Digital Permanent Exhibition II - 2020 by Lisbon Art Scene

DIGITAL PERMANENT EXHIBITION II

Adriano da Vlia | To Easy to Say blue | Oil on canvas | 80x80cm

Adriano da Vlia | Lisbon Crossing the Bridge | Oil on canvas | 80x80cm

Ana Maria Malta | Natureza Amo-te | Aquarella on paper | 21x15cm

Ana Maria Malta | Natureza Amo-te | Aquarella on paper | 28x22cm

Aranka SzĂŠkely | What is this?â&#x20AC;?could be selfie during pandemia | Watercolour on paper | 40x30cm

Aranka SzĂŠkely | Life is music | Watercolour on paper | 40x30cm

Atuska | Nr.0 | Oil on canvas + 24k pure gold leaf | 100x100cm

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Berta Miravete | Alive Popies | Watercolor | 48x62cm

Berta Miravete | Violet & Orange Popies | Watercolor | 48x62cm

Berta Miravete | Pink and Blue Marine | Watercolor | 48x62cm

Berta Miravete | Horse and Star | Ink on paper | 29,4x21cm

Filipe Assunção | Pose | Mix Media on Paper | 58x42cm

Filipe Assunção | Do Not Judge A Book by the Cover | Mix Media on Paper | 58x42cm

Gloria Keh | Dress code | Ink on canvas | 38x38cm

Gloria Keh | Cosmic Love | Mix media on canvas | 140x100cm

Halina GuĹşda-Otwinowska | I Love Kandinsky | Acrylic on canvas | 160x120cm

Halina GuĹşda-Otwinowska | Spring | Acrylic on canvas | 120x120cm

Kayo Sato | Carmen | Pleating | 53x70x10cm

Kayo Sato | Flower Drops | Pleating | 65x90x20cm

Kayo Sato | Habanera | Pleating | 60x53x10cm

Beatriz Lopez

Born in Madrid in 1974, within an artistic family. Learn to draw and paint at a young self-taught, surrounded by an atmosphere of painters and sculptors who come frequently to the study of his father, a doctor-painter, in Palma de Mallorca. He studied architecture at La Coruna, abandoning the first year, avoiding stereotypes set by the University. This race takes experience and perspective on notions of construction and afternoons and evenings at street drawing, of which there is a whole block of sea port, his favorite corner of this city. Back to Madrid, his hometown, where just studying engineering, without abandoning the idea of one day devoted entirely to painting. These studies define end of linear and geometric style of painting. Always using a rich chromaticism, acquired during his travels through Latin America, Asia and Europe, and his love of nature, light and color. It is in these last years when he decided to devote himself entirely to painting, moving back to Palma de Mallorca, where he now has his studio.

Leonor Trindade Sousa | Anjos Coloridos | Acrylic on Canvas | 100x80cm

Leonor Trindade Sousa | Mulheres do mundo | Acrylic on Canvas | 120x80cm

Lita Oliveira | Humanity | Acrylic on canvas | 90x60cm

Aos Indiferentes Precisamos dos indiferentes,

Aos Indiferentes dos conformados e dos céticos.

Precisamos dos que ligam demasiado ao carro. E dos que não desligam a luz. Precisamos dos que deixam a água a correr.

Precisamos dos indiferentes,

E dos que se demoram no banho.

dos conformados e dos dosque céticos. Precisamos atiram para o mar. E dos lançam para o ar. Precisamos dosque que ligam demasiado ao carro. Precisamos dos pessimistas e dos consumistas.

E dos que não desligam a luz. Dos que querem palhinha.

Precisamos dos queE deixam a água a correr. E saquinho. descartavelzinho. Precisamos dos que E dos que se demoram no reciclam banho.desculpas e mais coisa nenhuma.

Precisamos dos que atiram para o mar. Dos que não querem e dos que não creem. Precisamos até dos que não fazem por mal. E dos que lançam para o ar.

Precisamos dos pessimistas e dos consumistas.

