN FRANC

Sections

0’

5’

10’

20’

The site is surrounded by infinite trees and it is hard to define where are the boundaries. This feeling is also brought into this project through the uneven arrangement of the panel’s layout. The square volume inside this project is parallel to the San Francisco city grid which represents the relationship of the Golden Gate Park to the city. Views of the garden are framed by the panels both horizontally and vertically. Some “clue” moments are created by splitting panels apart which will arise visitors’ desire of discovering the spaces behind or above. The rooftop area is also an open space for more activities and provides the opportunities to look at the surrounding views at a higher level, which is also a further expression of feeling tininess.

PAVILION SECTIO

THE MASS TIMBER EFFECT PATENT BEAM WALLS (2021)

Patent Number: [19, 003, 025]

(02) Patent for “Beam Walls” (02) THE METHOD OF CREATING COMMODIOUS SPACES WITH EXPERIENCE OF STRUCTURAL ABSENTATION (25)

Inventors: Levan Li Correspondence Address: Wurster Hall, UC Berkeley TEL: +1 (123)-456-7890

94720

(03)

Initial Application: San Francisco, U.S.

(04)

Filed: ........................2021

(05) ABSTRACT

Fig. 1: Beam Wall Structure

[Beam walls are built as the same height as story(Fig.1) to eliminate the notion of structure, and created long span open spaces(61) between beam walls which benefit by the mass timber material(CLT). Using these walls to act as a huge beam structure for hanging the second level’s floor plate and create a sense of weightlessness(62).]

61 Structural Concept Patent

Fig. 2: Space and Operation XX

115 STAIR

101 CAFE ENTRY 102 DINNING

103 CAFE ENTRY

105 QUEUING/ ORDER

104 DINNING

106 SERVICE ZONE

107 TRASH 110 STAGE

112 GALLERY

111 EVENT HALL

113 SCULPTURE

109 DISPLAY WALL

108 EVENT ENTRY

114 EVENT ENTRY

Ground Level 0’

5’

10’

20’

PAVILION FLOOR PLAN - GROUND LEVEL

115 STAIR

DOWN

116 ROOFTOP SPACE

Roof Top 0’

5’

10’

20’

PAVILION FLOOR PLAN - ROOF LEVEL

A B1 B1 B1 A

B1 B1

B1 B1 B1

A B2

B1 WALL TO FLOOR (TENSION)

TERAL)

B2 WALL TO FL

SEE DRAWING C TOP PLATE FOR ENCLOSEURE, STL

TOP PLATE, STL

U CHANNEL, STL

CLT PANEL, UPPER WALL, WD

Panels Assembly Details Reference 4X4 HSS, STL

4X4 HSS, STL

A. DETAILS AT TOP OF UPPER WALLS

1. PRE-CAST THE HOLE IN FL

C. DETAILS AT TOP OF UPPER WALLS

2. INSERT THE CONNECTION

3. CONNECT THE STEEL COL

A. CONNECTION INSTALLATI

SEE DRAWING D 4X4 HSS, STL

4X4 HSS, STL

CLT PANEL, UPPER WALL, WD

A B1 B1 B1 A

B1 B1

B1 B1 B1

A B2

B1 WALL TO FLOOR (TENSION)

A WALL TO WALL (LATERAL)

B2 WALL TO FLOOR (COMPRESSION)

SEE DRAWING C

+16’ - 3”

TOP PLATE FOR ENCLOSEURE, STL

TOP PLATE, STL

U CHANNEL, STL

CLT PANEL, UPPER WALL, WD

4X4 HSS, STL

A. DETAILS AT TOP OF UPPER WALLS

1 3

1. PRE-CAST THE HOLE IN FLOOR PANEL

C. DETAILS AT TOP OF UPPER WALLS

2. INSERT THE CONNECTION PIECE IN PLACE AND ROTATE 90 DEGREE 3. CONNECT THE STEEL COLUMN WITH THE CONNECTION PIECE

A. CONNECTION INSTALLATION GUILINE

SEE DRAWING D 4X4 HSS, STL

4X4 HSS, STL

CLT PANEL, UPPER WALL, WD

+7’ - 10 1/2” WELDED CONNECTION PIECE, STL

WELD CONNECTION PIECE, STL

ATTACHMENT PLATE, STL

CLT PANEL, UPPER WALL, WD

WELD CONNECTION PIECE, STL

CLT PANEL, FLOOR PLATE, WD

STEEL ANGLE, STL

+7’ - 0”

