Liyah George

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P O R T F O L I O Architecture + Design

LIYAH GEORGE


[RE]OWN INTERJECTIONS Multi-Generational Housing, Detroit Integrated Studio Advisor Team

FALL 2020 Prof. Sharon Haar, Prof. Christina Hansen, Prof Lars Gräbner Mac Carroll, Adrian Dicorato, Liyah George, Gary Zhang

Focusing on shared ownership, Over the Garden’s Bar offers an opportunity to attract a diverse economic population through the commoning of resources. The project suggests a living situation insulated from property speculation—where land is owned by the residents and residents help fabricate their built environment—offering opportunities for better relations between diverse residents. The project aims to balance financing and encourages shared commercial ownership operations to offer revenue generation opportunities in the face of another period of growth in Islandview. Commoning offers an alternative in this framework. It suggests a living situation insulated from property speculation—where land is owned and developed by residents—offering opportunities for better relations between diverse residents. The project offers a sense of community by blurring the boundaries between public and private and encourages a sense of collective creation.

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View Along Grand Boulevard

View Along Grand Jefferson Avenue

Liyah George | A+D Portfolio

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Urban Context The site is located at the intersection between East Grand Boulevard and Jefferson Avenue, the close proximity of the site to Downtown Detroit and the riverfront makes it a valuable place for economic growth. This makes the site more susceptible to transformational change as there are more opportunities for increased rents and speculators have more chances to acquire property.

SITE

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S ILE

DOWNTOWN

LEGEND

LEGEND

GREATER THAN 50% POPULATION LOSS

PLOTS WITH HIGH COMMERCIAL OPPORTUNITY

20-50% POPULATION LOSS 5-20% POPULATION LOSS

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LIMITED POPULATION CHANGE GREATER THAN 50% POPULATION GAIN

Commercial Opportunities

Population Loss

VILLA COMMUNE PRIVATE + CO-LIVING RESIDENTIAL + AMENITIES

ISLE TOWER WORKSHOPS

PRIVATE RESIDENTIAL + OFFICE + RETAIL

CO-PRODUCTION + MANUFACTURING

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EAST GRAND BOULEVARD JEFFERSON AVENUE

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Ground Level Plan

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Villa Commune

Studio Unit 600 sqf

STUDIO UNIT 600 sqf

1-Bed Family Unit 788 sqf

Site Section 6


The villa commune is designed to create a level of porosity and permeability of built mass, terrace, and landscape that could support the various activities of a small scale entrepreneurial neighborhood and community living.

Liyah George | A+D Portfolio

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Isle Tower

Tower Winter Garden

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OVER THE GARDEN’S BAR

McHugh Carroll, Adrian DiCorato, Liyah George & Gary Zhang d3+D

Façade, Environmental Systems & Wall Sections Building Data: Site Restrictions Structural framing system Structural frame Facade system Flooring type Fire Protection Construction method

Existing Structures Tartan Grid CLT Masonry Veneer Wall TCC NFPA 13 Wet Pipe Standard Stick & Beam

Design Narrative: The combination between timber concrete composite (TCC) and cross laminated timber (CLT) serves the direct project as well as the indirect building industry in Detroit. With the inclusion of three different classes of heavy timber in the new IBC building code, wood has the potential to be a much less carbon intensive building material in the United States. Each project that incorporates it helps to integrate it better with the market. That, in combination with the TCC flooring allows large uninterrupted spans with drop beams only at the unit partitions. The TCC also allows the floors to be exposed and to function as thermally massive elements in the building, a critical aspect with the floor to ceiling windows on the tower.

The structural system is a Timber-Concrete Slab with Timber beams supported by a structural masonry wall system. The slabs would be fully prefabricated in sections and delivered as one structural component to the site.

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Tower Structural System

PARAPET 5/8” sheathing; 12” XPS insulation in framing; 2” min. air gap; 3 5/8” single brick wythe

GARDEN BOND Light Brick

STACK BOND Light Brick

FLOOR TCC Slab: 6” reinforced concrete with embedded radiant heating, 7” 5 ply glulam; 5” XPS insulation; 5/8” sheathing

HERRINGBONE Light Brick

STACK BOND Dark Brick

HERRINGBONE Dark Brick

Tower Wall Section

OPAQUE 5/8” gypsum; 6” XPS insulation 5/8” sheathing; 6” XPS insulation; 2” min. air gap; 3 5/8” 1 wythe brick

Tower Elevation

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Liyah George | A+D Portfolio

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GENESIS Multi-Faith Spiritual Centre , Navi Mumbai INSDAG Competition Work Advisor

NOV 2014 Prof. Smiriti Mishra

Located in Navi Mumbai, the Multi-Faith Spiritual Centre creates an experiential common space for religious, cultural and spiritual interaction which can help people know each other better, infuse religious tolerance and create the sense of “One World�. This studio project aims to use steel as a medium of architectural expression, to create a visual landmark and a place of worship.

