LOO JUN WEN ARCHITECTURE PORTFOLIO SELECTED WORKS 2016-19
LOO JUN WEN I AM A HIGHLY MOTIVATED AND CREATIVE INDIVIDUAL WITH PERSONABLE ATTITUDE AND AN ARDENT INTEREST IN CREATING SUSTAINABLE BUILT ENVIRONMENT IN IMPROVING THE SPACES PEOPLE LIVE, WORK AND PLAY IN.
SINGAPORE CITIZEN
EDUC ATION 2016 - 2019
Bachelor of Science in Architecture and Sustainable Design, Summa cum Laude | GPA: 4.50/5.00 Honours List 2018/2019 2017
MAY - AUGUST
+65 9873 6853 LOOJUNWEN1995@GMAIL.COM WWW.JUNWENLOO.COM @JUNWENLOO
MASSACHUSETTS INSTITUTE OF TECHNOLOGY (MIT) MASSACHUSETTS, USA Global Leadership Programme - Summer exchange, MIT-SUTD International Design Centre (IDC) Awarded Most Life-like Electric Boat in the history of the program
2012 - 2013
ANGLO-CHINESE JUNIOR COLLEGE (ACJC) SINGAPORE 7 Distinctions, 4H2, 1H1 GCE A Level Vice Captain, Table Tennis
05 FEBRUARY 1995 BLK 406 BUKIT BATOK WEST AVENUE 7 #07-34 SINGAPORE 650406
SINGAPORE UNIVERSITY OF TECHNOLOGY AND DESIGN (SUTD) SINGAPORE
EXPERIENCE 2019
SEPT - PRESENT
SINGAPORE UNIVERSITY OF TECHNOLOGY & DESIGN (SUTD) SINGAPORE RESEARCH ASST. UNDER ASST. PROF. MICHAEL BUDIG Venice Biennale Singapore Pavilion 2020 | RTF Awards 2020 | Lafarge Holcim Competition 2020
2018 MAY - AUGUST
SANDWICH CPCA KYOTO, JAPAN ARCHITECTURAL INTERN Familiar Flagship Store renovation in Motomachi, Kobe | Biomatrix @ SCAI the Bathhouse
2015 - 2016 NOVEMBER - MAY
BAKER.J SINGAPORE FOUNDER, HOME-BASED STARTUP Specialised in artisan cream and chocolate art confectioneries having designed, decorated and sold over 50 cakes and pastries over 6 months
2014 - 2015 OCTOBER DECEMBER
NEIGHBOURHOOD POLICE CENTRE OFFICER SINGAPORE NS/SGT(2), POLICE NATIONAL SERVICE Ground Response 999 Police officer for Jurong West Neighbourhood Police Center (NPC)
AWARDS & RECOGNITIONS 2019
SUTD HONOURS LIST 2018/2019 Top 10% of cohort
2019
SUTD CAPSTONE PUBLIC AWARD - 1ST PRIZE Empowering Urban Environment - Top Capstone Final Year Project based on public voting
2018
1ST RUNNER UP, HEY DJ (校园新声代) RADIO COMPETITION Nationwide competition organised by YES 933 FM Radio Competition
2018
SUTD OUTSTANDING STUDENT ORGANISATION AWARD | SUTDIO CLUB Chinatown Lightup 2017 design team
2017
SUTD GLOBAL LEADERSHIP PROGRAMME (GLP) EXCHANGE & SCHOLARSHIP MIT Summer Exchange, top 3% in cohort
2017
1ST PRIZE FOR DESIGN IAP ACCELERATOR (DMAND) SUTD 3.007 project Riskwatch
2015
POLICE JURONG DIVISION COMMANDER’S AWARD
2014
EDUSAVE CHARACTER AWARD
2018
2016 - 2017
2016
2016 - 2017
2019
BRUNELLESCHI & FLORENCE STUDIO BOOK Chief Editor | Term 7 Design Option Studio Book | Assoc. Adj. Prof Rene Tan
2019
SEJIMA & SANAA INUJIMA HOME-FOR-ALL Exchange to Inujima Island, Japan | Asst. Prof Sam Conrad Joyce
2017 - 2018
