LPO/Marquee TV digital concert programme: Julia Fischer plays Mozart 2 - 12 Mar 2022 by London Philharmonic Orchestra

J U L I A F I S C H E R P L AYS M OZ A RT 2 B ROA D C A ST S AT U R DAY 1 2 M A RC H 202 2 F I L M E D L I V E AT T H E S O U T H B A N K C E N T R E ’ S ROYA L F E S T I VA L H A L L

D I G I TA L CONCE RT PROGR AMME

MOZART Violin Concerto No. 4 in D major, K218 MOZART Violin Concerto No. 5 in A major, K219 MOZART Sinfonia Concertante, K364 Julia Fischer violin Nils Mönkemeyer viola Thomas Søndergård conductor

London Philharmonic Orchestra on Marquee TV • 12 March 2022 • Julia Fischer plays Mozart 2

CONTENTS

Click on the headings to jump to a section

3 ON STAGE

4 LONDON PHILHARMONIC ORCHESTRA 5 LEADER: PIETER SCHOEMAN 6 JULIA FISCHER

7 THOMAS SØNDERGÅRD 8 NILS MÖNKEMEYER

9 PROGRAMME NOTES: VIOLIN CONCERTO NO. 4

10 PROGRAMME NOTES: VIOLIN CONCERTO NO. 5 11 PROGRAMME NOTES: SINFONIA CONCERTANTE 13 SOUND FUTURES DONORS 14 THANK YOU

16 LPO ADMINISTRATION

Concerts performed at the Southbank Centre’s Royal Festival Hall on 2 & 4 February 2022 and filmed by Intersection. The LPO would like to acknowledge the generosity of all of its members, supporters and donors. Thank you for your support. This performance has been made possible through a grant from the Cultural Recovery Fund from the Department of Digital, Culture, Media and Sport. #HereForCulture

London Philharmonic Orchestra on Marquee TV • 12 March 2022 • Julia Fischer plays Mozart 2

ON STAGE FIRST VIOLINS

Pieter Schoeman* LEADER Chair supported by Neil Westreich

Vesselin Gellev SUB-LEADER Kate Oswin

Chair supported by Friends of the Orchestra

Lasma Taimina

Chair supported by Irina Gofman & Mr Rodrik V. G. Cave

Minn Majoe Thomas Eisner Yang Zhang

Chair supported by Eric Tomsett

Sophie Phillips Katalin Varnagy

Chair supported by Sonja Drexler

Amanda Smith Catherine Craig Rasa Zukauskaite

SECOND VIOLINS

Tania Mazzetti PRINCIPAL

Chair supported by Countess Dominique Loredan

Emma Oldfield Helena Smart Ashley Stevens Fiona Higham

Chair supported by David & Yi Buckley

Marie-Anne Mairesse Kate Birchall Anna Harpham Nancy Elan Eriko Nagayama

VIOLAS

David Quiggle PRINCIPAL Richard Waters CO-PRINCIPAL

Chair supported by Caroline, Jamie & Zander Sharp

Ting-Ru Lai Laura Vallejo Benedetto Pollani Katharine Leek Stanislav Popov

CELLOS

Pei-Jee Ng PRINCIPAL

Chair supported by The Candide Trust

Jean Kim Francis Bucknall David Lale Laura Donoghue Sue Sutherley Helen Thomas

DOUBLE BASSES

Kevin Rundell* PRINCIPAL Sebastian Pennar CO-PRINCIPAL Hugh Kluger George Peniston

OBOES

Ian Hardwick* PRINCIPAL Alice Munday

HORNS

Nicholas Mooney GUEST PRINCIPAL Mark Vines CO-PRINCIPAL Martin Hobbs * Holds a professorial appointment in London

The LPO also acknowledges the following chair supporters whose players are not present: Chris Aldren Gill & Garf Collins William & Alex de Winton Roger Greenwood Dr Barry Grimaldi Sir Simon Robey Victoria Robey OBE Bianca & Stuart Roden

London Philharmonic Orchestra on Marquee TV • 12 March 2022 • Julia Fischer plays Mozart 2

LONDON PHILHARMONIC ORCHESTRA

the Orchestra takes up its annual residency at Glyndebourne Festival Opera, where it has been Resident Symphony Orchestra for over 50 years. The Orchestra also tours internationally, performing to sell-out audiences worldwide. In 1956 it became the first British orchestra to appear in Soviet Russia and in 1973 made the first ever visit to China by a Western orchestra.

One of the finest orchestras on the international stage, the London Philharmonic Orchestra balances a long and distinguished history with its reputation as one of the UK’s most forward-looking ensembles. As well as its concert performances, the Orchestra also records film soundtracks, releases CDs and downloads on its own label, and reaches thousands of people every year through activities for families, schools and local communities.

The London Philharmonic Orchestra has recorded many blockbuster film scores, from The Lord of the Rings trilogy to Lawrence of Arabia, East is East, The Hobbit: An Unexpected Journey and Thor: The Dark World. It also broadcasts regularly on television and radio, and in 2005 established its own record label. There are now over 100 releases available on CD and to download. Recent highlights include Shostakovich’s Symphony No. 11 and Mahler’s Symphony No. 8 under Vladimir Jurowski; a commemorative box set of historic recordings with former Principal Conductor Sir Adrian Boult; and works by Richard Strauss under Klaus Tennstedt, featuring soprano Jessye Norman.

The Orchestra was founded by Sir Thomas Beecham in 1932, and has since been headed by many great conductors including Sir Adrian Boult, Bernard Haitink, Sir Georg Solti, Klaus Tennstedt and Kurt Masur. In September 2021 Edward Gardner became the Orchestra’s Principal Conductor, succeeding Vladimir Jurowski, who became Conductor Emeritus in recognition of his transformative impact on the Orchestra as Principal Conductor from 2007–21. Karina Canellakis is the Orchestra’s current Principal Guest Conductor and Brett Dean is the Orchestra’s current Composer-in-Residence.

