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MODELS GET
CREATIVE INTRODUCING
Rici Brockinson
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INTRODUCTION
ashion Fusion Art is a magazine about clothing fused with personality to create everyday art. This art represents our own individual character; sometimes revealing who we are, who we want to be and even shield us as armor for protection. Art is a form of expression to express feeling, emit emotion, an idea or even a revelation. In clothing we give the same expressions of art every day in the choices that we make, “…fashion and some of it’s many facets: it’s sources in culture and in social structure, the processes by which it diffuses within and among societies, the purposes it serves in social differentiation and social integration, the psychological needs it is said to satisfy, and not least of all, it’s implications for modern…life” (Davis, 4). A fashionable, expressive life.
In clothing we give the same expressions of art every day in the choices that we make.
There are so many choices in colors, patterns and fabric, when put all together we make a design of ourselves. That can be hard or easily read, “The chief difficulty of understanding fashion in its apparent vagaries is the lack of exact knowledge of the unconscious symbolism attaching to forms, colors, textures, postures and other expressive elements of a given culture…” (Davis, 5). The designs represent us to the world. With the help of magazines, blogs, designers, shops, on-line searches and talks with one another about our choices with fabrics, brands, the season trends; fashion brings us together. And, in coming together about what, how and why-we wear what we have chosen to 153). It doesn’t have to be that extreme wear, we are designing everyday art. but don’t let that favorite piece of clothThough this kind of art is not located in galleries, museums or on exhibition, it is located ing get ruined. Whether it be a lucky pair of socks unwearable, power suit ruined on the streets, in neighborhoods, downtowns and cities… all over. This is a collection by the cleaners, a favorite ‘lucky’ shirt of human choice… “It can be said that in very large part our identities-our sense of who and what we are-take shape in terms of how we balance and attempt to resolve the with an unrelenting stain. That can be a crinkle in the armor made and that can ambivalences to which our natures, our times and our culture make us heir (Strauss 1959)” (Davis, 5). We all participate to share a piece each and every day… even on days not happen; needed is that confidence to help us through with our little, big, we think we look our worst. Each art piece having its own ideas that the wearer wants or out of this world struggles. the viewer to see, know and have. At times we are super conscious of our artful expression… other times we are not; just wanting to be comfortable, we sometimes let our guard down.
So, again we go back to the magazines, blogs, on-line search; looking at designers and in shops to find out what’s in, In interacting with one another we give and receive feelings and emotions just by what we wear. This is what art does for our minds, hearts and souls-and over the centuries the what’s out, what’s new and in season to replace pieces of armor… add that ink wearing of clothing has become more than covering, for warmth, explaining rank and back over the layout, correct that paint poverty to turning into self expression, revealing skin, playing with color and pattern to futuristic cut and layers. These little revelations give form to a power with each piece splotch to match the painting or start renew on new canvas… to build back that of jewelry, patterned dress, colored slacks added with the previous thoughts; we gain confidence, independence and freedom confidence-give confidence. that can be found in colors, patterns and Even those famous find security in clothing: “[Cindy] Sherman, when she moved to New fabric. York after graduating from art school…was scared by the city. Dressing up was the way Clothing is our aura that can not be to overcome her shyness. Working as a receptionist… she would come to work in a nurse uniform or dressed as a secretary from the 1950’s” (Bukema-Van Der Tuin, seen by the naked eye. An aura is like a
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flashlight of a variety colors that surrounds our heads like a halo that shows different colors depending on the mood we’re in. Unfortunately, we can not see these colors but we feel them and display them by those choices in clothing. Dr. Audrey Kargere, author of Color and Personality, writes about the correlation of color and human personality by saying, “If we could… we would see each human aura, aglow with fine ethereal emanations. In fact… realize that everything that lives and vibrates, shines forth into the universe” (Dr. Kargere, 1).
outfit…we don’t realize we are choosing to be seen, heard and radiant. Even with clothing that may give way to being invisible; boring or bland, we still choose to be. Actress, Tilda Swinton has been quoted to say “Clothing tells us so much than we give it credit: for every choice, every decision-even the decision not to choose.”
and personality but it is erie how our clothes can be a canvas of subconscious personality. Fashion fused into art, this everyday art, has consumed our conception of beauty, culture and identity. Clothing has fascinated us, throughout the years the change in length, what can’t and can be shown, color and fabrics-have changed so drastically from before Kargere’s time to our present time. And, in all this time clothing is still and will continue to be Fashion Fused into Art. Enjoy!
