ST EE L ISP BE RA AM YO NF IRE P
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FIN
ISH ED WO WO OD OD FLO SU OR BF LO OR
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DR OP CE DR ILIN O GR DR P CEIL O OP CE ING S DS ILIN U G P B STR AN ELS UCTU R
E
1
BY: NATE LONG
50'0" Arch 317 Construction 1 Instructor: Bradley Cooper
3'8"
7'2" 2'8"
4'10"
2'0"
KITCHEN
4'3"
LIVING ROOM
8'7"
20'1"
27'5" 11'4"
4'5" 8'6"
12'9"
3'11"
DINING ROOM
DN
5'6"
3'2"
1'3" 4'5" 3'3"
5'8"
27'5"
5'3"
3'8"
2'0" 2'6"
5'4"
2'9" 2'10"
2'1"
3'8"
14'2"
3'8"
3'1" 2'0" 3'11"
13'3"
9'6"
3'11"
2'6" 3'9" 8'5"
4'2"
6'10"
5'8"
8'2"
3'7"
UP
5'11"
7'5"
11'4"
41'4" 13'2"
Revisions
No.
Date
14'6" 1’
2’
4’
8’
1450 Jones Dr Ann Arbor Mi, 48105 Architect: Sahba La’al
N Title:
First Floor Plan
Drawn By:
Project
Whitney Hansley
Dome Home
Date
2
Scale
1/4”=1’
Sheet
CONTENTS 3
INTRO
ARCHITECTURE
CONCEPTUAL DESIGN
FREELANCE DESIGN
CONSTRUCTION
02 04 44 50 60
ARCHITEC 4
44
CTURE
5
d.e.i FALL 2011 UG3
6
7
d.e.i
DE TR O I T SC H O O L F OR EN TR E P R E N E U R S H IP AN D I N N O VAT IO N Detroit is a city fresh full of resources and bright young minds. Yet, the city’s growth is below average. Abandoned buildings and forgotten businesses are not uncommon. To alleviate this, Detroit School for Entrepreneurship and Innovation aims to reach out to the community, help bring business back to the city, and seize the unrecognized resources that Detroit has. d.e.i will sit at the center of Detroit’s cultural district. The site is currently home to a few abandoned buildings, a museum, parking lots, and empty space. d.e.i illustrates the symbiotic relationship between community, entrepreneurship, and education.
8
Abandoned building on site
Site view 8375 1880 2467
Proposed ally/garden path
14517
165849
1755 2025
17200
Influenced by precedents such as the Highline in NY. Reusing the abandoned space to improve the community.
15250
3300
9463
3872
29730 ft
SITE SQUARE FOOTAGE Site:
165849
Existing parking lots:
62085
Existing structures:
47750
Ft.
2
Reusing t he exist ing inf rast r u ct u r e
9
CIRCULATION DIAGRAMS
VE EA
ID
DS
OO
W LD
IE
E
C
F AN
ST
N
The form was designed to harmoniously connect the community with/within the school. Circulation paths create a main corridor that guides the occupant from one side of the site to the other, while sub-pathways create interaction spaces and contribute to a circulation hierarchy. Elbows in the circulation are visual connections programmed to highlight the social atmosphere. There are four atriums within the school that visually connect the levels, deliver sunlight to classrooms, and form a central hub.
CE
NTR
AL
CO
RR
IDO
R
DEVELOPING THE FORM
IMMEDIATE ACCESS TO ST.
