THE THIRD MOMENT ACADEMIC
Instructor: Dan Spiegel
University of California, Berkeley ARCH 203 / Fall 2021 Partners: Haipeng Lin, Haoyu Gu, Levan Li
San Francisco, CA
This term can be understood as the products generated by two things or the relationship between two systems. Two common things that go together will generate various combinations; it can be understood as the chemical reaction of two systems or the third moment. And it became a strong bond between these two things. This project is about rejuvenating the abandoned greenhouse site into an agriculture community center. The idea is to maintain the site pattern relationship and explore the new moments created by the two existing elements.
The Third moment
Education Greenhouse
When the first exploring of the existing site, these are abandoned greenhouse wood frame structures and a significant number of glass panels sitting on top of the frame. The glass panels are placed in disorder and create different overlapping relationships. The other overlap moments lead to various transparency of viewing the wood frame behind. The idea of reflecting on this complicated and unexpected relationship was transferred into the new design.
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PLANAR ABSTRACTION
SECTIONAL ABSTRACTION
16”
16”
16”
MICRO OVERLAPPING CONDITION
roof detail
shift
subset
parallel
parallel
shift
subset
kiss
rotate
shift
parallel
scale up
shift
CLUSTER STRUCTURAL CONNECTION
30’
30’
elevation
TWO-SIDE MERGING
GLOBAL SPACIAL COMPRESSION
PARKING /LOADING
CHILDREN’S PLAYGROUND YOUTH DEVELOPMENT AND CULTURAL ARTS SPACE
PR
MARKET /EVENT SPACE
10’
ONE-SIDE SPLITTING
ING DEN Y GAR BRAR LI
O D SA UC LE TIV
E
PRODUCTIVE GREENHOUSES
EDUCATION HUB
DIN /C ING AF E
parallel
rotate
shift
EDUCATIONAL GREENHOUSE G A LE RD ND EN IN ING G
ITY UN MM ENS D CO GAR
top view
COMMERCIAL RETAIL
COMMISSARY KITCHEN /CULINARY TRAINING
OFFICE
INSTRUCTIONAL GARDENS
BIKE KITCHEN
EVENT PLAZA
parallel
scale up
ONE-SIDE MERGING
shift
TWO-SIDE MISTREGISTERED OVERLAPPING
TWO-SIDE MERGING
PARKING /LOADING
CHILDREN’S PLAYGROUND YOUTH DEVELOPMENT AND CULTURAL ARTS SPACE
PRODUCTIVE GREENHOUSES
OVERLAP & SET BACK
PR O
MARKET /EVENT SPACE
ONE-SIDE SPLITTING
ING EN Y RD GA RAR LIB
D SA UC LE TIV
E
GABLE ROOF EDUCATION HUB
BIKE KITCHEN
G A LE RD ND EN IN ING G
ITY UN MM NS CO RDE GA
COMMERCIAL RETAIL
EDUCATIONAL GREENHOUSE
COMMISSARY KITCHEN /CULINARY TRAINING
OFFICE
INSTRUCTIONAL GARDENS
Interaction Of Two Systems
DIN /C ING AF E
EVENT PLAZA
ONE-SIDE MERGING
TWO-SIDE MISTREGISTERED OVERLAPPING
ROOF MERGE
ROOF PEEL OFF
Form Generation Diagram
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There are two sets of systems introduced to the project initially: solid concrete volume and lightweight steel frame. They both used to form the shape of a gable roof and have different interaction relationships when they meet. They either support one another, merge, carve one another, or stay apart and interact with the space in between. And created different facade transparency for greenhouse and associated programs for controlling the access of natural resources and private visibility.
