The Art Collection
Introduction The Hazelton Hotel, Canada’s most exclusive five star hotel, sets a new standard in style, detail and service. Sexy, dramatic interiors by internationally renowned designer Yabu Pushelberg make The Hazelton a cultural catalyst in the heart of Yorkville, in downtown Toronto, Canada’s most thriving city. Since 1980, Yabu Pushelberg’s interior design studio has pushed the limits of design for an eclectic and demanding clientele. Working for some of the hottest retail boutiques, luxury hotels and spas, Yabu Pushelberg have made their name internationally known with their timeless modern design. Yabu Pushelberg’s clients are on various continents, in cities from New York to Tokyo and Toronto to London; these award-winning designers have left their mark on some of the most notable places around the world, including: Tiffany and Co.’s Fifth Ave flagship store, Starwood’s flagship, W Hotel Times Square, New York, and the Royton Hotel in the centre of Sapporo Japan. They have won coveted awards including Designer of the Year from Contract Magazine, NASFM Retail Design Award for outstanding store fixture: Bergdorf Goodman Fine Jewelry Department and Outstanding Restaurant design for Monsoon Restaurant from the James Beard Award Foundation, to name a few. They have also been inducted into the Interior Design Magazine Hall of Fame. If design is an international language, then Yabu Pushelberg are master linguists. They tap into the culture of their clients’ businesses and create unique hotels, resorts, spas, specialty department and boutique environments. Simple design with significant meaning carries a visitor through the space, in a journey for all their senses to experience. The Hazelton Hotel is the newest stop on this journey and with its silver screen era glamour, it is one of Yabu Pushelberg’s masterpieces.
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The Boutique Hotel as an Art Gallery Art in today’s contemporary hotels can run the gamut from utilitarian décor right through to commissioned installations. Boutique hotels have a distinct advantage given their size and more manageable number of rooms, as they can take this opportunity to create unique art collections using original pieces. It is through art and design that these hotels can differentiate themselves. Such is the case with Toronto’s first five star boutique hotel. The Hazelton Hotel is located in the heart of Toronto, with museums and art galleries as its neighbours. The desire to create a landmark that is commensurate with its heritage location was achieved when the hotel first opened its doors. The interior of The Hazelton Hotel was designed by the internationally acclaimed firm of Yabu Pushelberg. Known for their distinct use of materials and texture in their designs, the art in the lobby of the Hazelton works in full complement with their design aesthetic. From organic granite to polished chrome, the look welcomes the guest with elegance and luxury. Throughout the entire hotel, The Hazelton presents their landmark art collection, which features a wide variety of works by predominantly Canadian artists. Original oils, acrylics, sculptures, photographs and works on paper all demonstrate The Hazelton Hotel’s commitment to creating a distinctive artistic venue. Kevin Viner Partner Elevator Art Toronto
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The Hazelton Plinth Sculpture Prize The hotel’s art collection features a wide variety of works, with a specific focus on the promotion of Canadian artists. To further connect the hotel with artists in the Great Toronto Area, The Hazelton Hotel developed a new an innovative open-call art contest that would highlight a talented sculptor in our community. To engage sculptors to work with the unique architecture and design of the hotel, we invited local local artists to submit a sculptural work for an existing pedestal in the hotel’s lobby. Now known as “The Hazleton Plinth,” the temporary sculptural project will engage and animate our dynamic and popular lobby. During the inaugural project year, in September 2012, The Hazelton Hotel placed a call for artists from The Greater Toronto Area, to submit a sculptural work for the designated pedestal in the lobby space. The hotel received an overwhelming response from artists by emerging to established artists working in a full range of materials and styles. Toronto’s Jaime Angelopoulos was the winner of the 2013 Hazelton Plinth Sculpture Contest with her evocative sculpture “I See Through Them” (2011). This work was displayed in the hotel’s lobby through the winter of 2013, before it was added to the permanent collection. We look forward to honouring more innovative and creative projects by artists in our community as the project continues annually.
