Cadence – Issue One by Lil Bonhomme

Cadence

French music, culture & art

Issue one â&#x20AC;&#x201C; Spring 2020

C ontents

Portrait

The Apple of my Eye – Pomme

Interview

Meet Hazzah – An upcoming rapper who’s already on another “Level”

Portrait

Opinion

Interview

Maes – An eternal admirer of the banlieues

How this year’s César have shown considerable fractures in the French cinema industry

Éloïse Bouton – Rap and feminism, journalism and political activism – when one complements the other

La Page Pop

Stay at home – it’s all happening online anyway

Honouring

La Galerie Perrotin

Interview

Pop culture

“Practice makes perfect – scrolling doesn’t” – An interview with photographer Julien Mignot

Kyesone – The Photoshop genius

M usic

ulture

A rt

Review

Interview

Review

Homage

Festival

Sneazzy activates his Nouvo Mode on his second opus

Juniore take us back to France’s yé-yé years with Un, Deux, Trois

Isaac Delusion tell all about their latest release – Uplifters

Validé – The first series about French rap

Christian Louboutin – L’Exhibition[niste]

Remembering the comic-book legend – Albert Uderzo

Les Rencontres de la Photographie d’Arles

Lockdown

104

Street Art

110

Sit yourself down – you’re going to an exhibtion

What does Paris’ street art tell us about the French capital?

Editor’s note

This is not a love letter to France

’m very happy to introduce you to Cadence. Consider it as your new go-to source of information regarding France’s contemporary music, culture and art. More to the point, it’s a fresh and informative insight into what is happening on the other side of the Channel. France’s artistry is something that can’t be equalled in its originality. The country’s time-honoured pop music is characterised by its sensual and romantic language, and French rap by its bluntness and candidness. The rich cultural heritage has now reached dizzier heights than ever thanks to the coming together of traditional and modern styles. Indeed, the in-vogue voices of today have exposed the nation’s younger generation’s point of view and values. Cadence was born from the desire to share some newer and lesser known facets of my native French culture albeit without wanting to appear proud or chauvinistic. The first issue of this magazine has become this carefully hand-picked repertoire of exclusive portraits, interviews, reviews and opinion pieces. This is not a love letter to France – it’s an open door to a promising musical landscape, a diﬀerent take on cultural journalism, and a fresh look at French art. Whether you read it all in one go or flick through it bit by bit – it’s yours to discover, at your own “Cadence”.

Lil Bonhomme

Editor of Cadence

Photo: Lil Bonhomme

M usic

Photo: Emma Cortijo

“Je suis celle qu’on ne voit pas Je suis celle qu’on entend pas Je suis cachée au bord des larmes Je suis la reine des drames”

Portrait

The apple of my eye – Pomme A sweet nectar of life with an aftertaste of profound sadness

omme’s nonpareil album Les Failles [The Flaws] was released in 2019 and has proven to be very successful in the hearts of many. Delivering sincere and incredibly deep songs, this second release shares an insight into the young woman’s life – which is unreservedly overcome by emotions and a constant questioning of death.

Sexuality is a topic which the artist often discusses in her songs. Unlike other singers, Pomme does not direct her feelings towards a certain “he” or “she”. Dealing with heterosexuality, bisexuality and homosexuality, the young woman explores her own uncertainty she once felt about her sexual orientation. Having gone through a phase when she didn’t know who she was attracted to has led her to write tracks directed at both male and female lovers.

Claire Pommet, who goes by the name of Pomme – which means “apple” in French – was born in 1996 and has already lived more life-changing experiences than most of us. Her music can be characterised as modern folk, a sort of tribute to some of Dolly Parton’s works, with an oh-so-smooth and delicate voice. With the help of her cello, autoharp and guitar, the singer has illuminated some of her darkest thoughts, turning them into powerful declarations and moving beauty.

Today, in a time where the LGBTQ community is flourishing and feminism is booming, Pomme proudly declares her homosexuality but still talks about everyone she has ever loved in her lyrics. Running her soothingly moving vocals on some of her heaviest secrets, the artist turns her pain into fine poetry.

There’s something about this innocent-looking artist which captures the hearts and sentiments of each and every one who happens to lend their ears to Pomme’s tenderly fervent burden. Les Failles – and its 2020 reedition Les Failles Cachées – lull us into her world, which sounds somewhat familiar to our own. Indeed, Pomme may appear like a calm individual, but when listening to her lyrics, it is obvious she has dealt with some of life’s bleakest hazards. Claire talks about some of her gloomiest moments in a way that moves people because of their reality and truthiness.

when you’re feeling happy: Je sais pas danser daydreaming: Les Oiseaux Date night: Une Minute When you’re feeling down: Anxiété heartbreak alert: 1996 after a long day: Saphir

Les Failles, meaning “flaws” in French, is the revival of feminine folk music and Pomme is definitely on the list of artists to watch in 2020. If only we could all turn our flaws into bittersweet nectars…

“Pourquoi la mort te fait peur? J’entends les sauts de ton cœur À travers les océans Tu sais que toi et moi Elle ne nous aura pas On ira sous l’océan”

Music

Cadence’s playlist – a pomme track for every mood

In her candid way, Pomme captures the hearts of her listeners by breaking them. Her shows have been known for tearing up every eye in the room, as if it was a purifying guilty pleasure on the audience’s behalf. Hitting those high notes with ease and shattering all our pain on the way, Claire appears to be the voice and representation of our inner thoughts, feelings and even fears.

Photo: Lil Bonhomme

14 “on another level, a lot and not a little I’m feeling kind of dizzy but i never slow my tempo On another level, I elevate myself Got the mojo and I can’t let it go”

Interview

Meet Hazzah – an upcoming rapper who’s already on another “Level” The Cherbourg-born artist tells us more about his collaboration with beat-maker ONZ

alling all rap, bass music and football fans. If you’re looking to join a new kop (editor’s note: a stand where the groups of hooligans are during a football match) – look no further. Let us introduce you to Hazzah – a young artist who’s just released the first track of his collaboration with beat-maker ONZ – “Level”. A few weeks ago, the excitement was real when the Franco-British rapper – Hazzah – shared an excerpt of his collaborative debut EP with beat-maker ONZ, giving us a little taste of what this project is all about. Showcasing pink and green neon lights, the video clip sets a mysterious and intriguing ambiance of London’s nightlife, accompanied by the absolute tune that is “Level”. Heavy bass lines, a revolving guitar and Hazzah’s grave, husky vocals blend well together on this first release, which has a bit of everything for everyone – and which got those signature black and white flags flapping all the more.

Music

Harry – AKA Hazzah – and Guillaume – ONZ – come straight from a small town in the North-West of France called Cherbourg. Being home to the famous and mythical Jacques Demy film – The Umbrellas of Cherbourg, the town’s music scene seems to be mainly rock oriented. Harry himself used to be in a grunge band called Juice a few years back – which gave him a feel for the industry up to some degree. However, today, a couple of rappers have emerged from this pretty-looking town, including ZEDOG – who released his debut EP entitled Z last December – and of course, Hazzah.

Finding the right balance between electronic beats, rock-like vocals and rap influences, the twenty-threeyear-old explains: “I want people to listen to my music like they’d listen to a banging rock album.” In the current musical landscape, we can take our pick when it comes to rap artists as the genre seems to be growing every day. And if anything has come out of the palette of singers who’ve topped the charts over the years – whether in the US, UK or France – it is that rap music can be combined with just about anything. Going back to when Hazzah and ONZ started making music together, it all began during the summer of 2019. The rapper remembers how it came from a common desire to try and make something out of their respective musical influences. A tricky project which was set to find the middle ground between some grungy vocals and powerful bass music instrumentals. “We’re both huge fans of the current rap music scene,” explains Hazzah. “We could see what was happening in the US with artists like Lil Peep, Post Malone, and even XXXTentacion – that’s to say that rap music could be combined with diﬀerent worlds and various genres to become one unique style. And we thought ‘Why shouldn’t we try it too? We could do the same.’ That’s how it all started.”

“if you’re someone who likes rock music and everything that’s happening in the current rap music scene – you’re welcome to join the kop”

Photo: Parade Black Label

“Going from one genre to another, this is the logical continuation of Hazzah’s works as a songwriter” Their video clip for “Level” has introduced Harry and Guillaume’s personas to a growing audience. Speaking of which, Hazzah was keen to tell us a bit more about this mysterious, confident-looking guy wearing chic sunglasses. “Hazzah is someone who’s just like everyone else,” states the Cherbourg-born artist. “He’s passionate about football, he loves rock music and he’s a rapper. He’s also very serious and melancholic – he’s been overwhelmed by life, by his everyday habits – and he’s sick of it. He’s ready to spell out some home truths in a way [laughs].” Watching “Level” unfold into this night-time road trip around London, it’s obvious ONZ and Hazzah complement each other well, making both their worlds collide in this levelled masterpiece.

Going from one genre to another, this is the logical continuation of Hazzah’s works as a songwriter. Although he went through a phase of writing solo material – following Juice’s disband – he missed being part of a group. “Working with Guillaume today, even though we don’t rehearse like a band would do – we communicate a lot via social media,” states Hazzah. “And there’s still that feeling that there’s two of us in this project, which is really motivating, especially when we’re doing something we love.” Bearing in mind Harry’s living in London and Guillaume in Paris, they’ve found ways of keeping their production going thanks to the wizardry of the 21st century’s technologies, which goes to show that when the motivation’s there – distance is nothing.

As our conversation went on, we spoke about the black and white flag which seems to be all over the lad’s Instagram account. For those of you who already follow Hazzah, you will have noticed the birth of a fervent community, before anything was even released. The “kop” as he calls it, refers to the same phenomenon which takes place during football matches. “As well as being passionate about music, I’m also a big football fan,” begins the artist. “We wanted to involve our audience in our project, and we thought of the hooligan phenomenon as – although I’m not a hooligan in real life [laughs] – they’re hardcore faithful supporters to their football club. And in the football stands, you can always see the kops forming, proudly waving their flags. We thought it would be quite fitting for our project.”

