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LIM Yanhan NATIONALITY DATE OF BIRTH NUMBER EMAIL WEB
Malaysian 04-09-1996 +65 91151608 yanhan_lim@mymail.sutd.edu.sg www.limyanhan.com www.issuu.com/limyanhan
RESUME ACADEMICS
Singapore University of Technology of Design Architecture and Sustainable Design Undergraduate Senior Year, Cum GPA 4.18 SUTD Undergraduate Merit Scholar Vice-President of SUTD Scratch Member of the SUTD Floorball team
2013-2015
Pioneer Junior College 2015 A’Levels AAB/ABB (85.5 Rank Points) Captain of the Floorball team
WORK EXPERIENCE
2016 - Present
2018
TENarchitects Architectural Intern
Attached to multiple on-going projects, tenders and competitions. Worked closely our mentors to learn architectural practice standards and procedures. 2016
Week 7 Music Event DJ Performer & Organizing Committee
Performed at a DJ to the SUTD and public crowd. Part of the planning and marketing crew which in the end managed to beat our target by selling 300 tickets inital expectations was 200.
SKILLS
Rhinoceros Grasshopper Vray Rendering Lumion Design Builder DIVA
Adobe Indesign Adobe Illustrator Adobe Photoshop Adobe Premier Pro Adobe Lightroom Microsoft Office 3D Printing Laser-cutting Physical Model
INTERESTS
Floorball DJ Craft
inujima farmstay
wind tower
neighbourhood revial
spatial joint
center of gravity
conduits
MISC
PRO -FESSIONAL
FABRICATION
STUDIO
CONTENT
feature wall
3D printing
INUJIMA FARM STAY
Architecture Repurposing SUSTAINABLE DESIGN OPTION STUDIO Site_Inujima, Okayama Japan Mentor_Asami Takahashi (Takahashilim A+D) An eco tourism destination that allows local and international tourists to expierience the rural lifestyle, revolving around subsitence farming. Visitors get a hands on experience with the cultivation and harvesting of fruits and vegetables for their own meals. This experience is tied together with them learning old traditions and artforms. The guests will be staying in a farm village that will help them experience traditional architecture elements and reinterpretations of the japanese techniques of articulating spaces.
900mm
FLOORPLAN
Floorplan 1:50
900mm
Port
INUJIMA MAP Water Bodies Building of Interest Abandoned Houses Area of Interest
Out of the various abandoned houses available, I chose this house and developed the farm village based on it, as I felt it was important that the house retained the element of the shoji screen typically seen in traditional Japanese houses. The use of the shoji screen helps to regulate the building according the time of day and seasons by closing and opening the sliding doors. Thus, I chose to retain majority of the structure, but to remove the interior partitions that were non structural in order to open the space, converting it to a main meeting room/ function room. I preserved the elements of the shoji screen, so the building remains adaptable and I took this element and applied it to the whole village extension as it was something I appreciated from this traditional style of architecture. The rest of the village was created in careful considerations to the scale of the abandoned house and the spatial arrangement of traditional Japanese houses.
EXSISTING BUILDINGS FARM STAY VILLAGE FARM AREA
SEASONAL FRUIT TREES
PROGRAMME AREA
The farm village was created to foster a small community that hosts a variety of spaces that cater to the functions of the program. The spaces are connected through a central spine, an adaptation of the Japanese engawa, aka veranda that serves as a mediating space from the internal to external environment unit houses 4 female guest and the last 4 male guests.
SECTION
Farm Village Model 1:50
Accomodation Unit Section Model 1:20
Inspired by the material palette of Inujima and its rich history in copper refinery, I wanted to introduce this material as it builds deep character as it patinas overtime as seen from old temples and statues. The colour pallet of brown, turquoise and blue similarly resembles that of Inujima landscape.