Precisamos dos indiferentes. Dos que querem palhinha. Já não dá para salvar o mundo sem eles.

E saquinho. E descartavelzinho.

Precisamos dos que reciclam desculpas e mais coisa nenhuma.

Escolhe evoluir.

Dos que não querem e dos que não creem. Precisamos até dos que não fazem por mal.

Luise Gandon | MM2020 | Acrylic on canvas | 100x80cm

Luise Gandon | Fotomodell| Acrylic on canvas | 100x80cm

Manuel Casa Branca | Quercus suber_2H_44_Hospitais | Oil on canvas | 100x160cm

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MarĂa Isabel de Lince | Greening of the earth | Oil on canvas | 96x140cm

MarĂa Isabel de Lince | Infinity | Oil on canvas | 95x140cm

Mark Pol | Structured Woman | Acrylic on canvas | 70x90cm

Mark Pol | Blind Date | Acrylic on canvas | 70x50cm

Mark Pol | Paradise Lost | Acrylic on canvas | 80x60cm

Miguel David | PNT 001 | Photography | 96x69cm

Miguel David | PNT 003 | Photography | 96x69cm

Miguel David | PNT 005 | Photography | 96x69cm

Miguel David | PNT 008 | Photography | 96x69cm

Milena Simunic | Rest | Oil on canvas | 60x80cm

Milena Simunic | Love | Oil on canvas | 70x50cm

Milena Simunic | Heart | Mixed Technique | 60x40cm

BE SMART, BUY ART!

Natรกlia Gromicho | Viagem de comboio | Acrylic on canvas | 100x100cm

Natรกlia Gromicho | Via Sacra Sec. XXI | Acrylic on canvas | 160x180cm

Nel ten Wolde | Free I | Acrylic on canvas | 137x102cm

Nel ten Wolde | Free II | Acrylic on canvas | 137x102 cm

Orit Sharbat | Transformation I | Acrylic on canvas | 100x100 cm

Orit Sharbat | Transformation II | Acrylic on canvas | 120x100 cm

Paulo J Saraiva | Behind the game | Oil on canvas | 81x100cm

Paulo J Saraiva | Cheval de Troyes | Oil on canvas | 81x100cm

Sanne Rasmussen | Together separately | Oil on canvas | 80x60cm

Sanne Rasmussen | The girl with bicycle | Oil on canvas | 80x60cm

Sarka Darton | Labyrinth | cast concrete, cast gypsum, silk thread and silk velvet | 45x50x42cm

Sarka Darton | Cats Cradle | cast concrete, jasmonite, aluminum and silk thread | 45x30x20cm

Silvia Azevedo | #1 | Acrylic on canvas | 42 X 30 cm

Silvia Azevedo | #5 | Acrylic on canvas | 79 X 90 cm

Sinikka Elfving | Summer Night 's Dream | Acrylic on Canvas | 100 x 100cm

Sinikka Elfving | Shadows of the night | Acrylic on Canvas | 60 x 80cm

Son Yeounsuck | Freedom+sign=Trace-2020-1 | Ceramic 1280Â°C firing temperature | 50 X 37 cm

Son Yeounsuck | Freedom+sign=Trace-2020-2 | Ceramic 1280Â°C firing temperature | 37 X 28 cm

Stanislav Riha | Ribbon routine | Acrylic, copper, rug-paper and gold leaf on canvas | 88x57cm

