Harry the Great Program

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A word from

MAYOR JIM GUNNING Lone Tree is expanding – there is no doubt about that. With five residential developments, a hotel, three major health services projects and one giant sporting goods store all currently under development, the landscape of Lone Tree continues to evolve. Yet, it is the jewel box you are sitting in now that I think defines a critical element of the direction of Lone Tree. We are a city committed to advancing the quality of life of citizens and guests, expanding opportunities to people of all ages and recruiting the best-ofthe-best to live and work in Lone Tree. The Arts Center exemplifies that vision; as one of the few cities of our size to boast a professional facility like this one, we continue to set the pace. Last summer, the Arts Center received an interesting message via Facebook. A gentleman in Texas was looking to relocate; he explored several metro areas, paying particular attention to surrounding communities in his search for the right balance of convenience, community and amenities. In his review of Denver, he found our Arts Center and, consequently, Lone Tree. He was immediately impressed, not only with the LTAC, but with our city in general. He may have eventually found Lone Tree another way, but his top criteria for where to live was a place with arts nearby. We all knew LTAC would be a benefit to Lone Tree and its neighbors; this story highlights to me that LTAC is also an exceptional beacon for our city to those beyond our backyard. It is truly a great day to be in Lone Tree and a great night to be at the Lone Tree Arts Center. Enjoy your show! Sincerely, Mayor Jim Gunning

A word from

Executive Director Lisa Rigsby Peterson Since we opened the Lone Tree Arts Center in early September 2011, close to 60,000 people have come through our doors. You’ve come for concerts, plays, meetings, fundraisers, dance recitals, ski movies, classes, speakers, community updates, awards ceremonies, magic shows, children’s programs – you name it. Almost every nook and cranny of the building has been used by professional performers, community groups, and other rental clients. One night we featured the award-winning Arvada Center production of Ragtime, and a few days later saw the stage taken over by dozens of children performing in Christian Youth Theatre’s Hello Dolly!. Our youngest audience member was a 4-week old baby lulled by a Lone Tree Symphony Orchestra concert; our oldest was a 96-year old woman attending a live musical production (White Christmas) for the first time in her life. We think our attendance numbers are impressive – but it’s the individual experience that each of you has when you come here that means the most to us. From the beginning, our goal has been to make sure that the Lone Tree Arts Center serves as a vibrant center for the community. We don’t just want you to come through our doors once. We want you to leave saying to yourself “I can’t wait to go back there again!” If someone has gone out of their way to make your experience here an extraordinary one, then we are doing our job well. Your presence in our audience is important to us. We hope that you enjoy the performance you see tonight, and that the 2012/13 season will bring you back through our doors again soon! Enjoy the show! Lisa Rigsby Peterson, Executive Director

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LONE T R EE A RT S CEN T ER


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LONE TREE STAFF LISTINGS Lone Tree City Council Mayor Jim Gunning Mayor Pro Tem Jacqueline Millet Councilmember Harold Anderson Councilmember Kim Monson Councilmember Susan Squyer

Lone Tree City Management Jack Hidahl City Manager Seth Hoffman Deputy City Manager

Lone Tree Arts Center Staff Lisa Rigsby Peterson, Executive Director, spent ten years at the Denver Center for the Performing

Arts (DCPA), working as the Director of Administration for the Denver Center Theatre Company and as Associate Director of Development for the DCPA. Her twenty-five year career in Denver arts management includes positions with PHAMALY, Curious Theatre Company, Opera Colorado, and the Colorado Children’s Chorale. Lisa has served on the Board of Directors for Curious Theatre Company, the Colorado Theatre Guild, and the national Executive Committee of the League of Resident Theatres. She served as the International (UK) Tour Coordinator for the DCPA/Royal Shakespeare Company production of Tantalus in 2001, and worked with the London International Festival of Theatre as well as the Theatre Royal, Plymouth. A Colorado resident since 1975, Lisa holds degrees from the University of Colorado and the Yale School of Drama.

Paul

Ackerman,

Technical

Director,

is a native of Long Island, NY. Paul received his degree in Technical Theatre and Design from the University of Virginia. He has worked in Atlanta with The Alliance Theatre/Atlanta Children’s Theatre, Atlanta Ballet, and the Georgia Institute of Technology where he participated in the 1996 Cultural Olympiad. Paul comes to the Lone Tree Arts Center from Blue Man Group where he was their Senior General Manager of Production.