If only Kargere could know the variety of clothing we have now from when he wrote the book in 1949. He would know when he said, “The fluctuation and change of the emanations (aura) would charm and interest us beyond all With this in mind, though an aura can not human conception.” …it has indeed, in Founder-Photographer, be seen by eyes, our choices in what we fashion. Richena Brockinson wear is a kind of aura. We gaze intently into past auras to find ourselves, though With all the colors that he explain give we fear the constraints of the past… to our mood and character: Red means “experience a sense of the uncanny when the physical plane of being; friendship, we gaze at garments that had an intimate love, health and vigor. Yellow represents relationship with human beings long intellect; golden yellow the highest form since gone to their grave. For clothes are of intellect. Blue; spiritual and religious so much part of our living, moving selves being. Dark blue great depth in religion, that, frozen on display into the mausowhereas light blue is a mere devotion to leums of culture, they hint at something the ideals. Orange, a mix of red and yelonly half understood…” (Wilson, 1). low; unifies body and mind, representing wisdom and justice. Green a combo Fashion and clothing is still only half of mind and spirit, is a lover of nature. understood, more so now because we have Grayish green is a symbol of jealousy access to so many variety. We shine into and deceit…emerald green is versatility the universe like an aura, stamped timeand ingenuity, while pale green means less. Most of our favorite pieces of past can sympathy and compassion. Purple, be viewed at the Metropolitan Museum of (red/blue) is another connection Art-clothing pieces by House of Lanvin, a of body and spirit; symbolizing the paper The Souper dress by Andy Warhol and ideal and sublime, also love for cerGianni Versace’s dress- to name a few, as art. emony. White, is pure spirit, black is the negation of all and grey means If wearing a heart can be found on a sleeve fear and depression (Dr. Kargere, 2) then an aura can be found in a colorful this is all a guideline match of color dress, an all black outfit or an all white
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INSPIRATION
Inspirational images: Essence
Inspirational photographer: Annie Leibovitz Australia
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Essence
Annie Leibovitz Vogue
Metropolitan Museum: Cyclone- House of Lanvin French 1889
Own work: Richena Brockinson
Dress- Yves St. Laurent Paris 1962
Richena Brockinson
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Clothing is our aura that can not be seen by the naked eye.
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Art is a form of expression to express feeling, emit emotion, an idea or even a revelation. In clothing, we give the same expressions of art every day in the choices that we make. /04! )YHUKVU >OP[L :OPY[ 0UZ[HU[ =PU[HNL 1LHUZ 4VKLS»Z 6^U :OVLZ 4VKLS»Z 6^U /,9! 5PJVSL 7Y\T +YLZZ (Y[LTPZ +YLZZ 5L^ @VYR *P[` 7HNLIV` :HSVU HUK )V\[PX\L
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The chief fashion in its apparent vagaries is the lack of exact knowledge of the unconscious symbolism attaching to forms, colors, textures, postures and other expressive elements of a given culture -Davis
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MISSION of Magazine:
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Color Blocking
Coming this summer 29 | FASHION+FUSION=ART
coming this fall...