In summer 2012 the London Philharmonic Orchestra performed as part of The Queen’s Diamond Jubilee Pageant on the River Thames, and was also chosen to record all the world’s national anthems for the London 2012 Olympics. In 2013 it was the winner of the RPS Music Award for Ensemble.

The Orchestra is resident at the Southbank Centre’s Royal Festival Hall in London, where it gives around 40 concerts each season. It also enjoys flourishing residencies in Brighton, Eastbourne and Saffron Walden, and performs regularly around the UK. Each summer

London Philharmonic Orchestra on Marquee TV • 12 March 2022 • Julia Fischer plays Mozart 2

PIETER SCHOEMAN

The London Philharmonic Orchestra is committed to inspiring the next generation of musicians, and recently celebrated the 30th anniversary of its Education and Community department, whose work over three decades has introduced so many people of all ages to orchestral music and created opportunities for people of all backgrounds to fulfil their creative potential. Its dynamic and wide-ranging programme provides first musical experiences for children and families; offers creative projects and professional development opportunities for schools and teachers; inspires talented teenage instrumentalists to progress their skills; and develops the next generation of professional musicians. The Orchestra’s work at the forefront of digital technology has enabled it to reach millions of people worldwide. Over the pandemic period the LPO further developed its relationship with UK and international audiences through its ‘LPOnline’ digital content: over 100 videos of performances, insights, and introductions to playlists, which collectively received over 3 million views worldwide and led to the LPO being named runner-up in the Digital Classical Music Awards 2020. From Autumn 2020 the Orchestra was delighted to be able to return to its Southbank Centre home to perform a season of concerts filmed live and streamed free of charge via Marquee TV.

Leader

Pieter Schoeman was appointed Leader of the London Philharmonic Orchestra in 2008, having previously been Co-Leader since 2002. He is also a Professor of Violin at Trinity Laban Conservatoire of Music & Dance. Pieter has performed worldwide as a soloist and recitalist in such famous halls as the Concertgebouw in Amsterdam, Moscow’s Rachmaninov Hall, Capella Hall in St Petersburg, Staatsbibliothek in Berlin, Hollywood Bowl in Los Angeles and London’s Royal Festival Hall. As a chamber musician he regularly appears at London’s prestigious Wigmore Hall. His chamber music partners have included Anne-Sophie Mutter, Veronika Eberle, Patricia Kopatchinskaja, Boris Garlitsky, JeanGuihen Queyras, Yannick Nézet-Séguin and Martin Helmchen.

September 2021 saw the opening of a new live concert season at the Royal Festival Hall, featuring many of the world’s leading musicians including Sheku KannehMason, Klaus Mäkelä, Renée Fleming, Bryn Terfel and this season’s Artist-in-Residence, Julia Fischer. The Orchestra is delighted to be continuing to offer digital streams to selected concerts throughout the season through its ongoing partnership with Intersection and Marquee TV.

Pieter has performed numerous times as a soloist with the London Philharmonic Orchestra. Highlights have included an appearance as both conductor and soloist in Vivaldi’s Four Seasons at the Royal Festival Hall, the Brahms Double Concerto with Kristina Blaumane, and the Britten Double Concerto with Alexander Zemtsov, which was recorded and released on the LPO Label to great critical acclaim.

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Pieter has appeared as Guest Leader with the BBC, Barcelona, Bordeaux, Lyon and Baltimore symphony orchestras, and the Rotterdam and BBC Philharmonic orchestras. Pieter’s chair in the LPO is generously supported by Neil Westreich.

London Philharmonic Orchestra on Marquee TV • 12 March 2022 • Julia Fischer plays Mozart 2

JULIA FISCHER violin

LPO Artist-in-Residence Spring 2022 Symphony Orchestra under Michael Tilson Thomas. She embarks on a recital tour of major European venues with pianist Yulianna Avdeeva, as well as with her own Julia Fischer Quartet. During the 2020/21 season Julia Fischer appeared in concert with the Elbphilharmonie Hamburg and Alan Gilbert, the Svetlanov Symphony Orchestra and Vladimir Jurowski and the Bamberg Symphony under Jakub Hrůša, and premiered a new piece by Pascal Zavaro with the Orchestre national de France under Cristian Măcelaru. In 2011 Julia Fischer founded her own Quartet with Alexander Sitkovetsky, Nils Mönkemeyer and Benjamin Nyffenegger, and continues to tour extensively in this formation. Her concert at the Alte Oper Frankfurt in 2010 marked her debut as a pianist: she performed Grieg’s Piano Concerto in the second half of the concert, having played Saint-Saëns’s Violin Concerto No. 3 in the first half. The performance is available on a Decca-released DVD.

One of the world’s leading violinists, Julia Fischer is a versatile musician also known for her extraordinary abilities as a concert pianist, chamber musician and violin teacher. Born in Munich to German-Slovakian parents, she received her first violin lessons at the age of three and her first piano lessons shortly after from her mother, Viera Fischer. At the age of nine she started studying with renowned violin professor Ana Chumachenco, later becoming her successor. Winning First Prize at the Yehudi Menuhin International Competition in 1995 was one of the milestones in her early career and she has since performed with top orchestras worldwide.

Teaching is another integral part of Julia’s musical life, as she continues to nurture and guide young talent including performances alongside her students. She regularly gives masterclasses at Musikferien at Lake Starnberg (Starnberger See). In 2019 she founded a children’s orchestra, the Kindersinfoniker, teaming up with conductor Johannes X. Schachtner and pianist Henri Bonamy in her hometown of Munich.

