目 錄
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序
☺ 尊彩藝術中心 董事長｜余彥良
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不能失去的勇氣—— 羅喬綾「理想的生活」
☆ 國立清華大學藝術與設計學系助理教授｜張晴文
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理想的生活 ♡ 羅喬綾
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作品
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簡歷
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圖錄
Contents
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Foreword
☺ President of Liang Gallery ｜ YU Yen-Liang
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The Courage One Cannot Live Without – LO Chiao-Ling - Ideal Life
☆ Assistant Professor at Department of Arts and Design, National Tsing Hua University ｜ CHANG Ching-Wen
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Ideal Life ♡ LO Chiao-Ling
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Works
95
Biography
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Catalog
序 ☺ 文
余彥良
孩子總是沒有斤斤計較的心，大步向前行，簡單、純真，但究竟什麼改 變了他們？我想，總是和大人們貧乏的想法有關。孩子是看著父母成長 的，父母以為必須成為孩子們心目中的英雄，熟知，英雄並不是完美的， 麵包超人（臉遇水就失去力量）和鹹蛋超人（只有三分鐘戰鬥能力）都 有缺點，所以不完美一點關係也沒有，誠實、努力、不怕跌倒，才是真 英雄。
尊彩藝術中心董事長
喬綾畫出孩子們總是用小小的眼睛努力觀察父母與這個社會，用小小的 耳朵拼命聆聽父母的話和社會的謾罵，但憧憬的對象若沒有獲得可信任 的面容和言語，單純總會變質，繽紛色彩難免污染。每次觀看喬綾的畫 面，是充滿善良的、是喜悅的。所以，我希望自己和大家都能真誠面對 這個世界，就和喬綾畫布裡的內容一樣，無邪、天真，處處充滿燦爛的 笑容。
Foreword ☺ by
YU Yen-Liang President of Liang Gallery
Very often children are not preoccupied with things, they stride rapidly, and they are innocent and straightforward. However, what exactly makes them change? I believe it is always related to the limited views of adults. Children observe their parents when growing; meanwhile, parents think that they must be their kids’ heroes. But we all know that heroes are not perfect, even they have imperfections, for example, Anpanman loses his powers when his face gets splashed with water, and Ultraman has enough strength to fight only for three minutes. There is no difference if they are pretty or not, what matters is that they are honest, hard-working, and courageous. These are the real heroes. Little kids painted by Chiao-Ling always observe their parents and people in this society with their tiny little eyes and listen to their parents’ words and public opinions with their small ears. If you, as an object they are longing for, do not have a trustworthy face or do not speak words of truth, they get worse and the vivid colors disappear. Whenever I look at Chiao-Ling’s paintings, I see kindness and joy. Therefore, I hope that everyone, including me, can see this world as a genuine place just like the one depicted in Chiao-Ling’s paintings – innocent, pure, and full of beautiful smiles.
Foreword ｜ 序
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不能失去的勇氣—— 羅喬綾「理想的生活」 ☆文
張晴文 國立清華大學藝術與設計學系助理教授
最近重讀大江健三郎的《為什麼孩子要上學》，裡面 談到一件往事。過去他曾接到許多少年少女的問卷， 其中經常出現的一個問題是：「請問您在孩提時代， 想要成為怎樣的人？」大江健三郎在兒時面對未來的 自己，不是去想像會成為作什麼職業的人，而是期待 自己也有的某種胸襟和氣度。他說：「那時候的我， 腦中浮現一位具體的人物，心想如果長大之後── 不，就從現在開始──希望成為像他一樣有勇氣的 人。」1 在這部給少年的讀本裡，大江健三郎以慈藹而充滿關 懷的筆調，寫自己的人生經驗和想法，廣泛地談論人 生觀、戰爭、習慣，以及學習。文中反覆回想自己的 童年、少年時期，當時的我、那時想像未來的我、現 在的我，在展開每一個議題的時刻重疊、對話，以此 帶給正當年少（或者已經年老）的讀者們深刻的激盪。 書籍最末，以名為〈請再等上一段時間〉的篇章總結， 作者想著，如果現在年近六十的自己遇上當年還是孩 子的自己，應該會這樣向他說：「你長大之後，也要 繼續保持現在心中的想法唷！」 「現在的你，便會在你長大之後的身體裡活下去。」2 我不知道羅喬綾小的時候有沒有想過遇見未來的自 己。但我覺得那個小小的她一定還在心中像個總管一 樣，決定了她現在的樣子。
羅喬綾近年的畫作，和她的生活緊密不可分。孩子和 家庭生活是每天的日常。她的繪畫中，有很大一部分 是以清淡筆調完成的兒童肖像。這些小孩各個面貌不 同，卻擁有高度相似的臉龐、五官，甚至服裝樣式。 他們的表情一致，或者應該說是神韻，像似一個超級 大家族。 當繪畫者將這些肖像排列在展場之中，或者，如同此 刻我在寫作過程裡以管理檔案的縮圖格式瀏覽這樣一 批肖像，可以發現這些規格化的畫面展現了極高的一 致性，包括各種形式的安排，以及風格的類同。在排 除作品題名標籤的瀏覽過程中，他們暫時失去名字， 僅能以外表識別；而在捲軸的上下往復之間，浮現了 熟悉的當代視覺經驗──這幾近於社群軟體中的朋友 列表，而這樣大量「與使用者有關」的名單羅列，有 種比較古典的版本，那就是畢業紀念冊。 無論是交友列表或者畢業紀念冊，它們都是某種社會 關係或情感網絡的圖示技術。而羅喬綾創作的一系列 肖像，所展現的不僅只是這些個體之間的關係，更吸 引我的，是它們共同作為「羅喬綾所創造的」人物與 她的關聯性。 這些肖像人物多半得自虛構，早期至今，部分人物是 羅喬綾以朋友為對象而作，更多是憑空的創造。她談 到這些人物的來由：「肖像是想著遇見的人、認識的 人，或是在沒有限制的狀況下畫出來的，有時候會無
不能失去的勇氣——羅喬綾「理想的生活」
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意地畫出很像現實生活中認識的人，就會以他們命 名，或是讓他們說一句話。」3 這些人物從她的日常 走來，然而在她的筆下，全部換上了新的樣子和生命。 在這樣一群張著水汪汪小眼睛、看起來沒有特別情緒 的小孩肖像裡，其實很難辨識出他們的個性。幼小生 命的童稚之氣惹人憐愛，但是對於觀眾而言，他們大 概只能化約為某種幼兒的集體意象。面對這群陌生的 小人物，我意識到羅喬綾真的有一種媽媽的能力，可 以變出小孩子。這些面目相似的小朋友們，就是她所 繁衍的大家族。媽媽總是沉迷於孩子的照片堆，所有 的可愛可以細緻區分為各種差異（對別人來說可能無 感），而這些照片或者圖像鑲進了情感的經驗，對於 繪畫者而言，他們或許更像是家人一樣的角色。
識，但確實有說不上來的差異感。如果要進一步認識 他們，首先必須放棄某種集體性的、普遍性的形容或 描述，例如「小孩畫像」或者「可愛」。我們必須個 別和他們建立一對一的關係。在這些擁有「家族相似」 面貌的臉孔上，投射了羅喬綾對於人性的各種細微觀 察，在這樣的表達方式裡，也透露了她所認同的所謂 人的價值。畫裡的孩子們一如他們所表現的那樣簡 單，我們只得專注地凝視，在這樣靜默的相對裡意識 到自己的存在，而畫中的人物總以一種意味不明的眼 光回敬我們的打量。
羅喬綾的繪畫除了大量的肖像之外，還有部分以家或 者孩童式想像世界為題的描繪。在單薄卻多重疊合的 顏料層次裡，筆觸輕快地刷過，有的時候在畫中會有 宛如塗鴉一般纖細的痕跡，穿越顏料朦朧地映在畫面 表層，看起來輕盈而單純，呼應了其他肖像創作裡孩 子無邪的臉龐。做為一位母親，羅喬綾用全然理解而 放心的自由和愛陪伴孩子成長，而自己在親職的實踐 中好像又再長大了一次。
當我和羅喬綾聊到「長大」究竟是什麼？她說：「長 大需要很多必備條件，首先就是獲得勇氣。」或許每 一個小孩本來就有無可匹敵的勇氣，只是不能失去這 樣的勇氣才能夠一直保有自己。而這一次「理想的生 活」為名的展覽，我想羅喬綾展現的並非她自己心中 什麼理想的生活，而是她所認為的，支撐所有理想生 活成為可能的，最重要的初心。
我反覆看著這系列孩童的肖像，一個一個靜靜地和他 們對視。在佔滿了畫面的頭像裡，除了那張臉之外， 沒有其他方法認識他們。在這世上，每一個人都是獨 特的存在，而羅喬綾在非常有限的規則裡試著一一 給予他們各自不同的面貌和內在，乍看之下不容易辨
關於這世上所有的打量和判斷，我想只有小小孩是真 正不在乎或者無畏的。
1. 大江健三郎，《為什麼孩子要上學》，陳保朱譯。 台北：時報文化出版，2006，頁 40。 2. 同前註，頁 200。 3. 筆者訪談羅喬綾，2018 年 6 月 3 日。以下引用皆同。
不能失去的勇氣——羅喬綾「理想的生活」
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理想的生活
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The Courage One Cannot Live Without – LO Chiao-Ling - Ideal Life ☆ by
CHANG Ching-Wen Assistant Professor at Department of Arts and Design, National Tsing Hua University