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Ground Level
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GREENHOUSE GREENHOUSE 1. 1. SILICONE SILICONE SEAL SEAL 2. 2. 10MM 10MM GLAZING GLAZING ++ 10MM 10MM CAVITY CAVITY ++ DOUBLE DOUBLE LAMINATED LAMINATED GALZING GALZING 3. 3. OPERATABLE OPERATABLE WINDOW WINDOW FOR FOR VENTILATION VENTILATION 4. 4. FLASHING FLASHING 5. 5. BONDED BONDED GRAVEL GRAVEL 6. 6. FRENCH FRENCH DRAIN DRAIN 7. 7. COATED COATED STEEL STEELCABLE CABLE 8. 8. STEEL STEELCHANNEL CHANNEL 9. 9. STEEL STEELCOLUMN COLUMN 10. 10. REINFORECED REINFORECED CONCRETE CONCRETE
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44 10 10 55
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DETAIL DETAIL WALL WALL SECTION SECTION 1’ 1’== 2” 2”
DETAIL DETAIL ELEVATION ELEVATION
00 1/8’ 1/8’1/4’ 1/4’ 1/2’ 1/2’
1’1’
Greenhouse Detail Section
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5
6 40’ - 0”
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1510
42’ - 2” 40’+- 0” T.O. ROOF
11 14 28’ - 6”
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12
46’ - 0”
40’ - 0”
Market Detail Section
11 16’ - 6”
10
B 20’ - 0”
C 20’ - 0”
D 20’ - 0”
G 40’ - 0”
H 12’ - 0”
I 13’ - 0”
J 54’ - 3”
+ 39’ - 2” T.O. GREEN HOUSE ROOF
40’ - 0”
+ 38’ - 2” B.O. SKY LIGHT
A
24’ - 0”
+ 36’ - 2” T.O. EVENT ROOF
+ 31’ - 2” T.O. GREEN HOUSE ROOF
+ 31’ - 2” T.O. GRE + 24’ - 10” B.O. EAVE
+ 24’ - 2” T.O. STREET LEVEL + 18’ - 2” B.O. GREEN HOUSE EAVE
+ 18’ - 2” B.O. GRE
+ 11’ - 6” T.O. SECOND FLOOR
+ 1’ - 6” T.O. GREEN HOUSE FLOOR + 0’ - 0” T.O. GROUND FLOOR
PRE-CAST CONCRETE PANNEL DIAGONAL STEEL FRAME TENSION ROD
+ 5’ - 4” T.O. GREEN HOUSE FLOOR
CONCRETE OVERHANG OUTDOOR DINING TABLE CLEAR GLASS CURTAIN WALL
5’
10’
CANTILEVER CATWALK LANDSCAPE SEATING EDUCATIONAL GREENHOUSE CONCRETE CORRIDOR CONCRETE BENCH CORRIDOR RAILING
CANTILEVER CATWALK STRUCTURAL STEEL BEAM MEP EMBEDED IN CEILING
+ 1’ - 6” T.O. GRE
20’
PRODUCTIVE PLANTS PLANT BEDS OPERABLE SIDE WINDOW
GALLERY SPACE TRANSPARENT ROOF EVENT SPACE
Section
SECTION A - A 0’
+ 11’ - 6” T.O. SEC
+ 0’ - 0” T.O. GROUND FLOOR
+ 0’ - 0” T.O. GROUND FLOOR
SECTION C - C (LEFT) / SECTION D - D (RIGHT)
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+ 11’ - 6” T.O. SECOND FLOOR
+ 9’ - 6” T.O. SECOND FLOOR
SECTION B - B
OPERABLE ROOF WINDOW GREEN HOUSE STEEL FRAME CLEAR GLASS
MARKET STALL ATRIUM STRUCTURAL STEEL BEAM
+ 0’ - 0” T.O. GRO
RETAIL SELVES SERVICE COUNTER CONCRETE FLOOR WITH MEP EMBEDED
Section
30’
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SECTIO
Massing Model
View From Street
EDUCATIONAL SPACE & AUDITORIUM 1. FINISHED GYSUM BOARD SPRAY FOAM INSULATION METAL FURRING VAPOR RATARDER BARRIER REINFORECED CONCRETE 2. EMBEDDED GUTTER 3. FLASHING 4. DOUBLE LOW-E GLAZING 5. AIR DUCT AIR OUTLET 6. FINISHED FLOOR RADIANT FLOOR RIGID FOAM INSULATION RAISED FLOOR SYSTEM VAPOR RATARDER BARRIER RIGID FOAM INSULATION REINFORCED CONCRETE SLAB 7. REINFORECED CONCRETE 8. BONDED GRAVEL 9. FRENCH DRAIN
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DETAIL WALL SECTION 0
Massing Model
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1’
2’
3’
4’
Sections
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BEAM WALLS ACADEMIC
Instructor: David Jeahning, Eli Gottlieb & Hassan Ally University of California, Berkeley ARCH 202 / Spring 2021
San Francisco, CA
This project is a pavilion located at the Main Lawn of San Francisco Botanical Garden in Golden Gate Park. The idea is about Sense of Tininess which is generated from the walking experience inside the Golden Gate Park. The vision is blocked by the tall trees surrounded and always don’t know there might be a huge modern structure hidden behind the forest. The similar surrounding views also cause the feeling of loss. All these experiences are caused by the huge size difference between humans and the environment. The goal here is to use the Beam Walls as a structural concept to recreate the experience through Structural Absentation and Visual Limitation.
Digital Model
Botanical Garden, San Francisco
There are five long rectangular panels built at the same height as the story to act like both beams and walls in order to eliminate the notion of structure. These panels consist of a huge beam structure to hang a horizontal square panel and create a sense of weightlessness. Due to the high strength properties of the material (mass timber), it provides a long-span open space below which functioning as a combination of gallery and café. The open floor plan help improves the use of the space with a flexible program layout and the freedom of circulation. All connection pieces are hidden inside the panels and left a pure-panel exposure which helps simplify the overall reading and emphasize the structure itself.
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15 0’
50’
100’
200’
SAN FRANC
THE MASS TIMBER EFFECT PATENT BEAM WALLS (2021)
Patent Number: [19, 003, 025]
(02) Patent for “Beam Walls” (02) THE METHOD OF CREATING COMMODIOUS SPACES WITH EXPERIENCE OF STRUCTURAL ABSENTATION (25)
Inventors: Levan Li Correspondence Address: Wurster Hall, UC Berkeley TEL: +1 (123)-456-7890
94720
(03)
Initial Application: San Francisco, U.S.
