Portfolio by Chun-wei Yang

PORTFOLIO DESIGN PROJECT

ARCHITECTURAL & INDUSTRIAL

2020-2022

Chun-wei Yang

ABOUT ME

EDUCATION

2011 - 2014

EXPERIENCE

Chun-wei Yang

INFORMATION

Name　 楊竣惟

Date of birth　1999／1／18

Interest　 Research, hand-made

Personality　 Optimistic and lively

2014 - 2017

Chien-Kuo Junior High School

Yang Ming Senior High School

2018 Architecture of the camp Team / Leader

2018 School's Celebration Exhibition / Coordinator

2017 - 2022

National United University

Department of Architecture

2018 School's Celebration Performances / Coordinator

2019 Architecture of the camp Team / Activities Department

2019 School's Celebration Performances / Coordinator

SKILL

AutoCAD SketchUP

Revit

Twinmotion

Adobe Illustrator

Adobe Photoshop

Adobe Indesign

Adobe Premiere Rhino

Enscape

2020 Lai Zhangliang Design Camp / design Department

2020 Architecture of the camp Team / Vice Coordinator

CONTACT

phone　+886 979232181

E-mail　 y3644655@gmail.com

01 Urban farm skyscraper

The best quality products with the shortest delivery time in the urban area

The idea of placing pheasant rearing spaces in urban skyscrapers is a groundbreaking idea that solves most of the problems of the existing chicken industry. First, it ageable chicken rearing, second, it reduces transportation time by taking care of rearing to slaughter, and third, it combines the advantages of raising broiler chickens for fast growth and pheasant meat for great taste.

Chun-Wei Yang

The environment of the pheasant and the broiler are very different, and their growth cycle is also different. In terms of meat quality and economic value, the pheasant has a higher value. But the artificially raised broiler has an absolute advantage in the growth rate.

Growth sequence

The growth process of the chicken takes about 16 weeks, and the period can be roughly divided into eight stages.

The proportion of pheasants only accounts for about 1% of all commercially available chicken.

The main common chickens are mostly farmed broilers, which grow fast but have average meat quality.

● Traditional model

● Traditional model

● Pheasant

● Broiler

Deconstruction

The overall architectural structure consists of a central main structure. The main tower is surrounded by two paths that are connected to the main tower in the form of bamboos. The main tower and the paths outside are connected in the form of an empty bridge, allowing the paths to be managed and used.

Function

● Breeding space

It is divided into 16 sections in total to distinguish chickens from different grow process.

● Slaughter space

It is divided into 15 steps in total, and uses a linear process as its design concept.

● Center tower

The functions of the central tower include storage of goods, laboratory, office, and inspection space.

● Traffic flow

A vertical traffic flowruns through the entire tower in the center as a connection of space.

● Shipping area

Ethereal Natural House

A ethereal natural space in the tropical rainforest. Special,Mysterious and Looming

In the natural environment, hard concrete buildings often become the destroyer of vision, so we thought about how to build a human living space in the vibrant tropical rainforest and integrate into it.

Chun-Wei Yang , Yeh-Ju Weng

Design Issue

In the natural environment, hard concrete buildings often become the destroyer of vision, so we thought about how to build a human living space in the vibrant tropical rainforest and integrate into it.

Site Analysis

The site is located in the tropical rainforest of Erawan, Thailand. It contains 7 waterfalls and is covered by two forests, forming a natural environment with the waterfall as the node, the river as the axis, and the forest as the surface.

Image

We try to imagine what the looming building looks like in the woods, and then draw this conclusion after imagining it as a basis to explore more in-depth concepts

● Obvious architecture ● Disappearing architecture

Concept

● Like neurons, each unit is interconnected and extended.

● Unitary relationships are like tree roots spreading in the soil.

● Place the unit in the space between the trees.

● People will travel through the gaps in the forest.

Concept transform

We followed the texture of the woods and looked for a suitable architectural concept. Finally, we decided to follow the appearance of the base in the form of a ribbon, and shuttle between the gaps of the woods in the form of neuron transmission.

Site Section

Quadruple Room

In the design of the four-person room, we designed a floor-to-ceiling window on one side and oriented the bed to face the window so that people can enjoy the sunlight in the morning and enjoy the beautiful view outside the window.

Design

The overall space uses a lot of wood as a link with the outside nature, extending the natural scenery to the interior, and using black metal as the main structure and hidden in the nature, making the cabin a part of nature and not too abrupt.

The futurism of the floating Bauhaus campus

Explore campus space in innovative and experimental way.

This design is to make sure the ground floor space could be open to the surrounding residents and students, creating an open and flowing space for activities, to match the speed of the side trains and also to keep the existing vision without being obstructed at the same time . The floating units can combine the flow of the train with the mass of the building through the sense of speed and the floating façade .