Stanislav Riha | Waiting room | Acrylicand gold leaf on canvas | 122x122cm

Yvonne Wiese | Fishing in sunset | Acrylic on canvas | 50x60cm

Yvonne Wiese | Shadows and light | Acrylic on canvas | 50x60cm

ARTISTS

Adriano Bernetti da Vila

Adriano Bernetti da Vila since his childhood showed an authentic passion for art, with an artistic streak inherited from his father Ugo. With painting Adriano expresses his thoughts about life, creating works inspired by heterogeneous themes. Technically he started with a solid realist foundation, which is still present in many of his works, but now he has found the way through which to give space to his interpretation of emotions and reality, using almost exclusively the abstract language of color. His education and his professional life developed in sectors other than painting, but he always kept his artistic sensibility very much alive, finallydedicating himself completely to it. Pictorially he was trained with a solid realist foundation, landscapes, still life, portraits, evidently inspired by the painting technique of his father (professional painter), having grown up close to his easel. After a phase of experimentation and technical, but also emotional, transformation, he arrived at new modes of expression through the use of color, drawing inspiration from the current of "color field painters" of abstract expressionism, thus testifying the different shades of his artistic sensitivity and his character. The observation and interpretation of realityare driven bya strong desire to transpose it into a newdimension on the canvas, knowing very well however that it will be only the observer who will draw his emotions from it, deciding if and in what way to enter into a relationship with the opera. Adriano likes to express himself, above all, with oil colors but also makes some forays into acrylic and other materials. He has participated in numerous national and international exhibitions. (Main locations: Rome, Lisbon, Madrid, Valencia)

Ana Maria Malta

I work with my watercolor, in an impulse to feel the strength and beauty of Nature. In silence and at a frantic pace, color and water dance in harmony, where abstract shapes always lead to a Beautiful Virgin and Wild Nature

Aranka SzĂŠkely

Aranka is a doctor by profession and an artist by her passion and creative mind. She currently runs her private medical practice in AlsĂłzsolca and Miskolc, Hungary. As a self-taught artist she tried her hand in different styles of painting fromrealistic to abstract usingpastels, acrylic and watercolours. Arankaâ&#x20AC;&#x2122;s color palette is very vivid and at the same time very feminine.Aranka has participated to a lot of solo and group international exhibitions and has been awarded a few times with international prizes .Her masterpieces were displayed in art magazines and yearbooks.Art gives her a huge joy and helps her coping with everyday stress.

Atuska

I belive in quality and I belive in slow process. when I do a piece it usually takes 3-9 months to let it go. My art practice is all about to bring long lasting pleasure to the eyes by not compromising at all when it comes to time, qualityand quantityabout materials used. I strickly paint with oil and when I use gold I use only 24k gold. This might be the reason that the first 5 years of my art practise an international bouquet of collerctors bought all my works without any gallery or art dealer involved. I use simple brushstrokes but I like to create multiple layers of different blacks and different whites within one painting. These hidden stories making the viewer able to find something new in my paintings even years after purchase.â&#x20AC;¨When I add colours it's all about finding a sophisticated harmony with visual weights even on those pieces which look harsh for the first glance. My paintings are offering a personal and unique exprerience to the viewer based on the individual's current mood, personal history and beliefs.

Berta Miravete

Bachelor in Fine Arts at Facultad de Bellas Artes de San Carlos de Valencia, Spain. 2003. I was born in Valencia in 1980. Actually, I live in Madrid with my family. I have been workink as Art and French language teacher for 10 years. My solo shows take place each 10 years or so. I consider myself a multidisciplinary painter. My work varies greatly depending on the moment of my life. It is no coincidence that this pictorial diversity has a difference of between 5 and 10 years in most cases. I am involved in painting and designing. My work is posted in Linkedin.

Filipe AssunĂ§ĂŁo

What I love about being an artist is the possibility to create and open windows over new worlds and to leave a legacy that may last for very long. I feel that to be an artist is both an immense privilege and a huge responsibility. I aim to keep a very high standard and produce a consistent work. It is very rewarding to see others enjoying and buying my work. I am surprised because my paintings are loved by all kind of people. I enjoy the emotions that people experience when seeing my work and the communication that is established. That gives me the motivation and excitement to continue creating and improve continuously.

Gloria Keh

I paint because I just have to. Call it an obsession, an addiction, or whatever, but I just have to paint as painting completes me. I only sell my work for charity as I believe very strongly in using my art, which is a gift and a blessing, to help others in need. My artworks are my painted prayers and I hope they will be of some good and that through my art, I will be able to fulfill my soulâ&#x20AC;&#x2122;s purpose. Peace be with you.