In March 2019 Julia embarked on a major tour of China, Taiwan and South Korea with the London Philharmonic Orchestra under Vladimir Jurowski, and in September 2019 performed Britten’s Violin Concerto with the Orchestra, again under Jurowski, at the Royal Festival Hall and Saffron Hall. This spring she is Artist-in-Residence with the Orchestra, performing Mozart’s Concertos with Thomas Søndergård, as well as play-directing a Mozart programme and joining LPO Principal players in a chamber music concert. She returns to the Royal Festival Hall on 13 April to perform a live concert featuring Elgar’s Violin Concerto with the Orchestra and conductor Vladimir Jurowski.

Over the course of her artistic career Julia Fischer has released numerous critically acclaimed and awarded CD and DVD recordings, first under the Pentatone label and later under Decca. Breaking new ground in the classical music market, in 2017 she launched her own music platform, the JF CLUB, which offers exclusive audio and video footage and previews of her new recordings as well as personal insights into music and her work. Franck’s Sonata in A major, Szymanowski’s Sonata in D minor and Beethoven’s String Trio in C minor are all available exclusively on JF CLUB. In August 2021 Julia Fischer released a limited vinyl recording of Ysaÿe’s Sonatas as an exclusive JF CLUB edition in collaboration with Hänssler Classic.

This season Julia also embarks on an extensive tour with the Academy of St Martin in the Fields, an ensemble with whom she has enjoyed a long-standing relationship. Other tours include with the Royal Philharmonic and Vasily Petrenko, and the Berlin Radio Symphony Orchestra with Vladimir Jurowski. Julia also collaborates with the Lucerne Symphony under its new Chief Conductor Thomas Sanderling, and the Bavarian Radio

Julia Fischer holds numerous awards including the Federal Cross of Merit, a Gramophone Award and the German Culture Prize. She plays a violin by Giovanni Battista Guadagnini (1742) as well as an instrument made by Phillipp Augustin (2018). juliafischer.com/club

London Philharmonic Orchestra on Marquee TV • 12 March 2022 • Julia Fischer plays Mozart 2

THOMAS SØNDERGÅRD conductor

The 2021/22 season sees the RSNO’s return to live performances, showcasing works by, amongst others, Stravinsky, Tchaikovsky, Shostakovich and Berlioz. In November 2021 Thomas led the orchestra in performances of Dvořák’s ‘New World’ Symphony and (with Midori), the world premiere of Detlev Glanert’s Violin Concerto No. 2, To the Immortal Beloved, in tandem with the 2021 United Nations Climate Change Conference in Glasgow. © Bjarke Johansen

Recent highlights with the RSNO have included tours to China and the United States, premieres of new commissions and Wynton Marsalis’s Violin Concerto with Nicola Benedetti, and much-praised appearances at the Edinburgh International Festival. This season he makes first visits to the Montreal Symphony, Minnesota Orchestra and Bergen Philharmonic, and returns to many orchestras, among them the NDR Radiophilharmonie Hannover, the Royal Danish Opera (Die Walküre and New Year concerts) and the Danish National Symphony Orchestra.

Danish conductor Thomas Søndergård is current Music Director of the Royal Scottish National Orchestra, following six seasons as Principal Guest Conductor. Between 2012 and 2018 he served as Principal Conductor of the BBC National Orchestra of Wales, after stepping down as Principal Conductor and Musical Advisor of the Norwegian Radio Orchestra. Thomas Søndergård’s previous appearance with the London Philharmonic Orchestra was in December 2020, when he conducted a programme of Ravel, Schubert and Bent Sørensen, filmed at the Royal Festival Hall and broadcast on Marquee TV. He has appeared with many other notable orchestras in leading European centres, such as Berlin (including the Berlin Philharmonic, Rundfunk-Sinfonieorchester Berlin and Mahler Chamber Orchestra), Leipzig (Gewandhausorchester), Paris (Orchestre National de France), London (BBC Symphony, London Symphony and Philharmonia Orchestra), Amsterdam and Rotterdam (Royal Concertgebouw Orchestra, Netherlands Philharmonic, Rotterdam Philharmonic), and is a familiar figure in Scandinavia with such orchestras as the Oslo Philharmonic, Gothenburg Symphony, Danish National Symphony, Royal Stockholm Philharmonic, Swedish Radio Symphony, Finnish Radio Symphony and Helsinki Philharmonic orchestras. North American appearances to date have included the symphony orchestras of Chicago, Toronto, Atlanta, Montreal, Vancouver, Houston and Seattle. He has made highly successful tours to China, Korea, Australia and New Zealand.

London Philharmonic Orchestra on Marquee TV • 12 March 2022 • Julia Fischer plays Mozart 2

NILS MÖNKEMEYER viola

Frankfurter Opern- und Museumsorchester, MDR Leipzig Radio Symphony Orchestra, NDR Radiophilharmonie, Lausanne Chamber Orchestra, Deutsche Kammerphilharmonie Bremen, Munich Chamber Orchestra and Berliner Barock Solisten.

In 2021 Nils Mönkemeyer was Artist-in-Residence at the Mecklenburg-Vorpommern Festival, where he appeared in numerous orchestral and chamber music concerts as Laureate-in-Residence, and in autumn at the Schwetzingen Festival, with programmes of his own devising. As well as this debut with the London Philharmonic Orchestra, this season Nils also performs with the Tokyo Symphony Orchestra, Orquesta Sinfónica de Galicia, Symfonieorkest Vlaanderen and Kristiina Poska on tour through Benelux and Estonia, the Deutsches Symphonie-Orchester and Rundfunk-Sinfonieorchester Berlin, the Deutsche Kammerphilharmonie Bremen, in Vienna, London, Barcelona, Berlin and Munich, and at the Schubertiade, Niedersächsische Musiktage, Heidelberger Frühling and Mozartfest Würzburg festivals. Further highlights of the season include concerts with clarinettist Sabine Meyer and pianist William Youn, and with the Julia Fischer Quartet.