FASHION +FUSION =ART Skin
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THANK YOU
I want to send out a HUGE THANK YOU to all that helped make this magazine possible! ;V ,SPaHIL[O *HYYPLY ^HYKYVIL Z[`SPZ[ ^OV THNPJHSS` W\[Z WPLJLZ [VNL[OLY HUK NP]LZ HSS OLY H[[LU[PVU HUK [PTL ^OLU ZOL JHU [V THRL [OL WOV[V ZOVV[Z NV ILH\[PM\SS` ;V THRL \W HY[PZ[ 3H\YH )LJRLY ^OV W\[Z OLY ZPNUH[\YL PU [OL THRL \W ZOL JYLH[LZ LZWLJPHSS` MVY [OPZ ZOVV[ )LJRLY KPK HU V\[Z[HUKPUN QVI ZOL»Z Ã&#x201E;LYJL ;V [OL TVKLSZ ^OV NH]L [OLPY [PTL LMMVY[ HUK MHZOPVU ZLUZL! (SSPZVU .\LZZ 5PJVSL º5PR`» 7Y\T )YHUKVU >OP[L 2HZOHYPL º.HIL» .HIYPLS ;RL`H *VYIPU 4H[[OL^ 7YLZZSL` @V\ HSS 96*2 ;V ;OL .HSSLY` -V\Y MVY SL[[PUN \Z JVTL PU HUK \ZL [OLPY ILH\[PM\S PU[PTH[L ZWHJL @V\ NV[[H JOLJR [OLT V\[ [OL HY[ [OL` Ã&#x201E;UK PZ HTHaPUN ;OHUR `V\ :JV[[ HUK 1VL ;V 4H[[ /\U[LY HUK .HIYPLSSL -PZJOLY MVY ZOHYPUN [OLPY HTHaPUN HY[ ;OL /\U[LY -PZJOLY .H[OLYPUN! *VSSHIVYH[P]L >VYRZ @V\Y ^VYR HKKLK [OL KLW[O [V [OL JSV[OLZ HUK ZWHJL ;V [OL IV\[PX\LZ HUK KLZPNULY ^OV ZOHYLK [OLPY JSV[OPUN ^P[O \Z [OL` HKKLK [OL Ã&#x2026;LZO [V [OL PTHNLZ! 0UZ[HU[ =PU[HNL! 1V]VUL `V\ JHYY` HTHaPUN WPLJLZ HUK 0 SV]L ^VYRPUN ^P[O `V\ 7HNLIV` :HSVU HUK )V\[PX\L! ,YPJ `V\Y OLSW PZ NYLH[S` HWWYLJPH[LK 7H]LTLU[! (SPZZH HUK ,YPU `V\ SHKPLZ OLSWLK V\[ ZV T\JO HUK HYL ZV UPJL +LZPNULY! ;HTT` 1HJRZVU [OHURZ MVY JVTPUN PU SHZ[ TPU\[L HUK NP]PUN \Z HJJLZZ [V `V\Y V\[Z[HUKPUN JVSSLJ[PVU ;V .YHWOPJ +LZPNULY 2LSS` )HYLZ MVY OLSWPUN TL [OYV\NO [OL KLZPNUPUN VM [OL THNHaPUL WYVJLZZ HUK RLLWPUN TL VU KLHKSPUL (UK [V 1LZZPJH +L)LYHYKPUPZ MVY KLZPNUPUN [OL WYVTV WPLJLZ [V OLSW NL[ [OPZ THNHaPUL V\[ HUK HIV\[ ;V T` MLSSV^ WOV[VNYHWOLYZ HUK MYPLUKZ ^OV OLSWLK RLLW TL TV[P]H[LK HUK VU [YHJR (UK [OHUR `V\ [V [OL H\[OVYZ VM [OL IVVRZ HUK [OVZL X\V[LK [OH[ ^LYL \ZLK [V L_WYLZZ T` [OV\NO[Z
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ARTIST STATEMENT 9PJOLUH )YVJRPUZVU
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I fell in love with photography. That is why I created LIONESSPhotography to bring together design, concept, realism and emotion with fashion and lifestyle to make images works of art. I do this by giving professional, personal detail to every image and every client from the conception, to the process, to the layout and design. My focus is on the body movement of the model, the design of the set and the lighting of the mood to complete the image, collaborating with all in involved to produce outstanding imagery. My start was at the Manchester Craftsman Guild, learning to develop and produce high quality black and white images. This experience landed me at the Pittsburgh Black Media Federation’s Frank Bolden Urban Journalism Workshop for a summer. I became interested in news photography, color film and digital images. I wanted to capture the story in one shot, similar to Teenie ‘One Shot’ Harris. I ventured in his steps, taking a freelance photojournalist job with the New Pittsburgh Courier. There I learned how to truly be ‘one shot’; surveying the events I was tasked to photograph and capturing the emotion, color and story of the event in as minimal images as possible and still give the reader whole the story. In photographing a fashion show, I had an
I created LIONESPhotography to bring together design and concept, realism and emotion with fashion and lifestyle, to make images works of art ‘aha’ moment; this is what I wanted to do for the rest of my life. I wanted to capture fashion as art. I continued my education in photography at the Art Institute of Pittsburgh, developing my skills further in lighting, studio and in digital design. I found my niche in Editorial fashion and lifestyle photography, taking my experiences as a freelance journalist photographer and adding that to the way I capture my work. I focus on the reality use of the product and the emotion that can come from it and in combining these skills, my fashion photography has realism, life and emotion with artistic construction.
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