Interior Design Architecture Urban Design Portfolio by Lisa Weigl

sking

Questions INTERIOR ARCHITECTURE

& DESIGN

A PORTFOLIO

BY LISA WEIGL

A SKING QUES T IONS

HERE YO Uâ&#x20AC;&#x2122;L L F IND A L I T T L E IN SI G H T IN M Y C RE AT I V E M I N D - I L I K E T O G E T N E W PERC EP T I ON S BY Q UE S T I ONIN G T HIN G S T H AT H AV E B E E N S E E N B E F O RE

BEFORE WE BEGIN

OH HELLO

Lisa Marina Weigl Who?

I create, I design, I ask questions. I’m keen on finding inspiration and food for thought in everyday life. My focus lies on creating something that means something to others, appeals to them, communicates with them or moves them in any way. Born in a small town in Bavaria, Germany, quite accurately 25 years ago, I spent my training years in a contrast, living between German small towns, the British countryside and London. Currently finished with my Bachelor Thesis on the poetry of cities and urbanism and how they influence the way we act, think and feel, with a focus on Social Housing it’s pros and cons, I’m searching for a new challenge. I love the wind around me when I ride through London on my black road bike. As of recently I celebrate live jazz clubs (must be me getting older). I appreciate relaxed days at a museum or in a park and dances of joy at a concert. Apart from that, there is the usual: traveling, architecture, design, urbanism, yoga, banana bread and The Beatles. Say hello!

Education 2019-2020

City Design Masters Degree, Royal College of Art

Skills ArchiCAD

Vectorworks Rhino 5

2013 - 2018

SketchUp

Coburg University of Applied Sciences and Arts,

Cinema4D

Interior Design, Bachelor Photoshop 2013

InDesign

Henley College, Oxon, Photography

Illustrator

2004 - 2012

Basic coding knowledge

Elly Heuss Gymnasium, A Levels Windows os & Mac os user

Work 2019

Architectural Assistant Atelier Baulier, London, assistance in planning stages (Rhino), physical model making

- I am not working with the program you are using in your studio? Just let me know, I am happy to learn something new! -

Language German

- native speaker

English

- fluent speaker (C2)

2018 - 2019

Italian

- basics (A2)

freelance interior designer

Swedish

- basics

freelance design work on private properties in London 2015 - current freelance event management assistant (e.g. Burberry Fashion Shows) - planning, organization and realization 2015

+49 1602 534074

al research, visualizations) e.g. in Patterns Brighton

weigllisa@gmail.com

anurbanstudy.com

not.lizzy

2012 Internship Photography & Graphic Design

HELLO

ferent fields (architecture, facades, furniture, materi-

S AY

Internship with Alt-Shift Studio, Focus on dif-

Space of Tomorrow

Cinema on the Program

Urban furniture to improve life quality on estates. A Bachelor Thesis.

Kreuzberg & Bethnal Green Flats How to rescue small flat layouts with a small budget?

Interior

Furniture

Architecture

Other

Temporare

Can a former furniture store be transformed into a cinema?

One we shaped earlier

Can furniture be a sculpture/art piece?

Cinema on the Move

How does a Pop-Up Cinema equal a real cinema?

Little Nomad

Can a kids room fit into an open living space?

Run & Hide AirBnB

How to make temporare living comfortable and unique?

Other Engagements

What else is there to tell really? What happens in my life?

In case you want to know more about a project or see other projects Iâ&#x20AC;&#x2122;ve been working on, just let me know!

Space

of Tomorrow

Part II of Bachelorâ&#x20AC;&#x2122;s Degree

CHITECTURE, URBAN THINKING

THESIS WORK, INTERIOR DESIGN, AR-

QUICKINFO U S E : B A C H E L O R T H E S I S , D E S I G N PA R T, U R B A N D E S I G N & T H I N K I N G W I T H : U N I V E R S I T Y O F A P P L I E D S C I E N C E S A N D A R T S C O B U R G , P R O F. M I C H A E L H AV E R L A N D PROGRAM: VECTORWORKS, INDESIGN, PHOTOSHOP

Working on my Bachelor Thesis I research the poetry of cities and how life quality improves by us getting involved in urban planning and design. An approach to a solution amongst the British social housing problem.

S PA C E O F T O M O R R O W

Can we write our own piece of poetry into our city?

A Bachelor Thesis about the injustice in existing urban planning and the resulting social challenges. About the vision to live in a fair city with an approach on autonomy and sustainability. A self-buildable module design. PA G E T H R E E

social housing), life quality in cities such as London, quality in terms

of living spaces, dimensions of shared urban spaces (communal, green spaces, 3rd spaces) and ideas

e all know London as an exciting city with an unthinkable amount of opportunities. A contrast to this seemingly high life quality are the so called ‘‘sink states’’ of today and with that, neglect, crime, unemployment. Even though there have been a lot of good intentions and visions in the past they mainly have been forgotten.

that already existed to improve life quality in cities. During my work I wrote two books (each 240 pages) about the research and the actual design work I’ve done. Followed by a lecture about my outcome and a small exhibition consisting layout plans, a model and technical details of the Space of Tomorrrow.

I approach this matter on the aspects of self-organisation with a design of an urban furniture piece. This should restore self-trust as well as independency of the people living on estates from their landlords. It should also add new quality to community life, integration of inhabitants and newcomers. A great part of this work was the research on the history on social

Bespoke furniture for the space

PA G E F O U R

S PA C E O F T O M O R R O W

housing (with a focus on British

S PA C E O F T O M O R R O W Next to the frustration free construction method, with a repeating grid and simple connections, the materials are seen as a connection between the various modules (spare room, community kitchen, garden, workshop, parent/children area, quiet zone, coworking space, cafe/market space).

PA G E F I V E

Easy materials, simple construction, repeating methods

PA G E S I X

S PA C E O F T O M O R R O W

The material choice can vary. Worktops, fabrics and colours are ment to be sustainable and even recycled (e.g. terrazzo made out of gravel from the estate, old materials). The roof is planned to be a planted surface, so the inhabitants in the surrounding estate look onto a ‘‘garden’’.

