01. SAN PEDRO HOTEL DESIGN 02. CONNECTION 03. CAPSULE TOWER--MASS CUSTOMIZATION 04. NEW YORK&SHEN ZHEN TWIN TOWER CONCEPTUAL DESIGN 05. RETURN TO ORDER--CITY LIBRARY DESIGN 06. GEOLOGICAL MUSEUM DESIGN 07. STUDIO 4505 08. ZHEJIANG PRINTING GROUP BUILDING 09. BAOYE HUIJIN PLAZA DESIGN 10. FRESHIGH 11. WORGL M4 SHOPPING MALL RECONSTRUCTION 12. TAIYUAN BOTANICAL GARDEN 13. INTER-FASHIONALITY 3D PRINTING FOR DIGITAL FASHION 14. OTHER WORKS
SAN PEDRO HOTEL DESIGN Design:Peng Xie
Landscape architecture is the main point of this project. The site is located in the San Pedro harbor, which used to be a famous commercial harbor, but now is dominated by the fish market. The fish market is famous in Los Angeles, there always a lot of people come here to spend their weekend. My proposal is to keep the existing fish market and create a “soft� natural landscape above the site, provide a natural friendly environment for the public. Hotel rooms are designed on the landscape though this way hotel and landscape integrate with each other.
ocean
ocean
ocean
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ocean
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fishmarket
parking
landscape fishmarket
parking
landscape fishmarket
hotel
public spcae
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parking
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There is no certain conncetion between site and residential area. And there is no well orgnised landscape space on the site. However there are some view point around the site whice are the potential visual connection between and hotel and urban context.
N
Dock
Entrance
Entrance Entrance
Parking
Site Plan
Ground Floor Plan
2 Floor Plan
3 Floor Plan
4 Floor Plan
Section
Unit A 1F Plan
Unit B 1F Plan
Unit B 1F Plan
Unit B 1F Plan
Unit B 1F Plan
Unit A 2F Plan
Unit B 2F Plan
Unit B 2F Plan
Unit B 2F Plan
Unit B 2F Plan
Unit C
Unit D
Unit E
Unit A
Unit B
CONNECTION Design:Peng Xie
The USC WRIGLEY CENTER FOR ADVANCED ENVIRONMENTAL STUDY is a research institution for the USC and the public, which located on the Santa Catalina Island. The project is about designing a new research center for the institution. The site is on the cliff, as a result the whole project is based on the quality of cliff. First of all, the cliff can get the light from both sunshine and water reflection, from which I design a dynamic facade to create a light changing—space for the interior. Secondly, the project also take consider the vertical surface on the cliff. In terms of that, on one hand, I try to keep the original texture on the cliff which can use for institution keeping plant, on the other hand, designing a artificial facade on the other side of the building , which can some create special spaces for the program. Thirdly, the project is not only a building but also a pathway to the underwater space and the top of hill, where people can get a good view. People can experience the building through different ways, and most of them can reach the top-open spaces. In terms of program, except the necessary program in the building, lots of open spaces were designed inside the building, which provide more opportunities for people to communicate with each other. Thus, the ocean view on the top and the shaded open spaces inside the building allow people get into the building not only for the research or classes, but also for other activities such as have a coffee, take a nap or just have a relax.
Los Angeles
Los Angeles Los Angeles
In 1965, USC created the marine lab on Catalina Island now known as the Wrigley Marine Science Cente.USC Wrigley Institute for Environmental Studies is a research institute encourage responsible and creative decisions in society by providing an objective source of marine and environmental science and fostering an understanding of the natural world among people of all ages. Wrigley Research Spotlight Wrigley Oyster Research Wrigley Research Spotlight andSpotlight Aquaculture
1.5
KM
Oyster and Aquaculture Island Fox Research Oyster and Aquaculture
USC Wrigley Institute 30000 Square-Foot USC Wrigley Institute USC Wrigley Institute 24 Employees 30000 Square-Foot 30000 Square-Foot 6 Research Lab 24 People/Lab 24 Employees24 Employees 2 6Labs for Teach Research Lab 24 People/Lab 6 Research Lab 24 People/Lab Stockroom 2 Labs for Teach 2 Labs for Teach Machine Shop Stockroom Stockroom Lecture Hall (85 Seats) Machine Shop Machine Shop
Lecture Hall Lecture (85 Seats) Hall (85 Seats)
1.5
KM
Island Fox Research Island Fox Research Climate Dynamics Nitrogen Fixation in the Ocean
11.5 7.K7 M 0K M 17.
