CCW Summer 2012 - short course brochure by CCW - University of the Arts London

SHORT COURSES 2012 Summer 2012 is going to be exciting in London! If you have some time off or are visiting London for a short period of time, why not add to this excitement by learning a new skill? We are known globally for providing our short course students with relevant, practical skills that are not just for summer, but for life. You can study a course with us at Chelsea College of Art & Design, or you can embark on a course at one of our sister colleges – Camberwell College of Arts and Wimbledon College of Art. We’ve got the whole package for you this summer. All our short courses are taught within specialist facilities by some of the industries best tutors. All are taught in small groups to ensure that you will receive all the focus and attention you need. We also have courses for the little rays of sunshine in your life. We have an inspiring range of Portfolio courses and Contemporary Art Workshops for young people. See page 61 for full details. Maybe you’re a creative company looking for some bespoke or Tailor-Made Training. We can do that too. See page 8 for more. We look forward to welcoming you to a vibrant short course this summer. Short Courses - Course You Can.

www.chelsea.arts.ac.uk/shortcourses

TABLE OF CONTENTS 8

Tailor-Made Training One size doesn’t fit all. So why not find out about our Tailor-Made Training packages which suit groups of any description?

Short Courses

15 16 17 19 22

Interior Design & Spatial Design

Curating & Conservation

Starting your career in interior design or looking for home inspiration? We’ve got all bases (and spaces) covered...

Art forms in their own right. These courses will see you get hands on experience and you’ll also develop theoretical aptitude aplenty.

Core Courses Practical Development Professional Development Drawing History

Fashion & Textiles Whether design, dyeing or printing fabric is your thing, you’ll find a course that’s just right for you here.

Graphic Design & Communication Put finger to mouse — or even pencil to paper to get your message across and stimulate that creativity. 24 30 32 35

Did you know we offer over 300 Short Courses? With such a vast array on offer, we appreciate that it can be difficult to choose the course that is just right for you!

73 75 77

Digital Design Graphic Design Illustration Marketing and Communication

We’ve covered most angles on the Fine Art front. All you need to do is choose the course that fulfils you. 42 49 51 57 59

These tasty little courses will run at a variety of times throughout the summer – perfectly designed to fit around a busy schedule.

Drawing and Painting 3D, Ceramics and Sculpture Photography Printmaking Art History and Theory

Perhaps you’d like to learn how to bring a text to life through set or costume design? Or maybe bring a digital character to life. All the world is a stage – get designing it... 80

Book online today to guarantee your place at www.chelsea.arts.ac.uk/shortcourses

62 63 66

Portfolio Courses for 18+ Portfolio Courses for 16–19 year olds Portfolio Courses for 11–15 year olds

Theatre Design and Costume International Students Here you’ll find details of Short Courses specially designed for international students.

Portfolio Courses Just about to start your Foundation, Degree or MA? Get into the creative mindset with one of our portfolio courses.

Fashion Design Jewellery Textiles Theatre, Film & Costume

Fine Art

With our new range of bite-sized courses, we are offering you the chance to come and sample some of our most popular and delicious courses at your convenience.

Curating

Orientation / Study Abroad / Dual City / English Plus / Practical Information Information and Booking

86 87 89 92 95 96

Booking and Course Information Booking Form Booking Terms and Conditions Locations Index Find us Online

2012 CALENDAR Week 1 – 25/6/12

Start Date

Days

College

Page

Dreamweaver Web Design Introduction to Art History Pre-Foundation Portfolio Preparation Adobe Illustrator – Basic Essentials Promoting Yourself & Your Ideas

25/06/2012 25/06/2012 25/06/2012 27/06/2012 29/06/2012

2 days 4 days 5 days 2 days 1 day

Chelsea Chelsea Camberwell Chelsea Chelsea

28 59 63 29 35

02/07/2012 02/07/2012 02/07/2012 02/07/2012 02/07/2012 02/07/2012 04/07/2012 06/07/2012 06/07/2012

3 days 3 days 3 days 4 days 5 weeks 5 days 3 days 1 day 1 day

Chelsea Chelsea Chelsea Chelsea Chelsea Chelsea Chelsea Chelsea Chelsea

17 28 46 42 27 63 70 38 54

09/07/2012 09/07/2012 09/07/2012 09/07/2012 09/07/2012 09/07/2012 09/07/2012 09/07/2012 09/07/2012 09/07/2012 09/07/2012 09/07/2012 09/07/2012 11/07/2012 12/07/2012 13/07/2012

5 days 3 days 4 days 4 days 5 days 4 days 4 days 3 days 5 days 5 Days 5 days 5 days 5 days 3 days 2 Days 1 day

Chelsea Chelsea Chelsea Wimbledon Chelsea Chelsea Chelsea Chelsea Chelsea Chelsea Chelsea Wimbledon Chelsea Chelsea Chelsea Chelsea

32 50 24 81 69 77 45 42 45 22 65 63 19 19 16 55

16/07/2012 16/07/2012 16/07/2012 16/07/2012 16/07/2012 16/07/2012 16/07/2012 16/07/2012 16/07/2012

5 days 5 days 5 Days 2 days 4 days 4 days 4 days 2 days 4 days

Chelsea Chelsea Chelsea Camberwell Chelsea Chelsea Chelsea Chelsea Chelsea

62 63 66 53 46 49 73 24 30

Art Direction Introduction to Flash Animation Interior Design Module One Introduction to Interior Decoration & Design Adobe InDesign – Basic Essentials Proofreading Get to Grips With Grammar Creative Thinking

Week 2 – 02/7/12 Lighting for Residential Interiors Adobe Photoshop – Basic Essentials Colour Workshop Introduction to Life Drawing Introduction to AutoCAD Pre-Foundation Portfolio Preparation Art Handling & Installation Creative Copywriting Picture Researching

Building Websites with CSS & HTML Copywriting Explored Introduction to Illustration 3D Studio Max – 3D Modeling Critical Theory in Contemporary Art Practice Introduction to Photography Experimental Drawing Getting the Most from Your Digital Camera Fashion Jewellery Portfolio Preparation 18+ Pre-Foundation Portfolio Preparation Digital Pattern Design & Print Introduction to Painting Business Skills for Creatives Portrait Photography Freehand Perspective Drawing for Designers

College

Page

16/07/2012 17/07/2012 17/07/2012 18/07/2012 18/07/2012 19/07/2012 20/07/2012 20/07/2012

3 days 2 days 12 days 5 days 3 days 1 day 1 day 1 day

Chelsea Chelsea Chelsea Chelsea Chelsea Chelsea Chelsea Chelsea

36 25 15 16 29 37 39 36

23/07/2012 23/07/2012 23/07/2012 23/07/2012 23/07/2012 23/07/2012 23/07/2012 23/07/2012 23/07/2012 23/07/2012 23/07/2012 23/07/2012 24/07/2012 25/07/2012 25/07/2012 25/07/2012

4 days 3 days 4 days 5 days 5 days 3 days 3 days 2 days 4 days 5 days 5 days 5 days 4 days 3 days 1 day 3 days

Chelsea Chelsea Chelsea Chelsea Chelsea Camberwell Chelsea Chelsea Chelsea Chelsea Chelsea Chelsea Chelsea Chelsea Chelsea Chelsea

30 38 32 25 60 51 43 51 75 62 63 73 44 35 53 21

30/07/2012 30/07/2012 30/07/2012 30/07/2012 30/07/2012 30/07/2012 30/07/2012 30/07/2012 30/07/2012 30/07/2012 30/07/2012 30/07/2012 30/07/2012 31/07/2012 01/08/2012

4 days 5 days 4 days 5 days 5 days 5 days 4 days 3 days 4 days 4 days 4 days 3 days 3 days 4 days 3 days

Chelsea Chelsea Chelsea Chelsea Camberwell Chelsea Chelsea Chelsea Chelsea Chelsea Chelsea Chelsea Chelsea Chelsea Chelsea

78 27 24 83 63 62 59 43 45 49 22 42 21 31 69

Week 6 – 30/7/12 Knitting, Crochet & Macrame Introduction to AutoCAD Vectorworks 3D Studio Max – Visual Effects Animation Pre-Foundation Portfolio Preparation Portfolio Preparation 18+ Introduction to Art History Drawing In The City Oil Painting Introduction to Sculpture Contemporary Architecture & Interior Design in London Introduction to Drawing 1 & 2 Point Measured Perspective Drawing Editorial Design Collecting Contemporary Art

Week 4 – 16/7/12 Portfolio Preparation 18+ Pre-Foundation Portfolio Preparation Contemporary Art & Design Workshop for 11 - 15 Yr Olds The Art of Camera-less Photography Watercolour Painting 3D Workshop Design & Make Introduction to Fashion Illustration 2D Vectorworks for Interior Design Introduction to Graphic Design

Days

Week 5 – 23/7/12

Week 3 – 09/7/12 Book Illustration Stone Carving Sculpture Vectorworks Corset Making Introduction to Curating Contemporary Art Exhibitions Introduction to Textile Print Design Oil Painting Introduction to Drawing Introduction to Drawing & Painting Stage One History of Architecture & Interior Design Pre-Foundation Graphic Design Pre-Foundation Portfolio Preparation Technical Drawing for Interior Designers Architectural Drawing for Designers An A-Z of Doing Up Your Home Freelance Photograhy

Start Date

2012 Calendar continued.

Week 7 – 06/8/12

Start Date

Days

College

Page

Introduction to Life Drawing The History of Art Stage One Experimental Drawing & Painting Contemporary Painting Critical Theory in Contemporary Art Practice Pre-Foundation Portfolio Preparation Pre-Foundation Painting Introduction to Curating Contemporary Art Exhibitions Introduction to Fashion Illustration Introduction to Furniture Design Digital Set Design Comic Book Art Introduction to Digital Design Business Skills for Creatives Introduction to Graphic Design Introduction to Interior Decoration & Design Introduction to Photoshop for Photographers Promoting Yourself & Your Ideas

06/08/2012 06/08/2012 06/08/2012 06/08/2012 06/08/2012 06/08/2012 06/08/2012 06/08/2012 06/08/2012 06/08/2012 06/08/2012 06/08/2012 06/08/2012 06/08/2012 07/08/2012 07/08/2012 08/08/2012 10/08/2012

4 days 4 days 5 days 3 days 5 days 5 days 5 days 5 days 4 days 4 days 2 days 5 days 5 days 3 days 4 days 5 days 3 days 1 day

Chelsea Chelsea Chelsea Chelsea Chelsea Chelsea Chelsea Chelsea Chelsea Chelsea Chelsea Chelsea Chelsea Chelsea Chelsea Chelsea Chelsea Chelsea

42 59 47 47 60 63 65 69 73 17 80 33 27 35 30 16 55 35

Period & Theatrical Hatmaking Model Making for Designers Pre-Foundation Portfolio Preparation Introduction to Illustration Vectorworks Kitchen and Bathroom Planning & Design

13/08/2012 13/08/2012 13/08/2012 13/08/2012 13/08/2012 13/08/2012 13/08/2012 13/08/2012 13/08/2012 13/08/2012 13/08/2012 13/08/2012 13/08/2012 13/08/2012 14/08/2012 15/08/2012 16/08/2012 16/08/2012 17/08/2012

3 days 5 days 4 days 3 days 5 days 3 days 4 days 5 Days 4 days 4 days 5 days 5 days 5 Days 2 days 12 days 3 days 1 day 2 days 1 day

Chelsea Chelsea Chelsea Chelsea Chelsea Chelsea Chelsea Chelsea Camberwell Chelsea Chelsea Chelsea Chelsea Chelsea Chelsea Chelsea Chelsea Chelsea Chelsea

70 32 30 28 83 50 60 22 57 44 62 63 66 28 15 19 37 24 39

Lighting for Residential Interiors Introduction to Painting Adobe InDesign – Basic Essentials An A-Z of Doing Up Your Home Getting the Most from Your Digital Camera Creative Copywriting Creating a Design Brief That Works

20/08/2012 20/08/2012 20/08/2012 20/08/2012 20/08/2012

5 days 5 days 4 days 4 days 4 days

Camberwell Chelsea Camberwell Wimbledon Wimbledon

58 45 57 81 80

College

Page

20/08/2012 20/08/2012 20/08/2012 20/08/2012 20/08/2012 22/08/2012

4 days 5 days 5 days 4 days 4 days 3 days

Wimbledon Chelsea Chelsea Chelsea Chelsea Chelsea

81 18 63 32 24 18

28/08/2012 28/08/2012 28/08/2012 28/08/2012 30/08/2012 30/08/2012 31/08/2012

3 days 4 days 3 days 2 Days 2 days 1 day 1 day

Chelsea Chelsea Chelsea Chelsea Chelsea Chelsea Chelsea

17 44 29 16 51 38 37

03/09/2012 03/09/2012 03/09/2012 03/09/2012 03/09/2012 03/09/2012

3 days 3 days 4 days 4 days 5 days 5 days

Chelsea Camberwell Camberwell Chelsea Chelsea Chelsea

21 54 50 78 25 27

10/09/2012 10/09/2012 10/09/2012 10/09/2012 10/09/2012 10/09/2012 10/09/2012

5 days 3 days 3 days 4 days 4 days 5 days 4 days

Chelsea Chelsea Camberwell Chelsea Chelsea Chelsea Chelsea

69 36 51 24 46 73 77

Week 11 – 03/9/12 Freehand Perspective Drawing for Designers Alternative Photographic Printing Welding for Artists Sustainable Textiles 3D Studio Max – 3D Modeling Introduction to Digital Design

Week 12 – 10/9/12 Introduction to Curating Contemporary Art Exhibitions Art Direction Introduction to Photography Vectorworks Watercolour Painting Digital Pattern Design & Print Textile Design & Print Workshop

Week 9 – 20/8/12 Letterpress: Physical Typography Introduction to Drawing & Painting Stage One Introduction to Printmaking Corset Making Costume & Set Design for Film & Theatre

Days

Week 10 – 27/8/12

Week 8 – 13/8/12 Art Handling & Installation Book Illustration Graphic Design in Practice Adobe Photoshop – Basic Essentials Digital Character Design & Animation Stone Carving Sculpture The History of Art Stage Two History of Architecture & Interior Design Screen Printing Life Painting Portfolio Preparation 18+ Pre-Foundation Drawing Contemporary Art & Design Workshop For 11 - 15 Yr Olds Dreamweaver Web Design Interior Decoration Architectural Drawing for Designers Proofreading 2D Vectorworks for Interior Design Get to Grips with Grammar

Start Date

TAILOR-MADE TRAINING For more information and to view examples of subject areas for Tailor-Made courses please visit: www.chelsea.arts.ac.uk/shortcourses /tailor-made-training

The University of the Arts London has a growing reputation for the work it does with its associated industries and has an unrivalled base of creative knowledge and expertise available to business, not just creative business but all businesses. Many organisations choose to send individuals on one of our Short Courses that are scheduled throughout the year as evening, Saturday or intensive daytime courses so they can fit around busy work commitments. However, we’re also able to create a bespoke course for companies who have a number of delegates with similar training needs. Courses can either be selected from our Short Course portfolio, or adapted and customised for particular training needs. So whether it is to stimulate creativity in the workplace or for more practical purposes, we can tailor a course to meet the needs of your company or team. The timing and venue can be determined according to your business needs.

Marketing and Communication Training

Programmes And Tours

Team-Building Days

We tailor make study programmes and tours for study groups of students from overseas educational institutions — anything from a one day course to two-week courses in specialist subject areas — popular subjects, include Interior Design, Fashion, Graphic Design, Letterpress, and Art History. We harness the expertise and resources of three world-class colleges, not forgetting London’s museums, galleries and exhibitions.

Many businesses and organisations recognise the importance of teamwork and look for opportunities to stretch their employees’ horizons in new ways. Designed for up to 12 people we can construct a day in which your team can work creatively together. The focus can be artistic: drawing/painting/design or business related, for example, Promoting ourself and Your Ideas, or Managing Creativity in Design. 8

For Programmes and Tours, Tailor-Made Training and Team Building days contact: Mary Kiely Business Development Manager T: +44 (0)20 7514 6560 E: ccwtraining@arts.ac.uk

Case Study: Sungshin Women’s University

We have expanded our marketing and communication range of courses. See page 35 for full course descriptions. All of the courses can be run privately for your own group of staff.

In August 2011, a group of Korean students visited London and Chelsea College of Art & Design to participate in a Tailor-Made Fine Art Summer School. The programme provided the students with a safe and creative environment in which to experience the exciting world of art and design, as well as see a bit of London! One of the students told us afterwards, “I really liked the group demonstrations and the explanations in the galleries. The individual time that we got to spend with the tutor was really useful. We had a great time”.

Tailor-Made Training We have a growing reputation for working with our associated industries. But our creative knowledge and expertise can be applied to any kind of business. Many organisations send their people on our established Short Courses. But we’re often asked to create Tailor-Made Short Courses for groups of people from the same company. You can either choose courses from our scheduled Short Courses or we can customise a course to suit the training needs of your team.

