Literary Cirticism Master

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1 The Pykewater Library W. D. S. Pennington Literary Criticism Abrams, M.H. The Correspondent Breeze: Essays on English Romanticism. New York, NY: W.W. Norton, 1984. Abrams, M. H. The Mirror and the Lamp: Romantic Theory and the Critical Tradition. New York, NY: Oxford University Press, 1971. Abrams, M. H. Natural Supernaturalism: Tradition and Revolution in Romantic Literature. New York, NY: W. W. Norton, 1973. Adams, Robert Martin. Nil: Episodes in the Literary Conquest of the Void during the 19th Century. New York, NY: Oxford University Press, 1966. Allen, Gay Wilson & Harry Hayden Clark. Literary Criticism: Pope to Croce. Detroit, MI: Wayne State University Press, 1962. Andriopoulos, Stefan. Ghostly Apparitions: German Idealism, the Gothic Novel, and Optical Media. Brooklyn, NY: Zone Books, 2013. Auerbach, Erich. Literary Language and Its Public in Late Latin Antiquity and the Middle Ages. Trans. Ralph Manheim. Princeton, NJ: Princeton University Press, 1993. Auerbach, Erich. Mimesis: The Representation of Reality in Western Literature (FiftiethAnniversary Edition). Trans. Willard R. Trask. Princeton, NJ: Princeton University Press, 1953, 2003. Auerbach, Erich. Time, History, and Literature: Selected Essays of Erich Auerbach. Ed. James I. Porter. Trans. Jane O. Newman. Princeton, NJ: Princeton University Press, 2014. Barbour, John D. The Value of Solitude: The Ethics and Spirituality of Aloneness in Autobiography. Charlottesville, VA: Virginia University Press, 2004. Barker-Benfield, G.J. The Culture of Sensibility: Sex and Society in Eighteenth-Century Britain. Chicago, IL: University of Chicago Press, 1992. Barzun, Jacques. The Culture We Deserve. Middletown, CT: Wesleyan University Press, 1989. Bentley, Eric. In Search of Theatre. New York, NY: Vintage Books, 1955. Berman, Russell A. The Rise of the Modern German Novel: Crisis and Charisma. Cambridge, MA: Harvard University Press, 1986. Berthold, Daniel. The Ethics of Authorship: Communication, Seduction, and Death in Hegel and Kierkegaard. New York, NY: Fordham University Press, 2011. Bettelheim, Bruno. The Uses of Enchantment: The Meaning and Importance of Fairy Tales. New York, NY: Basic Books, 2010. Bloom, Allan. Love and Friendship. New York, NY: Simon and Schuster, 1993. Bloom, Harold. The Daemon Knows: Literary Greatness and the American Sublime. New York, NY: Spiegel & Grau, 2015. Bloom, Harold. The Shadow of a Great Rock: A Literary Appreciation of the King James Bible. New Haven, CT: Yale University Press, 2011.


2 Bloom, Harold. Dramatists and Dramas: A Collection of Critical Essays. New York, NY: Checkmark Books, 2007 (2005). Bloom, Harold. Novelists and Novels: A Collection of Critical Essays. New York, NY: Checkmark Books, 2007 (2005). Bloom, Harold. The Anxiety of Influence: A Theory of Poetry. New York, NY: Oxford University Press, 1997 (1973). Bloom, Harold. The Western Canon: The Books and School of the Ages. New York, NY: Riverhead Books, 1994. Bloom, Harold, Ed. Bloom’s Modern Critical Interpretations: Herman Melville’s Moby-Dick. New York, NY: Blooms Literary Criticism/Infobase Publishing, 2007. Bloom, Harold et al. Deconstruction and Criticism. London, UK: Continuum, 1979. Bloom, Harold. The Visionary Company: A Reading of English Romantic Poetry. Ithaca, NY: Cornell University Press, 1971 (1961). Bloom, Harold, Ed. Romanticism and Consciousness: Essays in Criticism. New York, NY: W.W. Norton, 1970. Bogard, Travis and William I. Oliver, Eds. Modern Drama: Essays in Criticism. New York, NY: Oxford University Press, 1965. Booth, Wayne C. The Rhetoric of Fiction. Second Edition. Chicago, IL: University of Chicago Press, 1983 (1961). Brooks, Cleanth. The Well Wrought Urn: Studies in the Structure of Poetry. Orlando, FL: Harcourt, Inc., 1970 (1947). Burton, Robert. The Anatomy of Melancholy. New York, NY: New York Review Books (NYRB), 2001. Bush, Douglas. Pagan Myth and Christian Tradition in English Poetry: Jayne Lectures for 1967. Philadelphia, PA: American Philosophical Society, 1968. Castle, Terry. The Female Thermometer: Eighteenth-Century Culture and the Invention of the Uncanny. Oxford, UK: Oxford University Press, 1995. Chaudhuri, Amit. The Origins of Dislike. Oxford, UK: Oxford University Press, 2018. Connelly, Francis S. The Grotesque in Western Art and Culture: The Image at Play. New York, NY: Cambridge University Press, 2012. Cowley, Malccolm, Ed. After the Genteel Tradition: American Writers, 1910-1930. Carbondale, IL: Southern Illinois University Press, 1967. Craig, Hardin. The Enchanted Glass: The Renaissance Mind in English Literature. Oxford, UK: Basil Blackwell, 1960. Curtius, Ernst Robert. European Literature and the Latin Middle Ages. Princeton, NJ: Princeton University Press, 1990. David, Dierdre, Ed. The Cambridge Companion to the Victorian Novel. Cambridge, UK: Cambridge University Press, 2001. Deleuze, Gilles. Proust and Signs. Trans. Richard Howard. New York, NY: Continuum, 2008. Dierick, Augustinus P. German Expressionist Prose: Theory and Practice. Toronto, Canada: University of Toronto Press, 1987. Dirda, Michael. Book by Book: Notes on Reading and Life. New York, NY: Henry Holt, 2006. Dirda, Michael. Bound to Please: An Extraordinary One-Volume Literary Education. New York,