(04)
Filed: ........................2021
(05) ABSTRACT
Fig. 1: Beam Wall Structure
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Sections
0’
5’
10’
20’
The site is surrounded by infinite trees and it is hard to define where are the boundaries. This feeling is also brought into this project through the uneven arrangement of the panel’s layout. The square volume inside this project is parallel to the San Francisco city grid which represents the relationship of the Golden Gate Park to the city. Views of the garden are framed by the panels both horizontally and vertically. Some “clue” moments are created by splitting panels apart which will arise visitors’ desire of discovering the spaces behind or above. The rooftop area is also an open space for more activities and provides the opportunities to look at the surrounding views at a higher level, which is also a further expression of feeling tininess.
[Beam walls are built as the same height as story(Fig.1) to eliminate the notion of structure, and created long span open spaces(61) between beam walls which benefit by the mass timber material(CLT). Using these walls to act as a huge beam structure for hanging the second level’s floor plate and create a sense of weightlessness(62).]
PAVILION SECTION
61 Structural Concept Patent
Fig. 2: Space and Operation XX
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A B1 B1 B1 A
A
B1 B1
B1 B1 B1
A
A
A
A
B2
A B2
B2
B2
A
B2
B2
B2
B2
B2
B2
A
B1 WALL TO FLOOR (TENSION)
A WALL TO WALL (LATERAL)
A
B2 WALL TO FLOOR (COMPRESSION)
B1 B1
SEE DRAWING C
+16’ - 3”
TOP PLATE FOR ENCLOSEURE, STL
TOP PLATE, STL
U CHANNEL, STL
U CHANNEL, STL
CLT PANEL, UPPER WALL, WD
CLT PANEL, UPPER WALL, WD
4X4 HSS, STL
4X4 HSS, STL
B1
2
A
A
B1 B1
B1
A. DETAILS AT TOP OF UPPER WALLS
A. DETAILS AT TOP OF UPPER WALLS
2
1 3
1. PRE-CAST THE HOLE IN FLOOR PANEL
C. DETAILS AT TOP OF UPPER WALLS
2. INSERT THE CONNECTION PIECE IN PLACE AND ROTATE 90 DEGREE
B1
3. CONNECT THE STEEL COLUMN WITH THE CONNECTION PIECE
B1
A
A. CONNECTION INSTALLATION GUILINE
SEE DRAWING D 4X4 HSS, STL
4X4 HSS, STL
CLT PANEL, UPPER WALL, WD
CLT PANEL, UPPER WALL, WD
+7’ - 10 1/2”
A
WELDED CONNECTION PIECE, STL
WELD CONNECTION PIECE, STL
ATTACHMENT PLATE, STL
ATTACHMENT PLATE, STL
CLT PANEL, UPPER WALL, WD
WELD CONNECTION PIECE, STL
CLT PANEL, FLOOR PLATE, WD
A
A
B2
CLT PANEL, FLOOR PLATE, WD
STEEL ANGLE, STL
+7’ - 0”
A
CLT PANEL, LOWER WALL, WD
B2
4X4 HSS, STL
B. DETAILS AT INTERSECTION OF WALL AND FLOOR
D. DETAILS AT INTERSECTION OF WALL AND FLOOR 4X4 HSS, STL
CLT PANEL, LOWER WALL, WD B. DETAILS AT INTERSECTION OF FLOOR AND WALL
B2
B. DETAILS AT INTERSECTION OF UPPER AND LOWER WALLS
B2
1. DRILL THE HOLE ON FLOOR PANEL, INSERT HORIZONTAL ATTACHMENT PLATE
4X4 HSS, STL
B2
A B2
B2
2. WELD THE CONNECTION PIECE IN PLACE
CLT PANEL, LOWER WALL, WD
B2
+0’ - 2” VARIES BY SITE SLOPE
3. CONNECT THE STEEL COLUMN WITH THE CONNECTION PIECE
4X4 HSS, STL CLT PANEL, LOWER WALL, WD
MOUNT PLATE, STL
MOUNT PLATE, STL 3
+0’ - 0”
B2
2
CONCRETE FOUNDATION, CONC
B2
CONCRETE FOUNDATION, CONC
1
A C. DETAILS AT BOTTOM OF LOWER WALLS
0’
B1 WALL TO FLOOR (TENSION)
TERAL)
5”
10”
20”
E. CONNECTION INSTALLATION GUILINE
C. DETAILS AT BOTTOM OF LOWER WALLS
PANELS ASSEMBLY AND DETAILS
B2 WALL TO FLOOR (COMPRESSION)
SEE DRAWING C TOP PLATE FOR ENCLOSEURE, STL
TOP PLATE, STL
U CHANNEL, STL
U CHANNEL, STL
CLT PANEL, UPPER WALL, WD
CLT PANEL, UPPER WALL, WD
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Panels Assembly Details Reference 4X4 HSS, STL
2
1
4X4 HSS, STL
A. DETAILS AT TOP OF UPPER WALLS
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Panels Assembly And Details
1. PRE-CAST THE HOLE IN FLOOR PANEL
C. DETAILS AT TOP OF UPPER WALLS
2. INSERT THE CONNECTION PIECE IN PLACE AND ROTATE 90 DEGREE 3. CONNECT THE STEEL COLUMN WITH THE CONNECTION PIECE
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A. CONNECTION INSTALLATION GUILINE
