R in g
R in g
Fu Hau-Shiuan
傅 浩 軒
序
PREFACE 文
余彥良 （尊彩藝術中心董事長）
BY
YU YEN-LIANG ( PRESIDENT OF LIANG GALLERY )
撿拾物的祝福
BLESSINGS FROM FOUND OBJECTS 文
印卡 （詩人）
BY
ENKARYON ANG ( POET )
自述
STATEMENT 文
傅浩軒
BY
FU HAU-SHIUAN
P A G E
004
P A G E
006
P A G E
0 1 4
作品
P A G E
ARTWOR KS
0 1 9
簡歷
P A G E
圖錄
P A G E
BIO GR APHY
CATALO G
0 8 1
089
序 靜心的力量很重要，在這吵雜的環
花卉經常圍繞在畫面四周，這意象
面一個空間，好奇心讓我們走近窺
個念想，時而清新，時而穩定堅強，
活，圓石偶爾像一座高聳山嶽，保
中均有著藝術、詩歌、文學或是真
境中更顯珍貴。一顆小圓石代表一 時而寧靜平和，傅浩軒很成功地傳 遞他的念想，細緻處把空間、計畫
刻劃在每一顆小圓石裡，讓你握緊 著感受自我覺知。
代表著清新自然依偎在我們的生 護著你我的環境，如此堅固穩定。
所有問題的答案都在畫面裡，一個 故 事 與 自 然 律 相 契 合， 這 是 一 種
人生哲學，傅浩軒讓這種哲學變成
視，發現事物之間各適其所，相似
摯情感的共鳴，如此細膩描繪那是 一種天生的求知慾，去讓我們揭開 布幕體驗人世間最美的情感。
你我人生「靈性」領域的一部分，
原來他的圓石充滿著生命，又因為
的承諾，無論遇到什麼困難，生活
細膩中沈默地描繪我們每個人都需
嵌上戒環，告訴自己堅守這一過程 多忙碌，多麼凌亂、瑣碎，都還能
決心堅持到底自己的理想。一個畫
真誠變成每一顆圓石是可信賴的， 要的靜心，靜靜的，或許你還能聽 見海浪拍打的聲音呢！
余彥良 尊彩藝術中心 董事長
004
Ring Ring
約
約
PREFACE The power of calming down is essential and even more precious in this noisy environment. A small pebble presents an idea, which sometimes is pure, sometimes is stable and strong, and sometimes is quiet and peaceful. Fu HauShiuan very successfully passes on his ideas, meticulously trying to portray a space or a plan on each small round stone, thus allowing you to grasp and experience the self-awareness.
The flowers spreading all around the canvas represent pure nature leaning closer towards our lives. A pebble occasionally looks like a tall lofty mountain, thus strong and stable, protecting our surrounding. The answers to all the questions can be found in the canvas, in which the story is in harmony with nature’s laws. It is a philosophy of life, which Fu Hau-Shiuan has brought to our lives and which has become a part of our “spiritual nature.” A ring is a way to remind yourself of the commitment to t h e p ro m i s e . N o m a t te r w h a t difficulties you might encounter, how busy, messy or trivial your life might become, it is still possible to persistently adhere to your own
ideas until the end. One space for one painting. Curiosity draws us closer to have a peek, and allows us to discover that every object resonates art, poetry, literature or sincere emotions and perfectly balances among each other. The accurate depiction of objects is like a natural thirst for knowledge allowing us to open the curtain and experience the most beautiful emotions on earth. It appears that his pebbles are filled with life. Because of the artist’s sincerity, every stone is trustworthy, and every delicate detail silently portrays the ease of mind which we all need. Perhaps quietly you can still hear the sound of crashing waves!
YU YEN-LIANG President of Liang Gallery
序
P R E FA C E
005
撿拾物的祝福
傅浩軒從 2014 年逐步發展的「約定系列」，到了最近個
展「約 約」在構圖細節有了更多的變化。過去作為背景
的壁紙，在這兩年的發展開始具備著個人圖騰與象徵的
意義。同時也因為育兒環境改變，浩軒發展出新的素描 系列與《戶籍調查》等作品，呈現更往社會空間的向度
印卡
前進。由於形式的開展，過往以超現實目光描述的現實 關懷，從象徵層面更邁向了現實空間。某種程度來說，
詩人
「約定系列」中指環暗示的契約、禮物交換的意義，在這
一次展覽中，有著小我到大我的擴張。藝術家在指環上 放 大 的 象 徵 重 量， 讓 畫 筆 更 具 備 一 種 厚 描 書 寫（thick description）的可能。
006
Ring Ring
約
約
畫中的撿拾與再發現，是傅浩軒從「空間系列」轉向「約 定 系 列 」 值 得 探 討、 問 題 化 的 主 題。 從 杜 象（Marcel