Artistic brilliance and innovative programming are among the trademarks that have earned Nils Mönkemeyer a reputation as one of the world’s most successful violists, dramatically raising the profile of his instrument. Under his exclusive contract with Sony Classical, Nils has released numerous CDs, all of which have won critical acclaim and prestigious awards. His programmes run the gamut from rediscoveries and first recordings of original 18th-century viola literature, to contemporary repertoire and arrangements of his own. His most recently released CDs are recordings of Walton, Bruch and Arvo Pärt with the Bamberg Symphony under Markus Poschner, a chamber music album entitled ‘Baroque’, and his latest album in which he, together with the ensemble l´arte del mondo, combines Paganini’s Sonata per la Grand‘ Viola e Orchestra with arrangements of cello and bassoon concertos by Vivaldi and L’arte del arco by Tartini.

Nils Mönkemeyer pursues a heartfelt wish as a musician to build bridges with music by making it accessible to the disadvantaged. To this end, he founded the chamber music festival ‘Klassik für Alle’ in 2016, in collaboration with the charity Caritas Bonn. Nils Mönkemeyer has been a professor at the University of Music and Performing Arts in Munich since 2011 – the same institution at which he himself studied with Hariolf Schlichtig. Previous tenures include a professorship at the Carl Maria von Weber University of Music in Dresden, and an assistant professorship at the Reina Sofia College of Music in Madrid.

Nils Mönkemeyer has worked with conductors including Andrej Boreyko, Sylvain Cambreling, Constantinos Carydis, Nicholas Collon, Reinhard Goebel, Elias Grandy, Pietari Inkinen, Vladimir Jurowski, Joana Mallwitz, Andrew Manze, Cornelius Meister, Marc Minkowski, Kent Nagano, Markus Poschner, Kristiina Poska, Michael Sanderling, Clemens Schuldt, Markus Stenz, Mario Venzago and Simone Young. He has performed as a soloist with orchestras including the Zurich Tonhalle Orchestra, Helsinki Philharmonic Orchestra, Les Musiciens du Louvre, Vienna Radio Symphony Orchestra, Bern Symphony Orchestra, Orchestra della Svizzera Italiana, Deutsches Symphonie-Orchester, Rundfunk-Sinfonieorchester and Konzerthausorchester Berlin, Dresden Philharmonic, Hamburg Philharmonic,

Nils Mönkemeyer plays a viola made by Philipp Augustin.

London Philharmonic Orchestra on Marquee TV • 12 March 2022 • Julia Fischer plays Mozart 2

PROGRAMME NOTES WOLFGANG AMADEUS MOZART 1756–91

VIOLIN CONCERTO NO. 4 IN D MAJOR, K218 1775

JULIA FISCHER violin 1 Allegro

2 Andante cantabile

3 Rondeau: Andante grazioso melody almost without interruption. This is violin-writing of the most serenely classical kind, making use both of the instrument’s clear higher register and of the soulful richness of its lower strings. The finale is a rondeau in which Mozart delights in keeping the listener guessing by constantly hopping between two different musics – the poised Andante grazioso with which it opens, and the tripping Allegro that interrupts its every appearance. And if there is a hint of pastoral dance about the latter, there is no mistaking the folk-music inspiration for the episode which occurs about halfway through the movement, when an exaggeratedly powdered Frenchstyle gavotte turns up, followed by a more rustic tune with bagpipe-like drones from the soloist. It would be a mistake, however, to imagine Mozart empathising too strongly with the lot of country folk; this is a rural world whose origins lie more in the make-believe of French ballet than in the realities of the Austrian countryside. Even so, it has a pleasantly calming atmosphere of its own, and helps to lead the Concerto towards a conclusion charmingly free of bombast.

The second of the four violin concertos that Mozart composed between June and December 1775, the Fourth is a work which breathes the air of confidence its composer had acquired only a month earlier in the better-known Third Concerto. Compared to its predecessor it is a less dreamy work, bolder and cleaner. The first movement is lean and muscular, yet at the same time maintains an elegant clarity and grace. And where the Third had revelled in delicate dialogue between soloist and orchestra, the Fourth allows the violin to indulge in a more continuous flow of melody, with the orchestra providing a supportive role. As ever in his concertos, Mozart also shows skill and imagination in the ordering and handling of his various themes. The little fanfare with which it opens, for instance, returns to inaugurate the first solo, its reappearance in a higher register transforming it into a lyrical statement. After that it is not heard again. The radiant Andante cantabile extends the dominance of the soloist, for after the orchestra’s opening statement, it is the violin that carries the song-like

Programme note © Lindsay Kemp

London Philharmonic Orchestra on Marquee TV • 12 March 2022 • Julia Fischer plays Mozart 2

PROGRAMME NOTES WOLFGANG AMADEUS MOZART 1756-91

VIOLIN CONCERTO NO. 5 IN A MAJOR, K219 1775

JULIA FISCHER violin 1 Allegro aperto 2 Adagio

3 Rondeau: Tempo di Menuetto – Allegro – Tempo di Menuetto of them in public; and it is easy to imagine that they reflect his own technique and personality as a violinist – not least in the many opportunities they present for improvised transitions as well as full-scale cadenzas. Of the five concertos, the last – dated 20 December 1775 – is the most mature, and the most ambitious, despite having no more than the standard Salzburg orchestration of strings, two oboes and two horns.