Both artists are part of a small independent label – Parade Black Label – launched by Hazzah’s manager – Mathis Robin – and ONZ himself. This project was initially a streetwear clothing brand, “they released a few samples of clothing a few years ago, but it stayed between their close circle of friends,” remembers Hazzah. “But then they came up with the idea of starting their own record label, as well as keeping the streetwear clothing brand side of things.” At present, Parade Black Label has three artists – Hazzah, ONZ and ZEDOG. While it’s currently a growing project, Harry was pleased to tell us they’re not ruling out the possibility of expanding and signing other artists.

This symbol seems to be working rather well for them and there’s no doubt their audience will be recruiting new members in the near future. To that, Hazzah was pleased to add “if you’re someone who likes rock music and everything that’s happening in the current rap music scene – you’re welcome to join the kop [laughs]!” The lads’ collaboration is probably one of the most promising projects coming out of Cherbourg to date.

ONZ and Hazzah are planning on releasing their collaborative EP soon, and while they haven’t shared a date yet, we can expect to see more of the two Cherbourgeois over the next few months. This project has only just been introduced to their audience, and yet it’s already growing on us like an addictive substance. One thing’s for sure, Hazzah and ONZ’s collaboration is definitely “on another level”. Make sure to join the kop by following Hazzah’s Instagram account: hazzahkop.

five albums which have influenced hazzah 1. 88GLAM – 88GLAM2 2. Yung Hurn – Y 3. $uicideBoy$ – Now The Moon’s Rising 4. Night Lovell – Red Teenage Melody 5. Travis Scott – ASTROWORLD

Music

“hazzah’s’s been overwhelmed by life, by his everyday habits – and he’s sick of it. He’s ready to spell out some home truths”

Photo: Parade Black Label

Photo: Louise K Mambi

“On s’est parlé, on s’est vu On s’est menti, on s’est crû On s’est aimé mais ce fut En un regard, tu l’as su”

Portrait

Maes – an eternal admirer of the banlieues From years of imprisonment to years of success

aes’ second album – Les Derniers Salopards [The Last Bastards] was one of this year’s most anticipated releases in the French music industry, following the success of some of his biggest hits – “Madrina” and “Billets Verts”. His album has been praised for its honesty and creativity – but who is this young sleek-looking rapper? Portrait of this proud banlieusard.

French rap has been known for being politically oriented and therefore, standing up to the government and authorities who are supposedly sticking by the country’s motto – Liberté, Égalité, Fraternité. This genre comes in handy when rappers want to share their points of view on their living conditions – and it’s not taken lightly. Over the years, artists such as Kerry James with his recent film – Banlieusards – have enlightened the rest of society on what it’s like to live in the suburbs. Maes’ latest album is yet another love letter to the environment he grew-up in – and a real eye-opener. In an interview with the French journal Libération, the rapper stated that prison was probably the best place to write songs – it has had a considerable impact on his lyrics. Emotions and feelings must be running high in a place where there’s nothing else to do than wait for time to go by. Maes used it to get on with his career. The singer – aged twenty-one at the time – decided to read books and put together what will end up being his first album entitled Pure.

Released in 2018, it proved to be a success in the French music industry. From that point, Maes was about to encounter a greater success. He’d already released a couple of mixtapes beforehand – Réelle Vie and Réelle Vie 2.0 – and even started a project called #MaesEstLibérable – a series of video clips introducing his style to a growing audience. Showcasing impeccable storytelling skills and strong aesthetics, it was probably one of his most remarkable projects to date. Although Maes has undoubtedly attained fame thanks to his own work, he’s also been able to benefit from the help of one of his peers – Booba, who has collaborated with him on a number of tracks. The rapper was part of the duo Lunatic in the nineties and is one of the most important names in French rap’s history, behind the likes of NTM, MC Solaar and IAM. His first collaboration with Maes – “Madrina” – was in 2018 and featured on Pure. This insanely catchy track made it to the top of the charts – introducing Maes to a wider audience who enjoyed this mainstream type of rap.

Music

Born in 1995, Maes grew up in the commune of Sevran, Seine-Saint-Denis, Paris. Being home to another one of France’s biggest rap figures – Kaaris, this north-eastern suburb is known for having a violent and drug-dealing background. His lyrics often reflect on life in the banlieue, painting a realistic image of the ongoing gaps between social classes in France.

Photo: Flora Metayer

23 Since 2018, the rapper has multiplied the number of interviews, tours and has released his second ground-breaking album. Les Derniers Salopards explores a range of sub-genres, influences and features duos with Jul, Booba and Ninho. Those three names are some of the biggest in the current music scene. Jul is the new face of French rap who has considerably developed the use of auto-tune, and Ninho is a growing figure in the milieu.

1. Billets Verts 2. Street 3. Madrina (feat. Booba) 4. Dragovic 5. Mémoire 6. Imparfait

Also, in a recent interview for a TV show – Clique – hosted by the cultural journalist Mouloud Achour, Maes revealed he found an inspirational melancholy in Aznavour and Balavoine’s songs. Indeed, it appears the rapper recognises himself in the late singers’ lyrics – another proof that rap music can be associated to any generation and genre. Les Derniers Salopards cleverly unfolds, giving us a sense of completion by the time the last track – “Imparfait” – comes around. By alternating between what appears to be anger-driven songs like “Elvira” and “À Côté de Moi”, and catchy ones such as “Blanche” featuring Booba – the artist continues to explore his own take on rap music. One of the most notable songs oﬀ this album is “Street”. As the title suggests, it’s evidently about his home and shares a bit more about his past experiences. Admitting that he is somewhat married to it, Maes pays tribute to the place and milieu which saw him grow, fail and elevate. The rapper is proud to speak about his social background – he transmits an infectious love and admiration for the urban milieu. In a time where rap is booming in France, artists find themselves resembling each other. We’re not sure how to describe it, but what’s currently happening in the music industry over there is the development and exploration of the multitude of sub-genres rap music has to oﬀer – and it’s incredible. Maes appears to have found his signature sound which lulls his listeners into his ghetto life constantly aware of the outside world’s perception, and his mother’s presence. This young artist is the perfect example of someone who has found his feet in a typical banlieue – but in an original and creative musical universe. The Parisian was meant to be touring some of the biggest festivals around France and Belgium this summer. While he’s adamant to stay in his banlieue regardless of his level of fame, his music will definitely go beyond the suburbs of Paris.

“J’suis aimé comme Ma riMe, Détesté comme Marine J’vends mula pour narines”

Music

Cadence’s playlist – Maes’ six essentials tracks

Therefore, there wasn’t much space for failure on this awaited album. Combining hardcore tracks with groovier ones, the artist has yet again expressed his art and feelings in a way that makes the banlieues seem like the best home any rapper could ask for.

Photo: Lil Bonhomme

26 Review

Sneazzy activates his Nouvo Mode on his second opus, delivering sleek, confident and mainstream rap A second album full of great collaborations yet lacking in creativity and originality Following the disappointing outcome of his first album – Super (which wasn’t so super after all) – this new opus appears to mark a turning point in his career. It’s obvious he has become more confident and learnt some of the fundamentals when it comes to making sleek-sounding rap tracks. He ticks all the boxes when it comes to blending in with the mainstream rap scene, but he might still need to distance himself a bit more from his peers to truly make a name for himself.

t’s with great pleasure that the comedian, actor and now rapper Sneazzy has released his second solo album – Nouvo Mode on March 6th. Although his collaboration with another artist called Nekfeu has led him to court, and some tracks give us an impression of déjà vu – his opus does have a lot to oﬀer. Cadence has reviewed this release which features some of the biggest French rappers and delivers an in-depth insight into Sneazzy’s views.

Music

Mohammed Khemisa – AKA Sneazzy – has been known for being part of a rap group called 1995, which is also made-up of Nekfeu and Alpha Wann – two other notable names in today’s French music scene. Although his previous solo EPs and works with his fellow rappers have introduced him to the rap industry, Nouvo Mode is Sneazzy’s attempt to build his identity.

When listening to the first two tracks – “À Quoi Tu Joues” and “Paie le Prix” – there are some serious SCH vibes. Indeed, the rapper from Marseille has been topping the charts for years, and his latest album entitled Rooftop was probably one of 2019’s finest. Sneazzy appears to have borrowed that gangster-like feel to his tracks from the prominent artist. Although it works and we find ourselves listening to it again and again until we can’t take any more of that banging urban sound – it has already been done, we’ve heard it somewhere else. The same goes for “Étincelles” which sounds just like a French version of Travis Scott’s “SICKO MODE” combined with his recent JACKBOYS project. Having said that, there are some really good tracks on this album which deserve to be recognised. “Zéro Détail” occupies the thirteenth place on Nouvo Mode’s tracklist – and it couldn’t come at a better time. This collaboration with Nekfeu hypes us and leaves us hungry for more.

“Nouvo Mode is sneazzy’s attempt to build his identity”

Speaking of that particular track, it’s probably the best out of the twenty songs on this album, but it’s also the one which has made Sneazzy famous – and not necessarily in a good way. Following the release of the video clip of “Zéro Détail” – which was taken down three days later – the young artist was accused of threatening to kill a CNews presenter – Pascal Praud. Being a denunciative song addressing the works of journalists and the media in general, Sneazzy appears to have overstepped the mark when talking about the TV presenter. The lyrics “Les journalistes salissent l’islam, sont amateurs comme Pascal Praud / Ça mérite une balle dans le cervelet, le canon au fond de la bouche” [“The journalists sully Islam, they are amateurs like Pascal Praud / They deserve a bullet in their cerebellum, the canon at the bottom of their mouth”] haven’t been taken lightly. In fact, they’ve caused a massive confusion as to whom the rapper was referring to. Sneazzy claims Praud isn’t the one designated by the use of the second “they”. The pronoun was allegedly meant to designate Islamists who are often frownedupon and told to be quiet by the media.

Following the scandal, the artist has communicated a letter apologising and enlightening us on the meaning of his words. A clumsy move or a hidden accusation – Sneazzy is adamant to pick up the pieces. For someone who’d managed to stay discreet when it comes to producing his own tracks and working on other projects, this one has blown up in his face big time.

Coming back to the album in itself, Nouvo Mode is a great second release for the French rapper. While it contains some bangers for those of us who enjoy some more mainstream rap, it lacks a bit of originality on some aspects. It does, however, unfold well and the tracks complement each other nicely. Adding to that some pretty impressive collaborations, which make up no less than six songs of this album, there’s certainly something to work on and admire there. Sneazzy’s definitely on his way to greater levels, but he might just need a bit more time before being considered as an innovative artist.

