Louie Levison The Bartlett Portfolio 09.03.22
Contents The Cybernetic Forest - Conceptual analysis & creative delivery ................................................................................................................................................................ 1 - 11 2nd Year Projects - Stylistic development ........................................................................................................................................................................................... 12 - 13 Personal Projects - Timber construction .................................................................................................................................................................................................... 14 Technologies Bangalore - Pragmatism, rigour & detail design ............................................................................................................................................................... 15 - 19 Without a Home - Community engagement .......................................................................................................................................................................................... 20 - 21 The Hermit’s Castle - Film & Landscape ............................................................................................................................................................................................ 22 - 23 Dan Pearson Studio - Landscape Practice .......................................................................................................................................................................................... 24 - 25 BPTW - Residential practice ................................................................................................................................................................................................................. 26 - 27
THE CYBERNETIC FOREST For my third year at Manchester I was part of the Urban Spatial Experimentation (USE) atelier. In USE the focus is very much on the development of a strong narrative and concept for each individuals intervention. Our site for the year was a beautiful brownfield called Pomona Island. Sandwiched between the Bridgewater canal and the River Irwell, it was once a thriving industrial dockland but has since become a serene, overgrown oasis in the heart of Manchester. For my Project, The Cybernetic Forest, I imagined a revival of Pomona’s industrial past in the form of digital industries for the future and used this development as a means to preserve the surrounding nature. The overarching aim being to create a harmony and symbiosis between nature and technology. My project takes its name after a line from the poem ‘All Watched Over by Machines of Loving Grace’ by Richard Brautigan. Over the year The Cybernetic Forest would manifest itself as a data centre and telecommunications infrastructure sat within the landscape of Pomona, which is left to grow naturally wild. The computers in the data centre are cooled by fresh water drawn up from the river Irwell. I then designed in a botanical greenhouse to be kept hot by the excess heat generated from the data centre. Thus, creating a point of direct symbiosis between technology and nature. Pomona Island, the greenhouse and viewing platforms in the masts, would all be open for the public to visit.
01.
the dock
island ructed houses entury er yard lled as ion of e river, decline
Image of the docks during the 1900s. The red indicates how much of each dock had been infilled over the course of the next few decades.
Images of a docked ship annd warehouses under construction at Pomona.
POMONA ISLAND - MANCHESTER The only remaining dock (Dock 3) is currently being used as a point for barges to cross from the River to Bridgewater Canal via Pomona These first few pages form the conceptual analysis of Pomona Island Lock. The lock which connects Bridgewater canal to the river is situated ininbetween Manchester, which culminated in a videographic response. The dock three and the former dock 4. It works by mitigating the water level inbetween the two gatesonly using to video was selected and exhibited in ‘not butgate also’paddles and exhibition allow water in and out. Once the water is level with the canal the ofsecondary architectural works put on by the Betts Project gallery back in gate opens to allow the barge or small boat to pass. These gates required September 2020. manual labour to open them and would often be signalled by someone blowing on a horn.
Pomona is a culturally and contextually rich site and yet up until quite recently has been seemingly forgotten about. Situated between the River Irwell and the Bridgwater canal it is remote for such a central location between Manchester and Salford city centres. This historic
dockland is steeped in history, with 3 of the four moorings still cutting into the site giving it its unique shape. It has long since been left abandoned, reclaimed by nature becoming a beautiful and peaceful oasis in the heart of Manchester. It is this connection between the past, present and future that I set out to capture and reflect in my own responses. 31
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CAN INDUSTRY MEET ECOLOGY HARMONIOUSLY? AND WHERE TO HUMANS FIT IN? How people factor into the relationship between nature and technology is perhaps the essential outcome of my project. It is interesting how technology has the potential to both connect us to and disconnect us from the outside world, and with it the natural world. Can technology be used to reconnect us to nature and even protect nature? These are themes similar to Brautigen’s poem and are the essence of my project. 03.
HTTPS://VIMEO.COM/383266988
This video focuses on the contrasts between Pomona Island’s rich history; the flora and fauna that have reclaimed it; and the pressures of new development and future technology. It was shot on a Panasonic Palmcorder PV-DV910, using miniDV cassette. Analogue effects and distortions are used to add to the discourse around the contrasts of Pomona Island and its future. These were created through manual manipulation of cables during the recording process. The archive audio is that of Paul Graney. The full recordings, that capture the history of Manchester and Pomona Island and feature versions of the popular folk song 'Way Down to Pomona', can be found in the Manchester Central Library archives along side many others he has collected over the years. 04.