SEE DRAWING D 4X4 HSS, STL
4X4 HSS, STL
CLT PANEL, UPPER WALL, WD
CLT PANEL, UPPER WALL, WD
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1 2 3 4 5 6 7 8
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12 12 12
1 1 2 2 3 3 4 4 5 5 6 6 7 7 8 8
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1 2 3
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4 5 6 7 8
9 9
13 13 14 14 15 15 4 4
View From Sidewalk
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13 14 15 4
16
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1 1 2 2 11 11
VERTICAL SECTION VERTICAL SECTION
AXONOMETRIC VIEW AXONOMETRIC VIEW
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15 4
16
VERTICAL SECTION
12 12 10 10 4 4 7 7 3 3
AXONOMETRIC VIEW
1 2 11
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17
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10 4 7 3
VERTICAL SECTION
1 2 11
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12 10 4 7 3
AXONOMETRIC VIEW 1. 1. 2. 2. 3. 3. 4. 4. 5. 5. 6. 6. 7. 7. 8. 8. 9. 9. 10. 10. 11. 11. 12. 12. 13. 13. 14. 14. 15. 15. 16. 16. 17. 17.
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9 7 14 HORIZONTAL SECTION HORIZONTAL SECTION
RAIN SCREEN RAIN SCREEN RAIN SCREEN STRUCTURE RAIN SCREEN STRUCTURE WATER PROOF MENBRANE WATER PROOF MENBRANE WOOD BLOCK WOOD BLOCK UPPER STEEL TRACK UPPER STEEL TRACK SLIDING DOOR HEADER SLIDING DOOR HEADER ALUMINUM CHANNEL ALUMINUM CHANNEL FLUSHING FLUSHING SAFETY GLASS 1. RAIN SCREEN SAFETY GLASS ALUMINUM CHANNEL 2. ATTACHMENT RAIN SCREEN STRUCTURE ALUMINUM CHANNEL ATTACHMENT THERMAL INSULATION 3. WATER PROOF MENBRANE THERMAL INSULATION CROSS LAMINATED 4.TIMBER WOOD BLOCK CROSS LAMINATED TIMBER SLIDING DOOR FRAME 5. UPPER STEEL TRACK SLIDING DOOR FRAME BOTTOM TRACK 6. SLIDING DOOR HEADER BOTTOM TRACK GLASS SHOE 7. ALUMINUM CHANNEL GLASS SHOE REINFORCE CONCRETE 8. FLUSHING REINFORCE CONCRETE EARTH 9. SAFETY GLASS EARTH 10. ALUMINUM CHANNEL ATTACHMENT 11. THERMAL INSULATION 12. CROSS LAMINATED TIMBER 13. SLIDING DOOR FRAME 14. BOTTOM TRACK 15. GLASS SHOE 16. REINFORCE CONCRETE 17. EARTH
Sliding Door Design 13 HORIZONTAL SECTION
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1. 2. 3. 4. 5. 6. 7.
RAIN SCREEN RAIN SCREEN STRUCTURE WATER PROOF MENBRANE WOOD BLOCK UPPER STEEL TRACK SLIDING DOOR HEADER ALUMINUM CHANNEL
View From Garden Entrance
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CROSS LAMINATED WALLS ACADEMIC
Instructor: David Jeahning, Eli Gottlieb & Hassan Ally University of California, Berkeley ARCH 202 / Spring 2021
San Francisco, CA
This project is a mass timber tower located at the San Francisco Mission Bay, programming in life sciences research and development facility. The idea is generated from one of the mass timber materials, CLT, to strengthen the entire structural performance by laminating the smaller pieces. This project is designed by two main structural concepts: Cross Laminated Walls and Stair As Bracing. These two concepts have to cooperate to resolve the problem of vertical and lateral load transformation.
Digital Model
Mission Bay, San Francisco
The wall panels(CLT) are placed in a 30’ grid in the first place and extracted into different levels, so all the panels on the same floor will remain parallel to each other, and will be in the opposite direction with the panels on the floors above or below. The gravity load will be transferred from the top to the ground through the intersection points of panels from different levels. The panels also perform as a huge beams system to help suspend the floor plates when some parts of panels are removed, in order to create the openings between these long strip spaces and wider interior spans. Each wall plane is also created by the lamination of panels because of the limitation of sizes and transportation, to produce higher and longer wall panels, and hiding the utilities inside the walls.
