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Conference schedule
CONFERENCE SCHEDULE
Online presentations All times are shown in Vilnius time (GMT+3)
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Thursday, October 21
9.30 AM CONFERENCE OPENING
Session 1. Chair: CHARRIS EFTHIMIOU 9.45–10.45 KĘSTAS KIRTIKLIS. Searching for the Soul of Academic Disciplines: A Few Adventures in the Typology of the Humanities and Social Sciences 10.45–11.15 EVANGELIA KOPSALIDOU. Aristoxenus gènē and tonoi on Ancient Greek Lyres 11.15–11.45 SIGITAS MICKIS. Categories of Music Theory in Terms of Linguistic Communication Coffee break
12.00–12.30 CHRISTINA G. ROJO. The “Retrospect” in Johannes Brahms’s work – or How a Piano Speaks Without Words
12.30–13.00 MAŁGORZATA GRAJTER. Music and Mimesis: Revisiting Typologies of Musical Signs Based on Imitation
LUNCH (13.00–14.30)
Session 2. Chair: VINCENZO DE MARTINO 14.30–15.00 LINA NAVICKAITĖ-MARTINELLI. Classifying Performers’ Gestures: Corporeal Expression and Its Functions 15.00–15.30 ANASTASIIA SHARINA. The Systematization of Piano Pieces Which Employ “Extended Techniques” (Based on Examples of Solo Works by Ukrainian Composers of the Second Half of the Twentieth to Early Twenty-first Century) 15.30–16.00 CHARRIS EFTHIMIOU. A Computer-assisted Analysis of Recordings of Musical Works Expressing Thunderstorms with the Target of Systematizing the Usage of this Weather Phenomenon since the Eighteenth Century Coffee break
Session 3. Chair: BEATA BAUBLINSKIENĖ 16.15–16.45 TIJANA VUKOSAVLJEVIĆ. Storytelling in Instrumental Music – Claude Debussy’s Ballade 16.45–17.15 MARCOS KRIEGER. Character Pieces, Program, and Ekphrasis: Imposed Semiotics or Overt Mitgesehen? 17.15–17.45 ADELINA YEFIMENKO. Eine Begriffssuche zur Typologie der Opernprojekte in der Gegenwart 17.45–18.15 ANNA GRANAT-JANKI. Musical Signification in Agata Zubel’s Opera-Form Bildbeschreibung
Friday, October 22
Session 4. Chair: RIMA POVILIONIENĖ 9:45–10.45 WOLFGANG MARX. Musical Genres in the Age of Liminality 10.45–11.15 OLGA SOLOMONOVA. Associative Musical Text: Definition, Typology, Research Methodology 11.15–11.45 JONAS ČIURLIONIS. Boethius: The Mathematical Structure of Music Principles Coffee break
12.00–12.30 IRYNA TUKOVA. A Problem of Typologization of Textures in Contemporary Art Music: The Post-Soviet Case 12.30–13.00 ANNA NOWAK. Methodological Approaches to Intertextuality in the Works of Contemporary Composers
LUNCH (13.00–14.30)
Session 5. Chair: BOŽENA ČIURLIONIENĖ 14.30–15.00 JURGIS PALIAUKA. Patterns in Organization of Musical Material in the String Quartets of Onutė Narbutaitė 15.00–15.30 AGNĖ MAŽULIENĖ. The Concept of Musical Precomposition: Contradictions, Practice, Typology
15.30–16.00 JURGITA VALČIKAITĖ-ŠIDLAUSKIENĖ. The Composing Process: Theories of Analytical Strategies and Combinational Perspectives in Classification Coffee break
Session 6. Chair: AUDRA VERSEKĖNAITĖ-EFTHIMIOU 16.15–16.45 BAIBA JAUNSLAVIETE. Music Reviews as Signs of the Sociocultural Context: Comparative Case Studies of the Latvian, German, and Russian Music Criticism in Riga During the Late Nineteenth and Early Twentieth Centuries 16.45–17.15 VILTĖ ŽAKEVIČIŪTĖ. Signification of Musical Variables as a Pattern of “State of Being Aesthetics”: The Problem of Musical Texture
17.15–17.45 GABRIELIUS SIMAS SAPIEGA. The Problem of Time and Space Terms in Gérard Grisey’s Discourses 17.45–18.15 RACHEL BECKER. Re-Approaching a Taxonomy of the Opera Fantasia: a Clarified Genre, a Clarified Context
Saturday, October 23
Session 7. Chair: WOLFGANG MARX 9.45–10.45 GRAŽINA DAUNORAVIČIENĖ. The Music Genotype as an Open, Self-Organizing System and its Seismic State in Music Evolution 10.45–11.15 JOAN GRIMALT. Mapping Musical Signification 11.15–11.45 ALLA KOROBOVA. Signification and Systematization in the Theory of Musical Genres Coffee break
12.00–12.30 OLENA DYACHKOVA. The Pastorale in Ukrainian Professional Music of the Turn of the Twentieth and Twenty-first Centuries: Genre, Mode, and Concept
12.30–13.00 VERONIKA ZINCHENKO. Typology of Modern Ballet LUNCH (13.00–14.30)
Session 8. Chair: LINA NAVICKAITĖ-MARTINELLI 14.30–15.00 KALLIOPI STIGA. The Past and the Future of Greek Popular Song: From the Rebetikon to the Greek Trap?! 15.00–15.30 VINCENZO DE MARTINO. A Case-Study of Creative Categories: the “Primitivistic” Style in Piano Music 15.30–16.00 JOHN FALLAS. “Talking About our Decisions”: Classifying Sprees and Grey Areas in the Consideration of Musical Genre