Duchamp，1887-1968） 將 撿 拾 物（found object）
或現成物納入了藝術世界，「一切經由人手製作之物皆 是藝術」的觀念在當代藝術中反覆出現。這裡的撿拾物
則是「約定系列」中相當關鍵的角色；浩軒在海邊撿拾 而來破碎的瓷磚或是石塊，成為了畫布上的對象。他在
「約定系列」中利用撿拾的石頭取代戒指上的鑽石，不同
質地的石頭的外貌被保留下來，依照想像力添加了各種 細節，有時是企鵝、鹿臉，有時呈現了社區的想像。關 於撿拾物的討論，人類學家阿爾弗雷德・格爾（Alfred
Gell，1945-1997）曾從比較文化的觀點提到撿拾物在
達達主義出現之後對物件－意義任意性的態度以及審美
行動主義者的使用方式，大相逕庭於東方所呈現的寂靜 美學。而環境美學學者阿倫・卡爾森（Allen Carlson， 1943-）也曾經透過撿拾物在藝術史產生的事件，將撿拾
與現成物在審美接受面上與地景藝術相比較。在錄像藝 術中，我們也可看到 Stefano Basilico 等錄像研究者提 過錄像作為撿拾物、現成物的討論。換句話說，撿拾物
在百年來有著相當複雜與多樣的討論，而浩軒隱藏在畫 布背後的撿拾、拾遺既連結了早期超現實主義的美學觀 點又呈現了一種較為積極的藝術轉化，在畫面上發展出 個人從石頭、建物磁磚的想像空間。
撿拾物的祝福
BLESSINGS FROM FOUND OBJECTS
007
哲學家巴舍拉（Gaston Bachelard，1884-1962）將石
頭視為一種穩定靜止的狀態，石頭有著堅硬的性質，這 種硬化的過程也暗示著創作想像意志的出現。「約定系 列」從撿拾物到對這些石塊的想像，在畫布上表達了人 際之間強弱、冷暖的張力。在「約定系列」中有很大一
部分，浩軒總是視這些小石塊是集體住宅、舞台和場所 的替代物，它們既是藝術家對建築物件的溯源，也是心 理 學 者 溫 尼 考 特（Donald Woods Winnicott，18961971）稱之為「中間領域」。所謂的中間領域是指內在
與外部現實的某種過度狀態，通常是透過一些客體物件的
互動形成，在這裡就是畫中的那些石頭。在這個中間領 域中，這些撿拾物成為了過渡性客體帶著某種遊戲趣味，
並進而體現了某種潛能空間、對世界的調適等細節。在 這裡，這種「中間領域」所呈現出的現實測試 （realitytesting），在這一次的展覽更為顯著。這一次除了展出
持續發展的「約定系列」，更展出了在育兒同時創作的 一組素描。構圖中，撿拾物與其植物被當成了畫置於素 描畫面的居家空間裡頭。以往充滿幻想的撿拾石塊，更
顯出了自傳色彩。而新發展的「戶籍調查」系列更是藝 術家與台北市盆栽風景的拓撲。由內向的社會想像到行 走路線開始用畫筆逐一記錄的植栽記憶，浩軒「約 約」
個展更具備著自我經驗的呈現、記憶與檔案的色彩，也
讓素描系列中的撿拾物有著怪奇、古物的面目，開展了 特殊的東方美學的向度。
008
Ring Ring
約
約
以素描系列為例，《父子》、《孕婦》、《相識相守》與《祖
「約 約」的展覽呈現了浩軒作品重要的轉變瞬間。以往以
讓人感受到人的氣息，而人物的氣息又透過了不同植物
外在的現實投射。而原本在 2014 年規矩的壁紙花樣，在
母》就有著對家庭的想像。在畫面中，微微塌陷的座椅 的描繪與石頭掛畫上草木人物的出現被賦予了個性與形 象。素描系列一方面接續了「空間系列」的想法，讓草
木呈現了人的關係，另一方面身體的重量對椅子的改變 又呈現了人的在場，只不過素描系列的筆觸卻更溫柔地 描述著和諧狀態的可及。畫面中的石塊則在畫面中顯示 了鼻煙壺那種小物般的質地，有著寄寓外物的東方美學。
在這裡撿拾物有了癖嗜的色彩，又同時連結了肖像畫傳 統。而在「戶籍調查」系列，例如《台北市大安中正區》
就是一張混合盆栽、植被的特殊地圖，或是一張浩軒散 步路線的特殊檔案，在這裡拾撿物又變成了像是記號、 代碼的象徵貨幣，被收納於山的意象裡頭。
撿拾物的祝福
自然環境、人之間關係的探討有了更個人面向也更具備 今年的嘗試中植物更像是奧秘的場所、更神秘地展示著
石頭所想像的社群關係，《心植手劊》、《窄門》和《傷
山》等草木圖騰更不見拘束空間的存在。這多少反映「約 約」展覽中傅浩軒在視覺上物體再認（recognition by
component theory）的多重，以及許多符號與現實的 交涉跟對話。從撿拾物的想像到社會空間的生產，浩軒 在這四年間拓展了台灣超現實與幻視空間的可能。他一 向關注的社群關係與人我距離，更值得從繪畫的細節中 去發現與挖掘，思考繪畫藝術如何呈現出其在視覺幻想 與傳統再現張力下的當代性。
BLESSINGS FROM FOUND OBJECTS
009
BLESSINGS FROM FOUND OBJECTS ENKARYON ANG Poet
010
Ring Ring
Fu Hau-Shiuan has started developing the Promise Series since 2014. The compositions and details in his recent solo exhibition “Ring Ring” show more variations. In the past, the wallpapers used to be merely backgrounds, but in recent two years, they have started to be equipped with personal totems and symbolic meanings. In the meantime, due to the child-raising environment, Fu developed a new sketch series and works including Census that present a dimension closer to the social space. Because of the expansion in forms, his care for the reality that used to be depicted in a surreal light is now, through symbolic levels, closer to the real space. To a certain degree, in this exhibition, the contract hinted by the rings in the Promise Series and the meanings of gift exchange are expanded from a personal self to the society. The symbolic weight the artist enlarged on the ring enabled possibilities in his brushes to produce thick descriptions.