All Watched Over by Machines of Loving Grace I like to think (and the sooner the better!) of a cybernetic meadow where mammals and computers live together in mutually programming harmony like pure water touching clear sky. I like to think (right now, please!) of a CYBERNETIC FOREST filled with pines and electronics where deer stroll peacefully past computers as if they were flowers with spinning blossoms. I like to think (it has to be!) of a cybernetic ecology where we are free of our labors and joined back to nature, returned to our mammal brothers and sisters, and all watched over by machines of loving grace. - Richard Brautigan
CONCEPT COLLAGE Through these I am conveying the concept of the Cybernetic Forest, drawn from Brautigen’s poem. I want technology to sit side by side with nature, harmoniously. A beautiful symbiosis. In my project I will attempt to create this by situating digital industries, such as data centres and telecommunications infrastructure, within the overgrown landscape on Pomona island.
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Ground Floor
Previous page - Massing model of the
Out Buildings
initial proposal.
Below - Sketched plan development, hand drawn and Photoshopped. Right - Isometrics are Sketchup and
Photoshopped.
Both drawings here portray the multi platformed construction of my design.
Following pages - A selection
of drawings, collages and images produced for the degree show.
Data Centre Ground Floor
Half Level
First Floor Botanical Greenhouse
Second Floor
Third Floor 07.
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A HOUSE THROUGH A GARDEN - 2nd Year
Hand drawn general arrangements of a semi-detached house. I designed the living space to be dispersed throughout the garden and met the brief with a continuous undulating party wall of varying height.
A
B
Section A
Ground Floor Plan
20m
Section B
10m
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A POST INDUSTRIAL ARCHITECTURE HUB - 2nd Year
View C A
B
Section A
Section B Hand drafted and Photoshopped sections of the Post Industrial Architecture hub.
View A
The Post-Industrial Architecture Hub incorporates workspace, cafe, gallery & a lecture theatre. Built on the old Mayfield train station, it utilises the existing brick arches in the layout. Its most striking feature is the re-appropriation of the un-used Victorian ironwork. The architecture then plays with the transition between this light frame and the solid forms of the arches. In this work the early stages of my architectural & graphic style beginning to form.
Elemental Construction Model
View B
A B
Transparent Glazing
Red Brick Arches
Re-appropriated Ironwork
C 13.
Personal Projects - Timber Construction
Top - The American Museum and Gardens The completed Victorian seed hut in the American Museum I worked to help reconstruct.
Right & Left - A Jetty on the River Avon I designed and built incrementally over the course of the last year. Located at my parents flat on the river Avon in Bath.
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BANGALORE WORKSPACE - 3RD YEAR TECHNOLOGIES
Corner Condition
P2
P1
Climate Analysis This project was conducted as part of my 3 year technologies module. We were given a location and site constraints and were briefed with designing a four storey office space with a fully detailed envelope that responded to the contextual constraints we were presented with. rd
Climatic Drivers • Extreme Hot Season • Intense Levels Of Sunlight • Monsoon Season • High Humidity • Potential Wind-loads
Solar Angles
Wind Directions
This site is bordered on two sides by neighbouring buildings and on two sides by roads. It is oriented in a NE direction.
Contextual Site Appraisals -
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• Busy Main Street • Two Exposed Facade Faces • Little To No Nice Views Out • Potential Rear Access P1 • Pedestrian Footpaths to the NW and NE
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Core & Frame
Structural Design Drivers • Internal Core Location • Placement of the structural grid • Bracing Elements for lateral loads • Permeable points in the envelope • Aesthetic impact of the construction
P2
Cantilevered Structure 15.
ARRANGEMENT
Ground Floor
ENERGY AND ENVIRONMENT
1st Floor
Building Services Passive Strategies
2nd Floor
Overhang
3rd Floor Core Iterations
Office Spaces - Three floors of office spaces required. Entry Points - Entry and exit point location will determine where open or
reception spaces will be located
Vertical Circulation - Both stairs and a lift will be incorporated into the core.