Halina GuĹşda-Otwinowska

Kayo Sato

Kayo Sato was born in Fukuoka, Japan. She received her Ph.D in fine art in 2006. She is a versatile and unique artistic innovator adept at working with fiber, including dyeing, weaving, and pleating. Her work is regarded as a contemporary art. The artist has exhibited her artwork throughout Europe, especially Italy, and is also active in regional promotion, cultural property protection, design education dissemination, and product production, etc. Kayo currently lives in Japan, working as an artist. While her style of art-making has changed over the years. She continues to enchant the viewer. â&#x20AC;&#x153;In my work, color is an important factor. My soul is in the color. So I dye the colors myself. I've always done that and will continue to do so.â&#x20AC;?

Leonor Trindade Sousa

“I am what life does to me .... I am the rest of everything and the beginning of a lot...” Leonor Trindade Sousa, was born in Vagos, Aveiro - Portugal. She finished school on the Arts’ area at Liceu Dr. Manuel Laranjeira in Espinho, the city which saw her growing up. Since adolescence that curiosity and intuition awakened her to the world of arts, particularly to the painting. Through various techniques ... from figurative to abstract ... from acrylic to oil ... She has painted different collections. Her entire work results from a great stoicism and struggle. An unusual tribute that shares the spirit of solidarity, which feeling is to contribute to the desmystification of a more egalitarian freedom and justice throught her art, not forgetting her intrinsic female condition in parallel the most remarkable and sensitive condition, the motherhood. Meeting Leonor Sousa is to know the hardships that shaped her character, her personality and her fight for a more fraternal world. Her curriculum already has a huge amount of individual and collective exhibitions, either national or international (Portugal, France, Italy, Switzerland, Spain, Luxembourg, Denmark, Brazil, Mexico, Turkey, India, Bangladesh, Norway, Colombia and U.S.A.). She also received several awards from Brasil, Italy, Spain, France, India, U.S.A, …Life gave her the ability to express herself through art.

Lita Oliveira

Itâ&#x20AC;&#x2122;s as if this piece created itself, gaining its own life, leading to the message it wanted to transmit. As I was applying the first tones, I started to see faces springing spontaneously to sight as if theywanted to reveal themselves and be outlined to remain. I immediately grabbed a pencil and started outlining them, they seemed to hide and appear again, some overlapped each other. I had a clear notion that Humanity was revealing itself in all its complexity, on a material and spiritual plain. I hasted in outlining the faces as they revealed themselves to me before they then hid themselves again. It was by chance that, in the inferior left corner of the painting surreal faces sprung, in the inferior centre the more humanlike ones and in the inferior right corner the divine. It was like Humanity revealing itself in all its facets. In the centre, a figure of light that pours itself over all the lower realms. In the top corners, serene faces revealed themselves, two of which have open eyes with no expression. The overlapped hands are over the heart of Humanity, in the form of union between the different realms. I found myself and dazzled countless times, identifying with all the messages transmitted by the infinity of faces that insisted on revealing themselves.

Luise Gandon

LUISE GANDON is an Austrian-French painter and lives in Vienna. In her works she concentrates on portraits and nudes. Her style often varies because it always depends on her mood. With expressive eyes she wants to show the feelings of the portraited person and therefore she looks for actors during a certain scene in movies. Since 2014 Luise Gandon has exhibites her paintings in galleries, artfairs and museums in Austria, Germany, Italy, Portugal, Spain, Great Britain, The Netherlands, France, Monaco, Thailand and the USA. She has also won some international prizes and her works are shown in art-catalogues by Salvatore Russo and Francesco Russo and in the Eczyclopedia of international art in ART UNIVERSAL.