CLT PANEL, LOWER WALL, WD 4X4 HSS, STL

B. DETAILS AT INTERSECTION OF WALL AND FLOOR

D. DETAILS AT INTERSECTION OF WALL AND FLOOR 4X4 HSS, STL

CLT PANEL, LOWER WALL, WD B. DETAILS AT INTERSECTION OF FLOOR AND WALL B. DETAILS AT INTERSECTION OF UPPER AND LOWER WALLS

1. DRILL THE HOLE ON FLOOR PANEL, INSERT HORIZONTAL ATTACHMENT PLATE

4X4 HSS, STL

2. WELD THE CONNECTION PIECE IN PLACE

CLT PANEL, LOWER WALL, WD

+0’ - 2” VARIES BY SITE SLOPE

3. CONNECT THE STEEL COLUMN WITH THE CONNECTION PIECE

4X4 HSS, STL CLT PANEL, LOWER WALL, WD

MOUNT PLATE, STL

MOUNT PLATE, STL 3

+0’ - 0” 2

CONCRETE FOUNDATION, CONC

C. DETAILS AT BOTTOM OF LOWER WALLS

0’

5”

10”

20”

E. CONNECTION INSTALLATION GUILINE

C. DETAILS AT BOTTOM OF LOWER WALLS

PANELS ASSEMBLY AND DETAILS

Panels Assembly And Details

11 10 10

1 2 3 4 5 6 7 8

11 11

12 12 12

1 1 2 2 3 3 4 4 5 5 6 6 7 7 8 8

1 2 3

9 9

4 5 6 7 8

9 9

13 13 14 14 15 15 4 4

16 16

17 17

13 14 15 4

13 14

1 1 2 2 11 11

VERTICAL SECTION VERTICAL SECTION

AXONOMETRIC VIEW AXONOMETRIC VIEW

15 4

VERTICAL SECTION

12 12 10 10 4 4 7 7 3 3

AXONOMETRIC VIEW

1 2 11

9 9

7 7 14 14

13 13

10 4 7 3

VERTICAL SECTION

1 2 11

14 16 16

12 10 4 7 3

AXONOMETRIC VIEW 1. 1. 2. 2. 3. 3. 4. 4. 5. 5. 6. 6. 7. 7. 8. 8. 9. 9. 10. 10. 11. 11. 12. 12. 13. 13. 14. 14. 15. 15. 16. 16. 17. 17.

17 17

9 7 14 HORIZONTAL SECTION HORIZONTAL SECTION

RAIN SCREEN RAIN SCREEN RAIN SCREEN STRUCTURE RAIN SCREEN STRUCTURE WATER PROOF MENBRANE WATER PROOF MENBRANE WOOD BLOCK WOOD BLOCK UPPER STEEL TRACK UPPER STEEL TRACK SLIDING DOOR HEADER SLIDING DOOR HEADER ALUMINUM CHANNEL ALUMINUM CHANNEL FLUSHING FLUSHING SAFETY GLASS 1. RAIN SCREEN SAFETY GLASS ALUMINUM CHANNEL 2. ATTACHMENT RAIN SCREEN STRUCTURE ALUMINUM CHANNEL ATTACHMENT THERMAL INSULATION 3. WATER PROOF MENBRANE THERMAL INSULATION CROSS LAMINATED 4.TIMBER WOOD BLOCK CROSS LAMINATED TIMBER SLIDING DOOR FRAME 5. UPPER STEEL TRACK SLIDING DOOR FRAME BOTTOM TRACK 6. SLIDING DOOR HEADER BOTTOM TRACK GLASS SHOE 7. ALUMINUM CHANNEL GLASS SHOE REINFORCE CONCRETE 8. FLUSHING REINFORCE CONCRETE EARTH 9. SAFETY GLASS EARTH 10. ALUMINUM CHANNEL ATTACHMENT 11. THERMAL INSULATION 12. CROSS LAMINATED TIMBER 13. SLIDING DOOR FRAME 14. BOTTOM TRACK 15. GLASS SHOE 16. REINFORCE CONCRETE 17. EARTH

Sliding Door Design 13 HORIZONTAL SECTION

32 16

1. 2. 3. 4. 5. 6. 7.