約
約
The picking up and rediscovery in Fu’s paintings as he transformed from the Space Series to the Promise Series are topics worth investigating. Since Marcel Duchamp (1887-1968) introduced found objects and readymades in the world of art, the concept that “Everything handmade is art” has repeatedly appeared in contemporary art. In the Promise Series , found objects play a crucial role. The broken tiles or stones Fu picked up by the ocean became objects on his canvas. In the Promise Series , he adopted stones he picked up to replace diamonds on rings. The appearances of stones with different textures were maintained, and on them, the artist added various details from his imagination such as penguins, deer faces, and presented what a community is like in his mind. Regarding found objects, anthropologist Alfred Gell (1945-1997) stated from the perspective of comparative cultures that since Dadaism, the attitude toward the arbitrariness between object and meaning and the ways in which aesthetic activists employed found objects were drastically different from the silent aesthetics the East presented. Through incidents found objects caused in art history, the scholar of environmental aesthetics Allen Carlson (1943-) also compared found objects and readymades with landscape arts on the basis of aesthetic acceptance. In video art, researchers such as Stefano Basilico have also discussed video art as found objects and readymades. In short, in the last century, found objects have undergone complex and diverse discussions. In Fu’s artwork, the found objects hidden behind his canvas both connect to the early surrealism aesthetics and present a more active transformation in art, presenting in the picture his personal imaginary space from stones and building tilts.
撿拾物的祝福
BLESSINGS FROM FOUND OBJECTS
011
Philosopher Gaston Bachelard (1884-1962) considered stones in a stable, static state. Stones are hard, and the hardening process implies the emergence of the will to create and to imagine. In the Promise Series , from found objects to the imagination toward these stones, the tension between the strong and the week and between indifference and compassion in human relationships are expressed on his canvas. In a large portion of the Promise Series , Fu always views the little stones as substitutes for collective housing, stages, and places. They are both the artist’s tracking of the sources of architectural objects and what the psychiatrist Donald Woods Winnicott (1896-1971) called the “intermediate area.” An intermediate area is a transitional state between the
inner and outer reality, often formed by interacting with objects, and here the objects are the stones in the paintings. In this intermediate area, the found objects become transitional guests with certain game-like fun and further present details such as certain potential space or adjustment to the world. The reality-testing presented in the intermediate area is even more significant in this exhibition. In addition to exhibiting the Promise Series that is still being developed, this exhibition includes a set of sketches created when the artist was raising his child. In the composition, found objects and plants became canvases placed in the sketch picture of the domestic space. The usual stone-picking that was full of fantasies became more autobiographical. The newly developed series Census are the records of the artist and the pot plant scenes in Taipei City. From introvertedly imagining a society, Fu started to take walks on different routes and use brushes to record memories of planting one by one. Fu’s “Ring Ring” solo exhibition represents the artist’s self-experience and memory. The files’ colors provide the found objects in the sketch series with bizarre, antiquated looks, expanding a unique dimension in the oriental aesthetics.
012
Ring Ring
約
約
Take the sketch series as an example. Father and Son , Pregnant Woman , Know Each Other , Stay Together , and Father's Mother reflect imaginations about family. In the picture, a slightly dented seat makes the viewer feel a sense of human presence, and the human presences are given personalities and images through the depiction of different plants and through the appearance of plants and characters on hanging stone paintings. On the one hand, the sketch series continues the thought in the Space Series in that the plants reflect human relationships. On the other hand, the body weight that changes the chair presents the human presence; only that the brushstrokes in the sketch series were tenderer in depicting the accessibility of harmony. The stones in the picture present the texture of small objects such as snuff bottles, reflecting the oriental aesthetics practice of implying meaning through objects. Here, the found objects have the colors the artist favors, but in the meantime, they are also connected to the portrait painting tradition. For example, Daan and Zhongzheng Districts , Taipei City in the Census series is a special map mixed with pot plants and vegetation, or a special file of Fu’s walking routes. In this painting, the found objects are like the symbolic currency of marks or codes, being collected in the mountain imagery.
撿拾物的祝福
The “Ring Ring” exhibition presents the crucial moment when Fu’s works transformed. The usual investigation in the relationship between natural surrounding and humans acquired a more personal dimension and contained projections to external reality. In 2014, the wallpaper patterns were regular. In his attempt this year, plants are more like mysterious places, secretly displaying a community relationship stones imagine. The plant totems in Shattered Heart Over Ravaged Nature, A Narrow Door, and A Wounded Mountain are free of spatial constraint. This more or less reflects the weight of Fu’s visual recognition by component theory in the “Ring Ring” exhibition, and the negotiation and dialogue between symbols and reality. From the imagination about found objects to the production of social space, in the past four years, Fu has expanded the possibility of Taiwan’s surrealism and vision space. He has always cared about community relationships and the distance between self and others. It is worthwhile to dig, discover, and contemplate from the details in Fu’s paintings how painting presents his contemporariness in the tension between visual fantasy and the representation of tradition.