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Liyah George | A+D Portfolio

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Sanctum

A. Interpretation Gallery Underground Tunnel B. Plate Of The Sanctum C. The Pool Of Unity D. Heliostat Focusing Sunbeam On Pool

1. The Pool Of Unity 2. Islam Worship Space 3. Christian Worship Space 4. Lift To Level 2 5. Sikhism Worship Space

6. Hinduism Worship Space 7. Buddhism Worship Space 8. Tunnel Exit 9. Congregation Space 10. The Pool Of Infinity

SECTION

PLAN

The 30 metre high exoskeleton of the central sanctum rises acove at the edge of the hill side overlooking the newly settled Navi Mumbai CBD area. With utopian architectural features this structure seeks to create a sense of awe for the mass and invite them to come at this spiritual complex to experience all five major religions. The access is from the below through a tunnel which opens to the sanctum which reminds of the connection of all religions to earth and water. 12


SANCTUM EXTERIOR VIEW

SANCTUM INTERIOR VIEW

ANCILLARY FRAME

CENTRAL RIDGE

CHRISTIANITY

ISLAM

BUDDHISM

SIKH

HINDUISM

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The Site

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1. The Sanctum 2. The Meditation Centre 3. Dining Hall 4. Central Plaza 5. Entrance Plaza 6. Marriage Hall And Administration 7. Residential Dormitory 8. Training School 9. Open Air Theatre

THE SITE

The project site is located in an abandoned quarry site in the hills along CBD Belapur in Navi Mumbai. The site provides a great advantage for a peaceful loaction at the heart of the new township, offering panoramic views along all sides and serving as a landmark for the city. 14


GROUND FLOOR PLAN 1. Meditation Hall 2. Magnetic Levitated Ball 3. Service

MEDITATION SECTION

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CULTURAL RECOVERY Bedouin Heritage Centre, Dubai Udergraduate Thesis Advisor

DEC 2015 Prof. Ritu Agarwal, Prof. Debajyoyi Biswas

The Bedouin Heritage Centre, located in close proximity to the Dubai Creek is a conjunction of multiple and varied programmes centred around Emirati culture and history. This undergraduate thesis proposal, seeks to revive the history of nomadic settlements and create a communal space in the midst of an increasingly globalized city. " The heritage centre is a stage for the artist, a sanctum for the religious, a school for the student, an emporium for the trader. It becomes an opportunity to recapture heritage and foster a new relationship between the past and the present."

Pearl Diving

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Animal Husbandry

Trading


Deploying the Grid

Diagramming the areas and intensity of space value on the site.

Breaking the Grid

Identifying the Qibla's direction and view axes. Direction all axes towards the religious centre on the site.

Elevating the Planes

Creating the central negative volume which translates to the Arabic courtyards.

Bridging the Corridors

Connecting the in-between spaces which form the circulation that bring visitors around.

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Site Context

AUDITORIUM

Nestled between the creek and Bur-Dubai, the site marks the historical value of the Creek where the Bani Yas nomadic tribe settled. The dense urban character of the old city is an adaptation of the built form and a response to the extreme climatic conditions.

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Deira, Dubai


ACADEMIC BLOCK

Site Section

Building Structure

Dense urban fabric The street and the building as interlaced elements

Streeet Pattern

Morphology of 'in between' spaces Creating an alternative order

Plot Pattern

Regularised grid pattern Strong sense of hierarchy

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Site Context

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Ground Floor Plan

1. Mosque 2. Library 3. Courtyard 4. Training Room 5. Admin Office 6. Guest House

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Site Plan

The planning of the site, takes principles from traditional courtyard planning of Arabic houses. The two negative spaces the entrance plaza and the open air theatre occupy the central location, accompanied by water bodies and local vegetation creating an 'urban oasis'.


The mosque, marks the central location on the site, adjacent to the courtyard, directing views and thus forming the core of the design. It is designed as an elevated prayer hall and accommodates spill over on the ground floor open space.