N
FAR
3.31
Generating a massing block in relation to surrounding building heights
Site Map / 1:2000
Generating a massing block in relation to surrounding building heights
Creating a central courtyard to put in communal programs
Using the displacement path inform the massing Breaking down the mass in the direction of a block more favorable view
Understanding the current circulation paths around the site and the displacement distance
Terracing the slope to create habitable spacesv
Creating a c nal program
Using the displacement path inform the massing Breaking dow block more favora
central courtyard to put in commums
Understanding the current circulation paths around the site and the displacement distance
wn the mass in the direction of a able view
Terracing the slope to create habitable spacesv
NEIGHBOURHOOD REVIVAL
MIX-USE RESIDENTIAL Architecture Core Studio 3 Site_Punggol Mentor_Jane Chua (Plural) The project attempts to bring back the idea of what it means to being in a neighbourhood into Punggol’s modern estate. This is done by bridging the various communities of people that is currently dimished in the new public housing estate. The
use
of distributed
communal spaces
and
commercial areas encourages the intereactions of the Punggol district at various scales.
ROOF PLAN / 1:500 ROOF PLAN / 1:500
ETTING RPASS IDENCS TO THE URTHEROY THE
THE GROUND FLOOR REMAINS OPEN AND WELCOMING WITH THE INSETTING OF THE BUILDING. THIS CREATES A PASSAGEWAY THROUGH THE UNDERPASS OF THE BUILDING PROVIDING A FASTER ROUTE TO SURROUNDING RESIDENCES TO GO TO AND FROM PUNGGOL MRT. THE GROUND FLOOR CATERS TO THE GENERAL PUBLIC WITH ITS MULITPLE EATERIES AND HAWKER CENTER. FURTHERMORE OPEN PARK SPACES ALLOWS MEMBERS OF THE PUBLIC TO ENJOY THE SITE.
DIIS L AND NS.
THE BASEMENT HAS TWO MAIN ENTRANCES THAT CATERS TO THE TWO DIRECTS MAJOR PEDESTRIAN TRAFFIC WILL COME FROM. THE BASEMENT IS WHERE THE CULTURAL HUB OF THE PLACE. ITLL CONTAIN EDUCATIONAL AND CULTURAL INSTITUITIONS AND AN OPEN STAGE FOR PUBLIC FUNCTIONS.
ES ON VES. LECTED
THE BASEMENT HAS TWO MAIN ENTRANCES THAT CATERS TO THE TWO DIRECTS MAJOR PEDESTRIAN TRAFFIC WILL COME FROM. THE BASEMENT IS WHERE THE CULTURAL HUB OF THE PLACE. ITLL CONTAIN EDUCATIONAL A CULTURAL INSTITUITIONS AND AN OPEN STAGE FOR PUBLIC FUNCTIONS.
THE RESIDENTIAL PLAN SHOWCASES THE MERGE OF VARIOUS UNIT TYPES ON ADJCAENT TO ONE ANOTHER, CREATING VOIDS AND SECTIONAL MOVES. THIS CREATES VARIATION IN THE QUALITY OF SPACES AND THIS IS REFLECTED IN THE FACADE.
SUE. THE AND
ETTING RPASS DENCS TO THE URTHEROY THE
THE GROUND FLOOR REMAINS OPEN AND WELCOMING WITH THE INSETTI OF THE BUILDING. THIS CREATES A PASSAGEWAY THROUGH THE UNDERPA OF THE BUILDING PROVIDING A FASTER ROUTE TO SURROUNDING RESIDE ES TO GO TO AND FROM PUNGGOL MRT. THE GROUND FLOOR CATERS TO GENERAL PUBLIC WITH ITS MULITPLE EATERIES AND HAWKER CENTER. FURT MORE OPEN PARK SPACES ALLOWS MEMBERS OF THE PUBLIC TO ENJOY T SITE.
THE RESIDENTIAL PLAN SHOWCASES THE MERGE OF VARIOUS UNIT TYPES ADJCAENT TO ONE ANOTHER, CREATING VOIDS AND SECTIONAL MOVES THIS CREATES VARIATION IN THE QUALITY OF SPACES AND THIS IS REFLEC IN THE FACADE.
THE ROOF PLAN SHOWS THE RESIDENTIAL MEMBERS CONNECTING TISSUE. THE MIX OF GREEN SPACES AND RESIDENTIAL FACILITIES CREATES SPACES AND OPPOTUNITIES FOR THE VARIOUS RESIDENCES TO GET TOGETHER.
