The Gallery Catalog by Johnson Lowe Gallery

ARTIST PORTFOLIO & SERVICES

764 Miami Circle | Suite 210 | Atlanta | GA | 30324 | (404) 352-8114 | www.lowegallery.com

BILL LOWE GALLERY 764 Miami Circle | Suite 210 Atlanta, GA 30324 E: contact@lowegallery.com P: (404) 352-8114 F: (404) 352-0564 HOURS: Tuesday – Friday |10:00 AM – 5:30 PM Saturday |11:00 AM – 5:30 PM Sunday, Monday & Evenings by Appointment. Visit us at the Shops of Miami Circle in The 764 Building.

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“For our clients, the gallery is an oasis of beauty. Of civility. Of contemplation. This is coupled with a dynamism informed by a world view rooted in the metaphysical aspects of history, anthropology, spirituality, philosophy, psychology, and biology. Bill Lowe Gallery has a transformative impact that forever enlightens those who experience it. “

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T H E

B I L L

L O W E

G A L L E R Y

G a l l e r y I n s t a l l a t i o n Vi e w : H e r b e r t C r e e c y S t o r m s o f W a r , C a u gh t i n T h e S p i r a l

Under the ownership and direction of Bill Lowe, Bill Lowe Gallery represents artists who share powerful and eloquent visions supported by a highly advanced mastery of their media. The Lowe's stable is noted for the visceral emotional quality and sheer physicality of its work. These qualities lend a highly theatrical flavor to the gallery's offering. Imagistically, the gallery's scope ranges from complex, narratively-driven, figurative works to those which skew to the extremes of meditative minimalism. Thematically, the gallery's aesthetic is characterized by a metaphysical yearning articulated by process and imagery which is strongly psycho-spiritual and psycho-sexual in nature. Bill Lowe Gallery has gained an international reputation for its curatorial skills. Committed to a standard of excellence amplified by great visual drama, the gallery's ability to mount exhibitions which resonate powerfully with critics and viewers alike has become legend.

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I n s t a l l a t i o n Vi e w : ( Ab o ve ) J u n g K w a n g S i k ; (B e l o w ) Th o r n t o n D i a l

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G a l l e r y I n s t a l l a t i o n Vi e w : H e r b e r t C r e e c y A L e ge n d R e d i s c o v e r e d (1 9 3 9 â&#x20AC;&#x201C; 2 0 0 3 ) CLICK HERE TO INQUIRE | BILL LOWE GALLERY | ATLANTA | www.lowegallery.com | BACK TO INDEX

I n s t a l l a t i o n Vi e w : ( Ab o ve ) F e r n a n d o Ga s p a r ; (B e l o w , f r o m L e f t ) : U d o No ge r , J u n g K w a n g S i k , M a r ga r i t a C h e c a CLICK HERE TO INQUIRE | BILL LOWE GALLERY | ATLANTA | www.lowegallery.com | BACK TO INDEX

G a l l e r y I n s t a l l a t i o n Vi e w s : S t e ve n S e i n b e r g “ O n l y th e L i gh t o n th e S e a ”

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GALLERY SERVICES

C O N C I E R G E C U R A T O R I A L S E R V I C E ON-SITE, ON DEMAND

Bill Lowe Gallery offers complimentary on - site or inhome consultation and presentation services locally and across the country from The Hamptons to Malibu. Our team of preparators and curators will visi t your home/project site to consult with you and/or your clients regarding the scale, lighting, framing and conservation of works and more. When requested, we have the capacity to present as many as 200 significant works of art in situ and orchestrate the installation of these works as well. Working as an Ar t Advisor, Bill Lowe Gallery listens to your needs and offers selection alterna tives. We are able to function as art curator, design consultant and home stylist, and understand the limitations of space and budget. The Bill Lowe Gallery has worked in concert with designers, architects, art consultant, developers, and corporate curator s on a vast array of projects.

Our portfolio includes a diverse clientele ranging from titans of business and entertainment around the world to young and beginning collectors who are seeking to enrich their lives and beautify their homes with works of art that will form the foundation o f their collection.

764 MI AMI CI RCLE | SUI TE 210 | ATL ANTA | G A | 30324 | (404 ) 352 -8114 | WWW.LOWEG ALLERY .COM

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OUR ARTISTS . . . powerful, content-driven works that utilize technical mastery and a visual eloquence to transform the human heart and soul at intimate levels . . . from throughout the region, across the country and around the world . . .