Manuel Casa Branca

Between trees and colors there is the space for the construction of the pictorial narrative that accompanies me during these last 27 years. The cork oaks (Quercus suber) have always been part of my life. However, it was at the Faculty of Fine Arts in Lisbon that I began to paint these trees as a symbol of endangered ecosystems and, in parallel, characters of stories that are revealed to me when I am wandering in the Montado (cork oak forest). When I organize the narrative for an exhibition, I usually evoke the concept of Installation for the relation between architectural space and the space of pictorial composition. For this space I choose a painting with my favorite dimensions (100 x 160 cm), very close to the golden proportion. I still resort to the concept of antinomy that is so present in my spirit when I paint, when I think of painting, when I select and decide to move forward. Thus, we have here an explicit antinomy between the urban Chiado, face to face, to this â&#x20AC;&#x153;windowâ&#x20AC;?for the Montado, with infinite space and perspective, creating rhythms that are interpellated, and stories that are heard or suggested in this confrontation of sights and personal contemplation.

María Isabel de Lince

María Isabel Salazar de Lince, is a colombian artist. Studied Art & Arquitecture Design and Psychology, Javeriana University, Bogotá Colombia. Drawing and painting in Cooperartes Workshop, and with Masters David Manzur, Fernando Dávila, and Miguel Moyano. Has participated in several exhibitions, here are some of them: Museum of Hispanic and Latin American Art. Florida USA, Euroamerica Galleries. New York - USA, Beijing Art Fair - China, Carousel of Louvre. Paris - France, 1st International Modern Art Austria Biennale. Viena - Austria, International Fine Art Masters. Viena - Austria, International Prize Colosseo. Brancaccio Palace. Rome - Italy, Attimi di Luce. MXM Arte. Pietrasanta - Italy, Leonardo Da Vinci Award. Galleria La Pigna. Rome - Italy, Casanova Award. Flangini Palace. Venice - Italy, The best modern and contemporary artists. Palais Sternberg. Viena - Austria, I Segnalati. InArte Werkkunst Gallery. Berlin - Germany, Small is beautiful II. Alliance Francaise. Dubai - United Arab Emirates, International Biennal of Flanders. Bruges - Belgium, International Prize Velásquez. MEAM Museum. Barcelona - Spain y III Bienal de Arte de Barcelona. MEAM Museum. Barcelona - Spain.

Mark Pol

The work of Mark Pol, also shown on his website is in essence inspired by daily human life, without losing its vulnerability and the animal unpredictability. Despite the timeframe the painting or drawing might seem to be in, humanity is key in his work.

Miguel David

A few years ago, and after reading a study of Plato's Cave ... I started with the "P N T" Project. The final song of the “idea”, I sums it up, as if it were a utopia, as : "And despite of the shadows and existential crises, we will find THE LIGHT". With the passing of time... the images evolved, mutated, changing to more and more indefinite. From figuration ... to abstraction. The work is a visual fantasy. A fusion of lights and shadows. An intense personal expression. A game of conspiracy, while I show the real object through my perception... I hid its true meaning. In this subjective perception of my inside world I have reached the conclusion that, the spectator faced with any unrecognizable sign, appeals to his archive of accumulated evocations, derived from his nature and idiosyncrasy, to palliate the meager essence. According to my theory, and especially with the theory of C. Einstein, on which I base, any act of vision summons and attracts a file of accumulated sensations and experiences that serve to mitigate the insufficient "reality". And THE LIGHT finally disappeared… fading away... I think I did not even reach out softly to caress her.

Milena Ĺ imuniÄ?

In poetry and painting, I see the option and opportunity for personal expression. I am interested in different motifs and painting techniques. In painting, my interpretive path leads me from realism to abstraction. It is abstraction that refines and draws from me my senses and emotions. To express and epict them, the technique that is the closest to my heart is oil on canvas. Painting brings me inner peace and leads me to a creatively inexhaustible world of expression.