INTERIOR & SPATIAL DESIGN

T S I L E S R U O C T R O MY SUMMER SH

REMEMBER TH E 10% DISCOUNT ON THE BOOKM ARK! Interior and Spatial Design is our thing at Chelsea College of Art & Design and we have a reputation for excellence that stretches right across the world. So if you’re hoping to go on to practice design, or study a design degree but aren’t able to do so full-time, our Interior Design Short Courses are for you.

Book online today to guarantee your place at www.chelsea.arts.ac.uk/shortcourses

INTERIOR DESIGN PATHWAYS Beginner

Intermediate

Advanced

INTERIOR DECORATION

INTERIOR DECORATION IN PRACTICE

INTERIOR DESIGN MODULE THREE

Optional taster level*

Beginner

Intermediate

INTRODUCTION TO INTERIOR DECORATION AND DESIGN

INTERIOR DESIGN MODULE ONE

INTERIOR DESIGN MODULE TWO

Core courses We have a special way of doing things here at Chelsea that will help you travel along the interior design path of your choice, and bring you closer to achieving your goals. We invite you to choose from a progressive programme of core courses, giving you the skills you need to forge your career as an Interior Designer and Decorator. The map on the opposite page shows you the different routes you can take. Complimentary & Specialist skills You can build on these foundations with courses which look at subject areas in more depth. Or you may be a designer already interested in gaining specialist training in a new area. In which case, our specialist courses will suit you perfectly. We cover areas from Drawing and Digital Design Skills to the History of Architecture & Interior Design, with everything in between. So dip into pages 16–22, take a look at what we have to offer and set about enhancing your skillset.

Future possibilities

Beginner

COMPLETE INTRODUCTION TO INTERIOR DESIGN

Several of our previous students have gone on to set up their own businesses, gained freelance and in house agency work or moved on to degree level study.

Top Up your Skills Intro to Business Management for Interior Designers

Kitchen and Bathroom Planning and Design

2D Vectorworks for Interior Design

Interior Design Professional Portfolio Preparation

Urban Garden Design

Lighting for Residential Interiors

History of Interior Design Style

Technical Drawing for Interior Design

Colour for Interior Design

History of Architecture & Interior Design

Architectural Drawing for Designers

Model Making for Designers

Detailing for Interior Designers

Vectorworks

Introduction to Furniture Design

*The Optional Taster Level is for those completely new to the subject. Please note that these are suggested routes only and we are happy to discuss your personal development needs, identify which entry point would be best for you and make tailored course suggestions accordingly. Please contact ccwshortcourses@arts.ac.uk, call +44 (0)20 7514 6311 or visit the Short Course Office at Chelsea College of Art & Design.

More details Head over to www.chelsea.arts.ac.uk/shortcourses to find tutor details, dates for open evenings, examples of work, and book courses.

Case study

‘With a toddler to look after half the week, I chose Chelsea modular courses in Interior Design as they gave me the discipline of tuition alongside the flexibility of home study. I also thought it was great value for money. Whilst studying all three modules, I did Technical Drawing and Vectorworks, which complemented my learning. I gained excellent workplace knowledge and, with the guidance of my tutors, left with a portfolio good enough to get work experience in a prestigious London interior design firm. I’m now planning to start my own business and take on freelance work.’ J. Hodgson-Barker.

CORE COURSES

We’ve a special way of doing things here at Chelsea College of Art & Design to allow you to gain the interior design career that you need. There are many options available. Feel free to contact us for more information and expert guidance.

Interior Design Module One

Interior Decoration

Who should attend

Anyone who wants to learn to design interiors professionally. You can then use Modules Two and Three as further steps towards your career or applying for a full-time course. The well established, unique threepart structure allows you to choose the stage at which you want to join and leave the programme, matching your level of experience.

Anyone who wants to understand the decoration process or if you are considering studying on any of the Interior Design modules. It could also act as a step on the way to a career in interior decoration.

Course Detail As well as guiding you through basic drawing and presentation techniques, we will give you an introduction to three-dimensional thinking and analysis. We will do this via lectures, workshops and demonstrations about everything from domestic interiors to the use of materials. With a wealth of unrivalled experience and expertise, our tutors practical approach will prepare you for a future in the design profession. The emphasis will be on developing practical skills by completeing a simple design project. Course Outcomes By the end of this course you’ll have the confidence to start work on a straightforward design scheme by yourself. You will leave the course with a number of newfound design-related skills.

Course Detail In a stimulating introduction to the design process, you will learn how to create and understand concept boards, as well as create plans and elevations to scale. We’ll cover the history of interior design, looking at style and colour, along with the vocabulary of design, and materials and finishes. The course is structured around a domestic project brief associated with the day-time living spaces to give you a chance to apply your skills and creativity to designing a room. We will finish the course by asking you to participate in a group critique, where you’ll hone your presentation skills. Course Outcomes You’ll have developed an understanding of the process of interior decoration and design, including planning and the basic scale drawing of plans and elevations. You’ll also have knowledge of history, colour, materials and finishes.

17 Jul – 03 Aug 2012: 12 days, Tue – Fri 10 – 5pm

14 – 31 Aug 2012: 12 days, Tue – Fri 10 – 5pm

Beginner Chelsea, £1,675

Interior & Spatial Design

Not sure whether to study Design or Decoration? This is the course for you.

PRACTICAL DEVELOPMENT

PROFESSIONAL DEVELOPMENT

Want to enhance your skills in a particular area or gain a new specialist skill? These courses will give you that extra competitive edge.

Introduction to Interior Decoration & Design

An A–Z of Doing Up Your Home

Lighting for Residential Interiors

Introduction to Furniture Design

Who should attend

Those with a passion for interior design who are drawn to interior style magazines. Afterwards, you may wish to progress onto the Interior Decoration short course or start the Interior Design Modules.

Property owners and developers who would like to build confidence in dealing with plumbers, builders, electricians and planners.

Perfect for design professionals who want to improve their skills, along with existing or potential students keen to design a lighting scheme.

Course Detail

Ideal for design professionals eager to add to their skills base, as well as beginners with a keen interest in furniture design. You’ll need basic technical drawing skills, with some knowledge of design principles.

This is your chance to arm yourself with all the practical information you need to do up your home. We’ll help you break your project into manageable parts, covering everything from sourcing ideas and surveying your space, through preparing a budget and schedule of works, to planning and building. We’ll also advise you on kitchens, bathrooms, lighting and electrics. While we’ll send you off with confidence, and a few trade secrets besides, please note that the course does not involve hands-on practice.

Lighting is a key but often neglected part of any design scheme. And this course acts as an introduction to residential lighting for students new to the subject. After learning lighting principles, you will be guided through the process from carrying out a lighting survey to designing a simple scheme and communicating your idea to a lighting specialist. The course will cover how to measure and control lighting, how to create lighting effects and how to work with the latest regulations. You will create a simple lighting scheme, producing a lighting plan and specification.

This four-day course explores the design of freestanding furniture, especially in the context of interior design. You’ll learn about the whole process, starting by developing creative ideas and inspiration via sketches and research. We will then encourage you to evolve these ideas into 3D models, working in card. Overall, you will learn about everything from materials and finishes to structure, construction and manufacturing techniques. You’ll also think about the practical considerations when designing furniture for existing interiors.

Course Outcomes

You will leave with an understanding of the language and technology of lighting design, able to use natural and artificial lighting within interiors. What’s more, you will speak to contractors and lighting designers, and take briefs from clients, with confidence.

You’ll come away from the course with an understanding of the process of designing freestanding furniture, as well as its materials, finishes and manufacturing processes. Moreover, you will be able to design simple furniture yourself.

Course Detail Discover your potential via this introduction to creating a design for a domestic space. On this relaxed, friendly course, you’ll develop your design awareness and learn the basics of planning a design scheme. Through a series of workshops, you will discover how to plan a domestic space to scale, which will see you produce drawings, moodboards and colour palettes. You’ll be guided through the basics of colour, soft furnishings, hard finishes, history and style. In addition, you’ll find out where to source and how to create that designer look. Course Outcomes You will leave with the ability to create a design scheme for a domestic space that works visually and practically. In addition, you’ll have developed an understanding of the process of interior decoration and design, with a basic knowledge of history, colour, materials and finishes.

Course Outcomes You will have developed an understanding of the refurbishment process, and be familiar with the jargon. You will be able to add value to your home with a few tricks of the trade. You’ll know how to plan and break down an interior design project. You will have the confidence to deal with the tradespeople who work on your property.

Course Detail

18 – 24 Jul 2012: 5 days, Wed – Tue 10 – 4pm 07 – 13 Aug 2012: 5 days, Tue – Mon 11 – 5pm

12 – 13 Jul 2012: 2 days, Thu – Fri 10 – 4pm 28 – 29 Aug 2012: 2 days, Tue – Wed 10 – 4pm

02 – 04 Jul 2012: 3 days, Mon – Wed 10 – 4pm 28 – 30 Aug 2012: 3 days, Tue – Thu 10 – 4pm

06 – 09 Aug 2012: 4 days, Tue – Thu 11 – 5pm

Beginner Chelsea £575

Beginner Chelsea, £285

All levels welcome Chelsea £350

Beginner/Intermediate Chelsea, £410

Interior & Spatial Design

DRAWING

The need for designers to visually communicate is often overlooked, but our Interior & Spatial Drawing Skills courses bring this skill back to the fore. Whether you are looking to learn or refresh your skills, we have something for everyone.

Kitchen and Bathroom Planning & Design

Model Making for Designers

Technical Drawing for Interior Design

Architectural Drawing for Designers

Who should attend

Ideal for practising interior designers, architects and property developers keen to acquire specialist knowledge to apply within a professional context. It will also suit anyone interested in investigating new ideas and inspirations for their home, along with students on related courses. It would be useful to have basic technical drawing skills.

Will suit students of Art and Design as much as interior designers and architects looking to develop their model making skills in order to communicate ideas powerfully through 3D. You must be able to read design drawings.

Existing or potential professional designers and architects or home improvers wanting to produce floor plans to design an interior space. It will also suit you if you’re thinking about further study in Interior Design.

Course Detail

Model making can make an inestimable difference to your professional life, whether helping you to resolve design problems or present ideas to clients. With the right tools and simple materials it’s possible to make models that will persuade a client to move forward with your proposal for their project.

On this intensive five-day course, you’ll cover everything from how to use equipment and materials with confidence, through surveying a space to producing plans and elevations to scale. You’ll also learn how to lay out and annotate drawings correctly, as well as draw an axonometric projection from your plan. However basic your knowledge at the course’s outset, you’ll come away with a good grasp of drawing, conventions, layout and notation.

Anyone interested in architecture and interior design, whether you are a current or prospective student in these areas, are about to refurbish your property or are using an architect and want to understand architectural drawing. You may also be a product, set, stage or TV designer who needs some technical drawing experience.

Course Detail On this three-day course, you will cover all aspects of the planning and design of kitchens and bathrooms for residential interiors. We will look at taking a client brief and think about everything from planning considerations, appliances, equipment, storage solutions and services to installation, building regulations, lighting, new technology, materials and maintenance. We will discuss new equipment and style trends, observed on visits to contemporary showrooms, and finish with a practical workshop where you’ll put your newfound skills into practice.

Course Outcomes You’ll be capable of making high-quality models. You’ll be familiar with the relevant tools and materials needed for model making.

Course Outcomes You’ll leave able to translate a client’s brief into a feasible design proposal for a kitchen or bathroom.

Course Outcomes You will be able to use equipment and materials with confidence, as well as understand the use of scale in drawing. You’ll be able to survey a space, produce plans and elevations to scale, and draw interior elements and furniture on plan and elevation.

Course Detail We will teach you the basics of technical drawing and show you how to interpret and sketch plans, sections and elevations. You will learn how to carry out a simple building survey, understand drawing conventions, annotate, use draft equipment, and use these skills this to prepare your own simple architectural drawings. We will also consider more technically advanced representations, as well as a series of case studies that demonstrate key aspects of drawing. Course Outcomes You will leave having produced your own examples of architectural drawing, including plans, sections and elevations. You’ll appreciate the basics of drawing, as understood by architects and interior designers. You’ll be able to use drafting equipment, including the use of scale.

22 – 24 Aug 2012: 3 days, Wed – Fri 10 – 4pm

20 – 24 Aug 2012: 5 days, Mon – Fri 10 – 4pm

09 – 13 Jul 2012: 5 days, Mon – Fri 10 – 4pm

11 – 13 Jul 2012: 3 days, Wed – Fri 10 – 4pm 15 – 17 Aug 2012: 3 days, Wed – Fri 10 – 4pm

Beginner/Intermediate Chelsea £350

Intermediate Chelsea £460

Beginner Chelsea £460

Beginner/Intermediate Chelsea, £350

Interior & Spatial Design

1 and 2 Point Measured Perspective Drawing

Freehand Perspective Drawing for Designers

Who should attend

Designers and decorators who want to improve their skills. Newcomers to the subject are also welcome.

Those completely new to drawing; architects, interior, garden and other 3D designers who’ve mainly worked on a computer, anyone starting a business who wants to design their own visual materials or people planning to apply to study a longer-term architectural course.

Course Detail Interior designers need to construct 3D representations of interior spaces quickly and confidently. On this course, one and two point perspectives are taught in a way that’s accessible to beginners. Through a series of well-designed exercises, you’ll learn the principles of perspective and be able to construct one and two point perspectives from a floor plan. We’ll also cover the drawing of interior elements such as furniture, curved walls and circles. With these skills, you will be able to develop your own style. Course Outcomes At the end of the course, you’ll understand the principles of perspective and be able to construct one and two point perspectives from a plan. You’ll also be able to draw interior elements in perspective.

Course Detail Even if you have studied freehand drawing in the past, it’s a skill that often needs refreshing. The focus on this course is drawing up a room or space. At the same time, you will give consideration to the exterior of buildings. We’ll teach you how to produce quick freehand sketches of your design ideas, as well as explore a range of different rendering techniques. Before you leave us, we’ll advise you where you can find future assistance with your work. Course Outcomes You’ll take away a number of completed drawings, along with the thinking tools to continue your freehand practice.

30 Jul – 01 Aug 2012: 3 days, Mon – Wed 11 – 5pm

25 – 27 Jul 2012: 3 days, Wed – Fri 10 – 4pm 03 – 05 Sept 2012: 3 days, Mon – Wed 10 – 4pm

Beginner/Intermediate Chelsea, £350

Interior & Spatial Design

HISTORY

If you want to learn more about of the origins of design, our history courses will certainly provide you with a wealth of knowledge and ideas for future projects.

History of Architecture & Interior Design

Contemporary Architecture & Interior Design in London

Who should attend

Anyone with an interest in architecture and interior design who wants to experience the real objects and places first hand. It would suit you if you plan to follow a longer course of study in a related field.

Anyone interested in the issues surrounding the design of the built environment who’d like to learn more about London’s recent additions and transformations. The course would also be suitable if you plan to follow a longer course of study in the areas of architecture, landscape architecture, interior design, planning or urban studies.

Course Detail Join us on a journey through time and learn all about the historical development of architecture and interior design. Guided by your tutor, you’ll travel from Ancient Egypt, Greece and Rome, through the Romanesque, Gothic, and Renaissance periods to Palladianism and the nineteenth century, via India, China and Japan. And never leave London! It will mean seeing some of the capital’s most interesting buildings, interiors and artworks through new eyes, as well as some treasures you may not have known about. Course Outcomes You’ll develop an understanding of the history of architecture and interior design in London through an examination of the streets, churches, houses, palaces and treasures therein.

GRAPHIC DESIGN & COMMUNICATION

Course Detail You will be led on an awe-inspiring journey through London, exploring spaces, buildings and structures created recently. You’ll visit and examine designs and their contexts, ranging in type and scale from parks, squares, public spaces and buildings to entire neighbourhoods. Your tutor will introduce you to the ideas and processes behind the designs, as well as sparking debates about their contribution to the capital. Course Outcomes You’ll leave with plenty of knowledge about the recent history of London’s built environment, and a greater awareness of the key projects that have changed the shape of the city. What’s more, you’ll have experienced the city on foot with a critical eye.

09 – 13 Jul 2012 5 days, Mon – Fri 10 – 4pm 13 – 17 Aug 2012:5 days, Mon – Fri 10 – 4pm

30 Jul – 02 Aug 2012: 4 days, Mon – Thu 11 – 5pm

Beginner Chelsea (Off–site), £445

Beginner Chelsea (Off–site), £365

Put finger to mouse, or even pencil to paper to get your message across and stimulate that creativity. 22

Want to build your own website? See p. 30 Building Websites with CSS and HTML

DIGITAL DESIGN

Artists, architects or designers: hone your creative digital design skills with one of our truly inspirational Digital Design courses. Class numbers are kept to a minimum so you can have quality time with your tutor one on one.

Vectorworks

2D Vectorworks for Interior Design

3D Studio Max – 3D Modeling

Introduction to Flash Animation

Who should attend

Students or professionals working in design-based practice, such as architecture or interior design.

Students or interior design professionals eager to learn how to create digital plans, sections and elevations.