Chun-Wei Yang , Yeh-Ju Weng , Yu-Hao Chen , Yu-Chia Lin

Concept

● To the site

In order to keep the connection with the adjacent train tracks and to maintain the prevent residents' view of the base , so that they can perceive the existence of the train and the speed.

●

●

Strengthen the sense of sight, auditory and the flowing of people in the space . Students, teachers and residents could rethink and experience profound freedom here.

Converting architectural vocabulary, jumping out of the frame to create something new . Open the campus moderately , than that people can freely organize activities here .

Design method

Bauhaus is famous for the teaching method of learning from experiment. It initiated the pioneering of artists and craftsman as a teacher at the same time .This education method which emphasizes theory and practice has influenced the later design department education. We will explore campus space in innovative and experimental way.

● Unit

Use geometrically derived graphics to fragment and discover unit space to use basic analysis to get scope r econstruction

● Smooth

Keep the bottom of the building empty and raise it so that independent units with different sizes could float above the ground level

● Float

Using horizontal and vertical frame features interspersed to show the form changes of contemporary aesthetics.

To the space

To Bauhaus

● Auditorium

● Classroom

● Workshop

● Dorm

● Workshop

● Lobby

● Cofeteria

● Dorm

● Cofeteria

● Exhibition

Arctic Explorer Museum

Inspire Tromsø and people extreme sensory experience

The design hopes to bring visitors into the cliffs of Storsteinen. Under the highest point of the cliffs of Tromsø landscape, visitors are able to move between the rock mass and the exterior, passing through irregular spaces and fragm and the history corresponding to Tromsø.

Chun-Wei Yang , Yu-Hao Chen

Conpect

In this country full of elves, stacked stones hold a local culture where visitors make wishes to the aurora by stacking stones. Inspired by the imageries of the stacked stones at Storsteinen and Sami tents, we created a connection to allow the museum and visitors to encounter locals and the aurora. A series of space sequences inserted in the wall and overhanging outside , inviting visitors to stroll “above the city.”

Space

● The edge of the cliff ● stacked stones ● Sami tents

● Space stacking

Space connection

link

At the beginning of the design, we took into account the location and the siting of the museum, as well as the historical meanings of Tromsø, the Arctic Cathedral and Tromsø Bridge, which help nurture the splendid culture of the city over the years.

At Storsteinen, people can see the whole view of Tromsø as if we were standing on the shoulders of giants. As the main cultural and historical center of Norway, the site of Storsteinen leads us to look back to the past and look to the future.

Culture

The semi-arc conical space, which is the same appearance of the Sami tents for centuries, is the richness of history and the refinement of culture. In humanities, it presents inward reflection and improvement; in nature, it presents fusion, respect and harmony. In the face of nature, in addition to humility, you can also find a people-oriented place.

Analysis

● Site – Tromso Storsteinen

● City connection – Main road

● Permeability of site – penetrate

● Accessibility – participation

Steinbohtta

● Commemorative –The seat

● Human oriented – space reserving

● Natuer oriented – keep the original

● Border – indentation of base nature

● Vision – Look over the city

● Site node – road junction

Tromsø Bridge

● Entrance

● Section

Exploded

● Elevation

● The space of the museum are arranged around a light well with 6 meters in up diameter, 14.2 meters in down diameter, and 26.15 meters in height. It is a routine for all spatial organization with the light well being both the starting point and the end point.

● Exit

● Light well

● Entrance

● Souvenir shop

● Restaurant

● Hall

● Permanent Exhibition

● Office

● Special Exhibition

● Permanent Exhibition

● People will start from passing through the light well, walk along the irregular path which winds down to the bottom of the conical space while inadvertently looking back into the light well through the apertures at different levels. Eventually, they will walk along the light well back to the starting point.

● Outdoor platform

● Outdoor platform

● Outdoor platform

● Hall

● Exhibition space

● Center Tower

LETI - future academic space

LETI's future campus space renovation project

The three main conceptual elements used in this design are radio transmission, Brutalism, and cut and rounded corners, which come from the campus itself, taking elements and inspiration from the surrounding architectural forms and integrating them into the direction of the campus development.

Chun-Wei Yang , Yeh-Ju Weng , Yu-Hao Chen , Yu-Chia Lin

In the choice of materials, the main body is made of white ceramic, which allows the light to be reflected. On the front facade, various materials are used to give a multi-layered effect to the facade vocabulary, and neon lights are used as the base, together with black metal plates and matte metal plates to show a futuristic and technological sense, without losing its sense of calmness in the choice of colors. The main visual focus is to visualize the lines of radio wave transmission.

Material Choice Design

● Cube Elevation

The rendering on the left illustrates the view of people moving around the newly designed campus entrance at night, with guiding floor lights and backlighting of signage to create a focal point and make use of the campus entrance area.

● Break space

Material Exploded

● White Ceramic

● Black Metal

● Light Box

● Matte metal

● Neon

● Glass

● Black Metal

● Exploded View

4.2m

9.15m

● South Elevation

● A-A' Section

The rendering on the right shows the interior of the guard room, which shows the view from the inside to the outside. The guard has better lighting space and can look through to the outside.