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Reflections: Exploring the Art Collection of The Hazelton Hotel Text by Sam Mogelonsky, MFA Edited by: Sarah E.K. Smith, Ph.D. Candidate, Queen’s University Upon entering The Hazelton Hotel in Toronto, a vision of grandeur and timeless elegance, the guest is immediately reflected in two tall stacks of chromed suitcases flanking the hotel doors. The interaction with Nickel Plated Suitcases (2007), Bruno Billio’s nickel-plated aluminum sculpture, captures the experience of The Hazelton Hotel and transforms the guest into a modern-day art explorer within the hotel.1 The Hazelton Hotel houses a dynamic collection of works, the majority created by contemporary Canadian artists. In On Longing (1993) theorist Susan Stewart discusses the concept of a collection as an expression for nostalgia and the objectification of desire.2 This idea is apparent in the curation of The Hazelton Hotel, where the works in the hotel range from specially commissioned largescale sculptural works to subtle paintings. Each work contributes to the multifaceted nature of the collection. The hotel’s collection is of the strongest of its kind in Canada, fully integrating the art experience from the moment the guest arrives. The art works are an integral aspect of the hotel’s identity, guiding the guest through the different locations of The Hazelton Hotel and distinguishing each space. The installation of the collection complements the unique design features created by the renowned design studio Yabu Pushelberg, as well as redefines the boutique hotel experience.
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The interior of The Hazelton Hotel is filled with mirrored spaces and dramatic lighting, thereby generating a space for imagination and reflection as the guest moves through the hotel. The exploration continues upon check-in, where William Fisk’s The Hazelton Cup (2007) greets the guest. Now an iconic symbol for the hotel, the commissioned painting depicts an impressively large trophy. The work is painstakingly accurate in detail, however it also remains inherently playful in its subject matter – a symbol for the hotel itself which strives to offer the best of Toronto to its guests, with an air of accessible luxury.3 Moving through the lobby, harmonious connections are created between three pieces. These works are by contemporary sculptors Sorel Etrog, Greg Payce and Will Robinson, respectively. While tonally and texturally these works are similar, as all employ varying shades of grey, each sculpture reflects physicality in a different way. In Etrog’s Tango (2007), the artist has perfectly captured the movement of a dancer in bronze. Moving along, the eye catches the intriguing ceramic vessels in Untitled (2007) by Payce. At first glance, this work may seem to be merely a collection of three functional ornate vases. However, after observation, profiles of figures are visible within the negative space of the objects. Conceptually akin to Billio’s work, the guest can again find their reflection in the hotel’s artwork. Wandering out of the lobby, Robinson’s Sistine Bench (2006) is encountered. An incredible work made from stone to expose a spiritual essence, the relationship between it and the guest is apparent: as this shape takes form and our weary traveler continues on to their room.
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Moving through the hotel’s corridors, the works become more abstract and introspective. Rather than explore the space organically, in this area of the hotel the guest’s movements become increasingly linear and focused. Entering the ground floor hallway, the guest encounters Marie Lannoo’s Strata 1 (2006) and Strata 2 (2006). These works use a rich palette of colours and layers to create abstracted geometric elements. Soft and circular, these works impart serenity and tranquility to this space within the hotel. Traversing the hallway, the guest then encounters works by Laura Wood and Cara Barer that all employ photography to create abstractions of the everyday. Familiar and yet strangely cinematic, these works distort reality through image making. In the Dark Chandelier Series (2007), Wood attempts to capture a brief moment of radiant light through photography. Blurry and distorted, her image has an ethereal presence in the mirrored space. At the end of the hallway, our guest finds Barer’s Whirligig (2007) made by manipulating the familiar pages of the book. A hybrid work of photography and sculpture, the form depicted in this photograph is twisted and complex, while also seductive and alluring. By contrast, Steven James Brown’s work in the screening room foyer directly investigates aspects of the filmmaking process and our relationship to the cinema. By starkly depicting an old piece of Chinese film and a cinematic camera, his isolation of these elements removes them from their original context, subsequently altering the guest’s perception of reality. Entering the upper level of the hotel, the works explore geometric abstraction. On the second floor, Kevin Kelly’s brightly colored Target Series (2007) features abstracted circular patterns to create dynamic compositional elements that animate the pathway to the guest’s room. On the third floor, Cynthia Chapman’s impressive paintings take mark making to an extreme level in her application of vibrant, thick, rich oils, stroke by stroke. The result is a colourful and mesmerizing abstract composition, unlike any other work featured in the hotel.