Course Detail

Architects, design professionals and students interested in learning a new digital skill. It could lead you to apply for other courses, improve your portfolio or change your field of work.

If you have a passion for drawing or design and would like to add motion and movement to bring your ideas alive then Flash is perfect tool. This course is ideal for Flash beginners. Basic computer skills are desirable.

You will soon have a solid grounding in all the core principles of Vectorworks, software which is in widespread use in design and architecture. You’ll learn how to set up a project to scale, and develop drawing strategies. You’ll work on your 2D and 3D drawing, while exploring lighting, rendering, symbols and 3D drawing manipulation. Your tutor will also help you prepare working drawings and explain how to print and export to other applications.

We’ve designed the course to teach you how to create 2D digital plans, sections and elevations. Your tutor will familiarise you with the Vectorworks interface, 2D tools and organisational systems, and help you prepare your graphics for print. We encourage you to bring your own hand-drawn plans to work from.

Course Detail

This is for you if you’re eager to communicate in a realtime 3D environment and produce photorealistic visualisations of your work. On 3D Studio Max you will be creating and manipulating forms, surface textures and materials. We will focus on traditional Computer Graphics lighting techniques and rendering methods that will help you understand how to achieve successful and realistic digital visualisations. You can also expect to create and manipulate lights, cameras and external environmental elements.

Adobe Flash offers a wide range of tools and techniques, positioning it as the world-wide industry standard for creating impressive digital animations. Used by animators, web designers and interactive CD designers; whether you decide to create a simple banner, build a website, or even produce a fully animated TV programme, you will find Flash an incredibly powerful design tool. During this course you will receive a hands-on introduction to the basic essentials and learn how to use basic frame-by-frame techniques, tweening and drawing tools to create a motion sequence. You learn how to import images from Photoshop and Illustrator and receive guidance on how to use the library effectively. The dimension of sound will also be introduced to enhance the impact of your animations.

Course Outcomes You will leave with a comprehensive knowledge of Vectorworks. You’ll have produced a number of digital images, including plans, elevations, sections and perspective views. You’ll realise why Vectorworks is the industry standard drawing and visualisation package for interior design and small and medium architecture practices, and is being used increasingly in the film industry for production and set design.

Course Outcomes You will leave with a comprehensive knowledge of Vectorworks 2D functions. In addition, you will take away a number of digital images, including plans, elevations, and sections, which you’ll have produced.

Course Outcomes You’ll be capable of 3D modeling. You’ll have mastered rendering methods that will make models even more photorealistic. You’ll be able to design 3D environments with realistic lighting.

Course Outcomes By the end of this course, students will be familiar with the basic tools and techniques offered by Flash to confidently animate simple characters and create an animated environment.

09 – 12 Jul 2012: 4 days, Mon – Thu 10 – 4pm 30 Jul – 02 Aug 2012: 4 days, Mon – Thu 11 – 5pm 20 – 23 Aug 2012: 4 days, Mon – Thu 10 – 4pm 10 – 13 Sep 2012: 4 days, Mon – Thu 10 – 4pm

16 – 17 Jul 2012: 2 days, Mon – Tue 10 – 4pm 16 – 17 Aug 2012: 2 days, Thu – Fri 10 – 4pm

23 – 27 Jul 2012: 5 days, Mon – Fri 10 – 4pm 03 – 07 Sept 2012: 5 days, Mon – Fri 10 – 4pm

17 – 18 Jul 2012: 2 days, Tue – Wed 10 – 4pm

Beginner Chelsea £570

Beginner Chelsea, £325

Beginner/Intermediate Chelsea, £630

Beginner Chelsea, £325

Graphic Design & Communication

T H G I R E K H C I T CL

Introduction to AutoCAD

Introduction to Digital Design

Who should attend

AutoCAD beginners looking for comprehensive training in one of the world’s leading 2D and 3D CAD tools. It is very useful for those considering or already pursuing careers in interior design or architecture.

Anyone looking for a sound introduction to the capabilities of three leading industry-standard software programmes — Adobe Photoshop, Illustrator and Indesign. You could be a digital design student, home user or a digital design professional.

Course Detail If you’re reading this, you may already be aware that AutoCAD is a flexible solution that can be customised to meet your specific needs. Join us on this introductory course, taught mainly from a designer’s perspective, and we’ll arm you with the skills you need to create and revise interior and exterior spaces. During a number of structured sessions, we’ll guide you through the features, commands and techniques. It’ll be your role to develop accurate technical drawings, which you will present in a detailed and visually impressive way.

Course Detail On this comprehensive and hands-on course, we will introduce you to the world of digital design in the shape of Adobe Photoshop, Illustrator and Indesign. Our aim is promoting your understanding of how seamlessly the three programmes can work together. You’ll gain an appreciation of the use of characteristics of bitmap and vector graphics too, and learn when it’s best to use the different image file formats. We will also give you some tips on using basic keyboard shortcuts to improve workflow.

Course Outcomes

By the end of the course you will be able to produce 2D plans and elevations using AutoCAD.

By the end of the course, you’ll understand design principles, the dynamics of composition and colour, and the technical issues surrounding print and web distribution.

02 – 06 Jul 2012: 5 days, Mon – Fri 10 – 4pm 30 Jul – 03 Aug 2012: 5 days, Mon – Fri 11 – 5pm

06 – 10 Aug 2012: 5 days, Mon – Thu 11 – 5pm 03 – 07 Sept 2012: 5 days, Mon – Fri 10 – 4pm

Beginner Chelsea, £630

Graphic Design & Communication

Are you a photographer? See p. 55 Introduction to Photoshop for Photographers

Dreamweaver Web Design

Adobe Photoshop – Basic Essentials

Adobe InDesign – Basic Essentials

Adobe Illustrator – Basic Essentials

Who should attend

Designers and anyone interested in designing and building websites. You may be responsible for an existing site or want to develop a site for your own personal project or for clients. You’ll feel comfortable using a computer and the internet. It would be helpful if you had knowledge of Word, Photoshop and Illustrator too.

This course is suitable for those with limited or no knowledge of Photoshop. Whether you are an art and design student, home user or have a general interest, this hands-on course will introduce and demystify some of Photoshop’s tools, techniques and terminology, allowing participants to create and edit digital images in no time.

Anyone who is competent on a Mac or PC who wants to become proficient in this creative, powerful page layout programme. You may then wish to take the Adobe InDesign — Developing Your Skills course.

Those studying or embarking on a career in a design field, who want to expand their technical skills. Or those simply with an interest in learning the software skills. Basic knowledge of using a Mac or PC is essential.

Course Detail

Dreamweaver is the industry-standard web design package. As well as being introduced to the general design concepts, you’ll benefit from a comprehensive overview of the software’s technical aspects — everything from the basic interface and round-trip HTML to site design, maps and management. We will also show you how to insert text, format images, produce rollovers and use tables. In addition, you will learn how to deliver information and media-based content, such as images, video and Flash.

On this hands-on course, we’ll cover the fundamentals of a bitmap image and resolution, setting up a document and your workspace, navigating the work area, working with layers, layer styles and quick masks, creating text and vector paths as well as making selections, basic image manipulations, corrections and transformations.

Professional desktop publishing involves skill and flair, but learning the basic elements of InDesign can help improve any page layout. On the course, you’ll enjoy an overview of the programme, enabling you to produce simple newsletters and brochures. You will discover how InDesign can place multiple images and photos, create graphics and produce text effects, exploring speed tips, keyboard shortcuts and customisation of your workspace. We’ll also look at tabs, tables, gradients and libraries. Towards the end of the course, you will practice your new skills, and produce relevant layouts and printable PDFs.

This course will give you the skills, techniques and confidence to master simple operations in Adobe Illustrator and create your own vector artwork. You’ll learn about the toolbar, type tools and the principles of aligning. We’ll cover a range of Illustrator essentials such as fill and stroke, compound shapes and paths, the creation of patterns and repeats, filters and effects before exploring more sophisticated drawing tools.

Course Outcomes

Course Outcomes You’ll have developed the knowledge and practical skills in Illustrator to be able to create beautiful and impressive vector artworks.

Be prepared to bring in some of your own images because by the end of the course, you will create your very own montage for reference and inspiration – in readiness for print or onscreen viewing. You will also gain enough confidence to pursue our Adobe Photoshop – Developing your Skills course.

Course Outcomes

25 – 26 Jun 2012: 2 days, Mon – Tue 10 – 4pm 13 – 14 Aug 2012: 2 days, Mon – Tue 10 – 4pm

02 – 04 Jul 2012: 3 days, Mon – Wed 10 – 4pm 13 – 15 Aug 2012: 3 days, Mon – Wed 10 – 4pm

18 – 20 Jul 2012: 3 days, Wed– Fri 10 – 4pm 28 – 30 Aug 2012: 3 days, Tue – Thu 10 – 4pm

27 – 29 Jun 2012: 2 days, Thu – Fri 10 – 4pm

Beginner Chelsea, £325

Beginner Chelsea, £425

Beginner Chelsea, £325

Course Outcomes You’ll have a broad understanding of how to approach web projects in terms of content, structure, design and development. You will have been introduced to Dreamweaver’s built-in Javascript effects and behaviours, as well as CSS (Cascading Style Sheets).

By the end of the course, you will have produced a variety of creative work relevant to your job or course, including newsletters, magazine spreads, stationery design, document covers, brochures, flyers or posters.

Graphic Design & Communication

GRAPHIC DESIGN

Whether you are putting pen to paper or finger to mouse, we will stimulate your creativity and point you in the right direction to apply your newfound skills.

Learn how to promote your work. See p. 35 Promoting Yourself and Your Ideas

Building Websites with CSS and HTML

Introduction to Graphic Design

Graphic Design in Practice

Editorial Design

Who should attend

Anyone who wants to learn how to create and manage a professional website using basic and intermediate HTML and CSS. You will need basic computer skills.

Those looking for a good grounding in graphic design practice or perhaps you are looking to build a portfolio to apply for a Foundation or BA course.

Anyone looking for a grounding in editorial design for print, perhaps as a springboard to further learning.

Course Detail

Anyone with experience in graphic design looking to gain an insight into the challenges and experiences faced within the graphic design profession. Suitable for students and graduates of graphic design, or even those who have just started out in the design industry.

On this course, you’ll learn about basic tags, and how to create hyperlinks, place images and use tables. We’ll cover everything from the fundamentals of web design concepts to structure and accessibility. You will also learn how to use Cascading Style Sheets to control the look and placement of these HTML elements, and external style sheets to format your website. The course is based around real-world projects which demonstrate practical applications of CSS, and how to develop solid strategies for creating fast, accessible and optimised web pages. Finally, we will show you how to upload your site to the web using Dreamweaver. Please bring your own website ideas to work on. Please note this course is taught on a MAC Computer.

On this course, we’ll encourage you to push yourself to your creative limits as you explore graphic ideas and produce images to communicate your messages. We’ll set you a number of challenging projects to help you develop a greater appreciation of the commercials, posters, logos and other images that constantly compete for our attention. We’ll be concentrating on manual practices learning about layout and typography and how to refine your designs. You will also be introduced to the possibilities of digital programmes, which you may wish to pursue independently via more intensive digital design courses.

Course Outcomes You’ll leave with HTML and CSS skills and have the confidence to build a website from scratch — not only designing, creating and managing it, but manipulating and altering its appearance.

Course Outcomes You’ll have met your personal objectives of learning the basics of graphic design. You’ll leave the course with a well-presented portfolio of graphic work.

Course Detail Eva Kellenberger and Sebastian White, who run their own graphic design studio, will take you on a journey highlighting the different ways of working, forming ideas and using concepts to create a visual language. By looking at your past projects as well as presenting their own, you will examine how an idea is generated, developed and leads to a chain of design decisions. You’ll look at ways of using information to find useful associations, historical parallels and visual metaphors. You will then be set a project individually geared towards breaking your particular habit. A critique will follow short presentations where your tutors will analyse whether the choice of typographic voice, artdirected images and production methods best conveys the idea. Course Outcomes

Course Detail With the advent of the internet, print magazines need to be increasingly innovative to stay relevant and of the moment. Throughout the course, we will look at the history of magazine design, from fanzines and independent publications to major titles. We’ll also examine current trends and innovations in publishing. Practical skills are key, so you will learn about grids and typography, as well as paper and print processes and the relationship between text and image. You will also collaborate with the rest of the group to produce a small publication. Course Outcomes With the rest of the group, you’ll have produced a small publication. You’ll understand the design process from raw content to printed matter, and appreciate aspects such as page grids, type hierarchies, typography for legibility and working with text and image.

You will have learnt a number of useful techniques for discussing and presenting projects, which you can then feed into your outside work. The project work will also enhance your portfolio.

23 – 26 Jul 2012: 4 days, Mon – Thu 10 – 4pm

16 – 19 Jul 2012: 4 days, Mon – Thu 10 – 4pm 07 – 10 Aug 2012: 4 days, Tue – Fri 11– 5pm

13 – 16 Aug 2012: 4 days, Mon – Thu 10 – 4pm

31 Jul – 03 Aug 2012: 4 days, Tue – Fri 11 – 5pm

Beginner Chelsea, £525

Beginner Chelsea £375

Intermediate Chelsea, £375

Beginner Chelsea, £375

Graphic Design & Communication

ILLUSTRATION

Our courses are geared to beginners just as much as they are those with an illustration project in mind. One thing’s for certain though: with any of these courses under your belt, you will be able to visualise a truly creative future.

Learn something new this summer!

Introduction to Illustration

Book Illustration

Comic Book Art

Who should attend

Anyone interested in learning the basics about illustration: the broad range of its applications and its picture making, drawing and imaginative thinking processes. It may well suit you if you are thinking of applying for Foundation, BA or MA courses.

Anyone interested in illustrating for children’s picture books, book jackets or magazine work, who wants to take a drawing based course. Many of you will have worked in related fields such as drawing, painting or design. Who knows? It could even lead to career in children’s books, or perhaps an MA in Illustration.

Anyone who wants to learn about the process of creating comics, or is looking to build a portfolio of sequential artwork to apply for a longer cartooning course. The general principles of this course apply to the Graphic Novel and manga as much as superhero, funny animal or underground comics.

Course Detail

Wherever your interest lies, this course will hone your drawing skills and give you the chance to create a portfolio to impress a potential publisher. We will set group and individual projects according to your needs. You’ll also enjoy one-on-one tuition, including guidance on selected texts and writing for children. Past students have featured among the prize winners of the Macmillan Children’s Book Competition and the V&A Inspired By Competition. Please bring examples of your work, even if from another field, to class.

We’ll give you a basic grounding in the process behind creating a comic book for commercial publishers. You’ll cover everything from style, character, scenario and storytelling to lettering, inking, colouring and publishing. While we’ll concentrate on traditional pencil renditions and the application of black ink, tone and colour, we will also look at other techniques. You’ll have the chance to work with your co-students on producing comic book art that we’ll publish in a group anthology.

Course Detail You won’t be using computers or other digital elements on this course. But you’ll be working to a brief for a book or journal. We’ll show you how to search for inspiration, brainstorm solutions and collect ideas in a sketchbook and finally, express your ideas. There’s a strong practical dimension to the class and you’ll have plenty of opportunity to develop your drawing skills and build a portfolio. Course Outcomes You will have enriched your descriptive drawing skills and have more confidence in your practice. You’ll have developed an image from an idea into a strong composition.

Course Outcomes At the course’s end you will have completed a portfolio suitable to show to a publisher, including a completed dummy and at least four sheets of finished art work of a picture book. You’ll understand the exact requirements for a standard 32-page picture book.

Course Outcomes You will take away a copy of your group collection of finished artwork, along with class handouts and a portfolio of your own exploratory work. This could be your first step towards a freelance career or sustained self publishing.

23 – 26 Jul 2012: 4 days, Mon – Thu 10 – 4pm 20 – 23 Aug 2012: 4 days, Mon– Thu 10 – 4pm

09 – 13 Jul 2012: 5 days, Mon – Fri 10 – 5pm 13 – 17 Aug 2012: 5 days, Mon – Fri 10 – 5pm

06 – 10 Aug 2012: 5 days, Mon – Fri 11 – 5pm

Beginner Chelsea £375

Intermediate/Advanced Chelsea, £460

Beginner Chelsea, £445

Graphic Design & Communication

PROMOTE YOURSELF

MARKETING AND COMMUNICATION

Getting your message across in a succinct and compelling fashion is no walk in the park. Neither is managing the creativity of others. But either pursuit can be easily achieved if you enrol on one of our Marketing and Communication courses.

Business Skills for Creatives

Promoting Yourself & Your Ideas

Who should attend

Anyone working in a creative field, for example designers, photographers, artists and writers who want to improve their business skills and increase their revenue. You could well be a freelancer working in editorial, advertising, PR or for individual clients.

Anyone who promotes a business or organisation to external customers, as well as people who are keen to advance their professional careers. Self-employed artists and designers who often pitch and promote their ideas would also benefit.