Ōe Kenzaburō has once mentioned a personal story in his Under the “Tree of Mine,” a book I have been reading again recently, about the questions he used to receive from teenagers. The most frequently asked one was: “when you were a child, what kind of person you wanted to be when you grew up?” When Ōe Kenzaburō was still a child, he did not imagine his future occupation but expect himself to become someone with great manner and personality. “At that time, a figure surfaced in mind as a clear image, and I was thinking when I grew up – no, starting from now – I wanted to be a man of courage like him,” says the great writer. 1 In this book written for teens, Ōe Kenzaburō shares his life experiences and thoughts with care and tenderness, and extends his ideas to cover philosophy of life, wars, habits, and learning. He repetitively returns to his childhood and adolescence to capture his younger self, the young man imagining the future, and the man in the present, creating dialogues among those “selves” and superimposing the identities throughout the passage of time at the initiation of every discussion, through which he not only challenges but also inspires his young readers (or the aged readers who used to be young) in the profoundest way. The book ends with the chapter “Please Wait for Another While,” in which the author in his late fifties believes that if one day he met his much younger self, he would have probably told him: “when you grow up, you have to hold fast to what you believe now!” “The person who you are now will thus go on living in your adult body when you grow up.” 2
I am not sure whether Lo Chiao-Ling had ever imagined meeting her future self when she was a kid, but I think the child, the much younger Lo, is still holding office like a director in her mind to decide what she is now. The paintings created by Lo during the past few years are closely related to her life. For her, kids and family are her ordinary life. Many of her paintings are portraits of children painted with a sense of lightness and sobriety. These children have different looks, but they share similar faces, facial features, and even dresses. They have identical expressions, or to be more concrete, dispositions, as if they belonged to a mega family. Seeing the portraits displayed in the exhibition space, or examining the digital images in thumbnails like me writing this article, we may easily discover a strong sense of consistency in these standardized images in terms of form and similarity in styles. When the paintings to be viewed are temporarily removed from their titles, they have lost their names for a while and their appearance becomes the only identification. As we repetitively scroll up and down, it evokes a familiar contemporary visual experience – a reminiscence of one’s “friend list” on social media. In fact, the display of the user’s interpersonal network has a more classical version, yearbook. No matter it is a friend list or a yearbook, both are imagebased techniques to signify social relations or emotional networks. As for the portrait series by Lo, what they demonstrate not just the interindividual relations but also how they become an entity to represent “the figures created by
The Courage One Cannot Live Without – LO Chiao-Ling - Ideal Life
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Lo,” in other words, the connection between the creations and the creator, and it is the latter what attracts us more. Most of the portraits are fictional. From her early works to the recent ones, Lo has always based her paintings on merely imagination, only with a few exceptions where Lo’s friends serve as her models. She has once talked about the origin of the figures: “the portraits are created as I have the persons I once met or the persons I know in my mind, or in other cases, I am painting without limiting myself, so sometimes the people in my paintings unintentionally look like the people I know in real life, and I will name them accordingly or put some words in their mouths.”3 The people from her real life are given new looks and lives on her canvas. In the portraits featuring emotionless children with small but bright eyes, it is extremely difficult to identify their personalities. Their childhood innocence triggers our affection and compassion, but for viewers, they are generalized into a collective infantlike image. In front of these strange little humans, I come to realize that Lo has a mother’s ability to have children materialize from nowhere. These children with similar faces belong to the mega-family she reproduces. A mother has always been obsessed with children’s pictures, and she can clearly differentiate the degrees of their adorableness (which others may feel indifferent to) with great subtlety. Embedded with such emotional experiences, the pictures or images become something more like family members for the painter. Lo’s paintings are not limited to portraits but also subjects related to home or childlike fantasy. Her brush caresses the
thin but yet multi-layered paint, fast and softly, occasionally creating delicate traces like doodling which penetrates the paint and is thus vaguely reflected on the surface of the image. Through its lightness and purity, it echoes the innocent faces in other portrait paintings. As a mother, Lo accompanies her children with absolute understanding as well as the freedom and love untainted by any anxiety, while in her motherhood she also grows up again with them. I look at these children portraits again and again, quietly looking into their eyes one by one. Their faces almost occupy the whole images, and it is only through these faces that we get to know them. In the world we are living in, everyone is a unique existence, and Lo – in spite of the regulations confining the artist – gives them different appearances and personalities. It may be impossible for you to distinguish one from another at the first glance, but the difference is there for you to feel rather than to identify. If you want to know them better, you have to give up some collective or generalized depiction such as “children portrait” or “cuteness.” It is more than necessary for us to establish one-to-one relationship with them. These faces with identical familial characteristics reflect Lo’s meticulous observation on human nature, and the artistic expression also reveals what she believes to be the values of humanity. The children in the paintings are as simple as they appear to be, and we can only gaze into them attentively. In the quietness between us, we are aware of our own existence, and the characters in the painting always return our stare of assessment with an ambiguous gaze.