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Moving into the bedroom, the guest leaves abstraction and enters representational, even graphic, depictions of reality. In the space of the suite, works complement the private nature of the space and foster a more intimate experience with the viewer. In the works on paper by Margaret and Andrew Kisza of Studio 88, the artists’ mark making is subtle, but engaging, as seen in Leaf (2007) and Spiro Diptych (2007). These works transform the energy of the room by adding luminosity and movement to the space. Similar to the guests’ first moments in the hotel, William Fisk’s captivating, figurative giclée reproductions of original oils, from The Unfinished Sympathy Series (1998) create a contemporary backdrop for the hotel’s larger suites. Finally, upon leaving the hotel, the guest will encounter a public commission created specifically for The Hazelton Hotel. Jeff Goodman’s sand-cast glass panels with LED lights for the portico create an ever-changing lightscape, Untitled (2007). Blurring the lines between form and function, abstraction and representation, this work brings the guest from the imaginary and reflected spaces of the hotel’s interior back into reality, as the journey of exploration throughout the hotel is complete.
References: 1. Interview with Hazelton Hotel Artist, Bruno Billio, March 2012. 2. Susan Stewart, On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection (Durham and London: Duke University Press, 1993, p.xii (Originally published by Johns Hopkins University Press, 1984). 3. Interview with The Hazelon Hotel’s General Manager, David Mounteer, June 2012.
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The Art Collection
Jaime Angelopoulos I See Through Them Cotton and polyester fabric, plaster, foam 55” x 35” x 27” 2011 Jaime Angelopoulos received her MFA from York University (2010), and BFA from NSCAD University (2005). Jaime’s work has been acquired by numerous private collections and can be found in the collections of the Ministry of Foreign Affairs, ALDO Group, York University and the Bank of Montreal. The Canada Council for the Arts, The Toronto Arts Council and the Ontario Arts Council, have supported Jaime for numerous projects. She lives and works in Toronto and is represented by Parisian Laundry in Montreal. The sculpture “I See Through Them” is pink in color, shaggy in texture, and ambiguous in form. Its form and stance is suggestive of a twisting body, revealing hollow sections where one can literally “see through” the sculpture. The title of the piece poses an accusatory tone; figuratively speaking, when we “see through” someone it insinuates deceit or trickery. The sculpture was contructed by affixing and reinforcing cylinder foam tubes. Over fifteen thousand fabric strips were hand cut and then hammered onto the armature. Angelopoulos was the winner of the inaugural Hazelton Plinth Sculpture Contest (2013). The judges felt that her strong and original practice, dedication to sculpture and singular voice combined to created an evocative and exciting work, worthy of the distinction.
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Cara Barer Whirligig Cibachrome print, Edition 3 of 12 48” x 48” 2007 (opposite and page 9) Cara Barer was born in Freeport, Texas, in 1956 and currently resides in Houston. She studied at the Glassed School of Art at the Museum of Fine Arts in Houston, the Art Institute of Houston and the University of Houston. Her photographic images of books transform an everyday object to capture its sophisticated beauty. In an ever expanding electronic world, her work explores the notion of books as sources of knowledge and memory. In a series called The Book Project, Barer uses water as a tool and employs everything from Velcro to hair rollers to sculpt books into complex forms. Placed in the ground floor hallway at The Hazelton Hotel, the result is beautiful imagery that gives new life to objects and creates sculptures that symbolize our written traditions. Barer’s work has been exhibited and is held in private collections throughout North America.
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Bruno Billio Nickel Plated Suitcases Nickel-plated aluminium 156” x 30” x 24” and 84” x 26” x 13” 2007 (opposite and page 7) Bruno Billio is a Canadian sculptor and installation artist known for working with ordinary objects and making them extraordinary. His signature artistic expression involves stacking familiar objects to create sculptures that appear to stand against gravity. Billio’s stacked suitcase sculpture for the hotel’s reception plays with a major symbolic object of travel, turning it into an iconic statement. This work relates the grandeur and timeless elegance of travel to The Hazelton experience. Billio’s work is world-renowned and has been exhibited in Milan, London, Miami, New York and Los Angeles.