Katie

Maltais,

Marketing

Director,

is originally from Iowa. She has lived in Colorado since earning her BA in Arts Administration & Theatre from Drury University in Springfield, MO. Before joining Lone Tree Arts Center, Katie worked for TRG Arts in Colorado Springs where she was the Manager of Accounts and Services. She has a broad range of marketing experience with fine arts venues, working with such notable organizations as Nederlander Alliances, Center Theatre Group, Alley Theatre, and Arts Club Theatre Company.

Kirstin Fletcher, Education & Programming Coordinator, a native of Colorado, received

her Bachelor Degree at the School of Journalism and Mass Communication from the University of Colorado at Boulder. Kirstin worked in public relations and special events for organizations including: University of Colorado Hospital, Make A Wish Foundation, the Women’s Professional Softball League and Crestline Sports. She

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LONE T R EE A RT S CEN T ER

previously worked as Special Events Coordinator for the City of Aurora, before becoming the Arts, Recreation and Events Coordinator for the City of Lone Tree in 2007. After several years developing and managing events and public art for the City of Lone Tree, Kirstin transferred her role to cultivate public art, education and children’s programming for the Lone Tree Arts Center.

Doug Evans, Box Office Manager, is from

Wichita, KS and currently lives in Denver. He received his MEd in Sports Administration from Wichita State University. He has worked with 1st Bank Center, Pepsi Center, and The Denver Center for the Performing Arts. Doug comes to the Lone Tree Arts Center from the Denver Center Theatre Company, where he worked as a Show Lead.

Rich Harris, House Manager Thaddeus Valdez, Assistant House Manager Allen Shapiro, Assistant Technical Director Jen Kiser, Don Post, Bree Gielissen, Technical Staff Kathy Denzer, Administrative Assistant Brian Brooks, Miles Hooley, Matthew Kepler, Box Office Representatives The Lone Tree Arts Center would like to thank our volunteers for their many hours of service. Your time & talents help make the LTAC the welcoming environment we all enjoy.


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Harry the Great By John DiAntonio Harry the Great is a world premiere production of Creede Repertory Theatre and CRT’s Headwaters New Play Development Program. PRODUCTION CREW Director Larry Hecht Scenic Design Jon Young Asst. Scenic Design Hana Goff Costume Design Nina Silfverberg Lighting Design Ryan Wentworth Music Director Joe Montelione Stage Manager Jonathan D. Allsup* Consulting Magician Chad Wonder

CAST (in order of appearance) Harry Robenstein Steven Cole Hughes* Fifi Emily Van Fleet* Samantha Robenstein Caitlin Wise* Alfred Krupp John S. Green* Bess Rahner Kyra Koelling Florenz Ziegfeld, Jr. Graham Ward Eugen Sandow M. Tyler Horn Erik Weisz Brian Kusic Bert Williams Cajardo Lindsey* Pianist/Piano Improvisation Evangelos Spanos

*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States

Sponsored By Prof. Michael R. Harris & Charlotte Min-Harris

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DIRECTOR’S NOTES “Do you believe in magic?” The Lovin’ Spoonful Times of big change in thought, in industry, in politics, in art have always been great storytelling fodder - none more than the last decade of the 1800’s, “The Gay Nineties,” and none more than the 1893 World’s Columbian Exposition in Chicago. Where else could the likes of Ziegfeld, Houdini, Alfred Krupp and Bert Williams have possibly rubbed shoulders? “Magic” was everywhere: the electric light, the telephone, the phonograph, the horseless carriage. People sought out “entertainment.” Vaudeville and baseball and spiritualism were on the rise. What a perfect set-up for a love story! What a perfect set-up for “magic!” -Larry Hecht