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When it comes to all the assessment and judgement in the world, I think young kids are the only fearless and unaffected ones. When Lo and I talked about what “growing up” really meant, she said “to grow up requires a lot of conditions, and the first is to acquire courage.” Perhaps every child carries an unparalleled courage with them, and they keep their original self within out of the desire that they do not want to lose such a courage. Under the exhibition title Ideal Life, I think what Lo demonstrates is not her ideal life, but what she believes to be the most essential, where one begins with, which makes the ideal life possible.
1. Ōe Kenzaburō, Under the “Tree of Mine,” trans. Chen Pao - Chu ( Taipei : China Times Publishing Co., 2006) 40. The English translation is translated from the Chinese version. 2. Ibid., 200. 3. Quoted from my interview with Lo Chiao- Ling on June 3, 2018. The rest of the conversions mentioned in this article are all quoted from the same interview.
The Courage One Cannot Live Without – LO Chiao-Ling - Ideal Life
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理想的生活 ♡文
羅喬綾
當自己的瑪利歐與公主 請得到相信自己的勇氣。再往前走一點就會有金幣，無敵星星也會來幫助你，還有蘑 菇會讓你長大。你想得到的是別人無法給予的東西，必須自己去發掘。就像在打電動 一樣，過了這一關，才能到達下一關。人生充滿了很多的關卡，有時可以慢慢走看看 風景，有時需要快速衝衝衝過關。幸運時還會得到 1UP 的蘑菇。碧姬公主永遠都會有 瑪莉歐去解救她，希望我們可以同時擁有瑪利歐的勇氣與碧姬公主的相信，然後替自 己解決危機。如果你也還記得，也還相信你心裡的童話故事，可以任意地回到小時候 的你，那個閃閃發光的時候。遇到困難時就會遇到灰姑娘裡的神仙教母，賜給你充滿 閃閃粉亮晶晶的魔法。太棒了！就像是重獲「新生」一樣，像個小一新生，穿著新的 制服，一切都是充滿新的味道、新的空氣、新的希望。一起不受打擾地幻想吧！沉浸 在自己的小小世界一下下吧！看看望遠鏡裡的美麗小鳥；潛入海底發現的美人魚與奇 妙生物，原來我們都還共同地生存在這個世界呀！接著喝看看愛麗絲的神奇飲料吧！ 變小！這樣就什麼都有可能發生了吧！？也或者什麼都沒有發生，一切就看自己怎麼 決定。如果你發現了像寶石一樣的愛，請記得要好好的照顧與珍藏，因為這個世界不 會再出現第二顆一模一樣的了！是由你而出發的世界，可以決定觀看的樣子、觀看的 理想及觀看的可能。
觀看的理想 理想的樣子因人而異，在這裡我想說的是一種觀看的樣子與被觀看的樣子。作品《看 著妳》是我少數未出現正面臉的作品。背影、側臉、臉的弧度、頭髮的肌理所帶給我 的瀰漫浸漬感還有讓人感到一種安全的觀看距離。她看不到我的表情，我也看不到她 的表情，我們擁有一樣距離的想像空間。有時我們深陷其中卻看不清楚樣貌，必須適 當地保持一定距離的觀察、觀看與想像。也因為看不清楚而有時讓人感到美好。這個 想像空間可以是自由且自在的，隨時可以抽離也可以進入那裡（畫裡）的空間，它只 是提供了某種觀看的樣子；有時溫暖潔淨，有時安靜不語。
彩虹與房子還有小鳥 回應自己的題目「理想的生活」，在空間裡製造另一個觀看的空間。在那裡（畫裡） 是理想的，或者說是心理空間的理想。在此凝結成了瞬間的永恆，也是存在於心理空 間的永恆，是具有真實情感的保存方法。保存下來的，留在畫面上的，就成為了被觀 看的風景。對照自心，便得到了自我確認後的勇氣。儘管只是小小的、一點點的心理 互動。孤單的、寂靜的、充滿陽光的、下雨的……都是留在心裡的寶物，不曾離去。 彩虹裡的光亮、家的美好、發掘虛構的小鳥……等等，都成為了理想的真實，對於之 前與之後所發生的事，有著各種的可能，像是不會結束的故事般，會一直持續地進行 著。就像是讓大人們蹲下來看看的小孩世界，微觀的、巨大的、想像的、可愛的、悲 傷的、害怕的……等等，是以片段知識與故事建構的新世界；就像一本故事書，跳耀 的說著關於小鳥與家的故事。有時讓它帶領著你，發掘你的新世界。「小鳥，你知道 我的家在哪裡嗎？」
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Be Your Own Mario and Your Own Princess Please believe in yourself. Walk a little further and you will find a gold coin, super stars will also help you, and mushrooms will make you grow bigger. The things you want, others cannot give you, therefore you must go find them yourself. When you are playing video game, you have to finish one level to go the next one, life is also full of many levels: sometimes you can walk slowly and enjoy the scenery, and there are times when you have to be quick to cross the border. If you are lucky, you can get 1-UP mushroom. Mario is always there to rescue Princess Peach. I hope each of us can have the courage of Mario and the faith of Princess Peach to solve the crisis ourselves. If you remember and still believe in the fairytales, you can go back to your childhood, to that dazzling moment of time. When encountering difficulties, you might meet with the fairy godmother of Cinderella who will enchant you with sparkling and glittering magic. So great! It is like being a “freshman” again, like a little freshman wearing a new uniform, when everything is filled with newness, new air, and new expectations. Let’s not take in the disturbing fantasy. Let’s stay quiet and calm in our little world! Let’s look at that beautiful little bird through a telescope, dive into deep waters to discover mermaids and beautiful creatures. Afterwards, we all live together in this world! Try Alice’s magical drink! Shrink! Now everything is possible!? Or maybe nothing happened? Everything depends on your choices and decisions. If you find the jewel-like love, please remember to take a good care of it, because this world is unique and will not be exactly the same next time! You are the reason why the world exists; you can decide what kind of things you want to see, how you want to see them, and what are your ideals.
