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Through the Lens with Frank Orrell

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Life through the lens

by Nicola Gray

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Andy Warhol famously stated, the best thing about a picture is that it never changes, even when the people in it do. To capture and preserve a moment in history surely leaves you with many great memories of your own, so I caught up with Wigan lensman Frank Orrell, to ask him just that.

Frank has taken thousands of pictures of Wigan, the people who live here and local events, spanning a career of more than 40 years with the Wigan Observer. Frank started life at 84, Shevington Lane on 21st of January 1949 born to his Irish Mum, Foila, and Dad, Jim. Frank added, “I have a sister, Kathleen and a half sister, Ann. Ann’s mum died giving birth to her and my mum died of tuberculosis in 1954, my paternal Grandma, Annie, helped to bring us up while my dad was working as a joiner.”

Frank travelled about a bit in his younger years and spent some time in Ireland, “My Granddad, Thomas, had been killed in action on the Somme in the last months of the First World War. When mum was ill, Kathleen and I were taken to live in Corrinshigo, in Northern Ireland with our maternal grandparents. We were there for about a year.” When talking about some of his earliest memories, many of them centre around the happy times he spent in Ireland, but Shevington was always home, Frank added, “I remember coming home to a then very rural Shevington with few houses and hardly any traffic. Old Lane was just across from where I lived and as a child it was a bit scary, it was a mysterious and dark tree lined track.”

Bickershaw Festival, 1972

“I also remember that we didn’t have a television in those days but the Hilton family, who lived opposite us at Coach House Farm, did and would let me and my sisters watch Children’s Hour. I would spend most of the time asking who were the goodies and who were the baddies as the Lone Ranger, Cisco Kid and Range Rider rode across the screen.”

Frank attended St. Marie’s Catholic Primary School on Almond Brook Road in Standish and was taught by the nuns there. He says, “After passing my 11 plus I went to Blessed John Rigby Grammar School on Gathurst Road, which was run by the Christian Brothers order. I’m afraid to say I wasn’t as happy here as I was at primary school, the so-called Christian Brothers could be quite cruel and sadistic.”

On leaving grammar school, Frank had big aspirations of becoming a professional footballer, but football’s loss has been photography’s gain. He tells me, “Funnily enough I was never that interested in photography but my dad was a fairly keen amateur and because I’d no idea what I wanted to do after leaving school he suggested writing to the local papers to see if there was a vacancy for a photographer. They wrote back saying that there were no positions available at the time but would keep my name on file.”

Frank’s first job was a far cry from the craft he eventually made into his long-term career, “My first job was at Bradley’s menswear shop in Market Street, when I was sixteen. I went along to enquire about a job and the manager, appropriately named Mr. Wigan, was happy to take me on. Duties included sweeping the step in the morning, lighting the coal fire, and dusting the shirt boxes. I was never much good at selling socks, underpants and cardigans and after two years of measuring bellies and inside legs, I got a letter from the Post and Chronicle newspaper on Leyland Mill Lane, inviting me for an interview for a photographic printer.”

Frank underwent four years of training, including printing pictures in the darkroom and occasionally going out with photographers on assignments, he added, “I was promoted to photographer and given my first camera, which was a Yashica twin lens reflex. I grew to absolutely love the job and I have covered everything from news and sport to leisure events.”

Some of Frank’s proudest moments have come from his time behind the camera but his proudest moment came as a Dad, he tells me, “I won several newspaper photography awards but my proudest moments concern being able to get two spare photographer passes for my sons, Danny and Mike, for the 1992 rugby league Challenge Cup Final between Wigan and Castleford at Wembley. This was during Wigan’s eight-year dominance of Challenge Cup wins in a row from 1988 to 1995, the

Golborne Miners, 1979

lads were able to sit with me on the pitch looking after my photographic gear as I took the pictures. Just to cap the day Wigan won 28-12.” Frank has a deep affection for his hometown, and he has probably seen more of the place and people than most. When asked about Wigan he said, “It’s always been a friendly place and I think it’s quite attractive contrary to what people outside of the area may think. I love going for walks around Mesnes Park, Haigh Hall and in Elnup Wood in Shevington. Wigan has also been a great source of characters, stories, and pictures, happy and sad, throughout my career.”

And stories are what Frank has in abundance, and I can’t help but laugh as he regales me with the story about the time he was at the wrong end of Bernard Manning’s wit! “You could say that I had the dubious honour of being insulted by Mr. Manning. He was appearing at Poolstock Cricket Club in 1973 and I needed audience reaction pictures as Manning told his jokes on stage. I wasn’t in a good position at the side of the room to see their faces, so

Orrell v Gloucester I started to creep along in front of the stage to get a better angle. I was snapping away happily with my back to the stage when suddenly Manning stopped his act, leant over and asked me what I was doing.”

Frank tried to brush him off by telling him he was taking photographs, but spying the opportunity for a bit, Manning wouldn’t leave it alone. “‘What of?’ he asked me, so in true Wigan style I responded, ‘the audience not laughing at your jokes’, then I started to creep away, but he carried on. ‘You cheeky little toe rag. Bloody hell look at the state of him, look at the size of his nose, he could smoke a cigar under a shower’. Of course, the audience were in stitches and I didn’t hang around too long.”

Another incident that stuck in Frank’s mind was the time he went to take a picture of a charity cheque presentation at St. Mary’s Primary School in Lower Ince. Frank continued, “Nearly the whole school were in the assembly hall and I wanted to get as many of the pupils as I could on the photograph, but it was difficult from ground level so I dragged up a large vaulting box. I climbed on with camera and flashgun in hand and proceeded to snap away. Even from that height I wasn’t quite far enough back so I stepped backwards without realising that the box was sideways on, I tumbled over the back of the box and disappeared. The whole school were in uproar at my antics but luckily, I wasn’t hurt, and my photographic equipment survived. Just to add insult to injury as I was leaving a little lad said to me, ‘That was funny Mister, can you come back at Christmas?’”

When I ask about his most memorable image, I know it’s almost an impossible question to answer, but in true Frank style he says, “If I’m allowed to pick two or three images just to reflect the agony and ecstasy of life my most memorable images are a picture I took of redundant workers facing a bleak future in 1975, after it was announced that Empress cotton mill in Higher Ince, was to close. I pictured them looking forlorn between the huge empty cotton reels pondering their future.

“Another sad one was a picture that I took of the first miners going back to work just three days after the underground explosion that killed ten of their colleagues at Golborne Colliery in March 1979. A happier image was in the long hot summer of 1976 when Ince children made the most of the North West Water Authority testing a new water main to have some cool splashing fun.”

Summer, Ince, 1976 Empress Mill Closure, 1975

Frank took early retirement from his press photographer job in 2009 and started working on his self-published books. “I have nine books of photographs from my 42 years on the Wigan papers and am presently working on another book of photographs mainly from the 1960s. During lockdown I have been busy scanning negatives and photographs at home. It will probably be late this year before I can get it published.”

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