VENICE BIENNALE 2018, SINGAPORE PAVILLION Assistant Team Leader | Design and fabrication team | Prof Erwin Viray & Lect. Jason Lim
PARK(ING) DAY 2016 WORKSHOP Team Leader | Exco Team for workshop | Assoc. Prof Chong Keng Hua
SUTD MOUNTAINEERING CLUB PRESIDENT Headed and organised 3 mountaineering expeditions for 40 students to China, Kazakhstan and Indonesia. Pitched successfully for SGD 32,000 sponsorship for Kazakhstan Expetition 2018 under Ong&Ong Foundation for ascension of Ong Teng Cheong Peak (4,743m) and Ong Siew May Peak (4,451m), Kyrgyzstan. Climbed: Mt. Dafeng (5,025m), Mt. Fuji (3,776m), Mt.Rinjani (3,726m), Mt. Fansipan (3143m)
AC ADEMIC, RE SEARCH, PUBLIC ATIONS BI-CITY BIENNALE OF URBANISM\ARCHITECTURE (SHENZHEN) - SUBMISSION Team Member | Next Generation Residential High Rise Proposal | Asst. Prof Oliver Heckmann & Michael Budig
CHINATOWN CNY LIGHTUP 2017 Team Leader | Design Team in collaboration with Kreta AyerKim Seng CCC and Singapore Tourism Board | Asst. Prof. Alstan Jakubiec
EXTRA CURRICULAR
2016 - 2019
2019
BUILT ECO XPO (BEX) ASIA 2018 @ MARINA BAY SANDS Team Leader | Design and Fabrication Team | Asst. Prof Michael Budig
SUTD AMBASSADORS MEMBER Represented SUTD in student sharing, tea ceremonies, open houses. Confident in public speaking and presentation.
RELEVANT SKILLS DESIGN
RHINOCEROS GRASSHOPPER REVIT
GRAPHIC
ADOBE ILLUSTRATOR INDESIGN PHOTOSHOP LIGHTROOM V-RAY ENSCAPE
SIMULATION
DESIGN BUILDER DIVA
FABRICATION
LASERCUTTING 3D PRINTING CNC MILLING WATERJET SHOPBOT
LANGUAGE
ENGLISH (NATIVE, WRITTEN & SPOKEN) CHINESE (NATIVE, WRITTEN & SPOKEN) PYTHON
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GALLERIA NEL CIELO
TEMPORAL PERMANENCE
URBAN MOUNTAINS
UNDIVIDED BORDERS
KALEIDOSCOPE
TERM 7 OPTION STUDIO 1 INDIVIDUAL
TERM 5 CORE STUDIO 2 INDIVIDUAL
TERM 6 CORE STUDIO 3 INDIVIDUAL
TERM 8 OPTION STUDIO 2 PAIR
TERM 5 D. FABRIC ATION & STRUCTURE GROUP
SPRING 2019
SPRING 2018
FALL 2018
FALL 2019 SPRING 2018
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53
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SAMSUNG GALAXY FOLD LAUNCH 2019
WOOD-CHITOSAN COMPOSITE MATERIAL
FAMILIAR KOBE
MIT BOAT DESIGN CHALLENGE
INTERESTS
SAMSUNG S.E.A EXTERNAL GROUP
TERM 7 BIOMIMETICS GROUP
FALL 2019
SPRING 2019
SUMMER INTERNSHIP KOBE, JAPAN
SUMMER 2018
SUMMER EXCHANGE MASS, USA GROUP SUMMER 2018
BAKER.J MINECRAFT
MUSEO NEL CIELO M
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O P TIO N ST U D I O 1 | A S D 2 0 .111 TE RM 7 | I N D I V I DUAL | F E B - A P R 2 0 1 9 (14 W K S ) A S S OC . A DJ . P RO F R EN E TA N , R EN E@ RTN Q.C O M FLO R E N C E , ITA LY
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Roofs c ape s as lands c ape, streets c ape s as backdrop, c an a public sky bridge encourage an e xc i ti n g new way to e xplore Florence?