Cinema on the Program Winter Term 2015/16

DESIGN PLANNING, INTERIOR DESIGN

QUICKINFO WITH: UNIVERSITY OF APPLIED SCIENCES AND ARTS COBURG I N C O O P E R AT I O N W I T H K I N O I S T P R O G R A M M E . V. PROGRAM: ARCHICAD, PHOTOSHOP SCALE: 475M2, 5,4M CEILING L O C AT I O N : B AY R E U T H , G E R M A N Y, F O R M E R F U R N I T U R E S T O R E OTHER: GOT SELECTED AS ONE OF THE BEST THREE WORKS

A Layout concept with a focus on the needs of a indie-film-lover, the 80s architecture of the building and the urban surroundings of the former furniture store. The busy streets next to the object had to be conected to the interior of the cinema itself.

CINEMA ON THE PROGRAM

Can a former furniture store be transformed into a cinema?

A monstrous former furniture store in the middle of a busy junction which layout, over time, has been planned so badly (depending on its current tenant and use) that it can be seen as a real task to deal with. Its pillars, walls and levels had to be incorporated into the design. As the urban surroundings can not be faded out they had to be used as a connection to the interior. PA G E N I N E

CINEMA ON THE PROGRAM SCALE: 475M2, CEILINGS 540CM

LEVEL: GROUND LEVEL

SURROUNDINGS: RING ROAD, NEAR OLD TOWN

TA R G E T G R O U P : I N D I E F I L M L O V E R S

Bayreuth Wittelsbacherring

PA G E T E N

CINEMA ON THE PROGRAM

middle of the glass fassade, so the visitors can buy their tickets on the outside (dedicated to the golden 20s cinema era). Entering the cinema through doors on both sides, the visitor can decide if he/

she only wants to make use of the restaurant/cafe on the left or also the cinema (with the big hall located on the ground floor and the

tanding in front of the massive building with a typical 80s architecture that provokes more than

small ones on the first floor accessable through seperate staircases. I decided to leave the pillars blank

trying to fit into the urban pic-

and open to add to the roughness

ture, I thought of the Barbican

of the architecture and stress the

that provokes and fits in at the same time. How can I make this

hight of the space.

‘‘cinema’’ do the same at least with its interior and appearance from the outside. The typical 80s design reminds me of the Memphis Movement - bold shapes and striking colours. I saw the design as a kind of puzzle, working with blocks, shapes and patterns and also trying to deal with the weird shape the space provided, through a symmetry in the appearance of the room. Creating a connection between the interior and exterior, the ticket booth is located exactly in the

Interior situation

PA G E E L E V E N

PA G E T W E L V E

The pillow cinema and the small hall are located on the upper floor, they can be accessed with each a seperate staircase. Between the roomblocks and the window front, narrow corridors lead the visitor to platforms to waite for the film to start.

CINEMA ON THE PROGRAM

The ground floor opens up as a space for the visitor to choose. After buyng a ticket at the ticket-booth he/she enters the cinema into one of the double doors. If he or she only wants to use the cafe/restaurant he/she goes to the left. The big hall is located in the centre of the ground floor.

CINEMA ON THE PROGRAM The model was made with the focus on size relations and harmony between the shapes used. The easiest material to form the shapes wanted was finnboard. Through the model it can be seen, that the daylight the windowfront gives is hardly obstructed by any objects or rooms.

PA G E T H I R T E E N

CINEMA ON THE PROGRAM The scale of the modell is 1:100.

Daylight isnâ&#x20AC;&#x2122;t obstructed by objects or rooms.

PA G E F O U R T E E N

CINEMA ON THE PROGRAM As the building substance is mainly from the 80s the first association made as a typical 80s design theme is the memphis graphic movement. Mixed with the Bauhaus coloures as a more subtle colour theme, a modern 80s feeling was created. The seating areas are formed as stairs, as a hint to the rawness minimalism of the Brutalism.

PA GPA E PA SGEG EVEEF N ISF ET V EEN

Materials to create a modern 80s vibe.

PA G E S EIG X THE TE N

CINEMA ON THE PROGRAM

The rooms have a slightly different colour theme but the same patterns. Despite of choosing the main material concrete, wood is the second subject in the halls, creating a cozier, warmer feeling.

Cinema on the Move Summer Term 2017

DESIGN PLANNING, URBAN POP-UP

QUICKINFO WITH: UNIVERSITY OF APPLIED SCIENCES AND ARTS COBURG PROGRAM: RHINO, ARCHICAD, PHOTOSHOP SCALE: 21M X 17M X 5,20M L O C AT I O N : P O P - U P > U R B A N / R U R A L A R E A

An urban object / pop-up with connections to ‘‘Cinema on the Program’’ regarding branding, shapes and materials. Dealing with material and construction questions (use temporary) as a difference to the previously designed cinema.

CINEMA ON THE MOVE

How does a Pop-Up Cinema equal a real cinema?

In a developement of the â&#x20AC;&#x2DC;Cinema on the Programâ&#x20AC;&#x2122; project I chose to design a Pop-Up version with the same branding, shapes and also material parallels. How can a cinema also offer the same features the original does? The play of shapes already used in the former design had to be the main focus of the design. The main difference had to be the lightness of the construction. PA G E N I N E T E E N

Seeing the cinema as a projection itself, it’s lined with polycarbonate sheets that are opaque in their

orking on an addition to ‘‘Cinema on the Program’’ I decided to design a pop-up version. The focus on showing the same branding but flexibel and rebuildable, was mainly on materials and construction. The pop-up character shouldn’t get lost though. I chose to treat the design as a form of sculpture or collage (taking the chance of making temporare architecture look a bit crazy and freaky).

appearance and allow (especially at night) to see shiluettes of what’s happening inside. As a upholstery material on the stand I chose rebonded foam that’s easy to move and store. Plywood serves as the perfect component and is flexible to build with. Small elements that aren’t too heavy (as stair surfaces) are made from terrazzo as a parrallel to the original. The colours used also equal the original.

The concept looked as follows: The films showed should be free for the visitors so a ticket booth wasn’t necessary. A big staircase leads onto the cinema, the visitor can then decide if to go straight in and see a film (or other action going on, maybe another trendy yoga class or a talk about pop-up cinemas) or make use of the cafe on the right side, also located on the top of the staff area. The staff area (projection room and gastronomy) can be accessed under the little staircase leading to the visitor

Aereal Perspective

PA G E T W E N T Y

CINEMA ON THE MOVE

terrace.

CINEMA ON THE MOVE As the urban surroundings are already sleek and cold in their appearance it was a positive side affect that wood was a handier material to use for the temporary constructure than concrete and created a warm contrast. Despite of that the patterns and colours used create a direct parallel to the former design.

PA G E TPA WG EN E TSYEO VE NN E

Parallels in materials, patterns and colours.

