issue
01
shop www.choisgallery.com
ISSN 2223 1293
creative commerical space + concept
WORK shop
_ISSUE.O N E
Table of Contents
008–035 080–117
Retail Ar t Shop 10 Duras Daiba Kyoto Silk Base Ruby Store
Off ice
Asobio, Channel One
Derek Lam
Duras Nagashima
Net-A-Por ter
Karis
One & Co
Dogdeco Kenma×JOTARO SAITO
ACBC Of fice
036–079
Corridor Inter vention plajer & franz Studio Ar tis Capital Management Prodigy MSN, Santa Fe México
Restaurant/ Bar Cave Shanghai Lei Garden Rubik Salon Des Saluts Mix x Qubik Bar Monfalcone Kinema x Radisson Blu, Sk y High Bar Giacomo
118–137
Hanamomo The Wright at the Guggenheim Museum Tok yo Baby Cafe
Hotel Hot Hotel And Spor t School Zenden Kangaroo Hotel The Surrey Hotel
166–191 Exhibition/Showroom Stand Ponzanelli 2010
138–165 Health/Beauty Nafi Weissraum Dental Practice Doctor's Practice For Children And Tcm Soan Hair
Panasonic Convention 2010 Sustainable Winter Lounge Brunner Fair Stand Orgatec 2010 Stand Comex 2010 Bernhardt Showroom, Chicago
192–223
Lodge
Features
Md.Net Clinic
Hoto Fudo Light With A Touch
224–255 Designer— OFL Architecture Instant Bridge Enoki Rome Ecocity Centro Edil Andrea Palladio London Floating Galler y Hong Kong Noise Barrier Venus Tower Silk Road Map Evolution
/10
0
seque
nce o
f“hard
and so
ft.”
hard
archite
cture
hard
object te, stee l, glas s,
concre
wood as ha
rd as
roll a stor
e fixtu
re
e
soft
alum
inium
/ t 0.4
sheet it cann ot be an arch used as itectur al elem ent
soft as
merch
andise
soft ob
ject , cloth
fabric
_01
WORK shop
_ISSUE.O N E
ART SHOP 10
_ A RT SHOP 10
Ply wood crates are stacked on top of each other and
The limited-edition Ar tbags, the shop's bestseller, hang
tied up with lashings into overhanging parcels. Strung
on the walls. As the bags are sold, the walls are gradually
together in a sequence, they form a terraced product
emptied. Thus, the overall look of the shop is constantly
display that allows for the presentation of numerous
changing. The upper levels can be reached using a
objects on dif ferent levels. The crates also of fer space
telescopic pole.
for storage boxes, which is accessible sideways. The
The Ar tshop10 is conceived as a longer-term project. The
storage space remains visible in its function, but is
crates can be dismantled with minimum ef for t. The entire
subordinate to the well-lit display sur faces.
material can be stored away on two pallets.
_ZMIK
_PL AN
RETAIL
Design_ ZMIK
Photography_ Eik Frenzel & ZMIK
Country_ Switzerland
Client_ Sevensisters & Handmade, Basel
_DUR AS DA I BA
_R E TA I L
At first, we have to think how to make use of the 3.65m
Two stepped platforms as like hills are useful stage for
highceiling for this shop. Generally the space above head
displaying bags, heels and mannequins and give us the
height is just void for only looking in a boutique, because
choices of flow, the long way by going at floor level or the
most of the action for buying and selling is concentrated
shor tcut by going up some steps.
close to human body. To avoid this condition, we installed
Mirrors round the edge of the attic visually expand the
imaginar y ceiling made of expanded metal at 2.25m high
shop. We expect this illusionar y view as a gimmick not to
and set up stepped platform that allows shoppers to
get bored with the shopping in a huge mall.
_011
DURAS DAIBA
reach the attic. merchandise spread out on the mesh surface
_Chikara Ohno / sinato up 8200
up
ENT up
up
merchandise spread out on the mesh surface
7200 upper level plan
_SECTION
8200 plan
The long way going at oor level. The shortcut going up some steps.
Client_ DURAS Inc.
Country_ Japan
Photography_ Takumi Ota
Design_ Chikara Ohno / sinato
RETAIL
WORK shop
_ISSUE.O N E
ASOBIO, CHANNEL ONE _nendo
Fashion brand ASOBIO's first storefront shop, a spacious bi-level interior -with a generous opening. The shop's theme is "focus," so we positioned monotone photographs on the floor and walls, and varied the size to imitate the ef fect of a camera's zoom lens, and the sharpness to recall the sense of being out of focus. These ef fects enhance the space with depth and continuity, provide variety and make the products on display stand out by appearing "in focus" in contrast to the shop's own patterns.