Storage and Services - Storage for surplus and spare office equipment.
Electrical, water and mechanical ventilation supplied throughout the building.
Fire safety - Building regulations will affect the fire stairs, the number of escape routes and distance required to reach these routes.
Passive Strategies - Corner parameter makes natural cross ventilation
Services - Run vertically up through the concrete floor. Electrical (yellow) and
difficult to achieve. Small opportunities either diagonally or through the southerly rear entrance.
air conditioning (cyan) runs within cavities in the floor slab. Plumbing (Blue and red Heated) entirely within the concrete core.
Due to India’s climate the building will be air-conditioned. Therefore to be efficient the envelope will have to be well insulated. 16.
ENVIRONMENTAL TESTING
Cube
2m Cantilever
100% Glazing
2 Sided Cantilever
4m Cantilever
50% Glazed
4 Sided Cantilever
6m Cantilever
25% Glazed 1 Floor
1st Floor
1st Floor
st
2nd Floor
2nd Floor
2nd Floor
Overhanging Shading 1st Floor
Vertical Shading 1st Floor
Horizontal Shading 1st Floor
2nd Floor
2nd Floor
2nd Floor
I subjected my proposal to rigorous environmental testing using sefaira. The quantitative data then determined the optimum form of the office building along with glazing quantities and shading elements. 17.
ENVELOPE SYNTHESIS Timber Rain-screen Heat treated timber battens run horizontally along on the face of the building. These sit in front of a vapour proof membrane, together these two elements protect the interior and construction from the worst rain India has to offer. The horizontal orientation is designed to compliment the parallel effect caused by cantilevers. The screen over hang the structure to supply additional shading and accentuate the cantilever.
Cantilever The cantilever has been designed for two reasons. Firstly it provides 4m of sheltered outdoor seating. Secondly, it mitigates direct sunlight from entering the building making the interior very well lit. The cantilever extends out 1.33m per floor, giving the top floor an extension of 4m.
Controllable Shading I have designed additional, adjustable shading to the windows of the office space. This allows the occupiers to control the internal lighting environment naturally to suit different occasions or preferences. It Also acts to considerably reduce unwanted solar heat gains (as tested in Sefiara) which waste energy used to cool the building.
Envelope Construction Despite India’s Hot Climate I have heavily Insulated the building. This is because I have decided it is necessary the mechanically cool the building through air-conditioning. Therefore to make this as efficient as possible and avoid excessive cold loss I have used glass-fibre insulation.
18.
INTEGRATIVE DETAIL STUDY Environmental Achievements This envelope has achieved an energy efficient design with a very well day-lit internal environment. A unique and interesting workspace has been provided inside and a sheltered seating area has been provided outside.
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Internal Workspace
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The envelope I have created provides users with the ability to control their internal environment for maximum comfort in any conditions. It also creates a pleasant and well lit interior with expansive view out into the streets below.
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Construction 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16.
30x70mm Thermally treated timber Battens Waterproof membrane 30mm OSB board 200mm Glass fibre insulation 20mm Gypsum Plaster 350mm Adjustable Aluminium Solar Shades Double glazed Windows with opening Carpet 30mm Plywood Deck 15mm rubber granulated Matt 270 I -Beam / C-Beam at edge 140mm cavity for services Vapour Proof membrane 100mm Glass-fibre Insulation 70mm Reinforced Concrete Slab 140x140mm Steel substructure supports envelope weight
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Without a Home
Streets Arts and Homelessness Festival 2018
VISUALISATION.
Woah is a student design collective/non-profit organisation that focuses on issues of homelessness, poverty, community and the housing crisis. It aims to solve/alleviate these social problems, difficulties and inequalities through architecture and design. I was involved for three years and made president in my final year.
Sounds of the streets A collaboration with ex-homeless sound artist Olly Martin with the brief being to create a space within which the sound art could be played and listened to. The collaborative project was led by Woah with Architecture unknown, Hawkins brown, alongside Olly Martin. It ran for over a year and unfortunately never came to fruition due to a lack of funding, despite this it was an extremely valuable lesson in the realities of collaborative projects.