PA G E T W E N T Y T W O

CINEMA ON THE MOVE

As the cinema is a temporary structure it is important that every construction and also furniture used is easy and small to transport and quick to build and dismantle. As a great example Tomas Alonsoâ&#x20AC;&#x2122;s Okay Studio Design was used in this image.

Run&Hide an AirBnB concept Summer Term 2016

L AY O U T D E S I G N , I N T E R I O R D E S I G N

QUICKINFO WITH: UNIVERSITY OF APPLIED SCIENCES AND ARTS COBURG P R O G R A M : A R C H I C A D , P H O T O S H O P, I N D E S I G N SCALE: 45M2; 2,5M CEILINGS L O C AT I O N : S T U T T G A R T, G E R M A N Y

A completed layout design ready to hand in with a written concept, all additional furniture plans and detail drawings for a AirBnB flat in Stuttgart. All used materials and products had to be named and listed and a cost calculation had to be made.

RUN & HIDE AIRBNB

How to make temporare living comfortable and unique?

Finding a concept for an AirBnB flat in the centre of Stuttgart that doesn’t just show another ‘Eames-Chair-arrangement’ isn’t as easy as it sounds at first. Temporare living aquires other needs than a home and built-in furniture much more thought than another Thonet chair. Finishing an interior project with all its additional plans can be challenging. PA G E T W E N T Y F I F E

but as itself open, e.g. there is no door between the shower and the bedroom. The materials chosen are clean

and sleek but at the same time inviting and warm. Brass adds a warm character to the grey ter-

n AirBnB flat has different aquire-

razzo, marble and a grey wooden

ments compared to a home. The

floor (oak). Rattan as an ecocon-

resident (1-2) doesn’t necessarily

scious material can be well com-

wish for the same features whilst

bined with plants so the other-

on holiday or a worktrip but still

wise clean interior gets an exotic

wants to feel at home and cozy.

holiday note.

How can a concept have this certain special something and still be simple enough to fit the needs of a e.g. businessman/woman? The concept chosen had a focus on clean lines and hidden features. Sections that aren’t needed during the day can be stored away (e.g. eating area or wardrobe) or configured by the resident (maybe he/ she doesn’t need a clothing rack in the hallway). The living and cooking/dining area is an open living area (wooden floor), the bathroom and sleeping space as the private

Material Board

PA G E T W E N T Y S I X

RUN & HIDE AIRBNB

area is hidden (terrazzo floor),

RUN & HIDE AIRBNB

10,545 12

4,245

175

125

1,30

4,10

Bruno Taut APARTMEN = OK Fertigbau = UK Fertigbau = OK Rohbau = UK Rohbau

125

10,365

1,075

2,01

4,125

1,01 1,20

76 1,20

365

51 1,20

3,41 1,865

1,01 1,20

= Bestand = Vollh = Parkett = Erdre = Zementestrich = Kies = Gipskarton = Däm Feuerbeständig Beschreibung Doppelt beplankte Tr W 611 -VM1 Mauerwerk mit Perlfi W 112 2Seitig-Doppelt bepl Doppelt beplankte V W 626 Mauerwerk verschra W 116 Voratzschale als Inst HEA 30 H-Stahlträger 30x30 Gipskartonplatte feu Fireboard (35mm = Feuerwider Innentüren Blendrah Sc Türen Wohnungstüren: Zar 2-Seitig gegenläufige Belag aus aufgesatte Treppe

1,365

1,26 1,20

2,60

2,305

W115

1,24 1,13

1,26 1,20

3,63 1,085

2,39

3,24 10

125

10,545

1,12 5,905

5,48 1,365

2,01 1,20 5 256,27

2,50

1,125

Sämtliche Maße sind vom Unternehmer eigenver Alle Ausführungspläne sind nur in Verbindung mit sowie den Durchbruchsplänen der Fachingenieur Dehnungsfugen sind nach Angabe Tragwerkplane Der Ausführende ist verpflichtet, den Auftraggebe hinzuweisen (VOB, § 3.3).

Werkpla 1. Obergeschoss

3,485

BA UV OR HA BEN: Br uno Taut Umbau

275

365 12

A 275

1,25 1,15

BRH 96 OKFFB F

6,75 W626

BRH 90 OKFFB

325

W 36

BRH 90 OKFFB

275

1,365

FD = Funda FA = Funda FS = Funda WD = Wand WA = Wand WS = Wand

± 0,00 = OK RB EG

W115

1,285

655 2,12

1,425

125

5,78 BRH 96 OKFFB

Bad: 60 2 BF: 3,94m U: 9,45m LRH: 2,50m B: Fertigparkett auf Lithotherm Bodenheizsystem Sichtestrich poliert im Duschbereich W: W611 P3 Q3 D: W611 P3 Q3 +5,95 +6,18

LRH: 2,50m B: Fertigparkett auf Lithotherm +5,95 +6,18 Bodenheizsystem W: W611 P3 Q3 D: W611 P3 Q3

5,95m

W112

Wohn- / Essbereich BF: 22,97m LRH: 2,51 m U: 29,58m (Inkl. Küche & Flur) B: Fertigparkett auf Dämmschicht W: W611-VM1 D: Weißputz

1,785

1,34

W112

2,055

2,22 205

W116

Badezimmer BF:10,92m U: 15,05m LRH: 2,51 m B: Feinsteinzeug geﬂiest W: Feinsteinzeug geﬂiest D: Weißputz

Küche BF: 10,82m LRH: 2,51 m B: Wohnzimmer: Fertigparkett auf Dämmschicht BF: 11,10m2 W: W611-VM1 13,45m D:U: Weißputz

1,625 1,15

2,41

S = Sanitär H = Heizung E = Elektro L = Lüftung G = Gas

2,01 OKFFB

625

3,63

6,75 5,95m

HEA 30

Verkleidung: Fireboard W60 (GKPFB) 35mm

HEA 30 Fireboardverkleidung

475

18 21

42 45

6,75 5,95m

5,11

4,51

Schlafzimmer: BF: 15,60m2 U: 15,82m LRH: 2,50m B: Sichtestrich poliert W: W611 P3 Q3 D: W611 P3 Q3

2,125

5,11

90 2,01 OKFFB

3,00

1,625 2,11

3,63 10

W112

Flur BF: 2,43m LRH: 2,51 m B: Fertigparkett auf Dämmschicht W: W611-VM1 D: Weißputz

