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RESUME
RESUME PORTFOLIO
ARCHITECTURE DESIGNER/INTERN
https://issuu.com/lijingqi/docs/print
Name Jingqi Li CONTACT lijingqi2009@gmail.com EDUCATION
08/2013-08/2016 09/2007-07/2011
WORKING EXPERIRENCE
09/2015-01/2016
University of Texas at San Antonio Master, Architecture Shandong University of art & design Bachelor, Industrial design Research Assistant of GIS for Low impact developmetn of UTSA main campus Applying spatial analysis tools GIS ( Geographic Information Systems) to evaluate the quality of both open spaces and activity areas,quantify and visualize the social and cultural impacts of the components of LID (Low Impact Development) practices. 2
10/2011-07/2012
Industrial designer in LKK-Design in Beijing working as an industrial designer and focusing on the design of medical equipment.
07/2011-09/2011
Industrial design internship in ZCO-Design in Beijing working as an industrial designer on variety type of product design, which include life style products， Electronic devices，medical equipment， Communicating with clients，and presenting proposal.
AWARD 2016 Deans Merit Award for Masters Project in Architecture 2015 2015 2015 2014
SKILL
LANGUAGE
Student Representative of Graduate Council CACP Scholarship Architecture Award Nominess UTSA COA M.Arch 3 Design Award
Rhino V-ray Keyshot Revit Arch GIS 3D Max Sketch UP Photoshop Illustrator Indesign AutoCAD Ecotect Watercolor Painting Hand Drawing English Chinese
CONTENTS
1 : 00
SIEMENS-TBSI
OPEN INNOVATION CENTER Master Project Instructor: Taeg Nishimoto Spring 2016
2 : 00
SONSBEEK PAVILION
MATERIALITY EXPLORATION Advanced design studio Instructor: Taeg Nishimoto Fall 2015
3 : 00
DESIGN MUSEUM CONTEMPORARY MATERIAL(ITY) SEMINAR Instructor: Taeg Nishimoto Fall 2014
4 : 00
GRAPHIC DESIGN BLOCK PRINTING
Instructor: Stephen Temple Fall 2013
5 : 00
INDUSTRIAL DESIGN
SECTION SCANNER Project from LKK 2011
6 : 00
INDUSTRIAL DESIGN WIRELESS CONTROL Project from LKK 2011
7 : 00
PAINTING
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HAKKA ARCHITECTURE WEILONG WU Interval Space In-between Master Project Research
In 2015 winter, I went to visit one of the most famous Chinese traditional Hakka earth buildings in Meizhou, a small town located in Guangdong Province, southeastern China. After that, I started to study how Chinese ancient Fengshui philosophy influenced this type of vernacular architecture. First, Following with the Fengshui philosophy, ancient Chinese always take advantage of mountain and water to form a healthy natural air circulation system, and seek the best solution for Qi (air and energy flows) to circulate efficiently through the building based on orientation, wind direction, terrain and terrestrial magnetism. A good energy flow house brings luck to the family is what they believed. Second, Fengshui originated from an ancient divination text and the oldest Chinese classics --- I Ching. Permanence follows the general rules. This rule must have the simplicity and clarity to allow complex changes to coexist in one integrated system. In Weilong Wu, skywell as the most important element, composed with walls, windows, threshold, and roof to create different experience of space. Similar to music in which sound must be chosen and arranged, architecture can be achieved through the selection and composition of their elements and material that they are made, and is to adjust the balances and tension of yin and yang. All of this research lead my master project to fit with the traditional Chinese philosophy and culture.
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SIEMENS-TBSI
OPEN INNOVATION CENTER 170,000 SF
ShenZheng
05/01/2016
Shenzhen, in southeastern China, is a modern metropolis that links Hong Kong to China’s mainland. The city features contemporary buildings, such as the 384m skyscraper Sung Hing Square, and a number of amusement parks. In 2014, Tsinghua-UC Berkeley Shenzhen Institute (TBSI) was jointly established by Tsinghua University, the University of California, Berkeley, and the Shenzhen municipal government on the initiative of promoting research collaboration and graduate student education. It is a platform for innovative research and graduatestudent education with parallel functionality on the two partner campuses. Right now, the institute is located in one of those skyscrapers in Nanshan intelligence industrial park, known as Silicon Valley in China. On January 14, 2016, Siemens Company’s representatives visited TBSI to discuss the establishment of a “Siemens-TBSI Open Innovation Center” in the future. The innovation Center is similar as the MIT Media Lab, and will be a community of inventors who work atelier style as members of research teams, doing the things that conventional wisdom says can’t and shouldn’t be done. This Project is to design a home and innovative environment for those inventors.