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MUSEUM IN THE SKY D esigned as an extension to the Uffizi Galler y (c. 1765) in the Rennaissance city of Florence, instead of altering the existing streetscape, the roofsc ape presents an exciting opportunity for new expansions, based on the analysis of Brunelleschi’s architecture works. 3
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LIFT
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LIFT
KEY LANDMARKS 1 2 3 4 5 6
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S a n L o re n z o S a n t a M a r i a D el F i o re ( D u o m o ) Uffizi Gallery P a l a z z o Ve c c h i o A r n o Ri ve r P o i n t e Ve c c h i o
LIFT
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ROOF HEIGHT ANALYSIS 5 - 15m 16 - 20m 21 - 26m LIFT
BRUNELLESCHI ORIENTED Floating atop the roofs of existing buildings, the museum pays homage towards Brunelleschi’s architecture works, enabling visitors with direct visual of these key landmarks of Florence through framed openings. 4
MEANDER Curiously emerging, gently meandering Anchored like a tree overlooking Piazza della Signoria Before disappearing into roofs beyond
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SANTA MARIA DEL FIORE
SANTA MARIA FIORE SANTA MARIA DEL FIORE SANTA MARIA DEL DEL FIORE
3X 3X 3X
45.0° 45.0°
45.0°
EXTERNAL
45.0° 45.0°
INNER SHELL 7.5X7.5X7.5X
4Y 4Y 4Y
3.6X3.6X3.6X "
45.0°
2.5 22.5 2 2.5 22.5 2 2.5
INNER RIBS
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45.0° 45.0° 45.0°
53.0 53.0 53.0
53.0 53.0 53.0
OUTER SHELL
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RHYTHMIC GEOMETRY RHYTHMIC GEOMETRY Rhythmic geometry RHYTHMIC GEOMETRY
X X X 2X 2X 2X
3X
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2Y 2Y 2Y
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53.0 53.0 53.0
4X 4X 4X
" " " " 4X 4X 4X " X X X
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2/3X 2/3X 2/3X
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0.5X 0.5X 0.5X
0.5X 0.5X 0.5X
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CIRCULAR & RECTANGULAR PROPORTIONS CIRCULAR & RECTANGULAR PROPORTIONS Circular & Rectangular CIRCULAR & RECTANGULAR PROPORTIONS Proportions
X 2X X 2X X 2X
UPPER
0.5X 0.5X 0.5X
DUOMO EXTERNAL LOGGIA
1:1000 1:1000 1:1000
BRANCHING BRANCHING Branching BRANCHING
DUOMO BASE DRUM
A1
A1 A1
A1 A1 A2 12.01 12.01 12.01 6.00 6.00 6.00
A2 A2
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R13.68 (1.5Y) R13.68 (1.5Y) R13.68 (1.5Y)
A2
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R32 (3.5Y) R3.99(2.3Y) R32 (3.5Y) R9.2(3.5Y) (Y) R3.99(2.3Y) R32 R9.2 (Y) R9.2 (Y) R3.99(2.3Y) R9.2 (Y) R9.2 (Y) R9.2 (Y)
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INNER BALCONY UNDER VASARI’S FRESCO
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ARCHED SPACES ARCHED SPACES ARCHED SPACES
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Arched Spaces
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6X 2X 6X 2X 6X 2X
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RECTANGLES RECTANGLES RECTANGLES
Rectangles
SAN LORENZO BASILICA SAN LORENZO BASILICA SAN A LORENZO BASILICA B A SILIC DI SAN LORENZO 0.5X 0.5X 0.5X
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3.5X 3.5X 3.5X
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DYNAMIC RECTANGLE DYNAMIC RECTANGLE DYNAMIC RECTANGLE
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1:1000 1:1000 1:1000
Dynamic Rectangle
LANTERN SUPPORT
INTERNADUOMO L EXPLODED AXONOMETRIC STRUC TURE
TOP INNER RIB
0.5X 0.5X 0.5X
" "
Y Y Y
OLD SACRISTY OLD SACRISTY OLD SACRISTY
2X 2X 2X
A2
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30 30 30 40 40 40
1.2Y1.2Y1.2Y
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EN CHAIN DEN CHAIN DEN CHAIN E CHAIN E CHAIN E CHAIN
15 15 15
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1.63X X 1.63X X 1.63X X
6X 6X 6X
X X X
X X" X"
R INNER RIB R INNER RIB R INNER RIB
.5 22.5
"
X X X
ERN SUPPORT ERN SUPPORT ERN SUPPORT
NNER RIB NNER RIB NNER RIB
22 22
EXTERIOR SHEL L DUOMO WORM’S EYE VIEW | 1:250
22.5 2
.5 22.5 .5 22.5