BLESSINGS FROM FOUND OBJECTS
013
日常間一舉一動前的選擇，轉換成心靈，就像是在與自 身的信仰，有著無形的約定。當今複雜多變且相互影響 的大環境，使得人們越來越難以置身事外地選擇遠離污 染，或是履行良善的約定。漸漸地只希望來自於良心所 許下的約定，能被看重，能被持守，能不被遺忘，能成 為一舉一動前的提醒與安慰。
約定的立足點，不是取決於是否有相同的價值觀，抑或 是擁有滿足社會所期待的條件，反倒是一顆良善的心，
無論處在何種景況都願意選擇珍惜，願意更多捨己，只 為了能夠持延續一段段美善的關係。
近期的作品，選擇以戒指的形式，參與對世界現象的表 態。以平實廢棄的物件取代戒指上原先既定的寶石，不 同的物件搭配不同的故事，紀念著目前社會當下的階段，
反映在人與人之間的約定、人與大自然之間的約定，也 有一些是自我現狀的投射或是對盼望之中的期許。
傅浩軒
014
Ring Ring
約
約
Every choice a person makes in daily life is transformed into the mind, like an invisible bond with one’s religion. In the contemporary world that is complicated, capricious, and its components are affecting one another, it has become increasingly difficult for people to choose to stay away from pollutants and not to get involved, or to keep sincere promises. Gradually, people can only hope that the promises they make out of their conscience can be valued, be kept, will not be forgotten, and can become a reminder and comfort to them before they make a move. The basis of a promise is not whether both parties have the same value or own the criteria that meet social expectations. Rather, the basis is a kind heart that no matter in what situation is willing to choose to cherish the promise and to sacrifice oneself just to maintain beautiful and kind relationships. The recent works were chosen to be made in the form of rings as a way to take a stance in the world’s phenomena. Plain and abandoned objects were adopted to replace the customary gems on rings. Different objects are accompanied with different stories, commemorating the contemporary state of the society and reflecting the promises between humans and between human and Nature. Some of the objects are the projection of one’s current state or one’s hopes and expectations.
FU HAU-SHIUAN
自述
STATEMENT
015
作品
ARTWORKS
約定系列－心植手劊
Promise Series – Shattered Heart Over Ravaged Nature 油 彩 、 畫 布 Oil on canvas 130×162 cm ｜ 2017
020
Ring Ring
約
約
021
約定系列－傷山
Promise Series – A Wounded Mountain 油 彩 、 畫 布 Oil on canvas 162×260 cm ｜ 2017
022
Ring Ring
約
約
023
約定系列－同進同出
Promise Series – Together In, Together Out 油 彩 、 畫 布 Oil on canvas 70×70 cm ｜ 2017
026
Ring Ring
約
約
027
約定系列－窄門
Promise Series – A Narrow Door 油彩、畫布 Oil on canvas 50×50 cm ｜ 2017
028
Ring Ring
約
約
約定系列－兒時的夢
Promise Series – The Dreams of Childhood 油彩、畫布 Oil on canvas 50×50 cm ｜ 2017
029
約定系列－風的記憶
Promise Series – Memories of the Wind 油 彩 、 畫 布 Oil on canvas 72.5×91 cm ｜ 2017
030
Ring Ring
約
約
031
約定系列－家族的愛
Promise Series – Family's Love 油 彩 、 畫 布 Oil on canvas 50×65 cm ｜ 2017
032
Ring Ring
約
約
033
戶籍調查 1 －台北市大安中正區
Census 1 – Daan and Zhongzheng Districts, Taipei City 瓷 磚 、 壓 克 力 、 水 彩 、 石 墨、紙本、畫布、木板
Ceramic tile, acrylic, watercolor, graphite on paper, canvas and wood 152.5×122 cm ｜ 2017
034
Ring Ring
約
約
035
潮州街 15 號－轉角 1、2
NO.15 CHAOZHOU ST. - CORNER 1, 2 瓷磚、石墨、水彩、畫布
Ceramic tile, graphite, watercolor on canvas 22.5×17.5 cm ｜ 2017
038
Ring Ring
約
約
039
戶籍調查 2 －台北市大安森林公園、新生南路社區
Census 2 – Daan Forest Park, Xinsheng South Road, Taipei City 瓷 磚 、壓 克 力 、 水 彩 、 石 墨、紙本、畫布、木板
Ceramic tile, acrylic, watercolor, graphite on paper, canvas and wood 122×152.5 cm ｜ 2017
040
Ring Ring
約
約
041
孕婦
Pregnant Woman
父子
Father and Son
蒙娜麗莎
Mona Lisa
碳酸鈣全麻基底、鉛筆、壓克力、瓷磚
Calcium carbonated linen base, pencil, acrylic, ceramic tile 22×17 cm ｜ 2017
044
Ring Ring
約
約
浴女
The Bather
拿破崙
Napoleon
祖母
Father's Mother
碳酸鈣全麻基底、鉛筆、壓克力、瓷磚
Calcium carbonated linen base, pencil, acrylic, ceramic tile 22.5×17.5 cm ｜ 2017
045
寶座
Throne 碳酸鈣全麻基底、鉛筆、壓克力、瓷磚