10
PULLING THE SIDES OUT TO INCREASE SURFACE AREA
UTILIZING THE ANCHOR POINTS TO MAXIMIZE VISUAL CONNECTIONS
CREATING A CENTRAL HUB
1ST FLOOR PLAN N
ge
y Loun Stud
's Men
room Bath en's
Wom
room
Bath
ose
Purp
e
Spac
room
Bath
ge
Room
Room
l
anica
Mech
e
Copy
Room
Room
tion
bora
Colla
y Spac
Stud
al
Soci
ia
Med
er
Cent
m
sroo
Clas
ose
purp
Multi
e
Spac
m
toriu
Audi
ony
Balc
nce
Entra
e
e spac
loung
ny
Balco
oom
s bathr
Men'
en's
Wom
oom
ge
Stora
bathr
m
sroo
Clas
tion
bora
Colla
m
e
Spac
Multi
Purp
ose
e
Multi
ose
Purp
m
sroo
Clas
Room
Spac
ce
eren
Conf
l shaft
anica
mech
ose
m
Purp
Lab
Multi
sroo
Clas
e
Spac
uter
e
sroo
Spac
Clas
p comp
ose
Purp
Grou
Multi
e
Spac
ssor
Profe
es
Offic
ge
Loun
m
sroo
Clas
Study
ge
Loun
oom
s Bathr
Men' en's
Wom
oom
Bathr
se
e
oom
Spac
x Bathr
Purpo
Unise
Multi
Mech
Room
l
anica
ge
Stora
and
g Room
Testin
ge
Stora
Study
e
Spac
Room
Room
Copy
ion
borat
Colla
er
se
purpo
Multi
a Cent
l Medi
Socia
room Class
e
Spac
orium
Audit
ny
Balco
nce
Entra
ny
Balco
s bathr
Men'
oom
ge
ge
Stora
oom
bathr
Loun
en's
Wom
room
Class
Colla
e
se
Purpo
p Room
Grou
p Room
m
sroo
Grou
Spac
Multi
Multi
Spac
p Room
se Purpo
Grou
ex Unis room Bath
e
Spac
room
Class
e Room
erenc
Conf
l shaft
anica
mech
se Purpo
room
Clas
Lab
Multi
Class
Room
p Room
Grou
tion
e
Spac
bora
ion borat
Colla
uter
e
room
Spac
p comp
se
Class
Purpo
Grou
Multi
e
ssor
Profe
s
Office
ge
Loun
room
Class
3RD FLOOR PLAN 2ND FLOOR PLAN
Stora
ng
Testi
and
m
sroo
Clas
e
e spac
loung
room
Class
AN EC
Multi
ex
Unis
ge
Stora
ent
Stud
m
sroo
Clas
nt
Stude
room
Class
VE EA SID OD WO
T DS L FIE
11
O
O
W
12
D AR DW
E AV
CENTRAL ATRIUM
13
OTHER MUSEUM WINTER 2012 UG4
14
15
OTHER MUSEUM A CHILDREN’S MUSEUM FOR RAPID COGNITION
Other Museum explores an atmosphere of curiosity and discovery. Exhibitions focus on the kind of thinking that happens in the blink of an eye. Spatial relations promotes Intellectual growth by Challenging that which we consider reality, or the way things work. Using tools such as anamorphic projection, experiential learning, interactive objects, and temporal environments occupants are motivated to question their understanding of space and how we inhabit it. 16
233 BOWERY STREET NEW YORK, NY
Grand Central Station, New York Pulling Apart the layers 1/8”=1’0”
SHARING SPACE
$
@ * %
17
PLANS 1/8”=1’0”
+32 FT (LARGE GALLERIES)
+23 FT (LARGE GALLERIES, MEDIUM GALLERIES, LOUNGE)
+10 FT (LARGE GALLERY, MEDIUM GALLERIES)
EAST-WEST LONGITUDINAL SECTION ENTRY LEVEL
18
+0 FT (ENTRY, OFFICE, RESTROOMS, GIFT SHOP, ROTATING INSTALLATION)
In the longitudinal section of the museum you see circulation and gallery spaces lose their particular boundaries. Slippage occurs where stairs begin to deform the ribbons and, vice versa, manipulating the hierarchy of space. Spaces are no longer defined by physical relationships, rather, experiential qualities such as crowd density, light, perspective, and the occupants own speed of transience.