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8:A
SHENZHENG--NANSHAN INTELLIGENCE INDUSTRIAL PARK
SIEMENS-TBSI
OPEN INNOVATION CENTER Master Project
Shenzhen, in southeastern China, is a modern metropolis that links Hong Kong to China’s mainland. The city features contemporary buildings, such as the 384m skyscraper Sung Hing Square, and a number of amusement parks. In 2014, Tsinghua-UC Berkeley Shenzhen Institute (TBSI) was jointly established by Tsinghua University, the University of California, Berkeley, and the Shenzhen municipal government on the initiative of promoting research collaboration and graduate student education. It is a platform for innovative research and graduatestudent education with parallel functionality on the two partner campuses. Right now, the institute is located in one of those skyscrapers in Nanshan intelligence industrial park, known as Silicon Valley in China. On January 14, 2016, Siemens Company’s representatives visited TBSI to discuss the establishment of a “Siemens-TBSI Open Innovation Center” in the future. The innovation Center is similar as the MIT Media Lab, and will be a community of inventors who work atelier style as members of research teams, doing the things that conventional wisdom says can’t and shouldn’t be done. My Project is to design a home and innovative environment for those inventors.
10:A
SHENZHENG--NANSHAN INTELLIGENCE INDUSTRIAL PARK
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Overall view from the city
STUDY MODEL
SKETCH
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SCHEMATIC DIAGRAMS ---- LANDSCAPE
TY
CI
K
CIRCULATION
R PA
e
p ra
c ys Sk
by
ar
Ne ew
vi
id ew vi
VISUAL FIELD
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d ar ty
r ou C
ill
H
Di ce an st ew
vi
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ai
nt
M
ou
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ROOF
STRE
ROOF
STRE
ET
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STRE
STRE
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HIGH
WAY
HIGH
HIGH
WAY
HIGH
WAY
ET
WAY
The original site is 13’ higher than the
An artificial topography is created as a
city street and 7’ higher than the high
green roof; a glazed surface acts as the
way.
‘eye’ towards the outside
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ROOF
ROOF
ROOF
STRE
HIGH
WAY
HIGH
STRE
ET
STRE
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UR TYAR D
ROOF
STRE
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HIGH
WAY
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WAY
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UR TYAR D
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The north-face slope is made into a
The courtyard is modified to meet with
large courtyard
the circulation of the building.
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ROOF
ROOF
ROOF
STRE
CO
UR TYAR D
HIGH
WAY
HIGH
ET
CO
STRE
ROOF
STRE
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STRE
ET
UR TYAR D
WAY
HIGH
WAY
HIGH
WAY
The result is merged the green roof and
The landscape is modified to host a
artificial topography into one landscape.
number of specific functions including steps, seating, water pond, bamboo gadern,terrice.
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The landscape is designed to act as a courtyard for the innovation center, where would be a space or a theater to host a large party or a performance. At the same time, the landscape would also be an amusement park for the city. Multiple accesses into the park give citizens freedom to take a walk, wander around the landscape and feel the waving of terrain without the consciousness of a building hided under the green roof. Besides, creativity begins in wonder. For inventors, the broad vision space and a feeling in touch with nature can help them think, relax, and inspire their creativity.
SCHEMATIC DIAGRAMS ---- ARCHITECTURE
A
B
C
Layout options of each 120’X60’ cubic space of laboratory
Concept Diagram
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2
A
B
Two or three cubic space axis overlap to create an intermeiate space
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View from the city street to the back landscape can be see through from the structure of the building.
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ARCHITECTURE COMPONENTS
FLOOR
COLUMN
void space
CONNECTION
CORRIDOR
Stair Elevator Ramp
ROOF skywell
WALL
ARCHITECTURE SPACIAL COMPOSITION
Interval space in-between
Public space Lab Cubic Size
Lab
Public space
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D
120
B Functional space Lineal
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private space
private space C
A
Curvilinear
laboratory Machine Shop
Program
laboratory
Fit on site
Mechanical Room
Conference Room Cafe CR
laboratory Atrium
laboratory
CR Gallary
Lecture Hall Event Space
MR
Vertical circulation
Horrizontal circulation
Exploded axometric consists of stairs and platforms with the interior and exterior circulation.