“L’amour peut donner des envies de guérilla , les blessures du cœur, personne ne les guérira”

Rappers Sneazzy (left) and Nekfeu (right). Photo: @lucien_courtine

Anna Jean â&#x20AC;&#x201C; Juniore. Photo: Hedi Slimane

“Ah mon pauvre cœur arythmique T’en as vu de toutes les couleurs”

Review

Juniore take us back to France’s yé-yé years with a futuristic second album – Un, Deux, Trois An opus we’ll be playing on repeat all year round

fter touring the world for about three years following the release of their debut LP, the Parisian trio – Juniore is back with a second fascinatingly retro album entitled Un, Deux, Trois. Juniore have been known for developing their sunkissed vintage vibes, proving that the leg-twisting sixties are still à la mode and that French is THE sexiest language ever. Their tracks are typically what you’d expect France’s music to sound like in all its sensuality, catchiness and retrograde. Un, Deux, Trois gives us a taste of a distant yesteryear, bringing back the catchy melodies, voluptuous vocals and swinging dance moves from the yé-yé years, and opening the doors to sweet love stories, deep heartache and bittersweet melancholy.

This album is made up of eleven tracks, and cleverly alternates between some bouncy bass-driven gems such as their signature “Ah bah d’accord” and some irresistible ballads like “En Solitaire”. It’s almost as though the trio gives us time to catch our breath before going back to tapping our feet and frantically nodding our heads to Samy Osta’s guitar riﬀs. The guitarist has produced a number of albums, including some by La Femme and Feu! Chatterton – two other oh-so-French acts. Although he hides himself under a massive black hat, his guitar and bass lines are the making of Juniore’s sound. That, and singer-songwriter Anna Jean’s sensual vocals and sultry cachet, and not forgetting the talented drummer – Swanny Elzingre’s moderated touch. Together, the three Parisians have found a new breeding ground to explore, a sort of tribute to Brigitte Bardot’s sun, sex and seashells vibes, bringing back some of the sixties’ finest yé-yé influences – or as Anna Jean likes to call it – “yé-yé noir”. Keeping the recipe for their signature surf music sound to themselves – we’re all the more fascinated by this chic and aesthetically pleasing band after listening to their latest release.

“À l’âge tendre des rendez-vous, Des esclandres et des tabous, Je file en douce comme un joyau”

Photo: esns.nl Un, Deux, Trois opens with the luscious and hypnotising “Soudain”, before following on with the more sophisticated, organ-driven “Grave”. By the time the fifth track – “Walili” – comes around, we’ve fully travelled back to a time where Serge Gainsbourg, Françoise Hardy and Brigitte Bardot were topping the charts, and Juniore was ahead of its time. This enthralling whirlwind of instruments gets us in the mood for the dizzying chorus of “La Vérité Nue”, showcasing an upbeat tempo and some fascinating bass lines. While “Que La Nuit” is great for a cosy date night, “Adolescent” wraps up the album with on-point harmonies, some “sha-la-la-las” which make us want to dig out our sixties collection right away, and a very personal reflection on time slipping through the lead singer’s fingers. A nostalgic track perfect for those summer blues and which, quite frankly, closes this second opus in the best way possible.

The trio has been touring across the world and have been collecting the radio spots on BBC Radio 6 for a few years now. While the language barrier might be a problem for some, Juniore appears to have reached out beyond the borders with their French touch, giving the sometimes-misunderstood culture a second chance. Juniore is like a breath of fresh air in this confined period of time, and we simply can’t wait to sunbathe while listening to this sun-kissed album, and let our minds travel to this modern sixties-inspired Parisian paradise.

“Un, Deux, Trois is like a tribute to Brigitte Bardot’s sun, sex and seashells vibes”

Photo: Lil Bonhomme

34 “Their music has been described as “pop you don’t make anymore”, yet with them it works”

Interview

A colourful fool’s paradise – Isaac Delusion tell all about their latest wave of joyful illusions and heartache – Upli!ers. The electro-pop duo spills the bins on their new album

ollowing the release of their third album, Uplifters, the Parisian electro-pop duo Isaac Delusion, had a little chat with Cadence to tell us more about their latest bundle of joy.

cleverly-crafted songs, that are diﬀerent but sound somehow familiar. All they’ve done is find their way back to their roots on this electro-pop journey. And it all falls into place perfectly, following a distinctive previous opus – Rust & Gold.

Released on November 8th, Uplifters has proven to be yet again an album like we’ve never heard before. Their music has been described as “pop you don’t make anymore”, yet with them it works. Even though they sound like pure brit pop, their music still has that unique made-in-France touch. Perhaps it’s the French lilt, or that neat synth vibe, or just their general sound.

Speaking about the latest one, Loïc remembers how it all went terribly wrong when their hard drive containing all their original tracks died. “We’d originally started recording something completely different,” the singer explains. “But when we lost all our recordings, it was the opportunity for us to start again somehow.” To that, Jules adds: “Uplifters is a turning point for us. We’ve left some stuff aside and gone back to our initial sound, but it sounds completely different to what we’ve done so far.”

We thought we’d have a little chat with the duo to find out more about their latest release. But first things first, for those of you who’ve never heard of Isaac Delusion, this electro-pop band is made-up of two Parisian lads: Loïc and Jules. Going back to the end of the year 2010 when they started out, they have since then released three albums to date. Last November saw Isaac Delusion share their third one, containing eleven spontaneously-written yet

Music

“Son entrée dans un studio Décor couleur menthe à l’eau Perdue dans sa mégalo Moi je suis de trop”

Although they would’ve liked to have had maybe one or two artists feature on their album, Isaac Delusion are still hopeful for some collaborations in the future: “This album has been written inside four walls, and no one else except our close team has contributed to it,” states Loïc. “Thinking about our next albums though, we’d like to expand and record some songs with international artists.”

Photo: Rene Habermacher

36 “Uplifters is a turning point for us. We’ve left some stuff aside and gone back to our initial sound, but it sounds completely different to what we’ve done so far” As our conversation went on, I brought up the topic artists usually enjoy speaking about – influences. It turns out they haven’t got anyone in particular who has impacted their work when it comes to their catchy melodies and voluptuous vocals. “We’ve got various and very different influences, from all over the world,” explains Jules. “We listen to a lot of Phoenix, who are from France, and Radiohead. We consider ourselves as pop, especially British pop, but we don’t actually have one particular artist who has influenced us from that music scene.” We spoke and laughed about different aspects of their career, but what we really wanted to know was how they started and developed Isaac Delusion. They have gone from being a simple duo to having more musicians accompanying them throughout their journey. We weren’t disappointed when they both told us about that one night that meant they had already ticked off one of the boxes on their list of goals to achieve, without even noticing it. “We had a gig in a small apartment one night in 2011,” starts Jules, “and someone from Radio Nova was there, but we didn’t know that. Next thing we know, this guy is playing our song on [Radio] Nova, and we’d achieved our biggest goal ever without even realising it. It was mad to hear our song on one of our

cadence’s pick – top five songs from uplifters 1. Fancy 2. J’ai pas l’habitude 3. Basement leisure 4. Disorder

Music

5. Magicalove

favourite radio stations, when from our point of view, we’d barely even started reaching out to people to try and make a name for ourselves.” Before asking the guys about their album, we were thinking of words to describe it. ‘Pop’, ‘spellbinding’ and ‘uplifting’ were some of the few that came to our minds. But when we asked Loïc and Jules if they could describe it in one word, their answers were, quite frankly, perfect. Indeed, it’s all about “pastel” colours and that “sparkling” energy that is omnipresent and which they share with us on this ongoing voyage. The duo is set to go on tour this year, and they already stopped at Omeara London in February. This wasn’t the first time they had performed a sold-out show in the UK as they’d already done a few shows here back in 2014. Nonetheless, Jules was very pleased to tell us how excited he was just before coming back to London. Hopefully they have managed to conquer the hearts and ears of pop-lovers over in the UK. For those of you who don’t know Isaac Delusion yet, make sure you check them out. They sound incredibly British but with a very French feel to them. Perfect for anyone who’s in need of a bit of cheering up and a lift during the gloomiest of days.

“Noyé dans la fumée J’ai pas l’attitude pour briller Aller te chercher Mes mains sont glacées Inutile d’insister C’est pas l’altitude qui me fait dévier Coincé dans ma fusée Trajectoire inclinée Je te regarde bouger”

Photo: Rene Habermacher

C ulture

“C’est une honte!”

How this year’s César have shown considerable fractures in the French cinema industry

It was a night to remember for the male-dominated milieu

Over the past years, Les César had already caused havoc by including and inviting Roman Polanski, who has been accused of rape and sexual harassment. However, in a time where feminist movements such as #MeToo are growing day by day, it came as no surprise that the tension was running high between actors, actresses and directors. Looking at this year’s poster, the late Anna Karina was chosen to represent women’s beauty, independence and freedom. The actress who passed away last December was highly influential during the New Wave and was one of France’s most-loved personalities in the cinema industry. Although the poster is a beautiful tribute to her and women in general, it’s all the more paradoxical knowing Roman Polanski was voted best film director. This award was only another element that made us think “What the hell?” while watching the ceremony. Indeed, before it had even started, the traditional event was experiencing various hiccups which led everyone to believe there was a general bad smell revolving around the reputable César. Days before it was due to take place, the whole board of the event’s directors resigned for numerous reasons. What’s more, certain notable names in the literary industry

“On se lève et on se casse”

found themselves refused the right to attend. Virginie Despentes for example, is a well-known writer who wasn’t allowed to take part. Not forgetting the jury of this awards ceremony is made-up of sixty-five per cent male representants, it’s fair to say the controversial side was growing considerably – and that was just the start of it. On the night of February 28th, actors, actresses, directors and producers were welcomed under the rebellion movements of no less than two hundred feminists. Proudly holding up signs on which we could read “Polanski violeur, cinéma coupable” [“Polanski rapist, cinema guilty”], it was clear this year’s César weren’t going to be the usual catalogue of perfect lives for the perfect people. Being like an annual family gathering where no one actually wants to be there but still put on their best smile for the camera – it’s usually the opportunity for us viewers to drool all over the dreamy lifestyles and impeccable styling of all these good-looking personalities. But not this year. The cinema milieu is often the representation of society, and it’s fair to say the image we got this year was a terribly fractured one. As soon as Les César 2020 started, the humourist Florence Foresti took to the stage to open the ceremony and didn’t hold back on making jokes regarding Polanski, who’d been nominated no less than twelve times for his film J’accuse. The FrancoPolish director decided not to attend but that didn’t stop the general disbelief for those who were there when he was crowned best film director. At that point, Adèle Haenel, a famous actress who also happens to have recently opened up about being sexually assaulted when she was twelve, and her friend Céline Sciamma, a film director, decided to leave the room.