RAIN SCREEN RAIN SCREEN STRUCTURE WATER PROOF MENBRANE WOOD BLOCK UPPER STEEL TRACK SLIDING DOOR HEADER ALUMINUM CHANNEL

View From Sidewalk

View From Garden Entrance

Cafe

CROSS LAMINATED WALLS ACADEMIC

Instructor: David Jeahning, Eli Gottlieb & Hassan Ally University of California, Berkeley ARCH 202 / Spring 2021

San Francisco, CA

This project is a mass timber tower located at the San Francisco Mission Bay, programming in life sciences research and development facility. The idea is generated from one of the mass timber materials, CLT, to strengthen the entire structural performance by laminating the smaller pieces. This project is designed by two main structural concepts: Cross Laminated Walls and Stair As Bracing. These two concepts have to cooperate to resolve the problem of vertical and lateral load transformation.

Digital Model

Mission Bay, San Francisco

The wall panels(CLT) are placed in a 30’ grid in the first place and extracted into different levels, so all the panels on the same floor will remain parallel to each other, and will be in the opposite direction with the panels on the floors above or below. The gravity load will be transferred from the top to the ground through the intersection points of panels from different levels. The panels also perform as a huge beams system to help suspend the floor plates when some parts of panels are removed, in order to create the openings between these long strip spaces and wider interior spans. Each wall plane is also created by the lamination of panels because of the limitation of sizes and transportation, to produce higher and longer wall panels, and hiding the utilities inside the walls.

Cross Laminated Walls Assembly Details

Stair As Bracing Assembly And Details

Two sets of stairs are added into this structure with opposite directions of the panels on each floor to act as the only diagonal members, to gain lateral load resistance. The stairs transfer the lateral load from one floor to the opposite direction panels below, which the panel is acting as a shear wall and transferring the load further downward. They formed a center atrium to help connect the spaces between floors visually and physically, and also help bring the light deep into the center of the building. The reading of the stairs is intended to look like tunnels with contrast inside finish, to create the experience of transformation between floors when the direction of the panels change. The direction of the panels will be opposite to the stairs when entering, and will be along with the direction of the staircase when exiting at the next floor.

View From Owens St.

View From Nelson Rising Ln.

Ground & Mezzanine Level

Upper Typical Level

Laboratory Space

Both of these systems help consist of a stabilized pure panels model with simple structural idea but unexpected architectural experience. The form of the tower can be understood as two volumes,which are generated from the same panel grid but two different methods, one is framed by the grid line and the other is framed by connecting the intersection points of the grid. They intersect with each other and provide two different facade patterns, one is more regular, and the other is more dynamic. The intersections idea also applied into program layouts and spatial organizations. This reflects the idea of a cross laminated structure that has the strong bonding between two different directions’ panels. The programs can also benefit from the separation between utilities and working areas, or from the selection of different exterior views, and here is a rendering for that space.

Section At Laboratory Space

Sections

View At Atrium

Ground Level Cafe In Central Atrium

VARIABLE POROCITY ACADEMIC

Instructor: Roddy Creedon University of California, Berkeley ARCH 100B / Spring 2018

San Francisco, CA

What is the role of the skin in a building? How can the skin help improve the building performance spatially and programmatically? This project is about designing a module skin system, with both environmental and spatial experience performance, for a multi-use food service program.