Natália Gromicho

A gifted painter, in the purest sense, Natália has skilfully created a body of work that is simultaneously lyrical and mysterious, jubilant yet poetic. Employing these paradoxes, she skilfully applies her raw talent into different mediums and styles creating a sense of flux, depth and dominance. Natália’s work takes elemental images, fromnature and the landscape to culture and individuals she encounters on her travels, and transforms using dramatic ploys such as contrasts in scale, shifts in focus, irrored reflections, staccato images, and multiple or layered surfaces. Sensory perception for Natália is a spiritual activity, one that leads to a heightened awareness of both nature and culture—this thought process points to a new kind of realism—one that is engaged with the actual processes of life. Yet, it also references the theoretical avant-garde conceptions of deconstruction emerging during Modernism.

Nel ten Wolde

Originating from the Netherlands, Nel ten Wolde migrated to Australia in 1986. Since this move, Nel has enjoyed the possibilities of travelling internationally, particularly throughout Europe, seeking inspiration from different countries and cultures. She has been invited multiple times to take part as artist in residence, working alongside and collaborating with other artists. Whilst in Melbourne, her work is focused on abstract landscape oil paintings in varied sizes. When working as Artist in residence she mainly works on collages with photos taken by her on the long walks, mostly over old pilgrim routes, through different countries. She likes to restrict herself with the materials, to force herself to get on to other ideas to create the collages. Most recently she started to make collages on iPad, photos taken of different materials over each other, floating in water, with already existing photos. Then she adds drawing and painting on iPad. The greatest source of inspiration for her work has always been nature, evoking emotions of freedom, beauty & wonder. Her extensive travels throughout Australia have had a significant influence on her life and work, in turn reflected in her Art. The countryâ&#x20AC;&#x2122;s vast differences in landscapes, open space, colours and outstretched desert plains, supply her with endless inspiration. The country she now calls home. The upcoming exhibition will feature a series of paintings,collages and iPad photos of abandoned clothes. A project that she has now been working on for over 2 years.

Orbit Sharbat

Lives and works at Tel Aviv, Israel. She likes to paints with passion and intensity. Her authentic style is marked by expressive, powerful colors, mainly oil or acrylic paint on canvas. Her paintings consist of multiple thick layers of color. At first sight, they may strike you as calm and harmonic, but when studied closely, the veneer of harmony and tranquility soon gives way to a multi-layered rich labyrinth of colors. Her paintings, as the old adage goes, have more to them than meets the eye. Her sources of inspiration are deeply rooted in western culture, transcending the here and now. Her style can be traced back to the work of artists like Jackson Pollok, Andy Warhol, Max Ernst, Damien Hirst, Mark Rothko, Pierre-Auguste Renoir, Claude Monet, Vincent Van Gogh, RenĂŠ Magritte, and Salvador Dali, while also drawing on music, cinema, and theater. The visual interpretation she offers to her subjects plays out in the constant tension between figurative and abstract, reality and illusion. Her intensive technique seeks to explore and find out what is the layer that makes reality an illusion and introduces illusion into reality by representing old and new.

Paulo Saraiva

Sanne Rasmussen

I always had a big passion for art. Back in 2010 when I got the opportunity to live out my dream of working and developing my art, there wasn’t any doubt in my mind. In other words, being creative brings me great joy. I Have for many years been teachingby the art painter Daniel Goldenberg in his studio in Copenhagen. I have attended courses at the Art School of Copenhagen as well. I get inspiration from my everyday impressions and experiences. I do also get a big inspiration when I’m traveling the world - Specially, I’m inspired by the modern person in the big city. The portrait has a very special place in my repertoire as well. My art often takes its starting poinin departure in the everyday life of people in urban spaces, in the big city. The scenes are taken directly out of th city pulse – it can be Copenhagen, London, Paris or perhaps New York. I love to play with light and shadows in my paintings. My painting technique is the old classic method with layers, with modern expression.