Mozart’s father Leopold was the author of one of the most celebrated violin tutors of his day, so it is not surprising that when his son began to show a precocious aptitude for music, he should have taken up the violin – at the age of six, reportedly, and without any formal teaching – as well as the piano. The instrument remained important to him in his youth, and indeed he played it regularly in the Salzburg court orchestra and on tours. It was only when Mozart left the Salzburg court for Vienna in 1781, and so escaped from the direct influence of his father, that he concentrated his efforts as a public performer on the piano, reserving the violin (or more often the viola) for private musical parties.

The first movement has the unusual marking of Allegro aperto, suggesting openness or straightforwardness; its most unusual feature is the soaring six-bar Adagio with which the solo violin makes its initial entry. The same tempo marking, and the same concentration on the lyrical upper register of the solo instrument, mark the slow movement. The finale is a rondo in minuet time, which was a familiar enough way of ending a mid-18thcentury concerto; less expected is the appearance of a minor-key central episode in the currently fashionable ‘Turkish’ style, with the usual noisy percussion impersonated by the cellos and basses. This movement also boasts one of Mozart’s wittiest endings.

Not surprisingly, all Mozart’s five full-scale concertos for solo violin date from his early years: the first probably from April 1773, the rest from the period between June and December 1775 – the months leading up to his 20th birthday. It is known that some of the concertos were played by the Italian-born leader of the Salzburg orchestra, Antonio Brunetti; and there is a reference in one of Leopold Mozart’s letters to a concerto written for another Salzburg violinist, Johann Anton Kolb. But there is also evidence that Mozart himself played at least one

Programme note © Anthony Burton

London Philharmonic Orchestra on Marquee TV • 12 March 2022 • Julia Fischer plays Mozart 2

PROGRAMME NOTES WOLFGANG AMADEUS MOZART 1756-91

SINFONIA CONCERTANTE IN E FLAT MAJOR FOR VIOLIN, VIOLA AND ORCHESTRA, K364 1779

JULIA FISCHER violin NILS MÖNKEMEYER viola 1 Allegro maestoso 2 Andante 3 Presto

concert life and where musicians were respected as independent professionals rather than court servants. In the end, however, he failed to make the wished-for impact on the French capital and, worse than that, his mother, who had accompanied him there, died. These misfortunes, together with his humbling return home to the service of the Archbishop of Salzburg in 1779, all seem to have contributed to a new maturity and seriousness in his music, and nowhere is that better shown than in the Sinfonia Concertante, arguably his finest instrumental composition before his move from Salzburg to Vienna in 1781.

Mozart’s period of devotion to the violin concerto was short. The promise shown by his teenage concertos was not followed up, and the great concertos of his maturer years in Vienna were either for piano or for his new love, the clarinet. After passing the age of 20, his only significant return to the violin as a solo instrument was in the shape of the Sinfonia Concertante for violin and viola, composed when he was a slightly older and wiser man of 24. The Sinfonia Concertante, then, stands outside the cycle of violin concertos, not just chronologically but in terms of quality and emotional depth as well. We do not know why or for whom it was written, and there is no record of any performance. Neither is the date of composition entirely certain, though it probably dates from some time in the summer or autumn of 1779, a period when Mozart was particularly interested in concertos for more than one soloist, no doubt as a result of his recent visits to Paris and Mannheim, where such works were popular and where he himself had composed a concerto for flute and harp and at least begun one for flute, oboe, horn and bassoon.

The first movement is a masterly mixture of noble strength and tender lyricism, the orchestra providing most of the former and the dialoguing soloists most of the latter; their emergence playing in octaves at the end of the opening orchestral section is a typically Mozartian marvel, as are the movement’s frequent turns to the minor. The C minor Andante is again pure Mozart; elegiac and richly beautiful, it is perhaps the single most profound movement he had yet composed, and a hint of the expressive power he would unleash in the great operas of the 1780s. The work ends, however, with a cheerful, suavely dancing and generously tuneful rondo.

But the effects of his travels ran deeper than that: the Paris sojourn had been intended as a new start for him, an opportunity to forge a career in a city with a teeming

Programme note © Lindsay Kemp

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London Philharmonic Orchestra on Marquee TV • 12 March 2022 • Julia Fischer plays Mozart 2

SOUND FUTURES DONORS We are grateful to the following donors for their generous contributions to our Sound Futures campaign. Thanks to their support, we successfully raised £1 million by 30 April 2015 which has now been matched pound for pound by Arts Council England through a Catalyst Endowment grant. This has enabled us to create a £2 million endowment fund supporting special artistic projects, creative programming and education work with key venue partners including our Southbank Centre home. Supporters listed below donated £500 or over. For a full list of those who have given to this campaign please visit lpo.org.uk/soundfutures.

MASUR CIRCLE

Arts Council England Dunard Fund Victoria Robey OBE Emmanuel & Barrie Roman The Underwood Trust

WELSER-MÖST CIRCLE

William & Alex de Winton John Ireland Charitable Trust The Tsukanov Family Foundation Neil Westreich

TENNSTEDT CIRCLE

Valentina & Dmitry Aksenov Richard Buxton The Candide Trust Michael & Elena Kroupeev Kirby Laing Foundation Mr & Mrs Makharinsky Alexey & Anastasia Reznikovich Sir Simon Robey Bianca & Stuart Roden Simon & Vero Turner The late Mr K Twyman

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Ageas John & Manon Antoniazzi Gabor Beyer, through BTO Management Consulting AG Jon Claydon Mrs Mina Goodman & Miss Suzanne Goodman Roddy & April Gow The Jeniffer & Jonathan Harris Charitable Trust Mr James R.D. Korner Christoph Ladanyi & Dr Sophia Ladanyi-Czernin Robert Markwick & Kasia Robinski