Ideal Life ♡ by
LO Chiao-Ling
Looking at the Ideal The understanding of ideal varies to different people. What I want to say is that there is the way of looking at things and the way of being looked at. The work titled Looking at You is one of a few pieces where the pictured figure is not facing the viewer. The background, the face side view, the curves of the face, and the textured hair, all provide me with introverted feeling and suggests a safe viewing distance for the audience. She cannot see my face, and I cannot see hers, there is the same amount of space for both of us to imagine things. Sometimes we set our eyes on the things, but we cannot see them clearly; therefore, we must maintain a certain distance for observation, looking, and imagination. Also, although sometimes people cannot see clearly, yet they can feel the beauty. This space for imagination is unrestrained, and you may even leave the space (the painting) and come back to it at any time. It only suggests some kind of way of looking: sometimes tender and neat, sometimes tranquil.
A Rainbow, a House, and a Bird Regarding the title “Ideal Life,” it refers to creating a space for looking in an already existing space. What we see in the space (the painting) is ideal or, in other words, is the ideal of mental space. Here, everything transforms into the eternity of moment and exists in the eternity of mental space. Here, all true feelings and emotions are preserved and pictured on canvas, thus becoming the scenery to be looked at. Through self-observation and self-acknowledgment, I gained courage. It is only a minor mental interaction. Lonely, silent, sunshiny, and rainy, these are the treasures that will remain forever in the heart. The light in a rainbow, the beauty of a family, and the discovery of a fictional small bird have become the ideal reality. There are various possibilities for what happened before and after, same as in the never-ending story which is meant to continue forever. It is like the world of little kids who know how to make the adults squat down. Microscopic, huge, imaginary, cute, sad, and scared is a new world constructed of fragments of knowledge and stories. It is like a storybook with stories about birds and home sometimes guiding you to discover a new world. “A little bird, do you know where my home is?”
Ideal Life
23
Ideal Life
25
作品
Works
27
→ 花朵與葉子
Flowers and Leaves
壓克力、畫布 Acrylic on canvas ｜ 130 × 194 cm ｜ 2017
29
→ 海底世界
Under the Sea
壓克力、麻布 Acrylic on linen ｜ 130 × 162 cm ｜ 2017
31
望遠鏡裡有一隻小鳥， 她覺得很漂亮。
→ There is a Bird in the Telescope, She Feels It's Very Beautiful.
壓克力、麻布 Acrylic on linen ｜ 130 × 162 cm ｜ 2017
35
吃棉花糖 → Eating Cotton Candy
壓克力、麻布 Acrylic on linen | 140 × 143 cm | 2018
→ 看著妳
Looking at You
壓克力、麻布 Acrylic on linen ｜ 140 × 143 cm ｜ 2017
39
→
吃棉花糖
Eating Cotton Candy
壓克力、麻布 Acrylic on linen ｜ 140 × 143 cm ｜ 2017
41
家－ 1
家－ 2
Home – 1
Home – 2
壓克力、麻布 Acrylic on linen ｜ 20 × 20 cm ｜ 2018
壓克力、麻布 Acrylic on linen ｜ 20 × 20 cm ｜ 2018
有泥土的家 A House with Mud 壓克力、麻布 Acrylic on linen ｜ 20 × 20 cm ｜ 2018
43
→ 睡著了
Napping
壓克力、麻布 Acrylic on linen ｜ 140 × 143 cm ｜ 2017
紫色氣球
Purple Balloons
→
壓克力、麻布 Acrylic on linen ｜ 140 × 143 cm ｜ 2017
47
→
A Rainbow Pony
彩虹小馬
壓克力、麻布 Acrylic on linen ｜ 140 × 143 cm ｜ 2017
49
吃棉花糖 → Eating Cotton Candy
壓克力、麻布 Acrylic on linen | 140 × 143 cm | 2018
→
回到你溫暖的被窩
Back to Your Warm Blanket
壓克力、麻布 Acrylic on linen ｜ 140 × 143 cm ｜ 2017
53
→
A Blanket
毯子
壓克力、麻布 Acrylic on linen ｜ 140 × 143 cm ｜ 2018
55
小超人
→ A Little Superman
壓克力、麻布 Acrylic on linen ｜ 140 × 143 cm ｜ 2018
57
對看（左） Gazing at Each Other (Left) → 壓克力、麻布 Acrylic on linen ｜ 30 × 30 cm ｜ 2018
對看（右） Gazing at Each Other (Right)
→
壓克力、麻布 Acrylic on linen ｜ 30 × 30 cm ｜ 2018
59
→
♡
像寶石一樣的愛
Love is Like a Gems
壓克力、麻布 Acrylic on linen ｜ 140 × 143 cm ｜ 2018
61
Fairy Godmother →
☆
神仙教母
壓克力、麻布 Acrylic on linen ｜ 140 × 143 cm ｜ 2018
65
愛麗絲變小吧
→ Drink Me, Alice
♤
壓克力、麻布 Acrylic on linen ｜ 140 × 143 cm ｜ 2018
67
瑪利歐 → Mario
壓克力、麻布 Acrylic on linen ｜ 140 × 143 cm ｜ 2018
Princess Peach
→
壓克力、麻布 Acrylic on linen ｜ 140 × 143 cm ｜ 2018
碧姬公主 69
要當媽媽了 Become a Mom