Following Page
Lecture Series - On the following page is a selection of my posters made to publicise a series of
lectures and panels with the focus on issues around housing and homelessness. Further Projects - include the creation of info-graphics on where help can be sought and fundraising events.
Sound of the Streets International Arts and Homelessness Festival 2018
_Site A
Contents Using a series of base tracks to support the structure, the initial concepts are sketched out below.
Sound of the Streets International Arts and Homelessness Festival 2018 Research
01
Inspiration
02
Existing Views Concept
03
The Site
04
Precedents
05
Design Response
06
The bottom and supports panels on the outside to display visual information to entice people walking by.
Sound of the Streets 06 International Arts and Homelessness Festival 2018
Sound of the Streets International Arts and Homelessness Fes
WOAH_WithOutAHome
Hawkins\Brown
WOAH_WithOutAHome
Piccadilly Station_The stage
Developed forms for Pods_Distortion of sight
The inward facing walls should better help with the noise mitigation.
The
Ha
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The Hermit’s Castle - Short Film The Hermit’s Castle is a short film shot on Super 8mm. It documents a remote concrete structure on the north-west coast of Scotland and was selected for the 2021 Barcelona International Architecture Film Festival. The laurel I was awarded is pictured bottom left.
Back Story
The film is narrated by my Grandfather David Levison who was present as a young boy for part of the hermit’s castles construction. Not a lot is known about David Scott with my film capturing mystery by stitching together some old and some new fragments.
Above - A news paper article preserved in the local ranger’s hut. Right Top - Grandpa David, right, around the time of the Hermits Castles construction. Right Middle - The holiday encampment. Bottom Right - Grandpa David, the leftmost child, with the rest of the family.
Behind the Scenes This was my first time using the time-lapse setting on my super 8 camera and to tell the truth I had no idea whether it would function or not. The process involved literally pressing the button for each individual frame. I split the film up into three different shots, one taken at sunrise, one at midday and the other at sunset. Each shot lasted roughly two hours real time and required the trigger to be pressed every 8 seconds.
22.
https://vimeo.com/496982154 The Hermit’s Castle was built the early 1950s by architect David Scott. It is perhaps one of Britain’s most remote and isolated pieces of architecture. Located on the north-west coast of Scotland, the obscure concrete structure sits discretely within the rugged landscape. The super 8 time-lapse footage captures its exposure to the often brutal, yet always beautiful elements. Shot on a Canon 814e super 8 camera using Kodak Ektachrome 100D colour reversal film. The film was selected for the International Architecture Film Festival Barcelona and screened in May 2021. You can watch it on Vimeo via the link provided or by watching the MP4 file that has been submitted. 23.
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During my time at Dan Pearson studio I gained an insight into the subtleties of landscape garden design. Working predominantly naturalistic garden the nursery,&the chandlery +44 (0)on 20a7928 380050 50 westminster bridge road mail@danpearsonstudio.com projects, I produced+44 a range (0) of graphics, sections and sketches to convey 20plans, 7928 380050 london se1character 7qy of each space we were proposing. danpearsonstudio.com the unique
mail@danpearsonstudio.com danpearsonstudio.com Vineyards & Guest House - Tuscany Querceto Landscape Concept Design July 2021
The Old Rectory - The Cotswolds
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Driveway arrival (2.5m wide) Heightened Gariga Signature Tree Shaded Parking Pergola Gathering Space within grassland at highpoint with views north 6. Signature Orchard 7. Grassland Agricultural Landscape 8. Enhanced Existing Oak Gully 9. Arrival Courtyard 10. Kitchen Garden 11. Outdoor Kitchen 12. Dining Courtyard 13. Terraces 14. Intimate Seating Area 15. Circulation Through Garden 16. Central Garden 17. Lawn 18. Retaining Walls 19. Pool Garden 20. Pool Building 21. Route To Wider Landscape
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A Horse Farm - Connecticut
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dan pearson studio
the nursery, the chandlery 50 westminster bridge road london se1 7qy
+44 (0) 20 7928 380050 mail@danpearsonstudio.com danpearsonstudio.com
Il Leccio Landscape Concept Design July 2021
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Driveway arrival (2.5m wide) Heightened Gariga Signature Tree Parking Garage Signature Orchard Grassland Agricultural Landscape Gathering Space Enhanced Existing Woodland Vineyards Arrival Courtyard Kitchen Garden Outdoor Kitchen Evening Terrace Terraces Lawn Central Garden Circulation Through Garden Intimate Seating Area Retaining Walls Guest Courtyard Living Courtyard Route to Landscape
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dan pearson studio
the nursery, the chandlery 50 westminster bridge road london se1 7qy
+44 (0) 20 7928 380050 mail@danpearsonstudio.com danpearsonstudio.com
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Construction Tender Package
I produced this tender package for the grounds of an old Lutyens manor house located in Sussex.