KühlGeschrierschrank

Mülleimer

2,10 90 2,01 OKFFB

10,24

70 2,12

Küche: BF: 10,25m2 U: 13,32m LRH: 2,50m B: Fertigparkett auf Lithotherm 75 Bodenheizsystem W: W611 P3 Q3 D: W611 P3 Q3

+5,95 +6,18

Geschirrspüler

1,025

1,01 2,10 OKFFB

93 2,12

1,01

Tür:

hoch schallgedämmt

5,95m

Treppenhaus BF Podest A: 3,27 m BF Podest B: U: 14,66 Podest: Fertigparkett W: W611-VM1 D: Weißputz

+5,95 +6,18

10,24 10,235

6,75

Schlafzimmer 2 BF: 12,28 LRH: 2,51 m U: 14,53 B: Textilbelag W: W611-VM1 D: Weißputz

1,19

15 38

17x 17,5 =2,80

1,20

2,65

875 2,12

1,15

3,08

3,05 3,02

1,03

4,095 4,76

5,125

8,40

BRH 90 OKFFB

Flur: +6,18 +5,95 BF: 7,32 m2 Schlafzimmer 1 U: 13,75m BF: 14,33m LRH: 2,51 m LRH: 2,50m U: 16,86m B: Fertigparkett B: Textilbelag W: W611-VM1 auf Lithotherm D: Weißputz Bodenheizsystem W: W611 P3 Q3 D: W611 P3 Q3

1,82

BRH 90 OKFFB

1,18

BRH 90 OKFFB

+4,96 +4,76

205

365

BRH 90 OKFFB

BRH 96 OKFFB

1,625 1,15

3,70

De Wa Bo Bo

275

9,24

Obergeschoss

Ir gendwo in APARTMENT STUT Ber lin Kernerstr: 11 Apartment 8 A UFTRA GGEBER:

FOL Carl Baetjer Mark Philips

Hochschule Cobur g Am Hof br äuhaus 1 Lichtlabor 96450 Cobur g

1:50

P Maßstab

Blattgröße

1:50

594x450 A3 A2

Dateiname: Grundriss Werkplanung.pln Pfad: /Users/Max/Dropbox/Public/Grundriss Werkplanung.pln

x x

3,938

2 5

4 0,350

6,234

0,650

1,320

2 2 0,655

1 0,295

3,608

0,650

6 1,480

1 x

0,600

Bad: BF: 3,94m2 U: 9,45m UKFD: 2,50m UKAHD: 2,40m 0,200

0,200

Schlafzimmer: BF: 15,60m2 U: 15,82m UKFD: 2,50m UKAHD: 2,40m

3,043

Flur: BF: 7,32m2 U: 13,75m UKFD: 2,50m UK Unterzug: 2,14m

0,260

x x

0,530

Küche: BF: 10,25m2 U: 13,32m UKFD: 2,50m UK Unterzug: 2,14m UK Sitznische: 2,215m

x 0,530

3 0,260

Wohnzimmer: BF: 11,10m2 U: 13,45m UKFD: 2,50m UK Sitznische: 2,215m

Working & Light drawing APARTMENT STUTTGART Kernerstr.: 11 Apartment 08

GSEducationalVersion

Abgehängte Decke

Lüftungsanlage

Unterzug

Duschkopf eingebaut

Leuchte

Information

Prediger, P.34.1, Deckeneinbauleuchte, 60x60cm

Philips Lirio, Bloq 1-er Deckenleuchte, Deckenaufbauleuchte, 163x163x122 cm

3 4

Osram, SubstiTUBE, LED-Röhre, 0,27x150cm

Michael Anastassiades, Ball Light Wall Bracket, Pendelleuchte, 61x61cm, max. 128cm Pendellänge (var.)

Edition Casa Lumi, CL2046, Bauhaus-Scherenleuchte, Ausladung: 52-82cm, h 39cm

Michael Anastassiades, FLOS IC Lights S2, Pendelleuchte, d 30cm, h 70cm, max. 400cm Pendellänge

Sämtliche Maße sind vom Unternehmer eigenverantwortlich am Bau zu prüfen. Alle Ausführungspläne sind nur in Verbindung mit den gültigen Schal- und Bewehrungsplänen des Tragwerkplaners, sowie den Durchbruchsplänen der Fachingenieure gültig und/oder den ergänzenden Angaben. Dehnungsfugen sind nach Angabe Tragwerkplaner auszuführen. Der Ausführende ist verpflichtet, den Auftraggeber auf etwaige Unstimmigkeiten der Ausführungsunterlagen hinzuweisen (VOB, § 3.3).

Deckenplan Apartment Stuttgart Werkplanung Plan 002

Auftraggeber: Mark Philips Hoschschule Coburg Am Hofbräuhaus 1 96450 Coburg

Maßstab 1:50 Blattgröße: A3 20.07.16

Planersteller: Daniel T

InnenARCHITEK Gruppe 4 96450 Coburg Gruppe 4 @stud.hs-cob www.Gruppe4.de

PA G E T W E N T Y S E V E N

RUN & HIDE AIRBNB 34

Details coat rack

PA G E T W E N T Y E I G H T

RUN & HIDE AIRBNB 68

Details TV-wall

PA G E T W E N T Y N I N E

RUN & HIDE AIRBNB

Wandpanele aus Corian weis Kanten kaltgeschweist Theke aus Corian schwarz Kanten gefast 2mm

Montageklebstoff

Sokckelleiste aus MDF weiß

APARTMENT STUTTGART Kernerstr.: 11 Apartment 08

600 20

560

1.825 20

285

740

720

262

877 260

264

1.872 20

903

Auftraggeber: Mark Philips Hoschschule Coburg Am Hofbräuhaus 1 96450 Coburg

Wandanschluss Theke/Sockelleiste Detailplanung Plan 011 908

20.07.16 Planersteller: Max Lörtzing

836 20

798

InnenARCHITEKT: Gruppe 4 96450 Coburg Gruppe 4 @stud.hs-coburg.de www.Gruppe4.de 600

560

Schnitt BB

1.200

600

245

Schnitt AA

Maßstab 1:1 Blattgröße: A3

560

20 327 60

460

1.427

2.407

APARTMENT STUTTGART Kernerstr.: 11 Apartment 08 Stoffbezug Mikrofaser MDF Stahl

Bezug

skai colore classico arktisgrau 0,40 1420

Stahlträger

Leichte Ausführung (IPBl oder HEA-Reihe) nach DIN 1025-3

MDF

Mitteldichte Faserplatte Esche funiert (siehe Bemusterung) nach EN 622-5

Möbelplan Schrankwand Küche/Wohnzimmer Werkplanung Plan 002

Auftraggeber: Mark Philips Hoschschule Coburg Am Hofbräuhaus 1 96450 Coburg

Maßstab 1:20 Blattgröße: A3 20.07.16 Planersteller: Max Lörtzing InnenARCHITEKT: Gruppe 4 96450 Coburg Gruppe 4 @stud.hs-coburg.de www.Gruppe4.de