19
20
INTERCONNECTING SPACE
EXHIBITION SPACE
21
THE SPACE WITHIN FALL 2010 UG1
22
23
THE SPACE WITHIN “Thirty spokes share the wheel’s hub; It is the center hole that makes it useful. Shape clay into a vessel; It is the space within that makes it useful. Cut doors and windows for a room; It is the holes which make it useful. Therefore profit comes from what is there; Usefulness from what is not there.” -Tao Te Ching - Lao Tzu - chapter 11 24
It is always around, but it is only defined by its edges. Space is a parasite. Its survival depends on another. Yet space is what defines the purpose of its edges. In this project I investigated space using four images associated with an industrial environment. In the images, crisscrossing supports and repeating structures along with opaque planes and masses form integrated layers. Pockets of space are formed between interlocking planes. The depths of surfaces create a shadow making machine. Space begins to be defined, not only by masses but by light and shadows, giving us the ability to realize the utility of what is not.
LONGITUDINAL SECTION
CROSS SECTION
ISOMETRIC SCALE DRAWING. PENCIL AND CHARCOAL
PLAN SECTION
25
ROCKITE CASTING 26
QUANTIFYING SPACE TO UNDERSTAND THE USEFULNESS FOR WHAT IS NOT THERE.
CHARCOAL RENDERINGS
CONSTRUCTING SPACE AFTER ITERATIONS OF STUDY, A FINAL MODEL WAS MADE USING BOTH TRANSPARENT AND OPAQUE MATERIAL. SOLID MASSES OVERLAP, COLLIDE, PUSH AND PULL AT EACH OTHER. AS A RESULT, THERE IS AN UNDERSTANDING THAT, SPACE EXISTS BECAUSE OF MATTER, BUT MATTER HAS PURPOSE BECAUSE OF NOTHNGNESS.
FINAL MODEL. 27
VANITY FALL 2010 UG1
28
29
VANITY VANITY JUXTAPOSES TWO UNIQUELY DIFFERENT CIRCULATION PATHS. THE TWO LANGUAGES CREATE A ROMANTIC YET DESPERATE SCENE OF TEMPTATION AND DESIRE. THE PATHS PUSH AND PULL AT EACH OTHER YET, NEVER INTERSECT.
30
PLAN VIEW
CHARCOAL PERSPECTIVE RENDERING 1-3
31
“THE GRASS IS ALWAYS GREENER ON THE OTHER SIDE.”
CROSS SECTION
32
LONGITUDINAL SECTION
33
CAMINO DE SANTIAGO SPRING 2011 UG1
34
35
CAMINO DE SANTIAGO ALBERGUE DE LAS PATAS 3”X5” MOLESKIN NOTEBOOK
36
ALONG THE CAMINO DE SANTIAGO, A PILGRIM’S JOURNEY MAY EXTEND ANYWHERE BETWEEN 100 AND 2000 MILES. WALKING TO A NEW CITY, TOWN, OR VILLAGE EVERY DAY. IN SUCH A TRANSIENT LIFE, A PRIMAL NECESSITY IS FOOD AND SHELTER. AT THE END OF THE DAY, THE ALBERGUE SERVES AS A TEMPORARY HOME. HUMBLY CATERING TO THE NEEDS OF THE WEARY PILGRIM. EACH DAY, WELCOMING A SET OF FRESH FACES. OUR WALK BEGAN IN PONCE DE LEON, FRANCE, 500 MILES FROM SANTIAGO. ALONG THE WAY WE STAYED IN MANY ALBERGUE’S, STUDYING EACH ONE TO DESIGN THE WHAT WE WOULD CONSIDER THE PERFECT SHELTER FOR PILGRIMS.