LA B
CON FER ENCE ROOM E IN CH MA
OP SH LAB
CA FE
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AL IC AN CH ME
LAB
L AL EH R U LECT
OM RO
EN
TR
A
N
C
E
LO BB Y
GAL LARR Y
OM RO L A NIC HIE MEC
PACE EVENT S
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4 3
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8 6
SECTION A
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1 1
13
10 5
3 3 8
6 12
2
1 Lobby 2 Gallery 3 Lab 4 Kitchen 5 Lecture Hall 6 Mechanical room 7 Cafe 8 Small Conference Room 9 Atrium 10 Large Conference Room 11 Machine Shop 12 Event Space 13 Public Elevator
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SECTION B
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GROUND FLOOR
6 7
8
FIRST FLOOR
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Lab Small Conference Room Atrium Restroom Small Conference Room
Lab
Lecture hall � qn n l B n med qd mbd Lecture Hall Water Pond Water Pond Landscape sit steps Terrace Landscape trail
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SECOND FLOOR
4 2
3
Kitchen Open Space Machine Shop Cafe Atrium Restroom
Lab Open Space
Terrace
THIRD FLOOR
1
Open Space Atrium Lab Lower Lever Machine Shop
Restroom Large Comference Room Lower Lever Lab
Skywell
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ROOF PLAN
OOR PLANS Roof Garden Skywell Skywell Landscape Trail Terrace Water Water Terrace Skywell Steps Sitting Steps Bamboo Garden Hill
Hill
1 Interval space in-between the atrium and laboratory on the third floor
2 Interval space in-between the atrium and laboratory on the second floor
3 Void space of the laboratory
4 Void space of the atrium
5 View from Interval space facing to the
6 Entrance front of the building
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bamboo facade
7 View from the street to the courtyard
8 View from the event space to the courtyard
SCHEMATIC DIAGRAM ---- MATERIAL ENVELOP ROOF Laminated wood ceiling
OUTER SKIN Bamboo Facade
INNER SKIN Vertical glazed wall Transparent glass facade as an eye face to the courtyard. Translucent glass facade keeps the privacy of the laboratory
INNER WALLS Horrizontal glaze wall Transparent glass panels act as an eye to see through from one space to another space Translucent glass panels keep the privacy of laboratory and other private spaces
LABORATORY CUBIC SURFACE Laminated wood panel
BAMBOO FACADE Bamboo is an ecological material and has been often used as Chinese traditional building material. Bamboo has a warm feeling and a sensitive of getting in touch with nature. Besides, hollow and solid comparison created by diverse density of bamboo pole, echoing to the transparency and translucency comparison generated by transparent and translucent glaze curtain wall. These two intertwine together to create a wonderful illusion for the space. In the meantime, when it rains, the rain curtain drops from the eave on the other side of the building, almost perfectly echoing to the vertical drop lines of bamboo facade. Except the function of shading the building regarding to the bamboo facade, it can also create an artistic visual illusion during sunrise and sunset when the sunlights shone through the gap between bamboo, casting mottled shadow on the ramp and into the building as well.
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Ramp between the bamboo facade and glaze facade
SCHEMATIC DIAGRAM ---- BAMBOO
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9
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End point
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9
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7 3
8
1
6 Start point
Magic square & Yin Yang Ba gua
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1
Magic square & Yin yang Ba gua
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8 positive patternings
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Matrix DNA
1‘
2‘
3’
4‘
5’
6’
7‘
8’
8 negative patternings
9‘
1
9’
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2’
3
3’
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4’
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6’
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7’
8’
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1’
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16 positive and negative patternings compositied into one panel based on the matrix DNA
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1
9’
2
2’
3
3’
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4’
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6’
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7’
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8’
1’
The final bamboo facade
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2
2’
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3’
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4’
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6’
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7’
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8’ 1
9’
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2’
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3’
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4’
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6’
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7’
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8’
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2’
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6’
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7’
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8’ 1
outside to insede
Inside to outside
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The overall facade facing to the north.
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View from the lecture hall to the countyard
View from the countyard to the building on a sunny day,
View from the countyard to the building in the rain.
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SONSBEEK PAVILION
Transparent glass vs Mirroed glass Contemporary Material(ity) Seminar
The original Sonsbeek Pavilion designed by Aldo van Eyck In 1965 was intended as a temporary structure, and it was dismantled when the exhibition was over. The pavilion consisted of six parallel placed walls with a common distance of approximately 2.5 metres (about 8ft) and a height of approximately 4 metres ( about 13ft). The walls were built from simple concrete blocks. The construction was covered by a transparent, free floating plane. In a sense the walls formed five streets. Because each wall was either interrupted, or bent outwards by using a half circle form, the interior of the pavilion was transformed into a complex spatial system which expressly enticed wandering. By using the original floor plan, my intention of using materials to replace the original masonry walls and transparent roof includes tempered glass and mirrored glass. Instead of using two paralleled glass walls to present the thickness of masonry wall, I broke all the integrated lines into shorter zigzag lines to replace 1 ft wall thickness. This way could make the building more creative by using mirrored glass and transparent glass together. My concept is to use the mirrored glass covering most of the half circle wall and acting as boundary for the exhibition area and sitting area. In the meantime, transparent tempered glass will be placed at some specific spots to create the different visual angles for viewers to see through.