RETAIL
Design_ Nendo
Country_ Japan
Client_ ASOBIO
_ ASOBIO, CH A N N E L O N E
_R E TA I L
_019
WORK shop
_ISSUE.O N E
_ ASOBIO, CH A N N E L O N E
_R E TA I L
_0 21
WORK shop
_ISSUE.O N E
KARIS _suppose
This is a boutique project for “Karis� in a shopping center in Hiroshima. The space is not only for shopping, but also for varies events. The concept of the store is to create a space, where you are able to see a changing of view, such as caves, limestone caves, and atmosphere, depends on where you are standing. At some spots, the customers will be able to have a view of the entire store even the center area is surrounding by some par titions. The experience of walking through such random space would be close to walking in the nature. The purpose of the design is to of fer a new shopping experience that people could see products through strolling in nature. The materials of the par titions are paper tubes that are strong and easy to work with, and moreover, they are using for tubes to roll up cloths. The tubes are layered randomly as to be uneven sur faces and create arch shapes as par tition for the store. Because of the arches, the store creates various spaces that are irregular and complex, such as caves in nature. The boutique could be used in dif ferent way with the unique characteristics of the par titions through a year. We believe that the store would bring up the oppor tunity, to find a new and fresh relationship between people and products.
RETAIL
Design_ suppose
Country_ Japan
_K A R I S
_R E TA I L
_0 2 9
WORK shop
_ISSUE.O _VOL.O N EN E
DOGDECO _Satoshi Kurosaki / APOLLO Architects & Associates
This project for a family with a dog combines a residence with a boutique shop selling dog goods. The compact first-floor shop/galler y is suppor ted by boomerang-shaped reinforced concrete columns that allow visibility from both the front and side of the building; the angular shapes also cast interesting shadows inside the shop. The second floor includes residential space as well as a showroom where customers can experience for themselves what life with a pet is really like.
RETAIL
Design_ Satoshi Kurosaki / APOLLO Architects & Associates
Photography_ Masao Nishikawa
_D O G D ECO
Country_ JAPAN
_R E TA I L
_0 31
WORK shop
_ISSUE.O N E
_D O G D ECO
_R E TA I L
WC WC SHOP ROOM SHOP ROOM
N
1F PLAN 1/100 N
1F PLAN _FIRST FLOOR1/100 PL AN
WC BATH
WC
BALCONY BALCONY
BATH
LIVING KITCHEN
ROOM
LIVING KITCHEN
ROOM
_SECOND PL AN 2F PLAN FLOOR 1/100
2F PLAN 1/100
_0 3 3
WORK shop
_ISSUE.O N E
MIXX _Curiosit y
The MIX X Bar and Lounge at the Intercontinential Hotel in Tok yo opened recently. Spanning 600 square meters at the top of the 36-floor hotel, MIX X is a play ful exploration of light and shadows of fering an atmospheric window over the city of Tok yo. Against a palette of neutral grey beige are multilayered materials of washed wood, rayskin covering, hammered bronze and stone complemented by textured fabrics handcraf ted by textile designer Reiko Sudo of Nuno. The space fuses traditional craf tsmanship and Japanese ar t with modern design to create an invisible connection with the nation's rich cultural heritage. The entrance is marked by a "gate of light:" a wall of floating white fabric sculptures reflected through a play of mirrors, their delicacy balanced against the dynamism of the lighting.
_RECEPTION FOYER
RESTAURANT/BAR
Design_ Curiosity
Country_ Japan
_M I X X
_ R E S TA U R A N T/ B A R
_0 4 9
_THE ENTRANCE / “ GATE OF LIGHT”
WORK shop
_ISSUE.O N E
_M I X X
_ R E S TA U R A N T/ B A R
_0 51
Covering the floors is a uniquely designed carpet whose hues and patterns evoke the natural outdoor moss formations of a traditional Japanese garden.
The main bar area, a signature 10 meter long counter sets a bold tone, taking centre stage against a backdrop of windows that reveal Mount Fuji by day and Tok yo's digital light show by night.
WORK shop
_ISSUE.O N E
ONE & CO _Car y Bernstein Architect
One & Co is par t of a new generation of industrial design firms on the rise in San Francisco. Since its founding 10 years ago, the firm has made its home in a turn-of-the-centur y brick warehouse in the Mission District. When the need came to expand into an adjacent space, the three principals saw the oppor tunity to create a workspace that represented the culture of their collaborative studio, design values and the firm's increasing prominence. At 6,500-square-feet, the new studio nearly doubles the size of One & Co's original space yet the design maintains enough intimacy to suppor t fluid working relationships among the staf f. The open plan takes advantage of the generous windows to the south and east, setting more discreet uses—fabrication room, lounge, “war rooms,” kitchen and bathrooms—along interior walls. The war rooms can be temporarily occupied by design teams and concealed by cur tains when needed to preser ve confidentiality.