Details floor & window wall

PA G E T H I R T Y

Flat Berlin Kreuzberg Winter Term 2014

DESIGN PLANNING, INTERIOR DESIGN

QUICKINFO WITH: UNIVERSITY OF APPLIED SCIENCES AND ARTS COBURG P R O G R A M : A R C H I C A D , P H O T O S H O P, I N D E S I G N SCALE: 138M2 L O C AT I O N : B E R L I N , K R E U Z B E R G , F O R M E R B R E W E R Y

A Layout concept with a focus on the existing light situation concerning the location of the flat in a former brewery in Kreuzberg, Berlin next to a park. A priority of the project was finding options on material and colour fitting for residents and flat.

F L AT B E R L I N K R E U Z B E R G

How to rescue a “shitty” layout in a perfect area?

An old brewery in the middle of Kreuzberg with a direct connection to the Berlin Underground, right next to a park promises young creatives with a slightly higher budget a great living experience - sounds perfect? The layout just doesn’t quite fit, it seems like a makeshift, doesn’t give much light and the promised ‘‘loft character’’ with its 245cm ceilings is a lie. PA G E T H I R T Y T H R E E

F L AT B E R L I N K R E U Z B E R G SCALE: 138M2, CEILINGS 245CM

LEVEL: 3RD + 4TH FLOOR, NO LIFT

S U R R O U N D I N G S : V I K T O R I A PA R K , U-BAHN LUFTBRÃ&#x153;CKE

TA R G E T G R O U P : Y O U N G C R E AT I V E S

Berlin Kreuzberg near Tempelhof

PA G E T H I R T Y F O U R

F L AT B E R L I N K R E U Z B E R G

eating space to the left, also with access to the roof terrasse and living and working area to the right, again with access to a small terrasse. There is also a bathroom with a shower located on the up-

per floor. The material choice is supporting the light the architecture allows to float into the flat. A fair concrete

lanning a flat for two people in

floor stretches through the whole

Kreuzberg, the concept I went

flat, plywood adds a fresh and

for is pretty easy to understand.

young character and materials like

As the 3rd floor doesnâ&#x20AC;&#x2122;t give as much light as the 4th floor it was converted into the sleeping and clothing area. If you enter the flat

terrazzo a certain exciting note to the combination. Colour accents are made with e.g. rugs.

the first thing that comes to mind is a clothing rack and (letâ&#x20AC;&#x2122;s be honest) a toilet. The resident can now decide if he enters the private area or the living area (over the staircase to the upper floor.) Entering through a sliding glass door on the 3rd floor, the private area of the space starts with a dressing room, behind that is the bedroom and the en suite bathroom with access to the balcony. The upper floor hosts the public/ living area. With a kitchen and

Material Board

PA G E T H I R T Y F I V E

7 11 14

15 x 26 x 19

1 10

1:100

The upper floor opens up as an open living space with a kitchen and dining area on the left and a living and working space to the right. The big balcony can be entered through the kitchen. There is also a bathroom with a shower located on the upper floor.

F L AT B E R L I N K R E U Z B E R G

3rd floor of the flat. The entrance offers space for cloaks and shoes. Next to a small toilet a stairway leads to the 4th floor. A sliding double door allows the residents to enter their dressing room. The bedroom is located behind the next sliding door. En suite is a big bathroom with a freestanding bathtub.

14 x 25 x 20

PA G E T H I R T Y S I X 1

1:100

F L AT B E R L I N K R E U Z B E R G View of the open living area. The chosen materials are light in colour and sleek in appearance, so the effect the daylight supplies gets supported. As the floor is kept in its original concrete finish, carpets are used to get a cozier look and feel.

PA G E TPA H IG R TEY S E V E N

Materials are light in colour and sleek in their appearance

PA G E T H I R T Y E I G H T

F L AT B E R L I N K R E U Z B E R G

The chosen interior is bespoke. Coloures, textures and details are lively but subtle in its shapes. Terrazzo adds an enduring character to the material choice.

Flat Bethnal Green Summer 2018

DESIGN PLANNING, INTERIOR DESIGN

QUICKINFO W I T H : P R I VAT E C L I E N T P R O G R A M : V E C T O R W O R K S , P H O T O S H O P, I N D E S I G N SCALE: 72M2 L O C AT I O N : L O N D O N , B E T H N A L G R E E N , G E O R G I A N F L AT

A layout concept for a private client. The project had a focus on a rather tight budget and multiple landlord restrictions. The design work mainly consisted of work together with the client and an architect (structural work).

F L AT B E T H N A L G R E E N

new room structures to improve the quality of the flat. Working together directly with the client and architect I learned a lot

about british building regulations

orking on my first freelance project

Important for the project espe-

I did some classical design work

cially was the conversation with

on a 72m2 former council flat. Itâ&#x20AC;&#x2122;s

various supplyers, electricians,

been bought by a game designer

carpenters, etc.

and the paperwork that comes with it.

and his best friend. One of the bedrooms was ment to function as an AirBnb flat. After a very open planned living space (less walls, glass room seperater) we had to face several building restrictions coming from the landlord of the building. We then stuck to the original layout and worked with materials and

Material Board example

PA G E F O U R T Y O N E

Built in shelving (open)

Projector surface, console underneath (maybe vinyl player, etc.) + speakers left&right

shower surface built in

half solid half glass wall deviding shower and bath

fridge and shelving (closed)

connecting storage surface (including tank)

breakfast isle with two pendant lights

SHARED BALCONY

Projector on ceiling

undermount sink

cupboards

SHARED BALCONY

SHARED BALCONY SHARED BALCONY

Built in Bedroom furniture

Built in desk

F L AT B E T H N A L G R E E N

Built in Bedroom furniture

BEDROOM-1

light system with spots

BEDROOM-1

PA G E F O U R T Y T W O BEDROOM-1

One we shaped earlier Winter Term 2016/17

FURNITURE DESIGN, INTERIOR DESIGN

QUICKINFO WITH: UNIVERSITY OF APPLIED SCIENCES AND ARTS COBURG PROGRAM: RHINO SCALE: 3M X 4M X 0,5M L O C AT I O N : B E D R O O M , L I V I N G R O O M

Not just another valet stand in an old man’s bedroom. The aim of the design was a piece of furniture that gives the impression of a sculpture and maybe even creates a ‘‘room in a room feeling’’. Valet stands aren’t dead yet, long live the valet stand!