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Steven James Brown Sekonic Chromogenic print 28” x 35” 2007 (opposite left) I like virgin - Chinese film stills series Chromogenic print 25” x 35” 2007 (opposite right) Toronto based photographer Steven James Brown was born in 1955 to British parents in London, England, and soon after moved to Canada. In 1985, he left a career in the music business to attend the Creative Photography program at Humber College in Toronto. Brown does not use photography to document reality, but instead to alter it. He employs unconventional props and lighting techniques to achieve his intriguing still life colour photographs. At The Hazelton, Brown’s work can be found in the Screening Room foyer and includes cibachrome prints of an old piece of Chinese film and a cinematic camera. As with all of his work, these pieces feature interesting subject matter, while remaining simple, iconographic and vibrant. Brown’s photographs have been exhibited in solo and group exhibitions and are held in private collections in Britain, the United States and Canada.
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Cynthia Chapman Breath in, Breath out Oil on canvas 40” x 36” 2007 (above left)
Cool it Down Oil on canvas 40” x 36” 2007 (above right)
Bright Lights Big City Oil on canvas 72” x 60” 2007 (opposite)
No Intentions Oil on canvas 60” x 72” 2007 (foreground, page 11)
Beauty Oil on canvas 36” x 60” 2007 (background, page 11)
Tough Love Oil on canvas 48” x 48” 2007 (page 5)
Cynthia Chapman graduated from the Ontario College of Art and Design in 2002 with a diploma in drawing and painting. While studying, she won the Solomon Painting Award and Tuition Scholarship, as well as the Mrs. W.O. Forsyth Award. Her work for The Hazelton uses vibrant, thick, rich oils on canvas. Each stroke is exactly applied resulting in a colourful and mesmerizing abstract composition. Her work is featured throughout the third floor, as well in the Presidential and corner suites.
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Chapman’s work can be found in corporate and private collections across Canada and in Holland. She is represented by the Moore Gallery in Toronto.
Sorel Etrog Tango Bronze 84” x 29” x 15” 2007 (opposite and pages 3 and 14) Sorel Etrog was born in Romania in 1933, leaving for Israel in 1950, where he studied at the Tel Aviv Art Institute. His first solo show in Tel Aviv earned him a scholarship at the Brooklyn Museum of Art in New York. Leaving New York for Toronto in 1963, Etrog became a Canadian citizen shortly thereafter. Etrog’s sculptures are world renowned and have been featured in the National Gallery of Canada, the Museum of Modern Art and the Guggenheim. Etrog was named to the Order of Canada in 1994 and made a Chevalier of Arts and Letters by the Government of France in 1996. The Hazelton Hotel is proud to house a specially commissioned piece by Etrog. The incredible sculpture is found in the lobby of The Hazelton Hotel. Entitled Tango, this work was inspired by the artist’s love of dance and movement.
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William Fisk The Hazelton Cup Oil on canvas 40” x 60” 2007 William Fisk was born in 1969 and raised in Toronto. He studied at the Ontario College of Art and York University. Fisk has received several grants from the Canada Council for the Arts, as well as the Ken Purvis Award and the George A. Reid Award. Fisk is a master of photorealistic painting. His large scale, meticulous works often depict functional objects such as fans and cameras. Commissioned by The Hazelton Hotel, The Hazelton Cup features an immaculate trophy, which has subsequently become a signature piece for the hotel’s reception area. Fisk’s figurative work is equally captivating. These editioned and signed reproductions create a contemporary backdrop for the hotel’s larger suites. His work also graces the Silver Screening Room foyer at The Hazelton Hotel. Here, his dancers in Partida (from Unfinished Sympathy) add an element of elegance to the intimate theatre lobby. Fisk’s work is held in numerous collections throughout Canada, the United States and the Netherlands.
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William Fisk
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Untitled Giclée reproduction of original oil 25” x 60” 2007 (above left)
Unfinished Sympathy (from Unfinished Sympathy) Giclée reproduction of original oil 30” x 60” 1998 (above right)
Partida (from Unfinished Sympathy) Giclée reproduction of original oil 60” x 40” 1998 (opposite right)
The Presence of Absence 1 (from Unfinished Sympathy) Giclée reproduction of original oil 32” x 45” 1998 (page 13)
Jeff Goodman Untitled Sand Cast Glass panels with LED lights 5 windows, each 102” x 102” 2007 (above and opposite) Jeff Goodman was born in British Columbia in 1961 and sadly passed away in 2012. He studied the art of glass blowing as a student at Sheridan College in Ontario and then received a Bachelor’s Degree in Fine Arts at the University of Illinois in Champaign-Urbana. Goodman quickly earned a renowned reputation for excellence in his craft. His work is both modern and classic. He excelled at glass blowing as well as casting techniques and created beautiful artistic vessels, in addition to architectural commissions for both private and public patrons.