RESIDENTIAL PLAN / 1:500 ROOF RoofPLAN Deck / 1:500
THE ROOF PLAN SHOWS THE RESIDENTIAL MEMBERS CONNECTING TISSUE MIX OF GREEN SPACES AND RESIDENTIAL FACILITIES CREATES SPACES AN OPPOTUNITIES FOR THE VARIOUS RESIDENCES TO GET TOGETHER.
RESIDENTIAL Ninth Floor PLAN / 1:500
UP
UP
DIIS L AND S. UP
ES ON VES. LECTED
UP
UP
UE. THE AND
UP
UP
UP
Basement RESIDENTIAL PLAN/ 1:500 / 1:500 BASEMENT PLAN OUND LEVEL PLAN / 1:500
UP
UP
Ground Level
BASEMENT PLAN / 1:500 GROUND LEVEL PLAN / 1:500
NEIGHBOURHOOD HIERACHY
Various apartment types cater to the many needs of the neighbourhood residences. Red spaces are more intimately shared areas where as yellow areas are the more public communal spaces
The terraced area becomes the connecting tissue vertically across residences, it provides oppotunity for urban farming at your doorstep and circulation around the residency. The roof area also will feature a wide array of apartment facilities
An open and inviting green park area that hosts a wide array of eateries and cultural functions all made accessible in your daily commute to and fro the train state and bus interchange
GROUND LEVEL
Studio A Studio B 20m
2
SECTION
26m
2
SECOND LEVEL
GROUND LEVEL
SECOND LEVEL
2 BD RM Apartment
1 BD RM + 3 BDRM Apartment
86m
56m2 | 162m2
2
CENTER OF GRAVITY
SPORTS COMPLEX
Architecture Core Studio 1 Site_Eng Choon Hway Kuan building Mentor_Erwin Viray (ASD head of pillar) This idea was to design a recreational centre in a shop house unit with a given set of facility requirements. Given a defined space alongside the requirements, this lead to the formation of negative spaces and the utilization of these spaces was a challenge
DN
Third floor / 1:100
UP UP
+0.4
+6.0
+6.04 UP
DN
Second floor / 1:100
SECOND FLOOR C’
+0.4
-2.4 B’
0.0 UP
B
DN
A
A’
UP
GroundGROUND floor / 1:100 FLOOR C
-2.4 UP
Basement / 1:100
BASEMENT
I approached this design by introducing a strong ture in order to facilititate a vertical courtyard. This area to facilitate interaction of the same
This decision led to the stacking of the facilities in the foyer; inviting people t
SE 1.4: STACK
+11.68 UP
DN
+8.4
DN
FIFTH FLOOR
DN
Fourth floor / 1:100
N
+8.4
UP DN
UP
DN
+6.04
DN
FLOOR Third FOURTH floor / 1:100
UP UP
+0.4
+6.0
+6.04 UP
DN
FLOOR Second THIRD floor / 1:100
C’
central core that penetrates the entire infrastruc-2.4 a single s was intended to gravitate users around B’ e space through multiple perspectives.