3 NY: W. W. Norton, 2004. Dirda, Michael. Browsings: A Year of Reading, Collecting, and Living with Books. New York, NY: Pegasus Books, 2015. Dirda, Michael. Classics for Pleasure. New York, NY: Harcourt, 2007. Dirda, Michael. Readings: Essays and Literary Entertainments. Bloomington, IN: Indiana University Press, 2000. Dollimore, Jonathan. Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare and his Contemporaries. Durham, NC: Duke University Press, 1993. Egan, Jim. Authorizing Experience: Refigurations of the Body Politic in Seventeenth-Century New England Writing. Princeton, NJ: Princeton University Press, 1999. Ellis-Fermor, Una. The Jacobean Drama: An Interpretation. New York, NY: Vintage Books, 1964. Empson, William. Seven Types of Ambiguity. New York, NY: New Directions, 1947 (1930). Fergusson, Francis. The Idea of a Theatre: The Art of Drama in Changing Perspective. Garden City, NY: Doubleday Anchor Books, 1949. Fleming, Paul. Exemplarity and Mediocrity: The Art of the Average from Bourgeois Tragedy to Realism. Stanford, CA: Stanford University Press, 2009. Forster, E.M. Aspects of the Novel. San Diego, CA: Harcourt, Inc., 1955 (1927). Foss, Sonja K. Rhetorical Criticism: Exploration & Practice. Prospect Heights, IL: Waveland Press, Inc., 1989. Foster, Thomas C. How to Read Literature Like a Professor: A Lively and Entertaining Guide to Reading Between the Lines (Revised Edition). New York, NY: Harper Perennial, 2014. Foster, Thomas C. How to Read Nonfiction Like a Professor: A Smart, Irreverent Guide to Biography, History, Journalism, Blogs, and Everything in Between. New York, NY: Harper Perennial, 2020. Foster, Thomas C. How to Read Novels Like a Professor: A Jaunty Exploration of the World’s Favorite Literary Form. New York, NY: Harper Perennial, 2017. Foster, Thomas C. How to Read Poetry Like a Professor: A Quippy and Sonorous Guide to Verse. New York, NY: Harper Perennial, 2018. Frey, Hans-Jost. Studies in Poetic Discourse: Mallarmé, Baudelaire, Rimbaud, Hölderlin. Trans. William Whobrey. Stanford, CA: Stanford University Press, 1996. Frye, Northrop. Spiritus Mundi: Essays on Literature, Myth, and Society. Brighton, MA: Fitzhenry and Whiteside, 2006 (1976). Frye, Northrop. The Great Code: The Bible and Literature. San Diego, CA: Harcourt, Inc., 1982 (1981). Frye, Northrop. Fearful Symmetry: A Study of William Blake. Princeton, NJ: Princeton University Press, 1969 (1947). Frye, Northrop. Fables of Identity: Studies in Poetic Mythology. Dan Diego, CA: Harcourt Brace Jovanovich, 1963. Frye, Northrop. Anatomy of Criticism: Four Essays. Princeton, NJ: Princeton University Press, 1957. Gabler-Hover, Janet. Truth in American Fiction: The Legacy of Rhetorical Idealism. Athens, GA:


4 University of Georgia Press, 1990. Galassi, Jonathan, Ed. & Trans. The Second Life of Art: Selected Essays of Eugenio Montale. New York, NY: The Ecco Press, 1982. Gelley, Alexander. Ed. Unruly Examples: On the Rhetoric of Exemplarity. Stanford, CA: Stanford University Press, 1995. Gilbert, Sandra M. & Susan Gubar. The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. Second Edition. New Haven, CT: Yale University Press, 2000 (1979). Girard, Rene. Deceit, Desire and the Novel: Self and Other in Literary Structure. Trans Yvonne Freccero. Baltimore, MD: Johns Hopkins University Press, 1966. Gontarski, S.E., Ed. On Beckett: Essays and Criticism. New York, NY: Grove Press, 1986. Grief, Mark. The Age of the Crisis of Man: Thought and Fiction in America, 1933-1973. Princeton, NJ: Princeton University Press, 2015. Hardwick, Elizabeth. American Fictions. New York, NY: The Modern Library, 1999. Hass, Robert. Twentieth Century Pleasures: Prose on Poetry. New York, NY: Ecco/HarperCollins, 1984. Hendrix, Grady. Paperbacks from Hell: The Twisted History of ‘70s and ‘80s Horror Fiction. Philadelphia, PA: Quirk Books, 2017. Heuer, Christopher P. Into the White: The Renaissance Arctic and the End of the Image. Brooklyn, NY: Zone Books, 2019. Highet, Gilbert. The Classical Tradition: Greek and Roman Influences on Western Literature. New York, NY: Oxford University Press, 1985. Hill, Archibald A. et al. Essays and Studies in English and Comparative Literature, Vol. VIII: Language and Literature. Norwood, MA: University of Michigan Press, 1932. Hodgart, Matthew. Satire: Origins and Principles. New Brunswick, NJ: Transaction Publishers, 2010. Hoffman, Daniel. Barbarous Knowledge: Myth in the Poetry of Yeats, Graves, and Muir. New York, NY: Oxford University Press, 1967. Howe, Irving. Politics and the Novel. Chicago, IL: Ivan R. Dee Publishers, 2002. Jacobsen, Josephine & William R. Mueller. Ionesco and Genet: Playwrights of Silence. New York, NY: Hill and Wang, 1968. Jameson, Fredric. The Modernist Papers. New York, NY: Verso, 2007. Jepsen, Laura. From Achilles to Christ: The Myth of the Hero in Tolstoy’s War and Peace. USA, 1978. Kaske, R.E. et al. Medieval Christian Literary Imagery: A Guide to Interpretation. Toronto, CA: University of Toronto, 1988. Kaufmann, Ralph J., Ed. Elizabethan Drama: Modern Essays in Criticism. New York, NY: Oxford University Press, 1961. Kayser, Wolfgang. The Grotesque in Art and Literature. Ulrich Weisstein, Trans. New York, NY:


5 McGraw-Hill Book Company, 1966 (1963). Kerman, Joseph. Opera as Drama. New York, NY: Vintage Books, 1959. Kermode, Frank. Romantic Image. London, UK: Ark Paperbacks, 1986 (1957). Kermode, Frank. The Genesis of Secrecy: On the Interpretation of Narrative. Cambridge, MA: Harvard University Press, 1979. Kermode, Frank. The Sense of an Ending: Studies in the Theory of Fiction. New York, NY: Oxford University Press, 2000. Kern, Stephen. The Culture of Time and Space, 1880-1918. Cambridge, MA: Harvard University Press, 2003. Konstantinou, Lee. Cool Characters: Irony and American Fiction. Cambridge, MA: Harvard University Press, 2016. Kostelanetz, Richard, Ed. The Avant-Garde Tradition in Literature. Buffalo, NY: Prometheus Books, 1982. Kugel, James L., Ed. Poetry and Prophecy: The Beginnings of a Literary Tradition. Ithaca, NY: Cornell University Press, 1990. Lacoue-Labarthe, Philippe. Poetry as Experience. Trans. Andrea Tarnowski. Stanford, CA: Stanford University Press, 1999. Leary, Lewis, Ed. American Literary Essays. New York, NY: Thomas Y. Crowell Company, 1960. Leavis, F.R. The Great Tradition: George Eliot, Henry James, Joseph Conrad. New York, NY: New York University Press, 1960. Levine, Richard A. Backgrounds to Victorian Literature. San Francisco, CA: Chandler Publishing Company, 1967. Lodge, David. Consciousness and the Novel: Connected Essays. Cambridge, MA: Harvard University Press, 2002. Lord, Albert B. The Singer of Tales. Cambridge, MA: Harvard University Press,1960. MacLean, Gerald M. Time’s Witness: Historical Representation in English Poetry, 1603-1660. Madison, WI: Wisconsin University Press, 1990. Mayer, Hans. Steppenwolf and Everyman: Outsiders and Conformists in Contemporary Literature. Jack D. Zipes, Trans. New York, NY: Thomas Y. Crowell Company, 1971. McGann, Jerome J., Ed. Textual Criticism and Literary Interpretation. Chicago, IL: University of Chicago Press, 1985. McKeon, Michael, Ed. Theory of the Novel: A Historical Approach. Baltimore, MD: Johns Hopkins University Press, 2000. Mendlesohn, Farah. Rhetorics of Fantasy. Middletown, CT: Wesleyan University Press, 2008. Meyers, Jeffrey. Homosexuality and Literature 1890-1930. London, UK: The Athlone Press: 1987 (1977). Miller, Dean A. The Epic Hero. Baltimore, MD: Johns Hopkins University Press, 2002. Miller, James E., Jr. The American Quest for a Supreme Fiction: Whitman’s Legacy in the Personal Epic. Chicago, IL: University of Chicago Press, 1979. Miller, J. Hillis. Theory Now and Then. Durham, NC: Duke University Press, 1991. Mitts-Smith, Debra. Picturing the Wolf in Children’s Literature. New York, NY: Routledge, 2010.