Course Detail

We will begin the course by discussing the basic rules of a successful business. You’ll then learn the principles of marketing and sales, as well as the importance of understanding and studying your clients’ needs. You will learn how to deal with clients, give quotes and take bookings, and gen up on techniques and tips. At the end of the course and after a study of your relevant market, your tutor will help you create a personal action plan in a one-to-one session. The workshop will conclude with a talk by a successful creative entrepreneur.

Whether you’re going to an interview for a new job, a promotion meeting or a business pitch, it’s vital that you’re able to project a confident image. This innovative course brings together a number of approaches, considering your personal impact, presentation skills and the art of persuasion. You’ll learn to make yourself attractive to others by applying a combination of influencing techniques based on sound psychological theories.

Course Outcomes

After a day in the company of our tutor, you will be confident about singing your own praises to your fellow delegates without sounding conceited! In fact, you’ll come away with a renewed belief in yourself.

By the end of the course you’ll be able to market yourself effectively, increase your fees and revenues and work more efficiently.

Course Outcomes

25 – 27 July 2012: 3 days, Wed – Fri 10 – 4:30pm 06 – 08 Aug 2012: 3 days, Mon – Wed 11 – 5:30pm

29 Jun 2012: 1 day, Fri 10 – 4:30pm 10 Aug 2012: 1 day, Fri 11 – 5:30pm

Beginner Chelsea, £405

Beginner Chelsea £200

Graphic Design & Communication

Could this course be tailored for your organisation? See p. 8 for more details.

Art Direction

Creative Thinking

Creating a Design Brief that Works

Proofreading

Who should attend

Anyone who wants to explore the principles of art direction. You’re likely to be working in marketing, advertising, PR, sales, brand management, editorial, fashion, design or photography.

Anyone working in design, brand management, sales, marketing, advertising or PR who wants to train their brain to think more creatively using visual, logical and intuitive techniques. People from other backgrounds are also welcome.

Your precise discipline isn’t important, though you may well work in branding, graphics, identity, packaging or a web-related area. We welcome people from all agency, client or independent backgrounds.

Anyone who checks documents in their professional life will benefit from this course. This session provides a good grounding in the skills and techniques needed for proofreading work.

Course Detail

In this course you’ll find out more about the document that lies at the heart of the entire design process and learn to use it to ensure the success of your projects. The brief should contain valuable information that gives clients and designers everything they need to know to develop the right concept. So we’ll start with the fundamentals – why and when you should use a brief and what it is exactly. Then we will consider the key elements of the document as well as how to use the brief to the greatest possible effect. This will involve looking at the different possible formats and essential information to include.

You will be sent a guide to the British Standard proofreading symbols before the class and will then practice using them on the day. You’ll also have some practice checking page makeup and design. Please bring with you a red and blue biro, pencil and eraser.

Course Detail On this course, Giulio Mazzarini will take you through the various stages of organising a campaign and show you the relationship between art direction and different markets and brands. You will learn about the basic principles of visual communication and the importance of analysing contemporary trends and campaigns, before going on to discuss the role of the art director in different creative industries. Phil Woodford, a professional copywriter, will demonstrate the importance of bringing words and visual imagery together. You’ll finish the workshop with Giulio, developing concept boards and working towards setting up a photo shoot. Course Outcomes

Course Detail Everyone has the potential to be more creative and on this course, you’ll get involved in some interesting exercises to help build your confidence. Above all, the course is designed to be fun, challenging and enjoyable. Working individually and in small teams, you’ll learn how to challenge conventional thinking and train your brain to work in new ways. Course Outcomes By the end of the course, you’ll realise that there’s always more than one answer to a problem. Moreover, you’ll be capable of applying new choices to work situations.

Course Outcomes

Course Outcomes You will gain a good understanding of typographic requirements and be able to use proofreaders’ marks effectively. Your increased understanding will give you the confidence to develop your skills further in your working life.

You’ll have learnt how the brief can drive the management of a design project, help sell a design solution and allow you to measure your results and return on investment. You’ll also have been introduced to some related contractual and intellectual property issues.

By learning the principles and techniques of art direction, you’ll be able to work on briefs, and deliver creative concepts and ideas. You’ll also have improved your creative skills, powers of lateral thinking and general work performance.

16 – 18 Jul 2012: 3 days, Mon – Wed 10 – 4:30pm 10 – 12 Sept 2012: 3 days, Mon – Wed 10 – 4:30pm

20 Jul 2012: 1 day Fri 10 – 4:30pm

31 August 2012: 1 day Fri 10 – 4:30pm

19 Jul 2012: 1 day, Thu 10 – 4:30pm 16 Aug 2012: 1 day, Thu 10 – 4:30pm

All levels welcome Chelsea, £405

Beginner Chelsea, £200

Intermediate Chelsea, £200

Beginner Chelsea £200

Graphic Design & Communication

Why not also consider Proofreading? See p. 37

Creative Copywriting

Copywriting Explored

Get to Grips with Grammar

Who should attend

Ideal for people who work in marketing, design or corporate communications. You may well write copy yourself or perhaps your role is to make judgements about others’ work. Either way, you’ll find the session a valuable and practical learning experience.

Marketing and communications professionals or people working in related areas like design or PR. Perhaps your everyday role sees you preparing content for the web, or producing more overt sales and marketing materials such as ads, brochures or direct mail.

Course Detail

Finding the right words for a brochure, website or ad is always a challenge. In many cases, there’s a need to add an element of creative flair into the mix too — especially if you’re looking to grab attention and persuade customers. In this highly interactive one-day workshop, you’ll learn many of the tricks of the copywriter’s trade and have a chance to practice your own writing. Please bring examples of work to the session.

This interactive three-day course is the perfect way to practice your copywriting and gain valuable tips and insights. It’s also an opportunity to hone your skills in a supportive and friendly environment. You can expect to learn about headline writing, tone of voice, structure and style. You will also complete a range of practical exercises based on the materials you and your fellow classmates bring to the class.

How should apostrophes be used? What’s the difference between ‘which’ and ‘that’? If you’ve worried about these and other grammatical conundrums, it’s time to hone your skills with our grammar course. This course is aimed at people who already have a basic grasp of grammar but need to brush up on their skills. All people who work with the English language on a daily basis will benefit.

Course Outcomes

You will have learnt how to write effective headlines, tailor copy to different audiences and encourage readers to stick with you. In addition, you will have looked at the challenges presented by a range of media, from traditional ads and direct mail through to electronic and social media.

You will leave with greater confidence about writing across different media. You’ll be able to write more effective headlines and straplines. It’s likely you will have developed a more conceptual approach to your creative work — combining words and images to dramatise propositions and tell stories.

06 Jul 2012: 1 day Fri 10 – 4:30pm 30 Aug 2012: 1 day Thu 10 – 4:30pm

23 – 25 Jul 2012: 3 days, Mon – Wed 10 – 4:30pm

20 Jul 2012: 1 day Fri 10 – 4:30pm 17 Aug 2012: 1 day Fri 10 – 4:30pm

Beginner Chelsea, £200

Beginner Chelsea, £405

Beginner Chelsea, £200

Course Detail Grammatical rules change over time and, even if you were given a good grounding at school, it’s easy to become confused. Working through a series of exercises with your tutor, you will recap the basics and tackle a number of the tricky issues of grammar that arise when writing. editing or proofreading. The emphasis is on practical correction skills rather than esoteric debate, but the course is certainly useful to those who have to justify their grammatical decisions to others. Course Outcomes You will re-discover the hard-and-fast rules, but also learn to recognise situations in which the use of language is simply a matter of choice or house style.

Graphic Design & Communication

FINE ART

Weâ&#x20AC;&#x2122;ve covered most angles on the Fine Art front. All you need to do is choose the course that fulfils you. 40

DRAWING AND PAINTING

Our Drawing and Painting courses examine the subject from a wealth of different angles. Enjoy them as one-off courses or build up a suite of courses.

Like to paint? See p. 47 Experimental Drawing & Painting

Introduction to Drawing

Introduction to Life Drawing

Experimental Drawing

Drawing In The City

Who should attend

Anyone keen to learn drawing skills, re-acquaint themselves with 2D visual exploration or build a portfolio of work to use for application to a Foundation or BTEC course. It also acts as a useful springboard to other Short Courses.

Those completely new to drawing, as well as students keen to refresh and develop their skills. You may consider joining the course as a springboard to other fine art or design studies.

You could be a practising artist or someone who’s looking to develop a portfolio to apply for a longer-term course. You may be looking to specialise or improve in a particular area and we can help you with that.

Anyone looking to gain confidence in depicting land and cityscapes with basic materials. It would suit you if you’re planning to start work in your studio or want to enhance your portfolio.

Course Detail

If you are looking for basic guidance on scale, tone, composition and perspective, you’ve come to the right place. We’ve developed a range of structured exercises that tackle the problems people frequently face when they first attempt to make coherent drawings. What’s more, you’ll learn how to use a variety of media, including graphite pencils and charcoal.

Understanding the structure of the human figure and the way it’s situated within a space is a key skill. We will cover all angles with a series of structured drawing exercises, as well as ongoing references to contemporary and classical artists. Our aim is to grow your confidence in using charcoal and pencil, to make tonal drawings for example, as well as introducing you to inks, pastels, and black and white paint.

You’ll look at drawing in a different way as we encourage you to take a fresh and experimental approach in a variety of media. It’s a chance to broaden your horizons and take yourself in new directions as you move from small-scale observational drawing to larger-scale experimental work. Though what you create may not necessarily be an end in itself, it will certainly be a tool for thinking about and exploring ideas in the future.

Course Outcomes

This is your chance to explore the unique ambience of the city. We’ll make group expeditions into the heart of the capital and draw using a mixture of light sources, some artificial which is always an enjoyable challenge. For example, a shadow pointing one way may suddenly change direction and provide a whole new perspective. You will need to bring a good sketchbook with you. In the event of rain, we’ll move to concourses and museums.

You’ll learn how to create coherent drawings and in the process experience a broad mix of drawing media. You will also leave with confidence in your newfound or regained drawing ability. At the end of the course you may well decide to join another short course. Introduction to Drawing leads naturally to Painting or Life Drawing for example.

You will have produced a drawing over a sustained period of a few hours. You will understand the principles of observational drawing and be able to use line to produce a drawing of the figure. You will be able to produce quick sketches to describe the pose of a model, as well as make a drawing by using the method of checking angle and relative proportion.

You’ll leave with renewed interest in your own and others’ drawing practice. You’ll have improved your technical skills.

09 – 11 Jul 2012: 3 days, Mon – Wed 10 – 4pm 30 Jul – 1 Aug 2012: 3 days, Mon – Wed 11 – 5pm

02 – 05 Jul 2012: 4 days, Mon – Thu 10 – 4pm 06 – 09 Aug 2012: 4 days, Mon – Thu 11 – 5pm

23 – 25 Jul 2012: 3 days, Mon – Wed 10 – 4pm

30 Jul – 01 Aug 2012: 3 days, Mon – Wed 11 – 5pm

Beginner Chelsea, £310

Beginner Chelsea £395

Intermediate Chelsea, £310

Course Detail

Course Outcomes You’ll be able to draw a variety of buildings and urban scenes from observation with confidence, and to take in the ‘passing show’ of the urban scene, including the fashions, dramas and activity. You’ll be able to think for yourself and make decisions about your drawing.

Fine Art

Keep an eye on our website for Stage Two after the Summer! chelsea.arts.ac.uk/shortcourses

Introduction to Painting

Life Painting

Introduction to Drawing & Painting Stage One

Oil Painting

Who should attend

Those with little or no experience but an enthusiasm for working in paint. It may well encourage you if you’re thinking of applying for a longer-term course and will be a great starting point in creating a portfolio.

Anyone looking to develop their approach and gain greater confidence in drawing and painting the human form. You may be eager to add to your portfolio or you may be thinking about applying for further study. Or perhaps you just fancy trying something new.

Those hoping to gain a greater understanding of art. It would especially suit you if you’re keen to build experience or you’re thinking of applying for further study in drawing and painting.

Those who wish to develop the skills to express themselves through the medium of oil painting.

Course Detail

Whether you are new to oil painting or have some experience, this course will build your skills and confidence in the subject. We will throw light on the materials and processes involved, and have you working from still life right from the beginning. You’ll then be guided through interpreting your initial sketches and drawings, as well as organising them into a plan. We’ll also demonstrate painting techniques and you’ll be encouraged to practice from home between sessions if possible.

Course Detail Join us as we look at colour theory in detail and consider how it can be used to create interesting and vibrant studies in paint. Learn the tricks of the trade from a professional painter. You’ll have the opportunity to use and explore the different techniques used in watercolour, acrylic and oil paint and use these to achieve your desired painting outcome. Course Outcomes By the course’s end you’ll have produced a portfolio of work which demonstrates a range of different paint techniques and approaches. With your newfound colour, tone and composition knowledge, you will be able to develop and work independently. You’ll have enjoyed the opportunity to experiment and develop your work using a wide range of application processes.

Course Detail The human form is by far one of the most versatile and engaging subjects for any painter. On this course, you’ll respond through the medium of paint, learning to appreciate mass, form and application rather than sticking to notions of correct proportion. Your tutor will create themed stages for your models, surrounding them with elaborate fabrics and drapes or adding a period accessory to ignite your imagination. And rather than being limited to a minimal palette, you’ll be encouraged to develop your sense of colour. Advice and feedback will come in the form of individual guidance and group discussions. Course Outcomes You’ll have gained confidence about expressing yourself through the medium of paint. At the end of the course, you will leave with a portfolio of paintings and drawings which demonstrate your imaginative and focused exploration of the subject.

You can expect to develop a range of skills that will build into a visual language on this course. This will enable you to tackle areas such as colour theory, composition and observational drawing, as well as painting, monoprinting and collage. It will also see you experimenting with different media. Later on, you’ll work on your own compositions using techniques and ideas gained throughout the course. Although some basic materials are provided, it’s important you bring your own working kit. Course Outcomes

Course Detail

Course Outcomes

By the end of the course you’ll have created a body of work as a result of daily activities that have explored different painting and drawing approaches.

You’ll leave the course with a body of work and you’ll have more awareness of the diverse concepts and production of the generic process of painting. Many people move on to other visual arts courses, at intermediate or advanced levels.

24 – 27 Jul 2012: 4 days, Tue – Fri 10 – 4pm 28 – 31 Aug 2012: 4 days, Tue – Fri 10 – 4pm

13 – 16 Aug 2012: 4 days, Mon – Thu 10 – 4pm

09 – 13 Jul 2012: 5 days, Mon – Fri 10 – 4pm 20 – 24 Aug 2012: 5 days, Mon – Fri 10 – 4pm

09 – 12 Jul 2012: 4 days, Mon – Thu 10 – 4pm 30 Jul – 02 Aug 2012: 4 days, Mon – Thu 11 – 5pm

Beginner Chelsea £395

Beginner/Intermediate Chelsea £395

Beginner Chelsea, £460

Beginner/Intermediate Chelsea £375

Fine Art

Interested in Interior or Graphic Design? Revolutionise your practice with this Colour Workshop! See p. 12 and work out your Interior Design pathway.

Watercolour Painting

Colour Workshop

Experimental Drawing & Painting

Contemporary Painting

Who should attend

Ideal for those who’ve never painted before or who already have some experience of painting at home. Afterwards, you may choose to move on to a more advanced course.

Aimed at artists, architects, designers and anyone who has an interest in using colour in their work.

Those of you who feel stuck in your ways and would like the opportunity to experiment in an open studio. It could lead you on a new path or towards new ways of working, or encourage you to return to education.

Anyone with prior experience in Art & Design who is keen to express themselves and their ideas through the medium of painting.

Course Detail

The aim of each study session is to develop an eye for colour through observation and articulation, and a deeper understanding of its role as a visual tool. The workshop is, therefore, not about theory but increasing perception and visual sensitivity. Concentrating on the perceptual colour work of Joseph Albers, we will encourage you to experiment and deepen your understanding through studies and exercises. You’ll look at interaction, visual mixtures and how colour can create the impression of light. “In an age in which increased human sensibility has become such an obvious need in all areas of human involvement, colour sensitivity and awareness can constitute a major weapon against forces of insensitivity and brutalisation.” Joseph Albers.

Course Detail

Course Outcomes

You’ll leave with a renewed appetite for, and confidence in, your work thanks to your experiences and the benefit of other people’s points of view.

The course starts with the basics and helps you develop a range of useful technical skills. Your tutor will then show you plenty of visual examples to stimulate your ideas about style, colour and composition. Course Outcomes You’ll leave the course able to stretch paper, apply colour washes and use paint to bring out the full translucent quality of the watercolour medium. With practice, you’ll gain confidence in using your newfound skills at home.

Course Detail

You will leave the course with your awareness and perception of colour intensified, and with a greater understanding of its application. You’ll then be able to apply this knowledge to your own practice.