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USC
1.Anthropology 2.Architecture 3.Biological 14.Spatial Sciences 4.Chemistry 11.Filmmaker 12.Public Policy 2.Architecture 13.Sociology Sciences 1.Anthropology 3.Biological Sciences 4.Chemistry 5.Cinematic 5.Cinematic Arts 6.Civil Arts and Environmental EngineeringEngineering 7.Computer 7.Computer Sciences Sciences 6.Civil and Environmental 8.Earth Sciences 10.Environmental Studies 8.Earth9.Electrical Sciences Engineering 9.Electrical Engineering 10.Environmental Studies 11.Filmmaker11.Filmmaker 12.Public Policy 13.Sociology 14.Spatial Sciences 12.Public Policy 13.Sociology 14.Spatial Sciences
SITSIT E E
New Waterfront New Waterfront Faculty Faculty New Admini New Admini Marine Marine New NewActivity Activity Cafeteria Cafeteria Dormitory Dormitory Houses Houses Building BuildingResidence Residence Building Building Laboratory LaboratoryDroms Droms House House
SITSIT E E
DockDock
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Park(6) Park(6)
PathPath RoadRoad Water Water
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Floor Plans
CAPSULE TOWER--MASS CUSTOMIZATION
Design: Peng Xie, Yang Li In recent decades,with the application of new design software and technology such as Maya, Rhino, 3D-Printing, Digital Fabrication, etc, a particular trend in architecture points out towards the dissolution of parts, which can be understand as continuous system.The assumption here is that parallel to the architectural continuous system, we also need to rethink and enhance the importance of the part’s ability in architecture design. Since the development of Network, individual get more freedom then ever time, we are not satisfied with accepting existing world but changing it,which makes users transfer from object to subject, In order to meet these features,I believe open source, combinatoric, reversibility, system diversification are the keys to the future architecture development. Based on this argument,I believe that the mass customization is a way to meet those new requirement of the society. Hence our idea is to Achieve MASS CUSTOMIZATION through the combination of STANDARD MODULE in the MULTI-SCALE COMBINATION SYSTEM.
To achieve mass customization, we have to allow users to “design� their own capsule. As the architecture we design these parts which allow users to combine them together base on their own needs. Each of these units is different from each other but with standard joints, with these joints these units can be easily connected or disassembled.
This parts to whole system is like the language. We start from letters then the letters combine into the word, words combine together to become the sentence, sentences connect together then we have paragraph, and then we have the article. This multiple combination system allow us to generate a tower that can meets all the users’ needs.
Each capsule is constructed by the units that selected from our librar.
NEW YORK&SHEN ZHEN TWIN TOWER CONCEPTUAL DESIGN
Design: Peng Xie, Kai Yu, Bo Jian The New York and Shen Zhen twin tower conceptual design is about reconsider the situation of high-rise tower in these two cities and provide a new argument that what the future high-rise tower should be in these two cities.
As the urbanization goes on, more and more skyscrapers are built to create more space for city. However, instead of making city more livable, skyscrapers put a heavy pressure on urban space and make city more crowded. The intensity of pressure is determined by pressure and its force bearing area. The problem of skyscraper is that every skyscraper stands as an isolated island in city and make the pressure of population concentrate on one single point, which creates a severe congestion for people and traffic. Another problem of skyscraper is that it totally detaches with urban context, which destroys city’s existing local urban structure. Meanwhile, as mentioned by Rem Koolhass in Delirious New York, the new space created by skyscraper simply duplicates the footprint floor by floor. Such duplication makes urban space monotonous and separate people spatially floor by floor and tower by tower. So, our proposal is to provide a new prototype for skyscraper and urban space. Since going tall is the only solution to create more space in city, why can’t we create a new urban context in the sky.