+0.4
0.0 UP
B
DN
a manner that enables a large volume of space at to this social environment. A
A’
UP
Ground floor / 1:100 C
RCISE 1.4: STACK
n
+11.68 UP
DN
+8.4
DN
DN
N
ourth floor / 1:100
ERCISE 1.4: STACK +8.4
anhan
Section AA’ / 1:100
UP
Waterproofing Internal Panelling
DN
UP
To further emphasize the central +6.04 +11.68 space, the usage of a skylight +8.4 streams light down to the core. The combination of angled winhird floor / 1:100 dow slits and screens filter the light at an angle that is directed to this central space. All of which aims to pull people’s to the atten+0.4 Fourth floor / 1:100 +6.0 tion to the site. DN
UP
DN
DN
DN
DN
UP
N
UP
+6.04
Indoor sports hall details / 1:50
UP
For this model, I experimented with the usage of alternative +8.4 building methods such as 3d econd floor /printing. 1:100 Although printing the circular +6.04 core did pose its challenges, however, it had shown stellar+0.4re.4 sults after touching up the print. Third floor / 1:100 Due to the accuracy provided by a 3D printer and its ability to make a curved surface, this method proved +0.4 to be a useful tool in my +6.0 case. DN
Area elastic flooring
Section AA’ / 1:100
UP
DN
UP
Reinforced Concrete Slab Timber decking Timber flooring Floor finish Timber skirting Expansion zone Waterproofing Internal Panelling Internal Panelling
DN
C’
DN
0.0 B
UP
DN
UP
+6.04
ound floor / 1:100
UP
UP
A’
UP
C
DN
.4
Second floor / 1:100 UP
C’
Section BB’ / 1:100 Section BB'hall details / 1:50 Indoor sports
Area elastic flooring
Reinforced Concrete Slab Timber decking Timber flooring Floor finish Timber skirting Expansion zone Internal Panelling
Section AA'
CONDUITS
MEDITATION SPACE Architecture Core Studio 2 Site_One-north Mentor_Carlos Banon (Subarquitectura) In this excercise I attempted to follow a fixed set of design choices that are guided by the geometry of the form I created. In order to do this, my form that I initially created had to be reparameterised into a linear shape. The site given was a large plot of sloped land with a dense collection of trees at the west end of it. Flanked by two tall buildings, this casted shadows onto the site. By using this information I then guided the initial form.
GEOMETRIC PROG
GRESSION LOGIC
A’
DN
UP
DN
UP DN
B
B’ DN
DN
A’
ROOF DECK A’
DN
UP
DN
UP DN
B’ DN
DN
A’
GROUND LEVEL
UP
UP DN
B’
UP
BASEMENT
UP
UP
The end result was a series of conduits that funnels natural lightings at various angles and depths in order to create differing lighting conditions, altering the ambience of the space Sec�on AA’
created. Each conduit influences the intended use of the room, from creating intimate meditative spaces to open courtyards
Sec�on BB’
SECTION BB’
Simulating Afternoon Sun
Simulating Sunset
WIND STRUCTURE
ARCHITECTURE STRUCTURES Digital Design and Fabrication (collaborative) Mentor_Stylianos Dritsas & Sam Conrad Joyce This assignment task was to create the tallest and lightest wooden structure within our capabilities that interacted with the wind. Our structure was designed to be thin and tapered towards the top, to reach a greater height whilst minimizing the overal mass.Our design also included the idea of easing our fabrication difficulty. The structure is segmented into 5 modules that can be assembled and disassembled easily by the use of botls and nuts between modules. Our assembly plan involved joining the upper modules, followed by the subsequent modules by lifting up the already joint upper modules. However, on the day itself our structure was assembeld horizontally and pivoted to the vertical stance.
We organised our fabrication process into 6 different phases: Sorting of Logistics Digitally
(Steps 1-5)
Wood processing
(Steps 6-7)
Construction of Rings
(Steps 8-16)
Construction of Modules Refining Modules String Installation (Right) This was the overal wood processing process including the construction
Step 7: 6'
Musking Tape labels with length and member ID
1.8 cm M1, RT 81.3 cm
1.8 cm