Develop your work in the creative, supportive environment that is one of Chelsea’s fine art studios. There’ll be a short workshop during each session, where you’ll be introduced to innovative approaches using a range of materials. These will also be opportunities to investigate fresh mediums and share ideas with the rest of the group. You won’t just improve your technique through practice but through guidance from your tutor. However it’s important to stress this is not a ‘directed’ course. Course Outcomes

Course Detail On this course you’ll enjoy the freedom to experiment with your painting and use a wide variety of materials, whilst benefiting from the active support and encouragement of a practicing visual artist. Although you’ll use mostly acrylic and oil paint to create a painting from still life in a free and experimental way, any other forms of staining or mark making are greatly encouraged. There’s plenty of time for group discussion and reflection, too, on topics ranging from drawing and form through to colour. We will also demonstrate canvas preparation, paint application, colour mixing and some of the essentials of the painting process. Attention will be given to individual skills and needs to help develop them. Course Outcomes You will have developed the confidence to formulate ideas and concepts, using a range of materials and mediums to create a successful painting from scratch. You will be ready to move on to further visual arts courses at intermediate or advanced level.

16 – 19 Jul 2012: 4 days, Mon – Thu 10 – 4pm 10 – 13 Sep 2012: 4 days, Mon – Thu 10 – 4pm

02 – 04 Jul 2012: 3 days, Mon – Wed 10 – 4pm

06 – 10 Aug 2012: 5 days, Mon – Fri 11 – 5pm

06 – 09 Aug 2012: 4 days, Mon – Thu 11 – 5pm

Beginner Chelsea £375

Beginner Chelsea, £310

Intermediate Chelsea, £460

Intermediate Chelsea, £350

Fine Art

3D, CERAMICS AND SCULPTURE

Not only will you explore the essential techniques for three-dimensional work on our 3D, Ceramics & Sculpture courses; you will also enjoy plenty of opportunities to express your true creative self. Carve yourself a niche.

Introduction to Sculpture

3D Workshop Design & Make

Who should attend

Anyone who is interested in learning more about sculpture and its influences. This course is an excellent foundation for those looking to study further in the subject area.

Students on other Art & Design courses, those looking to start building a portfolio of work and anyone with an urge to do something creative.

Course Detail This course will provide the opportunity to work alongside an experienced sculpture. We will begin each day with a visit to Tate Britain where we will explore 3 dimensional works from sculptural legends and this will provide the initial inspiration to experiment and create a sculpture of your own. You will learn methods including carving, modelling, casting and construction. Throughout the course we will discuss the sculptural movements from the prehistoric ages, to constructivism and pop art. This course will give you an insight to sculpture and allow you to be as traditional or modern as you dare. Course Outcomes At the end of the course you will have gained insight into the history and methods of sculpture. You will have created a range of sculptures based on works of known artists and gained valuable experience to develop your own sculptural practice.

Course Detail Under your tutor’s expert guidance, you’ll learn about a variety of making processes, all available in the 3D workshop facilities at Chelsea. We’ll explore the properties of a wide range of materials, including woods and plastics, so you can work out the most appropriate and practical solutions for your designs. We’ll also cover cutting and bending your materials, sticking and polishing plastic, and fixing and finishing wood. It’s a chance to share your ideas, and watch various techniques being demonstrated. Please bring an idea for a project but be aware there won’t be time to create substantial pieces of furniture. Course Outcomes You’ll leave with a greater understanding of a range of materials and the workshop machines and tools, as well as the ways in which they can be used. You’ll also have produced a small-scale 3D object or objects.

30 Jul – 02 Aug 2012: 4 days, Mon – Thu 11 – 5pm

16 – 19 Jul 2012: 4 days, Mon – Thu 10 – 4pm

Beginner Chelsea £435

Beginner Chelsea, £435

Fine Art

PHOTOGRAPHY

Now is your moment, so make sure you capture it on one of our Photography courses. Learn how to take better pictures or set up the perfect portrait.

Welding for Artists

Stone Carving Sculpture

Introduction to Photography

Getting the Most from Your Digital Camera

Who should attend

Any artist or student keen to explore the possibilities welding can bring to their art.

Anyone interested in 3D work who wants to get involved in either figurative or abstract sculpture.

Those who enjoy photography as a hobby or anyone keen to learn how to take better pictures.

Course Detail

Anyone with an interest in photography looking to gain a thorough understanding of the subject. You may be interested in studying photography further in the future.

We’ll begin the course with a short talk about the range of artistic work where welding is an important part of the process. Then we’ll talk you through and demonstrate the Stick and MIG welding machines, and it’s over to you. Basic materials will be provided; expect to get hands on with the equipment. Please note that we will not be able to cover large-scale sculptural pieces on this course due to the course timeframe.

Starting with plaster, you will familiarise yourself with the processes and tools needed to carve an initial form, before transferring these skills to stone. Using Henry Moore, a former head of sculpture at Chelsea College of Art & Design, as inspiration, you’ll develop your ideas of figure and form through the interaction of observation, drawing and sculpture.

Course Outcomes You will have an understanding of the possibilities welding can bring to art. You will have an appreciation of the techniques involved and have developed welding skills.

Course Outcomes By the course’s end, you’ll be able to make sculpture in stone and plaster and use a variety of tools to carve the initial form. You’ll also have a greater understanding of the medium, including a broader knowledge of the history and significance of English stone carving.

Course Detail On the course, you will gain a thorough overview of photography, and learn there really is no distinction between digital and analogue cameras. We’ll introduce you to photography’s historical, contextual and technical aspects. We’ll also demonstrate how to turn digital images into a set of negatives, which you will learn to develop in Camberwell College of Arts’ impressive darkroom facilities. Expect to be guided through the processes and techniques, and explore and manipulate your work to create a set of unique images. You’ll also have the opportunity to discuss and reference photographers and current exhibitions which will inspire and inform your work. Course Outcomes The course will give you the confidence and ability to gain control of your photographs and you’ll leave with a small portfolio of work. Moreover, you’ll understand how images are generated in a camera.

Course Detail This is definitely a ‘how-to’ course and you will leave with a number of newfound skills. Firstly, we’ll show you the best way to use camera functions and settings in different shooting situations. We’ll cover the basic rules and principles of photography including composition, aperture and shutter speed, and the use of different lenses and flash. You’ll learn how to put images into a computer, adjust colour and make some digital prints too. As well as receiving one-on-one support from your tutor, you’ll get involved in group discussions and group photo shoots, including portraiture. Course Outcomes You’ll leave with a greater understanding of a digital camera’s functions and settings. You’ll have produced a number of digital prints. You’ll be able to adapt settings for specific subject matter, locations and environments. You’ll be able to download images to a computer to manipulate the levels and colours.

03 – 06 Sep 2012: 4 days, Mon – Thu 10 – 4pm

09 – 11 Jul 2011 3 days, Mon – Wed 10 – 4pm 13 – 15 Aug 2012: 3 days, Mon – Wed 11 – 5pm

23 – 25 Jul 2012: 3 days, Mon – Wed 10 – 4pm 10 – 12 Sep 2012: 3 days, Mon – Wed 10 – 4pm

23 – 24 Jul 2012: 2 days, Mon – Tue 10 – 4pm 30 – 31 Aug 2012: 2 days, Thu – Fri 10 – 4pm

Beginner/Intermediate Camberwell £435

Beginner Chelsea £405

Beginner Camberwell £445

Beginner Chelsea, £295

Fine Art

Portrait Photography

The Art of Camera-less Photography

Who should attend

Anyone interested in taking photographs of the portrait, as well as developing photography skills. You may want to join us before taking other courses, in either photography or drawing and painting.

Anyone interested in generating photographic images without the use of a lens-based camera or experimenting with new ways of image creation. You may be an artist, designer, teacher or student.

Course Detail

We’ve covered all angles in this one-day workshop: portraits formal and informal, location and studio situations, and the range of light sources. We’ll also look at the equipment itself, including cameras and film. We’ll explore the different ways of photographing people by referencing artists and photographers. You’ll get hands on in the afternoon, using basic lighting to capture and create a variety of portraits representing different moods and feelings. At the end of the day, your tutor will provide you with valuable feedback on the work you’ve produced.

On this course in Camberwell College of Arts’ wellappointed darkrooms, you’ll learn how photographs can be created in their simplest form. With an emphasis on practical workshops, we’ll introduce you to the range of methods you can use to make photograms, including silver gelatin, liquid emulsion and the ironbased ‘cyanotype’ process. You ll explore the possibilities of different light sources to directly generate shadows on to light-sensitive surfaces. Each image will be individually created and revealed, and with the element of chance, you can never be sure exactly how it will turn out. We’ll make frequent reference to photographic history and contemporary practice throughout the course.

Course Outcomes You’ll leave with a range of portrait photographs representing different moods and feelings. You’ll also appreciate portrait photography in an art and design context. You will have photographed the portrait in a variety of locations.

Course Outcomes You’ll have generated a range of individual imagery with which to enhance your portfolio. In addition, you’ll have more understanding of photographic history and processes.

25 Jul 2012: 1 day, Wed 10 – 4pm

16 – 17 Jul 2012: 2 days, Mon – Tue 10 – 4pm

Beginner Chelsea £200

All levels Welcome Camberwell £325

Fine Art

This course uses specialist facilities at Camberwell College of Arts.

Picture Researching

Alternative Photographic Printing

Freelance Photography

Introduction to Photoshop for Photographers

Who should attend

Those involved in using images to illustrate and enhance text. Maybe you work for a publishing house or creative agency or are keen to break into picture research. Or you may work for a charity or other organization which regularly sources pictures.

Anyone with a fascination for early photography or the history of photography, including professional photographers searching for a different look for their images. This course would be particularly beneficial if you are working or studying conservation.

Anyone interested in making a living from photography, whether you’re starting out as a freelancer or you’ve been working for many years.

Those who are new to Photoshop and are keen to demystify the digital process. Those who have already used this versatile programme and are looking for a refresher are also welcome.

Course Detail

The role of a picture researcher is a complex one that’s changing as fast as the internet. On the course, we’ll look at everything from how to source images for a range of uses to the basics of negotiating reproduction and commissioning fees and authenticity. We will consider the role of the picture researcher in more detail and you’ll learn about the terms and conditions of image use, record-keeping, copyright law and model releases. In addition, there’ll be a practical exercise in writing and understanding photo briefs and researching images online.

You can expect a hands-on introduction to a range of early processes, including salt printing, cyanotype and egg albumen on this course. All yield a rich variety of colour, tone and detail but without the need for complicated technology. You’ll get involved in everything from weighing and mixing raw chemicals to selecting handmade papers. Please bring your own negatives and images to work on in class.

To build a successful career as a freelance photographer, you will not only need technical expertise but also an understanding of the industry. Attending this interactive, one-day session will help you take your photography business to the next level of professionalism. You’ll learn everything from how to research the market and obtain commissions, to how to make appointments with picture editors and buyers, and negotiate over price. We’ll also look at a range of legal issues, such as copyright, library sales and contracts, show you how to choose a picture library or agency and prepare a portfolio.

Course Outcomes

Course Detail

Course Detail You’ll be guided through the modification and transformation of images, learning how to optimise images and create montages. We’ll also cover uploading and scanning, as well as how to use Photoshop tools, layers, adjustment, filters and masks. Course Outcomes You’ll have built up knowledge about file types, resolution and printing, and will also leave the course having learnt how to optimise images and create montages.

Course Outcomes

You will leave with an understanding of the range of image sources and a basic appreciation of copyright law and other legal issues involved with the use of imagery in any form.

You’ll be able to recognise the major processes used in photography up until the present day, with the focus on the first thirty years. You’ll have created a range of prints using three historic processes. You’ll be aware of the relevant issues of health and safety surrounding the equipment. Many students go on to buy their own basic equipment to make their own prints.

06 – 06 Jul 2012: 1 day, Fri 10 – 5:30pm

03 – 05 Sept 2012: 3 days, Mon – Wed 10 – 4pm

13 Jul 2012: 1 day Fri 10:30 – 5:30pm

08 – 10 Aug 2012: 3 days, Wed – Fri 11 – 5pm

All levels welcome Chelsea £200

All levels welcome Camberwell, £445

All levels welcome Chelsea, £200

Beginner Chelsea £425

Course Outcomes

You’ll leave the course with a basic understanding of copyright law, contracts and commissions, and an overview of how this rapidly changing industry operates. The course will encourage you to take a more professional approach to your photography and dealings with clients.

Fine Art

E H T T IR GH SSION E R P M I

PRINTMAKING

However you plan to make your mark on the world, a little of our printmaking expertise could take you a long way.

Introduction to Printmaking

Screen Printing

Who should attend

Ideal for amateur or professional artists, both for beginners and those with a little printmaking experience. Would also appeal to students looking to enrol on accredited art courses.

You could be an artist or illustrator, about to start a longer course of study or have just left college and want to print some work. Ideal if you are planning a career as an artist, designer, print technician, studio helper, screen printer, teacher or workshop assistant.

Course Detail Enjoy hands-on opportunities to explore visual ideas via a variety of methods, including monoprinting, etching, relief printmaking and lithography. We’ll guide you as you experiment with your own ideas, and encourage you should you wish to concentrate on certain areas. If you really catch the printmaking bug and fancy developing further, why not try one of our other printmaking courses? The fact that it’s based in some of the best print studio facilities in the country is reason enough to join us on this course. Course Outcomes You’ll develop a body of printmaking work — a useful addition to any portfolio. You’ll gain a basic understanding of printmaking, enabling you to move on to more specialised printmaking courses. You’ll be able to differentiate between different kinds of print processes.

Course Detail Join us on this course and we’ll guide you through every stage of the technical process of hand printing on to paper. You’ll learn how to break images down into separations, combine stencils and overlay imagery to produce multicoloured designs. We’ll also demonstrate specialist inking techniques including flocking, glitter and inks. Our aim is playful interaction between the printmaker, the image and the process. So you can be certain of discovering new and exciting ways to express your ideas. Course Outcomes You’ll develop a small portfolio of work, demonstrating a broad mix of techniques and processes. This could consist of a T-shirt, large one-off print, large poster edition, and print on unusual media.

20 – 23 Aug 2012: 4 days, Mon – Thu 10 – 4pm

13 – 16 Aug 2012: 4 days, Mon – Thu 10 – 4pm

Beginner Camberwell £435

Fine Art

ART HISTORY AND THEORY

Whether you’re studying Art History and Theory for the sheer enjoyment of the subject or to inform your own work, our courses are certain to inspire.

Letterpress: Physical Typography

Introduction to Art History

The History of Art Stage One

Who should attend

Everyone from absolute beginners to advanced typographers. Anyone wanting to learn about the process of Letterpress printmaking, its relationship with typography, and how to communicate with type.

Anyone interested in seeing and learning about original artworks — their importance, history and connections with our national visual culture. It could lead you to further study or a career in art dealing, collecting or curating. Students from outside London may find it a useful introduction to the capital’s visual treasures.

Anyone interested in seeing and learning about original artworks from the period — their importance, history and connections with our national visual culture. It will appeal as much to those fascinated by architecture and design as painting or sculpture. The experience could lead to studying visual arts or a career in art dealing, collecting or curating.

Course Detail Until recently, the importance of the Letterpress as a typographical learning tool has often been overlooked, yet the process is currently enjoying a revival. This is your chance to attend a focussed course delivered in one of the best Letterpress Workshops in the UK, with a large range of metal and wood letter type. We’ll cover the core basics of Letterpress Printmaking and Typography, so you’ll gain a sound knowledge of these specialist areas. By exploring the use of type through the physicality of the Letterpress process, you’ll quickly get to grips with this sometimes daunting subject area.

Course Detail Join us on location at some of London greatest galleries for a journey through time. We will introduce you to the themes throughout history that have shaped our current art world. We will visit significant stages, ideas and movements that have inspired artists, for example, the Renaissance, Romanticism and Impressionism. We’ll also consider how art is perceived today. Above all, and most importantly, it will be a chance to enjoy original art up close. Course Outcomes

Course Outcomes

Course Detail On location at some of London’s leading galleries, we’ll take you through the rebellion, romance and tragedy of 18th and 19th century painting, sculpture and architecture. It will mean travelling from the early 1700s through the Pre-Raphaelites and Late Impressionism to the rise of Art Nouveau, all periods with artistic influence on contemporary life. Course Outcomes

You will leave the course with extensive knowledge of the London art world, enriching your experiences of the capital’s galleries. You’ll be aware of the research, education an archive facilities available in London.

You will leave the course with extensive knowledge of the London art world with regard to the period, enriching your experiences of the capital’s galleries. You will be aware of the research, education and archive facilities available in London.

20 – 24 Aug 2012: 5 days, Mon – Fri 10 – 4pm

25 – 28 Jun 2012: 4 days, Mon – Thu 10 – 4pm 30 Jul – 02 Aug 2012: 4 days, Mon – Thu 11 – 5pm

06 – 09 Aug 2012: 4 days, Mon – Thu 11 – 5pm

All levels welcome Camberwell £495

Beginner/Intermediate Chelsea (Off–site), £365

Beginner/Intermediate Chelsea (Off Site) £365

You’ll develop enhanced Letterpress and typographical knowledge and skills, useful in professional art and design environments. You’ll leave the course with a selection of printed typographic pieces for your portfolio.