Culture

n February 28th, the 45th edition of France’s film awards ceremony – Les César took place at the Salle Pleyel in Paris and caused a number of reactions from all perspectives. This year’s ceremony was set to be eventful following the numerous scandals which have surfaced regarding the film director Roman Polanski, and feminist movements taking place in the capital. It was definitely hectic to say the least – in fact, we’d even say it was an eye-opener on how much the cinema industry sucks.

Photo: Berzane Nasser, ABACA

These two women eagerly showed their disapproval regarding how much this ceremony turns a blind eye when humanity is concerned – and many have praised them for their courage ever since. Adèle Haenel stormed oﬀ holding her head high, shouting “C’est une honte!” [“This is a disgrace!”] before being followed by a dozen of other actors and actresses who’d all equally taken this as a slap in the face. Even though this is an act of feminism, it’s also the representation of how the cinema industry works in France, and in the world. There are a number of emerging female film directors who have come to light over the past years, and although they’ve been nominated for Les César – little are those who’ve actually taken an award home. The milieu has made progress when it comes to recognising women’s works but there’s still a long way to go before total equality between men and women.

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It has been years since sexual harassment has been at the heart of many scandals, especially with the Harvey Weinstein case in America, and Polanski in

France. This leads to the question of whether this should be taken into account when judging someone’s film or not. There’s a large division between those who refuse to watch Polanski’s films because of what he’s been accused of; and those who separate the accusations from his works. We live in a period of time where the freedom of speech, demonstrations and movements are spreading more and more – and rightly so. Therefore, awarding an alleged rapist when there were other brilliant films in the same category doesn’t add up. Once again, this is only another kick in the teeth for every woman in the industry. Adèle Haenel, Céline Sciamma, Florence Foresti and more stood up to the fact male individuals are put on a pedestal, and if the jury was hoping this would go unnoticed – it was an epic fail.

“The cinema milieu is often the representation of society, and the image we got this year was a terribly fractured one”

45 Following the event, the writer Virginie Despentes wrote a powerful column which was published in the French newspaper – Libération. Stating how these inequalities need to stop, how humanity needs play its part when it comes to the jury’s vote, and how women shouldn’t be considered as inferior to those who have spent thousands on films – her letter has rattled the cage of many celebrities. Acknowledging Adèle Haenel’s courage and determination to lead the way to the rebellion, Despentes argues how we have reached a point in time where women no longer need to accept these inequalities. “On se lève et on se casse” [“We get up and we walk away”] – and there’s nothing stopping anyone to do so.

Thus, the 45th edition of Les César has not only caused mayhem in the celebrities’ entourage; it has once again, depicted an unenviable industry which seems to swear by a misogynous yesteryear’s principles. Indeed, although female empowerment surfaces from the controversy of the ceremony, there is also a considerable worrying side regarding how actors and male directors are always prioritised and awarded during this ceremony. We can only ask ourselves what will come out of this next, and if there will be a 46th edition. In the meantime, feminists are still going strong and the chauvinist reality of the César has been uncovered all the more. How the cinema industry’s scars will heal from the opened wounds is another thing.

“WOMEN stood up to the fact male individuals are put on a pedestal, and if the jury was hoping this would go unnoticed – it was an epic fail”

Photo: Ohmymag

Photo: Lil Bonhomme

Photo: TEDx around the clock

49 “Social media make feminism a lot more accessible”

Interview

Rap and feminism, journalism and political activism – when one complements the other A conversation with Éloïse Bouton, ex-member of Femen and founder of the media Madame Rap

eminism and rap music have been evolving over the past decades but numerous are those who still think one can’t be associated with the other. That’s where they’re wrong. It’s as if we said being a journalist and an activist was impossible – it’s not true, and Éloïse Bouton is the living proof. Being an ex-member of the feminist group Femen and a freelance rap journalist, she explains how rap music has had an educational role in her life. Founder of her own website – Madame Rap, the first French media dealing with female rappers and which shares a fresh insight into the urban culture, the author of Confession d’une ex-Femen agreed to have a chat with Cadence about these misunderstood topics. Cadence: First of all, could you explain how the idea of creating your website – Madame Rap – came about? Éloïse: It was end of August 2015, I’d noticed a few things which were bothering me. The first one was that I was an independent, freelance journalist and every time I came up with an idea for an article about women and rap music, people often told me that it was of no interest to anyone, that it would only concern a very specific audience. But I disagreed and decided to create this space where those voices, those artists could be recognised and exist. Then, I simply wanted to show that there were women in the rap music industry, unlike the impression given by all the masculine, very misogynistic and virile clichés relating to rap music. Even though they’re not

very famous and they’re not promoted by the media, record labels and music festivals, there are a lot of female rappers out there. Finally, my third motive was, because I was a feminist militant in the “traditional” associative milieu – with Caucasian women, quite wealthy and heterosexuals – I was often told being a feminist and listening to rap music wasn’t compatible. I had to pick a side and I wanted to show that it was wrong. It was a stigma like any other and we could, without the shadow of a doubt, be a feminist and listen to rap music. It’s not any more contradictory than anything else that’s for sure. Cadence: Where do you think this wrongful perception regarding rap music and women comes from? Is it mainly because of the lyrics? Éloïse: Of course, it’s not a case of saying there are no sexist lyrics in rap. I think the video clips played a big part in this too, especially those from the nineties. There were some which would objectify and sexualise women who’d then be seen as a foil to male rappers. I think that has had an impact. But I also think the majority of those who believe that don’t know anything about rap. They only picture one kind of rap – the type of rap that’s popularised and often dealt with in the media. But that’s really not representative of the variety of rap in general. What really gets me is that there’s absolutely no problem in talking about sexism where rap music is concerned. But if we do that, then we have to talk about sexism in pop, rock, metal, electronic and classical music too.

Culture

“I was often told being a feminist and listening to rap music wasn’t compatible”

Photo: TEDx around the clock

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Cadence: Maybe it’s because of the way in which it’s done. Rap music has a more direct, less delicate way of saying things compared to other types of music. Éloïse: Absolutely, it’s definitely the use of blunt and provocative language which shocks people. But considering rap music as a more sexist type of music is also a way of saying “your language isn’t as valuable”, or “your art isn’t comparable to other traditional artists’” – who have also written sexist horrors. Often, it’s the perception of the dominating culture which disregards the counterculture, and which also has race and class prejudices as well as preconceived ideas regarding those who make the music, who are – in most cases – from rough backgrounds. It’s a sort of counter-power and counterculture. They are the voices which are not the ones from the dominating culture, and that’s what is blocking people.

“Between all the different types of feminism out there, there’s bound to be one – if not more – which corresponds to our individual opinion”

Cadence: Did rap music encourage you to become a feminist? Éloïse: Oh yeah completely – and strangely I’d even say. That’s why I can’t understand when I hear people saying you can’t be a feminist and listen to rap music. When I was in my teens, I listened to a lot of female rappers. For me it was “easy” to discover them, I grew up without the Internet at the time, but there were some who used to be on the French TV. And then with the cabled-TV, MTV Base and so on, there were more and more. I was fascinated by their appearance, they weren’t Caucasian, slim, young, and they didn’t particularly correspond to the occidental beauty standards. Some of them weren’t heterosexual, there were all these diﬀerent identities which really inspired me. Then, I started to take an interest in the English language to understand what they were saying, and I thought their lyrics were emancipating. They even played an educational role in my case, their lyrics spoke about things that no one, no parents, no society, no school had ever taught me.

Cadence: It’s a more realistic vision of the world around us, unlike other genres. Éloïse: Yes exactly. Back when I started listening to female rappers, technically no one had told us what a clitoris was. My parents, my school never explained what it was. But when I discovered Lil’ Kim, I also discovered I had a clitoris [laughs]! It sounds stupid but I learnt that thanks to Lil’ Kim, just like I learnt about sexual harassment on the streets by listening to Queen Latifah, for example. She spoke about things that I – aged 12, a French Caucasian living in a provincial area – could experience too. I consider rap music as educational as it dealt with topics I couldn’t talk about with my entourage, and it also started new discussions with my friends like “Have you heard her new song? What do you think?”, “It’s not right”, and it would make us conscious of certain inequalities and problems. Although we didn’t live the same lives as those rappers, they spoke about topics which resonated in us. Cadence: At what age would you say you started taking an interest in feminism? Éloïse: With the full knowledge of what “feminism” meant, I’d say at sixth form college. I used to be interested in it before, but I think it was during my last year or the year-before-last at sixth form that I started saying I was a feminist. Then at university it became a part of me. Cadence: What’s your opinion regarding the current movements such as #MeToo and even Femen? Do you think activists are right to protest in this way or should they find new ways of demonstrating? Éloïse: Regarding #MeToo as well as what is going on with Les César, and even the freedom of speech in the sports domain – I’m delighted. At last! It’s about time things changed. I don’t know if it will actually allow sexual violence victims to be recognised as such, as quickly as we’d like, but there will definitely be a before and after. We won’t be able to act as though we don’t know what’s going on, or deny it or be those abusers’ silent accomplices anymore. And I think that’s a positive thing, it’s great that there’s this sudden collective enthusiasm. Regarding the movements’ actions, I can’t find any fault. There are

certain actions which resonate with me more than others. If I left Femen it was because I couldn’t relate to it anymore. Their actions are still relevant, but the way in which they dealt with certain topics wasn’t necessarily what I wanted to do. I think I’d reached my limit where associative activism was concerned, I’ve been an activist in numerous associations since I was teenager, so I think I’d done just about everything. I was tired of it [laughs]! What I like about social media and the Internet today – even though they are also a source of violence – it gives the opportunity for anyone to start a march, a movement, to speak up and to be more or less heard. I think it makes feminism a lot more accessible. Before, only academics and people who were in a dominant position in society could make themselves heard. Now, you can be a teenager living in the countryside in the middle of nowhere, with no theoretical knowledge of feminism, and still start a movement which might go viral. There are a lot more voices out there, it’s plural and that’s what’s interesting. Between all the diﬀerent types of feminism out there, there’s bound to be one – if not more – which corresponds to our individual opinion. Cadence: So you don’t regret leaving Femen? Éloïse: No, not at all. But I’m also proud to have been part of Femen. Cadence: Fair enough. Now, coming back to rap music, what do you think of the current rap music scene in France? Éloïse: I think the French rap music scene in its entirety is flourishing. It has become a breeding ground for artists, and I get the impression that rap is the most creative genre, the one which innovates the most, which has borrowed from numerous musical and social trends, and also which is very permeable to our time – it changes all the time. I find it very rewarding. Before, there was only one kind of rap, which was rap conscient – or gangsta rap to caricature it. Earlier I was talking about diversity in feminism, and I think there are currently lots of diﬀerent subgenres. There’s rap which almost sounds like pop music, rap that resembles afrotrap, rap which goes back to slam, cloud rap, etc. There’s a whole palette of sub-genres and it’s very rich, as much in the songs as in the people who write them.