22
1.7Y1.7Y1.7Y
R BALCONY RR BALCONY VASARI’S RRBALCONY VASARI’S CO R VASARI’S CO CO
LANTERN
.5 22.5 22 .5 22.5 22 .5 22.5 22
2Y 2Y 2Y Y Y Y X X X 2X 2X 2X
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RNAL RNAL RNAL R SHELL R SHELL R SHELL R RIBS R RIBS R RIBS
R R MO R EXTERNAL MO A EXTERNAL MO IA EXTERNAL IA MO BASE MO BASE MO BASE M M
DUOMO ANALY SIS
34.53 34.53 34.53
2X 2X 2X
41.71 41.71 32.24 41.71 32.24
34.53 34.53 34.53
X X X
ERN ERN ERN
SQUARE PROPORTIONS SQUARE PROPORTIONS Square Proportions 1:1000 SQUARE PROPORTIONS 1:1000 1:1000
LOWER INNER RIB
1.33X 1.33X 1.33X
HORIZONTAL & VERTICAL HIERACHY HORIZONTAL& & VERTICAL HIERACHY Horizontal Vertical Hierachy HORIZONTAL & VERTICAL HIERACHY
GOLDEN RECTANGLES GOLDENRectangles RECTANGLES Golden GOLDEN RECTANGLES
1:500 1:500 1:500
WOODEN CHAIN
MASTERWORKS ANALYSIS
STONE CHAIN
Through the analysis, the underlying geometric al rules, rhythmn and proportions reveal its hierachy in the design, thus laying the foundation for meaningful design abstractions from it. 1:250
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SUBTLET Y Proportions gleaned and archways adapted, within Brunelleschi’s works they lie. Rediscovered and re-interpreted, of colonnades and timber grid shells they governed.
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ELEVATED PIAZZA Redefining piazzas within old It alian cities by lifting them above the threshold and activating views beyond the immediate vicinity. 8
FRAMED PROPORTIONS & PARKS In paying tribute to Brunelleschi’s architecture works, windows which were directed towards them were in the proportions (e.g 4:5 for Duomo’s fundamental dome ratio) crucial to their form. Additionally, parks are created where columns touch the ground to create intimate green spaces within the tree-sparse city. 9
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MARIO BOTTA’S CRIT The project was selected amongst 12 projects to be presented to Architect Mario B ott a where he supported the idea of leaving the ground untouched, creating new void public spaces and respecting the herit age of the Uffizi Galler y by not building above it because to do so would be akin to attempting to complete a Michelangelo’s painting. 12
TEMPORAL PERMANENCE S
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C O RE ST U D IO 2 | A S D 2 0. 1 02 T E RM 5 | IN D IVID UA L | A P R - MAY 2 01 8 ( 6 WK S ) A DJ . P RO F L A I T I E N YO N G ( O N G & O N G ) A LO N G F ULLE RTO N RD & S I N G A PO RE RI VE R
Given the f leetingne ss of art, sty le s an d form s, could a m us eum em body the idea that tem porarity is the only perm anenc e?
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National Gallery Singapore
Esplanade Theatres
PA ST
Towards Singapore Civic Center Area
Parliament of Singapore
Victoria Theatre & Concert Hall
FUTUR E
Towards Marina Bay Area
Asian Civilisation Museum
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LEVEL 1
LEVEL 2
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B A SEMENT 1
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SKY ROOF
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FLEETING INTERSECTIONS Traversing through the museum, flying bridges superimpose fleeting intersections above each other, serving also as alternative viewing spaces for hanging / tall artworks in the atrium.
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TYPIC AL STACKING
OFFSET & TAPER
DESIGN EVOLUTION The form of the museum seeks to create temporal visual porosity through segmentation of the envelope while promoting circulation through atrium bridges. 17
CIRCUL ATION
P ORO SITY & OCCLUSIVITY
C ARVED PUBLIC SPACE S
STRUCTURE & CIRCULATION EXTERIOR SHELL
INTERNAL CIRCUL ATION
Vertical Reinforced Concrete frame supports floorplates resisting Lateral Forces in and Loading forces (dead & live) in
To achieve a continuous museum experience with autonomy for visitors to choose their route, the primary route in meanders through both ends of the museum in a 3D infinity loop, while alternative vertical circulation is facilitated through the lifts in .