Fine Art

PORTFOLIO COURSES The History of Art Stage Two

Critical Theory in Contemporary Art Practice

Who should attend

Anyone interested in seeing and learning about original modern artworks — their importance, history and connections with our national visual culture. It could lead to studying visual arts or a career in art dealing, collecting or curating.

Art graduates and practising artists keen to explore the theoretical aspects of their work or students interested in the critical evaluation of art. It may suit those wishing to apply for a postgraduate degree in art or to pursue a career in the arts sector.

Course Detail

Join us as we consider the ways artists respond to dramatic changes in society, from the 20th century’s start through two world wars to the present day. We’ll use original works from London’s galleries and the commercial art world to understand art movements from recent history, such as Futurism, Cubism, Surrealism and Minimalism. You’ll also explore the work of the younger generation, as well as London’s role as a contemporary art centre.

Through a series of lectures, tutorials and gallery visits, you’ll familiarise yourself with the key concepts and historical transformations underpinning 20th century art production. It’s a platform for you to develop and articulate your own ideas on the production and exhibition of art. We’ll also examine art practice from a theoretical perspective, and how it contributes to and challenges critical debates in the field. In addition, we’ll look at the way movements like feminism, postcolonialism, philosophy and psychoanalysis have affected contemporary art practice. You’ll also identify themes and practices relevant to your studio practice.

Course Outcomes You’ll leave with extensive knowledge of the London art world, enriching your experiences of the capital’s galleries. You’ll be aware of the research, education and archive facilities in London. You may wish to follow career or educational leads suggested on the course.

Course Outcomes You’ll be able to critically discuss and evaluate contemporary art in terms of its production and exhibition. You’ll be able to place your studio practice in context.

13 – 16 Aug 2012: 4 days, Tue – Fri 10 – 4pm

23 – 27 Jul 2012: 5 days, Mon – Fri 10 – 4pm 06 – 10 Aug 2012: 5 days, Mon – Fri 11 – 5pm

Beginner/Intermediate Chelsea (Off Site) £365

Intermediate Chelsea (Off–site), £445

So you’re on the verge of starting a Foundation, Degree or an MA? Our portfolio courses are perfect for getting you into the creative mindset before embarking on a longer period of study, not to mention giving you a fantastic introduction to three world-class Art & Design colleges. What better way to expand your mind and prepare for the exciting days of study ahead? 60

PORTFOLIO COURSES FOR 16–19 YR OLDS

Portfolio Preparation 18+

Pre-Foundation Portfolio Preparation

Pre-Foundation Drawing

Who should attend

Anyone interested in applying to a foundation or BA course or adding to a portfolio.

Any 16–19 year old student wanting to build up experience, portfolio work or their range of techniques. You may also want to apply for Art & Design study.

Those looking to experience the working methods and pace of a Foundation course before starting or applying for one. You may also be looking to build experience or work for your portfolio, or simply wish to improve your drawing skills.

PORTFOLIO COURSES FOR 18 -

Course Detail

On this course your aim will be creating work that will make an invaluable addition to your portfolio. Your starting point will be objective drawing. You’ll explore expressive possibilities across a range of media, including graphite, monoprint, collage, and graphic tools. In addition, your tutor will give you all-important tips on how to apply for full-time courses.

Your starting point will be objective drawing. You’ll then explore expressive possibilities across a range of media, including charcoal, paint, collage, graphic tools and 3D. You’ll aim to create a body of work for your portfolio and every day will cover new activities that explore different approaches to drawing. You will also receive invaluable tips on applying for full and part-time foundation courses.

Course Outcomes You’ll produce a body of work that will enhance your portfolio. You’ll be able to talk about your work with confidence. You’ll have improved your technical skills in a variety of areas. You’ll be able to generate ideas for new work and new ways of working.

Course Outcomes You’ll have an understanding of the foundation course environment and appreciate the approaches and methodology needed for this type of study. You’ll also add to your portfolio. Camberwell 25 – 30 Jun 2012: 5 days, Mon – Fri 10 – 4pm 30 – 03 Aug 2012: 5 days, Mon – Fri 11 – 5pm

Course Detail Drawing forms the fundamental vocabulary of your language as an artist or designer. This course will help you explore a whole range of media that can be used in drawing, as well as encouraging you to experiment with different drawing processes to express line, form and space. You’ll study various approaches in representation and abstraction, employing a range of techniques including collage and print. Course Outcomes By the end of the course, you’ll have developed a broader visual language and discovered fresh and individual ways to interpret and communicate ideas. You’ll also have added work to your portfolio.

Chelsea 02 – 06 Jul 2012: 5 days, Mon – Fri 10 – 4pm 16 – 20 Jul 2012: 5 days, Mon – Fri 10 – 4pm 23 – 27 Jul 2012: 5 days, Mon – Fri 10 – 4pm 06 – 10 Aug 2012: 5 days, Mon – Fri 11 – 5pm 20 – 24 Aug 2012: 5 days, Mon – Fri 10 – 4pm

16 – 20 Jul 2012: 5 days, Mon – Fri 10 – 4pm 23 – 27 Jul 2012: 5 days, Mon – Fri 10 – 4pm 30 Jul – 03 Aug 2012: 5 days, Mon – Fri 11 – 5pm 13 – 17 Aug 2012: 5 days, Mon – Fri 10 – 4pm Beginner/Intermediate Chelsea £405

Wimbledon 09 – 13 Jul 2012: 5 days, Mon – Fri 10 – 4pm

13 – 17 Aug 2012: 5 days, Mon – Fri 10 – 4pm

Beginner/Intermediate Choice of 3 locations, £405

Beginner/Intermediate Chelsea £405

Portfolio Courses

Pre-Foundation Painting

Pre-Foundation Graphic Design

Who should attend

Those who want to build up their experience or portfolio work in painting before starting or applying for a place on a Foundation course. Alternatively, you may just be looking to improve your skills.

Those intending to apply for Foundation courses who wish to create work for their portfolio and gain experience of the Foundation course environment.

Course Detail We’ll look at key areas such as colour mixing and the function of colour in painting, as well as the different ways to apply paint and prepare surfaces. You’ll also investigate painting as a visual language, working from a variety of approaches to develop your own vocabulary. Our course emphasis is contemporary painting and we’ll be making a group, tutor-led visit to one of London’s major galleries. Course Outcomes By the end of the course, you’ll have more knowledge of the technical and creative approaches in painting. You’ll also have first-hand experience of the Foundation course environment, along with a much-enhanced portfolio.

Course Detail Graphic design requires skills which include visualisation techniques, drawing, typography, photography, and analytical/imaginative thinking. On this course, you’ll develop your manual and technical skills, along with your visual sensitivity, to create images for graphic communication. We’ll encourage you to investigate a variety of different solutions to the project brief we set you. You’ll learn to develop your ideas through brainstorming and visual research, and finally present your design solutions to the rest of the group. Course Outcomes You’ll leave with much-enhanced manual and technical skills, along with the satisfaction of knowing you’ve answered a brief and developed a graphic-design solution. You’ll also have received many useful tips on applying for Foundation.

06 – 10 Aug 2012: 5 days, Mon – Fri 11 – 5pm

09 – 13 Jul 2012: 5 days, Mon – Fri 10 – 4pm

Beginner/Intermediate Chelsea £405

Portfolio Courses

PORTFOLIO COURSES FOR 11–15 YR OLDS

CURATING

Contemporary Art & Design Workshop for 11–15 Year Olds Who should attend Anyone between 11 and 15 who wants to learn about the artistic process, from generating ideas to hanging an exhibition. It’s ideal if you want to add some work to your GCSE portfolio or just explore your flair and creativity. Course Detail On this course, you’ll explore the process of making artwork, including drawing, painting and sculpting techniques, with a practising artist. To inspire us, we will look at modern artists’ work, making visits to Tate Britain. We’ll also investigate scale and the impact of creating work in different sizes and formats. In the second half of the week, you’ll develop your own project with your tutor and on the final day present your work in a group exhibition. Course Outcomes You’ll have made new work individually and in groups and have explored some contemporary techniques and processes. The planning skills you’ll have developed in using a sketchbook and helping put together an exhibition can be transferred to organising a portfolio and writing about your work.

16 – 20 Jul 2012: 5 days, Mon – Fri 10 – 4pm 13 – 17 Aug 2012: 5 days, Mon – Fri 10 – 4pm

Art forms in their own right. These courses will see you get hands on experience and you’ll also develop theoretical aptitude aplenty.

Beginner Chelsea, £405

CURATING

It’s fast becoming an art form in its own right and these courses will see you learning your curating skills hands on. You will also develop theoretical aptitude aplenty.

Introduction to Curating Contemporary Art Exhibitions

Collecting Contemporary Art

Who should attend

Anyone with an interest in curating exhibitions of contemporary art. You may be looking to make proposals to venues, apply for gallery internships, follow a career in arts administration or apply for a BA or MA degree in Curating.

Collectors or those considering starting a contemporary art collection. It could lead you on a career path to curating, arts administration or gallery management.

Course Detail

On this course you’ll discuss and assess the value of art with dealers, curators and artists through visits to galleries and access to corporate and public collections and consultancies. It’s an exciting opportunity for theoretical investigation, as well as getting plenty of practical advice on collecting contemporary art. We’ll explore the logic of the art market and what drives this peculiar economy. We’ll also look at strategies for identifying emerging artists and building a unique collection of contemporary art.

We’ll get this five-day course off to a start by giving you an overview of 21st century curatorial developments. Then move on to building your practical skills by encouraging you to devise exhibition themes and proposals in a group. As you prepare your final presentation, you’ll consider everything from funding to PR. You’ll also have the opportunity to share your ideas with professional curators from London galleries. Don’t miss your chance to gain valuable and practical insights into curating contemporary art, in both gallery and alternative spaces. Course Outcomes You will be able to create and finish a comprehensive proposal for your own planned curatorial project, as well as organise an exhibition. It could mean moving on to curatorial projects, assistantships, partnerships or internships in the future.

Portfolio Courses

Course Detail

Course Outcomes You’ll be able to critically discuss and evaluate art. What’s more, you’ll have identified your own areas of interest and goals within contemporary art practice and be aware of key artists and movements.

09 – 13 Jul 2012: 5 days, Mon – Fri 10 – 4pm 06 – 10 Aug 2012: 5 days, Mon – Fri 11 – 5pm 10 – 14 Sept 2012: 5 days, Mon – Fri 10 – 4pm

01 – 03 Aug 2012: 3 days, Wed – Fri 11 – 5pm

Intermediate Chelsea (Off–site), £445

Beginner Chelsea, £350

Curating

FASHION & TEXTILES Art Handling & Installation

Who should attend Those working in museums and galleries, including front-of-house staff who are often asked to help with art handling and installation. It’ll also appeal to artists and students exploring an area of interest. Course Detail On this stimulating course, we’ll show you how to use a range of hanging systems. You’ll prepare several paintings for hanging and, crucially, learn how to avoid damaging frames and canvases. We’ll take you through the dos and don’ts of packing, moving and installing art, and get you crating works yourself. We’ll also guide you through the maths of spacing and measuring up, and familiarise you with filling in forms including loan agreements and condition and facilities reports. Expect to handle, hang and install using a variety of tools and fixing methods. Course Outcomes At the course’s end, you will have the confidence and skills to hang a small exhibition. You’ll know how to avoid causing damage to canvases and be aware of the correct procedures for packing, moving and installing art works.

04 – 06 Jul 2012: 3 days, Wed – Fri 10 – 4pm 13 – 15 Aug 2012: 3 days, Mon – Wed 10 – 4pm

Whether design, dyeing or printing fabric is your thing, you’ll find a course that’s just right for you here.

Beginner Chelsea, £350

ABOVE CUT A

FASHION DESIGN

Interested in fashioning a career for yourself in this exciting area, or building on skills you already have? We have a stunning collection of courses on offer.

Introduction to Fashion Illustration

Digital Pattern Design & Print

Who should attend

Those with a general interest in fashion and illustration, including anyone considering a fashion career. You may also be fashion student keen to develop your illustration skills.

Anyone looking for a fast-paced introduction to the digital textile-design process. You may go on to create your own designs or apply for other course.

Course Detail In this overview of the role of the fashion illustrator within the fashion industry, we will introduce you to all the techniques and forms of illustration. We’ll cover every aspect of the subject, everything from drawing from the life model, through creating and using figure templates and stylised fashion illustrations to the history of fashion illustration. You will also learn about technical drawings and the representation of fabric and texture. There’ll then be the chance to apply the techniques used for fashion drawing, using the various media.

A CUT ABOVE

Course Outcomes You will end the course having produced a range of fashion illustrations using a variety of hand rendered media and techniques. You’ll also have developed an understanding of fashion illustration’s place and purpose in the industry.

Course Detail We’ll cover all the skills you need to get you started. So you’ll be looking at basic image editing, drawing and textile design techniques, including generating pattern-repeating design. Focusing on learning about the digital print production possibilities of Adobe Photoshop and Adobe Illustrator, with a possibility of experiencing the physical print process. Please consider visual influences before the course and bring examples of websites, magazine cuttings and photographs. Course Outcomes You’ll leave the course with the ability to create pattern repeats in Adobe Illustrator and Photoshop. After printing your designs onto fabric you will leave with greater knowledge of the processes and possibilities of digital printing.

16 – 19 Jul 2012: 4 days, Mon – Thu 10 – 4pm 06 – 09 Aug 2012: 4 days, Mon – Thu 11 – 5pm

23 – 27 Jul 2012: 5 days, Mon – Fri 10 – 4pm 10 – 14 Sept 2012: 5 days, Mon – Fri 10 – 4pm

Beginner/Intermediate Chelsea, £395

Beginner/Intermediate Chelsea, £525

Fashion & Textiles

JEWELLERY

Whatever your reason for enrolling on a Jewellery course — pursuing a hobby or adding a skill to your professional repertoire — you’ll be making something truly beautiful.

Fashion Jewellery

Who should attend Those of you interested in making basic jewellery as a leisure pursuit or who wish to take your student or professional work to a higher level, for example accessorise your costume or fashion designs. You may consider applying for other short or longer-term courses afterwards or see this as your first step towards creating a business. Course Detail Prepare to get hands-on as you learn to make truly original pieces using a combination of materials and techniques. You’ll be stringing and wire-wrapping and working your way through an assortment of tools. Whether earrings, bracelets, necklaces and rings, you will incorporate beads, chains, charms, recycled objects and any other finds into your designs. We’ll also set projects and ask you to complete homework. It’s a chance to gain a good grounding in jewellery making. Afterwards, you will be ready to move on to advanced courses or workshops. Course Outcomes You will have mastered a range of basic jewellerymaking tools and techniques and have necklace, earring and bracelet samples to take home with you.

23 – 26 Jul 2012: 4 days, Mon – Thu 10 – 4pm Beginner/Intermediate Chelsea, £395

Fashion & Textiles

TEXTILES

Open your mind to the multicoloured, multi-textured possibilities of textiles. Whether dyeing, printing, sewing or designing’s your thing, you’ll find a course for you here.

Introduction to Textile Print Design

Textile Design & Print Workshop

Who should attend

Anyone interested in learning a new craft, whether for a hobby or because you’re an artist looking to diversify or add to your skills. It could lead you to full or parttime studies in another aspect of textile design.

Anyone interested in a career in textile design. Or you could be a designer looking to develop your skills and add to your portfolio.

Course Detail

Throughout the course how you’ll learn how to transform your own drawn or found images into a motif & design for print, so please bring the items with you to form the basis of your designs. We’ll demonstrate a mix of techniques, including monoprinting and screen printing. You will also have the opportunity to experiment with a range of printing techniques, including devoré, discharge, pigment, flock & foil, stencil and transfer (using a heat press).

On this fabric design for fashion and furnishing workshop, we’ll guide you in interpreting your ideas and translating your designs into print. You’ll experiment with a range of techniques to produce a sophisticated textile design, and ultimately screen-printed and or dyed textiles. Our methods will include devoré, cross-dyeing, colour discharge, metallic binders and heat transfer. And you’ll also produce samples including repeats, borders, stripes, non-directional allovers, half drops and placements.

Course Outcomes

You’ll leave with a range of printed samples of your dye and print experiments and at least one piece of work you have designed and printed yourself, for example scarves, cushion covers and T-shirts. You’ll also know how to take the next steps, namely how and where you can continue print designing.

You will leave having completed a repeated length of fabric, a roll of wallpaper, placement-printed garments or pieces of fabric for home furnishings or fashion accessories. You’ll also be able to use printroom facilities, including the transfer press-dye vats and screen exposure unit. Added to which, you’ll have an appreciation of colour, print techniques and dyes, and know how to mix colours in a number of different mediums.

09 – 12 Jul 2012: 4 days, Mon – Thu 10 – 4pm

10 – 13 Sep 2012: 4 days, Mon – Thu 10 – 4pm

Beginner Chelsea £435

Beginner/Intermediate Chelsea £435

Fashion & Textiles

THEATRE, FILM & COSTUME

Are you over 18 and want to improve your portfolio? See p. 62 Portfolio Preparation 18+

Sustainable Textiles

Knitting, Crochet and Macramé

Who should attend

Textile or fashion designers who want extra training on sustainable design concepts. It will also suit interior designers and anyone with a general interest in the subject.