Culture

“French rap has become a breeding ground for artists”

52 “In France, we’re really lacking in a culture which encourages someone’s activism and associative actions” Cadence: Absolutely, but it’s still a shame that this music scene stays very masculine. French female rappers aren’t half as recognised as artists like Booba and PNL. It makes us wonder what needs to happen to trigger something in the people’s mentalities and society, because there are a lot of female rappers out there. Éloïse: I agree. I think it’s a combination of diﬀerent factors. Once again, the way the media deal with female artists plays a big part in this. The same goes for how they represent them, how music labels and festivals promote their work. We’re in 2020, and we’re still introducing female rappers as though ohla-la how exotic! A woman who makes rap music! It’s a big problem. By doing that, it excludes certain people who think it’s sold as something for girls. But we’re not interested in that. Personally, being a rap lector and listener, if someone comes up to me and introduces me to an artist saying it’s for girls – I don’t want to know. And yet I’m a woman, but I don’t want someone to speak to me like that. I want them to tell me more about the artist, what she does, what she sings about, what she thinks, etc. I don’t want someone to present a female artist as a girls’ product, made for girls. I think this is still the case today and that’s why it doesn’t work as much. There are some young girls, teenagers who will still listen to them, because they’ll be like role models for them – and that’s great. But from a wider audience’s point of view, a lot of people will feel as though it doesn’t concern them. It’s a shame.

Culture

“I don’t want someone to present a female artist as a girls’ product, made for girls”

Cadence: Before I ask you one last question, I’m curious to know which artists you’re listening to at the moment? Éloïse: Obviously I listen to lots of different female rappers in relation to Madame Rap. I’m also a huge fan of Prince, I often go through some revival phases when listening to his music [laughs]. Otherwise, coming back to rap music, there’s an Indian rapper called Dee MC whom I really like. It’s linked to my profession, but I get to a point where the limit between pleasure and my job is very thin [laughs]! I really like Her, a female rock band called Le Butcherettes – who remind me a lot of the Riot Grrrl movement. I listen to a lot of different things. Cadence: And if you could give one piece of advice to those who would like to become activist journalists – whether for feminism or another cause – what would it be? Éloïse: I’d tell them to change country [laughs]. That’d really be the best advice, unfortunately. If you try becoming a militant journalist in France, it’ll be very, very difficult. It’ll be frowned-upon and ostracised. It’s hard enough to become a journalist altogether nowadays; I’d say you need to go to Nordic and AngloSaxon countries. They often have a certain relation to the subjectivity linked to these specific topics, and they value it a lot more. In France, we’re really lacking in a culture which encourages someone’s activism and associative actions. It’s considered as a quirk and even a problem. Personally, I’ve always been told I couldn’t be an activist and a journalist, because they cancel each other out. Whereas in Anglo-Saxon countries for example, it’s considered as a sort of prowess. They’ll tell you that because you’re a feminist or an ecologist or whatever, you know that topic inside-out and you’ll be able to have a certain expertise, you can deal with that particular subject. That would be my advice.

Photo: TEDx around the clock

Photo: Lil Bonhomme

La Page Pop

57 Pop culture

Stay at home – it’s all happening online anyway Self-isolating in the virtual world

s the number of countries on lockdown keeps on growing, people around the world have come together to find ways of entertaining and socialising, without having to leave their homes. One of the beauties of living in the 21st century – a time where staying at home and seeing your nearest and dearest is possible – is that our social life can keep on going via social media, and we’re spoilt for choice when it comes to finding something to pass the time. Here’s what some mainstream artists and small businesses have come up with to keep the spirits and positivity up. Anyone who’d planned on seeing their idols live over the next couple of months had to be disappointed when all tours were cancelled. Luckily, some singers have found ways of staying in touch with their fanbases – oﬀering them the chance to virtually meet-up with them during livestreams. Christine and the Queens and others have been streaming daily sessions on their Instagram accounts. Private acoustic gigs, joking around or even producing special video clips to occupy their viewers, it’s fair to say we have been able to take our pick when it comes to spending time with our idols in the virtual world. Another artist who has made good use of self-isolation is Laurent Garnier. The king of electronic music shared a seven-hour long mix on his SoundCloud account, turning his self-isolation into an altruistic period of music production. Indeed, numerous people have been reflecting on how this self-isolation period of time has given them the opportunity to tick oﬀ boxes from their reading lists, start a project they’d never had time to do so far, and so on.

Back when Italy’s self-isolation started, people were seen singing from their balconies, and while this has yet to happen in France, there have already been a few events circulating on social media. Inviting inhabitants to take part in a national balcony concert, it’s almost as though this has become a Covid-19 tradition. As well as making time go by a little quicker, seeing as many neighbours gather on their balconies to share this moment helps spread a bit of joy in one of the darkest times. Going back to when the French Prime Minister – Edouard Philippe announced the closure of bars and nightclubs in France, a bar in Lyon had the idea of streaming a party in their venue via Twitch. Customers and partygoers could watch it from their living rooms and enjoy themselves just as much – without risking spreading or catching Coronavirus. All you had to do was stock up on beers – and toilet rolls – and you were good to go for a night-out – well, in. You get what we mean. Since then, other businesses have amused their regulars with some online events. France has been on lockdown for a month now, and with four more weeks to go, we’re expecting to see more creative ways to keep ourselves entertained in this waiting game. Stay inside and don’t risk spreading the virus – it’s all happening online anyway.

Culture

Every cloud.

Photo: Lil Bonhomme

60 Review

Validé – The first series about French rap Our five-star review of the game-changing TV series

Photo: Canal+

Culture

“This TV Series couldn’t have come at a better time”

imes are changing. Wave goodbye to the endless decades which saw rappers and the media go to war. Today, the TV channel Canal+ has its own series about French rap and it has been “Validé” [approved of] by a lot of newspapers and websites, including Cadence. Here’s our review.

Directed by Franck Gastambide, Validé got oﬀ to a good start with its cast of new and well-known actors. Gastambide himself has been at the heart of the French cinema milieu ever since his appearance in the legendary Taxi 5, and his unique TV-series Kaïra Shopping – which made him sign on the dotted line for success. What’s more, the series couldn’t have come at a better time or place.

Yes, we know – another piece about French rap. You just have to look at France’s charts and Spotify’s New Hits playlist to see that the country has an incredible amount of rappers on their way to conquer the music industry. Bearing in mind the genre started out in the nineties, artists have since then made it a whole new cultural phenomenon made in France. Specialists and journalists have been arguing over what it really brings to the country’s culture in terms of image and representation. However, over the past few years, there has been a slight evolution in the way the media deal with rappers and their oh-so-daring lyrics. More and more platforms dedicated to this specific genre have come to light – and it’s now time for it to have its own series.

Showcasing fresh talents, a great soundtrack and shining a light on a somewhat frowned-upon environment, Validé is like a breath of fresh air when it comes to rap music and the banlieues [suburbs]. The synopsis revolves around a young rapper called Clément – AKA Apash – whose style gets “validé” by some big names in this particular music scene. He soon finds himself stuck in the middle of an imposing rivalry between him and his two best mates – Mastar and Karnage. While the latter is the main character’s protégé, Apash has been a huge fan of Mastar since a very young age. The superstar will end up being his enemy and making his life hell in order to become the biggest rapper of all times.

Whether this is a subtle reference to the important clash that has been going on between two of France’s most important figures – Booba and Kaaris – or a simple coincidence – there has been no confirmation on the cast’s behalf. One thing’s for sure though, the ten episodes of Validé are ingenious when it comes to representing the reality of rap music. If anything, the series is an eye-opener on how hard it is for artists to make a name for themselves in such a competitive environment. From Hatik – who plays Clément – to Sabrina Ouazani – AKA Inès Belmadi, the Jangle Music record label manager – the actors and actresses are all equally as good as each other, which makes this series strong and captivating. What’s more, there are a number of rappers from the current music scene who feature in it. To name a few, Lacrim, Ninho, Mister V and Rim’K all appear throughout the episodes.

What we really enjoyed about this new programme is the way in which it develops. We automatically find ourselves wanting to know more about how Clément will manage his career with the help of his mates, and not forgetting Mastar, who follows him like a bad smell. Also, it depicts the environment in which rappers live. Indeed, they are always surrounded by violence and intense rivalry, but the sense of community and accomplishment that comes out of these banlieues is something that can’t be equalled. A complex setting to grow in but, as nearly every rapper has said – they wouldn’t change it for the world.

All in all, this exclusive Canal+ series has definitely been “validé” by us, and it’s a must for any rapmusic lover out there. We struggled to find any faults while watching it, and that’s simply because it’s what we’d been waiting for ages – a realistic perception of a genre which has gone from being destroyed and misconstrued, to becoming the heart of French music.