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Cross Laminated Walls Assembly Details
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Stair As Bracing Assembly And Details
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SEE-THRU THEATER ACADEMIC
Instructor: Mark Cavagnero & Benjamin Golze University of California, Berkeley ARCH 100C / Fall 2018
San Francisco, CA
Architectural design is not only responsible for the building itself but also for the city. Because lots of back of house programs were hidden in the walls in many deigns, theater as a common art disperse center in a city always appears as a solid box with heavy opaque walls on all façades. It sounds unfair, comparing what is left to the city to the luxury design inside the theater.
View at Entrance
View at Entrance
Form Diagram
This project is a multi-use theater building located in the civic center, San Francisco for providing the space of dance, music or drama performance. The front and the back walls of the stage got open-up to create interaction with the street. However, the great number of hidden back of house programs lead to the thick wall which scale is less human. Manipulate the walls to undulating shape to make walls look thin from outside but still create enough space for the programs in the back of the house behind the walls.
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OPACITY WITH (1) LAYER OF CURTAIN OPACITY WITH (2) LAYER OF CURTAIN HANGING STRUCTURE ARTWORK CURTAIN OPACITY WITH (3) LAYER OF CURTAIN CONNECTION MEMBER
East Elevation (3) LAYERS OF ARTWORK CURTAINS CREATE VARIATION OF OPACITY, AREA OF OVERLAYING CAN BE ADJUSTED.
END MEMBER
West Elevation
15’ - 0” MIN. HEIGHT CLEARENCE
5’ - 0” HEIGHT UNITS
A. ARTWORK CURTAINS OPACITY DIAGRAM
VERTICAL PANELS REPRESENT HORIZONTAL PATTERNS B. ARTWORK CURTAINS
LOWER HANGING STRUCTURE FOR INSTALLATION
C. CURTAIN SECTION DETAILS
Curtain Diagram
North Elevation
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To active the original dead space in the city, the skin is designed into impressive artwork. The south&north sides of the building are wrapped by twisted aluminum panels. The privacy of the program behind the panels leads to different depths of the aluminum panel, which makes the façade an aesthetic and programmatically friendly wave-shape artwork. On the east&west sides, there are three layers of semitransparent curtains behind the glass, overlaying the curtains will create different opacity. The image on the curtain also can be designed to promote the performances playing in the theater.
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LOADING ELEVATOR
PRACTICE ROOM
OUTDOOR TERRACE
STORAGE
DRESSING ROOM
STAGE WING
STAIR TO SEATING AREA
LOWER LEVEL SEATING AREA ACCESS
FEMALE RESTROOM
WAITING LOBBY STAGE
SERVICE BAR
EXTENSION STAGE
UPPER STAGE/ MECHANICAL AREA
UPPER LEVEL SEATING AREA
WAITING LOBBY OPEN TO BELOW
PRACTICE ROOM
MALE RESTROOM
STAIR TO SEATING AREA
STAGE WING
LOWER LEVEL SEATING AREA ACCESS
DRESSING ROOM
PRACTICE ROOM
OUTDOOR TERRACE STORAGE
ADJACENT BUILDING
ADJACENT BUILDING
Level 2
SECURITY OFFICE
Level 4
LOADING ELEVATOR
LOADING DOCK/ PERFORMERS ENTRY
PRACTICE ROOM
B.O.H. ACCESS
FEMALE RESTAURANT
EVENT ROOM
DRESSING ROOM
CAFE STORAGE UPPER LEVEL SEATING AREA ACCESS
STAIR TO WAITING LOBBY
B.O.H. STORAGE
CAFETERIA/ GIFTS SHOP MALE RESTAURANT
ELEVATOR STAGE
WAITING LOBBY OPEN TO BELOW
CONTROL ROOM
STAGE AREA OPEN TO BELOW
LOWER LEVEL SEATING AREA
CLOTHES CHECK
BOX OFFICE
LOBBY
STAIR TO WAITING LOBBY
THEATER ENTRY
UPPER LEVEL SEATING AREA ACCESS
PRACTICE ROOM
DRESSING ROOM
ADJACENT BUILDING ADJACENT BUILDING
Level 1
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Level 3
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Section Perspective
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LIFE IN BETWEEN ACADEMIC
Instructor: Adriana Cuellar University of California, Berkeley ARCH 201 / Fall 2020
Oakland, CA 1
Life and urban activities are defined by the spaces between everyday itineraries. These spaces contain the interactions of people when they are circulating in the city. What happens in these inbetween spaces reflect the efficiency and safety of a city being designed.
