PL Introduction to the Theory of Music

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1 The Pennington Library Introduction to the Theory of Music Apel, Willi. Harvard Dictionary of Music (Second Edition, Revised and Enlarged). Cambridge, MA: Belknap/Harvard University Press, 1970. Bellman,, Jonathan D and Halina Goldberg, Eds. Chopin and His World. Princeton, NJ: Princeton University Press, 2017. Benade, Arthur H. Fundamentals of Musical Acoustics: Second, Revised Edition. Mineola, NY: Dover Publications, 1990. Berlioz, Hector. Evenings with the Orchestra. Ed. Jacques Barzun. Chicago, IL: University of Chicago Press, 1999. Berry, Wallace. Structural Functions in Music. Mineola, NY: Dover Publications, 1987. Boulez, Pierre. Notes of an Apprenticeship. Trans. Herbert Weinstock. New York, NY: Alfred A. Knopf, 1968. Cage, John. Silence: 50th Anniversary Edition. Middletown, CT: Wesleyan University Press, 2013. Caplin, William E. Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven. New York, NY: Oxford University Press, 1998. Cortot, Alfred. Rational Principles of Pianoforte Technique. Trans. R. Le Roy-Metaxas. Paris, France: Salabert Editions, 1930. Dubal, David. The Essential Canon of Classical Music. New York, NY: North Point Press, 2003. Gann, Kyle. No Such Thing as Silence: John Cage’s 4’33”. New Haven, CT: Yale University Press, 2010. Goetschius, Percy. The Material Used in Musical Composition: A System of Harmony (New Fourteenth Edition). New York, NY: G. Schirmer, 1913. Hanslick, Dr. Eduard. The Beautiful in Music: A Contribution to the Revisal of Musical Aesthetics (Seventh Edition, Enlarged and Revised). New York, NY: Forgotten Books, 2012. Harkleroad, Leon. The Math Behind the Music. New York, NY: Cambridge University Press, 2007. Jeans, Sir James. Science and Music. Mineola, NY: Dover Publications, 1968. Partch, Harry. Genesis of a Music: Second Edition, Enlarged. New York, NY: Da Capo Press, 1974. Pestelli, Giorgio. The Age of Mozart and Beethoven. Trans. Eric Cross. New York, NY: Cambridge University Press, 1993. Rosen, Charles. The Classical Style: Haydn, Mozart, Beethoven (Expanded Edition). New York, NY: W. W. Norton and Company, 1998. Rosen, Charles. The Frontiers of Meaning: Three Informal Lectures on Music. New York, NY: Hill and Wang, 1994. Rosen, Charles. The Romantic Generation. Cambridge, MA: Harvard University Press, 2005. Rye, Matthew, Ed. 1001 Classical Recordings You Must Hear Before You Die. New York, NY: Universe Publishing, 2008. Schenker, Heinrich. Five Graphic Music Analyses: Compositions of J. S. Bach, J. Haydn, F. Chopin. Trans. Felix Salzer. Mineola, NY: Dover Publications, 1969. Schoenberg, Arnold. Style and Idea: Selected Writings, 60th Anniversary Edition. Ed. Leonard Stein. Trans. Leo Black. Berkeley, CA: University of California Press, 1984. Schoenberg, Arnold. Theory of Harmony: 100th Anniversary Edition. Trans. Roy E. Carter. Berkeley, CA: University of California Press, 1983.


2 Scruton, Roger. The Aesthetics of Music. New York, NY: Oxford University Press, 1999. Solomon, Maynard. Beethoven Essays. Cambridge, MA: Harvard University Press, 1988. Stravinsky, Igor. Poetics of Music: In the Form of Six Lessons. Trans. Arthur Knodel and Ingold Dahl. Cambridge, MA: Harvard University Press, 1977. Taruskin, Richard. The Oxford History of Western Music, Volume 1: Music from the Earliest Notations to the Sixteenth Century. New York, NY: Oxford University Press, 2010. Taruskin, Richard. The Oxford History of Western Music, Volume 2: Music in the Seventeenth and Eighteenth Centuries. New York, NY: Oxford University Press, 2010. Taruskin, Richard. The Oxford History of Western Music, Volume 3: Music in the Nineteenth Century. New York, NY: Oxford University Press, 2010. Taruskin, Richard. The Oxford History of Western Music, Volume 4: Music in the Early Twentieth Century. New York, NY: Oxford University Press, 2010. Taruskin, Richard. The Oxford History of Western Music, Volume 5: Music in the Late Twentieth Century. New York, NY: Oxford University Press, 2010. Tovey, Donald Francis. Essays in Musical Analysis 1: Symphonies 1. London, UK: Oxford University Press, 1976. Wade, Bonnie C. Thinking Musically: Experiencing Music, Expressing Culture. New York, NY: Oxford University Press, 2004. Walker, Alan. Fryderyk Chopin: A Life and Times. New York, NY: Farrar, Straus and Giroux, 2018.


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