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1. Open Prayer Hall 2. Rest Rooms 3. Ablution Space

4. Pool Of Reflection 5. Imam's Room

GROUND LEVEL PLAN

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1. Male Prayer Area 2. Quibla Direction 3. Imam's Podium FIRST LEVEL PLAN

Liyah George | A+D Portfolio

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Academic Block

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1. Entrance Foyer 2. Library 3. Courtyard 4. Training Room 5. Admin Office 6. Guest House

GROUND FLOOR PLAN

1. Library 2. Reading Space 3. Workshop 4. Conference Room 5. R&D 6. Reading Room 7. Guest House FIRST FLOOR PLAN

The Arcbesque pattern and arches are influenced by traditional Islamic forms. The facade is treated with undulating textured panels creating dynamic expression of light and shadow.

The Academic Block Elevation

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The Auditorium

The Academic Block

Liyah George | A+D Portfolio

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CLIMATE SF Intertidal Spaces, New York M.Arch Studio Advisor Studio Team

WINTER 2020 Kathy Velikov Halle Thompson, Torri Smith, Liyah George

The year is 2140. Sea levels across the globe have risen causing a global ecological and refugee crisis. New York City remains a vibrant metropolis in a post-flooded world. Streets have become canals and skyscrapers islands. The intertidal—a place of ambiguity with fifteen-foot tidal fluctuations twice a day, is where a new subculture has emerged. The project aims to restore the relationship between nature and human beings, improve the living environment and ecosystem diversity in a densely urbanized post-capitalist city in the cusp of climate change.

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Situated Apparatus

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Urban Context

Manhattan, 2140

Water Level Rise

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Mycelium Pod Structure

Casted Mycelium brick facade 3D Printed Carbon Fiber Structure

Mycelium Pod Interioir Spaces

The project proposes an architecture that integrates the ruins of a past society into a web of new structures that flow with the tide. Through adaptive mycelium bio-structures which change over time, the intertidal becomes the space for refugees to build an interdependent communal society, free from the slings of capitalism.

Liyah George | A+D Portfolio

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Intertidal Sub-Cuture

The 'Vessal' as an entertainment space

Interconnected Communities and Public Spaces

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The design narrative drafts the framework for an intertidal community, crafting a system of symbiotic architectural infrastructures—housing, agriculture, entertainment, etc.—interconnected through a web of carbon fibre and mycelium structures.

Intertidal Farming

Liyah George | A+D Portfolio

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RE-ACTIVE RIDGES Ephemeral Urbanism, Mexico M.Arch Studio Advisor Studio Team

WINTER 2020 Anya Sirota Shraddha Jain, Liyah George

Plaza de las Tres Culturas, located in Mexico’s modernist housing complex in Tlatelolco is a space rich with a layered history of identity, change, political trauma, and natural disaster. Self perception, inherent to the plaza typology, which is therefore cultural, is denied at Tlatelolco by the oppressive weight of historical remembrance sustained by the overpowering vertical proportions.The project proposes a geometrically derived scenographic intervention in Tlatelolco’s plaza that promotes the disembodied inhabitation of the horizontal, drawn out of Mario Pani’s radical verticality. The architecture is explored in a dialectical perspective, reflective of the trauma and the intangible heritage of space, alongside the experience of cultural identity. Starting from the points of access across the plaza, the gaze is directed towards a series of perspectival points outside of the site, which are materialized and rendered to visually alter the perception of space.

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Plaza Doblada - The Slope

Plaza Doblada - The Entrance

Liyah George | A+D Portfolio

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Tlatelolco Plazas

Cones of visibility from 4 vantage points of ‘control’ are used to project and carve out a radically different proportion of spaces, while hinting at directions for the gaze for four framed perspectival views - part of the building, part outside the site, towards the ruin, and to the church.

Section across Plaza de las Tres Culturas 32


Plaza Doblada - The Platform

Plaza Doblada - The Underbelly

Liyah George | A+D Portfolio

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HOTEL & SOUK Retail Souk & Hotel , Qatar Professional Work Lead Architect

OCT 2018 Roupen Yacoubian

The project consists of a mixed use development of a four star hotel and retail souk, located in Qetaifan Island North, a waterfront hub. The design aims to connect these two distinct uses through a single sculptural canopy, providing filtered light and a comfortable walk along the 400m long site. Taking inspiration from traditional souk planning, the design features several plazas and outdoor spaces. The typology is guided by a reinterpretation of traditional architecture and character translated into a contemporary language.