草莓口味 Strawberry Flavor
壓克力、麻布 Acrylic on linen ｜ 20 × 20 cm ｜ 2018
壓克力、麻布 Acrylic on linen ｜ 20 × 20 cm ｜ 2018
有點濃 A Little Strong
開花了 Blooming
壓克力、麻布 Acrylic on linen ｜ 20 × 20 cm ｜ 2018
壓克力、麻布 Acrylic on linen ｜ 20 × 20 cm ｜ 2018
Shiu Shiu
→
壓克力、麻布 Acrylic on linen ｜ 20 × 20 cm ｜ 2018
惜惜
大戴 Tai
小俞 Yu
壓克力、麻布 Acrylic on linen ｜ 20 × 20 cm ｜ 2018
壓克力、麻布 Acrylic on linen ｜ 20 × 20 cm ｜ 2018
小音 Yin
小海 Sea
壓克力、麻布 Acrylic on linen ｜ 20 × 20 cm ｜ 2018
壓克力、麻布 Acrylic on linen ｜ 20 × 20 cm ｜ 2018
我想要回家了 I Want to Go Home
小得意 Little Proud
壓克力、麻布 Acrylic on linen ｜ 20 × 20 cm ｜ 2018
壓克力、麻布 Acrylic on linen ｜ 20 × 20 cm ｜ 2018
小遲 Chi
小R Ryder
壓克力、麻布 Acrylic on linen ｜ 20 × 20 cm ｜ 2018
壓克力、麻布 Acrylic on linen ｜ 20 × 20 cm ｜ 2018
73
想吃冰淇淋 → I Want to Eat Ice Cream
壓克力、麻布 Acrylic on linen ｜ 20 × 20 cm ｜ 2018
你今天會來玩嗎？ Will You Come to Play Today?
想吃巧克力口味 I Want to Eat Chocolate Flavor
壓克力、麻布 Acrylic on linen ｜ 20 × 20 cm ｜ 2018
壓克力、麻布 Acrylic on linen ｜ 20 × 20 cm ｜ 2018
我還想要玩 I Still Want to Play
沒戴眼鏡的時候 Without Wearing Glasses
壓克力、麻布 Acrylic on linen ｜ 20 × 20 cm ｜ 2018
壓克力、麻布 Acrylic on linen ｜ 20 × 20 cm ｜ 2018
75
安靜一下 Silence
有一點想睡 Feeling a Bit Sleepy
壓克力、麻布 Acrylic on linen ｜ 20 × 20 cm ｜ 2018
壓克力、麻布 Acrylic on linen ｜ 20 × 20 cm ｜ 2018
Blueberry Flavor
→
壓克力、麻布 Acrylic on linen ｜ 20 × 20 cm ｜ 2018
藍莓口味
有點懂了 I Know a Little
懵懂 I am Trying to Know
壓克力、麻布 Acrylic on linen ｜ 20 × 20 cm ｜ 2018
壓克力、麻布 Acrylic on linen ｜ 20 × 20 cm ｜ 2018
漢娜 Hannah
上體育課 Ready for Sports Class
壓克力、麻布 Acrylic on linen ｜ 20 × 20 cm ｜ 2018
壓克力、畫布 Acrylic on canvas ｜ 40 × 40 cm ｜ 2013
小馬 Pony
躲 在棉被裡 Hiding in the Quilt
壓克力、麻布 Acr ylic on linen ｜ 20 × 20 cm ｜ 2018
壓克力、畫布 Acrylic on canvas ｜ 60 × 68 cm ｜ 2013
79
你睡著了嗎？ Are You Sleeping ? 壓克力、畫布 Acrylic on canvas ｜ 80 × 100 cm ｜ 2013
小熊 Little Bear
洗好澡了 After a Bath
壓克力、畫布 Acrylic on canvas ｜ 20 × 20 cm ｜ 2013
壓克力、畫布 Acrylic on canvas ｜ 60 × 60 cm ｜ 2013
81
毛線衣 Sweater 壓克力、畫布 Acrylic on canvas ｜ 110 × 120 cm ｜ 2013
穿媽媽的衣服 Trying on Mother’s Clothes 壓克力、畫布 Acrylic on canvas ｜ 110 × 120 cm ｜ 2013
83
巧克力冰淇淋 Chocolate Ice cream 壓克力、畫布 Acrylic on canvas ｜ 100 × 100 cm ｜ 2009
小女孩 A Little Girl 壓克力、畫布 Acrylic on canvas ｜ 160 × 180 cm ｜ 2012
85
剪刀石頭布－布 Rock Paper Scissors – Paper 壓克力、畫布 Acrylic on canvas ｜ 120 × 120 cm ｜ 2012
森林裡的小精靈 Forest Elf 壓克力、畫布 Acrylic on canvas ｜ 100 × 100 cm ｜ 2013
87
吐煙 Exhale 壓克力、畫布 Acrylic on canvas ｜ 100 × 100 cm ｜ 2013
上學 Go to School 壓克力、畫布 Acrylic on canvas ｜ 150 × 150 cm ｜ 2013
89
美人魚 Mermaid 壓克力、畫布 Acrylic on canvas ｜ 110 × 120 cm ｜ 2013
爸爸是全宇宙 Dad Is the Whole Universe 壓克力、畫布 Acrylic on canvas ｜ 110 × 120 cm ｜ 2014
91
小兔 Bunny 壓克力、畫布 Acrylic on canvas ｜ 100 × 100 cm ｜ 2013
喜歡長頸鹿 I Like Giraffes 壓克力、畫布 Acrylic on canvas ｜ 100 × 100 cm ｜ 2014
93
抱抱 A Hug 壓克力、畫布 Acrylic on canvas ｜ 91 × 117 cm ｜ 2013
交換小秘密 Exchange Little Secret 壓克力、畫布 Acrylic on canvas ｜ 120 × 110 cm ｜ 2013
95
小華麗 Little Gorgeous 壓克力、畫布 Acrylic on canvas ｜ 100 × 100 cm ｜ 2013
簡歷
Biography
羅喬綾 LO Chiao-Ling 1981年 出生於台北 BORN IN TAIPEI
2009 年畢業於國立台北藝術大學美術學系碩士，主修 複合媒體。創作靈感主要以自身的童年記憶、家庭和 日常生活為主。藉由描繪小孩的形象來捕捉每個人都 可能擁有過的純真面貌和真誠，透過創作重現記憶中 的美好與溫暖，並反思自身與社會環境的關聯。羅喬 綾曾參與國際性聯展，如 2007 年法國「MIDEM 坎 城唱片展」、2012 年韓國光洲「International Women Arts Exhibition Lights of Women」以及 2013 香港「Asia Hotel Art Fair Hong Kong 2013。2008 作品《混著泥 土草香的地方》及 2010 作品《小學生》獲國立台灣 美術館典藏。
Lo Chiao-Ling received her Master’s Degree in Fine Arts from the Taipei National University of the Arts in 2009. Childhood memories and the people she had contact with in her life are inspiration for her artworks. By depicting the image of the child, she aims to capture the innocence and sincerity that everybody has owned once. By the way of creating these works, she represents the glorious and warm feelings from her memories and reflects on the connection between self and social environment. Lo Chiao-Ling has attended international exhibitions, including “MIDEM – The World's Music Market” in Cannes, France, in 2007 and “Asia Hotel Art Fair Hong Kong 2013” in Hong Kong. Her works Students (2010) and Play with Me (2008) have been collected by the National Taiwan Museum of Fine Arts.