2.5 cm
5 cm
Step 13:
4"
Step 1:
Screw in the pocket screws
M5, C 76.9 cm
Step 8:
Step 2: 4"
Drill guiding holes and pocket holes for AC/C connections with RT/RB
81.3 cm
Step 14:
76.9 cm
Label the cut lines according to length Mark positions of how AC/C rests on RT/RB with printed cutout templates 4"
Step 3: 81.3 cm
Step 9:
76.9 cm
Drill guiding holes on both ends of AC/C 5 cm
Miter saw according to cut lines
76.9 cm
2.5 cm
76.9 cm
~3 cm
Step 4:
Plane till smooth with thickness of around 2.5cm
Drill holes for bolt and nuts connection between two modules on RT/RB
Step 10: M5, C
M5, C
Screw C to RB, followed by AC to RB
76.9 cm
2 cm
81.3 cm
5 cm
Step 5: Mark cut lines for angled miter on AC/C members with printed templates
Step 16:
Step 11:
Table saw RT/RB to 5 cm width and AC/C to 2 cm width followed by bulk labelling of member ID with musking tape
Sand down the ends to the angled miter marking
Pre-screw holes for pocket screws on RT/RB members
1.8 cm
2.5 cm
5 cm
Step 6: 1.8 cm
Step 15:
Step 12:
Sand down the ends to the angled miter marking
Align, level and screw C to RT, followed by AC to RT
SPATIAL JOINT
JOINERY TECHNIQUES Digital Design and Fabrication (collaborative) Mentor_Stylianos Dritsas Our concept revoles around designing a joint with parts that is not limited by the 2D quality of the materials we were given. Hence, we derived at a design that breaks the notion that joint systems have to be planar
Rotation of the end pieces to lock the keys in place
Insertion of the three central keys to lock the central spheres vertically
Insertion of the wooden leg into the voids within the nodes of the central piece. Insertion of key to keep the wooden leg in place and prevent the central pieces from rotating Stacking of the central pieces with the core voids aligned
PLATE 4 X 2 6.4cm
5.9cm
0.3cm
PLATE 3 X 2
5.3cm
PLATE 2 X 2
4.5cm
PLATE 1 X 2
1cm
0.3
cm
7.6cm
PLATE 8 X 1
7.6cm
m
PLATE 9 X 1
1c
cm
PLATE 7 X 2
2.
0.3
0.
8c
m
6.8cm
WOODEN LEG X 4
PLATE 6 X 2
7.9cm
PLATE 5 X 2
PLATE 10 X 1
PLATE 11 X 2
0.5cm
34.5cm
1cm
1cm
cm 7.9cm
0.3
0.3cm
1cm
CENTRAL KEY X 3 0.5cm
3.5cm
2cm
8.1cm
0.3cm
0.8cm 0.5cm
2.1cm
SIDE KEY X 4 1cm
CENTRAL LOCK X 2
2.7cm
0 0 .8c 0. .5cmm 8c m
PLATE 13 X 1
cm
5.5
cm 1.7 m c 0.3
15cm
PLATE 12 X 2
cm 1.5 cm 0.3 cm 1.5
0 0 .8c 0. .5cmm 8c m
PARAMETRIC FEATURE WALL
INTERIOR DESIGN (realized) Architecture Internship Site_ACJ Maternity Clinic Mentor_Neo Sei Hwa (TENarchitects) Client_ACJ Clinic As part of the renovation of this maternity clinic, the clients wanted a unique feature wall that was part of their practice. Following this idea i decided to take inspiration from their Cardiotocography (CTG) scan and used it to form the amplitude on the fins.
Fully constructed feature wall
-2400
-25
CTG FEATURE WALL FINS (21-112)
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
34
33
35
36
37
38
39
40
-40
11-20
-5110
1-10
21-30
31-40
-5085
G PORTION OF ATUREWALL
CTG FEATURE WALL STANDARD FINS (1-20)
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
51-60
41-50
61
62
63
64
65
66
67
68
69
70
61-70
71
72
73
74
75
76
77
78
79
80
71-80
NO. 1
-1047
-65 81
-1105
81-90
82
83
84
85
86
87
88
89
90
91
91-92
92
93
94
95
96
97
98
99
100
101
102
101-110
103
104
105
106
107
108
109
110
111
112
111-112
With the use of grasshopper, the amplitude of the CTG scan (on the left), was extracted and and values were then exponentially raised, this value was used to translate the curve of the fin in z direction. The result is a non linear variation in height, breaking the predictability of the feature wall. The fins were arranged into 20 regular fins and 92 unique fins. These were then CNC milled and assembled at a distance of 25mm apart
HOBBIES HANDICRAFT / FIGURINE PAINTING I have big interest in handicraft work and 3D printing models. Works here are not my 3D designs, but the finishing and painting of the models are of my own work.
THANK YOU
Yanhan_lim@mymail.sutd.edu.sg +65 91151608 www.limyanhan.com