Calcium carbonated linen base, pencil, acrylic, ceramic tile 22.5×17.5 cm ｜ 2017
046
Ring Ring
樹的肖像
Portrait of a Tree 瓷磚、鉛筆、壓克力、紙本
Ceramic tile, pencil, acrylic on paper 23×23 cm ｜ 2017
約
約
相識相守
Know Each Other, Stay Together 碳酸鈣全麻基底、鉛筆、壓克力、瓷磚
Calcium carbonated linen base, pencil, acrylic, ceramic tile 22×27 cm ｜ 2017
奧松維爾伯爵夫人
Comtesse d'Haussonville 碳酸鈣全麻基底、鉛筆 、 壓 克 力 、 瓷 磚
Calcium carbonated linen base, pencil, acrylic, ceramic tile 17×22 cm ｜ 2017
047
信心
Faith 油 彩 、 畫 布 Oil on canvas 130×162 cm ｜ 2016
048
Ring Ring
約
約
049
約定系列－初衷
Promise Series – Aspiration 油 彩 、 畫 布 Oil on canvas 80×116.5 cm ｜ 2016
050
Ring Ring
約
約
051
約定系列－繁華
Promise Series – Flourishing 油 彩 、 畫 布 Oil on canvas 162×130 cm ｜ 2016
052
Ring Ring
約
約
053
探望一號－朋友
Visit 1 – Friend 油 彩 、 畫 布 Oil on canvas 70×70 cm ｜ 2016
054
Ring Ring
約
約
055
油 彩、畫布 Oil on canvas 24.5×15 cm ｜ 2016
056
Ring Ring
油彩、畫布 Oil on canvas 24.5×15 cm ｜ 2016
油彩、畫布 Oil on canvas 24.5×15 cm ｜ 2016
約
約
油彩、畫布 Oil on canvas 24.5×15 cm ｜ 2016
油彩、畫布 Oil on canvas 24.5×15 cm ｜ 2016
複 合 媒 材 Mixed media 23×23 cm ｜ 2016
057
山巒中的家
Home in the Mountains 複合媒材 Mixed media 32.5×37.5 cm ｜ 2016
058
Ring Ring
家的燈塔
A Lighthouse of the Home 複合媒材 Mixed media 28×38 cm ｜ 2016
約
約
天地
The Earth 複合媒材 Mixed media 23×23 cm ｜ 2016
山中的教堂
A Church in the Mountain 複合媒材 Mixed media 23×23 cm ｜ 2016
059
父母
Parents 複合媒材 Mixed media 20×15 cm ｜ 2016
060
Ring Ring
孕婦
A Pregnant Woman 複合媒材 Mixed media 20×15 cm ｜ 2016
約
約
村落
Village 複合媒材 Mixed media 50×50 cm ｜ 2016
061
鄰舍
Neighbour 油 彩 、 畫 布 Oil on canvas 162×194 cm ｜ 2015
062
Ring Ring
約
約
063
曾經的野林原生之花
Flower in the Wild Forest 油 彩 、 畫 布 Oil on canvas 122×122 cm ｜ 2015
066
Ring Ring
約
約
067
未出世的下一代
Unborn Generation 油 彩 、 畫 布 Oil on canvas 122.1×122.1 cm ｜ 2015
068
Ring Ring
約
約
069
北極匿聲
Hidden Sound in Arctic 油 彩 、 畫 布 Oil on canvas 97×162 cm ｜ 2015
070
Ring Ring
約
約
071
眺望
Gaze Afar 油 彩 、 畫 布 Oil on canvas 72×91 cm ｜ 2013
072
Ring Ring
約
約
073
吃素的鯊魚
Vegetarian Shark 複合媒材、畫布 Mixed media on canvas 25×25 cm ｜ 2013
074
Ring Ring
約
約
潛水的長頸鹿
Diving Giraffe 複合媒材、畫布 Mixed media on canvas 25×25 cm ｜ 2013
075
孵化日記 2015/11/30 ~ 12/31
Incubation Diary 2015/11/30 ~ 12/31 複 合 媒 材 Mixed media 18.2×13.2 cm ｜ 2015
076
Ring Ring
約
約
077
078
Ring Ring
約
約
079
簡 歷
BIO GR APHY
傅浩軒 1981 年 生 於 台 灣 桃園
2009 年及 2004 年分別畢業於國立台灣師範大學美術學
系碩士班和國立新竹師範學院（今國立清華大學）美勞 教育學系。擅長以細膩的筆觸營造出「細微的美」，他
把生活中所有印入眼簾的細節都納為描繪的對象，觀察 周遭各種細微的事物，並結合生命經驗所延伸出的畫面，
巧妙地安排自然與人為空間；畫面中的擬人物件則指涉 藝術家內心構築的微觀世界。2006 年曾獲第 9 屆聯邦新
人獎優選、中華圓山畫會道正新人獎第 2 名。2015 年， 作品《未出世的下一代》獲國立台灣美術館典藏。
Fu Hau-Shiuan BORN IN 1981 IN TAOYUAN, TAIWAN
082
Ring Ring
In 2009, he received his MFA from the Department of Fine Arts at National Taiwan Normal University, and in 2004, he graduated from Arts and Crafts Education Department at National Hsinchu Teachers College (now National Tsing Hua University). Working with delicate brushstrokes, Fu creates “subtle beauty.” The objects he depicts are various details from his daily life and numerous delicate things from his surroundings which the artist tends to combine with his life experiences. He is good at cleverly arranging natural and artificial spaces. Anthropomorphic objects depicted in his paintings refer to the microscopic inner world of the artist. In 2006, Fu was selected for the 9th Rising Artist Award and won the second place in the Chinese Yuan Shan Art Association Dao Zheng New Artist Awards. In 2015, Unborn Generation was included in the collection of the National Taiwan Museum of Fine Arts.