DURATION WORKED - 14 months ROLE - Concept design development with principal architect, design research, space planning and technical co-ordination with consultants, Schematic design submission, Material selection and co-ordination with suppliers in the preparation of construction details, Facade design and detailing. SOFTWARES - Revit 2018, Sketchup, AutoCad (Initial design Phase), Adobe Creative Suite

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The Single Mass

A single mass under the canopy curved towards the waterpark with the central spine as circulation.

WATER PARK

Event Plaza

Clusters

The central spine is broken down into two narrower paths at the centre forming the 'souk-retail'. The clusters are broken down into courtyards opening at every 60m.

60M

Event Plaza

WATER PARK ENTRANCE

Retail Division

The clusters are further divided into retail units of 25-40 sqm at the centre and larger F&B units of 150-250 sqm at the two ends.

WATER PARK ENTRANCE

Event Plaza

Plazas

The massing creates intermittant plazas or 'voids' that can be conditioned and serve as rest zones. 60M

Event Plaza

NOTE: Rendering produced by Architectural Rendering Specialist

Liyah George | A+D Portfolio

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The Souk

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CLASSIFICATION - CONTAINS BASELINE INFORMATION

Millimetres

KEYPLAN:

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NOTES:

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10

1. THIS DRAWING IS THE COPYRIGHT OF WS ATKINS & PAR OVERSEAS CONSULTANTS AND MUST NOT BE RETAINED, COPIED OR USED WITHOUT THE ABOVE CONSULTANT'S AUTHORITY.

TNERS

2. DO NOT SCALE FROM THE DRAWINGS. 3. ALL DIMENSIONS ARE IN MILLIMETRES AND LEVELS IN UNLESS NOTED OTHERWISE. ALL DIMENSIONS TO BE VE ON SITE & APPROVED BY THE ENGINEER.

METRES RIFIED

4. THIS DRAWING SHOULD BE READ IN CONJUNCTION WITH OTHER RELEVANT ARCHITECTURAL, STRUCTURAL, MECHANICAL, ELECTRICAL AND CIVIL DRAWINGS AND A RELEVANT SECTIONS OF THE SPECIFICATIONS.

LL

5. FOR GENERAL NOTES, ABBREVIATIONS, MATERIAL INDIC DRG ANNOTATION SEE DRG: QINSW-ATK-XXXX-XX-DR-XX

ATION, -400001.

References Model Name

Rev.

SAFETY, HEALTH AND ENVIRONMENTAL INFORMATION In addition to the hazards/risks normally associate d with the types of work detailed on this drawing, note the following:

CONSTRUCTION

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MAINTENANCE/CLEANING

DECOMMISSIONING/DEMOLITION

It is assumed that all works will be carried out by a competent contractor working, where appropriate, to an approved method s tatement

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Description

Date

By

Chk'd Suitability

Drawing Status

Client

Qetaifan Projects, Marina District, Lusail City, PO BOX 2977, Doha, Qatar

Tel: +97 (4) 4423 7818 Fax: +97 (4) 4423 7819 www.katarahospitality.com Consultant

WS Atkins & Partners Overseas, PO BOX 24656, Doha, Qatar Tel: Fax:

+97 (4) 4406 1600 +97 (4) 4466 9587

www.atkinsglobal.com

1. Hotel 2. Souk 3. Conference Centre 4. Chalet 5. Waterpark

Project Title

Drawing Title

HOTEL & RETAIL SOUK RENDERED SITE PLAN

Title Block Revision: P3

Scale

Site Plan Originating Office: ATKINS GDC, INDIA

Original Size

A1

Designed

Drawn

Checked

Authorised

Date

Date

Date

Date

Drawing Number

CLASSIFICATION - CONTAINS BASELINE INFORMATION

The Site

Site Context

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(2018)

C Sub Consultant

Revision

App'd


Millimetres Millimetres

KEY PLAN

00

10 10

Repetition which becomes part of the architecture in the interior section of the souk. The canopy limits and controls the display territory for each module.