37
1ST FLOOR PLAN
38
2ND FLOOR PLAN
SLEEPING QUARTERS FRONT ELEVATION
CROSS SECTION
SPACIAL RELATION
WASHROOM RENDER
NSHIPS AXONOMETRIC DIAGRAM
STRUCTURAL AXONOMETRIC DIAGRAM
COMMON SPACE RENDER
39
HARVEST DOME SLO ARCHITECTURE
40
E 2.0
PHOTO: ANDREAS SYMIETZ
41
HARVEST DOME 2.0 SLO Architecture Inwood Hill Park, New York, NY
X 400 UMBRELLAS
X 16 RINGS
A floating installation of 500 broken umbrellas and 128 empty soda bottles. The 24’ dome’s base sits on the soda bottles which allows it to alternate between floating on water and resting on the mudflat at the Inwood Hill Park inlet as the tide rises and falls. Featured in: Wall Street Journal, NYDailyNews, Curbed, Untapped Cities, DNAinfo New York, Fastcodedesign
X 1 BASE
X 128 BOTTLES
42
43
CONCEPTU DESIGN 44
UAL
44
45
OUT OF ORDINARY
46
PHOTOGRAPH TO FORM THE PHOTOGRAPH WAS ROTATED, PRINTED, AND NEW CURVES WERE INTERPRETED. TANGENT LINES WERE EXTRUDED FROM THE CURVES AND DRAWN ON THE PRINT WITH PENCIL. THE NEW IMAGE WAS REINTERPRETED AND THREE DIMENSIONAL FORMS WERE PULLED OUT TO DISCOVER A DEEPER READING IN TO THE IMAGE.
47
DESPINA
Despina can be reached in two ways, by ship or by camel. The city displays one face to the traveler arriving overland and a different one to him who arrives by sea. When the camel driver sees, at the horizon of the tableland, the pinnacles of the skyscrapers come into view, the radar antennae, the white and red windsocks flapping, the chimneys belching smoke, he thinks of a ship; he knows it is a city, but he thinks of it as a vessel that will take him away from the desert, a windjammer about to cast off, with the breeze already swelling the sails, not yet unfurled, or a steamboat with its boiler vibrating in the iron keel; and he thinks of all the ports the foreign merchandise the cranes unload on the docks, the taverns where crews of different flags break bottles over one another’s heads, the lighted, ground floor windows, each with a woman combing her hair.
48
In the coastline’s haze, the sailor discerns the city form of a camel’s withers, an embroidered saddle with glittering fringe between two spotted humps, advancing and swaying; he knows it is a city, but he thinks of it as a camel from whose pack hang wineskins and bags of candied fruit, date wine, tobacco leaves, and already he sees himself at the head of a long caravan taking him away from the desert of the sea, toward oases of fresh water in the palm trees’ jagged shade, toward palaces of thick, whitewashed walls, tiled courts where girls are dancing barefoot, moving their arms, half-hidden by their veils, and half-revealed. Each city receives its form from the desert it opposes; and so the camel driver and the sailor see Despina, a border between two deserts.
“DESPINA CAN BE REACHED IN TWO WAYS, BY SHIP OR BY CAMEL.”
BOTH TRAVELLERS SEEK THE QUALITIES OF THE OTHER’S DESERT. EACH STEP IS LONG AND HARD, BUT SUPPORTED BY THE PROMISES AND SEDUCTION OF THE OTHER SIDE; EACH STEP PUSHING A DEEPER AND DEEPER LONGING.
49
FREELANC DESIGN 50
CE
50
51
LONG D E S IGN
40'7" 16'5-3/4"
42-42 64TH STREET QUEENS, NY 11377
DRAWN BY:
NJL
CECKED BY:
NJL
DATE:
11.15.2012
6'5"
6'4"
ENTRANCE
11.15.2012
14’8”x15’4”
KITCHEN/ DINING ROOM 14’9”x25’4”
POWDER ROOM 6’9”X5’
4
B
2
1ST FLOOR PLAN
A1.1
FLOOR PLANS
DRAWING NO:
52
7'7-1/4" 40'7"
OFFICE 9’6”X7’7”
3'4-3/4"
7'1"
3
16'6-1/4"
N
DRAWING TITLE:
4'3-1/4"
4
6'8-1/2"
B
9'4-1/4"
3
1
DRAWING TITLE:
DRAWING NO:
LIVING ROOM
28'6"
DATE:
B 2
10'7-3/4"
NJL
7’3”X7’4”
17'0-3/4"
2
5'1-1/4"
AS NOTED
NJL
CECKED BY:
A
11'5-1/4"
SCALE:
AS NOTED
DRAWN BY:
8'11-1/2"
1
B
28'6"
1025 REGIONAL ROAD PORT PERRY, ONTARIO
A
1025 REGIONAL ROAD PORT PERRY, ONTARIO
SCALE:
16'5" 7'5-1/2"
15'10"
JORDAN MCKAY RESIDENCE
7'8" 7'9-1/4"
6'4"
42-42 64TH STREET QUEENS, NY 11377
8'8-1/2"
6'4"
This renovation of a 1920’s two story, at the heart of the Canadian contryside, began with the stripping JORDAN of the interiors and was rebuilt using MCKAY RESIDENCE a modern and traditional vocabulary. While the project is still underway, the kitchen examplifies that warm and rooted inspiration of the countryside. The white cabinetry and detailed glass panels are brought together by a rustic marble island and an oven vent that was built using reclaimed wood from an old barn on the property.