約
約
簡
歷
BIOGRAPHY
083
學 歷 2009 國立台灣師範大學美術學系碩士班，台北，台灣
2004 國立新竹師範學院（今國立清華大學）美勞教育學系，新竹，台灣
個 展 2017 「傅浩軒個展－約 約」，尊彩藝術中心，台北，台灣
2014 「石說泥白－傅浩軒油畫創作個展」，金車文藝中心，台北，台灣 2011 「聽我有畫要說－生活小品個展」，唐青古物商行，台北，台灣
「當時」，一票人票畫空間，台北，台灣
2008 「浩軒的心靈場彧」，新北市文化局藝文館，新北市；國父紀念館，台北，台灣 2007 「傅浩軒作品個展－籬」，國王藝術中心，新竹，台灣 2003 「過程」，竹師新館藝術展覽空間，新竹，台灣
聯 展 2016 「親親 我的愛－藝術家聯展」，尊彩藝術中心，台北，台灣 2015 「台北國際藝術博覽會」，台北世界貿易中心，台北，台灣
「孵畫日記」，金車文藝中心，台北，台灣
2014 「Young Art Taipei」，晶華酒店，台北，台灣
2013 「T-Art 台中藝術博覽會」，日月千禧酒店，台中，台灣
「Young Art Taipei」，喜來登大飯店，台北，台灣
「藝起發酵」，金車文藝中心，台北，台灣
「台北新藝術博覽會」，台北，台灣
2012 「心象寫實－流動風景」，雅逸藝術中心，台北，台灣
084
「T-Art 台中藝術博覽會」，長榮桂冠酒店，台中，台灣
Ring Ring
約
約
「Young Art Taipei」，喜來登大飯店，台北，台灣
2011 「在地的聲音」，揚品文化咖啡館，高雄，台灣 2010 「心象寫實」，雅逸藝術中心，台北，台灣
「寧夏記憶」，金車文藝中心，台北，台灣
「靜物特展」，一票人票畫空間，台北，台灣
2009 「故事島／音樂畫展」，一票人票畫空間，台北，台灣
2007 「蘇憲法教授暨師大美研所師生聯展」，國立台北科技大學藝文中心，台北，台灣
「風景的面貌」，臻品藝術中心，台中，台灣
「四月院校風景畫聯展」，桃源藝術公頁網，桃園，台灣
「繪聲繪影」，新竹縣政府文化局，新竹，台灣
2006 「金變堂徐陞民老闆肖像創作聯展」，金變堂藝術空間，新竹，台灣
「三月院校風景畫聯展」，桃源藝術公頁網，桃園，台灣
2004 「青春世代．古典樣態－青年寫實繪畫十人」，雅逸藝術中心，台北，台灣 2003 「彧公廠人物展」，桃園 K 書中心，桃園，台灣
2002 「藝術迴廊雙軒聯展」，國立陽明高中，桃園，台灣
獲 獎 2006 第九屆聯邦美術新人獎，優選，台灣
中華圓山畫會道正新人獎，第二名，台灣
「全省美展」，水彩類，佳作，台灣
「新竹師院校慶美展」，水彩類，第一名，台灣
2003 「新竹美展」，水彩類，特優獎，台灣
2002 「新竹師院校慶美展」，插畫類，第一名，台灣 2001 「新莊美展」，水彩類，佳作，台灣
「新竹美展」，水彩類，特優獎，台灣
典 藏 2015 《未出世的下一代》，國立台灣美術館，台中，台灣
簡
歷
BIOGRAPHY
085
EDUCATION 2009 MFA, Department of Fine Arts, National Taiwan Normal University, Taipei, Taiwan 2004 Arts and Crafts Education Department, National Hsinchu Teachers College (now National Tsing Hua University), Hsinchu, Taiwan
SOLO EXHIBITIONS 2017 “Fu Hau-Shiuan Solo Exhibition – Ring Ring”, Liang Gallery, Taipei, Taiwan 2014 “Fu Hau-Shiuan Solo Exhibition”, King Car Art and Culture Center, Taipei, Taiwan 2011 “Listen to My Paintings – Solo Exhibition”, April’s Goodies, Taipei, Taiwan
“At That Time”, Piao Piao Gallery, Taipei, Taiwan
2008 “Fu Hau-Shiuan’s Xinling Chang Yu”, Cultural Affairs Department of New Taipei City Government, New Taipei City; National Dr. Sun Yat-sen Memorial Hall, Taipei, Taiwan 2007 “Fu Hau-Shiuan Solo Exhibition – Li”, Guowang Art Center, Hsinchu, Taiwan 2003 “Process”, Zhu Shi Xinguan Art Exhibition Space, Hsinchu, Taiwan
GROUP EXHIBITIONS 2016 “Dear Dear – Group Exhibition”, Liang Gallery, Taipei, Taiwan 2015 “Art Taipei”, Taipei World Trade Center, Taipei, Taiwan
"Incubation Diary", King Car Art and Culture Center, Taipei, Taiwan
2014 “Young Art Taipei”, Regent Taipei Hotel, Taipei, Taiwan
“T-Art”, Millennium Hotels, Taichung, Taiwan
2013 “Young Art Taipei”, Sheraton Grande Taipei Hotel, Taipei, Taiwan
“Art Revolution Taipei”, Taipei, Taiwan
“Yi Qi Faxiao”, King Car Art and Culture Center, Taipei, Taiwan
2012 ”Imaginary Realism – Flowing Scenery”, Julia Gallery, Taipei, Taiwan
“T-Art”, Evergreen Laurel Hotel, Taichung, Taiwan
“Young Art Taipei”, Sheraton Grande Taipei Hotel, Taipei, Taiwan
2011 “In the Land of Sound”, Enrich Life, Kaohsiung, Taiwan 2010 ”The Classic Imaginary Realism”, Julia Gallery, Taipei, Taiwan
086
Ring Ring
約
約
“Summer Memory”, King Car Art and Culture Center, Taipei, Taiwan
“Still Life”, Piao Piao Gallery, Taipei, Taiwan