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GENERAL NOT GENERAL NOTES:

1. THIS THISDRAWING DRAWING IS 1. IS THE BE RETAINED, CO COPIED OR USED WITHOU CONSULTANT'S AU 2. DO NOT SCALE FROM T 2. DO NOT SCALE FR 3. ALL DIMENSIONS ARE I 3. ALL OTHERWISE. DIMENSIONS NOTED ALLA NOTED O THEUNLESS ENGINEER. ON SITE & APPRO 4. THIS DRAWING SHOULD 4. THIS DRAWING SH RELEVANT ARCHITECTUR OTHERAND RELEVANT DRAWINGS ALL RELE MECHANICAL, ELE RELEVANT SECTIO

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10/07/2018 CONCEP 00 10/07/2018 CONCEP Date Rev Rev

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Model Name Name Model 5152003-ATK-AR-BC-01-BC 5152003-ATK-AR-BC-01-BC5152003-ATK-AR-BC-01-BC 5152003-ATK-AR-BC-01-BC-

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Drawing Status

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Client

.7 Consultant

1. F&B - Experiential Street 2. Souk 3. F&B New Traditional 4. Courtyard

5. Toilets & Prayer Rooms 6. Souk Drop Off 7. Hotel Connection 8. Water Park Connection

Sub Consultant

GROUND FLOOR PLAN

Project Title

DATE:11/06/18 :11/06/18 DATE Q QINHLINHL- ATKATKH102 DR- ARH102 DR-100201 AR- 100201

QetaifanIS I QETAIFAN Drawing Title

HOT H GENERAL GENER SOUK SOU

Scale

FILENAME: FILENAME:

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100201

SOUK GROUND FLOOR PLAN

11 :: 400 400

Original Size

A1 A1

1SCALE : 400 1 : 400

Designe

Date

Drawing Number

QINHL-ATK-H1 QINHL-ATK-H Author: Author:

SOUK EXTERIOR MODULE

Water park

Souk

Street

Souk

Street

Souk

12.5 M

4.5 M

14.5 M

4.5 M

12.5 M

Event Plaza

FLOOR PLAN - Location of External Module facing waterpark and Event Garden in Souk Plan

4m

SOUK INTERIOR STREET MODULE

2m

2m 48o

5m

3m

3m

74o

FLOOR PLAN - Location of Interior Street Module in Souk Plan

3m

1.4 m

1m

135

November 2018

4m

5m 3.2 m

3m

Souk Interior

3m

1m

1m

1.4 m 18o

42o

1m

Liyah George | A+D Portfolio November 2018

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The Hotel

Linearity

The splitting of the plot in two reinforces the route from the souk to the sea emphasising the water park edge. The connectivity to souk and the sea becomes the anchor.

Maximised Views The equality of views is reinforced through the architectural form and the two principal financial drivers of the island are capitalised upon.

Hotel Entrance Lobby

Amenity Pockets

The splitting of the plot in two creates the opportunity for polarising uses. The carved blocks allow a controlled porosity at ground floor level. Hotel Entrance Lobby

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NOTE: Rendering produced by Architectural Rendering Specialist


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Millimetres

KEY PLAN

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GENERAL NOTES:

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1. THIS DRAWING IS THE COPYRIGHT OF ATKINS AND MUST NOT BE RETAINED, COPIED OR USED WITHOUT THE ABOVE CONSULTANT'S AUTHORITY. 2. DO NOT SCALE FROM THE DRAWINGS. 3. ALL DIMENSIONS ARE IN MILLIMETRES AND LEVELS IN METRES UNLESS NOTED OTHERWISE. ALL DIMENSIONS TO BE VERIFIED ON SITE & APPROVED BY THE ENGINEER.

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4. THIS DRAWING SHOULD BE READ IN CONJUNCTION WITH OTHER RELEVANT ARCHITECTURAL, STRUCTURAL, MECHANICAL, ELECTRICAL AND CIVIL DRAWINGS AND ALL RELEVANT SECTIONS OF THE SPECIFICATIONS.

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10/07/2018 CONCEPT DESIGN SUBMISSSION Date Description

KA By

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Model References Model Name 5152003-ATK-AR-BC-01-BC-AA-M3-000000 5152003-ATK-AR-BC-01-BC-L-M3-000000

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Drawing Status

Client

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Qetaifan Projects LLC Marina District Lusail City PO Box 2977 Doha - Qatar Consultant

Project Title

Qetaifan Island North Development Phase 1 Project

Drawing Title

HOTEL & RETAIL SOUK GENERAL ARRANGEMENT PLANS KEY KEYPLAN PLAN HOTEL GROUND LEVEL PLAN

HOTEL GROUNDPLAN FLOOR PLAN 2 GROUND LEVEL 100104

WS Atkins & Partners Overseas PO Box 24656 Doha Qatar TELEPHONE +974 44061600 FAX +974 44669587 office.qatar@atkinsglobal.com www.atkinsglobal.com