5'6"
D E S I GN
5'11-1/2"
LONG
9'9"
LONG DE S IGN
40'7" 16'5" 42-42 64TH STREET QUEENS, NY 11377
8'8-1/2"
7'8-1/2"
3'10"
6'5" 4 2'2"
6 W.I.C 6’8”X10’6”
7'2-1/4"
7 5
28'6"
2'9"
1'2"
4
2'8"
11.15.2012
BATHROOM 9’9”X5”
2'8"
ATE:
2'6-1/4"
NJL
28'6"
NJL
8'0-3/4"
4
5'7"
5'11"
B
B
6'10"
MASTER BATHROOM 14’8”X12’3”
6'4"
11'7"
2
3'6"
4'0"
5'3"
4
BEDROOM 14’9”X9’10”
B
14'5-3/4"
B
2'10"
AS NOTED
ECKED BY:
A
MASTER BEDROOM 14’8”X15’4”
4'11"
11'6-3/4"
BEDROOM 14’9”X9’6”
B
5
RAWN BY:
8'6-1/2"
A BEDROOM 10’4”X7’5”
5'2-3/4"
1025 REGIONAL ROAD PORT PERRY, ONTARIO
CALE:
7'9-3/4"
6'4"
A
16'4-1/4"
3'11-3/4"
14'0-1/4"
JORDAN MCKAY RESIDENCE
7'9-1/2"
B
RAWING TITLE:
7'8-1/4"
2ND FLOOR PLAN
8'9-1/2" 16'5-3/4"
5'4-1/4" 7'8"
2'3-3/4"
8'5-1/4"
8'0" 16'5-1/4"
N 40'7"
RAWING NO:
A1.2
53
MAGAZINE RE-USE WINTER 2012 42 HOURS OF RE-CREATIVITY COMPETITION
PARTNER: ANDREW JIMBO
RECYCLING MAGAZINES TO DESIGN CONTEMPORARY AND INNOVATIVE PRODUCTS INCLUDING A CUSTOMIZ-ABLE COFFEE TABLE, SPEAKERS, AND HANGING LAMPS. 54
COMPETITION ENTRY
FINAL PRODUCT
55
CLOCK LOOS FREELANCE DESIGN CLOCK LOOS WAS INSPIRED BY ADOLF LOOS AND HIS DESIGN OF THE STEINER HOUSE IN VIENA, AUSTRIA. THE PIECE IS MADE FROM LEFT OVER MUSEUM BOARD OF A SCALE MODEL OF THE HOUSE. THE QUARTER MOON CURVE OF THE ROOF THAT SO FAMOUSLY DEFINES HIS DESIGN IS REPRESENTED BY THE CURVES OF SOME OF THE PIECES OF THE CLOCK.
56
BOXED WINE FREELANCE DESIGN A COMPACT 9”X9”X9” CUBE WINE BOTTLE HOLDER. WITH A DRAWER FOR HOLDING COASTERS AND BOTTLE OPENER.
57
WATER RETREAT A RELAXING WATER RETREAT. IN AT THE HEART OF SUBURBIA. CAREFUL PLANT PLACEMENT AND A TRICKLING WATER FALL ACCENTUATE A GARDEN EXPERIENCE.