View From Street

Conceptual Cut Diagram

The project started with studying the skin from the Broad Museum, LA regarding how the variations of the module skin system help the building deal with the environmental performance. The skin of the Broad Museum performs environmentally by only controlling the amount of natural light that comes into the building. This project is an application and improvement of the study from the Broad.

the Broad Museum, LA

CHANGE IN GRID

HORIZONTAL GRID-Y

CHANGE IN EDGE THICKNESS X, Z

SLOPE GRID 1

EXTERIOR

SLOPE GRID 2

INTERIOR

CHANGE IN SHIFT-X

INTERIOR-Z

CHANGE IN SHIFT-Z

CENTRAL CONTROL-Z EXTERIOR-Z

SHIFT-Z

EDGE THICKNESS

EXTERIOR-X

CENTRAL CONTROL X:Z

INTERIOR-X CENTRAL CONTROL-X

SHIFT-X

FACADE THICKNESS

Facade Module Diagram

The performance of this skin is created by the variations of each individual unit in the pre-fabricated modular system. Three layers of control points produce all the variations we need to face different demand due to different programs. The modules are manipulated by all these dimensions to deal with some environmental effect to the building such as light, wind, water, and views.

EAST

NORTH

WEST

OPENING SIZE EXTRUSION DIRECTION

EXTRUSION DIRECTION

EXTRUSION DIRECTION MODULES SIZE

Facade Operation Diagram

SKIN MODULE SKIN STRUCTURE OPERABLE WINDOW FLOOR SLAB HANGING BUCKET WINDOW STRUCTURE LIGHT THRU OPENING BUILDING STRUCTURE

Facade Operation Diagram

OPEN TO BELOW

203 ATRIUM

201 LECTURE

202 GALLERY

OPEN TO BELOW

205 ELEVATOR

206 ELEVATOR

209 RESTROOM

211 KITCHEN

204 BALCONY

207 EGRESS STAIR

208 RESTROOM

210 STORAGE

Level 2

102 ENTRY

105 ATRIUM

103 CAFE

107 EXIT

104 FOOD MARKET

106 DINING 101 ENTRY

109 LOADING DOCK

110 ELEVATOR

111 ELEVATOR

114 RESTROOM

117 EXIT 116 STORAGE

112 EGRESS STAIR 108 EXIT

113 RESTROOM

115 ELECTRICAL ROOM

118 BIKE STATION

Level 1

Level 1 - Food Market & Cafe

402 ATRIUM 401 FARM OPEN TO BELOW

403 ELEVATOR

404 ELEVATOR

407 RESTROOM

409 STORAGE

405 EGRESS STAIR

406 STORAGE

408 WATER COLLECTION ROOM

Level 4

OPEN TO BELOW

301 LAB

302 TEST GARDEN

304 ATRIUM

303 OFFICE

308 LIBRARY

306 COMPUTER LAB

307 LOBBY

305 CONFERENCE ROOM 309 READING ROOM 310 ELEVATOR

311 ELEVATOR

314 RESTROOM

316 KITCHEN

312 EGRESS STAIR

313 RESTROOM

315 STORAGE

Level 3

Level 3 - Research Lab & Library

South Section

SEE-THRU THEATER ACADEMIC

Instructor: Mark Cavagnero & Benjamin Golze University of California, Berkeley ARCH 100C / Fall 2018

San Francisco, CA

Architectural design is not only responsible for the building itself but also for the city. Because lots of back of house programs were hidden in the walls in many deigns, theater as a common art disperse center in a city always appears as a solid box with heavy opaque walls on all façades. It sounds unfair, comparing what is left to the city to the luxury design inside the theater.

View at Entrance

Form Diagram

This project is a multi-use theater building located in the civic center, San Francisco for providing the space of dance, music or drama performance. The front and the back walls of the stage got open-up to create interaction with the street. However, the great number of hidden back of house programs lead to the thick wall which scale is less human. Manipulate the walls to undulating shape to make walls look thin from outside but still create enough space for the programs in the back of the house behind the walls.