CURTAIN WALL ENVELOPE 2x1m Double-glazed glass panels supported by vertical glass fins (0.1x0.2m)
LIF T CORE S
REINSTATED PUBLIC SPACE S To serve beyond ticket holders, public spaces at the ground and top floor of the museum are accessible after hours, returning the public an elevated gathering space previously enjoyed.
2 distinct lift cores with emergency stairs and toilets supports the floorplates and stabilizes the exterior shell
BEAMS With detached floorplates, horizontal beams provide structural supports in transferring the load to the exterior shell
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PUBLICLY ACCE SSIBLE SPACE OPEN DE SIGN STUDIO GALLERIE S LECTURE THEATRE FLYING BRIDGE GALLERY
https:// pin.it/ weaxqixp 3jtxom
URBAN MOUNTAINS C O RE ST U D I O 3 | A S D 2 0 .10 3 TE RM 6 | I N D I V I D UAL | S E P - D EC 2 0 1 8 (14 WK S) A S S T. P RO F TRE VOR RYA N PAT T T R EVO R _ PAT T@ SUTD. ED U. S G P U N G G OL E STAT E , SI NGA PO R E
C an neighbours share convers atio n s across balconie s?
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STIGMERGIC MASTERPLANNING Site masterplanning considers neighbouring nodes of interests whereby walkability mapping is generated using an agent-based stigmergic process. Circulation paths across the site is thereby established and subsequent massing height determined as a factor of the distance from the paths. NODE S OF INTERE ST 12 ATTRACTION POINTS: MRT Access points Traffic Junctions Linkways to Waterway Point VARIABLE PARAMETER: Stigmergic behaviour of agents FIXED PARAMETERS: Cohesion Mag.: 50m Viewing Angle: 120° Attract Radius: 3-20, 0.12 strength
TRIMMED PERIMETER Areas outside the site boundary are trimmed. CHOSEN: Iterations with clear converging lines
PROXIMITY ANALY SIS Distance between adjacent lines are used in establishing building footprint and height of massing. CHOSEN: Iteration with building footprint with min. 20x20m across
PROP O SED CIRCUL ATION
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P ungg o l Waterway Park
Wa t e rw a y P oi nt & P un g g ol M RT St a t i o n
Punggol Site Masterplan
CIRCULATION AS ZONING With ground circulation established, a site near the train station was chosen to develop a cluster of high-rise residential blocks focusing on providing void spaces for public/private gathering and greeneries. 24
TRAVERSING BOUNDARIES I nwa rd fa cing g a ller y co rrid o rs e n abl e cro s s- l evel v i su al c o n n e c tion b etween n e igh bo urs w h il e bridge s l i nk t he 4 b l o c k s i n a m u l t itude of ways, re in fo rcin g co n n e ctions b eyo nd b o u nd ari e s.
ACTIVATED COURTYARDS I n a c t i va ting the in te rio r fac ad e o f th e bl o c k s, k i tc hen/ d i ni ng areas o f u ni t s are e x p o s e d throug h a fro ste d E T F E such th at si l ho u t te s o f ac t i v i ty w i t hi n u ni t s to end ow t h e c e nter circula t io n are a w ith mo re d yn a m i sm . 26
COMMUNAL IN-BETWEEN SPACES Common spaces are introduced between adjacent units serving as semi-private public spaces where neighbours could interact and have private gardens or gatherings.