6 Mordell, Albert. The Literature of Ecstasy. Port Washington, NY: Kennikat Press, 1969 (1921). Moretti, Franco. Graphs, Maps, Trees: Abstract Models for Literary History. London, UK: Verso, 2007 (2005). Moretti, Franco. Signs Taken for Wonders: On the Sociology of Literary Forms. London, UK: Verso, 2005 (1983). Muldoon, Paul. The End of the Poem: Oxford Lectures. New York, NY: Farrar, Straus and Giroux, 2006. Murray, Penelope & T.S. Dorsch, Trans. Classical Literary Criticism. London, UK: Penguin Books, 2000 (1965). Nicholson, Lewis E., Ed. An Anthology of Beowulf Criticism. Notre Dame, IN: University of Notre Dame Press, 1963. Nicolson, Marjorie Hope. The Breaking of the Circle: Studies in the Effect of the ‘New Science’ Upon Seventeenth-Century Poetry. New York, NY: Columbia University Press, 1965. Olmstead, William. The Censorship Effect: Baudelaire, Flaubert, and the Formation of French Modernism. New York, NY: Oxford University Press, 2016. Orgel, Stephen. The Reader in the Book: A Study of Spaces and Traces. Oxford, UK: Oxford University Press, 2015. Ossa-Richardson, Anthony. A History of Ambiguity. Princeton, NJ: Princeton University Press, 2019. Ousby, Ian. Bloodhounds of Heaven. Cambridge, MA: Harvard University Press, 1976. Outka, Elizabeth. Viral Modernism: The Influenza Pandemic and Interwar Literature. New York, NY: Columbia University Press, 2019. Palter, Robert. The Duchess of Malfi’s Apricots, and Other Literary Fruits. Columbia, SC: University of South Carolina Press, 2002. Panichas, George A., Ed. The Politics of Twentieth-Century Novelists. New York, NY: Hawthorn Books, Inc. Publishers, 1971. Perloff, Marjorie. The Poetics of Indeterminacy: Rimbaud to Cage. Evanston, IL: Northwestern University Press, 1981. Piehler, Paul. The Visionary Landscape: A study in Medieval Allegory. Montreal, Canada: McGill/Queen’s University Press, 1971. Posner, Richard A. Law and Literature (Third Edition). Cambridge, MA: Harvard University Press, 2009. Purves, Alan, Ed. Theodore Spencer: Selected Essays. New Brunswick, NJ: Rutgers University Press, 1966. Reiman, Donald H. Intervals of Inspiration: The Skeptical Tradition and the Psychology of Romanticism. Greenwood, FL: The Penkevill Publishing Company, 1988. Reyes, Xavier Aldana, Ed. Horror: A Literary History. London, UK: The British Library, 2016. Richards, I.A. Principles of Literary Criticism. London, UK: Routledge, 2001 (1924). Roller, Judi M. The Politics of the Feminist Novel. New York, NY: Greenwood Press, 1986. Schug, Charles. The Romantic Genesis of the Modern Novel. Pittsburgh, PA: University of Pittsburgh Press, 1979. Segel, Harold B. The Baroque Poem: A Comparative Survey. New York, NY: E.P. Dutton & Co., Inc., 1974. Sharpe, William Chapman. Unreal Cities: Urban Figuration in Wordsworth, Baudelaire,