The New York Tower is a project to plug a series of megastructure into New York urban gird. The skyscraper extends both vertically and horizontally to connect each other as well as the existing building in this area. The circulation of skyscraper is no longer the only way to go up and go down, but become a 3d network system to connect every building in different level. The horizontal extension of skyscraper is not only acts as the bridge to connect different building, but also becomes the public space in the sky.
On The other hand, the Shen Zhen tower is a project to focus on the neighborhood relationship inside the building. Because unlike the New York with high density of high rise tower , Shen Zhen site is a new empty seaside area with some residential buildings. The concept of vertical city here is about the function diversity and small scale neighborhood space. Except the resident unit we also design the office, commercial, educational,etc area for the people. The tower itself in this case is a multiple program city.
New York Tower Section
Shen Zhen Tower Section
New York Tower
Shen Zhen Tower
RETURN TO ORDER--CITY LIBRARY DESIGN Design: Peng Xie
Library is an institution of collected books and information resources which was made accessible for people to read and reference, it helps human beings preserving human heritage, developing information resources and participating in social education, etc. With the development of library, the open plane rose in the early1960 brought flexible space to make collected bookcase can be placed anywhere. With the wave of digital technology today, however, the desire of flexible space has been up to a higher level – the requirement of new function. How to build an ideal library appropriate for the times is a very meaningful subject for library and construction industry.
Return to order means look back to the truth of knowledge and seek to the new solution of contemporary library .Since the Ancient Greece, the gird of column and the basic geometry always represent the truth of universe. How to create a space that release the spirit of knowledge and the truth throug the order and grid. How to liberate more freedom under the order. How to give people more opportunities to communicate with each other. How to balance the nature and architecture. These questions are the thinking of this project.
Rendering
Site Plan
Ground Floor Plan
2 Floor Plan
2 Floor Mezzanine Floor
3 Floor Plan
3 Floor Mezzanine Floor
4 Floor Plan
4 Floor Mezzanine Floor
Solar Shading System
Based on the different space arrangement, design adopts two different elevation design: first, setting the intelligent solar shading system in a horizontal way; second, setting the intelligent solar shading system in a vertical way.
Section
Section
GEOLOGICAL MUSEUM DESIGN
Design: Peng Xie The project is about the relationship between architecture and urban space, and how to use architectural vocabulary to respond to new urban district planning issues. Project trying to create a program which combines “independence” and “integration”, and also allow people to communicate with each other in this new urban space.
Dome Over Manhattan Island Structure Master, Buckminster Fuller‘s lastutopian vision: he used a huge glass dome covering the entire Manhattan Island, the city can be self-sufficient. This is a “critical” design. Whether the buildings in our cities also have such a sense of isolation to us?
The Bilbao Effect The Guggenheim Museum designed by Frank Gehry is known as the miracle of the construction industry, a building activates the entire city, and Bilbao is very prosperity because of a large collection of architectural masterpieces.
Instead of using a shell to isolate the exhibits from the city,it is better to create a landscape building museum to strengthen the links with the urban environment. If you create an Exhibition Building which being equally active both inside and outside and “free” to enter, so what will happen?
Site Plan--Revit Drawing
Roof Plan
Ground Plan--Revit Drawing
2 Plan--Revit Drawing
Sections--Revit Drawing
Wall Sections--Revit Drawing
STUDIO 4505 Design:HansonLA
Located at the gateway to Marina Del Rey, CA, this project focused on the redesign of an existing 19,000 Sq ft office space to encourage a creative office environment. The design goals were to upgrade the space including architectural finishes, mechanical, electrical and plumbing systems, in addition to providing an interactive and collaborative work environment. A series of design interventions provides a subtle identity to the creative office while still allowing enough flexibility for the future company.
Ground Floor Plan
There are two conference rooms was added to the existing office space. One of them was attached on the building on the second which gives the identity to the building and also shaped an entrance space for the office. The other conference room was located inside the building, which also designed as a view point for the interior space .
