W O R K S inArchitecture
Activities
Bachelor of Architecture Via ragazzi del 99 n°11 43126 Parma Italy
lorenzo.sacco1@studenti.unipr.it T +39-3477940821
Education 2007-2012
2012-2015
Bachelor degree Università degli studi di Parma Dipartimento di Ingeneria Civile, del Territorio e Architettura Parma, Italy Master degree Università degli studi di Parma Dipartimento di Ingeneria Civile, del Territorio e Architettura Parma, Italy
Working experience
5.2014
4.2013
since 2011
Artinmente Architetti Associati Strada Martinella, n° 12/A, 43100, Parma, Italy architetti@artinmente.eu Reference: Claudia Zanichelli Intern Architect, visualization
Architetto Emilia Pedrelli Project Manager at Autority S.T.U. s.p.a. Intern architect, visualisation
Prof. Architetto Luca Boccacci Via Duccio Galimberti n°20, 43100, Parma, Italy luca.boccacci@email.it Reference: Luca Boccacci Intern architect, project developement, visualization
20.11.2013
Exibition Architettura a 360° Teatro 2 -Parma, Italy Curator: Pier Paolo Giandebiaggi
9.2013
Compact City Architecture Invited partecipation for a International workshop in Parma Erasmus intensive program
since 3.2013
Graphic and comunication design Positiva discoclub - Parma, Italy
2.2012
Invited partecipation architecture competition A new square for Padenghe sul Garda (BS) Fourth place
12.2011
Open Architecture competition A new centrality for Lentate (MI)
9.2005 - 3.2014
Guitar player at Musicanti di Grema (Band) Recorded two albums of original songs One single on MTV new generation
Skills
Graphic
3D modeling and analisys
Bim
Rendering
Autocad Illustrator Indesign Sketches
Rhinoceros + Grasshopper pluggin SketchUp + Energy plus pluggin Exel Model crafting
Archicad Revit
Cinema 4d + Vray pluggin Photoshop
Languages Italian English (fluent)
ARCH. LUCA BOCCACCI Studio: via Duccio Galimberti n. 20 43123 Parma Tel. 0521 487484 Cell. 346 3820843 Email: luca.boccacci@email.it
Penso che chi vorrà lavorare sul progetto di architettura con Lorenzo, non potrà che
I am certain whoever works with Lorenzo on architectural develope-
confermare quanto da me a più riprese riscontrato e cioè che si tratti di una persona
ment will discover that he is an uncommonly passionate and dedicated person, constantly striving to autheticity. This is why I have chosen to
doti che, sono certo, continuerà a riversare anche in futuro nelle prove in cui avrà
employ him several times, and I am certain he will retain this qualities
modo di cimentarsi.
throughout his future career .
Parma, 26 aprile 2014
luca boccacci architetto
L O R E N Z O
S A C C O
Bor n in Pa r ma - Ita ly 25th a pr il 1988
BACHELOR DEGREE IN ARCHITECTURE second year master degree student
A MODERN CASTLE Gazzolo - Parma
LU C A BO C C AC C I Position intern
P L AN S
N
Ground level
N
First f loor
V OLU ME S
Single-family dwelling 130 sqm - 3 stories 6 rooms and car place
Duplex unit A 260 sqm - 2 stories Each unit has 6 rooms and a car place
Each unit owns a private portion of the terrace
Duplex unit B 260 sqm - 2 stories Each unit has 6 rooms and a car place
MIXED USE BULDING Parma - downtown
P L A N F O R A E A RT H Q UA K E - R E S I S TA N T G R E E N A RC H I T E C T U R E te a c h e r s Roberto Cavatorta
S T RU C T U R E AND GR E E N D E VI CES
The ventilation well gives to every aparment the right ammount of natural light.
Green roof.
A continuous insulation layer covers the external walls of the building. NE
A regular structural wall grid ensures a perfect boxlike beahvior in case of earthquake and lower cosntruction expenses. (bricks were request)
SE Adjustable sun blinds guarantee climate and light comfort.