Design 30

Guardroom

The design of the square is the same as the entrance design vocabulary, through the same architectural vocabulary not only beautifies the location of the square, but also successfully connects the space inside and outside the campus.

Emotion is an invisible thing that can't be seen or touched but can only be felt. We try to turn the invisible thing of emotion into a tangible solid, using the visible emotion as the idea to design individual emotion spaces, each space corresponds to a different event and connects all the events in the form of a path.

Emotion Museum

A museum of emotions located on a cliff face.

Chun-Wei Yang

Emotion Museum

A museum of emotions located on a cliff face.

This idea can be applied to many spatial design methods, using emotion as a spatial template is an example, perhaps each future space can independently represent a dream, a story, a piece of history ...... and so on, different types of narrative methods, and also through the form of path to connect each event, using the human as a whole as a perceptual receptor, and see the original event is nothing.

Futurism X speed

Redefining

Until now, the most famous F1 racing competition has become an annual international event, and people have begun to pay attention to the design of the racing circuit, dividing it into various types of tracks, and treating this competition site with high standards of review. Humans always like to pursue innovation.

the future of speed sports

Chun-Wei Yang , Yu-Chia Lin

Racing car is not only a sport but also a combination index industry of technology, industry, entertainment and tourism. The progress of car racing represents the improvement of the scientific and technological level, create huge tourism revenue to our society and speed up the growth of leisure and sports viewing entertainment industry.

Prologue

Until now, the most famous F1 racing competition has become an annual international event, and people have begun to pay attention to the design of the racing circuit, dividing it into various types of tracks, and treating this competition site with high standards of review. Humans always like to pursue innovation. For the decreasing land, in order to achieve the best land use and innovation, we think about whether the future racing track can escape from the current 2D plane and evolve into a floating volume with a sense of space. up in the air.

● Section

● Garage

● Media broadcast

09

Memory Sequence

The impact of the event on the self

The three elements of medium, time and space are the three key elements that influence our life style and memory in the brain. When we look at the context of memory in the Greater Taipei area, medium is regarded as the forgotten events in the environment, and these events in the environment become the memory that affects our existence in the environment.

Chun-Wei Yang

Appearances Time and Space

When matter is embodied, this ability can be seen as the creation of matter and the world in the imagination.

Mediations lead us through time and space, and if they fade away, so does the ability to fantasize, unable to perceive time.

Erosion Paradoxes

The dialogue of the self creates uncertainty in the past, which is viewed from a third-person perspective through the medium.

What is true and does it matter? There are countless conflicts arising from different positions, and it turns and alternates.

Carrier Against

The spatial carrier carries the body controlled by our consciousness, giving us a three-dimensional sense of physicality.

Time 41

Each slice of time is a different symbol, and the symbol may be the inner form of a medium.

Adverse currents and dangerous situations are the constant surprises and challenges that people encounter in their lives.

East Elevation S=1/1200

South Elevation S=1/1200

West Elevation S=1/1200

North Elevation S=1/1200

Site S=1/2000

Explosion Diagram

A-A' Section S=1/1200

B-B' Section S=1/1200

Entrance Space

This is a strange ladder, the steps are at the level of the building, but the direction of guidance is slanted towards the entrance of the building.

Basic drawing

Basic drawing

First floor plan Perspective

Second Floor Plan Perspective

Calm walkway

Walking through the skeleton, enjoying the beauty of the sunlight and the strength of the frame, focusing on the self and gaining peace of mind.

Third

Basic drawing

Basic drawing

First floor plan Perspective

floor plan Perspective

Central Circle

The circle is in the center, the walkway surrounds it, guiding and encircling it, and in the process, we found a tiny entrance waiting to be explored.

Guided walkway

A narrow, secret pathway was discovered and we curiously walked inside, the light falling overhead changing with the frame.

Old and New Ends

Outside the window, we see the old building, which is the past saying goodbye to it and accepting the faint light to guide us to the future.

Third

Third

floor plan Perspective

Basic drawing

Basic drawing

floor plan Perspective

Secret platform

The sudden arrival of this place, majestic and huge, seems to be a place to admire from the bottom of the heart to relieve worries.

Looking into the Future

Basic drawing

Basic drawing

Third floor plan Perspective

Third floor plan Perspective

The personal space, hidden behind the wall in the corner, is followed by our own hidden observation deck.

Thinking Space

Basic drawing

Basic drawing

Third floor plan Perspective

Third floor plan Perspective

The tiny entrance is a path that one person can pass, curving but gradually clearing up, as if one can see the end.

The link between them is made, and the effect of stitching in the gaps, emotions and events and relics of the past, mingle together.

Basic drawing

Basic drawing Third floor plan

Attracted

Space for

Basic drawing