2ed Floor Plan
总体效果展示 | Renderings 东北侧整体鸟瞰图 | Northeast Aerial View
6
ZHEJIANG PRINTING GROUP BUILDING Design: LYCS Architecture
The site is located in the core of the downtown Hangzhou, adjacent to the West Lake Cultural Square and the Innovation Street of Zhongshan Road, which completes the stately image of the Zhejiang Printing Group. Based on the culture of the enterprise and the landscape, the concept of this design is conceived from the waving beauty and momentum of the West Lake.
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The site is located on mian road junction.
View Analysis
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Based on the local building code, the part of the building higher than 70m must seperated into 2 part. Creating a entrance space for the site.
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Program design
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Apply aluminium sun shading system on facade create a dynamic buiding form.
Ground Floor Plan
Floor Plans
Section
SUN SHADING SYSTEM The variety of louvers are actually made up of six standard shades of aluminum. Through computer-aided optimization design, the facade sunshade aluminum plate shows a kind of relaxation of the streamline geometric characteristics; at the same time, through the standardization of design, the complex facade formal can be achieved through the combination of these six kinds of composite aluminum plate, whcih can be mass producted in the factory.
Section Detail
BAOYE HUIJIN PLAZA DESIGN
Design: LYCS Architecture The project is located in Wuhan Qingshan District, all the way to the junction of South Harbor Road. Building area 69980 square meters, including office building area of 30080m2, SOHO building area of 26450m2, commercial 13450m2, two floor underground for 25712.8square meters. The project mainly to build Wuhan Bao industry group building, improve the working environment of enterprises, boost the Group’s external image, and the corresponding design SOHO and the bottom of the business complex, and strive to make the project become a new landmark in Qingshan District.
Site Plan
As the construction of South Road widening, the south side of the crowd was blocked.
Pedestrian mainly come from the east and south sidewalks.
Setting up the main entrance on the east and south side will effectively attract people and improve site value.
Based on the code and surrounding, design the control line of the building site.
According to the basic requirement of client design the prototype.
The building massing is greatly optimized, making most of the building face to the south.
Solar analysis of the site, optimize the building massing.
Increasing commercial value on the street side.
Clarify the site circulation of vehicle and pedestrian.
In the lower level of the building set the internal courtyard, which with corridors to achieve the loop and maximize the neighborhood commercial space.
Facing to the three main public space in the city, the design shape the identity of the building.
Expanding the scope of the vision in the building.
The roof platform is designed for SOHO and office buildings to use as the public green space.
Ground Floor Plan
2Floor Plans
3Floor Plans
4Floor Plans
4-12Floor Plans
Section
North Elevation
South Elevation
Unit A
Unit C
Unit B
Unit D
Reflect Sunlight Low-E Glass
Respiration-type Double-layer Glass Curtain Wall
Low-E Glass Curtain Wall
Earth Draina
ge Lay er Insulati on Rainwa
ter Filtr ation
FRESHIGH
Design:Dongqi Architects
The Freshigh is a juice bar in Shanghai. Under limited time this project only spent one and a half month to be built from design to construction. The client wants to have a fresh and lovely atmosphere in her juice bar. So we decide to use mint green and white glazed tile to decorate the space. The perforated bended metal with pattern on it on one hand create a special brand for the juice bar in the area, on the other hand we use this element to design the fruit storage space below the ceiling which is the main concern problem of client.