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BEFORE PANDEMIC 1. ACTIVITIES AT LOCAL PARK 2. UNUSEFUL ROOFTOP SPACE 3. WORKING IN OFFICE 4. DINNING AT RESTAURANT 5. HIGH USE OF BUSES 6. NOT WORKING AT HOME 7. INDIVIDUAL SHOPPERS 8. NON-OPERATED PRIVATE GARDEN
6 8
1 SH S WA AND H
2
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5 7
3
DURING PANDEMIC 1. NO ACTIVITIES AT LOCAL PARK 2. UNUSEFUL ROOFTOP SPACE 3. NON-OPERATED OFFICE 4. DINNING WITH TAKE OUT 5. LOW USE OF BUSES 6. WORKING FROM HOME 7. SHOPPERS WAIT IN LINE FOR ENTERING 8. ACTIVITIES IN PRIVATE GARDEN 9. ACTIVITIES IN PRIVATE BALCONY
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1 10 E IN N LIF WEE T BE
Local Housing Facade Study 2
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3 AFTER PANDEMIC 1. ACTIVITIES AT LOCAL PARK 2. ACTIVITIES AT ROOFTOP SPACE 3. WORKING IN OFFICE 4. DINNING WITH BOTH TAKE OUT AND INDOOR 5. SMALLER PUBLIC SHARE SPACE BUSES 6. WORKING FROM HOME 7. DELIVERY SHOPPING MODE 8. ACTIVITIES IN PRIVATE GARDEN 10. NEW DELIVERY METHOD 11. NEW RECEIVING INFRASTRUCTURE
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Activities Changes Diagram
The research focuses on the mobility and community activities changes throughout the Covid-19 period. The issue is addressed by recording schedule changes, time changes, and activities changes within the Elmhurst area. Three analysis drawings were created with scales different from city scale, to neighborhood scale and to architectural scale, in order to explore the life changes within the in-between spaces.
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Small Scale Program: Front Yard Porch
The first one is the front yard porch. The front yards along the bike routes will be designed to hold local business with the form of continuous porch. The design should be flexible enough to fit different business types and remain variations under the same style, also it should be efficient enough to be mass produced and thoughtful enough to protect or reflect the original living environment. The usable front yard spaces are turned into a 5’ by 5’ grid. The pitch roofline becomes the main design language extracted from the existing condition. A mesh wall system is introduced as a main structure to provide the possibilities of being walls, ceilings, millwork structures, furniture and hanging structures, without reducing access of sun-light, vehicles, views, nature elements and so on. The owners can keep their businesses running by continuing producing products or providing services from home, and customers can remain or improve the quality of life under or after pandemic.
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5
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36”
48”
10 4
60”
6
48”
Front Yard Porch
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1 1. NEIGHBORHOOD BIKE ROUTE 2. SIDEWALK AND ROAD SIDE GREEN AREA 3. DRIVE WAY 4. EXISTING HOUSES 5. DINING AREA 6. PROMOTION WALL 7. BIKE RACKS 8. SERVICE BAR COUNTER 9. PORCH ROOFLINE 10. PRODUCT SHELVES 11. CASHIER COUNTER 12. HANING SHELVES AND BASKET 13. CEILING STRUCTURE AND CEILING MODULAR 14. PORCH CEILING(WOOD)
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Front Yard Porch Spatial Concept
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Floor Plan & Elevation
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5’ X 5’ GRID LINE, TYP. STEEL HOOK HALF SIZE WALL, (1) LAYER OF MESH, AND ONLY LOCATED ON THE EDGE OF FRONT YARD GRID CL WALL
SHADING LUMBERS, (11) PER SET, 1” X 2”, LENGTH DEPENDS ON PORCH CEILING SLOPE
ASSOCIATE COMPONENT, CAN BE CHANGED BASE ON NEED COMPONENT BOLTED TO THE HOOK FALL SIZE WALL, CENTER TO THE GRID LINE, TYP. (2) LAYERS OF MESH METAL MESH
CEILING STRUCTURE, STL, PAINT WHITE
EDGE LUMBER. 2” X 4”, LENGTH DEPENDS ON PORCH CEILING SLOPE INNER LUMBER. 2” X 4” X 57”
STEEL HOOK
CL WALL
HANGING COMPONENT METAL MESH, 1/4” DIA.
1 1/2”, TYP.
EQ
SPACE INSIDE HOLLOW STEEL FRAME FOR ELECTRICAL ACCESS
EQ
METAL MESH BENDED AND WELD TO THE COLUMN, POLISH WELD POINT
2”
ALIGN, TYP.
STEEL WALL FRAME, PAINT WHITE
+10’ - 0” T.O WALL 3”
PORCH CEILING, WD
SHADING LUMBERS, SIT ON INNER LUMBERS
STEEL CEILING FRAME, PAINT WHITE
+10’ - 0” T.O. WALL
CEILING MESH MODULAR CONNECTION BOLT, TYP.
ALIGN
STEEL WALL FRAME 15’ - 0”, VARIOUS DEPENDING ON PORCH CEILING SLOPE
STEEL HOOK SHELVING COMPONENT STEEL WALL FRAME, PAINT WHITE, 2” WIDTH ON ALL SIDES
EQ.
THICKER FRAME
EQ.
EDGE OF FRONT YARD GRID, THICKER FRAME EDGE AT ALL GRID EDGE LOCATION OPEN
THICKER FRAME
THINNER FRAME
FOLDED LINE STEEL HOOK
EQ.