LOADING ELEVATOR

PRACTICE ROOM

DRESSING ROOM

STAGE WING

STAIR TO SEATING AREA

FEMALE RESTROOM

WAITING LOBBY STAGE

SERVICE BAR

EXTENSION STAGE

MALE RESTROOM

STAIR TO SEATING AREA

STAGE WING

DRESSING ROOM

PRACTICE ROOM

ADJACENT BUILDING

Level 2

SECURITY OFFICE

LOADING ELEVATOR

LOADING DOCK/ PERFORMERS ENTRY

B.O.H. ACCESS

FEMALE RESTAURANT

EVENT ROOM

CAFE STORAGE

B.O.H. STORAGE

CAFETERIA/ GIFTS SHOP MALE RESTAURANT

ELEVATOR STAGE

CLOTHES CHECK

BOX OFFICE

LOBBY

THEATER ENTRY

ADJACENT BUILDING

Level 1

OUTDOOR TERRACE

STORAGE

LOWER LEVEL SEATING AREA ACCESS

UPPER STAGE/ MECHANICAL AREA

UPPER LEVEL SEATING AREA

WAITING LOBBY OPEN TO BELOW

PRACTICE ROOM

LOWER LEVEL SEATING AREA ACCESS

OUTDOOR TERRACE STORAGE

ADJACENT BUILDING

Level 4

PRACTICE ROOM

DRESSING ROOM

UPPER LEVEL SEATING AREA ACCESS

STAIR TO WAITING LOBBY

WAITING LOBBY OPEN TO BELOW

CONTROL ROOM

STAGE AREA OPEN TO BELOW

LOWER LEVEL SEATING AREA

STAIR TO WAITING LOBBY UPPER LEVEL SEATING AREA ACCESS

PRACTICE ROOM

DRESSING ROOM

ADJACENT BUILDING

Level 3

ALUMINUM PANELS TWIST AND WRAP THE UPPER CORNER OF THE BUILDING. REMAIN THE THIN OPENING FRAME VISUAL EXPERIENCE

ALUMINUM PANELS PERPENDICULAR TO THE OUTSIDE WALLS, DEPTH OF THE PANELS VARIFY BY THE PRIVACY OF THE PROGRAM BEHIND

ALUMINUM PANELS TWIST AGAIN AND BECOME THE CEILING OF GROUND FLOOR PROGRAM Aluminum Panel Diagram

East Elevation

West Elevation

North Elevation

OPACITY WITH (1) LAYER OF CURTAIN OPACITY WITH (2) LAYER OF CURTAIN HANGING STRUCTURE ARTWORK CURTAIN OPACITY WITH (3) LAYER OF CURTAIN CONNECTION MEMBER

(3) LAYERS OF ARTWORK CURTAINS CREATE VARIATION OF OPACITY, AREA OF OVERLAYING CAN BE ADJUSTED.

END MEMBER

15’ - 0” MIN. HEIGHT CLEARENCE

5’ - 0” HEIGHT UNITS

A. ARTWORK CURTAINS OPACITY DIAGRAM

VERTICAL PANELS REPRESENT HORIZONTAL PATTERNS B. ARTWORK CURTAINS

LOWER HANGING STRUCTURE FOR INSTALLATION

C. CURTAIN SECTION DETAILS

Curtain Diagram

To active the original dead space in the city, the skin is designed into impressive artwork. The south&north sides of the building are wrapped by twisted aluminum panels. The privacy of the program behind the panels leads to different depths of the aluminum panel, which makes the façade an aesthetic and programmatically friendly wave-shape artwork. On the east&west sides, there are three layers of semitransparent curtains behind the glass, overlaying the curtains will create different opacity. The image on the curtain also can be designed to promote the performances playing in the theater.

Section Perspective

THE THIRD MOMENT ACADEMIC

Instructor: Dan Spiegel

University of California, Berkeley ARCH 203 / Fall 2021 Partners: Haipeng Lin, Haoyu Gu, Levan Li

San Francisco, CA

This term can be understood as the products generated by two things or the relationship between two systems. Two common things that go together will generate various combinations; it can be understood as the chemical reaction of two systems or the third moment. And it became a strong bond between these two things. This project is about rejuvenating the abandoned greenhouse site into an agriculture community center. The idea is to maintain the site pattern relationship and explore the new moments created by the two existing elements.

The Third moment

Education Greenhouse

When the first exploring of the existing site, these are abandoned greenhouse wood frame structures and a significant number of glass panels sitting on top of the frame. The glass panels are placed in disorder and create different overlapping relationships. The other overlap moments lead to various transparency of viewing the wood frame behind. The idea of reflecting on this complicated and unexpected relationship was transferred into the new design.