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Left | Bet. Multi-generation & 2-Bedroom(L) units Top | Bet. Duplex L2 & adj. Duplex L1 units Bottom | Bet. 2 2-Bedroom Units 28
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UNDIVIDED BORDERS O P TIO N ST U D I O 2 | A S D 2 0 .112 TE RM 8 | GRO U P | JUL - AUG 2 0 18 (8 WK S) A D J . A SST. P RO F C A LV IN CHUA , C ALV IN _ C H UA @ S U TD. ED U. S G LOO JU N W E N , F R A N CO IS E YIN G N O RTH & SOU T H KO R EA N MA RTI ME B O R D ER Softening border tensions, bridging separated communities
URBAN SITE RENDER | FRANCOISE YING
UNDIVIDED BORDERS T he p ro ject a im to ad d re ss th e bo rd e r te n si o ns b etween N o rt h and S o u t h Ko rea t hro u gh t h e a ct iva t io n o f t h e h e avil y g u a rde d m a ri t i me frontier s be twe e n th e m fro m a zo ne o f su r vei l l anc e and i nac t i v i ty to a t hi c kene d zo n e o f in te r a ct io n in fo r g in g s t ro n ge r inter- Kore a re l atio n sh ips. T h ro ugh a rec l ai m ed l and st rad d l i ng al o ng t he b o rd er, e xch a n ge b e twe e n t h e two Ko re a s are e s c a la ted through five main d eve l o p m ent s w here t he ed u c at i o nal i nst i t u t i o n i s o f fo cu s . 32
AQUAPONICS & AGRICULTURE
MARKETPLACE & PIERS
PARKS & RECREATION
RESIDENTIAL
BORDER TRANSITION DIAGRAM | LOO JUN WEN
THICKENED BORDERS EDUCATION INSITITUTE
URBAN SITE PLAN | LOO JUN WEN 33
5 m ai n d evel o p m e n t s we re ch o s e n a s ave n u e s wh e re in te r a ct io n s c an b e e xc han ge d. W it h t h e E du c a t io n In s t it u te a s t h e p r im a r y fo c u s, t he su m m e r s ch o o l fo r 10 0 0 s t u de n t s fro m e a ch co u n t r y wil l b e ho u s ed w i t h in a n in s t it u t io n wh o s e b o rde r s ( re d) a re t h icke n e d as ro o m s w i t h in wa l l s – s p a ce s wit h in r ig id b o u n da r ie s fa cil it a t in g f l u i d e xc hange s .
LT
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INTERIOR HALL RENDER | FRANCOISE YING
R
TRIVIALISED CROSSING
MP
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Th e in s t it u t io n is co m p o s e d o f 9 b u il din g s a r r a n ge d b a ck to b a ck wit h t h e b o rde r l in e a s re fe re n ce wh ich cu l m in a te s a s a o n e m e t re g l a s s g a p s e t in to t h e s p in e o f t h e in s t it u t io n . Th e g a p a ck n owl e dge s t h e b o rde r co n dit io n wit h in t h e in s t it u t io n , s e r vin g a s a p o ig n a n t re m in de r to it s in h a b it a n t s o f t h e a ct o f cro s s in g t h is divide a s t h ey t r ave r s e wit h in t h e in s t it u t io n .
LEVEL 3 FLOORPLAN | 1: 350 0M
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LEVEL 3 FLOORPLAN | 1: 350
BUILDING 3RD FLOOR PLAN | LOO JUN WEN
0M
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C - CL A SSRO O M S D H - D I N I N G H ALL L - LI BRARY LT - LECT URE T H E AT RE
M P - M ARK E T PL A CE R - RE SI D E N T I AL RT - RE STAURAN T SH - SP O RT S H ALL
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NORTH KOREAN SOUTH KOREAN
BUILDING AXONOMETRIC | LOO JUN WEN
LIBRARY
SPORTS COMPLEX
CLASSROOMS
EXCHANGE & INTERACTION | CANTILEVERING VOLUMES W i t hi n ea ch indiv id ual pro gramme s, bo rd ers c reated end u re a su b s eq u ent w i d eni ng o f i t to cre a te s p a ce s b e twe e n w a l l s for inter mingl in g o f bo th N o rth an d S o u t h Ko reans. T he b u i l d i ng c o m pri s ed o f c ant il eve r in g vo l u m e s wh ich a re s u p por ted by ad jace n t gro un d e d vo l um e s w i t h vert i c al c o l u m ns and d i ago nal system o f s te e l c a b l e t r u s s e s to w i t hs t a nd its la teral fo rce s. 35
RESIDENTIAL
BUILDING SECTION | FRANCOISE YING
2 KOREAS, 1 INSTITUTION, 1 COLLECTIVE ROOF The b uilding ma s sin g w as d e rive d to re s e mb l e an ens em b l e o f i nd i v i d u al l y pi tc hed ro o fs wh ich co l l e ct ive l y cu l m in a te s i n t he ima ger y of a sin gl e l arge ro o f, st and i ng as a sym b o l o f reu ni f i c at i o n and o f 2 Ko re a s , 1 in s t it u t io n . 36
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KALEIDOSCOPE W
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D IG ITA L D E S I GN AN D FAB RI C AT I ON | A SD 20.21 2 T E RM 5 | GRO U P | APR - M AY 2 0 18 (4 WK S) A S S O. P RO F STY L IA N O S D R ITS A S , ST Y L IA N O SD R I TSA S @S U TD. ED U. S G L OO JUN W E N ( L EA D ) , ZHA N G B O JUN , Z H OU P E I Z HA N G , O N G HUI S IN SU TD C A M PU S, SIN GA PO R E
Can a wooden tower become a kaleidoscope for all to behold?