THE REAL-LIFE HISTORICAL CHARACTERS THAT POPULATE THE MAGICAL WORLD OF HARRY THE GREAT Harry Robenstein Little to nothing is known about this real-life gambler, con man, fake spiritualist and accident-prone magician. He was probably from New Orleans, born to a Jewish father and a Creole fortune-telling mother. As a performer, he seemed almost cursed: he shot off his own index finger during a magic show and lost his left eye while playing the villain in a melodrama. It is said he still did the evening performance. He’s infamous for building an elaborate and expensive spiritualist parlor at the Chicago World’s Fair. Florenz Ziegfeld, Jr. There are many variations on how the great Broadway impresario was connected to the Chicago World’s Fair before he was famous. This one’s the most fun: Flo’s father was the musical director for the Fair and created the Trocadero Theatre to house the world’s best classical music. He sent his son Flo around the world to acquire great classical musicians. But instead, Flo returned with the best vaudeville entertainment the world had to offer. He created a lavish show, which included a Russian dance troupe, a dog act, a clown with an accordion, an acrobat, a little-person trapeze act, a yodeler, a coquette with a fan, a sword swallower, a ventriloquist, and of course, Sandow the Magnificent. Bert Williams Williams was born in Nassau, Bahamas, but raised in Riverside, California. Bert started his career the only way most black actors could – in minstrel shows, such as San Francisco’s “Mastodon Minstrels.” Because of his extraordinary comic talent, he eventually achieved stardom on Broadway and was the first African American to join the actors’ union. Florenz Ziegfeld received much criticism from other actors in the famed Ziegfeld Follies for casting Bert. Flo told them he could replace every one of them, except Bert. Harry the Great involves a fictional account of an early working relationship between Flo and Bert.


Eugen Sandow Known as Sandow the Magnificent, this vaudeville strongman was the father of modern bodybuilding. Sandow, born in Prussia, became Ziegfeld’s first headliner. Audiences were enraptured with his muscles and enjoyed his flexing displays even more so than his ability to lift extraordinary amounts of weight. He went on to found a bodybuilding magazine, a gym, and the first bodybuilding competition. At the Mr. Olympia competition, still held today, the trophy given to the winner is called “The Sandow.” Alfred Krupp Krupp was the heir to a 400-year-old German dynasty from Essen. His family business, Friedrich Krupp AG, was the largest company in Europe at the beginning of the 20th century. It manufactured ammunition and armaments. Krupp was a proud anti-Semite and longed for “a counter-revolution” against Jews, socialists, and liberals. All of Krupp’s involvement with Harry Robenstein is fictional, but his company did create the terrifying German Gun Pavilion, which was a huge success at the Chicago World’s Fair. Fifi Although not based upon a specific person, Fifi exemplifies the fate of many young women during the Chicago World’s Fair. Fifi is a “woman of the evening” and works at a high-end establishment in The Levee, Chicago’s red-light district, which popped up in 1893 in response to the Fair. Hundreds of young people flocked to Chicago each day in hope of finding work – and countless young women became prostitutes, either by force or by necessity. Samantha Robenstein The delightfully unconventional Sam represents many of the new freedoms women were experiencing during the 1890s. In some athletic situations, women could get away with wearing something akin to pants. The women’s suffrage movement was underway and it was becoming more common for a woman to venture out alone (sans escort!), which could take a girl to some exciting places – like the Chicago World’s Fair. Although to us, these paltry freedoms may not seem like much, they were nonetheless important steps in the women’s movement. -John DiAntonio and Jessica Jackson

Steinmeyer, Jim. The Glorious Deception: The Double Life of William Robinson, aka Chung Ling Soo, the Marvellous Chinese Conjurer. New York: Carroll and Graf Publishers, 2005. Mordden, Ethan. Ziegfeld: The Man Who Invented Show Business. New York: St. Martins Press, 2008. Forbes, Camille F. Introducing Bert Williams: Burnt Cork, Broadway, and the Story of America’s First Black Star. New York: Basic Civitas, 2008.


CAST BIOGRAPHIES Steven Cole Hughes* Harry Robenstein At CRT: I Capture the Castle, How to Succeed in Business Without Really Trying, Unnecessary Farce, 39 Steps, This Day and Age, cowboyily, Fools, Life is a Dream. Denver Center Theatre Company: Pride and Prejudice, All My Sons, Measure for Measure, The Misanthrope, Scapin, Blue/Orange, Love’s Labour’s Lost, The Three Sisters, The Lonesome West, Hamlet and Tantalus. Theatreworks: Mary Stuart. Arvada Center: A Man For All Seasons. Curious Theatre Company: Lieutenant of Inishmore. Theatre Aspen: Moonlight and Magnolias. Regionally: Portland Center Stage, Gulfshore Playhouse, Baltimore Centerstage, Cleveland Public Theatre, Shadowland Theatre, Ensemble Studio Theatre and many others. Television: “Easy Money,” “Law & Order,” Law & Order: Criminal Intent.” MFA, the National Theatre Conservatory. Member AEA and SAG. He is also a CRT Resident Playwright; and the coartistic director of Fight or Flight, a New York City-based aerial theatre company, for whom he has directed Shakespeare’s Richard II and Henry V. Emily Van Fleet* Fifi Emily is so excited to be making her Lone Tree debut in this fantastic new play! In addition to Fifi in Harry the Great, she was also seen as Janet Van De Graaff in The Drowsy Chaperone at Creede Repertory Theatre this summer. She has appeared at the Arvada Center as Mary Jane Wilkes in Big River, Jennifer Yeager in Do I Hear A Waltz? and Darcy Green in The Second Tosca (regional premier). You might have also seen her as Louisa in The Fantasticks, Mariana in Measure for Measure, and Clarice in The Servant of Two Masters at the Colorado Shakespeare Festival.