“Validé is a realistic perception of a genre which has gone from being destroyed and misunderstood, to becoming the heart of French music”

Photo: Jean-Vincent Simonet

“Some may think this resembles porn, others will find it inspiring”

Review

Sumptuous stiletto shoes with red soles – an exhibition of Christian Louboutin’s finest works A five-star review of the expo at Le Palais de la Porte Dorée in Paris

Photo: Lil Bonhomme

Back in the eighties, many creative minds used to meet in a nightclub called Le Palace – the place to be for any culture-lover in Paris. Mick Jagger, Karl Lagerfeld, Andy Warhol and Christian Louboutin were some of the regulars who attended this underground venue.

Being a true breeding ground for artists, the place saw many diﬀerent personalities come together – and has led to some interesting collaborations between them. Having been named “la génération Palace”, the nightclub and its unique clientèle became the heart of the gay and pop culture in the capital. Before being part of that phenomenon, Christian Louboutin decided to put his education on hold to join this prestigious and renowned milieu which exudes the best of French culture. A one-way trip that will see him conquer the world and take manufacturing stilettos to greater dimensions. L’Exhibition[niste] shares the artist’s universe to the public, showcasing some exclusive collaborations and works which had never been on display anywhere else before. Evidently, we couldn’t wait to discover what it was all about.

Culture

ny fashion-lover will have heard of Christian Louboutin, the shoe-designer who invented the famous red-soled stilettos. The French fashionista has been working with numerous artists since he started his career – including Jean-Paul Gaultier, Andy Warhol and David Lynch. Today, a number of the Parisian’s most notable collaborations are being exclusively exhibited at Le Palais de la Porte Dorée in Paris. Cadence has reviewed this shoestopper of an exhibition.

64 “Louboutin took a one-way trip which would see him conquer the world and experiment new dimensions when it comes to manufacturing stilettos” First of all, Le Palais de la Porte Dorée in itself has a lot to offer – and even more so for Christian Louboutin who has been a great fan of the African designs ornamenting the museum’s walls. To have these works of art displayed in this gallery is a tribute to where some of his fervent inspirations were born. Indeed, the designer has been known for expressing his cultural curiosity from various countries, and this particular palace has given him a number of starting points when it came to designing some of his souliers [shoes]. Walking around the exhibition, many of Louboutin’s earliest heels and soles are on display, illustrating their evolution. They’ve been through different manufacturing phases and while it might sound boring for some, Christian Louboutin – L’Exhibition[niste] puts into perspective how much the creator has revolutionised certain aspects of the industry. By making it interesting and accessible to everyone and anyone, it’s fair to say this expo got off to a good start. Lengthwise, it runs through a total of ten rooms – each displaying exclusive sketches and aspects of the Frenchman’s works. There are two notable collaborations which haven’t been shared with the public before. One of them is with the photographer and film-maker David Lynch.

Culture

Having been put on display in the ninth room, this collaboration gives a feeling of the cerise sur le gâteau [cherry on the cake] for the viewer. Presenting erotic and fetish images of nude models, Louboutin has expressed his desire to create shoes which weren’t made for walking. It’s probably not what you were expecting to find in your usual shoe exhibition, and it definitely made a few people feel uncomfortable – but that’s what fashion is all about. It’s about thinking the unthinkable, crossing boundaries, and daring to dare. Some may think this Lynch-Louboutin collaboration resembles porn – others will find it inspiring.

This is also the case in the Nudes room. (We promise you there are other aspects which don’t include boobs and butts in this expo.) The series of Nudes which can be found in room number three, appear to have played a pivotal part in fashion’s history. Christian Louboutin has explored the different tones of skin colours and invented a whole range of shoes in those specific hues. This gives an impression that the shoe is actually part of the human body, and it’s fair to say it has attracted a lot of attention when it first came out. The designer has challenged fashion’s impact in the political world by playing with the interbreeding which is often at the centre of many societal conflicts. Chapeau. Another artist who features in this exhibition is the New Zealander, Lisa Reihana who helped Christian Louboutin put together room number seven – The Biography. Reihana has taken a closer look at all the different elements which have inspired the fashion-lover and has gathered them into a wideangled, psychedelic-like video. In it, the famous sign indicating no high-heeled shoes were to be worn inside a museum appears – illustrating the spark of inspiration Louboutin had when he came across it. Going back to the beginning of this walk in shoelovers’ paradise, one of the most interesting rooms is undeniably the first one. Showcasing some of the French designer’s earliest works, the way they are put on display is a piece of art in itself. No less than ten of his sketches have been turned into stained glass windows, highlighting the different phases which have built the artist’s signature stilettos: la Parisienne, le Spectacle, la Couture, l’Art, le Voyage, l’Artisanat, la Sexualité and l’Innovation. Demonstrating a perfectionist eye for detail, the exhibition then follows onto the trésors [treasures] of the Louboutin brand.

“from simple-looking heeled shoes to superb works of art – Louboutin has never ceased to impress, surprise and astonish with his creativity”

Photo: Lil Bonhomme

Photo: Lil Bonhomme Room number two gathers works inspired by numerous artists such as Andy Warhol’s Pop Art, as well as various cultural aspects from America, Africa and Oceania. By looking at these prestigious bijoux, it’s clear they’re a representation of a certain accomplishment in the designer’s life. We’re still wondering how anyone can actually walk in a pair of diamond-made stilettos, but then again you don’t buy them for walking – you buy them for the iconic brand. Following on with an insight into how they are made from A to Z as well as how they have been at the centre of numerous political debates, it’s fascinating to see how a shoe can have such an important impact on an industry. And once again, the way this exhibition is organised truly makes it accessible and understandable to anyone. What’s more, it represents perfectly how Louboutin has gone from making simple-looking heeled shoes to superb works of art. He’s never ceased to impress, surprise and astonish with his creativity, and his shoes have been worn by some of the biggest international celebrities.

Culture

The Pop Corridor, AKA the eighth room, is a representation of the creator’s worldwide success in many industries. This incredibly bright corridor features anecdotes and pictures of some of Louboutin’s most loyal clients, such as Lady Gaga, Rihanna, the late Kobe Bryant and Meghan Markle.

Finally, the last room is an original tribute to the French artist’s primary sources of inspiration. While there are no Louboutin shoes exhibited in this part, there are prominent African sculptures which resemble some of the shoes’ patterns and designs, also inspired by Le Palais de la Porte Dorée. The variety of masterpieces which have contributed to the making of Christian Louboutin’s signature redsoled stilettos is interesting when we see how pop and queer cultures are combined with worldwide influences. In a nutshell, this exhibition is a must for any fashionlover and future shoe-designer out there, but also for anyone who hasn’t got a clue what stilettos are. Christian Louboutin – L’Exhibition[niste] is the perfect representation that inspiration can be found in some of the most unusual places, but once that inspiration is sparked – the world is at your feet.

This exhibition is currently closed due to the Covid-19 outbreak but will re-open later this year.

“This exhibition is the perfect representation that inspiration can be found in some of the most unusual places”

Photo: Lil Bonhomme

Photo: PA Images

71 “If it hadn’t been for his brother who encouraged him to offer his services to a Parisian editor – his talent would’ve gone to waste” Homage

Remembering the comic-book legend – Albert Uderzo Farewell to one of Asterix’s creators

sterix and Obelix – two names which have travelled with time, been at the heart of many generation’s childhood, and have informed the world on its history in an entertaining and fascinating way. On March 24th, it was with great sadness that we heard of the passing of Albert Uderzo – one this comic’s creators. Cadence has paid tribute to the famous illustrator by looking back at some key points in his life. We all have certain cartoons, comic-books and songs which have been part of our childhood, and which have stuck with us all our lives. But rare are those which get passed on to younger generations. Asterix is a timeless classic that has lived through many decades, and it’s still one of the most-read comics today. Having been translated in more than a hundred languages, it has travelled with its time and opened ancient Gaul to the world. Behind the making and writing of the albums were two friends – René Goscinny and Albert Uderzo. It all started when the men met in 1951 and began creating diﬀerent characters together. One of them was Oumpah-Pah – Asterix’s predecessor. It was in 1959 that the duo came up with the idea of setting a character in ancient Gaul. The small-looking warrior was born when Goscinny and Uderzo were asked to design a publication called Pilote, which featured a range of comics and was missing a “typically French hero”. The first album was published in October that year, and more than three hundred thousand copies were sold.

At that point, they’d created something which interested French and international readers. Goscinny would come up with a scenario, and Uderzo would illustrate them. Soon, the number of albums began to grow considerably and Asterix had a new friend called Obélix and a dog named Idéfix in the French edition – Dogmatix in the British one. The stories have been known for starting off in the same way, setting the scene of every scenario in a way which keeps the reader informed and entertained by the historical context of ancient Gaul. For example, in Asterix in Britain, the character introduces tea to the ancient Britons; in Asterix and Cleopatra, Obelix knocks off the Sphinx’s nose, etc. Following on with some incredible and unique adventures – Goscinny and Uderzo have revolutionised the comicbook world with their idiosyncratic scenarios and impeccable drawings. Speaking of which, Albert Uderzo was known for being a remarkable illustrator – and not just for Asterix. Indeed, he started drawing from a very young age. If it hadn’t been for his brother who encouraged him to offer his services to a Parisian editor – his talent would’ve gone to waste. The artist became acquainted with comic books when Mickey Mouse first featured in Le Petit Parisien – one of France’s prominent newspapers, published from 1876 to 1944.

Culture

“Goscinny and Uderzo have revolutionised the comic-book world with their idiosyncratic scenarios and impeccable drawings”

72 “Every tribute to Uderzo showed a certain attachment and admiration for his comics” His first job as an illustrator was for La Société Parisienne d’Édition (SPE), which saw him publish comics such as Bibi Fricotin, Fillette and Junior. From that point, he started learning the basic skills of illustrating before becoming one of the world’s best comic illustrators. When Goscinny died in 1977, the duo had already published twenty-four albums of Asterix’s adventures. Uderzo decided to carry on writing them, alone, following his friend’s death. Altogether, eight more comics were released by Uderzo himself. He then retired in 2009, selling the rights to the character to Hachette, and leaving the milieu which saw him become an ingenious illustrator. Asterix counts no less than thirty-eight albums, a film and a theme park. Its creators came up with a character who spoke not only to a nation, but to the whole world. By making history accessible and entertaining, the two men have informed, amused and captivated a generation of readers, from a wide variety of backgrounds. On March 24th, Albert Uderzo passed away, and it feels as though part of our childhood has gone with him. However, Asterix has travelled with time across numerous countries, and his journey isn’t about to end now. The world has lost Uderzo, and tributes came from everywhere when the sad news were broadcast. Many have shared their favourite Asterix albums, others their favourite illustrations. One common point which surfaced from these tributes was the attachment and admiration for these comics. Asterix and his friends have lost both their creators, and this lockdown period is the perfect opportunity to dig out our albums and relive some of the best moments of this small, yellow-haired character.