ONE WE SHAPED EARLIER

Can furniture be a sculpture/ art piece?

Design a valet stand that stands out between the conventional dust catchers! The task was to develope a concept thatâ&#x20AC;&#x2122;s unique and draw all the necessary construction plans and detail drawings. Setting myself the aim of creating a multifunctional piece of furniture with more than just the use of hanging clothes over a rag turned out to be a real piece of art. PA G E F O U R T Y F I V E

user (e.g. facemirror, stool, table). The material choice had to be kept interesting and somehow adapted. In this case I made black steel (matt) the main material with

different terrazzo sheets and cuts as surfaces and wooden accessoires. The valid stand also provides an

alid stands have lost in popularity

electric connection for blowdryers,

over the years. Chairs, clothing

razors or lights.

racks or even ladders are doing

Summed up - ‘‘one we shaped

the job just as well. How can that

earlier’’ suits our modern needs,

piece of furniture actually live up

works as a helper as well as as a

to our modern needs again and

home accessoire and sculpture.

not just be another useless piece that’s only benefit it is to throw clothes onto? Treating the design as a sculpture and artpiece in the first place, my aquirements were the following: It had to be multifunctional (so not only the clothes aspect, but also a face, hair, makeup station and a big mirror), be an addition to the room or even blend in (with the plant pots and the light, that can be used as a standart lamp or the mirror that makes the room bigger), the furniture provides a room in a room, giving the user privacy whilst changing,

End Model

PA G E F O U R T Y S I X

ONE WE SHAPED EARLIER

the features can be adjusted by the

ONE WE SHAPED EARLIER

ONE WE SHAPED EARLIER Stummer Diener STAHLROHR AUßEN VIERKANT, HOHL 30x30mm

Detail 03 Spiegel-Gelenk SCHNITT SEITE

INNENROHR STAHL ⌀20mm

20 30

ANSICHT FRONT

Maßstab: 1:1 mm:mm

30 20

2,00

GUMMI-AUFLAGE FÜR OBENLIEGENDE KONSTRUKTION

EINSATZ STAHL FÜR STIFT, VERSCHWEIßT

SPIEGEL IN FASSUNG ⌀285mm DICKE 26mm

55 1,50 55

STAHLSTIFT HINDERT VIERKANTROHR AM DREHEN + AUFLAGE

10 50 10 15

SAMT-EINLAGE VERKLEBT SCHUTZ FÜR SPIEGEL

NYLON AUFLAGE VERKLEBT

Stahl Rundrohr mit Bohrung Durchmesser 15mm

NYLON UNTERLEGSCHEIBE AUßEN ⌀15mm INNEN ⌀10mm

8,5

Durchmesser Innen 10mm Durchmesser Außen 14,5mm

8,7

25 1,00 25 STAHLROHR MASSIV

Nylon Unterlegscheibe

1,50

Passschraube 87x10mm

11,80

1,45

75 1,50 75

20 20 50

Rahmen Spiegel außen

PASSSCHRAUBE ⌀10mm, l87mm IN VORBORUNG

Innen Durchmesser 28,50cm Außen Durchmesser 30,00cm

5 74

STAHLROHR FÜR SCHWENKBARE ELEMENTE, VERSCHWEIßT

ÄUßERER RAHMEN MIT AUSSPARUNG FÜR SCHRAUBENKOPF

Rahmen Spiegel Fassung Innen Durchmesser 27,50cm Außen Durchmesser 28,50cm

50 10

SCHWENK GELENK, VIERKANT MIT RUNDER BOHRUNG

INNERE LEISTE / SPIEGELFASSUNG

Samt Einlage

Durchmesser 28,50cm

Spiegel

Durchmesser 27,50cm Dicke 50mm

Blattgröße: A3

Planersteller: Lisa Weigl

08.02.2017

ONE WE SHAPED EARLIER Stummer Diener

STAHLROHR AUßEN VIERKANT, HOHL 30x30mm

SCHNITT SEITE

ANSICHT FRONT

GSEducationalVersion

INNENROHR STAHL ⌀20mm

20 30

30 20

Detail 01 Gelenk-Gerüst

2,00

20 30

30 20

2,00 55 1,50 55

10 50 10 15

INNENROHR STAHL ⌀20mm EINSATZ STAHL FÜR STIFT, VERSCHWEIßT

STAHLSTIFT HINDERT VIERKANTROHR AM DREHEN + AUFLAGE

30 20

20 30

30 20 2,00

55 1,50 55 10 50 10 15

10 50 10 15

STAHLROHR AUßEN VIERKANT, HOHL 30x30mm

EINSATZ STAHL FÜR STAHLROHR AUßEN STIFT, VERSCHWEIßT VIERKANT, HOHL 30x30mm

GUMMI-AUFLAGE FÜR OBENLIEGENDE KONSTRUKTION

55 1,50 55

20 30

INNENROHR STAHL ⌀20mm

2,00

EINSATZ STAHL FÜR STIFT, VERSCHWEIßT

SCHNITT SEITE

INNENROHR STAHL ⌀20mm

NYLON AUFLAGE VERKLEBT

EINSATZ STAHL FÜR STIFT, VERSCHWEIßT

10 50 10 15

55 1,50 55

SCHNITT SEITE

GUMMI-AUFLAGE FÜR OBENLIEGENDE KONSTRUKTION SCHNITT SEITE

ANSICHT FRONT

Maßstab: 1:1 mm:mm

ANSICHT FRONT

STAHLSTIFT HINDERT GUMMI-AUFLAGE VIERKANTROHR AMFÜR OBENLIEGENDE DREHEN + AUFLAGE KONSTRUKTION NYLON AUFLAGE VERKLEBT STAHLSTIFT HINDERT VIERKANTROHR AM GUMMI-AUFLAGE FÜR DREHEN + AUFLAGE OBENLIEGENDE KONSTRUKTION NYLON AUFLAGE VERKLEBT