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Goodman was commissioned by The Hazelton Hotel to create the incredible sand cast-glass panels with LED lights for the portico. This ever-changing lightscape makes for a stunning public art work at the hotel.
Kevin Kelly Target Series - 1, 2, 3, 4 Photographs on textured stock 40” x 40” each 2007 Kevin Kelly’s photographs have been published worldwide in leading publications such as ELLE (Paris), Time, People, Rolling Stone, The New York Times and Reader’s Digest. He has also won numerous national and international awards for his work. Kelly has notably collaborated with authors Margaret Atwood, Rohinton Mistry and Ann Marie MacDonald as well as performers Hayden Christenson, Tim Allen and Dan Ackroyd. He has also worked with many musicians including Bruce Cockburn, Blue Rodeo, Massive Attack, and The Tragically Hip, with his photography nominated for a Juno and an American Independent Music Award. Kelly’s work is showcased on the second floor of the hotel and feature targets that are representative of goal setting, practice and goal achievement. Page 36
Andrew and Margaret Kisza Leaf Giclée reproduction of original work on paper 40” x 68” 2007 (opposite left) Spiro Diptych Giclée reproduction of original works on paper 22” x 30” 2007 (opposite right) Polish born artists Andrew & Margaret Kisza received their Masters of Fine Art at the University of Fine Arts in Lodz, Poland. Upon moving from Poland to Canada in 1993, they successfully founded Studio 88, a company focused on providing creative artistic solutions for private and corporate clients. Their artistic efforts concentrate on creating large-scale canvases spontaneously executed with painterly brushstrokes, expressive drawing compositions and photography based mixed-media assignments. At The Hazelton Hotel, reproductions of their original works are found in the guest rooms. Their work is held in many private collections, including the SoHo Metropolitan Hotel Toronto, Senses Restaurant Toronto, The Delta Chelsea Hotel Toronto, The Toronto Congress Center, The Delta Hotel Charlottetown, Metropolitan Hotel Vancouver, Diva at the Met Restaurant Vancouver, Panorama Mountain Resort Canmore, Grande Rockies Resort Canmore, as well as many private collections throughout Canada and The United States.
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Marie Lannoo Strata 1 and Strata 2 Acrylic on board 42” x 42” each 2006 Marie Lannoo is a Canadian artist whose work is strongly supported by the Saskatchewan Board of Arts. She is a graduate of the University of Saskatchewan and the Banff School of Fine Arts. Lannoo’s work in The Hazelton Hotel’s ground floor hallway offers a burst of colour and vibrance while at the same time expressing serenity. Through the use of a rich palette of acrylic colours and layers of transparency, Lannoo creates softly abstracted paintings. Qualities of reflection are achieved with the repetition of geometric elements and a glossy surface finish. Her highly acclaimed work can be found in many public collections, such as the Canadian Council for the Arts, as well as private collections throughout Canada, the United States, Britain and Asia.
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Dennis Lin Cube Cedar 16’ x 4’ x 3’ 2007 Dennis Lin is a Toronto-based sculptor and designer. He graduated from the Ontario College of Art in 2000, where he majored in Industrial Design. Lin instills a sophisticated design aesthetic to his use of natural materials, primarily woods and metals. His work retains the warmth of the organic with the controlled suggestion of human deliberation. His work can be found in the reception area of ONE Restaurant. Lin has completed several large-scale projects for international architecture and interior design firms, throughout North America, Europe and Asia.
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Greg Payce Untitled Porcelain with black slip finish 23” x 12” x 12” each 2007 (opposite and pages 3 and 14) Greg Payce was born in Edmonton, Alberta and currently lives and works in Calgary. He received degrees from the Nova Scotia College of Art & Design; the University of Victoria; The Banff Centre, School of Fine Arts and the University of Alberta. His work has been exhibited throughout North America, Europe and Asia. Payce has also received numerous grants and awards from the Canada Council and the Alberta Foundation for the Arts, and was short-listed for the 2002 Saidye Bronfman award. He is currently the Head of Ceramics at the Alberta College of Art & Design. Payce is known for drawing on architecture and the human form in his work and his piece in the lobby of The Hazelton Hotel is no exception. In this work Untitled, the essence of the piece is not the forms of the vases themselves, but his use of the negative spaces between each form. The twin figures appear only when you search for them, emerging from the space between the porcelain, like an optical illusion. His work is held in Canadian and international collections. In 2012, the Gardiner Museum of Ceramic Art in Toronto held a retrospective of Payce’s work.