C an a wooden tower becom e a k aleidos cpe for all to behold?
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KALEIDOSCOPIC WOODEN TOWER T h e a i m o f t h e p r o j e c t w a s t o f a b r i c a t e a p r o t o t y p e o f a wo o d e n t o we r w i t h e xc i t i n g q u a l i t i e s w h i c h p e o p l e c o u l d e n j o y. T h u s o u r t e a m c o n c e i ve d a t o we r w h i c h c o u l d e m a n a t e a r a i n b o w o f c o l o u r s u n d e r s u n l i g h t , a l l o w i n g e ve r c h a n g i n g r e f r a c t i o n s a n d reflections of the spaces around it.
DESIGN ITERATION
TOP VIEW APPROX
RATIONALISING GRID SUPPORT
CURVE
REDUCTION IN JOINT CONNECTIONS
LINEAR
STRUCTURAL ANALYSIS
ORIGINAL
ADD PLANES
DISPLACEMENT
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UTILIZATION
SHEARING
MOMENT
I | 2-MEMBER JOINTS
III | 4-MEMBER JOINTS (PL ANAR)
- 2 x 3mm Aluminium Plate - 4 x M4 Bolts (3.6cm) - 4 x M4 Nuts
- 2 x 3mm Aluminium Plate - 8 x M4 Bolts (3.6cm) - 8 x M4 Nuts
I II
III 7m
II | 3-MEMBER JOINTS
IV | 4-MEMBER JOINTS (NON-PL ANAR)
- 2 x 3mm Aluminium Plate - 6 x M4 Bolts (3.6cm) - 6 x M4 Nuts
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2 x 3mm Aluminium Plate 11 x M4 Bolts (3.0cm) 11 x M4 Nuts 4 x 16cm Threaded Rods (8mm Dia.) 12 Nuts (8mm Dia.)
IV
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NON-PLANAR MULTI ANGLE JOINT Resolving non-planar members at a single joint, aluminium plates were waterjet to precise angles and positioning allowing rot ational freedom at a single node. 43
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SAMSUNG FOLD LAUNCH 2019 EX TER N A L P RO J ECT | 2 W E E K S | S E P T 201 9 SING A P O R E , PA RAG ON S HOPPI N G CE NTR E | SAM SU N G S . E . A A S S T. P RO F. M I C H A EL BUD IG , F LO R IA N S CHÄT Z, ONG HU I SI N ( GRO U P M ATE) 47
C an a delic ate structure enc apsulate the e xcitem ent of a technologic al m ar vel?
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COMPUTATIONAL BUTTERFLIES “Do what you can’t.” was the slogan of the exhibition and thus the design proposal was to abstractly represent the revolutionary Samsung Fold phone as flocks of butterflies taking flight from the ground, agglomerating into a giant 3D butterfly hovering weightlessly over the launch. In achieving this a computational approach in grasshopper is adopted (right) executed by me.
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WOOD-CHITOSAN COMPOSITE MATERIAL D IG ITA L B IO MIME T IC S | A S D 2 0. 31 6 T E RM 7 | G RO U P | A P R - MAY 2 01 8 ( 4 WK S ) A SS O. P RO F ST Y L I A N O S DRI T SA S, JAV I E R F E RN A N DE Z L OO JUN W E N ( L E A D) , M A RCU S Q U E K , T EO J U N YA N RYA N , TA N H U I Y I N , L I M J I E H O N G
Is there a greener alternative towards plant transplant ation?
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UPCYCLING FABRICATION PROCESS
FABRICATION OVERVIEW
OVERVIEW Our project proposes the application of waste wood aggregates and chitosan adhesive in the additive manufacturing process. Bypassing the need for high resolution printing in applications where minute accuracy is not needed - for instance containers used in plant transplantation - we proposed a fabrication method with low cost and production time as a probable substitute for plastic. BIOMIMICRY Drawing inspiration from the layering process of the construction of a paper wasp nest involving cellulose fibres (from dead wood) and proteins in the wasp’s saliva, we replaced the binding agent with chitosan which also has high affinity with cellulose. This resulted in a structurally compatible option which is also biodegradable, controlled by bacteria, thereby presenting a sustainable alternative to the life cycle of wood waste.