SLOPE RATE = 1:3
SLOPE RATE = 1:2
SLOPE RATE = 1:1
END LUMBER, 2” X 4” X 60”
SLOPE MIGHT BE DIFFERENT DEPENDS ON THE (E) ROOFLINE
STEEL PLATE, 1/8” THICK
STEEL CEILING FRAME
END LUMBER EDGE LUMBER
STEEL WALL FRAME BELOW
INNER LUMBER GRID LINE, TYP.
BASKET COMPONENT
THINNER FRAME
THINNER FRAME
THINNER FRAME
THINNER FRAME
(10) EQ.
EQ.
INNER OF FRONT YARD GRID, THINNER FRAME EDGE AT ALL INNER GRID LOCATION
EQ.
EQ.
CEILING MESH MODULAR CONNECTION BOLT, (4) IN TOTAL FOR EACH MODULAR
THICKER FRAME
THINNER FRAME
OPEN
THINNER FRAME
THINNER FRAME
SHADED AREA
SHADING LUMBER
OPEN
OPEN
OPEN
OPEN
OPEN
OPEN
(12) EQ. SPACINGS MEASURE FROM THE CENTER OF THE LUMBERS
METAL MESH, 1 1/2” X 1 1/2” SPACING GRID, WELD AT ALL INTERSECTIONS, TYP.
GRID EDGE MODULAR
ADDITIONAL CROSS STRUCTURE
EQ.
EQ.
THICKER FRAME
GRID INNER MODULAR
2”
15’ - 0”, VARIOUS DEPENDING ON THE SIZE OF FRONT YARD
1”
+15’ - 2” T.O. SUPPORT
EQ.
3”
OPENING
METAL MESH STOP HERE OPENING FOR FOOT KICK AND FLOOR SLOPE
+0’ - 5” T.O. OPENING
FURNITURE SUPPORT COMPONENT
+0’ - 0” GROUND
FURNITURE SURFACE, LIKE TABLES OR SEATINGS
-0’ - 10” MOUNTED PLATE
METAL MESH, (1) LAYER, 1 1/2” X 1 1/2” SPACING GRID, WELD AT ALL INTERSECTIONS, TYP.
MOUNTED PLATE, BOLTED TO THE CONCRETE BLOCK
CONCRETE BLOCK -1’ - 6” B.O. CONCRETE BLOCK
CEILING MESH MODULAR, SURFACE FLUSH WITH THE CEILING FRAME
OPEN
EXPOSED AREA
ALIGN
EQ.
GRID EDGE MODULAR
STEEL HOOK
NOTE: ALL MEASUREMENT IN THIS DRAWINGS ARE BASE ON 1:3 PORCH CEILING SLOPE. 15’ - 0”, VARIOUS DEPENDING ON PORCH CEILING SLOPE
Front Yard Porch Assembly Details
42
43
+50’ - 0” T.O. ROOF
SECTION
+40’ - 0” B.O. ROOF
3
+30’ - 0” ROOFTOP PLAN - 3RD FLOOR
2
15
+15’ - 0” 2ND FLOOR
6
1
7
29
16
+0’ - 0” 1ST FLOOR
15. STACKER CRANE 16. FRONT YARD BUSINESS
1. INDOOR SHOPPING AREA 2. OUTDOOR DINNING BALCONY 3. ROOFTOP MULTI-USE EVENT AREA 6. MAIN PRODUCT STORAGE AREA 7. CONVEYOR BELT
28
20
3
+50’ - 0” T.O. ROOF
SECTION
PLAN - 2ND FLOOR
19 23
3
24
6
8
10
9 5
11
12
6
4
19 21
20
+15’ - 0” 2ND FLOOR
5
13
7
25
22
+30’ - 0” ROOFTOP 4
27 26
+40’ - 0” B.O. ROOF
3
7
14
155’ - 0”
+0’ - 0” 1ST FLOOR
17 16 130’ - 0” 15
3. ROOF TOP MULTI-USE EVENT AREA 4. INDOOR DINNING AREA 5. SHIPPING DOCK 6. MAIN PRODUCT STORAGE AREA 7. CONVEYOR BELT 8. CUSTOMER RESTROOM
9. EMPLOYEE RESTROOM 10. SERVICE STATION 11. PICK UP WINDOW 12. OFFICE/ MECHANICAL ROOM 13. CONTROL ROOM 14. RECEIVING DOCK
17
10
80’ - 0” 5
9 17
PLAN - 1ST FLOOR
8
18
17
14
17
13
120’ - 0”
12
11
17
5 10
7
+50’ - 0” T.O. ROOF
ELEVATION
3
4
17
9
285’ - 0”
8 6
1
5
+40’ - 0” B.O. ROOF
100’ - 0”
+30’ - 0” ROOFTOP
2
2 +15’ - 0” 2ND FLOOR 1 +0’ - 0” 1ST FLOOR
1. INDOOR SHOPPING AREA 2. OUTDOOR DINNING BALCONY 3. ROOFTOP MULTI-USE EVENT AREA
Sections & Elevation
44
1. INTERNATIONAL BLVD. 2. 81ST. AVE. (NEIGHBORHOOD BIKE ROUTE) 3. 82ND. AVE. (DELIVERY TRUCK ACCESS) 4. FRONT YARD BUSINESS 5. INDOOR SHOPPING AREA 6. RECEIVING DOCK 7. RECEIVING STAGING/ UNPACK STATION 8. QUEUING AREA 9. STACKER CRANES 10. MAIN PRODUCT STORAGE AREA 11. CONVEYOR BELT 12. CONTROL ROOM 13. OFFICE/ MECHANICAL ROOM 14. EMPLOYEE RESTROOM 15. SHIPPING STAGING/ PACKAGING STATION 16. SHIPPING DOCK 17. EMERGENCY EXITS 18. MEETING ROOM 19. OUTDOOR DINNING BALCONY 20. INDOOR DINNING AREA 21. VIEW OF NEIGHBORHOOD BIKE ROUTE 22. RESTAURANT QUEUING AREA 23. CUSTOMERS RESTROOM 24. SERVICE STATION 25. PICK UP WINDOW 26. RESTAURANT KITCHEN\ 27. EMPLOYEE LOUNGE 28. STORAGE 29. ROOFTOP OUTDOOR MULTI-USE EVENT AREA
1
2
Floor Plan
45
FURNITURE DESIGN PROFESSIONAL
Instructor: Christopher Lee Mark Cavagnero Associates Internship / Summer 2018