Works presented represent an artis tâ&#x20AC;&#x2122;s visual vocabulary but may not be currently available. All of our living artists work in a variety of scale, often in diverse media & mos t are available for commission. View our website at www.lowegallery.com for more comprehensive view of our visual offerings. Please contac t the gallery for any questions regarding work availability and commissions.

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Tom Swanston (American)

TOM SWANSTON | REED FLY BY MIXED MEDIA ON CANVAS | 84 x 72 INCHES

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Tom Swanston (American)

TOM SWANSTON | PASSING BY BIG BALDY, NM, 2011 MIXED MEDIA ON CANVAS | 48 x 36 INCHES

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Tom Swanston (American)

TOM SWANSTON | THROUGH EDDIES OF TIME II, 2017 MIXED MEDIA ON CANVAS | 66 x 96 INCHES

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Tom Swanston (American)

TOM SWANSTON | SILVER LIGHT, 2015 ACRYLIC & SILVER LEAF ON PANEL | 51 x 106 in.

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Tom Swanston (American)

TOM SWANSTON | WOOD BUFFALO NESTING II ACRYLIC & SILVER LEAF ON CANVAS | 66 x 96 INCHES

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Tom Swanston (American)

TOM SWANSTON | EARLY MORNING RISING, 2019 ACRYLIC & SILVER LEAF ON PANEL | 88 x 106 in.

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Barbara Brenner (American)

BARBARA BRENNER | FOLLOW ME, ENCAUSTIC ON ARCHIVAL PANEL | 4 7 x 45 INCHES

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Barbara Brenner (American)

BARBARA BRENNER | WHERE I WANT TO BE, ENCAUSTIC ON ARCHIVAL PANEL | 39 x 56 INCHES

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Barbara Brenner (American)

BARBARA BRENNER | RE ENTRY, ENCAUSTIC ON ARCHIVAL PANEL | 40 x 40 INCHES

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Barbara Brenner (American)

BARBARA BRENNER | ESCALATION, ENCAUSTIC ON ARCHIVAL PANEL | 24 x 24 INCHES

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Brian Dickerson (New York, Born 1951)

BRIAN DICKERSON | SKELLIG NO. 2, 2015-2018 OIL & MIXED MEDIA ON WOOD | 26 1/2 x 84 x 6 1/2 INCHES .

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Brian Dickerson (New York, Born 1951)

BRIAN DICKERSON | ROSEBLOOM NO.2, 2015 OIL & MIXED MEDIA ON WOOD | 18 1/2 x 60 x 5 1/4 in. .

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Brian Dickerson (New York)

Brian Dickerson (New York)

BRIAN DICKERSON | SPARROW NO. 2, 2017-2018 OIL & MIXED MEDIA ON WOOD | 24 x 24 x 6 INCHES

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Brian Dickerson : Sanctum

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Brian Dickerson: Sanctum

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Fernando Gaspar (Portuguese, born 1966)

FERNANDO GASPAR | SEPARATED LAND 57 COLLAGE, CHARCOAL & ACRYLIC ON CANVAS | 44 x 62 INCHES

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Fernando Gaspar (Portuguese, born 1966)

FERNANDO GASPAR | SEPARATED LAND #60, 2016 COLLAGE, CHARCOAL & ACRYLIC ON CANVAS | 56 x 92 INCHES

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Fernando Gaspar (Portuguese, born 1966)

FERNANDO GASPAR | SEPARATED LAND 54 COLLAGE, CHARCOAL & ACRYLIC ON CANVAS | 44 x 44 INCHES

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Fernando Gaspar (Portuguese, born 1966)

FERNANDO GASPAR | SEPARATED LAND 55 COLLAGE, CHARCOAL & ACRYLIC ON CANVAS | 44 x 44 INCHES

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Fernando Gaspar (Portuguese, born 1966)

FERNANDO GASPAR | FLOATING MACHINE #15, 2018 COLLAGE, CHARCOAL & ACRYLIC ON CANVAS | 78 x 86 INCHES

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Fernando Gaspar (Portuguese, born 1966)