New York credits include Rachel in Warsaw (NY Musical Theater Festival) and Narrator in Alice, the Musical (NY Musical Development Series). Regional favorites: Much Ado About Nothing (Hero); As You Like It (Phebe); The Wizard of Oz (Dorothy). TV/Film: Clear Blue Tuesday; MTV’s Legally Blonde: The Search for Elle Woods (semi-finalist). Emily received her Bachelor of Arts in Musical Theatre at the University of Northern Colorado. Special thanks to my family, friends and wonderful husband who continue to love and support me! Caitlin Wise* Samantha Robenstein Caitlin is thrilled to be back at The Lone Tree Arts Center. Caitlin appeared in I Capture the Castle, How To Succeed in Business, Unnecessary Farce, Fools, Life is a Dream, and Boomtown at Creede Repertory Theatre. With the Denver Center Theatre Company Caitlin appeared in Tom Sawyer, A Midsummer Night’s Dream, A Christmas Carol, Dracula, and Othello. At the Arvada Center Caitlin played Cecily Cardew in The Importance of Being Earnest. At The Colorado Shakespeare Festival she played Hero in Much Ado About Nothing and various roles in To Kill A Mockingbird. Caitlin Received the 2012 Best of Denver Westword Award: Best Comic Triple Threat as well as the 2011 Denver Ovation Award: Best Supporting Actress, Comic Role. She was an Irene Ryan winner in 2005. Caitlin received her MFA in acting from The National Theatre Conservatory in 2011.


CAST BIOGRAPHIES John S. Green* Alfred Krupp

Graham Ward Florenz Ziegfeld, Jr.

John first performed on the Creede stage during its third season. Favorite roles from his early CRT years include Destry in Destry Rides Again and Tom in The Glass Menagerie. John has since performed on stages throughout the United States and Europe, doing everything from Neil Simon to Shakespeare. He won Chicago’s Jeff Award for his portrayal of George in Of Mice And Men directed by Robert Falls. TV appearances include All My Children, America’s Most Wanted, Early Edition and numerous TV and Radio commercials. Plays he has written have been produced at theatres across the country and in Paris. Twilight Serenade was published by Dramatic Publishing Company. The Liquid Moon published in New Plays From Chicago, won the After Dark and Jeff Awards for Best New Play and was subsequently nominated for the Pulitzer. He would like to thank his wife, Rebecca, for her love and support.

From Boston, MA, Graham is a recent graduate of Brigham Young University, where he has just finished a BFA in Acting. He was seen this past summer at Creede Repertory Theatre, playing Jeffrey Hatcher and company in Mrs. Mannerly and Basil Thorpe/Claude Riviere/Charlie/King of France in Is He Dead?. BYU credits include Touchstone in As You Like It, Victor Frankenstein in The Monster of Dr. Frankenstein, Cecil Sykes in Getting Married, Officer O’Hara in Arsenic and Old Lace, Peter Van Daan in The Diary of Anne Frank, and most recently John Merrick in The Elephant Man, a role for which Graham received the national award for Distinguished Performance at the Kennedy Center’s American College Theatre Festival.

Kyra Koelling Bess Rahner Kyra is excited to bring this wonderful show to Lone Tree Arts Center. A native Coloradan, Kyra has recently worked with Candlelight Dinner Playhouse, Denver Children’s Theatre, and Southern Colorado Repertory Theatre. Last winter Kyra was seen on the Lone Tree stage as Rita in the Starkey Production of White Christmas. Along with Harry the Great, Kyra also performed in Drowsy Chaperone this summer as Trix. Thank you to the lovely people who see theatre and FF.