16” 16” 16”

(2) 10” PANEL FOR MATERIAL EXTENSION T.O. EAVES, 4’ - 6” TREE BRANCH (ABOVE LUMBERS)

16”

18”

16” 16” BROKEN GLASS PANES 16” 16” 16” 16” 16”

ADDITION WOOD PANELS FOR PREVENTING ESCAPE OF GOATS RUSTED WATER PIPES

16”

18”

T.O. R STRU OPER OPER FOR

18”

ROOF, 14’ - 6” UCTURE FOR RABLE WINDOWS RABLE WINDOWS VENTILATION

18”

T.O. EAVES, 4’ - 6” T.O. GUTTER, 4’ - 0”

As-Built Condition

PLANAR ABSTRACTION

SECTIONAL ABSTRACTION

16”

MICRO OVERLAPPING CONDITION

roof detail

shift

subset

parallel

shift

subset

kiss

rotate

shift

parallel

scale up

shift

CLUSTER STRUCTURAL CONNECTION

30’

elevation

TWO-SIDE MERGING

GLOBAL SPACIAL COMPRESSION

PARKING /LOADING

CHILDREN’S PLAYGROUND YOUTH DEVELOPMENT AND CULTURAL ARTS SPACE

MARKET /EVENT SPACE

10’

ONE-SIDE SPLITTING

ING DEN Y GAR BRAR LI

O D SA UC LE TIV

PRODUCTIVE GREENHOUSES

EDUCATION HUB

DIN /C ING AF E

parallel

rotate

shift

EDUCATIONAL GREENHOUSE G A LE RD ND EN IN ING G

ITY UN MM ENS D CO GAR

top view

COMMERCIAL RETAIL

COMMISSARY KITCHEN /CULINARY TRAINING

OFFICE

INSTRUCTIONAL GARDENS

BIKE KITCHEN

EVENT PLAZA

parallel

scale up

ONE-SIDE MERGING

shift

TWO-SIDE MISTREGISTERED OVERLAPPING

TWO-SIDE MERGING

PARKING /LOADING

CHILDREN’S PLAYGROUND YOUTH DEVELOPMENT AND CULTURAL ARTS SPACE

GABLE ROOF

OVERLAP & SET BACK

ROOF MERGE

ROOF PEEL OFF

MARKET /EVENT SPACE

ONE-SIDE SPLITTING

ING EN Y RD GA RAR LIB

O D SA UC LE TIV

PRODUCTIVE GREENHOUSES

EDUCATION HUB

DIN /C ING AF E

EDUCATIONAL GREENHOUSE

G A LE RD ND EN IN ING G

ITY UN MM NS CO RDE GA

COMMERCIAL RETAIL

COMMISSARY KITCHEN /CULINARY TRAINING

OFFICE

INSTRUCTIONAL GARDENS

BIKE KITCHEN

EVENT PLAZA

ONE-SIDE MERGING

TWO-SIDE MISTREGISTERED OVERLAPPING

Form Generation Diagram

Interaction Of Two Systems

There are two sets of systems introduced to the project initially: solid concrete volume and lightweight steel frame. They both used to form the shape of a gable roof and have different interaction relationships when they meet. They either support one another, merge, carve one another, or stay apart and interact with the space in between. And created different facade transparency for greenhouse and associated programs for controlling the access of natural resources and private visibility.