FERNANDO GASPAR | FLOATING MACHINE #13, 2018 COLLAGE, CHARCOAL & ACRYLIC ON CANVAS | 53 x 67 INCHES

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Fernando Gaspar (Portugal)

TOM SWANSTON | Floating Machine 8 MIXED MEDIA ON CANVAS | 62 x 73 INCHES

Flavio Galvan (Argentine, born 1971)

FLAVIO GALVAN | CRESCENDO 2 OIL & CERAMIC MODELING PASTE ON BOARD | 76 x 76 INCHES

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Flavio Galvan (Argentine, born 1971)

FLAVIO GALVAN | SPRING MORNING, 2015 OIL & CERAMIC MODELING PASTE ON BOARD | 60 x 96 INCHES

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Flavio Galvan (Argentine, born 1971)

FLAVIO GALVAN | LIBERATION OIL & CERAMIC MODELING PASTE ON BOARD | 60 x 60 INCHES

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Flavio Galvan (Argentine, born 1971)

FLAVIO GALVAN | TUTTI FRUTTI OIL & CERAMIC MODELING PASTE ON BOARD | 84 x 96 INCHES

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JUNG KWANG SIK | VIEW H.C. 1405 , CARVED BLACK GRANITE & ACRYLIC | 51 x 79 x 1 INCHES

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JUNG KWANG SIK | VIEW 8 CARVED BLACK GRANITE & ACRYLIC | 47 x 95 x 1 INCHES

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JUNG KWANG SIK | VIEW 8, 2009

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CARVED BLACK GRANITE & ACRYLIC | 47 X 95 X 1 INCHES

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JUNG KWANG SIK | VIEW 29 CARVED BLACK GRANITE & ACRYLIC | 98 x 284 x 1 INCHES

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JUNG KWANG SIK | VIEW 29, 2009

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S .

CARVED BLACK GRANITE & ACRYLIC | 95 X 284 X 1 INCHES

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Ar ti st Jung Kwang Sik wi th View 29

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Jung Kwang Sik, & Margarita Checa

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Jung Kwang Sik (South Korean)

JUNG KWANG SIK | EVOLVING EARTH: VIEW RF 03 ACRYLIC ON GRANITE | 47 x 118 x 1 INCHES

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Jung Kwang Sik (South Korean)

JUNG KWANG SIK | EVOLVING EARTH: VIEW RF 01 ACRYLIC ON GRANITE | 95 x 95 x 1 INCHES

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Morris delivers a message that is conscious of the signifying power of the image. . . Herein lies the tension that ev okes beauty â&#x20AC;&#x201C; the repository of signs broken to pieces by the sheer will of creative indulgence. - Robert C. Morgan Ph. D., New York, (2001)

KATHLEEN MORRIS | GAURDIAN | OIL ON LINEN | 84 X 108 INCHES

KATHLEEN MORRIS | GAURDIAN (DETAIL) OIL ON LINEN | 84 X 108 INCHES

KATHLEEN MORRIS | MATHEMATICS OIL ON LINEN | 87 X 67 INCHES

“Where is the beauty? Where I must will with all my will; where I want to lov e and perish that an image may not remain a mere image.” – Neitzsche

KATHLEEN MORRIS | SANCTURARY THROUGH TIME OIL ON LINEN | 90 X 60 INCHES

Morris deals with the "formidable unknown," as Aurier called it. Hers is a "suggestiv e art," to use Redon's term, dealing with the "subjective world," and like all such art "it contains a treasure of dreams," at once "grandiose, delicate, subtle, perv erse, seraphic." Indeed, Morris's handling is at once grandiose and delicate-not unlike that of Gustave Moreau, another Symbolist.

- Donald Kuspit, Psychoanalytic Art Critic. New York

KATHLEEN MORRIS | NO KINGS, NO QUEENS OIL ON LINEN | 90 X 66 INCHES

Indeed, her faces suggest simultaneously the heights of consciousness to which the human spirit can rise and the depths of suffering to which it can sink. Her fantasies- dream pictures-conv ey the strangeness and horror of being human, particularly a woman. Many of her women seem on the v erge of going mad, as though their own beauty and desirability had distracted them from the possibilities of identity, and the few men she depicts seem like lost souls. Yet the rich atmosphere of each work seems to place the figure on a higher plane of existence, redeeming it. Both an allegorical presence and an individual in a particular mood, it becomes transcendental by virtue of the atmospheric space in which it is located . -

- Donald Kuspit, New York

KATHLEEN MORRIS | PENSIERO| OIL ON LINEN | 77 X 89 INCHES .