Culture

Farewell Uderzo – thank you for the memories.

Photo: Stephane De Sakutin/Agence France-Presse â&#x20AC;&#x201D; Getty Images

Goscinny (left) and Uderzo (right). Photo: afp.com

Art

Honouring

La Galerie Perrotin

One of Paris’ most prestigious contemporary art galleries

ver the last three decades, artists from around the world have had their works of art displayed at La Galerie Perrotin. Following the Covid-19 outbreak, the exhibition room has had no option but to shut for a temporary period of time, like every other museum. However as it first opened thirty years ago, we thought we’d take a quick trip down memory lane to remember how this contemporary art gallery started out. Going back to 1990, all eyes were on a new Parisian exhibition room that had just joined the club of reputable venues in the capital. Emmanuel Perrotin was the one who founded it, and has since then been known as one France’s most remarkable gallery owners.

Art

Currently occupying two floors of a building located in Paris’ gorgeous district – Le Marais – this part of the capital has seen a growing number of galleries come to light. The many patrimonial treasures of Le Marais make it a very pleasant setting to wander around, and discover some innovative contemporary artists.

Bearing in mind Perrotin has also opened galleries in Hong Kong, New York, Seoul, Tokyo and Shanghai, this probably makes him one of the luckiest gallery owners, especially during this uncertain financial period of time. La Galerie Perrotin was born from the moment its founder represented two artists going by the name of Maurizio Cattelan and Takashi Murakami. Since then, painters and sculptors have been coming and going, bringing their work to life in this prestigious setting. Some of whom were Sophie Calle, Xavier Veilhan and Tatiana Trouve, to name a few. 2020 was set to be another great year for this renowned gallery, before the Covid-19 outbreak took over. Whether it’s in Shanghai, Hong Kong, New York and Paris, the line-up of artists announced so far is yet again something to look forward to, and a must for any art-lover let loose in Paris – once the selfisolation period is over, of course. See our small guide to Perrotin’s upcoming exhibitions on the next page.

Photo: jasminetartine, Tumblr

Gabriel Rico, “Naturaleza muerta”. Photo: GalleriesNow

Guide

Exhibitions to see at La Galerie Perrotin Gabriel Rico When? March 28th – May 30th, 2020 What? Who? The Mexican artist brings his nature-inspired artwork to Paris. Representing the relation between human beings and nature by only using derived products and objects, Gabriel Rico gives us food for thought on how we connect with our surroundings. Photo: Tony Prikryl

Izumi Kato When? March 28th – May 30th, 2020 What? Who? An inspirational Japanese artist who shares his disturbing yet fascinating art. Strange-looking faces, abnormal bodies and perturbing aspects of human life incite us viewers to recognise ourselves throughout these disproportionate figures. Photo: Ringo Cheung

Jean-Philippe Delhomme When? March 28th – May 30th, 2020

retreats in the city look like.

Photo: Perrotin

Art

What? Who? Illustrating some unseen aspects of Los Angeles, New York and Paris, the French painter likes to represent some of the soonto-be-demolished parts of these big cities. Combining elements from the past, present and future, the Delhomme’s paintings contain artistic and literary references. An interesting point of view regarding some of the busiest of places, his art gives us a taste of what quiet

Photo: Lil Bonhomme

Photo: Clermont ISFF

87 “photographers are forgers of the reality around them” Interview

“Practice makes perfect – scrolling doesn’t”

Photographer Julien Mignot talks about his career, encounters and desires

“The number of photos from newspapers and magazines I used to cut out and stick on my walls is incredible!” Going back to roughly twenty years ago when his passion for photography became his living, Julien Mignot explains how he’d obtained a master’s degree in geography. However, it didn’t speak to him as much as this activity did. By admiring the works of painters and photographers whom he deemed inspirational, he has suﬃciently trained himself to take a diﬀerent approach when looking at something – or should we say – someone. Talking about his debut, he describes how his idiosyncratic style came about. “I spent so many hours at the Louvre, standing in front of Caravage’s works,” remembers the French photographer. “Every time an artist struck me, I tried to understand what I liked about their art and why – and then I tried to incorporate it in my photography.” To that, he admits he copied some of those artists’ works in order to create his own. At the end of the day, “photographers are forgers of the reality around them,” he states.

Julien then carried on saying he’d like to be used as an inspiration one day – “it would prove that I’ve done something right,” he laughs. His photographic style appears to be original in its intimate delicacy – showcasing every single person’s character and personality in just one shot. Julien has worked for various publications, from covering stories for French newspapers Le Monde and Libération, to internationalising his talent by portraying celebrities for The New York Times and Grazia. His career took off at an impressive speed. At the age of twenty, he was already photographing fashion shows and his works made it in Elle magazine. “The training of the eye for detail takes time.” “For that, I’ve got my apartment and my region’s topography to thank for. I needed to gain maturity to really learn to see, because it generates a certain tension and curiosity which is, in most cases, necessary,” carries on Julien. It looks like his master’s degree in geography came in handy after all. Rare are the photographers who can work with such a wide range of clients from different milieu. Hermès, Chanel, the Paris Opera, La Philarmonie – he’s photographed them all. And if that wasn’t enough, Julien Mignot is also an official photographer for Cannes’ film festival, and has been part of the music industry for many years. Following his contribution to Vox Pop Magazine which saw him encounter the likes of The Kills and Phoenix, he created a number of well-known artworks.

Art

ulien Mignot is a photographer who has shot an impressive number of personalities – from film-maker Xavier Dolan, singer Jeanne Added to ex-French president François Hollande. Today, the artist whose exhibition – Le Photographe et son Double – is currently on-hold in Clermont-Ferrand has agreed to look back at his debut as a lensman, some of his favourite works, and his all-time inspirations.

Kit Harington photographed by Julien Mignot

Xavier Dolan photographed by Julien Mignot

Jeanne Added photographed by Julien Mignot

91 “My photograph of Jeanne Added has crystallised a strong friendship between us. I think human relations are intrinsically related to pictures” One of them was for Jeanne Added – an alternative artist who has been part of the French music scene for a few years now. Her name came up in the conversation when we asked Julien which personality really left a mark on his work. “I could talk about Xavier Dolan, working with him for one of his films’ décors was incredible. But I’d rather choose Jeanne Added, because we already knew each other, and also because my photograph of her has crystallised a strong friendship between us.” To which he added: “I think human relations are intrinsically related to pictures.”

Before achieving all this though, there’s no denying Julien didn’t doubt himself at times. And if he could give one piece of advice to anyone who’d like to follow his steps, it would be, “don’t look for success – it’ll find you when the time is right. You should listen to yourself and not the others. You have to let your desires and your envies speak and use your passion meticulously.” Some wise words to which he also mentioned the importance of going to museums to see art pieces in real life.

Looking at the incredible list of personalities he has worked alongside, we were wondering if there was anyone else he’d like to photograph. While David Bowie and Prince will remain a project for another life, it turns out there’s a growing number of important people he’s hoping to encounter one day. “I’d like to spend some time with Nick Cave, Her Majesty the Queen and Vladimir Poutine – for very diﬀerent reasons, obviously,” he states.

In a time where Instagram has become a useful tool for any image-lover, it’s important to remember that behind those clever – and not-so-clever – pictures, there’s a whole mentality and artistry. “If we stupidly spend our time on Instagram then we’ll only take pictures of naked girls and hipsters wearing red raincoats standing in the middle of a mountain road, with a low sky,” he says ironically. “Maybe we should ask ourselves more often why we’ve liked a certain picture, and what makes it attractive. We also need to stop looking and take pictures ourselves.”

“It’s important to have this uncertainty – it’s another opportunity to get even better at what I do.” Following the release of his book entitled 96 Months, Julien has had a few exhibitions in his native country. At present, his latest – Le Photographe & son Double – is held in Clermont-Ferrand. Paying tribute to inhabitants and artists, this exhibition is all about evaluating the impact of music on this town. Being a collaborative project put together with the help of ex-editor-in-chief of Les Inrockuptibles – Jean-Daniel Beauvallet – there are no less than sixty written and photographic portraits on display.

“Practice makes perfect – scrolling doesn’t.”

You get the gist – get your phones and cameras out, there’s no time like the present to get shooting.

Following the Covid-19 outbreak, Julien Mignot’s exhibition – Le Photographe & son Double – is currently closed, but will be available to see for an extra month later in the year.

Art

“If we stupidly spend our time on Instagram then we’ll only take pictures of naked girls and hipsters wearing red raincoats standing in the middle of a mountain road, with a low sky”

Photo: Lil Bonhomme

94 “Kyesone’s idea paints the perfect picture of who is sitting on the throne of the French music industry” Pop culture

Kyesone – The Photoshop genius Taking francophone artists back in time, Kyesone is the new Photoshop genius who marvels with his take on paintings from the Renaissance

hotoshop montages have proven to be successful over the years, yet some people master the editing skills more than others. Kyesone is one of them. By using current singers and paintings from the Renaissance, this artist gives us an insight into what the music giants could have looked like in a previous life. In a time where hip-hop and rap music are growing considerably in the French music industry, the illustrator has found a fun and original way of imagining our current world in the past tense, and putting rappers on a pedestal. Featuring portraits of some of the biggest names out there, Kyesone uploads his works of art on his Instagram account. The portrayed celebrities have taken pleasure in sharing it with their fanbase, and the illustrator’s creative idea has since then encountered a great success.

Art

“Kyesone has found a fun and original way of imagining our current world in the past tense”

Not only are Kyesone’s Photoshop skills impeccable, it appears all the current artists have been carefully attributed to a specific body and social role. Vald, one of the leading rappers in the current music scene, has been transformed into an emperor wearing a crown and gown. While this singer adopts a superior position to others who have been turned into poets (Orelsan), and monks (Lomepal), Daft Punk seem to have become knights with their signature helmets. This artistic approach to today’s music scene illustrates how the genre has overtaken the musical landscape in France. However, there are a number of traditional artists who have been portrayed too. Charlotte Gainsbourg and Angèle are some of them. Thus, Kyesone’s art paints the perfect picture of who is sitting on the throne of the French music industry today, introducing us to the kings and queens from another era.