M3 空心钢板喷涂绿色
M3 空心钢板喷涂绿色
M2 不锈钢
M3 空心钢板喷涂绿色
M2 不锈钢 水果槽
电源线开口
电源线开口
电源线开口
水槽开口
垃圾口
150
150
电源线开口
5280
100100
600
300
60
439
60
439
60
850
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439
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垃圾口
180 60
625
2250
955
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50140
1700
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1200
140 70 70
720
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430
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460
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2800
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200
M2 不锈钢
+0.000
水槽开口
520
1 Ele 3
50
400
50
695
+0.100
800
800
1 Ele 6
750
1550
300
850
1 Ele1
490
300
300
100
475
300
3900
168
700
1100
700 2 Ele1
108
138
992
1142
1 Ele 4
1 Ele 5
500
625
625
5180
+0.000
625
折叠门
3380 50
房间布局平面图 1
吧台及开洞尺寸平面图 比例 1:25
600
18
栋栖设计 | dongqi Architects
吧台及开洞平面图 1:25 A3
栋栖设计 | dongqi Architects
18
460
457
475
水果店设计2016
18
630
18 281 18
45 168
50
18 482
水果槽
955
垃圾口
垃圾口
520
18
50
732
400
50
钱箱
373
18
2250
800
502
水槽 榨汁机
1200
695
582
100
开水机
160 45
18
343
572
ZUMEX
720
18
702
18
18
527
373
18
18
750
625
榨汁机
430
553
18
BLENDTECX BLENDTECX 咖啡机
蛋糕柜
1200
300
700
625
平面图 1:25 A3
水果店设计2016
500
625
5280
625
比例 1:25
150
1
50
100
60
1 8.00
18
50
水槽
1 吧台分隔平面图
吧台设备平面图 比例 1:25
比例 1:25
M4 镜面不锈钢
射灯线路
射灯轨道
425
吧台设备平面图 1:25 A3
367
400
640
栋栖设计 | dongqi Architects 300
500
吧台分隔平面图 1:25 A3
450
450
450
450
450
450
425
940
450
400
450
400
425
720
900 720
450
425
栋栖设计 | dongqi Architects
325
930
400
425
1520
415
425 400
水果店设计2016
400
480
水果店设计2016
367
930
640
400
377
1
射灯线路
射灯线路
1
天花板线路平面图
日光灯线路
射灯
比例 1:25
黑色喷涂
射灯轨道
1
天花板平面图 比例 1:25
日光灯管 黑色喷涂
Floor Plans
水果店设计2016
天花板平面图 1:25 A3
栋栖设计 | dongqi Architects
M2 不锈钢板
M1 绿色喷漆金属网
C1 白色瓷砖
M2 不锈钢
M2 不锈钢
M2 不锈钢
M2 不锈钢
M2 不锈钢
800
644
644
650
544
310
720 不锈钢
644
2800
1280
644
344
838
M2 不锈钢
不锈钢
65
450
450
450
450
450
450
450
450
450
450
450
300
361
600
500
980
1000
750
50
1520
550
850
527
18
572
18
582
18
630
比例 1:25
281 18
60
440 60
100
520
1520
2
18
900
18
900
680
680
2700
1400
100
1400
6800
2800
店面立面图
500
1010
502
1000
1410 100
1280
2800
1
18
900
1010 100
1600 1010 100
150 1280
2700 110
690
200
168 110
392
2000
200
85 600
200
2744
492
1200
600 150
1520
2200
200
1150
150 990
3582
492
190
4860
室内立面图 比例 1:25
C1 白色瓷砖
M1 绿色喷漆金属网
1
室内立面图 比例 1:25
绿色喷漆金属网 金属框架
立面图-1 1:25 A3
栋栖设计 | dongqi Architects 644
644
立面图-6 1:25 A3
95
上部金属网结构图 200
2744
990
200 390
1000
310
1000
750
1010
4038
95
900
276
1000
200
1744
598 20
100
18 18
150 150 150 150 150
3370
1010
344
276
不锈钢板
20
栋栖设计 | dongqi Architects 644
水果店设计2016 150 150 150 150 150
1000
L型钢结构
水果店设计2016
1400
100
100
栋栖设计 | dongqi Architects
100
下部金属网结构图
金属网结构图 A3
水果店设计2016
1400
3910 6810
空心钢板喷涂绿色
多层金属板
1
室内立面图 比例 1:25
C1 白色瓷砖
栋栖设计 | dongqi Architects
M2 不锈钢板
710
LED灯带
栋栖设计 | dongqi Architects 644
354
立面图-4 1:25 A3
水果店设计2016
310
20
834
148
10
绿色喷漆金属网
644
LED灯带
上部金属网细部放大图-1 1:5 A3 20 薄金属板
644
148
100 10
水果店设计2016
990 100
上部金属网细部放大图-1 1:2
900
900
薄金属板
1010
1410
2000
2744
1080
200
金属挡板
1100
L型钢结构
65
200
100
530
1400
100
4780 6810
Detail and Sections
下部金属网细部放大图-1 1:5 水果店设计2016
下部金属网细部放大图-2 A3
栋栖设计 | dongqi Architects
1
室内立面图 比例 1:25
530
WORGL M4 SHOPPING MALL RECONSTRUCTION Design: Delugan Meissl Associated Architects
The project is about reconstruction of a existing shopping mall. This exciting building was enclosed by the concert wall and advertisement. Our idea is to make the shopping mall as transparent as it can be. The interior retail space can be seen from outside which is also a good way for advertisement. We also design a bridge to connect the existing market which is across the street.