The Maurice Marks Charitable Trust Mr Paris Natar The Rothschild Foundation Tom & Phillis Sharpe The Viney Family

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Mark & Elizabeth Adams Dr Christopher Aldren Mrs Pauline Baumgartner Lady Jane Berrill Mr Frederick Brittenden David & Yi Yao Buckley Mr Clive Butler Gill & Garf Collins Mr John H Cook Mr Alistair Corbett Bruno De Kegel Georgy Djaparidze David Ellen Christopher Fraser OBE David & Victoria Graham Fuller Goldman Sachs International Mr Gavin Graham Moya Greene Mrs Dorothy Hambleton Tony & Susie Hayes Malcolm Herring Catherine Høgel & Ben Mardle Mrs Philip Kan Rehmet Kassim-Lakha de Morixe Rose & Dudley Leigh Lady Roslyn Marion Lyons Miss Jeanette Martin Duncan Matthews QC Diana & Allan Morgenthau Charitable Trust Dr Karen Morton Mr Roger Phillimore Ruth Rattenbury The Reed Foundation The Rind Foundation Sir Bernard Rix

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PRITCHARD DONORS

Ralph & Elizabeth Aldwinckle Mrs Arlene Beare Mr Patrick & Mrs Joan Benner Mr Conrad Blakey Dr Anthony Buckland Paul Collins Alastair Crawford Mr Derek B. Gray Mr Roger Greenwood The HA.SH Foundation Darren & Jennifer Holmes Honeymead Arts Trust Mr Geoffrey Kirkham Drs Frank & Gek Lim Peter Mace Mr & Mrs David Malpas Dr David McGibney Michael & Patricia McLaren-Turner Mr & Mrs Andrew Neill Mr Christopher Querée The Rosalyn & Nicholas Springer Charitable Trust Timothy Walker CBE AM Christopher Williams Peter Wilson Smith Mr Anthony Yolland and all other donors who wish to remain anonymous

London Philharmonic Orchestra on Marquee TV • 12 March 2022 • Julia Fischer plays Mozart 2

THANK YOU We are extremely grateful to all donors who have given generously to the LPO over the past year. Your generosity helps maintain the breadth and depth of the LPO’s activities, as well as supporting the Orchestra both on and off the concert platform.

ARTISTIC DIRECTOR’S CIRCLE Anonymous donors Mrs Aline Foriel-Destezet Mrs Christina Lang Assael In memory of Mrs Rita Reay Sir Simon & Lady Robey OBE

ORCHESTRA CIRCLE The Candide Trust William & Alex de Winton Aud Jebsen Mr & Mrs Philip Kan Neil Westreich The American Friends of the London Philharmonic Orchestra

PRINCIPAL ASSOCIATES

An anonymous donor Richard Buxton Gill & Garf Collins In memory of Brenda Lyndoe Casbon In memory of Ann Marguerite Collins Hamish & Sophie Forsyth The Tsukanov Family

ASSOCIATES

Anonymous donors Mrs Irina Andreeva In memory of Len & Edna Beech Steven M. Berzin Ms Veronika BorovikKhilchevskaya Irina Gofman & Mr Rodrik V. G. Cave The Lambert Family Charitable Trust Countess Dominique Loredan Mr & Mrs Makharinsky George Ramishvili Stuart & Bianca Roden Julian & Gill Simmonds In memory of Hazel Amy Smith Deanie & Jay Stein

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An anonymous donor Chris Aldren David & Yi Buckley David Burke & Valerie Graham David & Elizabeth Challen

In memory of Allner Mavis Channing Sonja Drexler The Vernon Ellis Foundation Peter & Fiona Espenhahn Marie-Laure Favre-Gilly de Varennes de Beuill Mr Roger Greenwood Malcolm Herring John & Angela Kessler Dame Theresa Sackler Scott & Kathleen Simpson Eric Tomsett Andrew & Rosemary Tusa The Viney Family Guy & Utti Whittaker

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Mrs A Beare The Rt Hon. The Lord Burns GCB Bruno De Kegel Jan & Leni Du Plessis Ulrike & Benno Engelmann Simon & Meg Freakley Pehr G Gyllenhammar The Jeniffer & Jonathan Harris Charitable Trust Catherine Høgel & Ben Mardle Wg. Cdr. & Mrs M T Liddiard OBE JP RAF Sofiya Machulskaya Mrs Elizabeth Meshkvicheva The Metherell Family Andrew Neill Peter & Lucy Noble Marianne Parsons Tom & Phillis Sharpe Laurence Watt Grenville & Krysia Williams

BRONZE PATRONS

Anonymous donors Michael Allen Dr Manon Antoniazzi Julian & Annette Armstrong Roger & Clare Barron Mr Philip Bathard-Smith Sir Peter Bazalgette Mikhail Noskov & Vasilina Bindley Mr Bernard Bradbury Sally Bridgeland In memory of Julie Bromley Desmond & Ruth Cecil Mr John H Cook Howard & Veronika Covington John & Sam Dawson

Cameron & Kathryn Doley David Ellen Christopher Fraser OBE Virginia Gabbertas MBE David & Jane Gosman Mr Gavin Graham Mrs Dorothy Hambleton J Douglas Home The Jackman Family Mr & Mrs Ralph Kanza Jamie & Julia Korner Rose & Dudley Leigh Drs Frank & Gek Lim Nicholas & Felicity Lyons Geoff & Meg Mann Harriet & Michael Maunsell Marianne Parsons Dr Wiebke Pekrull Mr Gerald Pettit Mr Roger Phillimore Gillian Pole Mr Michael Posen Mr Christopher Querée Sir Bernard Rix Mr Robert Ross Priscylla Shaw Patrick & Belinda Snowball Charlotte Stevenson Mr Robert Swannell Joe Topley Tony & Hilary Vines Mr & Mrs John C Tucker Mr & Mrs John & Susi Underwood Marina Vaizey Jenny Watson CBE Mr John Weekes Christopher Williams