Biography ｜ 簡 歷
99
學 歷
2009 國立台北藝術大學美術系創作複合媒體組碩士，台北，台灣 2005 國立台北藝術大學美術系油畫創作組學士，台北，台灣
個 展
2018「羅喬綾個展－理想的生活」，尊彩藝術中心，台北，台灣 2016「羅喬綾個展－走路會到的地方」，尊彩藝術中心，台北， 台灣
2013「閃閃發光的時候」，科元藝術中心，台中；襲園美術館， 桃園，台灣 「微涼暖風」，Woow&Co，台北，台灣 2012「心裡的小星星」，科元藝術中心，台中，台灣 2011「如果你也還記得」，亞帝畫廊，台南，台灣 2009「片段與空缺的幻見」，田園城市，台北，台灣 「捉迷藏」，非常廟藝文空間，台北，台灣 2005「我的球勒？」，國立台北藝術大學，台北，台灣
聯 展
2018「交換日記－羅喬綾 × 游雅蘭雙人聯展」，堅山謙仰，高雄， 台灣 「閱讀藝術 III －春祭聯展」，尊彩藝術中心，台北，台灣 2017「2017 福爾摩沙藝術博覽會」，松山文化創意園區、誠品行 旅，台北，台灣 2016「親親 我的愛－藝術家聯展」，尊彩藝術中心，台北，台灣 2015「2015 高雄藝術博覽會」，城市商旅，高雄，台灣 「閱讀藝術 II －夏祭聯展」，尊彩藝術中心，台北，台灣 「2015 台南藝術博覽會」，台南大億麗緻酒店，台南，台灣 「很久很久以前 ...」，駁二藝術特區，高雄，台灣 2014「2014 台北當代國際藝術博覽會」，晶華酒店，台北，台灣 「2014 台南藝術博覽會」，台南大億麗緻酒店，台南，台 「親親我的寶貝－愛的禮物藝術創作義賣活動」，尊彩藝術 中心，台北，台灣 2013「Affordable Art Fair Singapore」，新加坡
「如影形隨」，尊彩藝術中心，台北，台灣 「2013 高雄藝術博覽會」，高雄翰品酒店，高雄，台灣 「標新 立意－館藏青年藝術家作品展」，國立台灣美術館， 台中，台灣 「繁星閃閃－代理藝術家聯展」，尊彩藝術中心，台北，台灣 「閱讀藝術」，尊彩藝術中心，台北，台灣 「Asia Hotel Art Fair Hong Kong 2013」，香港，中國 「小人風景」，台北，台灣 2012「International Women Arts Exhibition Lights of Women」，光州， 韓國 「微微」，Woow&Co，台北，台灣 「2012 台北當代國際藝術博覽會」，台北，台灣 「T-Art」，台中，台灣 2011「2011 台北當代國際藝術博覽會」，台北，台灣 「青春嶺」，科元藝術中心，台中，台灣 「T-Art」，台中，台灣 「菁典當代」，當代一畫廊，台北，台灣 2010「後青春」，國立台灣美術館，台中；關渡美術館，台北， 台灣 「春光乍現當代起義」，亞帝畫廊，台南，台灣 「人造人」，當代一畫廊，台北，台灣 「Photo Taipei 2010」，台北，台灣 2009「城市遊牧影展」，台北，台灣 「Geisai Taiwan」，台北，台灣 「Photo Taipei 2009」，台北，台灣 2008「ASYAAF」，韓國、台灣 2007「MIDEM 坎城唱片展」，坎城，法國 「張心龍創作獎」，國立台北藝術大學，台北，台灣 「台北福岡」，關渡美術館，台北，台灣 2006「腦天氣影音藝術祭」，誠品書店，台北，台灣 「CO6 台灣前衛文件展」，國立台灣美術館，台中，台灣
典 藏
2010《小學生》，國立台灣美術館，台中，台灣 2008《混著泥土草香的地方》，國立台灣美術館，台中，台灣
EDUCATION 2009 MFA, Department of Fine Arts, Taipei National University of the Arts, Taipei, Taiwan 2007 BFA, Department of Fine Arts, Taipei National University of the Arts, Taipei, Taiwan
SOLO EXHIBITIONS 2018 “Lo Chiao-Ling Solo Exhibition – Ideal Life”, Liang Gallery, Taipei, Taiwan 2016 “Lo Chiao-Ling Solo Exhibition – A Place We Walk to”, Liang Gallery, Taipei, Taiwan 2013 “The Starry Moment”, Ke-Yuan Gallery, Taichung, Xi Yuan Art Gallery, Taoyuan, Taiwan “Refreshing Breeze”, Woow&Co, Taipei, Taiwan 2012 “The Little Stars in My Heart”, Ke-Yuan Gallery, Taichung, Taiwan 2011 “If You Still Remember”, Ya Di Gallery, Tainan, Taiwan 2009 “Lost Things”, Garden City, Taipei, Taiwan “Hide and Seek”, VT Artsalon, Taipei, Taiwan 2005 “Where Is My Ball?”, Taipei National University of the Arts, Taipei, Taiwan
GROUP EXHIBITIONS 2018 “Exchange Diary –LO Chiao-Ling and YU Ya-Lan Group Exhibition”, The Upperhome, Kaohsiung, Taiwan “Art in the Library III – Spring Festival Exhibition”, Liang Gallery, Taipei, Taiwan 2017 “ArtFormosa 2017”, Songshan Cultural and Creative Park, eslite hotel, Taipei, Taiwan 2016 “Dear Dear – Group Exhibition”, Liang Gallery, Taipei, Taiwan 2015 “Art Kaohsiung 2015”, City Suites, Kaohsiung, Taiwan “Art in the Library II – Summer Festival Exhibition”, Liang Gallery, Taipei, Taiwan “Art Tainan 2015”, Tayih Landis Hotel, Tainan, Taiwan “Long Long Time Ago... ”, The Pier-2 Art Center, Kaohsiung, Taiwan 2014 “Young Art Taipei 2014”, Regent Taipei, Taipei, Taiwan “Art Tainan 2014”, Tayih Landis Hotel, Tainan, Taiwan “Kiss Kiss My Baby Charity Event”, Liang Gallery, Taipei, Taiwan