2009 “Story Island / Music”, Piao Piao Gallery, Taipei, Taiwan 2007 “National Taiwan Normal University Professor Su Hsien-Fa’s Students Group Exhibition”, Cultural and Art Center of the National Taipei University of Technology, Taipei, Taiwan
“Scenic Views”, Galerie Pierre, Taichung, Taiwan
2006 “Portrait Exhibition”, Jinbian Tang Art Space, Hsinchu, Taiwan
“Landscape Exhibition in April”, Taoyuan, Taiwan
“Landscape Exhibition in March”, Taoyuan, Taiwan
“Huisheng Huiying”, Cultural Affairs Bureau of Hsinchu County Government, Hsinchu, Taiwan
2004 “Young Generation．Classical Appearance”, Julia Gallery, Taipei, Taiwan 2003 “Portrait Exhibition”, Taiwan Power Company, Taoyuan, Taiwan 2002 “Two Artists Exhibition”, National Yang Ming Senior High School, Taoyuan, Taiwan
AWARDS 2006 The 9th Rising Artist Award, Selected, Taiwan
Chinese Yuan Shan Art Association Dao Zheng New Artist Awards, Second Place, Taiwan
“Taiwan Provincial Fine Arts Exhibition”, Water Color Painting Category, Excellent Work, Taiwan
2003 “Hsinchu Art Exhibition”, Water Color Painting Category, Excellence Award, Taiwan
“National Hsinchu Teachers College Anniversary Art Exhibition”, Water Color Painting Category, First Place, Taiwan
2002 “National Hsinchu Teachers College Anniversary Art Exhibition”, Illustration Category, First Place, Taiwan 2001 “Xinzhuang Art Exhibition”, Water Color Painting Category, Excellent Work, Taiwan
“Hsinchu Art Exhibition”, Water Color Painting Category, Excellence Award, Taiwan
COLLECTION 2015 Unborn Generation , National Taiwan Museum of Fine Arts, Taichung, Taiwan
簡
歷
BIOGRAPHY
087
圖 錄
CATALO G
0 2 0 約定系列－心 植 手 劊
022
026
約定系列－傷山
約 定 系列－同進同出
Promise Series – Shattered Heart Over Ravaged Nature
Promise Series – A Wounded Mountain
Promise Series – Together In, Together Out
028
029
0 3 0
約定系列－窄 門
約定系列－兒時的夢
約 定 系列－風的記憶
油彩、畫布 Oil on canvas ｜ 2017 130×162 cm
油彩、畫布 Oil on canvas ｜ 2017 70×70 cm
Promise Series – A Narrow Door
Promise Series – The Dreams of Childhood
Promise Series – Memories of the Wind
0 3 2
034
0 3 8
約定系列－家 族 的 愛
戶籍調查 1 －台北市大安中正區
油彩、畫布 Oil on canvas ｜ 2017 50×50 cm
Promise Series – Family's Love
油彩、畫布 Oil on canvas ｜ 2017 50×65 cm
090
油彩、畫布 Oil on canvas ｜ 2017 162×260 cm
Ring Ring
油彩、畫布 Oil on canvas ｜ 2017 50×50 cm
Census 1 – Daan and Zhongzheng Districts, Taipei City 瓷磚、壓克力、水彩、石墨、紙本、畫布、木板 Ceramic tile, acrylic, watercolor, graphite on paper, canvas and wood 152.5×122 cm ｜ 2017
油彩、畫布 Oil on canvas ｜ 2017 72.5×91 cm
潮 州 街 1 5 號－轉角 1
NO.15 CHAOZHOU ST. - CORNER 1
瓷磚、石墨、水彩、畫布 Ceramic tile, graphite, watercolor on canvas 22.5×17.5 cm ｜ 2017
約
約
0 39
0 4 0
潮州街 15 號－轉角 2
戶籍調查 2 －台北市大安森林公園、新生南路社區
NO.15 CHAOZHOU ST. - CORNER 2
瓷磚、石墨、水彩、畫布 Ceramic tile, graphite, watercolor on canvas 22.5×17.5 cm ｜ 2017
瓷磚、壓克力、水彩、石墨、紙本、畫布、木板 Ceramic tile, acrylic, watercolor, graphite on paper, canvas and wood
044
044
父子
Father and Son
蒙娜麗莎
Mona Lisa
碳酸鈣全麻基底、鉛筆、壓克力、瓷磚 Calcium carbonated linen base, pencil, acrylic, ceramic tile ｜ 2017 22×17 cm
045 浴女
The Bather