12 50mm Spent Mushroom Compost
Greenleaf aeration / irrigation pipe, or similar approved
Red brick laid in basket hatch pattern L 222 W 43 D 100mm
York stone slabs L= W=500 D=158mm. Laid on M12 mortar. Round arris 10mm on leading edge. Reinforced concrete staircase foundations to engineers specification. Sub base to engineer's detail
300mm Imported topsoil to DPS specification
Twin tree stakes (75mm x 650mm long) made from tanalised softwood timber. Greenleaf Nature tie belt or similar approved.
Sand Bed D 20mm
200mm Drainage layer clean gravel 20-40mm. Base to be shaped to aid root penetration and pit drainage. Root barrier to be installed where required to protect services. Greenleaf ReRoot 1000 or similar approved
Loosen sides and base of tree pits prior to planting
Oak deck W=270 D=50mm
13
Existing condition
+ 65.80
Timber joist Jetty post Foundation to engineer's specification
Existing limestone capped retaining wall + 64.95
ba
c
a
+ 64.95
2800
64.5 m
0
North Terrace Bench
1
700
150
100
65.0 m
c
7200
150mm of washed sand with medium/ coarse grain Sub base to engineers detail and specification D 200mm
b
515
0.5m
1m
2m Location Plan
Scale 1:50 @A3
400
64.0 m 63.5 m
1200 0
North Terrace - Section a-a
0.5m
1m
2m
+ 63.10
a a
Scale 1:50 @A3
508
Location Plan
0.5m
1m
425
0
South Bank Stair - Section a-a
1
1000
6
17
650
1 506
6400
1600
158
800
2m
Scale 1:50 @A3 0
Elevation a-a
2 515
0.5m
1m
2m
Scale 1:20 @A3 1600
Vineyards Arrival Co Kitchen G Outdoor K Evening T Terraces Lawn Central Ga Circulatio Intimate S Retaining Guest Cou Living Cou Route to L
800
Max excavation 1000mm
a
+600mm Existing Levels -600mm
+64.94
Individual planks laid on ground to create crossings points over wetlands.
100 Seasoned Oak posts 100 x 100 x 1000mm
a
+64.70
18
2 506
Rev:
16
+64.50
Client:
Section detail 1 Detail 1 +64.00 Plumpton Place Lewes Angus Ball
Scale: varies @ A3
Drawing Number:
Drawing Title: Project:
Scale 1:50 @A3 Date: November 2020 Checked By:
+63.33
JMG & MD
Client:
South bank stair detail Detail 1 Plumpton Place Lewes Angus Ball
Scale: varies @ A3
Drawing Number:
Project:
Date: November 2020
PPL-LD-506
Drawn By: DMN
New. Bespoke red brick. Dims L 222 W 43 D 100mm Manufacturer: X Laid on edge in a basket hatch pattern.
+63.50
Status
Checked By:
dan pearson studio
1
Existing retaining wall
Wetlands Section 1
504
Proposed Limestone edge To match existing on the north terrace. W 300mm
0
2m
JMG & MD
Revision
Elevation b-b
3 515
4
+63.00
515
Scale 1:20 @A3
N Terrace Bench Detail 1 Plumpton Place Lewes Angus Ball
Scale: varies @ A3
Drawing Number:
Section c-c
Date: November 2020
Scale 1:20 @A3
Drawn By: DMN
PPL-LD-515
Status
Checked By:
JMG & MD
Revision
dan pearson studio
Steps cut into bank creates varying depths to allow a 50mm depth of fine composted bark mulch range of aquatic plants to 300mm topsoil to DPS specification flourish.