7 Whitmon, Eliot, and Williams. Baltimore, MD: Johns Hopkins University Press, 1990. Sheriff, John K. The Fate of Meaning: Charles Pierce, Structuralism, and Literature. Princeton, NJ: Princeton University Press, 1989. Shklovsky, Viktor. Theory of Prose. Benjamin Sher, Trans. London, UK: Dalkey Archive Press, 1990. Showalter, Elaine. A Literature of their Own: British Women Novelists from BrontÍ to Lessing. Expanded Edition. Princeton, NJ: Princeton University Press, 1977. Singer, Peter and Renata Singer. The Moral of the Story: An Anthology of Ethics through Literature. Malden, MA: Blackwell Publishing, 2005. Slochower, Harry. Mythopoesis: Mythic Patterns in the Literary Classics. Detroit, MI: Wayne State University Press, 1970. Southern, Richard. The Seven Ages of the Theatre. New York, NY: Hill and Wang, 1961. Stevenson, Lionel. The Pre-Raphaelite Poets. New York, NY: W.W. Norton & Company, Inc., 1972. Stevick, Philip, Ed. Theory of the Novel. New York, NY: Free Press, 1967. Styan, J.L. The Dark Comedy: The Development of Modern Comic Tragedy. Second Edition. Cambridge, UK: Cambridge University Press, 1979 (1968). Symonds, John Addington. Italian Literature from Ariosto to the Late Renaissance. New York, NY: Capricorn Books, 1964. Tanner, Tony. The American Mystery: American Literature from Emerson to DeLillo. Cambridge, UK: Cambridge University Press, 2000. Todorov, Tzvetan. The Fantastic: A Structural Approach to a Literary Genre. Trans. Richard Howard. Ithaca, NY: Cornell University Press, 1975 (1973). Tuck, Richard. The Sleeping Sovereign: The Invention of Modern Democracy. New York, NY: Cambridge University Press, 2016. Tucker, William. How People Change: The Short Story as Case History. New York, NY: Other Press, 2007. Tuve, Rosemond. Elizabethan and Metaphysical Imagery: Renaissance Poetic and TwentiethCentury Critics. Chicago, IL: University of Chicago Press, 1947. Vendler, Helen. The Ocean, the Bird, and the Scholar: Essays on Poets and Poetry. Cambridge, MA: Harvard University Press, 2015. Wagner-Martin, Linda, Ed. Ernest Hemingway’s The Sun Also Rises: A Casebook. Oxford, UK: Oxford University Press, 2002. Wallerstein, Ruth. Studies in Seventeenth-Century Poetic. Madison, WI: University of Wisconsin Press, 1965. Walter, Erich A. Toward Today: A Collection of English and American Essays Presenting the Earlier Development of Ideas Fundamental in Modern Life and Literature. Chicago, IL: Scott, Foresman and Company, 1938. Wasserman, Earl R. The Subtler Language: Critical Readings of Neoclassic and Romantic Poems. Baltimore, MD: Johns Hopkins University Press, 1968. Watts, Edward, Keri Holt and John Funchion, Eds. Mapping Religion in Early American Writing. Athens, GA: University of Georgia Press, 2018. Weinstein, Arnold L. Vision and Response in Modern Fiction. Ithaca, NY: Cornell University Press, 1974. Williams, Raymond. Drama in Performance. Baltimore, MD: Pelican Books, 1968 (1954).


8 Wilson, Edmund. Axel’s Castle: A Study of the Imaginative Literature of 1870-1930. New York, NY: Farrar, Straus and Giroux, 2004 (1931). Wilson, Edmund. To the Finland Station: A Study in the Writing and Acting of History. New York, NY: Farrar, Straus and Giroux, 1972. Woloch, Alex. The One vs. the Many: Minor Characters and the Space of the Protagonist in the Novel. Princeton, NJ: Princeton University Press, 2004. Wood, James. How Fiction Works. New York, NY: Picador, 2008. Wright, Austin, Ed. Victorian Literature: Modern Essays in Criticism. New York, NY: Oxford University Press, 1961. Yingling, Thomas E. Hart Crane and the Homosexual Text: New Thresholds, New Anatomies. Chicago, IL: University of Chicago Press, 1990. Zaleski, Philip & Carol Zaleski. The Fellowship: The Literary Lives of the Inklings: J.R.R. Tolkien, C.S. Lewis, Owen Barfield, Charles Williams. New York, NY: Farrar, Straus and Giroux, 2015.


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