PRINCIPAL SUPPORTERS

Anonymous donors Dr R M Aickin Mr Mark Astaire Sir John Baker Tessa Bartley Mr Geoffrey Bateman Mrs Julia Beine Mr Anthony Boswood Dr Anthony Buckland Dr Carlos Carreno Mr Julien Chilcott-Monk Mr & Mrs Stewart Cohen David & Liz Conway Mr Alistair Corbett Andrew Davenport Mr Simon Douglas Mr B C Fairhall Mr Richard Fernyhough Mrs Janet Flynn Mrs Ash Frisby

Jason George Mr Stephen Goldring Mr Daniel Goldstein Mr Milton Grundy Prof. Emeritus John Gruzelier Nerissa Guest & David Foreman Michael & Christine Henry Mark & Sarah Holford Ivan Hurry Per Jonsson Alexandra Jupin & John Bean Mr Ian Kapur Ms Kim J Koch Richard & Briony Linsell Paul & Brigitta Lock Mr Peter Mace Nicholas & Lindsay Merriman Andrew T Mills Simon & Fiona Mortimore Mrs Terry Neale John Nickson & Simon Rew Mr James Pickford Michael & Carolyn Portillo Mr David Russell Colin Senneck & the Hartley and District LPO Group Mr John Shinton Nigel Silby Mr Brian Smith Martin & Cheryl Southgate Mr & Mrs G Stein Dr Peter Stephenson Mr Ian Tegner Dr June Wakefield Howard & Sheelagh Watson Joanna Williams Roger Woodhouse Mr John Wright

SUPPORTERS

Anonymous donors Ralph & Elizabeth Aldwinckle Alexander & Rachel Antelme Julian & Annette Armstrong Lindsay Badenoch Mr Mark Bagshaw & Mr Ian Walker Mr John Barnard Mr John D Barnard Damaris, Richard & Friends Mr David Barrett Diana Barrett Mr Simon Baynham Harvey Bengen Nick & Rebecca Beresford Mr Paul Bland Mr Keith Bolderson Mr Andrew Botterill

Julian & Margaret Bowden & Mr Paul Michel Richard & Jo Brass Mr & Mrs Shaun Brown Mr Alan C Butler Lady Cecilia Cadbury Mrs Marilyn Casford Alison Clarke & Leo Pilkington J Clay Mr Joshua Coger Mr Martin Compton Mr Martin Connelly Mr Stephen Connock Miss Tessa Cowie Mr David Davies Mr Roderick Davies Mr David Devons Anthony & Jo Diamond Miss Sylvia Dowle Patricia Dreyfus Mr Andrew Dyke Mr Declan Eardly Mrs Maureen Erskine Mr Peter Faulk Mr Joe Field Ms Chrisine Louise Fluker Mr Kevin Fogarty Mr Richard France Mr Bernard Freudenthal Mrs Adele Friedland & Friends Will Gold Mrs Alison Goulter Mr Andrew Gunn Mr K Haines Mr Martin Hale Roger Hampson Mr Graham Hart Mr & Mrs Nevile Henderson The Jackman Family Martin Kettle Mr Justin Kitson Ms Yvonne Lock Mrs Sally Manning Belinda Miles Dr Joe Mooney Christopher & Diane Morcom Dame Jane Newell DBE Oliver & Josie Ogg Mr Stephen Olton Mari Payne Mr David Peters Nadya Powell Ms Caroline Priday Mr Richard Rolls Mr Richard Rowland Mr & Mrs Alan Senior Tom Sharpe Mr Kenneth Shaw Ruth Silvestre

London Philharmonic Orchestra on Marquee TV • 12 March 2022 • Julia Fischer plays Mozart 2

THANK YOU

Barry & Gillian Smith Mr David Southern Ms Mary Stacey Mr Simon Starr Mrs Margaret Thompson Philip & Katie Thonemann Mr Owen Toller Mrs Rose Tremain Ms Mary Stacey Ms Caroline Tate Mr Peter Thierfeldt Dr Ann Turrall Michael & Katie Urmston Dr June Wakefield Mr Dominic Wallis Mrs C Willaims Joanna Williams Mr Kevin Willmering Mr David Woodhead

HON. BENEFACTOR Elliott Bernerd

HON. LIFE MEMBERS Alfonso Aijón Kenneth Goode Carol Colburn Grigor CBE Pehr G Gyllenhammar Robert Hill Mrs Jackie Rosenfeld OBE Laurence Watt

THOMAS BEECHAM GROUP MEMBERS Chris Aldren David & Yi Buckley Gill & Garf Collins William & Alex de Winton Sonja Drexler The Friends of the LPO Irina Gofman Roger Greenwood Dr Barry Grimaldi Mr & Mrs Philip Kan John & Angela Kessler Countess Dominique Loredan Sir Simon Robey Victoria Robey OBE Bianca & Stuart Roden Caroline, Jamie & Zander Sharp Julian & Gill Simmonds Eric Tomsett Neil Westreich Guy & Utti Whittaker

CORPORATE DONORS

Barclays CHANEL Fund for Women in the Arts and Culture Pictet Bank

LPO CORPORATE CIRCLE LEADER freuds Sunshine

PRINCIPAL

Berenberg Bloomberg Carter-Ruck French Chamber of Commerce

TUTTI

Lazard Russo-British Chamber of Commerce Walpole

TRIALIST

Allianz Musical Insurance Sciteb

PREFERRED PARTNERS

Gusbourne Estate Lidl Lindt & Sprüngli Ltd OneWelbeck Steinway

IN-KIND SPONSOR Google Inc

TRUSTS AND FOUNDATIONS

The Boltini Trust Borrows Charitable Trust Boshier-Hinton Foundation The Candide Trust Cockayne – Grants for the Arts The London Community Foundation The David Solomons Charitable Trust The D’Oyly Carte Charitable Trust Dunard Fund Ernst von Siemens Music Foundation