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The mirror also acts as boundary wall between the exhibition area and sitting area
the diagonal visual line is the only sight that visitors can see through from one side to the other side of the pavilion
Five parallel visual lines versus five streets.
Three horizontal visual lines represent the view from the oneside hiting the other side’s mirror.
Bird eye view of pavilion From the birds eye view, the difference of opaque mirror and transparent glass is highlighted, making it easier to imagine what visitors could see when they stand at a certain spot.
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The dimension of the Glass panels The thickness available for tempered glass can be 12mm, and the maximum thickness for mirrored glass is 6mm. The dimension for the vertical tempered glass panel will be no more than 14” in height and not exceed 8’3” in length. Due to the unequal length of each wall, the length of each small glass panel will range from 3’ to 4’ , same as the mirrored glass panel.
Roof glass panel
Mirrored glass
Transparent tempered glass
Steel frame
Furniture
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The vetical zigzag glass panel creates an intangible atmosphere with the shadows cast by the mirrored glass and different pattens based on the sun’s angle.
A diagonal visual view through the entire pavilion. The mirror and transparent glass create a visual maze. The sculpture you see sometimes is just the reflection of the mirror, not real. This brings viewers great surprise for wandering in the pavilion.
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DESIGN MUSEUM Adcanced Design Studio
The design museum is located at an intersection across from the Tobin Center on the west, and near to the River Walk, one of the best tourist sites in San Antonio. Therefore, the best view of the museum is from the west of the museum near the Tobin Center for the Performing Arts. My concept for the design museum is to separate the shop and cafe from the museum, and placing them on the top of the building with the best view facing to the west.
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Street view at night
CIRCULATION
Gallery trajectory
Vertical circulation
ENTRANCE
Tobin Certer
Tobin Certer
PROGRAM
ROOF Skywell THIRD FLOOR Exterior Balcony Shop Interior Balcony Cafe
SECOND FLOOR Permanent Exhibition Space 62
Corridor
FIRST FLOOR Multipurpose Space Restroom Library Temporary Exhibition Space Courtyard GROUND FLOOR Freight Elevator Loading Deck Storage Fire Stair Office Courtyard Lobby
UNFOLDED FASADE
2 1
3
4
The narrative of the material for this museum is about designing the relationship of transparent glass, translucent glass, and opaque wallS. The main material for the outer facade is double layer of low iron U-profile translucent glass units. The partial transparent glass will be placed between the translucent glasses for a specific view purpose. The southfaced facade is a concrete structural wall with transparent or translucent glass windows. The inner wall is a single layer of laminated glass. Transparency or translucency is chosen to create an interesting visural experience of being or not being able to see some specific views.
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4
SHOP
3
E
CAF
EXIBIT ION SPAC E
COUR T
YARD
EXIBIT ION SPAC E
E TUR LEC L HAL
1 2
SECTION A
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SECTION B
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Implementing Low Impact Development: A Process for BMPs Site Selection Process Research Work
This is a project when I work as an research assistant. My work is to Apply spatial analysis tools GIS ( Geographic Information Systems) to evaluate the quality of both open spaces and activity areas,quantify and visualize the social and cultural impacts of the components of LID (Low Impact Development) practices.
Density
Neighborhood Context
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Creek
Bycicle Access
Pedestrian Access
Bus Access
Visibility
Car Access
High Traffic Nodes
Campus Typology
Activity
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Shadow Analysis (Summer shadow 7am)
Shadow Analysis (Summer shadow 5pm)
Shadow Analysis (Winter shadow 8am)
Shadow Analysis (Winter shadow 6:30pm)
Utility
Water
TCEQ Watershet Area
Storm Drain
Communication Network
Sanitary Sewer
Noise 74
Visibility
GRAPHIC DESIGN BLOCK PRINTING
The idea of this project is to transform from a drawing into a geometic graphc pattern.
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SECTION SCANNER This is a project designed when I was working for LKK Design company. Based on the current market, several similar products existed, but few of them had been designed with anthropometrics in mind. Therefore, I wanted to create a scanner that could be ergonomic and aesthetically pleasing. In order to save material, the scanner was design to wrap around with the inner machine, which has “L� shape like a microscape. In addition, this medical equipment used by medical workers, It is very important to create a friendly and warm looking object to lighten the cool atmosphere of the medical environment.
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THREE VIEWS
TOP VIEWS
RIGHT VIEWS
FRONT VIEWS
COLOR
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SCENARIO VIEW
WIRELESS REMOTE CONTROL This was a design of a wireless remote control for a company called Sany when I was working as ID designerin the LKKdesign. Through my research, I wanted to find a breakthrough in function to make the remote more comfortable to use.
PATTERN 1
PATTERN 2
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PATTERN 3
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SCENARIO VIEW
PORTRAIT SKETCH
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WATERCOLER
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WATERCOLER
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CERAMIC