Morris's handling is at once grandiose and delicate-not unlike that of Gustav e Moreau, another Symbolist. Pierre Bonnard said that the most striking aspect of Redon's work is "the blending of two almost opposite features: a very plastic substance and a v ery mysterious expression." The same is true of Morris's work. Hers is an art that retreats from ev eryday reality into fantasy in order to discover what is deepest and most complex in subjectiv e life - in order to experience the mystery of being human. -

- Donald Kuspit, New York

KATHLEEN MORRIS | SIGNS OF LIFE | OIL ON LINEN | 77 X 89 INCHES

KATHLEEN MORRIS | INHERITANCE OIL ON LINEN | 25 X 19 INCHES

I could only think of one antecedent . . . the sometimes harrowing, yet mystical personages of the Norwegian painter Odd Nerdrum. Could it be the emergence of a new metaphysics in art? A transient strategy of being in a fragmented postmodern world? Is it inappropriate to consider that maybe the most radical procedures and innov ations in art emerge from traditions that are already known â&#x20AC;&#x201C; traditions that we assume to be the case, but hav e not been effectiv ely realized?

- Robert C. Morgan Ph. D., New York

KATHLEEN MORRIS | NUMBERS | OIL ON LINEN | 75 X 79 INCHES

T h e s e p a i n t i n g s a r e a l i v e wi t h s y n a p t i c a l c h a r g e s o f p a i n t , with marks and gestures, and â&#x20AC;&#x153;accidentalâ&#x20AC;? encounters with form that reverberate from mind to body and from b o d y t o c a n v a s . Wi t h i n t h e p r o c e s s o f h e r a t t e n u a t e d , painterly strokes and her intense manipulation of the dense color field, Morris begins to discover her heads. They emerge less out of the void than out of an intensity of perception that gives full range to the multitude of expressions, ranging from erotic desire to hallucination, from agony to joyful abandonment. - Robert C. Morgan Ph. D., New York

KATHLEEN MORRIS | PARADE| OIL ON LINEN | 73 X 85 INCHES

KATHLEEN MORRIS | UNTITLED OIL ON LINEN | 91 X 73 INCHES

The recognition of beauty in works of art does not come directly. It reveals itself at various oblique angles. It takes time to absorb. Beauty requires a certain receptiv ity related to the conjugation of mind and body. In contrast to beauty, glamour comes at us directly. It hits us in the eye. Glamour is the instant effect that passes for “beauty” in today’s hypermediated world filled with narcissistic desire. Critics may try to make distinctions between the two – beauty and glamour – but the differences are usually subjectiv e. In some ways, the subjectiv e language of critics parallels the concerns of artists. The critic enters into a discourse that inv olves not only the effects of beauty, but also the artist’s intentions and the social context that surrounds those intentions. But like any area of cultural research that hov ers between the alchemy and the media, the rules of criticism are nev er fixed. They are constantly being altered – transformed – in the presence of discov ering new work. Significant art awakens us to ideas that lie outside the boundaries of pre-established criteria. - Robert C. Morgan Ph. D., New York

KATHLEEN MORRIS | SON OF GRACE | OIL ON LINEN | 93 X 77 INCHES

“I am always trying to paint Abstract Expressionism,” Morris said, “but they turn into heads v ery rapidly.” I pondered that statement for a moment and decided it was true. It was true! The surfaces of her paintings resemble the strokes, marks, and dribbles from the New York School. Yet Morris has produced something anathema to these painters by ev olving her own style of idiosyncratic realism.