Anyone interested in learning constructed textile techniques. It may well suit you if you want to enhance your portfolio before applying for a BA or MA course.

Course Detail

Environmental issues play an increasingly important role in the textile industry, so we’ve designed this course as an overview of current sustainable fashion and textile design, and an introduction to sustainable dye and print techniques. Mornings will feature seminars where we’ll consider key concepts and theories, and the afternoon will involve hands-on exploration through practical work in the print and dye labs. Techniques you will learn include natural dyeing, flocking & foiling and screen printing with stencils. Your course tutor, Clara Vuletich, is a renowned printed textile designer and sustainable design researcher.

On this course you’ll use materials both conventional and out of the ordinary to produce a range of innovative 2D and 3D textile samples. Opening your mind to the possibilities of constructed textiles, we’ll look at colour, form, shape and texture, and experiment with scale. We’ll also consider constructed textile pieces by contemporary designers and encourage you to develop a visual diary. Please bring unconventional yarns and materials to experiment with to class.

Course Outcomes You’ll leave with an understanding of the latest thinking in sustainable textile and fashion design. What’s more, you’ll take away samples of the dyeing and printing experiments, not to mention resource sheets containing reading lists and key texts and web links. You’ll also be encouraged to apply the ideas you’ve learnt to your own practice.

Course Outcomes Your awareness of the wide range of yarns and materials available will add interest to your future knitting projects. You will have developed technical skills in techniques such as macramé, crochet and hand knitting. You’ll leave with some constructed textile samples for use in design or art.

03 – 06 Sep 2012: 4 days, Mon – Thu 10 – 4pm

30 Jul – 02 Aug 2012: 4 days, Mon – Thu 11 – 5pm

All levels Welcome Chelsea £435

Beginner Chelsea £395

Perhaps you’d like to learn how to bring a text to life through set or costume design? Or maybe bring a digital character to life. All the world is a stage — get designing it... 78

THEATRE DESIGN AND COSTUME

Perhaps you’d like to learn how to bring a text to life through costume design? Or maybe go even more specialist than that and make a corset from scratch. The world is your stage.

Costume & Set Design for Film & Theatre

Digital Set Design

Corset Making

Period & Theatrical Hat Making

Who should attend

Ideal if you’re thinking about a future in costume or set design for theatre or film.

Students or professionals working in set or production design who want to learn how to use Vectorworks to digitise their practice.

Perfect for fashion students and anyone fascinated by corsets contemporary and period.

Anyone looking for a practical introduction to the basic methods and techniques of period and theatrical millinery, and the interpretation of hat design for film and theatre production.

Course Detail You’ll learn how to extract key information from a prechosen text, then use it to develop ideas and designs that bring the characters and settings to life. The course will be an opportunity for individual research and tutorial discussions. We will also set you a brief, which you’ll answer by producing a range of costume and set designs.

Course Detail Vectorworks is used to create digital plans, sections and elevations. And on this course, we’ll familiarise you with the Vectorworks interface, along with 2D tools, organisational systems and preparation of graphics for print. We encourage you to bring along your own hand drawn plans to work from.

Course Detail This is a fantastic opportunity to make a basic non-period corset, learning the process from start to finish. Beginning by drafting a corset pattern, or block, you’ll then move on to making up and fitting the toile. You’ll follow this by putting together the whole garment, carrying out the final fitting and then completing the piece. If you already have corset making experience, we’ll show you how to draft a modern corset block and manipulate it into a period pattern.

Course Detail The course covers the construction of historical hat making up to the 20th century. Following on from the basic techniques of sewing straw plait, you’ll learn how to cut a pattern and make up a 19th-century bonnet or hat. If you’ve a little more experience, you’ll move on to making hats from original shapes which you haven’t tackled before. Your tutor, Jane Smith, has worked as a milliner for film, television and theatre for the past 39 years, on movies including Pirates of the Caribbean II and III, and The Other Boleyn Girl.

Course Outcomes

You will have created a scale model supported by sketches and illustrations. You’ll leave the course with a body of work comprising costume and set design that reflects your experience of answering project briefs. Your improved portfolio will reflect your newfound ability to take the key points from a text and use them to bring characters and their settings to life.

By the end of the course, you’ll have a comprehensive knowledge of how Vectorworks is used to produce draughts and 2D graphics.

20 – 23 Aug 2012: 4 days, Mon – Thu 10 – 4pm

6 – 7 Aug 2012: 2 days, Mon – Tue, 10 – 4pm

09 – 12 Jul 2012: 4 days, Mon – Thu 10 – 4pm 20 – 23 Aug 2012: 4 days, Mon – Thu 10 – 4pm

20 – 23 Aug 2012: 4 days, Mon – Thu 10 – 4pm

Beginner Wimbledon 405

Beginner Chelsea, £325

Beginner/Intermediate Wimbledon, £410

Beginner/Intermediate Wimbledon £410

Course Outcomes You will create a basic non-period corset, learning all the associated skills along the way. If you already have some corset making knowledge you will make a period corset.

Course Outcomes By the end of the course, you’ll be able to measure, cut, sew and make patterns to construct a historic hat. You’ll also leave with knowledge and experience of the basic methods and techniques of theatrical millinery, along with at least one finished piece.

Theatre, Film & Costume

See p. 25 and p. 49 for more 3DS Max based courses.

Digital Character Design & Animation

3D Studio Max – Visual Effects Animation

Who should attend

Those already familiar with 3DS Max who want to design, model, rig and animate a character. Students must bring their own laptops.

Graphics professionals eager to learn how to create visual effects animation in 3DS Max.You’ll likely work in a field such as video games, film, television, interior design and architecture. You should have a basic knowledge of 3D digital software. Students must bring their own laptops.

Course Detail

PREPARE

YOU’LL

LATER

We’ll cover a number of areas on the course. Staring with anatomy, we’ll look at proportion and the bony landmarks of the skeleton, along with the interaction of the different muscle groups. We’ll also consider how to use hierarchies, constraints, morph targets and the Character Animation Toolkit (CAT) system, as well as rig a character using bones. You’ll learn how to bind meshes to bones and the CAT system, as well as resolve spiking and other common skinning issues. Lastly, you’ll discover what makes a strong pose or contrasting poses, and how to make fluid, realistically weighted animation. Course Outcomes You’ll come away having learnt how human anatomy informs character design and motion. You’ll be able to rig a character using bones and have learnt traditional animation techniques to help create fluid well posed character animation.

Course Detail We’ll look at a number of areas on this course. We’ll cover animation dynamics Reactor© in 3DS Max, and you’ll create complex animations, collisions, cloth and fabric animation and rigged car systems. We’ll look at Standard Particle systems, including super spray, snow, blizzard, meta particles (simple liquid) and particle array. Then you’ll create custom-made particle systems using the 3DS Max powerful Particle Flow (pflow) system. In addition, we’ll work on hair, fur and material-based visual effects, including mental ray shaders, and create environmental elements such as fog, fire, surface water and smoke. Course Outcomes You will leave with an in-depth understanding of 3DS Max special effects systems, able to create real-world effects. You’ll also have mastered animation dynamics and collision-based animation.

13 – 17 Aug 2012: 5 days, Mon – Fri 10 – 4pm

30 Jul – 03 Aug 2012: 5 days, Mon – Fri 11 – 5pm

Intermediate Chelsea, £630

Beginner/Intermediate Chelsea, £630

Theatre, Film & Costume

INTERNATIONAL STUDENTS Orientation Courses

Study Abroad Summer Schools

Orientation courses are exciting opportunities for international students. Each course prepares you for your long-term period of study and includes tutorials, studio-based projects and research trips.

Summer 2012 sees the launch of a new range of Study Abroad Summer Schools:

Orientation to Foundation: Camberwell, Chelsea & Wimbledon Orientation to BA: Camberwell, Chelsea & Wimbledon Orientation to MA: Camberwell, Chelsea & Wimbledon Orientation to Interior Design: Chelsea â&#x20AC;&#x201C; Introduction to Drawing, Model Making and Digital Imaging Orientation Courses Office www.chelsea.arts.ac.uk/shortcourses T: +44 (0)20 7514 6314 E: ccworientation@arts.ac.uk Study Abroad Programmes Students from all around the world study at Camberwell, Chelsea and Wimbledon Colleges of Art & Design. But while some enrol on full-time courses others, by necessity enjoy briefer visits. At CCW we offer Study Abroad Courses of varying lengths to accommodate different study modes. Semester Study Abroad Programmes Our Semester Study Abroad programme is aimed at Undergraduates looking for a supportive study abroad programme. The following courses are available at CCW: London Contemporary Art Theory Camberwell College of Arts Graphic Design Communication Part of the London Design Programme at Chelsea College of Art and Design Interior & Spatial Design Part of the London Design Programme at Chelsea College of Art and Design

Practical Information

Camberwell College of Arts: !"#$%&'()$*+*,"-*&"./'$*, !"#$%0'*1+&2$% !"32%'"-*&"4&562'0"2%"7$%6$% !"8/$&$9*+)/,

London / Barcelona: !"#$%&'()$*+*,".,)$9*+)/2>":'029% !"=*+)/2>":'029%"F"I205+;"#$((5%2>+&2$%"2%"7$%6$% !"4'&":'029%"D$*"4&+9'"+%6"4>*''%J Short Course Office www.chelsea.arts.ac.uk/shortcourses T: +44 (0)20 7514 2104 E: ccwshortcourses@arts.ac.uk

Chelsea College of Art & Design: !":292&+;".'<&2;'":'029% !"=*+)/2>":'029%"#$((5%2>+&2$% !"?%&'*2$*"4)+&2+;":'029% !"7$%6$%"#$%&'()$*+*,"-*&"4&562'0 Wimbledon College of Art: !"#$%&'()$*+*,"4>5;)&5*' !":*+@2%9A"7$>+&2$%B"7+%60>+)'"C"#5;&5*+;"#$%&'<& !"./'+&*'"C"4>*''%A"#$0&5('":'029% !"./'+&*'"C"4>*''%A"4'&":'029% Study Abroad Office www.chelsea.arts.ac.uk/courses/studyabroad T: +44 (0)20 7514 2249 E: studyabroad@chelsea.arts.ac.uk Dual City Programmes A new programme of dual city summer schools will be available for summer 2012. Study in London and Barcelona or London and Milan. The Dual City Summer programmes are a range of practical design courses than commence in London at Chelsea College of Art & Design and end in either; Milan, or Barcelona. Our partners in these programmes are all colleges with outstanding reputations based in cities famous for their culture and creativity. These unique courses are the perfect opportunity for you to develop your skills whilst exploring all that Europe has to offer.

Integrated Study Abroad Programmes International Students can also study on many of the degree programmes for one or more semesters as independent students. For more information visit www.arts.ac.uk/studyabroad English Plus Programmes English Plus combines five sessions of English language tuition at the Language Centre with two sessions of a practical college option each week. Choose from the following: !":292&+;"8/$&$9*+)/,A"#+(K'*@';; !"-*&"C":'029%A"#/';0'+ !":292&+;"=*+)/2>":'029%A"#/';0'+ !"?%&*$65>&2$%"&$"?%&'*2$*":'029%A"#/';0'+ !"-61+%>'6"?%&'*2$*":'029%A"#/';0'+ !"L+*H'&2%9"C"#$((5%2>+&2$%A"#/';0'+ !"32;(ML+H2%9A"#+(K'*@';; !":'029%2%9"+%6"L+H2%9"N:"-*&A"#+(K'*@';; The Language Centre The Language Centre at University of the Arts London offers international students a range of courses. For further information and full course descriptions, please contact the office directly: The Language Centre www.arts.ac.uk/languagecentre T: +44 (0)20 7514 2309 E: language-centre@arts.ac.uk

London / Milan Courses: !"./'"8*2%>2);'0"$D"?%&'*2$*":'029% !"#$(('*>2+;"?%&'*2$*":'029% !"-"E$5*%',"&/*$59/"&/'"7$%6$%":'029%"7+%60>+)'"F" Architecture to Interior Design. !"./'+&*'"#$0&5('"G$*H0/$)

Fees The course fees stated apply to both UK and international students. When making your booking please include your contact details in the UK. Please read the booking terms and conditions carefully before booking your course. Language All our courses are taught in English. We expect students to have a good understanding of both spoken and written English. As a guideline, students should have achieved IELTS level 4.5 or above. Please note, this does not apply to English Plus courses. Student Visitor Visa Students who book on to Short Courses are not always eligible for a student visitor visa. We strongly recommend you contact the British Embassy in your own country before booking a course. If your visa application is declined you may not be entitled to a transfer or refund. If you have any concerns please contact: Short Course Office www.arts.ac.uk/international T: +44 (0)20 7514 2104

BOOKING AND COURSE INFORMATION For extra courses and dates throughout the year please check our websites. Booking a Course We advise that you book your course at least one month before the commencement date. Please use the following methods: — Online: www.chelsea.arts.ac.uk/shortcourses — By Post: Short Course Office Chelsea College of Art & Design 16 John Islip St London SW1P 4JU — By Fax: +44 (0)20 7514 6315 — In person: At the above address Mon to Fri from 9am to 5pm. Please allow 48 hours before the start date of the course and note the terms and conditions in relation to payment methods. We recommend booking at least 2 weeks before the course to avoid disappointment. The booking form and booking conditions can be found at the back of the brochure or can be down loaded from the web. Discounts If you make a booking for several courses at one time, where the total is between £1500 and £2500 you will be eligible for a 5% discount. If you make a booking for several courses at one time, where the total exceeds £2500 you’ll be eligible for a 10% discount. These discounts exclude Interior Design modular courses. UAL and Alumni Students University of the Arts London alumni and current students are eligible to a 10% discount on scheduled courses. Current students must attach a photocopy of their student card to the booking form. Graduates must attach a photocopy of their alumni card or certificate to claim the discount. At time of print discounts cannot be processed through the website, please contact the Short Course Office for further information. This excludes Interior Design modular courses.

Materials The course fee includes basic materials but you’ll be asked to bring additional materials to your first lesson. Material lists can be found online, see the materials tab on the relevant course description page. Alternatively, call the Short Course office on: +44 (0)20 7514 6311 for details. Each College shop stocks an extensive range of art and design materials. The standard opening hours are 10 am to 5 pm, however these vary during weekends and holidays. Please contact the shop directly to confirm opening hours. Camberwell: +44 (0)20 7514 6361 Chelsea: +44 (0)20 7514 7767 Wimbledon: +44 (0)20 7514 9668 Accommodation If you are attending one of our courses during July or August you may wish to stay in one of the Halls of Residence managed by University of the Arts London. If you would like more information, please contact the Housing department to ask about summer lets: T: +44 (0)20 7514 6240 www.arts.ac.uk/housing

Funding Regrettably, we do not offer any concessions on our Short Courses. For advice on funding please contact any of the following: Student Advice and Funding University of the Arts London 272 High Holborn, WC1V 7EY T: +44 (0)20 7514 6900

BOOKING FORM

Short Courses at Camberwell College of Arts, Chelsea College of Art & Design and Wimbledon College of Art

Course Details

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Professional and Career Development Loans T: +44 (0)800 100 900 www.lifelonglearning.co.uk

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Family Action Educational Grants Programme T: +44 (0)20 7241 7459 E: egas.enquiry@family-action.org.uk www.family-action.org.uk Diversity Statement We aim to provide an educational experience which is positive and inclusive. We do not discriminate on grounds of gender, race, colour, ethnic origin, disability, class, creed, nationality, marital status, sexual orientation, age or religious beliefs.

For alternative accommodation options visit the official London Tourist board web: www.visitlondon.co.uk

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Card payment details posted or faxed to the Short Course Office are sent at the students own risk. Neither London Artscom Limited nor the College accepts responsibility for payment details until received at the central Short Course office at Chelsea College of Art & Design. Where did you hear about the course? Attended another Short Course Hotcourses University Staff Member Website: Camberwell College of Arts Website: Chelsea College of Art & Design Website: Wimbledon College of Art Word of mouth recommendation Magazine Newspaper advert Other Return the completed form with payment to:

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Short Course Office Chelsea College of Art & Design 16 John Islip St London SW1P 4JU

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1.1.2 Please check that the details in these terms and on the booking form are complete and accurate before you commit yourself to the contract. If you think that there is a mistake, please make sure that you ask us to confirm any changes in writing, as we only accept responsibility for statements and representations made in writing by our authorised employees and agents. 1.1.3 Please ensure that you read and understand these terms before you sign and submit the booking form, because you will be bound by the Terms once a contract comes into existence between us, in accordance accordance with clause 1.4. If any of these terms are inconsistent with any term of the booking form, the booking form shall prevail.

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Cardholder’s signature

What happens next Once we have received your application and payment, you will be booked onto your course and will receive correspondence by email that will confirm your booking. While we endeavour to run all Short Courses, please note that some courses may not run at the scheduled time. We strongly recommend that you do not buy materials or book travel or accommodation to London until at least 14 days before the start of your course and know the course is confirmed.