10m
Scale 1:200 @A1
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For Plannning
+44 (0) 20 7928 3800 mail@danpearsonstudio.com www.danpearsonstudio.com
the nursery, the chandlery 50 westminster bridge road london se1 7qy
0
Status
For Plannning
+44 (0) 20 7928 3800 mail@danpearsonstudio.com www.danpearsonstudio.com
4m
+63.25
Client:
For Plannning
the nursery, the chandlery 50 westminster bridge road london se1 7qy
Project:
+63.50
By:
Description:
Date:
Drawing Title: +63.50
PPL-LD-508
Drawn By: DMN
Revision
Rev:
By:
Description:
Date:
Drawing Title:
Location Plan
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North Terrace - Detail Plan v
Seasoned Oak planks 20-30 x 100mm Rev:
By:
Description:
Date:
dan pearson studio
+44 (0) 20 7928 3800 mail@danpearsonstudio.com www.danpearsonstudio.com
the nursery, the chandlery 50 westminster bridge road london se1 7qy
Post and board dam
Target water depth 600mm to avoid toal evaporation in summertime.
b
c
11
600mm subsoil imported to DPS specification
Handmade clay paver to match existing red brick laid in on edge in running bond pattern 43x 222x 100mm
300
Existing condition 10
Course sharp sand joints, colour to match yorkstone 5-6mm
440 215
+ 65.81
215mm cavity block bedded with 1:3 cement with reinforced bars to Engineers specification
150
Mot type 1 sub base to engineer's specifications
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+ 65.84
Bank regraded - area hand dug around the base of the yew tree + 65.38 b
ANCON RT2 wall ties to Engineers specification
c a
Match to the existing brick at north terrace retaining wall and staircase. Lambs brick and stone Dims W 43mm L 222mm
a
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+ 64.28
516 1500
Build out and foundation to Engineers specification
1000
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North Terrace Table Scale 1:20 @A3
0.5m
1m
2m
3300
866 1600
56.0
5 7 .5
5 8 .5
5 8 .0
5 5 .5
57.5
Location Plan
58.0
5 6 .5
5 8 .5
5 6 .0
Lambs brick and stone L=222 W=43 D=100mm
57.0
+ 5 5 .5 0
+ 5 6 .0 0
+ 5 6 .0 0
+ 5 6 .5 0
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+ 5 7 .0 0
6 ste p s .1 6 6
5 6 .0
5 6 .5
+ 63.00
Sand Bed D=20mm
57.5
+ 5 5 .0 0
5 8 .5
58.0 57.0 + 5 6 .0 0
5 7 .5
5 8 .0
+ 5 5 .5 0
Levels
5 9 .0
64.83Existing
58.5
Well compacted type 1 sub-base to Engineers specification
5 7 .0
5 9 .0
58.5
64.50
+ 5 6 .0 0 + 5 5 .5 0
1 :2 5
5 6 .5
+ 5 5 .7 5 + 5 6 .0 0
5 5 .5
5 7 .5
+ 5 6 .5 0
5 6 .0
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5 6 .0
64.00
60.0
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+ 5 7 .0 0
5 8 .0
5 7 .0
59.0
-600mm
5 8 .5
5 8 .5
+ 5 7 .5 0
5 9 .5
5 8 .0
+ 64.33
900
5 9 .5
+ 5 8 .5 0
+ 5 7 .4 9 8 + 5 7 .3 3 2 + 5 7 .1 6 6
+ 5 8 .0 0
+ 5 8 .0 0
+ 5 6 .0 0
60.0
+ 5 7 .5
+ 5 7 .0 0
5 s t e p s @ .1 6 6
+ 5 6 .6 7
+ 5 8 .0 0
+ 5 6 .6 6
5 7 .5
+ 5 7 .0 0 0 + 5 6 .8 3 6 + 5 6 .6 7 0