碳酸鈣全麻基底、鉛筆、壓克力、瓷磚 Calcium carbonated linen base, pencil, acrylic, ceramic tile ｜ 2017 22×17 cm
碳酸鈣全麻基底、鉛筆、壓克力、瓷磚 Calcium carbonated linen base, pencil, acrylic, ceramic tile ｜ 2017 22.5×17.5 cm
045
045
046
拿破崙
碳酸鈣全麻基底、鉛筆、壓克力、瓷磚 Calcium carbonated linen base, pencil, acrylic, ceramic tile ｜ 2017 22.5×17.5 cm
錄
122×152.5 cm ｜ 2017
孕婦
Pregnant Woman
碳酸鈣全麻基底、鉛筆、壓克力、瓷磚 Calcium carbonated linen base, pencil, acrylic, ceramic tile ｜ 2017 22×17 cm
Napoleon
圖
Census 2 – Daan Forest Park, Xinsheng South Road, Taipei City
044
祖母
Father's Mother
碳酸鈣全麻基底、鉛筆、壓克力、瓷磚 Calcium carbonated linen base, pencil, acrylic, ceramic tile ｜ 2017 22.5×17.5 cm
寶座
Throne
碳酸鈣全麻基底、鉛筆、壓克力、瓷磚 Calcium carbonated linen base, pencil, acrylic, ceramic tile ｜ 2017 22.5×17.5 cm
C ATA L O G
091
046 樹的肖像
Portrait of a Tree
瓷磚、鉛筆、壓克力、紙本 Ceramic tile, pencil, acrylic on paper 23×23 cm ｜ 2017
048 信心
Faith
油彩、畫布 Oil on canvas ｜ 2016 130×162 cm
047
047 相識相守
Know Each Other, Stay Together
奧 松 維爾伯爵夫人
Comtesse d'Haussonville
碳酸鈣全麻基底、鉛筆、壓克力、瓷磚 Calcium carbonated linen base, pencil, acrylic, ceramic tile ｜ 2017 22×27 cm
碳酸鈣全麻基底、鉛筆、壓克力、瓷磚 Calcium carbonated linen base, pencil, acrylic, ceramic tile ｜ 2017 17×22 cm
0 5 0
0 5 2
約定系列－初衷
Promise Series – Aspiration 油彩、畫布 Oil on canvas ｜ 2016 80×116.5 cm
054
約 定系列－繁華
Promise Series – Flourishing 油彩、畫布 Oil on canvas ｜ 2016 162×130 cm
057
探望一號－朋友 Visit 1 – Friend
油彩、畫布 Oil on canvas ｜ 2016 70×70 cm
092
Ring Ring
油彩、畫布 Oil on canvas ｜ 2016 24.5×15 cm
複合媒材 Mixed media ｜ 2016 23×23 cm
約
約
0 58 山巒中的家
天地
A Lighthouse of the Home 複合媒材 Mixed media ｜ 2016 28×38 cm
複合媒材 Mixed media ｜ 2016 23×23 cm
0 59
0 6 0
0 6 0
山中的教堂
A Church in the Mountain
父母
The Earth
孕婦
複合媒材 Mixed media ｜ 2016 23×23 cm
Parents
複合媒材 Mixed media ｜ 2016 20×15 cm
A Pregnant Woman
0 6 1
062
066
村落
Village
複合媒材 Mixed media ｜ 2016 50×50 cm
錄
家的燈塔
0 5 9
Home in the Mountains 複合媒材 Mixed media ｜ 2016 32.5×37.5 cm
圖
058
鄰舍
Neighbour
油彩、畫布 Oil on canvas ｜ 2015 162×194 cm
複合媒材 Mixed media ｜ 2016 20×15 cm
曾經的野林原生之花
Flower in the Wild Forest 油彩、畫布 Oil on canvas ｜ 2015 122×122 cm
C ATA L O G
093
068 未出世的下 一 代
北極匿聲
Unborn Generation
Hidden Sound in Arctic
074
075
油彩、畫布 Oil on canvas ｜ 2015 122.1×122.1 cm
吃素的鯊魚
Vegetarian Shark
油彩、畫布 Oil on canvas ｜ 2013 25×25 cm
094
0 7 0
Ring Ring
油彩、畫布 Oil on canvas ｜ 2015 97×162 cm
072 眺望
Gaze Afar
油彩、畫布 Oil on canvas ｜ 2013 72×91 cm
潛水的長頸鹿
Diving Giraffe
油彩、畫布 Oil on canvas ｜ 2013 25×25 cm
約
約
076
077
孵化日記 2015/11/30 ~ 12/31
Incubation Diary 2015/11/30 ~ 12/31 油彩、畫布 Oil on canvas ｜ 2015 18.2×13.2 cm
圖
錄
C ATA L O G
095
R in g
R in g
Fu Hau-Shiuan
發 行 人 E XE CUT IVE DIRE CT OR
展 場 執 行 DIS P LAY E X E CUT IV E
余彥良
洪鼎鈞
YU Yen-Liang
總 經 理 DIRE CT OR
傅 浩 軒
陳菁螢
修天容 陳映芃
燈 光 設 計 LIGHTING
Claudia CHEN
策 劃 編 輯 E DITOR
Daisy SHIOU CHEN Ying-Peng
攝 影 PHOTOGRAP HE R
劉光智
何仲昌
出 版 者 P UBLIS HE R
ISBN：978-986-95903-0-3
Liang Gallery Co., Ltd.
尊彩國際藝術有限公司
HO Chung-Chang
翻 譯 TRANS LAT ION
白斐嵐 李樂蓉
Siraya PAI Laura LYGAITYTE
設 計 DE S IGNE R
劉銘維
KC
2017 年 12 月初版
First Edition, December, 2017
HONG Ding-Jiun
LIU Ming-Wei
印 刷 PRINTING
日動藝術印刷有限公司
Jih-Tung Art Printing Co., Ltd.