- Robert C. Morgan Ph. D., New York

KATHLEEN MORRIS | TO TOUCH THE SKY OIL ON LINEN | 36 X 28 INCHES

KATHLEEN MORRIS | VOLCANO HEAD MONOPRINT | 36 X 28 INCHES

KATHLEEN MORRIS | TOWER OF DESRUCTION MONOPRINT | 58 X 43 INCHES

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Fabio Modica (Italy)

MICHAEL DAVID |THE SEVEN SINS OF MEMORY OIL, TAR, ROPE AND ENCAUSTIC ON PANEL | 50 x 55 INCHES

MICHAEL DAVID | THE INEVITABLE, 2011-2018 ENCAUSTIC, GLASS, PHOTO TRANSFER, PLEXIGLASS, & MIXED MEDIA 67 x 87 x 8 INCHES

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Michael David (New York)

MICHAEL DAVID |JACOB WRESTLING THE ANGEL OIL, TAR, ROPE AND ENCAUSTIC ON PANEL | 50 x 55 INCHES

MICHAEL DAVID | THE ONE-EYED TURTLE & SANDLEWOOD LOG , (2008 â&#x20AC;&#x201C; 2013)

ENCAUSTIC, OIL AND MIXED MEDIA ON PANEL | 44 x 88 INCHES

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Steve Byrnes (Canadian, Born 1985)

STEVE BYRNES | UNTITLED XIII, 2014 OIL ON CANVAS | 72 x 60 INCHES .

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Steve Byrnes (Canadian, Born 1985)

Steve Byrnes (Canadian, Born 1985)

Steve Byrnes (Canadian, Born 1985)

Christopher Rico (Canadian, Born 1985)

CHRISTOPHER RICO | AG'AZI, 2019 MIXED MEDIA ON YUPO PAPER | 60 X 72 INCHES

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Christopher Rico (Canadian, Born 1985)

CHRISTOPHER RICO | IN THE KINGDOM, 2019 MIXED MEDIA ON YUPO PAPER | 60 X 72 INCHES .

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DANIEL MOTZ | FOSSIL, 2013 MECHANICAL ELEMENTS & MIXED MEDIA ON PANEL | 48 x 72 INCHES

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Eugene Motz (Romanian, Born 1954)

Eugene Motz (Romanian, Born 1954)

EUGENE MOTZ | MOTHERBOARD 5, 2014 MECHANICAL ELEMENTS & MIXED MEDIA ON PANEL | 72 x 48 I NCHES

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ROBERT DUTESCO | LOVE LIGHT SEPIA METALLIC CHROMOGENIC PRINT | 50 x 75 INCHES

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ROBERT DUTESCO | LOVE LIGHT SEPIA METALLIC CHROMOGENIC PRINT | 50 x 75 INCHES

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Robert Dutesco (Romanian, Born 1961)

ROBERT DUTESCO | LEAF ACRYLIC ON CANVAS | 48 x 72 INCHES

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Robert Dutesco (Romanian, Born 1961)

ROBERT DUTESCO | I AM ACRYLIC ON CANVAS | 48 x 74 INCHES

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Ed Nash (Tennessee, Born 1976)

Ed Nash (Tennessee, Born 1976)

ED NASH | TRANSIENT

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ACRYLIC ON CANVAS | 48 x 96 INCHES

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Ed Nash (Tennessee, Born 1976)

ED NASH | TRANSIENT ACRYLIC ON CANVAS | 48 x 96 INCHES

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Ed Nash (Tennessee, Born 1976)

ED NASH | GRAVITATE ACRYLIC ON CANVAS | 48 x 72 INCHES

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Ed Nash (Tennessee, Born 1976)

ED NASH | MAGENTA COSMOS ACRYLIC ON CANVAS | 72 x 72 INCHES

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Ed Nash (Tennessee, Born 1976)

ED NASH | MAGENTA RESOLVE II, ACRYLIC ON CANVAS | 60 x 48 INCHES

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. GARY KOMARIN | WI DE WATER L ANT AN A

OIL ON CANVAS | 72 x 112 INCHES

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. G A R Y K OM AR I N | PR I N CI P L E S & PR AC TI C E S O F G E N ER AL AN E TH E SI OL O G Y

OIL ON CANVAS | 72 x 74 INCHES

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GARY KOMARIN | DIRTY WHITE, LILY POND LANE OIL ON CANVAS | 72 x 67 INCHES

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GARY KOMARIN | RUE MADAME IN RED OIL ON CANVAS | 72 x 60 INCHES

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Herbert Creecy (American 1939 - 2003)

HERBERT CREECY | WHISTLING WIND OIL, COLLAGE & MIXED MEDIA ON CANVAS | 68 x 68 INCHES

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Herbert Creecy (American 1939 - 2003)