Ground Level

Detail Model

Massing Model

ST SOUTH

SOUTH EAST

EAST NORTH / EAST

CLEAR GLASS

SLIDING DOOR, CLEAR GLASS

CLEAR GLASS

PRE-CAST CONCRETE PANELS OVER DIAGONAL STEEL FRAE

PIVITING DOOR

GROUND FLOOR: PRODUCTIVE GREEN HOUSE

NORTH / EAST SOUTH

SOUTH EAST

OPERABLE WINDOW

UTDOOR EVENT

CLEAR GLASS, STEEL FRAME

GROUND FLOOR: EDUCATIONAL GREEN HOUSE

GROUND FLOOR: RETAIL

NOTE: FLATTEN CURVED SURFACE AT THIS ELEVATION FOR CLARIFICATION

NORTH / E

CLEAR GLASS WITH FRIT

GARAGE DOOR

CONCRETE OVERHANG

CONCRETE WALL

GROUND FLOOR: EVENT SPACE GROUND FLOOR: OUTDOOR DINING AREA

GROUND FLOOR: OUTDOOR EVENT

NOTE: FLATTEN CURVED SURFACE AT THIS ELEVATION FOR CLARIFICATION EAST NORTH / EAST

CLEAR GLASS RAILING

SECOND FLOOR: OUTDOOR BALCONY

CLEAR GLASS

GROUND FLOOR: GARDENING TOOLS LENDING

SKYLIGHT, CLEAR GLASS WITH FRIT, STEEL FRAME CLEAR GLASS WITH FRIT

SECOND FLOOR: OFFICE & CONFERENCE ROOM

CLEAR GLASS WITH FRIT

SECOND FLOOR: EDUCATION HUB

OUTDOOR HALLWAY

Unrolled Elevation

Massing Model

View From Street

EDUCATIONAL SPACE & AUDITORIUM 1. FINISHED GYSUM BOARD SPRAY FOAM INSULATION METAL FURRING VAPOR RATARDER BARRIER REINFORECED CONCRETE 2. EMBEDDED GUTTER 3. FLASHING 4. DOUBLE LOW-E GLAZING 5. AIR DUCT AIR OUTLET 6. FINISHED FLOOR RADIANT FLOOR RIGID FOAM INSULATION RAISED FLOOR SYSTEM VAPOR RATARDER BARRIER RIGID FOAM INSULATION REINFORCED CONCRETE SLAB 7. REINFORECED CONCRETE 8. BONDED GRAVEL 9. FRENCH DRAIN

1 2

DETAIL WALL SECTION 0

1’

2’

3’

4’

Sections

GREENHOUSE GREENHOUSE 1. 1. SILICONE SILICONE SEAL SEAL 2. 2. 10MM 10MM GLAZING GLAZING ++ 10MM 10MM CAVITY CAVITY ++ DOUBLE DOUBLE LAMINATED LAMINATED GALZING GALZING 3. 3. OPERATABLE OPERATABLE WINDOW WINDOW FOR FOR VENTILATION VENTILATION 4. 4. FLASHING FLASHING 5. 5. BONDED BONDED GRAVEL GRAVEL 6. 6. FRENCH FRENCH DRAIN DRAIN 7. 7. COATED COATED STEEL STEELCABLE CABLE 8. 8. STEEL STEELCHANNEL CHANNEL 9. 9. STEEL STEELCOLUMN COLUMN 10. 10. REINFORECED REINFORECED CONCRETE CONCRETE

33 99

44 10 10 55

DETAIL DETAIL WALL WALL SECTION SECTION 1’ 1’== 2” 2”

DETAIL DETAIL ELEVATION ELEVATION

00 1/8’ 1/8’1/4’ 1/4’ 1/2’ 1/2’

1’1’

Greenhouse Detail Section

6 40’ - 0”

40’ - 0”

40’ - 0” 40’ - 0”

+ 31’ - 2” T.O. GREEN HOUSE ROOF

+ 18’ - 2” B.O. GREEN HOUSE EAVE + 11’ - 6” T.O. SECOND FLOOR

+ 1’ - 6” T.O. GREEN HOUSE FLOOR + 0’ - 0” T.O. GROUND FLOOR

PRE-CAST CONCRETE PANNEL DIAGONAL STEEL FRAME TENSION ROD

SECTION C - C (LEFT) / SECTION D - D (RIGHT)

CONCRETE OVERHANG OUTDOOR DINING TABLE CLEAR GLASS CURTAIN WALL

CANTILEVER CATWALK EDUCATIONAL GREENHOUSE CONCRETE BENCH

CANTILEVER CATWALK STRUCTURAL STEEL BEAM MEP EMBEDED IN CEILING

Section

Market Detail Section

B 20’ - 0”

C 20’ - 0”

D 20’ - 0”

G 40’ - 0”

H 12’ - 0”

I 13’ - 0”

J 54’ - 3”