2013 “Affordable Art Fair Singapore”, Singapore “The Following Shadow”, Liang Gallery, Taipei, Taiwan “Art Kaohsiung 2013”, Chateau de Chine, Kaohsiung, Taiwan “Innovation & Re-creation”, National Taiwan Museum of Fine Arts, Taichung, Taiwan “Beautiful Starry Night Sky”, Liang Gallery, Taipei, Taiwan “Art in the Library”, Liang Gallery, Taipei, Taiwan “Asia Hotel Art Fair Hong Kong 2013”, Hong Kong, China “Little Man with a View”, Taipei, Taiwan 2012 “International Women Arts Exhibition Lights of Women”, Gwangju, Korea “Way Way”, Woow&Co, Taipei, Taiwan “Young Art Taipei 2012”, Taipei, Taiwan “T-Art”, Taichung, Taiwan 2011 “Young Art Taipei 2011”, Taipei, Taiwan “Youth Hill”, Ke-Yuan Gallery, Taichung, Taiwan “T-Art”, Taichung, Taiwan “Classic”, A Gallery, Taipei, Taiwan 2010 “Post-Adolescence”, National Taiwan Museum of Fine Arts, Taichung, Taiwan “Happy Together”, Ya Di Gallery, Tainan, Taiwan “Homunculus”, A Gallery, Taipei, Taiwan “Photo Taipei 2010”, Taipei, Taiwan 2009 “Urban Nomad Film Fest 2009”, Taipei, Taiwan “Geisai Taiwan”, Taipei, Taiwan “Photo Taipei 2009”, Taipei, Taiwan 2008 “ASYAAF”, Korea, Taiwan 2007 “MIDEM – The World's Music Market”, Cannes, France “Chang Hsin Long Creation Award”, Taipei National University of the Arts, Taipei, Taiwan “Taipei – Fukuoka Interchanging Art Exhibition”, Kuandu Museum of Fine Arts, Taipei, Taiwan 2006 “Weather in My Brain”, Eslite Bookstore, Taipei, Taiwan “CO6”, National Taiwan Museum of Fine Arts, Taichung, Taiwan
COLLECTIONS 2010 Students, National Taiwan Museum of Fine Arts, Taichung, Taiwan 2008 Play with Me, National Taiwan Museum of Fine Arts, Taichung, Taiwan
Biography ｜ 簡 歷
101
圖錄
Catalog
27
39
43
花朵與葉子
29
海底世界
33
Flowers and Leaves
Under the Sea
壓克力、畫布
130 × 194 cm
壓克力、麻布
130 × 162 cm
Acrylic on canvas
2017
Acrylic on linen
2017
吃棉花糖
40
家－ 1
望遠鏡裡有一隻小鳥， 她覺得很漂亮。
37
Looking at You
There is a Bird in the Telescope, She Feels It's Very Beautiful.
40
壓克力、麻布
130 × 162 cm
Acrylic on linen
2017
家－ 2
看著妳
41
140 × 143 cm
Acrylic on linen
2017
有泥土的家
Eating Cotton Candy
Home – 1
壓克力、麻布
140 × 143 cm
壓克力、麻布
20 × 20 cm
壓克力、麻布
20 × 20 cm
壓克力、麻布
20 × 20 cm
Acrylic on linen
2017
Acrylic on linen
2018
Acrylic on linen
2018
Acrylic on linen
2018
睡著了
45
Napping
Home – 2
壓克力、麻布
紫色氣球
47
A House with Mud
彩虹小馬
51
回到你溫暖的被窩
Purple Balloons
A Rainbow Pony
Back to Your Warm Blanket
壓克力、麻布
140 × 143 cm
壓克力、麻布
140 × 143 cm
壓克力、麻布
140 × 143 cm
壓克力、麻布
140 × 143 cm
Acrylic on linen
2017
Acrylic on linen
2017
Acrylic on linen
2017
Acrylic on linen
2017
53
毯子
55
A Blanket
59
67
小超人
56
對看（左）
57
A Little Superman
Gazing at Each Other (Left)
對看（右） Gazing at Each Other (Right)
壓克力、麻布
140 × 143 cm
壓克力、麻布
140 × 143 cm
壓克力、麻布
30 × 30 cm
壓克力、麻布
30 × 30 cm
Acrylic on linen
2018
Acrylic on linen
2018
Acrylic on linen
2018
Acrylic on linen
2018
像寶石一樣的愛
63
神仙教母
65
愛麗絲變小吧
66
瑪利歐
Love is Like a Gems
Fairy Godmother
Drink Me, Alice
壓克力、麻布
140 × 143 cm
壓克力、麻布
140 × 143 cm
壓克力、麻布
140 × 143 cm
壓克力、麻布
140 × 143 cm
Acrylic on linen
2018
Acrylic on linen
2018
Acrylic on linen
2018
Acrylic on linen
2018
碧姬公主
68
要當媽媽了
68
草莓口味
Mario
68
有點濃
Princess Peach
Become a Mom
Strawberry Flavor
A Little Strong
壓克力、麻布
140 × 143 cm
壓克力、麻布
20 × 20 cm
壓克力、麻布
20 × 20 cm
壓克力、麻布
20 × 20 cm
Acrylic on linen
2018
Acrylic on linen
2018
Acrylic on linen
2018
Acrylic on linen
2018
Catalog ｜ 圖錄
105
68
開花了
69
Blooming
70
70
Shiu Shiu
大戴
70
Tai
小俞 Yu
壓克力、麻布
20 × 20 cm
壓克力、麻布
20 × 20 cm
壓克力、麻布
20 × 20 cm
壓克力、麻布
20 × 20 cm
Acrylic on linen
2018
Acrylic on linen
2018
Acrylic on linen
2018
Acrylic on linen
2018
小音
70
Yin
71
惜惜
小海
71
Sea
我想要回家了
71
小得意
I Want to Go Home
Little Proud
壓克力、麻布
20 × 20 cm
壓克力、麻布
20 × 20 cm
壓克力、麻布
20 × 20 cm
壓克力、麻布
20 × 20 cm
Acrylic on linen
2018
Acrylic on linen
2018
Acrylic on linen
2018
Acrylic on linen
2018
小遲
71
Chi
小R
72
Ryder
想吃冰淇淋
73
你今天會來玩嗎？
I Want to Eat Ice Cream
Will You Come to Play Today?