Sarka Darton

“My practice is interdisciplinary. I much enjoy working across various subjects and media. Fundamental to my art is the act of deep looking and seeing, examining the notion of identity in the context of ever-changing time and space that we occupy.” Šárka has had 18 solo exhibitions in the Czech Republic, Italy and the UK and 39 group participations in The UK, Italy, USA, France, Portugal, Czech Republic, Slovakia and Morocco among them the important participation at the 57th Venice Biennale where she was commissioned to designed a dress for the commemoration of the 20th anniversary of the death of Diana the princess of Wales. Notable accolades also include the overall First Prize at Italian Trionnale in Verona (2016) and a gold medal at Florence Biennale (2015) Šárka’s work is held in private and corporate collections worldwide and has been published on several international platforms. She is a multiple award winning artist and an international tutor and lecturer in fine art.

Silvia Azevedo

Silvia Azevedo is a lawyer, graduated in 2012 (Bachelor of Law - PUC / RS). She has extensive training that goes back to the days when she accompanied her daughter to the nuns' school and made her time improve by taking courses at the Institute of Arts in Passo Fundo - her hometown in the interior of Rio Grande do Sul where she attended the Faculty of Belas Artes, from the University of Passo Fundo and also from Home Economics. Always very attentive and curious she researched: painting on fabric, painting on porcelain, Christmas packages and cards, decorative art, composition technique and restoration of papers - among others. Painting has always been present in his life, first as a hobby. In his desire to get to know â&#x20AC;&#x2DC;Art and Artistsâ&#x20AC;&#x2122;, he visited the most important museums across Europe and the USA (some more than once). After a long period of work at the family notary's office and writing legal books, he joined Atelier Lou Borghetti in 2018 for acrylic painting and art history classes, where he entered the painting again and started working regularly with women and myths.

Sinikka Elfving

Sinikka Elfving is a Nordic painter. She was born in the Northern part of Finland close to Arctic Circle. She lives and works in Norway. She is inspired by the strong contraries of the Arctic life, the dark, long and cold Winters and the bright Summers. This is revealed in her works. She uses symbols in her art which are found in nature. In that way her art becomes lyrical, spiritual and expressionistic. The metaphysical aspect of colors has a special place to embrace emotions. She is also fascinated by the phenomena of light that has certain magic in the Arctic Zones during the seasons. With her art she tries to inspire people to value the spiritual meaning of life, to protect the nature and work for peace. The Earth is our only home that we should be able to share with each others, live and let live in peace and harmony. The nature is the exclusive provider of life on Earth and our survival is depending on it. We should find a turning point in our evolution towards humanity and respect for life.

Son Yeounsuck

My works are abstract and metaphorical representations using the physical, formative and textured properties of the free formative medium of clay. Traceâ&#x20AC;&#x2122;, the subject of my works are representations that are a collection of traces of my inner life that express the things I feel and think in my daily lifes. We are surrounded by a fence of symbols created by various cultural, economic, social and political environments. In other words, my works are the symbols I have created, and Could the meanings of the symbols be interpreted freely by the observers?

Stanislav Riha

In the last three decades, I have been creating wall-mounted, cast resin and aluminum, sculptures combined with canvas and gold leaf, and exploring of computer as a tool for both realistic and digital artwork. All my life, I love to create art full of emotions and feelings "soul," with the satisfaction of fun. I am interested in the balance and composition of colours and objects rather than the reality of the items. The direction of the last two decades is aimed at understanding and, through artwork, expressing the human struggle of emotions and adaptions. In the period of the past ten years, I have been polishing my creative work into the Surreal-abstract style. The main moto of my artwork is; Just as in a good story, the readers have space to create their image; in a good picture, the viewers have a space to create their account.

Yvonne Wiese

Artclasses in school inspired me to paint and I never stopped but painted in my spare time when working as technical translator. I stopped working and started in art schools. When I was introduced to paint with artist knife I found the expression I wanted, the raw and not photographically expression. I specialized in acrylic paint layer on layer with artist knife on canvas. I paint impressively and with bright colours, and like the contrast between light and shadow. My motives are people, animals, and nature fromown photos and inspiration from different medias. My speciality is portraits. I have received many international prizes and have exhibitions in Denmark and Europe. See more on my artist profile on facebook Yvonne Wieses Galleri

2020