Sub Consultant

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Millimetres

100DATE :01/23/07 QINHL- ATK- H100 DR- AR- 100104

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1. Hotel Drop Off 2. Conference Drop-Off 3. Hotel Lobby 4. Pre-Function 5. Ballroom 6. All Day Dining 7. Luggage Room 8. Reception 9.Fitness Centre

Scale

Designed

Drawn

Checked

Authorised

Date

Date

Date

Date

1 : 400 Original Size

1 : 400

A1

Revision

Drawing Number

QINHL-ATK-H100-00-DR-AR-100104 Author:

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GENERAL GENERAL NOTES: NOTES: 1. THIS THISDRAWING DRAWING IS COPYRIGHT THE COPYRIGHT ATKINS AND MUST NOT 1. IS THE OF ATKINSOF AND MUST NOT BE RETAINED, BE RETAINED, COPIED USEDCONSULTANT'S WITHOUT THE ABOVE COPIED OR USED WITHOUT THEOR ABOVE AUTHORITY. CONSULTANT'S AUTHORITY. 2. DO NOT SCALE FROM THE DRAWINGS. 2. DO NOT SCALE FROM THE DRAWINGS. 3. ALL DIMENSIONS ARE IN MILLIMETRES AND LEVELS IN METRES UNLESS NOTED ALLARE DIMENSIONS TO BE VERIFIED SITE & APPROVED BY 3. ALL OTHERWISE. DIMENSIONS IN MILLIMETRES ANDON LEVELS IN METRES NOTED OTHERWISE. ALL DIMENSIONS TO BE VERIFIED THEUNLESS ENGINEER. ON SITE & APPROVED BY THE ENGINEER. 4. THIS DRAWING SHOULD BE READ IN CONJUNCTION WITH OTHER RELEVANT ARCHITECTURAL, STRUCTURAL, ELECTRICAL AND CIVIL 4. THIS DRAWING SHOULD BE READMECHANICAL, IN CONJUNCTION WITH OTHERAND RELEVANT ARCHITECTURAL, STRUCTURAL, DRAWINGS ALL RELEVANT SECTIONS OF THE SPECIFICATIONS. MECHANICAL, ELECTRICAL AND CIVIL DRAWINGS AND ALL RELEVANT SECTIONS OF THE SPECIFICATIONS.

.1 10/07/2018 CONCEPTDESIGN DESIGNSUBMISSSION SUBMISSSION 00 10/07/2018 CONCEPT Date Description Rev Rev Date Description

KA CZ CZ RY RY KA By By Chk'd. Chk'd. App'd. App'd.

Model ModelReferences References Model Name Name Model 5152003-ATK-AR-BC-01-BC-AA-M3-000000 5152003-ATK-AR-BC-01-BC-AA-M3-000000 5152003-ATK-AR-BC-01-BC-L-M3-000000 5152003-ATK-AR-BC-01-BC-L-M3-000000

Rev Rev 00 00

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.3 Drawing Status

Client

Qetaifan Qetaifan Projects Projects LLC LLC Marina MarinaDistrict District Lusail LusailCity City PO POBox Box2977 2977 Doha Doha- Qatar - Qatar

.5 Consultant

DATE:08/13/18 :08/13/18 DATE QINHL- ATKQINHLATKH100 DR- ARH100 DR-100107 AR- 100107

1. Lobby 2. Typical Room 3. Service Core 4. Suites 5. Terrace TYPICAL LEVEL LEVEL PLAN 11 PLAN 11 HOTELLEVEL TYPICAL PLAN

FILENAME: FILENAME:

100107

1SCALE : 400 1 : 400

WS Atkins & Partners Overseas WS Atkins & Partners Overseas PO Box PO Box24656 24656 Doha Doha Qatar Qatar TELEPHONE +974 44061600 TELEPHONE +974 44061600 FAX +974 44669587 FAX +974 44669587 office.qatar@atkinsglobal.com office.qatar@atkinsglobal.com www.atkinsglobal.com www.atkinsglobal.com

Sub Consultant

The linear mass is segmented to create several more intimate blocks which combine to create a porous and inviting hotel running through the site. The guestrooms are located above a ground floor podium which begin to prescribe the functions and amenities around the base of the building, responding sensitively to the wider context. Project Title

QETAIFAN QetaifanISLAND Island NORTH North Development DEVELOPMENT PHASE Phase11PROJECT Project

Drawing Title

HOTEL HOTEL&&RETAIL RETAIL SOUK SOUK GENERAL GENERALARRANGEMENT ARRANGEMENT PLANS PLANS HOTEL HOTELTYPICAL TYPICAL LEVEL LEVEL PLAN PLAN