OFFICE
Design_ Cary Bernstein Architect
Photography_ Cesar Rubio
Country_ USA
Client_ One & Co
_ONE & CO
_O FFI CE
_0 91
_ENTRY AND RECEPTION
WORK shop
_FACADE
_KITCHEN
_ISSUE.O N E
_ONE & CO
_O FFI CE
_0 9 3
_CONFERENCE ROOM
The minimalist vocabulary of the new construction enhances the character of the older building and provides a range of visual and tactile experiences through essays on translucency, transparency, materiality, mass, texture, color and light.
WORK shop
_ISSUE.O N E
_STUDIO
_PARTNERS
_RECEPTION DETAIL
_ONE & CO
_O FFI CE
_0 97
_STUDIO
_WAR ROOM
The neutral palette is punctuated by hot pink surfaces on the walls, f loor and
Products designed by One & Co. are integrated into the
furniture which enliven the perception of depth. Walnut, used in both the
tile (a collaboration with Heath Ceramics), the Periodic
architectural paneling and furniture, adds warmth, naturally bridging both perfect and imperfect worlds of new and old.
architecture and interior design including the new Crease Table, Aura credenza and Chr ysalis stool for Council, and just-a-bench for Orange22.
HOTO FUDO DESIGN _TAKESHI HOSAK A STRUCTUR AL ENGINEERS _OVE ARUP & PARTNERS JAPAN LTD. / HITOSHI YONAMINE PHOTOGR APHY_KOJI FUJII / NAC ASA&PERTNERS INC. STRUCTURE _RC
_19 5
The project was planned on the site with Mt. Fuji
140 square meters of kitchens, and 50 square meters
For the lighting plan, we have determined such
rising closely in the south and the two sides facing
of rest rooms, in such a manner that it envelops and
illumination as makes people simply feel changes in
the trunk roads.
opens them.
the evening light and does not make insects gather
This building seems to belong to such nature
This building has no air conditioners. It is open to the
around the lights. When it rains, rain comes in near
objects as mountains and clouds. It is made from
air at most seasons, and people have a meal in the
windows and doors. In the spaces where rain does
soft geometr y, which will not arise from the figures
air like outside air. The cur ved acr ylic sliding door is
not come in, people enjoy the sound of raindrops.
like quadrangles and circles. By continuously
closed only during the strong wind and the coldest
When it is foggy, the fog comes into the building.
operating innumerable polygon mesh points, we
season. Giving 60 mm thick urethane insulation to
When it snows, it becomes a landscape buried in
have determined the shape that clears the conditions
the outside of the RC shell and keeping a stable
snow, and birds and animals will visit there. In this
such as the consistency as shell construction and
RC temperature secures a stable temperature
place like the middle between nature and art, people
the undulations that ward off rainwater in spite of
environment for the building like inside and outside,
eat hoto rich in natural ingredients.
its free geometr y. The RC shell with cubic surfaces
and also reduces the deformation volume due to the
creates such spaces as 530 square meters of seats,
temperature of RC to make the building last longer.
// FlapFlap°10
LIGHT WITH A TOUCH LIGHTING DESIGN BY CONSTANTIN WORTM ANN, BÜERO FÜER FORM
_211
THE BUEROFUERFORM DESIGN STUDIO WAS FOUNDED BY CONSTANTIN WORTMANN 1999 IN MUNICH, GERMANY. THE MAIN FOCUS OF ITS WORK IS ON PRODUCT, INTERIOR AND LIGHTING DESIGN FOR RENOWNED, UPMARKET, INTERNATIONAL MANUFACTURERS LIKE GEORG JENSEN, UMBRA, KUNDALINI OR NEXT. THE RED THREAD OF THE DESIGN IS THE WELL-BALANCED COMBINATION OF ORGANIC SHAPE AND GEOMETRIC ELEMENTS, SOMETIMES WITH A BIT OF HUMOR, CREATING A PARTICULAR MODERN STYLE.
NLC, PENDANT LIGHT FOR NEXT IT CHANGES ITS SHAPE WITH E VERY NEW VANTAGE POINT OF THE BEHOLDER
_219
NLC is an LED pendant light designed for Germany company Next by Constantin Wor tmann. At a first glance, NLC perplexes with its positively striking and yet strangely puzzling appearance. Its special appeal lies in the apparent conflict between the chaotic and the organic. It changes its shape with ever y new vantage point of the beholder. Both LED and ESL lamps can be used in its E14 fittings. And Next also of fers a dimmable LED lamp, exclusively developed for this lamp.