1 Basis of agreement 1.1.1 We consider these terms and the booking form to set out the whole agreement between you and us for the provision of the courses. These terms only apply to our contracts with consumers.

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Start date

2.2 All fees stated are inclusive of VAT.

2 2.1

Fees Full payment of the course fees must be received prior to commencement of the course. Your place on the course cannot be guaranteed until full payment is received.

4 4.1

Minimum age requirement We cannot accept bookings from students under 18 years of age except for on those courses specifically listed as being for younger age groups. You confirm that you are 18 years of age or over. If this proves to be incorrect we may terminate our agreement with you. Methods of payment Fees can be paid by credit or debit card by post, fax or online. Payment by cheque is also accepted except in the two weeks prior to the course’s start date. Please make all cheques payable to London Artscom Limited.

4.2 Fees can be paid by cash if payment is made in person at the office. 4.3 Payment by bank electronic transfer banker’s draft or a payment which is sent for collection are accepted for UK and overseas residents. Please add £30 to your fee for the additional bank charges to be made to us and provide us with the transaction reference number. Our bank details are available on request. 4.4 If your company or organisation is paying for the course fees and would prefer to be invoiced, please write to us on your company’s headed paper and send a company purchase order with your booking form. Payment is required within 30 days of the date of the invoice or as specified. Your place on the course course is not confirmed until full payment has been received. 5 5.1

Payment by cash If you wish to pay for your course in cash, and the amount is over £500, you will be required to provide photo ID at the time of booking. This ID should be either a driving licence or passport, which we will photocopy and attach a copy to your booking form.

5.2 If you subsequently require a refund (under the terms of our booking conditions, points 8 & 9) you will need to bring the same photographic ID to collect the cash refund. This will be checked against the original ID provided before any cash is refunded. Please note that cash refunds can only be collected on weekdays between 10am and 4pm. 6 6.1

Late applications If there are places available on a course we will accept bookings right up until the course commences.

6.2 If you apply within five working days of the course commencing, we cannot guarantee that your booking confirmation will reach you prior to the start of the course. 6.3 Late applicants will usually have their place on the course confirmed confirmed by telephone or email. If, however, you have not received confirmation within 24 hours of your application it is your responsibility to check the status of your booking. This can be done by contacting the Short Course Office. 7 7.1

Overseas applications As we may need to contact you in the two weeks prior to the course start date, please ensure you include your contact details in the UK when making your booking.

7.2 Please ensure that your place is confirmed and the course is running before you make any travel arrangements. We are not liable for travel or accommodation costs in accordance with Clause 10.4. 7.3 Fees are payable in GBP and in the event of a refund, you will be refunded in GBP. London Artscom Limited will not be liable for any losses incurred as a result of currency fluctuations or exchanges. 8 8.1

Visas If you do not hold a UK/EU/EEA passport you will need a visa that

Booking Terms and Conditions continued.

allows you to study here in order to take one of our courses. For info please see the Home Office website at www.ukvisas.gov.uk. It is your responsibility to determine how far in advance you need to apply for a visa, and to allow sufficient time to obtain a visa. We will not allow you to join the course if you do not have a visa that allows you to study, and in these circumstances, you will not be eligible for any refund of your course fees.

entitled to a refund of the course fees, less an administrative charge of £30 to cover our costs. (9.2.2) Where you cancel your place on a course more than 7 days after the Contract Date but within one month of the course start date you will not be entitled to any refund unless a replacement student can be found for your place. If a replacement student is found you’ll be entitled to a refund of the course fees, less an administrative charge of £30.

8.2 If you cannot attend a course because you have not obtained a visa to enter the UK no refund will be offered although we’ll offer you a transfer (subject to the conditions contained in condition 12) if your visa is delayed.

9.3 If you have booked a course within one month of its start date conditions 9.2.1 and 9.2.2 will apply.

8.3 You will need to present your passport, including visa, to the office at least 2 working days in advance of the start of your course. In other words, if your course starts on a Monday, you must present yourself by the Thursday before. 9 9.1

Cancellations by you Where you are an individual not a company and you book your course otherwise than in person, you have the right to cancel your booking within 7 days starting on the day after the contract between us comes into force in accordance with condition 1.4 (Contract Date) unless the Contract Date is less than 7 days prior to the commencement of your course in which case you may cancel at any time up to the commencement of your course. Where you cancel your booking in accordance with this condition 9.1 you’ll be entitled to a full refund of any payments you have made in respect of the course.

9.2 In addition to the statutory cancellation rights set out in condition 9.1, the following apply: (9.2.1) where you cancel your place on a course more than 7 days after the Contract Date but up to one month before the course start date, you will be

9.4 Cancellation requests must be made in writing. Note that refunds can take up to 3 weeks to process. 10 Cancellations by us 10.1 Please note that courses have minimum attendance levels and may be cancelled if too few bookings are received. 10.2 We reserve the right to: amend or cancel courses (10.2.1), change course location (10.2.2), substitute lecturers and tutors (10.2.3). 10.3 If we cancel a course we’ll endevour to give you at least 1 week’s notice and you will have the option of transferring to another course or of having a full refund of the fees which we’ll return to you within 3 weeks. 10.4 We will not be liable for any losses (including, but not limited to, travel and accommodation costs) arising as a consequence of any modification or cancellation of courses or time-tabling constraints as set out above and beyond the cost of the course fee. 11

Class postponement by us If a class is postponed for reasons for which we are responsible, including staff illness, we will make every reasonable effort to reschedule the class or to add the missed hours on to the remaining

course classes. We apologise for this inconvenience and urge you to ring the Short Course Office if you have any concerns. 12 Transfers 12.1 You may transfer onto another course up to one month before the course start date. Under these circumstances, you will be permitted to transfer subject to an administrative charge of £30 to cover our costs. (12.2.1) If you wish to transfer within one month of the course start date you will not be permitted to transfer unless a replacement student can be found for your place. (12.2.2) If a replacement student is found prior to the course start date, you will be permitted to transfer subject to an administrative charge of £30.

14.3 Please note that if alternative options are offered there may be an additional charge. 15

12.3 If you have booked a course within one month of its start date conditions 11.2.1 and 12.2.2 will apply. 12.4 Students can transfer a maximum of two times. 12.5 Transfer requests must be made in writing. 12.6 You may not transfer to another course once your course has started.

13 Substitutions 13.1 If you are unable to attend a course you are permitted to transfer your place to a substitute student up to one week before the start date. 13.2 We must be notified in writing of the substitute student’s name and there is a £30 administration charge for each substitution. 13.3 Substitutions cannot be accepted after the course has started. 14 Non-attendance 14.1 Non-attendance at classes due to illness or for personal or professional reasons does not give rise to the right to refunds, extra tuition or a transfer.

replacement will be sent in the post free of charge once your attendance has been verified by the course register or tutor. You may also collect a certificate from the Short Course Office with prior arrangement. Replacement certificates can be produced up to one year after completion of your course but will incur a fee of £30.

14.2 However, in such an event we will consider all the circumstances and take such action that we consider to be fair and reasonable.

Events outside our control We shall not be liable for any failure or delay in the performance, in whole or part, of any of our obligations arising from or attributable to acts, events, omissions or accidents beyond our reasonable control including, but not limited to strikes, lock-outs or other industrial disputes (whether involving our workforce or the workforce of any other party), acts of God, wars, riots, civil commotions, malicious damage, compliance with any law or governmental order, rules, regulations or directions, accidents, breakdowns of plant or machinery, fires, floods, storms, pandemics, epidemics or other outbreaks of disease or infection, or failure in the public supply of electricity, heating, lighting, air conditioning or telecommunications equipment. Certificates To achieve a certificate of attendance you must attend at least 80% of the course. You will be presented with a certificate at the end of the course. The name given on the booking form will be the one that appears on the certificate. With the exception of the Study Abroad programmes it is not feasible to examine and grade your work. Therefore the certificate of attendance is not a qualification. If you miss the last session due to reasons for which we are not responsible then a replacement certificate can be sent although you may be required to provide a stamped addressed envelope for this service. If for any reason you do not receive a certificate for reasons that we are responsible for then a

17 Materials and equipment 17.1 The course fee includes the cost of basic materials which will be provided. 17.2 Please see the course description in our brochure and website for details of the additional materials which you my will need. 17.3 Failure to bring the required materials will delay your progress on the courses. 17.4 Unless otherwise agreed in advance, the course facilities are only available for use during the course hours and not at other times. 18

English All classes are taught in English. Applicants whose first language is not English should note that they are required to be proficient in written and spoken English and be able to participate in group discussions and presentations in English. As a guideline we would expect you to have an IELTS score of 4.5 for practical courses and 6.0 for lecture courses. University of the Arts London also offers English courses for overseas students (please call +44 (0)20 7514 7261 for more info).

Student conduct Students are expected to conduct themselves in a professional manner and to recognise that other students also require support and assistance. If a student becomes persistently disruptive we reserve the right to offer a verbal or written warning and, if this does not resolve the situation, we may, at our

discretion, require the student to leave the course and we may exclude the student from our premises. 20 Bank holidays Normally there are no Monday classes on bank holiday weekends, published course dates reflect this. 21

Recording Due to copyright, and to respect other participants, the use of audio and/or visual recording is not permitted during any course.

22 Health & Safety Students are asked to wear appropriate clothing and footwear to practical classes. This will be discussed with you on the first day of your course or else will be referred to in the materials list. Students who fail to comply with health and safety rules will be unable to participate in practical classes. 23 Course location You will be advised of your course location in your booking confirmation letter. Please be advised that course locations may occasionally change due to operational reasons.

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Wimbledon College of Art Merton Hall Rd London SW19 3QA

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How to get to Wimbledon: — By Train: Wimbledon mainline station is served by overland trains from Waterloo, London Bridge and Croydon. The college is approximately 15 minutes walk. — By Bus: From Wimbledon mainline station catch 163 or 164 towards Morden and alight at Nelson Hospital on Kingston Road. — By Tube: Wimbledon Station (District Line), South Wimbledon (Northern Line) — By Tram: Direct from Croydon to Wimbledon mainline station. Dundonald Road is the nearest stop to the College. — Parking: Meter parking is available in the roads around Merton Hall Road and Palmerston Road. H

How to get to Camberwell: — By Train: A train from London Bridge, Victoria, or Blackfriars station will take you to Peckham Rye or Denmark Hill which are both approximately 15 minutes’ walk from the main Peckham Road site. The train journey takes approximately 10 mins. — By Bus: The following buses stop near or around the college: 12, 35, 36, 436, 171. — By Tube: The following underground stations will bring you within easy reach of Camberwell. Elephant & Castle: then Bus 12 or 171, New Cross Gate: Bus 36 or 171, Oval: then Bus 36 or 436, Vauxhall: then Bus 36/436 — Parking: Currently there are no parking restrictions on the residential streets near both college sites.

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How to get to Chelsea: — By Train: Vauxhall and Victoria are the nearest train stations. — By Bus: The following buses stop near or around the college: 2, C10, 36, 87, 88, 185, 436. — By Tube: Pimlico, Vauxhall, Westminster or Victoria tube stations are all within walking distance. — Parking: There is no parking available at the College and only limited metered parking in the neighbouring streets. Where possible it’s advised that you travel to the college by public transport.

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Camberwell College of Arts Peckham Rd London SE5 8UF

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Chelsea College of Art & Design 16 John Islip St London SW1P 4JU

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CAMBERWELL WIMBLEDON

— camberwell.arts.ac.uk/shortcourses/contact-us/ — chelsea.arts.ac.uk/shortcourses/contact-us/ — wimbledon.arts.ac.uk/shortcourses/contact-us/

The majority of our courses are delivered at the Chelsea site. However, some courses do require the specialist resources and facilities available at Camberwell and Wimbledon and others take place off site entirely (for example, those focussing on London’s architecture). Please check the courses location details in the brochure or on the website before booking.

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LOCATIONS

TATE BRITAIN

SHORT COURSE INDEX 21 1 and 2 Point Measured Perspective Drawing

KEEP UP TO DATE

24 2D Vectorworks for Interior Deisgn 25 3D Studio Max-3D Modeling 83 3D Studio Max Visual Effects Animation 49 3D Workshop Design & Make

77 Introduction to Textile Print Design

28 Adobe Photoshop – Basic Essentials

21 Freehand Perspective Drawing for Designers

58 Letterpress: Physical Typography

54 Alternative Photograpic Printing

55 Freelance Photography

16 An A-Z of Doing Up Your Home

39 Get to Grips with Grammar

19 Architectural Drawing for Designers

51 Getting the Most from Your Digital Camera

44 Life Painting 17 Lighting for Residential Interiors 18 Model Making for Designers 45 Oil Painting

31 Graphic Design in Practice

81 Period & Theatrical Hat Making

32 Book Illustration

22 History Of Architecture & Interior Design

54 Picture Researching

30 Building Websites with CSS and HTML

15 Interior Decoration

35 Business Skills for Creatives

15 Interior Design Module One

69 Collecting Contemporary Art

59 Introduction to Art History

46 Colour Workshop

27 Introduction to Autocad

33 Comic Book Art

69 Introduction to Curating Contemporary Art Exhibitions

22 Contemporary Architecture & Interior Design in London

62 Portfolio Preparation 18+ 53 Portrait Photography 63 Pre-Foundation Drawing 65 Pre-Foundation Graphic Design 65 Pre-Foundation Painting 63 Pre-Foundation Portfolio Preparation

27 Introduction to Digital Design

35 Promoting Yourself & Your Ideas

42 Introduction to Drawing

37 Proofreading

47 Contemporary Painting

45 Introduction to Drawing & Painting Stage One

57 Screen Printing

38 Copywriting Explored

73 Introduction to Fashion Illustration

81 Corset Making

25 Introduction to Flash Animation

80 Costume & Set Design For Film & Theatre

17 Introduction to Furniture Design

37 Creating a Design Brief that Works

30 Introduction to Graphic Design

38 Creative Copywriting

32 Introduction to Illustration

36 Creative Thinking

16 Introduction to Interior Decoration & Design

66 Contemporary Art & Design Workshop for 11 - 15 Yr Olds

60 Critical Theory in Contemporary Art Practice

43 Experimental Drawing

49 Introduction to Sculpture

78 Knitting, Crotchet & Macrame

70 Art Handling & Installation

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31 Editorial Design

57 Introduction to Printmaking

75 Fashion Jewellery

36 Art Direction

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28 Dreamweaver Web Design

18 Kitchen and Bathroom Planning & Design

29 Adobe InDesign – Basic Essentials

Keep in touch with us and connect with course colleagues.

43 Drawing In The City

55 Introduction to Photoshop for Photographers

47 Experimental Drawing & Painting

29 Adobe Illustrator – Basic Essentials

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80 Digital Set Design

50 Stone Carving Sculpture 78 Sustainable Textiles 19 Technical Drawing for Interior Design 77 Textile Design & Print Workshop 53 The Art of Camera-less Photography 59 The History of Art Stage One 60 The History of Art Stage Two

42 Introduction to Life Drawing

24 Vectorworks

83 Digital Character Design & Animation

44 Introduction to Painting

46 Watercolour Painting

73 Digital Pattern Design & Print

51 Introduction to Photography

50 Welding for Artists

FIND US ONLINE

COLOPHON

We hope that you will find this brochure useful but if you require any further information, then please feel free to browse our website at: www.chelsea.arts.ac.uk/shortcourses

Art Direction & Design

Keep in touch

Charlie Kwai www.charliekwai.com

If you would like to receive our e-newsletters containing late courses availability, news of new courses and special offers send us your contact details. Email ccwshortcourses@arts.ac.uk with ‘add me to the mailing list’ as the subject heading.

Inventory Studio www.inventorystudio.co.uk

Illustrations Nous Vous www.nousvous.eu

Take a Virtual Tour of Chelsea

Copywriting

Located next door to Tate Britain, Chelsea College of Art & Design overlooks the Thames making it an inspiring & stimulating place to study. Visit us virtually: www.chelsea.arts.ac.uk/virtual-tours

Fiona Lawrie www.thecopycat.co.uk Printed on Recycled paper.

Explore images of student work and testimonials online. Browse work created by previous students and hear what they had to say, subjects include: — Drawing & Painting — Fashion & Textiles — Graphic Design & Illustration — Interior Design & Decoration — Portfolio Preparation Visit: www.chelsea.arts.ac.uk/showcase Follow us online and share your experiences — Facebook facebook.com/chelseacollegeof.art.and.design. shortcourses — Twitter twitter.com/ChelShortCourse

Disclaimer: This publication describes the courses run by the Short Courses Office, maintained by London Artscom Ltd. Every care has been taken to ensure accuracy but changes may have to be introduced after publication, since it is the policy of the Short Courses Office to constantly review its provision of courses as well as the performance and content of individual courses. Prospective students should be aware of this and are invited to verify details by enquiry to the Short Courses Office. This publication is issued as a general guide to its courses and facilities; it forms no part of a contract. The Short Courses Office reserves the right to make such changes as may be appropriate for reasons of operational efficiency or due to circumstances including industrial action, beyond its control.