Mixed function and different accomodation qualities promotes social networks.
Rainwater collectors.
SW
P L AN S
+6,20m Apartments
+3,50m Apartments
+0 m Clinic
-2,50 m Carplaces / tecnical rooms
N
First f loor
C ON S T RUC TI VE D ETAI LS
Green roof and sun Blinds
Balcony and hollow-core slab
4. Painted plate - 6. Stone coating - 7. Substratum - 8. Impermeable layer - 9. Screed 10. Termal insulation - 11. Suspended cellings - 12. Window frames -13. Serena stone sill 14. Closure material - 15. Poroton hollow bricks - 16. Plaster - 17. Wood fibre insulation 18. Exterior plaster - 19. Painted tiles enameled terracotta - 20. Floating floor adjustable feet 21. Areated concrete - 22. Underfloor heating - 23. Pipes accomodation spaces - 24. Termal insulation - 25. Hollow-core concrete slab - 26. Ventilation duct - 27. Plasterbord false ceilings 33. Insulation (polyurethane foam) - 34. Rainwater collector - 38. Drainage material 39. Growing soil - 40. Permeable fabric - 41. Elecrowelded net reinforced screed - 42. Attachment plate for sun blinds support - 43. Hollow bricks - 44. IPE beam - 45. Sun blind alluminium silohuette - 46. Sun blinds movement mechanism
S T U D Y O F T H E S U N T R A J E C T O RY Location: Parma, IT Latitude: 44°48’
February
10:00
16:00
N
N
45°
45°
315°
315°
90°
10
270°
90°
16
270°
135°
135°
225°
225° 180°
180°
10:00
August N
16:00 N
10
45°
45° 315°
315°
16
90°
90°
270°
270°
135°
135°
225°
225° 180°
180°
MILLING HISTORY MUSEUM Bardi - Parma
REUSE
OF OLD ARCHITECTURE te a c h e r s Federica Ottoni Elisa Adorni
The electricity generator still located in the mill’s abyss.
C A S T E L LE T TO’S M I LL TR OU G H HIST O RY
late ‘700
Water-mills for processing chestnuts and cereals are one of the oldest architectural types that characterise the Appennino Tosco-Emiliano landscape, built when the first stable communities settled in the region. Castelletto’s Mill, near the town of Bardi, once satisfied the flour demands of several nearby towns, powered by a water turbine that also provided electricity to houses within a 1km range. The mill has since been abandoned and my team was tasked with developing a new use. We decided that converting the defunct mill into a museum would be ideal because of it’s expansive dimension and convenient location to tourists. This lead us to research how we may restore structural safety in the mill. Castelletto’s mill
1920
1950 Napoleonic cadastre (1822) Today’s tourists destination
late ‘700
1920
1950
1972
pidgeons room
1972
finished product storage room
Rough product storage room
Milling machines
Today
S T RUC T U RAL AN ALYS I S , I NS TABILIT IES and SO LUT IO NS The mill’s structure is composed of solid walls stacked with river stones. Through the ages as new technologies were invented, additional rooms were appended to the mill. Adding these new parts, with different dissipation performance, caused cracks and movements on the oldest walls of the building. The slabs of the original structure are supported by three kinds of vaults: 1 Disgust vault, 2 barrel vaults, and 3 cross vaults. This kind of building are generally really resistant to shearing forces because of the high weight of theyr walls. What we discoverd was a bad responding to the excentric axial forces that may have lead to a corner capsizing or a vertical deflection of the solid wall. As solution we designed a net of tie rods to provide a stronger box-like behaviour making the building safe for public use according to earthquakes regulations.