Scale

Designed

Drawn

Checked

Authorised

Date

Date

Date

Date

11 :: 400 400

Original Size

A1 A1

Revision

Drawing Number

QINHL-ATK-H100-ZZ-DR-AR-100107 QINHL-ATK-H100-ZZ-DR-AR-100107

Author: Author:

Liyah George | A+D Portfolio

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VERTICAL VILLAGE High Rise Luxury Residential, Dubai Professional Work Lead Architect

NOV 2017 Mohammad Abu Farah

This 44-storey tower located in a strategic location fronting on to Sheik Zayed Road and Zabeel Park, Dubai is designed to achieve the vision of an iconic high-rise structure with contemporary architectural style.

DURATION WORKED - 4 months ROLE - Schematic design submission, Planning of the four typical floor plates, cordination with interior designers and MEP Engineers. SOFTWARES - Revit 2018, Sketchup (Massing studies)

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NOTE: Rendering produced by Architectural Rendering Specialist

Liyah George | A+D Portfolio

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Drawings

Project Programme The number of units per floor is identified by the number of keys required over the height limit of the plot.

View Priority Pushing the bigger units to the corner and having the smaller unit in between and adjusting the orientation of corner units to achieve a luxurious experience.

Panoramic Terraces Extending the terraces and linking indoor spaces with an outdoor private panoramic terrace.

Stacking And Shading Stacking floors of the same type and flipping the some of the floors to create double height experience and shading in the floors below.

Site Plan

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TIER 1 PALN

TIER 3 PALN

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DUBAI SOUTH Mid-Rise Residential Community, Dubai Professional Work Lead Architect

MAR 2017 Loubna Al Zalek

The Dubai South masterplan development located on the confluence East-West corridors of Dubai is designed considering the urban blocks, public realm, street scapes and open spaces. This manifested into contemporary built forms that are orthogonal, reinforced by clean lines and a planning principle that is efficient, modular, flexible and sustainable. Contemporary materials and textures and attention to detail have been integral to the overall architectural vision. Thoughtful use of colours have added variety to the overall architectural language bringing in freshness and uniqueness to the concept.

DURATION WORKED - 5 months ROLE - Detail design facde drawings, Production of Tender drawings, Drawings for muncipal approval, Checking architectural drawings against structural and MEP, Site visits with senior architect. SOFTWARES - AutoCad

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Masterplan Context

NOTE: Rendering produced by Architectural Rendering Specialist

Liyah George | A+D Portfolio

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Drawings

GROUND LEVEL PLAN

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Design Consultant

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KHALID BIN AL-WA P O BOX 5620, DUB UNITED ARAB EMIR

Copyright C Atkin Sub Consultant

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KHALID BIN AL-WA P O BOX 5620, DUB UNITED ARAB EMIR

Copyright C Atkin Sub Consultant

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Liyah George | A+D Portfolio

TH PROJE

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THEATRE OF THE STRANGE LOOP Theatre of Alternate Performances , Ann Arbor M.Arch Studio Advisor

FALL 2019 Prof. Robert Adams

A gridiron framework of parallel lines is since history, a method of apportion of land and establishing control over colonized territories, like in Roman civilizations. The grid as a totalitarian structure which creates an ordered system, consciously planned to symbolize control over a landscape and perhaps also its inhabitants. The grid pattern underlying most American cities reflects a single act of order and not a complex evolution. The project references the Jefferson Grid which currently predominates the American landscape, which evolved as a method of land survey and distribution. The Theatre of strange loops questions how architecture can challenge the existing social order, and anatomical hierarchy. The project stages four institutional instruments around the site through their non-identical twin, the physicality of the form and function are exploited to create different theatrical spaces and their structure of control over the body exposed, into a performative architecture.

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Liyah George | A+D Portfolio

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Linking Adjacencies

HOSPITAL

MEDICAL RESEARCH CENTRE

AXONOMETRIC DRAWING

The project becomes a “legible sequence of various performances” and is presented as a staging of curated systems of order. The theatre of strange loops, much like Quentin Tarantino’s Pulp Fiction, is a seemingly complete act which has been chopped into vignettes and rearranged like a puzzle.