San Francisco, CA
PROFESSIONAL
Instructor: Roddy Creedon Allied Architecture and Design Internship / Summer 2018
San Francisco, CA
RECEPTION DESK
CAGE PENDANT LIGHT
This project is a wood cover attached to an existing reception desk, designed during my internship at Mark Cavagnero Associations. The reception desk is located at a San Francisco-based hightech company’s Building lobby. I was mainly responsible for the design and construction document. (Construction was done in Fall 2018. )
This project has three custom pendant lighting figures designed during my internship at Allied Architecture and Design. The pendant lighting figures are located in a FoodHall at SFO International Terminal. The idea is to create three industrial-style pendant lighting figures to fit the food hall’s environment. The material is the copper pipe, painted in black. I was mainly responsible for the design and construction document. (Construction was done in Spring 2019. )
Photograph of The Reception Desk, 2019
Rendering of The Reception Desk
46
Photograph of Cage Light, 2020
47
EXHIBITION BOOTH PROFESSIONAL
Partner and Project Manager THL Studio Summer 2021
VARYTHING CAFE ShenZhen, CHN
This project is an Exhibition Booth from a newly established tech company called GaNext, based in Zhuhai, CHN. I was the Team Leader responsible for designing a long-term architectural style for their nationwide exhibition booth. (Construction was done in Summer 2021.)
PROFESSIONAL
Partner and Project Manager THL Studio Spring 2022
ZhuHai, CHN
This project is a seaside restaurant called Varything Cafe. This project combines three programs: cafe, bar, and gallery, attracting people to interact and create conversation about culture and art. I was the Team Leader responsible for design and project managing. (Construction will be done in Summer 2022.)
Photograph of Exhiition Booth, 2021
Photograph of Exhiition Booth, 2021
48
Rendering of Varything Cafe, 2021
49
PROPER FOOD PROFESSIONAL
50
Instructor: Roddy Creedon Allied Architecture and Design Spring 2020
FOOD/BEV CONCEPT San Francisco, CA
PROFESSIONAL
Instructor: Roddy Creedon Allied Architecture and Design Fall 2019
Kansas City, MO
This project is a Grab-N-Go restaurant called Proper Food, located at the SFO Terminal 1. I took part in the RFP phase for developing the design package from basic drawings to renderings. The construction documents were created after I left the office. (Construction was done in Spring 2022.)
This project is a Nordstrom restaurant called Food/Bev Concept, located at the Country Club Plaza, Kansas City. I took part in the entire project period, from design packages development to construction document production. (Construction was Delayed due to the pandemic.)
Renderings
Renderings
51
SWEET MAPLE PROFESSIONAL
52
Instructor: Roddy Creedon Allied Architecture and Design Internship / Spring 2019
DRAKE’S FLYAWAY San Francisco, CA
PROFESSIONAL
Instructor: Roddy Creedon Allied Architecture and Design Fall 2019
San Francisco, CA
This project is a restaurant called Sweet Maple, located at the SFO Terminal 2. I developed the design package, including renderings, material selection, light fixture selection, construction drawings production. (Construction was done in Summer 2019.)
This project is a restaurant called Drake’s Flyaway, located at the SFO Terminal 1. I participated in the entire project, from design packages development to construction document production. (Construction was done in Spring 2022.)
Photograph from internet
Photograph from internet
Renderings
Renderings
53