+ 5 7 .0 0
6 0 .0
+ 5 7 .4 0
+ 5 9 .0 0
5 7 .5
63.56
5 9 .5
+ 5 8 .6 7
60.5
5 7 .0
63.34
63.00
6 0 .0
+ 5 9 .9 7 + 5 9 .9 7 + 5 9 .9 7
3 s t e p s @ .1 4 3
+ 5 9 .6 0
1 :1 0 0
+ 5 9 .5 4 + 5 9 .5 4 + 5 9 .4 7 + 5 9 .5 4
1 :8 0
+ 6 0 .1 8
+ 5 9 .6 9
+ 5 9 .4 7 + 5 9 .5 4
+ 5 9 .6 0
+ 5 9 .6 9
+ 6 0 .1 8
+ 5 9 .9 0
+ 5 9 .6 0
1 :8 0
+ 6 0 .4 0 5
+ 5 9 .9 0 2 s t e p s @ .1 3 5
+ 6 0 .5 0
1 :8 0 + 5 9 .9 1 7 + 6 0 .0 1 1 :4 6 5 9 .9 1 9 + 1 :5 8
+ 5 9 .4 8
6 0 .0 0 +
1 :8 0
+ 5 9 .6 2 + 5 9 .5 2 8 + 5 9 .6 2
+ 6 0 .1 2
+ 5 9 .4 1 5
+ 6 0 .2 0
+ 5 9 .6 4 + 5 9 .6 3
62.50
+ 6 0 .3 6 5 + 6 0 .3 0
+ 6 0 .0 2
1 s t e p s @ .1 3 5 + 6 0 .1 2
+ 6 0 .0 2
+ 6 0 .3 2
+ 6 0 .2 3 1 :3 2
0
0.5m
1m
1m
2m
Scale 1:50 @A3
10
Jetty and faoundation to engineers specification.
2 516
+ 6 0 .4 5
6 0 .5
0.5m
Elevation a-a Scale 1:20 @A3
6 1 .0
0
Section a-a
2m 1200 6 0 .5
South Terrace - Section a-a
2 s t e p s @ .1 3 5
+ 6 0 .1 2
519 1
1 :2 2
+ 5 9 .8 5
+ 5 9 .6 9
1
4
100
61.5
Seasoned Oak planks 20-30 x 100mm
62.0
a
6 1 .0
Scale 1:20 @A3
6 0 .5
507
6 1 .0
6 0 .5
70
6 1 .5
6 2 .0
Rev:
By:
Description:
Date:
Client:
Rev:
By:
Description:
Date:
61.0 1666
N Terrace Table Detail 1 Plumpton Place Lewes Angus Ball
Drawing Title: Project: Client:
60.5
Seasoned Oak planks 20-30 x 100mm
Detail Section 17 Detail 1 Plumpton Place Lewes Angus Ball
6 1 .0
6 0 .5
60.5
Client:
By:
Description:
Date:
Drawing Title: Project:
61.0
Project:
Rev:
21
Section Detail 2 Detail 1 Plumpton Place Lewes Angus Ball
Drawing Title:
a a
61.0
6 0 .5 6 1 .0
6 1 .5
6 1 .5
6 2 .0
Checked By:
JMG & MD
Revision
Drawing Number:
Date: November 2020
PPL-LD-519
Drawn By: DMN Status
Checked By:
JMG & MD
Revision
3 Status
516
Elevation b-b Scale 1:20 @A3
4 516
Section c-c
Scale: varies @ A3
Drawing Number:
Date: November 2020
PPL-LD-516
62.0
62.5
Scale: varies @ A3
Drawn By: DMN Checked By:
JMG & MD
Revision
6 2 .5
62.5
Status 6 3 .0
Scale 1:20 @A3
63.0
6 2 .5
Scale 1:100 @A1
a
62.5
504
5m
PPL-LD-507
Drawn By: DMN
6 2 .0
varies @ A3 Drawing Number: 0 Scale: 1m 2m Date: November 2020
Wetlands Section 2.
62.0
2
Location Plan
For Plannning
For Plannning
63.0
For Plannning
6 3 .5 6 3 .0
6 3 .5
Location Plan
6 3 .5
dan pearson studio
+44 (0) 20 7928 3800 mail@danpearsonstudio.com www.danpearsonstudio.com
dan pearson studio
3
20
the nursery, the chandlery 50 westminster bridge road london se1 7qy
+44 (0) 20 7928 3800 mail@danpearsonstudio.com www.danpearsonstudio.com
dan pearson studio
the nursery, the chandlery 50 westminster bridge road london se1 7qy
+44 (0) 20 7928 3800 mail@danpearsonstudio.com www.danpearsonstudio.com 6 4 .0
63.5
the nursery, the chandlery 50 westminster bridge road london se1 7qy
64.0
64.0
100
Boiler house and foundations removed
Coarse sharp bedding sand 25mm Brick coping to match wall and existing piers
5 7 .0
43
55.5
300
5
Existing yorkstone slabs lifted, cleaned & relaid to Lutyens paving pattern.