Stahl Vierkantrohr

STAHLSTIFT Innen HINDERT 28x28mm VIERKANTROHR AM Außen 30x30mm DREHEN + AUFLAGE

NYLON AUFLAGE VERKLEBT

75 1,50 75

Nylon Auflage, verklebt 30x30x1mm

1,50

11,80

1,50

11,80

Durchmesser 15mm

1,50

11,80

Stahl Rundrohr, massiv

75 1,50 75

SCHWENK GELENK, VIERKANT MIT RUNDER BOHRUNG

50 10 50 10

50 10

SCHWENK GELENK, VIERKANT MIT RUNDER BOHRUNG

50 10

STAHLROHR FÜR SCHWENKBARE ELEMENTE, VERSCHWEIßT

Gummi-Auflage, verklebt

1,50

11,80

STAHLROHR FÜR SCHWENKBARE ELEMENTE, VERSCHWEIßT

SCHWENK GELENK, VIERKANT MIT RUNDER BOHRUNG

15x28x1mm

STAHLROHR FÜR SCHWENKBARE ELEMENTE, VERSCHWEIßT

Schweißnaht

STAHLROHR FÜR SCHWENKBARE ELEMENTE, VERSCHWEIßT

Gelenk Stahl

Innen Durchmesser 20mm Außen 30x30mm

Innenrohr Stahl Durchmesser 20mm

Blattgröße: A3

Detail example face mirror

Planersteller: Lisa Weigl

08.02.2017

GSEducationalVersion

PA G E F O U R T Y S E V E N GSEducationalVersion

GSEducationalVersion

2,60

3,50 50 12,00

15,20

3,00

20 1,60 20 50 50

3,00

90,00

5,00

15,00

94,00

30 1,50 5 24 1,20

5,00 8,83

12,00 22,75

2,00

140,00

3,205 20 30

7,30

1,00

25,00

25,99

35,70

5,00

50 4,00 50 1,00

4,505

4,00

7,30

36,00

17,80 7,00 5,00

3,00 7,25

One We Shaped Earlier Stummer Diener

3,00

One We Shaped Earlier

Modul 01 ‘‘Vorbereitung’’

Modul 02 ‘‘Spiegel’’

Stummer Diener

1,20

2,10

3,00

2,60

94,00

2,60

57,05

2,00

50 50 60 50 50

Pflanztröge

Eschenholz

Leuchtenschirm

Eschenholz

Tablet

Eschenholz

Rahmen

Spiegel

Maßstab: 1:10 Blattgröße: A3

Stahl, mattschwarz lackiert

Maßstab: 1:10 Blattgröße: A3 08.02.2017

Planersteller: Lisa Weigl

08.02.2017

100,00 29,00

3,00

50,00 60,00

12,00 50

3,00

8,50

2,50 2,50 3,00 8,50 50

15,00 20 2,60 20 13,80

2,00 33,00

13,25

2,00

83,695

1,50

5,00

34,695

20,805

12,00

23,00

13,80

3,00

21,505

2,00

2,60 20 2,00 2,00 20

2,00

52,00

8,295

8,30

Modul 03 ‘‘Kleidung’’

21,00

3,25

1,50

3,25

2,00 7,50 2,60 7,50 2,00 16 24 2,00 2,00

8,995

25,00

53,465

50,00

Tisch, Fuß

Terrazzomischung (Estrich, Glas, Stein)

Auflageflächen

Terrazzomischung (Estrich, Glas, Stein)

Tablet

Eschenholz

Rahmen

Stahl, mattschwarz lackiert

Maßstab: 1:10 Blattgröße: A3 08.02.2017

PA G E F O U R T Y E I G H T

33,005

7,00 8,00 2,60 20 20 12,00

4,00

Stummer Diener

2,00 20 2,60 2,00 20

21,00

23,00

34,805

2,00

41,00 4,00

11,99

3,00

One We Shaped Earlier

140,46 2,60 20 2,00 20 2,00

GSEducationalVersion

32,00

4,00 33,80 20

20 3,805 11,99

24,25

4,00

1,50

15,21

101,995

2,00

5,00

46,00

7,04

3,80

17,00 2,00

8,295

199,99

77,80

115,25

495

Technical drawings of all three elements

Terrazzomischung (Estrich, Glas, Stein)

34,80

Terrazzomischung (Estrich, Glas, Stein)

Tischfläche

Sitz, Fuß

Stahl, mattschwarz lackiert

Rahmen

25,00

34,695

19,80

30,00

20,80

2,20

14,00

33,80

6,00

2,00

7,46

3,00

13,00

7,54

2,62 1,00 2,625 225 22

2,00

200,00

2,00 4,00

86,00

2,00

3,00

2,00

3,00

6,00

8,00

5,00 2,00 7,00

67,00

4,56

1,50 5,26

1,96

20,49

12,29

1,50

25,00

46,00 12,29

8,00

1,96

150,00

44,20 13,005

22,00

8,30

33,80

30,00

135,70

8,295

200,00

13,75

12,00

43,695

13,75

25,00

22,75

3,00

6,165

2,84

7,00

5,00

7,00

20,00

25,75 1,00

5,33

2,84

32,00

26,00

7,30 17,70

27,50

3,00 6,75

7,00

8,00

6,75

12,00

8,00

1,50

14,00

23,00

7,00

12,25 1,50 14,25

6,00

3,00

100,00

2,80

Planersteller: Lisa Weigl

ONE WE SHAPED EARLIER

1,85 3,65 3,65 1,85 5,50 3,00 5,50

3,00

2,20 30 20 20 2,60 12,00 20

94,00

7,30

100,00 3,00

ONE WE SHAPED EARLIER The two side elements of â&#x20AC;&#x2DC;One We Shaped Earlierâ&#x20AC;&#x2122; are for a direct use. The classic use as a rack for clothes is featured on the right element, a table offers to be included as a coffee table in the interior of the room. The left element offers the user a getting-ready-station for e.g. make-up, or shaving and hair. Again, the planters can be seen as an addition/accessoire to the room itself.

PA G E F O U R T Y N I N E

PA G E F I F T Y

Materials that give a sculptural effect.

ONE WE SHAPED EARLIER

Table and chair can be used as a set. Moving both components together on the inside it could potentially be used as a little loung area.

The little Nomad Summer Term 2015

DESIGN PLANNING, FURNITURE

QUICKINFO W I T H : A L T- S H I F T S T U D I O , O K AY S T U D I O P R O G R A M : S K E T C H U P, P H O T O S H O P SCALE: 2M X 1,5M X 2,2M L O C AT I O N : O P E N L I V I N G , S T O K E N E W I N G T O N , L O N D O N

A room in a room concept for open living spaces. In this case the space was a converted workshop in Stoke Newington, East London. The parents wanted a seperate room for their two-year old that includes everything a kids room aquires.