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Will Robinson Sistine Bench Basalt Stone Sculpture 48” x 32” x 20” 2006 Will Robinson was born in Bremerton, Washington, and attended the University of Washington. His sculptures express the serenity and natural beauty of stone and how it can be manipulated. With inspiration from his life experiences, Robinson carves and polishes natural stone, thereby exposing an emotional or spiritual essence. He prefers the irregular over the linear and the natural over the manufactured. Robinson’s Sistine Bench, in the lobby of The Hazelton Hotel, is testimony to his ability to work with the inherent strength and resilience of stone. His work can be found in both public and private collections throughout North America.
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Ellen von Unwerth Penelope Cruz, Paris Silver Gelatin Print 48” x 72” 2003 Christina Aguilera, Los Angeles Silver Gelatin Print 48” x 72” 2004 Ellen von Unwerth is a German is a photographer and director. Having worked as a fashion model before moving behind the camera, her area of focus is erotic femininity. Her work has been published in top magazines such as Vogue, Vanity Fair, Interview, The Face, Arena, Twill, L’Uomo Vogue and I-D. She has also published several books of photography and won first prize at the International Festival of Fashion Photography in 1991. Her photographs have also appeared on album covers, such as Bananarama’s Pop Life (1991), Janet Jackson’s The Velvet Rope (1997), Britney Spears’ Blackout (2007), and Rihanna’s Talk That Talk. Von Unwerth has also directed short films for fashion designers, and music videos for several pop musicians. Her dynamic images can be found throughout ONE Restaurant. She is represented by the Izzy Gallery in Toronto.
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Kevin Viner Opera Fibre Print 27” x 40” 2007 Vice Virtue Fibre Print 27” x 40” 2007 Thinkers Fibre Print 36” x 27” 2007 From the first Kodak Pocket Camera (the one with the red shutter button) Kevin was hooked. It would be many years later when he taught himself more, took courses, and eventually turned his passion into his vocation and opened his own commercial photo studio. As with most photographers, the desire to create images is always present, be it for commercial purposes or for fine art. Many photographers have fallen in love with Paris; it is too easy to do, cliché in fact. And so begat the title for this show of Paris. Taken in a few trips over 20 years, these quiet courtyards and architectural scenes depict an idyllic urban landscape. All shot on B&W film, these recent works are large format negatives made with a 6x9 and a 6x120 panoramic camera, creating a more current and contemporary view on familiar themes. The negatives were scanned and printed as archival, fibre prints with a Durst Lambda enlarger. Page 50
Laura Wood Dark Chandelier 1, 2 and 3 Archival electrostatic prints 40” x 28” each 2007 (opposite and page 8) Laura Wood was born in 1980 and studied Fine Arts at the University of Waterloo. She is a photographic artist, who works in a world where perception challenges so-called truths. She is interested in movement and how it is expressed in a photograph: how it causes blurring and is capable of achieving radiant light. In her works, Wood uses photography, painting and film as a means to abstract reality. Her Chandelier Series, featured in this ground floor hallway of The Hazelton Hotel, captures reflective light from different vantage points. These photographs are both abstractions and investigations into what is real. Wood’s works can be found in collections across North America, Europe and the Middle East.
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A catalogue of the art collection at The Hazelton Hotel, Toronto. The Hazelton Hotel 118 Yorkville Avenue Toronto, Ontario M5R 1C2 Canada www.thehazeltonhotel.com Tel: 416.963.6300 Toll Free: 1.866.473.6301 Fax: 416.963.6399 Produced using Bauer Bodoni and Arial. Edited by Sam Mogelonsky, MFA, and Sarah E. K. Smith, Ph.D. Designed by LMA Communications Inc. Published by The Hazelton Hotel. Š The Hazelton Hotel 2012. All images copyright of The Hazelton Hotel. Thank you to Kevin Viner and Elevator Art.