M. Tyler Horn Eugen Sandow Tyler is honored to make his Denver debut after his third summer in Colorado with the Creede Rep family. Originally from New Hope, Pennsylvania, Tyler’s recent CRT credits include Robert Martin in The Drowsy Chaperone, Bud Frump in How to Succeed..., Wilbur Wright in The Wright Stuff: The Science of Flight, William Barfee in The 25th Annual Putnam County Spelling Bee, Agent Fontanelle in The Presidents!, and, of course, Sandow in the world premiere of Harry the Great. Recent Philadelphia credits include Stephen Bellamy in Farragut North with Village Productions. Kansas City credits: Ted in Spooky Dog: A Scooby-Doo-Like Mystery at the Coterie Theater, Flute/Peasblossom in A Midsummer Night’s Dream and Laertes in Hamlet, both for the Two/Thirds Theater Project. Tyler holds an M.F.A. in acting from the University of MissouriKansas City, a B.A in theatre from Temple University, and is also an EMC candidate.


CAST BIOGRAPHIES Brian Kusic Erik Weisz Brian was thrilled to be a part of such an amazing company this summer, where he was seen in CRT’s productions of The Drowsy Chaperone, Harry the Great, and Boomtown Improv Comedy. Brian is a native of Denver and studied acting at Metro State College of Denver. He would like to thank his friends and family for their love and support, and he would also like to thank CTR and Larry for such a fantastic summer. Cajardo Lindsey* Bert Williams Native of Cincinnati, Ohio, Cajardo is an actor, poet, screenwriter and lawyer. Theatre: Fences (Curious Theatre Company); A Raisin in the Sun (DCTC); To Kill a Mockingbird, Wait Until Dark, A Raisin in the Sun (Arvada Center); Joe Turner’s Come and Gone, Who’s Afraid of Virginia Woolf, Blood Knot, (Shadow Theatre Company); The Night of the Iguana, Lobby Hero, Misery (Miner’s Alley Playhouse). TV/Film: In Plain Sight, Medium, Easy Money, Silver City and MacGruber, see www.imdb.me/cajardo. Colorado Theatre Guild Henry Award for Best Actor in a Drama 2008 2009; Denver Ovation Award Winner for Best Actor 2008; Marlowe Award Winner for Best Actor in a Drama 2008; Colorado Theatre Guild Henry Award Nominee for Best Supporting Actor 2007-2008; Denver Ovation Award Nominee for Best Actor 2006.

Evangelos Spanos Piano/Piano Improvisation Evangelos grew up in Larissa, Greece where he took his first piano lessons in an early age. He continued his piano studies and theory studies at the Municipal Conservatory of Larissa where he graduated with a degree in Music Harmony and later on he continued his piano studies at the Municipal Conservatory of Volos, Greece where he studied with renowned pianist, Dinos Mastroyiannis and graduated with the highest distinction. Later on, he continued his music studies on scholarship at the University of Kansas with world renowned and distinguished pianist, Sequeira Costa where he studied extensively and graduated with a Master’s in Piano Performance and a Doctorate of Music Arts with academic honors. Evangelos has appeared in numerous master classes and festivals in the United States and Europe with renowned performers and has been performing both as a soloist and collaborator and working as a pianist/accompanist/jazz improviser with vocalists, instrumentalists, theatre companies, dance companies and other. Recent highlights include a piano-duo concert at the Lied Center of Lawrence, Kansas with pianist Daniel Cunha, an Opera Outreach Program (over fifty performances) presented by Reach Out Kansas Foundation and a solo piano recital at the University of Tulsa, Oklahoma.


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For information, please call us at 720-509-1000 or visit us at www.LoneTreeArtsCenter.org


It’s the Most Wonderful Time o f the Year! Start a holiday tradition with the Lone Tree Arts Center!

Home for the Holidays December 18-23; Tickets start at $29 What person doesn't want to be home during the holidays, surrounded by loved ones? Mrs. Claus wants that same thing! As she reminisces on years-gone-by, we'll enjoy songs from the 1940s to today. Filled with talented vocalists and extraordinary dancers, this show is the perfect fit to bring the entire family together during the busy holiday season. Enjoy each other's company as we welcome you Home for the Holidays.

John Denver Holiday Concert December 11-16; Tickets start at $29 A taste of that warm holiday glow of Aspen on Christmas Eve. Brought to you by former writing partner, band mate, and friend of John Denver, this concert features top musicians from Alaska to Florida flown in to recreate the magical times when John Denver took us all on to a Rocky Mountain Christmas. Fans of this icon will love what Dan Wheetman and Randal Myler have created.


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TARGETED MARKETING WITH EVERY PERFORMANCE There is no better way to reach active, influential Coloradans than Colorado’s Performing Arts Publications. To expedite your ad process, contact Tod Cavey at 303-428-9529 or tod@pub-house.com.