Since the original interior space was quite dark and boring, our design introduce a skylight into the space above the existing escalator. And we also design some openings on the third floor which can bring the sun light into the interior space.
TAIYUAN BOTANICAL GARDEN Design: Delugan Meissl Associated Architects
The project introduces a vibrant artificial landscape with an attractive topography with mountains and hills, wild and elegant vegetation, lakes and waterfalls, paths and buildings.The Greenhouse represents the centrepiece of the new Botanical Garden. It is composed of three domes destined to accommodate plants of different climates, together reinventing the silhouette of the Garden. Two of the three domes accommodate the pavilions for tropical and desert plants. They are integrated into the exterior topography, facing south for maximum exposure during the summer and winter, potentiating an energetically and structurally well though-out solution. The third dome – the aquatic plants– is designed as a stand-alone piece on the lake. The choice of materials follows the subject-matter, using natural elements to create the atmosphere.
The entrance building, connected to the street and a big parking lot, plays a dual role: it invites the urban landscape into the garden and at the same time lets the natural landscape interact with the built environment. The reception and the welcoming lobby are situated directly near the entrance. A cantilevered viewing platform above the water level leads the visitors to the centre of the Botanical Garden. Here they can relish the view from the platform or descend to the lake, which flows through the whole of the park. The natural museum is embedded into the Entrance Building. It is organized along a timeline of different spatial and sensorial experiences, in order to reflect the focus of the museum on natural history.
INTER--FASHIONALITY 3D PRINTING FOR DIGITAL FASHION 3D printed Qipao is a fashion project that I worked with my friend Mingjin Lin who is studying in Royal College of Art in London as a PHD student. The combination of both the traditional Qipao making and 3D printing made us think of new ways to build “slowly”; that is, to think of fashion in a more sustainable way avoiding waste. Both 3D printing and traditional Qipao making are very similar in this regard. Both use as little material as possible, and it’s easy to recycle what’s left behind. And for us, 3D printing is the bridge that connects digitization with tangible creation; bringing the virtual world into reality. But somehow, we still like to keep the old ways. We wanted to embrace the contradiction between tradition and technology.
Section A
Section B
5mm 1.5mm Connection
Cell Hexagon
Connection
5mm 1.5mm Connection
Cell Hexagon
Connection
The cell hexagon was inspired by cellular structure and computational designer Alessandro Zomparelli’s work. Each cell hexagon was consist of cell part and joint which connect all the cell together. Cell Hexagon
All the hexagon modules are the same size, however, the internal cells within are differently shaped. This allowed the modules to take different shapes once bound together as a 3D printed Qipao.
A
B
C
D
Qiapo construction is very modular; the garment’s different elements such as the collar, the binding and the cuffs and the main body can all be thought of as separate modules. The collar, specifically, is one of the hardest parts to construct when making a Qipao.
E
The key element in Qipao construction was that they didn’t use seaming techniques to shape the garments. In western dress making, dress makers use seams, which are sewn creases and folds to create and emphasise shapes. In the western dress making tradition this is done to accentuate the shape of the body.
Each module was fabricated using a SLA printer at Royal College of Art, or FDM printers in China. We printed over 200 pieces to make the different Qipaos. The 3D printed pieces were then deep dyed to produce different color effects.
We have faced some problems when using SLA. It tends to break a bit when the connecting threads between the internal shapes aren’t well designed by the parametric modeller. When we dyed the pieces, I had to put it in very hot water which would break some of them.
Diagram illustration of Chapel of King’s College, Cambridge
Conceptual Redering
Conceptual Drawing
Eye Film Museum Sketch
Conceptual Sketch