Concrete base to engineers specifications Mot type 1 Sub base to engineer's specification
6 4 .0
6 4 .5 6 4 .5 6 4 .5
6 5 .0
6 5 .0
6 5 .0
6 5 .5
6 5 .5
1
1
6 5 .5
6 6 .0
6 6 .0
6 6 .0
66.5
Location Plan
64.00
Existing Levels
63.50 63.00
-600mm
62.50
2
62.00
25. 3
Wetlands Section 3
0
1m
2m
5m
Planning Drawing Sets
66
5
These drawings are from to planning applications I have made whilst at BPTW, on behalf of Ashford Borough Council. The contract consists of multiple small in-fill sites each with the potential of accommodating 3-6 homes.
Key Site boundary P0.00
Section: Proposed Section AA
Section: Proposed Section BB
REFER TO: ASHR‐BPTW‐S01‐ZZ‐DR‐A‐2202
REFER TO: ASHR‐BPTW‐S01‐ZZ‐DR‐A‐2203
Plot numbers
+00.000
Existing levels taken from topographical survey
+00.000
Proposed levels
Removed trees
1
Garden 80m2
Proposed trees
WC
2.5x5m vehicular parking space
1.89 m²
Garden shed with capacity for 2x cycle secure spaces
+41.325
P04 2B4P House Type 02 82.50sqm
Living / Dining / Kitchen
Garden 61m2
Bin store with capacity for: Recycling (240) Garden (240) Other waste (180) Ext. food caddy (23)
25.87 m²
+41.070
WC
60
1.89 m²
Rotary drying rack
10 +41.550
P03 2B4P House Type 02 82.50sqm
Living / Dining / Kitchen
Compost bin
+41.060
9
Water butt
25.87 m²
Garden 60.50m2
WC
1.89 m²
8 +41.700
P02 2B4P House Type 02 82.50sqm
Living / Dining / Kitchen
Garden 86m2
56
7
+41.180
25.87 m²
58
Section: Proposed Section AA REFER TO: ASHR‐BPTW‐S01‐ZZ‐DR‐A‐2202
6
Living/Dining 17.13 m²
WC
2.26 m²
5 Kitchen
per Roa d
+41.850
8.51 m²
+41.260
Har
P01 2B4P House Type 01 79.50sqm
4 +41.330 Section: Proposed Section BB
REFER TO: ASHR‐BPTW‐S01‐ZZ‐DR‐A‐2203
3
3
Notes:
Do not scale. All dimensions are in millimetres unless otherwise stated. This drawing should be read in conjunction with all relevant project information and contract documentation. All dimensions to be checked prior to fabrication and or commencement of works. All works to comply with all relevant legal standards, building regulations and warranty provider requirements. Report any discrepancies, if in doubt ask.
9
2 Visitor
+41.430
+41.640
1 Visitor
15
Revisions: Rev Status Date
+41.580 +41.450
Description
Drn Chkd
C01 A3 18.10.21 Planning Issue C02 A3 05.01.22 Increased Parking Provision
LL LL
AA AA
48 50
Client Name:
Ashford Borough Council
+41.760
Project Name:
Harper Road (ASHR)
Drawing Name:
Proposed Ground Floor
+41.620
Drawing Number:
ASHR‐BPTW‐S01‐00‐DR‐A‐1002 Project No:
19‐115
Little Knoll
RIBA Stage:
3
Drawn By:
GB
Rev:
C02
Status:
A3
Scale:
1:100 @ A1
PLANNING ISSUE
N
1:100m 0
1
5
10
26.
At BPTW I have predominantly been working on projects direct with local councils on affordable and social residential projects. I have so far work on RIBA Stages 1-3 and carry out a number of roles from producing graphics and planning drawings to submitting planning applications and corresponding with clients. On this page is a selection of graphics and sketches I’ve produced during my time at BPTW so far.
Perspective Sketches
Presentation Images
Diagrams
Flat Layouts
27.