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Liyah George | A+D Portfolio

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BRIDGING THE CITY Intertidal Spaces, New York M.Arch Seminar Advisor Studio Team

FALL 2019 María Arquero de Alarcón Abbie Prost, Salvador Linquist, Liyah George

Indexing Cleveland’s bridges foregrounds the iconicity of transportation infrastructure along the Cuyahoga River Valley. By examining the various typologies of the bridges intersecting the river, the project instigates new opportunities for appropriation of these infrastructures and their grounds to connect the city and the river. Through the compilation of the Cuyahoga River Bridge Index, we identified four high-span bridges as having excellent opportunity for proposing contextual design interventions. The four bridges diagram identifies the infrastructures and places them in relationship to their characteristic context. In addition, each intervention addresses the unique structural and aesthetic value of the bridges, all holding significant monumental value to the Cuyahoga Valley. In considering both the aesthetic and contextual characteristics of the individual bridges, the project proposes four conceptual approaches to amplify the recreational, programmatic, and aesthetic qualities of the valley that celebrates infrastructure, industry, and the grit embedded within Cleveland’s cultural fabric.

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PORT OF CLEVELAND

DOWNTOWN

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EAST INDUSTRIAL

The Cuyahoga river valley is very pronounced in Cleveland, opening up a flat and easily accessible ground plane, an ideal location for industrial development in the late 1950’s.

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HEAVY INDUSTRY MINERAL & MINING

HIGH RISE DENSE WELL MAINTAINED BUILDING STOCK

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25,110 FT

THUNDERBIRD

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LIGHT INDUSTRY

21,390 FT

22,320 FT

19,530 FT

12,090 FT

5,580 FT

3,720 FT

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HEAVY INDUSTRY STEEL INDUSTRY

LOW RISE

DENSE RESIDENTIAL

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WELL MAINTAINED

THUNDERBIRD

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930 FT

1,860 FT

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2,790 FT

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4,650 FT

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6,510 FT

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7,440 FT

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8,370 FT

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9,300 FT

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10,230 FT

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11,160 FT

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13,020 FT

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13,950 FT

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15,810 FT

14,880 FT

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16,740 FT

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17,670 FT

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18,600 FT

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20,460 FT

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INFRASTRUCTURE

23,250 FT

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WAREHOUSE & PORT

24,180 FT

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DEVELOPMENT

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MIXED USE RESIDENTIAL

Liyah George | A+D Portfolio

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Thematic Mapping

Inventory of Bridges High level Vehicular Bridges Rail Bridges Movable Bridges Abandoned Bridges

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Recreational Uses Along the River Studied Area

Passive Greening

Museum

Vacant land

Canoe Launch

Food

Park

Overlook

Trail

Active Greening

The recreational uses along the river vary in term of type and density as the river goes through different urban land uses. Based on its vicinity to the more populated downtown area, from the mouth to middle part of the river, the recreational types are different in its inclination to consumption.

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100 mile


Public: 560.27

Private: 1219.84 Acres 68.53%

Ownership Inventory 0.4

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Liyah George | A+D Portfolio

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Bridging the City

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Through the Cleveland Bridge index, four bridges emerged as having high iconicity and presented high opportunities for elevating their inherent characteristics. Aside from their monumental value, these four bridges have the potential to capitalize on their adjacent land use. The Hope Memorial Bridge spans over the Tow Path Trail and Scranton Flats, the Irishtown Bridge spans large tracts of vacant and industrial land, the Detroit Superior Bridge has a connection to the Irishtown Bend ecological patch, and the Cleveland Memorial Shoreway Bridge is directly adjacent to major commercial hubs like the Greater Cleveland Aquarium and Jacobs Pavilion at Nautica.

Tow Path Trail & Scranton Flats Industrial Land Vacant Land The Irishtown Bend Commercial Land Use Significant Commercial Buildings

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Liyah George | A+D Portfolio

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Bridging the City

Hope Memorial Bridge : Suspense Suspended

Cleveland Union Terminal Viaduct : Archway

NEON SIGNAGE

GIANT SWING

ROCK CLIMBING THE COLUMNS

ARCH MURALS

ARCH LIGHTING

TRUSS-TRUSS ZIPLINE ARCH SCULPTURES

TRUSS-SLIDE

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OTHER SUCH THRILLS

MUSICAL PROGRAMMING ARCH ARCHITECTURE


Cleveland Union Terminal Viaduct : Archway

Detroit Superior Bridge : Superior Wild

PAINTED TRUSS GEOMETRY PROJECTION VINES + OTHER HANGING VEGETATION

MORE PAINT

SCULPTURAL BIRD HOUSES

SIGNAGE SUSPENDED PLANTERS

INVERTED BAT TOWERS

BLUE SCULPTURES

ART LIGHTING

Liyah George | A+D Portfolio

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