The Fidelio Charitable Trust Foyle Foundation Garrick Charitable Trust The Leche Trust Lucille Graham Trust John Horniman’s Children’s Trust John Thaw Foundation The Idlewild Trust Kirby Laing Foundation The Marchus Trust Adam Mickiewicz Institute PRS Foundation The Radcliffe Trust Rivers Foundation The R K Charitable Trust Romanian Cultural Institute Rothschild Foundation RVW Trust Schroder Charity Trust Scops Arts Trust Serge Rachmaninoff Foundation Sir William Boreman’s Foundation Souter Charitable Trust The Stanley Picker Trust The Thomas Deane Trust The Thriplow Charitable Trust The Vaughan Williams Charitable Trust The Victoria Wood Foundation The Viney Family The Barbara Whatmore Charitable Trust The William Alwyn Foundation and all others who wish to remain anonymous. The LPO would also like to acknowledge all those who have made donations to the Play On Appeal and who have supported the Orchestra during the COVID-19 pandemic.

BOARD OF THE AMERICAN FRIENDS OF THE LPO

We are grateful to the Board of the American Friends of the London Philharmonic Orchestra, who assist with fundraising for our activities in the United States of America:

Simon Freakley Chairman Jay Goffman Alexandra Jupin William A. Kerr Kristina McPhee Natalie Pray Damien Vanderwilt Elizabeth Winter Victoria Robey OBE Hon. Director Jenifer L. Keiser, CPA, EisnerAmper LLP

LPO INTERNATIONAL BOARD OF GOVERNORS

Natasha Tsukanova Co-Chair Martin Höhmann Co-Chair Mrs Irina Andreeva (Russia) Steven M. Berzin (USA) Veronika Borovik-Khilchevskaya (Cyprus) Marie-Laure Favre Gilly de Varennes de Bueil (France) Aline Foriel-Destezet (France) Irina Gofman (Russia) Countess Dominique Loredan (Italy) Olivia Ma (Greater China Area) Olga Makharinsky (Russia) George Ramishvili (Georgia) Victoria Robey OBE (USA) Jay Stein (USA)

London Philharmonic Orchestra on Marquee TV • 12 March 2022 • Julia Fischer plays Mozart 2

LONDON PHILHARMONIC ORCHESTRA ADMINISTRATION BOARD OF DIRECTORS

Victoria Robey OBE Chairman Martin Höhmann* President Dr Catherine C. Høgel Vice-Chairman Mark Vines* Vice-President Kate Birchall* David Buckley David Burke Bruno De Kegel Deborah Dolce Elena Dubinets Tanya Joseph Hugh Kluger* Al MacCuish Tania Mazzetti* Stewart McIlwham* Jamie Njoku-Goodwin Andrew Tusa Neil Westreich Simon Freakley (Ex officio – Chairman of the American Friends of the London Philharmonic Orchestra) *Player-Director

ADVISORY COUNCIL Martin Höhmann Chairman Christopher Aldren Dr Manon Antoniazzi Roger Barron Richard Brass Helen Brocklebank YolanDa Brown Simon Callow CBE Desmond Cecil CMG Sir Alan Collins KCVO CMG Andrew Davenport Guillaume Descottes Cameron Doley Christopher Fraser OBE Lord Hall of Birkenhead CBE Jonathan Harris CBE FRICS Marianna Hay MBE Amanda Hill Rehmet Kassim-Lakha Jamie Korner Geoff Mann Clive Marks OBE FCA Stewart McIlwham Andrew Neill Nadya Powell Sir Bernard Rix Victoria Robey OBE Baroness Shackleton

Thomas Sharpe QC Julian Simmonds Barry Smith Martin Southgate Chris Viney Laurence Watt Elizabeth Winter

FINANCE

Frances Slack Finance Director Dayse Guilherme Finance Manager Jean-Paul Ramotar Finance and IT Officer

GENERAL ADMINISTRATION

EDUCATION AND COMMUNITY

Elena Dubinets Artistic Director David Burke Chief Executive Chantelle Vircavs PA to the Executive

Talia Lash Interim Education and Community Director

Rebecca Parslow Education and Community Project Manager

CONCERT MANAGEMENT

Hannah Foakes Tilly Gugenheim Education and Community Project Co-ordinators

Roanna Gibson Concerts Director

Graham Wood Concerts and Recordings Manager

DEVELOPMENT

Fabio Sarlo Glyndebourne and Projects Manager Grace Ko Tours Manager

Nick Jackman Campaigns and Projects Director

Sarah Thomas Martin Sargeson Librarians

Kirstin Peltonen Development Associate

Laura Kitson Stephen O’Flaherty Stage Managers Freddie Jackson Assistant Stage Manager Felix Lo Orchestra and Auditions Manager

Harrie Mayhew Website Manager Gavin Miller Sales and Ticketing Manager Ruth Haines (née Knight) Press and PR Manager Sophie Harvey Digital and Residencies Marketing Manager Greg Felton Digital Creative Kiera Lockard Marketing Assistant

Gillian Pole Recordings Archive

Priya Radhakrishnan Georgia Wiltshire Development Assistants

Andrew Chenery Orchestra Personnel Manager

Rachel Williams Publications Manager

Scott Tucker Development Events Manager

Anna Quillin Trusts and Foundations Manager

Matthew Freeman Recordings Consultant

Mairi Warren Marketing Manager