壓克力、麻布
20 × 20 cm
壓克力、麻布
20 × 20 cm
壓克力、麻布
20 × 20 cm
壓克力、麻布
20 × 20 cm
Acrylic on linen
2018
Acrylic on linen
2018
Acrylic on linen
2018
Acrylic on linen
2018
73
74
76
想吃巧克力口味
73
我還想要玩
73
沒戴眼鏡的時候
74
安靜一下
I Want to Eat Chocolate Flavor
I Still Want to Play
Without Wearing Glasses
Silence
壓克力、麻布
20 × 20 cm
壓克力、麻布
20 × 20 cm
壓克力、麻布
20 × 20 cm
壓克力、麻布
20 × 20 cm
Acrylic on linen
2018
Acrylic on linen
2018
Acrylic on linen
2018
Acrylic on linen
2018
75
有一點想睡
藍莓口味
76
有點懂了
76
懵懂
Feeling a Bit Sleepy
Blueberry Flavor
I Know a Little
壓克力、麻布
20 × 20 cm
壓克力、麻布
20 × 20 cm
壓克力、麻布
20 × 20 cm
壓克力、麻布
20 × 20 cm
Acrylic on linen
2018
Acrylic on linen
2018
Acrylic on linen
2018
Acrylic on linen
2018
漢娜
76
Hannah
上體育課
77
I am Trying to Know
小馬
Ready for Sports Class
Pony
77
躲在棉被裡 Hiding in the Quilt
壓克力、麻布
20 × 20 cm
壓克力、畫布
40 × 40 cm
壓克力、麻布
20 × 20 cm
壓克力、畫布
60 × 68 cm
Acrylic on linen
2018
Acrylic on canvas
2013
Acrylic on linen
2018
Acrylic on canvas
2013
Catalog ｜ 圖錄
107
78
81
85
你睡著了嗎？
79
小熊
79
洗好澡了
80
Little Bear
壓克力、畫布
80 × 100 cm
壓克力、畫布
20 × 20 cm
壓克力、畫布
60 × 60 cm
壓克力、畫布
110 × 120 cm
Acrylic on canvas
2013
Acrylic on canvas
2013
Acrylic on canvas
2013
Acrylic on canvas
2013
穿媽媽的衣服
82
After a Bath
毛線衣
Are You Sleeping ?
巧克力冰淇淋
83
Sweater
小女孩
84
剪刀石頭布－布
Trying on Mother’s Clothes
Chocolate Ice cream
A Little Girl
壓克力、畫布
110 × 120 cm
壓克力、畫布
100 × 100 cm
壓克力、畫布
160 × 180 cm
壓克力、畫布
120 × 120 cm
Acrylic on canvas
2013
Acrylic on canvas
2009
Acrylic on canvas
2012
Acrylic on canvas
2012
森林裡的小精靈 Forest Elf
86
吐煙
87
Exhale
Rock Paper Scissors – Paper
上學
88
Go to School
美人魚 Mermaid
壓克力、畫布
100 × 100 cm
壓克力、畫布
100 × 100 cm
壓克力、畫布
150 × 150 cm
壓克力、畫布
110 × 120 cm
Acrylic on canvas
2013
Acrylic on canvas
2013
Acrylic on canvas
2013
Acrylic on canvas
2013
89
93
爸爸是全宇宙
90
小兔
91
92
喜歡長頸鹿
Bunny
壓克力、畫布
110 × 120 cm
壓克力、畫布
100 × 100 cm
壓克力、畫布
100 × 100 cm
壓克力、畫布
91 × 117 cm
Acrylic on canvas
2014
Acrylic on canvas
2013
Acrylic on canvas
2014
Acrylic on canvas
2013
交換小秘密
94
I Like Giraffes
抱抱
Dad Is the Whole Universe
A Hug
小華麗
Exchange Little Secret
Little Gorgeous
壓克力、畫布
120 × 110 cm
壓克力、畫布
100 × 100 cm
Acrylic on canvas
2013
Acrylic on canvas
2013
Catalog ｜ 圖錄
109
羅喬綾 個展
ISBN 978-986-95903-5-8
發行人 Executive Director
余彥良 YU Yen-Liang
總經理 Director
陳菁螢 Claudia CHEN
出版者 Publisher
尊彩國際藝術有限公司 Liang Gallery Co., Ltd.
策劃編輯 Editor
陳映芃 CHEN Ying-Peng
編務協力 Editor Assistants
修天容、徐育婷 Daisy SHIOU, HSU Yuting
翻 譯 Translation
白斐嵐、李樂蓉 Siraya PAI, Laura LYGAITYTE
展場執行 Display Executive
洪鼎鈞 HONG Ding-Jiun
燈光設計 Lighting
何仲昌 HO Chung-Chang
攝 影 Photographer
劉光智 KC
設 計 Designer
劉銘維 LIU Ming-Wei
印 刷 Printing
日動藝術印刷有限公司 Jih-Tung Art Printing Co., Ltd.
出 版 Publishing Date
二零一八年七月初版 First Edition, July, 2018
版權 所 有 · 翻 印 必 究 © 2018, LIANG GALLERY. All rights reserved.
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