Art

Photos: Kyesone

Photo: Lil Bonhomme

Photo: Les Rencontres de la Photographie dâ&#x20AC;&#x2122;Arles oďŹ&#x192;cial website

99 Festival

Photos speak louder than words – a celebration of revolution in photography

The 51st edition of Les Rencontres de la Photographie d’Arles, from June 29th to August 20th

Many events have been cancelled in France and around the world which makes us wonder whether the famous photography festival will still be happening. Its oﬃcial presentation to the Parisian press was cancelled at the beginning of March, but the event’s director – Sam Stourdzé – still went ahead and streamed the conference online. Therefore, we’re still hoping to attend the well-known photography rendez-vous. Founded in 1969 by image-lovers Lucien Clergue, Jean-Maurice Rouquette and Michel Tournier, Les Rencontres de la Photographie has become Arles’ signature event, defining the town as the beating heart of photography. The idea behind it was to showcase some works which were unknown to the audience and thus, help worldwide lensmen make themselves known in the milieu. An ingenious festival which doesn’t stop there. Hosting no less than thirty-five exhibitions, there are always a number of nocturnal shows, during which artists present their shots in a unique way. This might include some live music and artistic performances – whatever the creative spirits wish to do.

Honouring the city of Arles, the wide range of events are displayed around the diﬀerent notable places which make the town remarkable. This is also the opportunity for us visitors to walk around some hidden treasures, usually closed to the public. This year, Sam Stourdzé has chosen to pay tribute to revolution in photography, showcasing some pictures which speak louder than words, and which have a powerful political message. Being his last year at the head of this event, Stourdzé will then be moving to the prestigious Villa Médicis in Rome – home to the French Academy, where numerous young artists make their projects come to life every year. While it’s unknown as to whom will be taking over from the director, we can only imagine it’ll be another great photography-lover. Coming back to what Les Rencontres d’Arles have got lined-up for this edition, we can expect to see the works of Charlotte Perriand, Charlie Chaplin and Chow & Lin – to name a few. The former has been known for illustrating her reflection on innovative architecture, and if that wasn’t enough – her exhibition will also share exclusive photomontages, created with Fernand Léger. What’s more, when thinking about revolutionary imagery, the one and only Charlie Chaplin comes to our minds. His film The Dictator will be part of the expo, and so will rare archive material belonging to Chaplin himself. This is only a small insight into what Sam Stourdzé has got planned, and we are keeping our fingers crossed that this photography tradition won’t be forced to cancel. We can only wait and hope for the best. Meanwhile, we keep flicking through the festival’s program, and learning about some of these photographers, revolutionising the domain day by day. After all, we’ve got nothing better to do…

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very summer, Les Rencontres d’Arles take place in the South of France, honouring photography and upcoming artists. The majority of the works on display have never been shared with anyone before – and that’s what makes it so special. This year, if the Covid-19 outbreak permits it, the festival will be all about picturing resistance. From concentration camps to dictatures, revolution and poverty – the 51st edition will feature photographers from Africa and Asia. As the festival’s director – Sam Stourdzé – takes oﬀ for La Villa Médicis, Les Rencontres d’Arles is all set for another great year.

Charlotte Perriand – « Chaise longue basculante, B306 », (1928-1929). Photo: Fondation Louis Vuitton

Les Rencontres de la Photographie dâ&#x20AC;&#x2122;Arles. Photo: Ckollias

105 Lockdown

Sit yourself down – you’re going to an exhibition Top five museums which have opened their doors to the virtual world

ondering what to do this afternoon? Don’t worry – we’re on it. Following the Coronavirus outbreak, a lot of the world’s museums have opened their doors to the Internet in order to keep us all busy. If you don’t know where to start, Cadence has picked five French must-see places to get you in the artistic mood. Make yourself comfy – all you have to do is click, scroll and admire. It’s spring 2020 and France has been on lockdown for over a month. Some might consider this period of time as the perfect opportunity to tick oﬀ boxes on their reading lists, get some cleaning done, and relax. Others will see it as the longest and most boring time ever. Rest assured – we’ve got you covered. Although every single museum in France closed midMarch, they have thankfully thought about us before going on this unpredicted time-oﬀ. If you didn’t already know, nearly every art gallery and museum has organised online visits which will satisfy your art cravings. And the best thing is – you don’t have to lift a finger. So, sit back, enjoy the tour and block out the pandemic just for a couple of hours. We promise this lockdown will go quicker if you take the time to embrace art – especially when it’s free.

1. Claude Monet’s house in Giverny Summer is just around the corner, and for those of us who haven’t got the pleasure of having a garden, self-isolation can seem dull and depressing on the sunniest of days. Let yourself travel to the lovely Normandy, and more precisely to Giverny AKA Claude Monet’s home commune. The painter lived there nearly all his life in this beautifully coloured house. Being surrounded by splendid gardens, his house is a piece of art in itself. Much to our delight, the Claude Monet Foundation has organised a virtual tour of it all. Perfect to breathe in some fresh air, stock up on some vitamin D and go back to a time where Covid-19 was nowhere to be seen. 2. Le Château de Versailles If you were wondering what to do today – look no further. The mythical Château de Versailles is now available to visit online. There’s enough to keep you busy for a whole day, and what better way to see the ins and outs of La Galerie des Glaces, than from your couch? Being sponsored by Google Arts & Culture, you can access more than twenty-two thousand works of art inside the famous royal castle. Take a walk across the gorgeous gardens, wander around where Marie-Antoinette once stayed, and admire the whole place in full. The beauty of it being virtual is that you can take as much time as you need, and you don’t have to worry about other people who want to take a picture of the exact spot you’re standing in.

Art

“All you have to do is click, scroll and admire”

106

Photo: Lil Bonhomme

3. Le Louvre The legend says that you need more than five days to visit the Louvre in its entirety. True or false – we’re about to find out. This will probably be the only time in history when one of the greatest museums of the world is not crowded with art-lovers eager to get the perfect shot of Mona Lisa – so make the most of it. Displaying a number of exhibitions and opening its doors to the Apollo Gallery, Egyptian Antiquities and the Medieval Louvre – there’s something for everyone. Add to that an endless catalogue of works of art, each detailed to perfection – and you’ve got your five days ahead sorted. 4. Le Musée d’Orsay If you are living with children who can’t stand any more TV and desperately want something new to do – why not take them to Le Musée d’Orsay? Its online platform currently has an event called Les Petits M’O. With a number of videos making the traditional place accessible to any young person, this might be just what you need to keep them under control while the schools remain closed. And if that wasn’t enough, there are also some cartoons and animations ready to be streamed all day long. It’ll definitely make a change from your child’s usual animated films. 5. La Maison Européenne de la Photographie If our interview with Julien Mignot didn’t suﬃce in order to convert you to the art of photography – then maybe this will. It’s fair to say we’ve seen enough indoor pictures to last us a lifetime, and we need something new to stare at. La Maison Européenne de la Photographie might be just what we were looking for. Displaying the works of artists around the world, the art gallery also oﬀers some exclusive masterclasses, podcasts and activities to keep us entertained. It’s free of charge and available to all – so what are you waiting for?

Art

“The beauty of it being virtual is that you can take as much time as you need, and you don’t have to worry about other people who want to take a picture of the exact spot you’re standing in”

Photo: Lil Bonhomme

“It’s as if the history of the capital suddenly comes face to face with the personal, urban stories of its inhabitants”

111

Street Art

What does Paris’ street art tell us about the French capital? Looking back at how street art started in France

It all started in 1968 when the French students’ protestations led to a new type of art and a cultural phenomenon that’d originally started in the United States of America – street art. One of the main characteristics of this is inevitably the support used – streets, walls and anything else that is in their outdoor surroundings. Street artists are often compared to taggers, but unlike graﬃti which can sometimes be a bit rough and not very precise, their work could easily be framed and put on display in a museum. Then again, that would take away the pleasure of discovering them while walking around Paris, and it wouldn’t be considered as pure street art. Having said that, a few museums dedicated to this artistry have opened over the past years, whether in France or across the world. May 1968 saw posters pop up on Paris’ walls, marking them forever and taking the act of protest further. While some specialists have said that the Second World War posters were the ones that influenced urban artists to create these works of art, it was during that pivotal year that it truly started to take oﬀ. Soon, it was only a matter of time before more and more individuals started taking a liking to this activity.

Today, Paris’ streets are covered with very diversified artworks, as if the history of the capital suddenly comes face to face with the personal, urban stories of its inhabitants. It also shows the creative mindset, and a certain desire to share personal stories with everyone. Street art makes us relate to certain works, and tells the story of the inhabitants from various generations. Mister Pee and Seth are two of Paris’ most recognised street artists. They both started as taggers during the nineties’ hip-hop movement in France. Their art revolves around fictional characters which have been appearing on the streets for many years. While Mister Pee tends to adopt a humorous and idiosyncratic approach, Seth creates some colourful and very personal pieces of art. Others such as M.CHAT, known for his unique yellow cat with wings, have become famous for sharing their fictional characters and signature style. While the UK-born artist Banksy is still sitting on the throne where urban art is concerned, it’s fair to say having these illustrations around some capitals changes the whole atmosphere. Instead of using a canvas or paper, these artists make themselves at home in a place where many feel overwhelmed by the constant buzzing of life. And in a way, it shows that even in the biggest cities, there is a home, heart and personal history to be found.

“Street artists make themselves at home in a place where many feel overwhelmed by the constant buzzing of life” Art

aris is known for its countless bijoux when it comes to art. Being home to the Louvre, Le Musée d’Orsay, as well as some traditional institutions like Les Beaux-Arts – it’s the perfect place for any art-fanatic out there. Its ancient buildings with their famous facades inspired by the Baron Haussmann have built Paris’ notable identity. By mixing old edifices with more recent ones, it has a bit of everything for everyone, and even more so ever since modern artists have taken to Paris’ walls to share their art.

Photo: Lil Bonhomme