+ 39’ - 2” T.O. GREEN HOUSE ROOF + 36’ - 2” T.O. EVENT ROOF

+ 31’ - 2” T.O. GRE + 24’ - 10” B.O. EAVE

+ 18’ - 2” B.O. GRE + 11’ - 6” T.O. SECOND FLOOR

+ 11’ - 6” T.O. SEC

+ 5’ - 4” T.O. GREEN HOUSE FLOOR

+ 1’ - 6” T.O. GRE

+ 0’ - 0” T.O. GROUND FLOOR PRODUCTIVE PLANTS PLANT BEDS OPERABLE SIDE WINDOW

OOF

SECTION B - B

OPERABLE ROOF WINDOW GREEN HOUSE STEEL FRAME CLEAR GLASS

MARKET STALL ATRIUM STRUCTURAL STEEL BEAM

+ 0’ - 0” T.O. GRO

RETAIL SELVES SERVICE COUNTER CONCRETE FLOOR WITH MEP EMBEDED

Section

SECTIO

Massing Model

FURNITURE DESIGN PROFESSIONAL

Instructor: Christopher Lee Mark Cavagnero Associates Internship / Summer 2018

San Francisco, CA

RECEPTION DESK This project is a wood cover attached to an existing reception desk, designed during my internship at Mark Cavagnero Associations. The reception desk is located at a San Francisco-based hightech company’s Building lobby. I was mainly responsible for the design and construction document. (Construction was done in Fall 2018. )

Photograph of The Reception Desk, 2019

Rendering of The Reception Desk

PROFESSIONAL

Instructor: Roddy Creedon Allied Architecture and Design Internship / Summer 2018

San Francisco, CA

CAGE PENDANT LIGHT This project has three custom pendant lighting figures designed during my internship at Allied Architecture and Design. The pendant lighting figures are located in a FoodHall at SFO International Terminal. The idea is to create three industrial-style pendant lighting figures to fit the food hall’s environment. The material is the copper pipe, painted in black. I was mainly responsible for the design and construction document. (Construction was done in Spring 2019. )

Photograph of Cage Light, 2020

EXHIBITION BOOTH PROFESSIONAL

Partner and Project Manager THL Studio Summer 2021

ShenZhen, CHN

This project is an Exhibition Booth from a newly established tech company called GaNext, based in Zhuhai, CHN. I was the Team Leader responsible for designing a long-term architectural style for their nationwide exhibition booth. (Construction was done in Summer 2021.)

Photograph of Exhiition Booth, 2021

VARYTHING CAFE PROFESSIONAL

Partner and Project Manager THL Studio Spring 2022

ZhuHai, CHN

This project is a seaside restaurant called Varything Cafe. This project combines three programs: cafe, bar, and gallery, attracting people to interact and create conversation about culture and art. I was the Team Leader responsible for design and project managing. (Construction will be done in Summer 2022.)

Rendering of Varything Cafe, 2021

PROPER FOOD PROFESSIONAL

Instructor: Roddy Creedon Allied Architecture and Design Spring 2020

San Francisco, CA

This project is a Grab-N-Go restaurant called Proper Food, located at the SFO Terminal 1. I took part in the RFP phase for developing the design package from basic drawings to renderings. The construction documents were created after I left the office. (Construction was done in Spring 2022.)

Renderings

FOOD/BEV CONCEPT PROFESSIONAL

Instructor: Roddy Creedon Allied Architecture and Design Fall 2019

Kansas City, MO

This project is a Nordstrom restaurant called Food/Bev Concept, located at the Country Club Plaza, Kansas City. I took part in the entire project period, from design packages development to construction document production. (Construction was Delayed due to the pandemic.)

Renderings

SWEET MAPLE PROFESSIONAL

Instructor: Roddy Creedon Allied Architecture and Design Internship / Spring 2019

San Francisco, CA

This project is a restaurant called Sweet Maple, located at the SFO Terminal 2. I developed the design package, including renderings, material selection, light fixture selection, construction drawings production. (Construction was done in Summer 2019.)

Photograph from internet

Renderings

DRAKE’S FLYAWAY PROFESSIONAL

Instructor: Roddy Creedon Allied Architecture and Design Fall 2019

San Francisco, CA

This project is a restaurant called Drake’s Flyaway, located at the SFO Terminal 1. I participated in the entire project, from design packages development to construction document production. (Construction was done in Spring 2022.)

Photograph from internet

Renderings