CINEMA ON THE PROGRAM

Can a kids room fit into an open living space?

Open living concepts hardly allow seperate private rooms. A confentional room with walls doesnâ&#x20AC;&#x2122;t look nice and destroys the width the space gives. How can a child have a save and shielded (also acousticly shielded) environment whilst the parents still move freely in their flat without worrying too much about their sleeping child. Also the fun factor shouldnâ&#x20AC;&#x2122;t be forgotten. PA G E F I F T Y T H R E E

system surrounding the interior allows to store toys and offers, with a curtain on the front, an acoustic shield. A sound system makes it possible to play music or audio-

books. One side includes a wardrobe (with a curtain to close). The playing area has a swing and a ladder to climb to a cozy platform

esigning a room that can also be

on top of the room (to read stories

seen as furniture, is easy to move

or just to snuggle up).

around and doesn’t disturb the

Plywood as a material is a perfect

open appearance of an open

addition to the excisting, as the

living concept, has been one of

loft’s floor and shelves are already

my projects during my internship

built of it.

with the East London Design Studio Alt-Shift in collaboration with Okay Studio. Working with a block that has been reduced at some points and been added to at others seemed to be the most reasonable way to work with the client’s wishes. The child (at that point 18 month old) should have use of the ‘‘room’’ for some more years in the future. Not only should it give the girl/boy a save environment but also space to play and be creative. The bed is located in the centre with some additional seating space for the parents and a fence to prevent the

Aereal View

PA G E F I F T Y F O U R

CINEMA ON THE PROGRAM

child from falling. The shelving

F L AT B E R L I N K R E U Z B E R G The front of ‘Little Nomade’ is designed with opaque acrylic sheets (optional coloured) and wooden planks that guarantee the child light but also acustic shielding from what happens around the ‘‘room’’. The sheets are either fixed on the outside or inside of the shelving system. As a baby changing unite or later just an open window there is a shutter centred in the middle.

PA G E F I F T Y F I V E

PA G E F I F T Y S I X

Save environment with a certrain fun factor.

F L AT B E R L I N K R E U Z B E R G

As for the playing area there is a swing located on one of the sides. The top ‘‘cozy area’’ is accessable through a ladder. Toys can be stored in an open shelf on the side.

Wir Gestalten e.V. Winter Term 2014

DESIGN PLANNING, INTERIOR DESIGN

QUICKINFO W I T H : D E S I G N S T U D E N T S , C O M PA N I E S , L O C A L M A N U F A C T U R E R S A I M : M A K E Y O U N G , L O C A L D E S I G N G R E AT A G A I N ! MY ROLE: VICE PRESIDENT 2015, PRESIDENT 2016 L O C AT I O N : C O B U R G , O W N H E A D Q U A R T E R S I N A M E D I E VA L T O W N H O U S E

Being a member of WirGestalten e.V. gives you the opportunity along with the space and help of fellow design students to make your ideas and designs heard. Working together with local businesses, design studios and other creatives is a huge priority.

information for our fellow design

oining at the very start of my first

as our meeting point, Co-Working

year at Uni, the WirGestalten e.V.

space, exhibition area, workshop

(translation: WeCreate) club has

and party venue. Whilst being a

been like a family to me. Keep-

normal member of the club the

ing with the motto ‘‘the uni isn’t

rest of the time, I was elected to

enough’’, our aim is, next to our

take the responsibility to be vice

uni obligations, to work together

president in 2015 and one of the

with local design studios, manufac-

two main presidents of the club in

tors and similar in collaborations

2016 (members at that time: 25),

and partnerships. We are design

which brought varied responsibili-

students from the courses interior

ties and challenges with it.

students, make ourselfs and our message heard and our city more attractive. Our headquarters serve

design, architecture and product design, improving skills with and learning from each other. We want to learn from scratch, what exactly it takes to be a reliable partner as a designer. Operating as a platform for our members and other young creative students we are also working hard to promote our and their designs and make their ideas be heard. Our current focus is the improvement of our urban appearance in Coburg. With different pop-ups, parties and talks (inviting designers and

Concept for the Design Days 2015 in Coburg as a Pop-Up garden party. Role: Head of Project along with another club member.

W I R G E S TA L T E N E . V.

partners) we try to provide new

PA G E F I V E T Y N I N E

Make young, local design great again!

PA G E S I X T Y

W I R G E S TA L T E N E . V.

For our 10 year anniversary former members visited us in our headquaters. Our network reaches from Coburg, Berlin and Stuttgart over London and Copenhagen to Tokyo.

How we live today

Part I of Bachelorâ&#x20AC;&#x2122;s Degree

THESIS WORK, JOURNALISM

QUICKINFO USE: BACHELOR THESIS, RESEARCH WITH: UNIVERSITY OF APPLIED SCIENCES AND ARTS COBURG P R O G R A M : S Q U A R E S PA C E , M Y N O T E B O O K ( N O T A S A P R O GRAM BUT AN ACTUAL NOTEBOOK AND PEN)

Working on the conceptual part of my bachelor thesis I research the poetry of cities, how architecture influences our affinity for living an urban life and how life quality improves by us getting involved in urban planning and design.

T H E WAY W E L I V E T O D AY

shortage, which alternatives we’ve found over time and how estates currently experience a revival, and find an answer to all of them. If ‘‘The Way We Live’’ brings enough conclusions, it’ll lead to

the practical part of my bachelor’s degree - raising the question in which way housing estates actually

ome bachelor degrees can be quite complexe - mine is one of them. To understand what I’m currently on about (sometimes not even I know that) and to basically set the ball rolling I started (start of the

match the togetherness and life quality I was talking about in the first place and creating an urban furniture for the residents of housing estates that represent my research results (improvements).

thesis) a blog about the poetry of a city (it can be pretty practical to live in London at that point) as research with photographs and text. I want to ask the questions, in which way the city influences us in the way we act, think and feel, why especially the young generation thinks living in a city is the ideal way to live, how the life quality (apparently) has improved and how we are and especially how the architecture is influencing it (with a focus on housing estates from the 60s-80s), how we are dealing with the coherted housing

Website Interface

PA G E F I V E T Y T H R E E

Cities influence the way we feel, move and act.

PA G E S EIG X THYTF O U R

T H E WAY W E L I V E T O D AY

Writing texts about how my surroundings influence me (mainly experiencing the city in and around Hackney, the Mekka of gentrification) that come straight from the heart.

S AY H E L L O !