4.5mm tubing Air Pump 4 bar Presurrised Chamber 2.5% Chitin Solution
Blow Dry
ABB 6-axis robotic arm at 40% speed
Sun Dry
Wood Shavings
C: DRY After all layers of chitosan and wood shavings are applied, the artefact maybe blow dried, sun dried or air dried.
Printing Bed boundary
A: DISPENSE Dispense chitosan solution along desired geometry path
ROLE IN TEAM My main role within the group encompasses taking lead of the research direction and the team, the idea initiation, sourcing of materials, calibration of fabrication methods using 6 axis robotic arm and material studies as well coordinating between team mates from engineering and architecture major. 1 | Waste wood shavings s orted according to ag gregate size 55
B: LAYER Layering of wood shavings onto chitosan layer
D: WAX & USE After a layer of wax is applied to theAirartefact, it Dry can be used in plant transplantation.
ASSEMBLY Due to the drying time needed for chitosan to completely harden, the final artefact is printed in 6 separate batch each ~10cm in height and assembled together with additonal chitosan. 1-9 | Ass embly proce ss of the 6 layers of woodchitos an composite 56
SANDWICH CPCA INTE R N S H I P | S U M M E R 2 0 18 KOH EI N AWA , YO S HITA K A LEE, KOTA RO A SHIDA , ENOKI HITOMI 57
Can art and architecture be mutually inclusive?
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SUMMER INTERNSHIP SANDWICH is a Kyoto based arts and architecture studio founded by Kohei Nawa, a renowned international artist. With a 3.5 months internship there, I experienced the confluence of art and architecture as artists and architects brush shoulders within the studio. Imbuing a deeper meaning in architecture through the lens of art, it has broadened my perception of how both elements c an be mutually inclusive.
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1 | SANDWICH colleague s and interns 2 | Pixcell D eer, photo courte sy of SANDWICH 3 | KOHTEI, Fukuyama | Company field trip 4 | Nishinoyama Hous e, within unit owned by Kohei Nawa
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FAMILIAR FLAGSHIP STORE, KOBE Located in Kobe, Japan, the FAMILIAR Flagship Store was a renovation project whereby I was primarily in-charged of assisting in the design of the Colour of Time restaurant, salon as well as product furnitures. 1 | Colour of Time re st aurant, my main project during internship. 2 | Familiar Store entrance grand steps where I was involved in designing the tree-like product hangars.
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MIT DESIGN CHALLENGE GLOBAL LEADERSHIP PROGRAMME
SUMMER E XC H A N G E | 1 0 WE E K S | G RO U P | S U MME R 2 01 7 A SST. DI REC TO R J E SSE DE L AU G H T E R
1 0 weeks, 4 members, 3 hulls & 1 electric boat.
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MIT ELECTRIC BOAT DESIGN CHALLENGE The 10-week programme organised by MIT International Design Center (IDC) aimed to built from scratch an electric boat which will be test driven on the Charles River. Our team of 4 had diverse background of engineering, architecture to computer science solving a whole spectrum of challenges from electrical, mechanical, production, aesthetics, ergonomics and the various fabrication techniques with numerous machines and tools.
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Baker.J is a home-based startup founded in November 2015, for 7 months before I matriculated. It was my creative platform to explore articulating my designs on paper into 3D forms through cakes, chocolates and fondants. With over 50 orders, I challenged myself through the 3D sculpturing of cakes, through delicate chocolate forms as well as acquired online marketing skills using SEO and social media as well as honed my communication skills with customers. WWW.THEBAKERJ.COM WWW.INSTAGRAM.COM/_BAKER.J WWW.FACEBOOK.COM/THEBAKERJ
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MINECRAFT START OF A JOURNEY
Minecraft was my first “lego�, a creative outlet in experimenting with forms and understanding the basics of building and construction. Through play, my curiosity in understanding how buildings are composed and constructed gave me the impetus to uncover and re-interpret them within Minecraft.
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LOO JUN WEN JUNWENLOO.COM