HERBERT CREECY | GREY RHYTHM I OIL, COLLAGE & MIXED MEDIA ON CANVAS | 68 x 68 INCHES

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HERBERT CREECY | COSMOGENESIS MIXED MEDIA & COLLAGE ON CANVAS | 67 x 133 INCHES

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HERBERT CREECY | COSMOGENESIS, 1998 MIXED MEDIA & COLLAGE ON CANVAS | 67 x 133 INCHES

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MIXED MEDIA & COLLAGE ON CANVAS | 67 x 133 INCHES

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HERBERT CREECY | WINTER MOVEMENT, 1997 OIL, COLLAGE & MIXED MEDIA ON CANVAS | 67 x 122 INCHES

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Herbert Creecy (American 1939 - 2003)

HERBERT CREECY | VALHALLA II OIL, COLLAGE & MIXED MEDIA ON CANVAS | 24 x 24 INCHES

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Herbert Creecy (American 1939 - 2003)

HERBERT CREECY | VALHALLA I OIL, COLLAGE & MIXED MEDIA ON CANVAS | 24 x 24 INCHES

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HERBERT CREECY | TITILLATION OIL, COLLAGE & MIXED MEDIA ON CANVAS | 42 x 32 INCHES .

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HERBERT CREECY | GEISHA MIXED MEDIA ON CANVAS | 67 x 117 INCHES .

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HERBERT CREECY | SPIROGYRA .

MIXED MEDIA ON CANVAS | 83 x 131 INCHES .

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HERBERT CREECY | SEAFOAM DREAM OIL, COLLAGE & MIXED MEDIA ON CANVAS | 65 x 113 INCHES .

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OI L, COLL AGE & MIXED MEDI A ON C ANVAS | 65 X 113 I NCHES

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HERBERT CREECY | KHAN OIL, COLLAGE & MIXED MEDIA ON CANVAS | 65 x 113 INCHES .

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HERBERT CREECY | RHAPSODY

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OI L, COLL AGE & MIXED MEDI A ON C ANVAS | 66 X 1 13 I NCHES

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Herbert Creecy (American 1939 - 2003)

Herbert Creecy (American 1939 - 2003)

HERBERT CREECY | GLISTEN, 1990 MIXED MEDIA ON CANVAS | 42 x 33 INCHES .

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HERBERT CREECY | CAUGHT IN THE SPIRAL MIXED MEDIA ON CANVAS | 86 x 86 INCHES .

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POLLY COOK | CITY WORDS PAINTED CERAMIC TILE ON PLYWOOD | 52 x 45 INCHES .

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POLLY COOK | THE CONSTANT LOVER II PAINTED CERAMIC TILE ON PLYWOOD | 36 x 45 INCHES .

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POLLY COOK | BROOKLYN DREAMS PAINTED CERAMIC TILE ON WOOD | 36 x 45 INCHES .

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POLLY COOK | ASK ME AGAIN AND Iâ&#x20AC;&#x2122;LL TELL YOU THE SAME PAINTED CERAMIC TILE ON PLYWOOD | 73 x 45 INCHES .

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POL L Y C OO K FI R ST POE M | 91 X 91 I N CHE S

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POL L Y C OO K | WE G O T AW AY | 83 X 13 6 I N CHE S

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Hem Raj (New Delhi, 1969)

HEM RAJ | VOICE OF GOD 25 OIL ON CANVAS | 71 x 77 INCHES

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Hem Raj (New Delhi, 1969)

HEM RAJ | VOICE OF GOD 23, 2016 OIL ON CANVAS | 71 x 77 INCHES

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HEM RAJ | THOU THOU 33, 2017 OIL ON CANVAS | 71 x 59 INCHES .