Scan this code to learn more about Colorado’s Performing Arts Publications, which provides magazines and programs for the 10 largest performing arts venues along the Front Range.

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Donor Profiles SCIENTIFIC & CULTURAL FACILITIES DISTRICT Since 1989, Scientific and Cultural Facilities District (SCFD) has distributed funds from a 1/10 of 1% sales and use tax to cultural facilities throughout the seven-county Denver, Colorado metropolitan area. The funds support cultural facilities whose primary purpose is to enlighten and entertain the public through the production, presentation, exhibition, advancement and preservation of art, music, theatre, dance, zoology, botany, natural history and cultural history. Distributing approximately $40 million annually, the SCFD provides funding to roughly 300 organizations each year, including the Lone Tree Arts Center. As a result of SCFD, Denver is now in the national spotlight and has been elevated in stature to a world-class cultural center.

Park Meadows Retail Resort Park Meadows, “Colorado’s Only Retail Resort”, salutes the Lone Tree Arts Center’s second season bringing the true art of fashion to south Denver and Lone Tree. Park Meadows is the perfect destination for your fashion needs and committed to providing delectable dining choices in a beautiful resort setting. Enjoy a variety of restaurant options with a comprehensive selection of menus and patio seating with spectacular mountain views at any one of the 14 Park Meadows restaurants; such as Colorado’s only White Chocolate Grill, Cheesecake Factory, PF Changs, Earls, Brio Tuscan Grille, La Sandia, Yard House, Grand Lux Café, CRU- A Wine Bar, Thai Basil, Nordstrom Sixth & Pine Restaurant, Champps, Red Robin, and California Pizza Kitchen. As Colorado’s largest regional shopping center, Park Meadows features a collection of over 170 of the nation’s top retailers in the rocky mountain region providing the perfect opportunity for fashion that special night out at the Lone Tree Arts Center. Park Meadows favorites include the largest Nordstrom in a 6 state area, Dillard’s, Macy’s, Michael Kors, Coach, Sundance, Athleta (opening Fall 2012) and Colorado’s first Madewell store. Park Meadows shares your interest and love for art and culture as a proud sponsor of The Lone Tree Arts Center and invites you to view an extensive collection of art on display by Colorado artists at Park Meadows located at I-25 and County Line Road. For more information about Park Meadows visit www.parkmeadows. com or call guest services at 303-7925384 for assistance making your dinner reservations.

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www.parkmeadows.com 303-792-5384


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Donor Profiles LONE TREE CULTURAL ARTS FOUNDATION The Lone Tree Cultural Arts Foundation, a non-profit 501(c)3 organization, was formed in 2008 to ensure that the Lone Tree Arts Center meets the current and future needs of the community. During the construction phase of the Arts Center, the Foundation worked to raise funds necessary to realize many of the extraordinary upgrades to the Center that you see today – including the beautiful grand piano and the orchestra shell. The Foundation is currently focused on enhancing the Lone Tree Arts Center by providing fundraising and other community leadership. As part of the effort to provide superior programming at the Arts Center, the Lone Tree Cultural Arts Foundation actively works to secure funding in support of specific programs at the Center. In fact, during the 2012/2013 season, the Lone Tree Cultural Arts Foundation is proud to be a presenting sponsor of all six theatrical productions.

www.lonetreearts.org

720-880-2499

Grand Piano Donated to LTAC The Lone Tree Cultural Arts Foundation donated a Yamaha C7 grand piano to the Lone Tree Arts Center at the end of May. The acquisition of a piano for the Arts Center was the final element of the first phase of the Capital Campaign, a threeyear fundraising effort led by the Foundation. The Yamaha grand is a piano of choice for some of the world’s leading musicians, and owning rather than having to rent such a marvelous

instrument will mean long-term savings for the Arts Center. Special thanks go to major piano contributors Linda Bjelland, Betty A. and Don E. Winslow, and Park Meadows Shopping Center. Foundation Chair Art Bouton commented with a smile, “We’ve worked a long time on this, and over the last year we’ve become experts on all things piano. Not to say that any of us can play.”

Piano Contributors Linda Bjelland Don E. and Betty A. Winslow Park Meadows Shopping Center The Lone Tree Cultural Arts Foundation

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Open 7 Days Available Services: Medicine, Surgery, Dentistry, Acupuncture, Boarding, Grooming, Obedience, Prescription Diets, Pet Care Products & Toys

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