Corner capsizing
Solid walls structure
Vertical deflection of solid wall
1
2 3 Vault pushings
Tie rod ancoration scheme
E L E M E T S D ESIGN 4
5
6
7
8
9
10
11
12
13
14 15
Ventilated roof legend 1. Bolted nails ( φ 6 ) - 2. Nails ( φ6 ) - 3. Nails ( φ4 ) - 4. Solid wall river stone - 5. Wooden plate 6. EPS 7. OSB - 8. Secondary beams orditure - 9. Purlin - 10. Copper coil - 11. Insulation layer 12. Coil ancoration - 13. Ventilating grid - 14. Polyuretane foam - 15. Connector plate
Tie rods keys design The low-reliefs and the engravings 1 that are often decorating the key-stone at the entrance of the mills inspired a design 2/3 for the rods keys so that they turn into a design element instead of a mere functional one.
3 2 1
1
2
3
C AS T E LLE T TO’S M I LLI NG H I S TORY MUSEUM Working mill model Children activities
Main entrance
Multimedia room
Services
Organic floors shop
Working milestone
Thematic path plan
REDISCOVERED HEAVEN S. Eurosia - Parma
DESIGNING CENTRALIT Y Erasmus intesive program design workshop tu tor s Prof. Arch. G e s i n e We i n m i l l e r Prof. Arch. F r a n รง o i s Vo n C h a p p u i s
Legends
Legends park
housing
new public space
shop / commercial center
new pedestrian path
Professional actiities 1 kinder garden / senior house 2 multi-activities complex 3 offices
professional activities project Paradiso Ritrovato
Housing 1 10 floors tower 2 5 floors housings 3 dense village Shop / Commercial center 1 shops and bars 2 covered market 3 eurosia center
1
1 1
2
2 2
3 3 3
SEWING
Corcagnano - Parma
U R B A N T H E A T R I C A L I T Y A N D T H E “ O L T R E P E R I F E R I A” te a c h e r s Lamberto Amistadi Kuno Mayr
L A N D ’ S E LE M ENTS TAXONOM Y
Towns: Carignano - Corcagnano -Vigatto
Land marks
Built spaces
Roman centuriazione
Water flows
Roman roads
Nice
Not nice
Farms
Villas
Old factories
Apartment buildings
Public facilities
Industrial facilities
TH E C A S E O F C OR C AGNAN O
Corcagnano is an aggregate urban site to the south “beyond the suburbs” of Parma along the Langhirano road, at the intersection with the road to Vigatto. This is a recent urban migration, which grew out of the thrust of property speculation in a weak monumental fabric, located in the quadrant to the west of the crossing: a small parish church and another church, a few farmsteads, the large abandoned area formerly belonging to the Star preserve firm. At the extremes of the swath of territory bounded by the Parma and Baganza streams are the Malenchini and Magawly Villas. The first work was to define the swath of territory to operate on through a redrawing at different scales, which allowed us to recognize the elements at stake: geo-morphological and monumental features, the agricultural fabric with the churches, the settlement types, elements of discontinuity and marginal areas. The critical nature of the context concerns the topological indifference, the absence of a hierarchy between the parts and their recognisability, fragmentation, and disorientation. Farmhouse
Mill
Dairy
Villa
The project is based on the invention of a new hierarchical system inside Corcagnano, through the grafting on of a central spine, featuring side arms. The spine and the arms measure the distance between some new landmarks, which reinforce the monumental armature of the context. The mechanics of the relationship between the elements and their relative position is formed by analogy from a study of the configuration of some farm complexes around Corcagnano. As you can see, in this illustration,it’s been used a rather unorthodox type of axonometric projection that would have upset drawing teachers at secondary school. This is the type of frontal axonometric projection used by John Hejduk, in which the façade is projected at right angles on the plan. Perhaps this was part of Hejduk’s aspiration, like that of every architect, to join opposites dialectically, and reconcile the irreconcilable.
Complexes configuration study
C H A RAC T E R S
Focus
Stitches
Core
ÂŤOur landscape is the place were nature meets culture: a place of destruction.Âť Luigi Ghirri