58
59
CONSTRUC STEEL COLUMN
FINISHED WOOD FLOOR SUBFLOOR
CONCRETE DECK
METAL WAFFLE DECKING INSULATION REINFORCING BAR
STEEL I-BEAM SPRAY ON FIREPROOFING
ALUMINUM RAILING
60
CTION
60 61
B.A.M.F WINTER 2012 CONSTRUCTION 2
PARTNER: MANUEL MARTINEZ
STEEL COLUMN
FINISHED WOOD FLOOR SUBFLOOR
THE B.A.M.F. PERFORMANCE VENUE OFFERS A VERY OPEN AND FLEXIBLE SPACE FOR EVENTS, INSTALLATIONS, PERFORMANCES, AND GATHERINGS. IT IS A STEEL CONSTRUCTION WITH A GLASS AND WOOD FACADE.
CONCRETE DECK METAL WAFFLE DECKING INSULATION REINFORCING BAR
STEEL I-BEAM SPRAY ON FIREPROOFING
ALUMINUM RAILING
10’0” FINISHED WOOD FLOOR PLYWOOD SUBFLOOR
INSULATION DROP CEILING RODS DROP CEILING SUB STRUCTURE DROP CEILING PANELS
STEEL RIBBON BRACING BOLT STEEL ANGLE STEEL STRINGER GYPSUM FIREPROOFING RAILROAD TIES
10’0” WATER PROOFING LAYER
CONCRETE FOUNDATION
GRAND STAIRCASE 62
FINISH ROOF LAYER GYPSUM FIRE PROOFING
THE FRONT FACADE HAS THE UNIQUE ABILITY TO SLIDE COMPLETELY OPEN, ELIMINATING THE BARRIER BETWEEN THE INTERIOR AND EXTERIOR. THE EDGE IS BLURRED FURTHER BY AN ALMOST COMPLETELY TRANSPARENT FACADE USING A POROUS WOOD DESIGN. AT THE CENTER. A LONG BALCONY, HOSTING A MAGICAL WATERFALL HELPS TO CREATE A NATURAL COOLING CONDITION AND SOUND EFFECT THAT CAN CONTRIBUTE TO THE INTERIOR AND SERVE AS A NATURAL BLIND. THE GRAND STAIRCASES ARE MADE WITH REUSED RAILROAD TIES. THE ENTIRE SPACE FLOWS CONGRUENTLY BECAUSE OF ITS CONSTANT RELATIONSHIP WITH NATURE THROUGH VISUAL AND AUDIO EFFECTS, BLURRING OF PHYSICAL BARRIERS, AND SELECTION OF MATERIALS.
INSULATION ROOFING GUTTER SYSTEM/ STEEL GUTTER FRAME STRUCTURAL STEEL OVERHANG
Level 2 9' - 6"
ALUMINUM GUTTER JOINT CONCRETE SLAB WATER MEMBRANE SYSTEM INSULATION STEEL WINDOW BRACE WATER PROOFING LAYER CONCRETE MEMBRANE WOODEN PARAPET RIM JOIST METAL WAFFLE SPRAY FIRE PROOFING STEEL BEAM WOODEN PANEL CMU STRUCTURAL WALL
CRIPLE METAL FRAME MATERIAL REVEALING
WINDOW METAL FRAME
CLEAR GLASS WALL INSULATION
STEEL FRAME STUD
FLOOR REVEALED IN FACADE
SINGLE HEADER
WATER PUMP SYSTEM
WATER FALL
STEEL COLUMN
WATER LANDING DRAINAGE SYSTEM
FRONT FACADE
63
DOME HOME: JONES DR. FALL 2010 CONSTRUCTION 1
PARTNER: WHITNEY HANSLEY
DOME HOME IS A RESIDENTIAL HOME DESIGNED BY SAHBA LA’ AL. MY PARTNER AND I SURVEYED THE HOME TO EXAMINE THE UNIQUE CONSTRUCTION AND ACCURATELY DRAW SECTIONS AND PLANS.
LONGITUDINAL SECTION 64
FIRST FLOOR PLAN 65
TO BE CO 66
ONTINUED Nate Long 517-648-4688 longnate08@gmail.com 67