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Hem Raj (New Delhi, 1969)

.Hem

Raj (New Delhi, 1969)

Hiro Yamagata (Japan, 1948)

HIRO YAMAGATA | TRANSIENT 93, 2010 HANDMADE RICE PAPER WITH INTRICATE DRAWINGS SCULPTED OVER OIL, INK & TAR ON CANVAS | 70 x 87 INCHES

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Hiro Yamagata (Japan, 1948)

HIRO YAMAGATA | TRANSIENT 95, 2010 HANDMADE RICE PAPER WITH INTRICATE DRAWINGS SCULPTED OVER OIL, INK & TAR ON CANVAS | 78 x 78 INCHES

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Hiro Yamagata (Japan, 1948)

HIRO YAMAGATA | TRANSIENT 92, 2010 HANDMADE RICE PAPER WITH INTRICATE DRAWINGS SCULPTED OVER OIL, INK & TAR ON CANVAS | 73 x 52 INCHES

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Hiro Yamagata (Japan, 1948)

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MICHAEL DAVID | THE INEVITABLE | 67 X 87 X 8 INCHES ENCAUSTIC, OIL, MIRROR, CRUSHED GLASS, FOUND OBJECT, AND MIXED MEDI A ON PANEL

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ILIDIO CANDJA CANDJA | PHOENIX MIXED MEDIA ON CANVAS | 85 x 79 INCHES

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ILIDIO CANDJA CANDJA | TATUAGENS ANCESTRIAS, 2016 MIXED MEDIA ON CANVAS | 85 x 79 INCHES

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ILIDIO CANDJA CANDJA | AFRICA FUTURO SEM FIM MIXED MEDIA ON CANVAS | 79 x 71 INCHES

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ILIDIO CANDJA CANDJA | AFRODEEZIA #3, 2016 MIXED MEDIA ON CANVAS | 79 x 71 INCHES

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Ilidio Candja Candja

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(from left) Herbert Creecy, Thornton Dial, Ili dio Candja Candja

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Ilidio Candja Candja (Mozambique, 1976)

ILIDIO CANDJA CANDJA | COMPOSITION, 2016 MIXED MEDIA ON PAPER | 47 x 59 INCHES .

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Ilidio Candja Candja (Mozambique, 1976)

ILIDIO CANDJA CANDJA | DNA 9 MIXED MEDIA ON PAPER | 36 x 60 INCHES

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Jimmy Oâ&#x20AC;&#x2122;Neal (Born, 1976)

JIMMY O'NEAL | DOLLSPEAK ACRYLIC MIRRORED PAINT ON SANDED PLEXIGLAS ON PANEL 84 x 60 INCHES

Jimmy Oâ&#x20AC;&#x2122;Neal (Born, 1976)

JIMMY O'NEAL | RASPBERRY PIE PAN ACRYLIC MIRRORED PAINT ON SANDED PLEXIGLAS ON PANEL 48 x 36 INCHES

JIMMY O'NEAL | LEAD LIGHT SACK RACE, 2018 PIGMENTLESS PAINT, HOT AIR BALOON SKIN ON PLEXIGLAS ON PANEL

78 x 48 INCHES

JIMMY O'NEAL | KISSING THE SUN GOOFNIGHT, 2018 OIL, ACRYLIC & HOT AIR BALOON SKIN & SANDED PLEXIGLAS ON PANEL

48 x 90 INCHES

Jimmy Oâ&#x20AC;&#x2122;Neal (born 1976)

JIMMY O'NEAL | KISSING THE SUN GOODNIGHT, 2018 ACRYLIC PAINT & SANDED PLEXIGLAS ON PANEL | 48 x 90 INCHES

Jimmy Oâ&#x20AC;&#x2122;Neal (Born, 1976)

Jimmy Oâ&#x20AC;&#x2122;Neal (Born, 1976)

Fabio Modica (Italy)

FABIO MODICA | PAIDIA XII ACRYLIC AND VOLCANIC ASH ON CANVAS | 79 x 79 INCHES

Fabio Modica (Italy)

FABIO MODICA | PAIDIA XIII ACRYLIC AND VOLCANIC ASH ON CANVAS | 79 x 79 INCHES

FABIO MODICA | DOUBLE ACRYLIC AND VOLCANIC ASH ON CANVAS | 59 x 116 INCHES

PIerre-Yves Le Duc (France, born 1964)

47, 2011 | ACRYLIC ON CANVAS , WRAPPED IN ITALI AN WHITE LINEN 59 x 51 INCHES

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Pierre-Yves Le Duc (France, born 1964)

39, 2011 | ACRYLIC ON CANVAS, WRAPPED IN ITALI AN WHITE LINEN 86 x 70 INCHES

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Pierre-Yves Le Duc (France, born 1964)

PIERRE LE DUC | A-49, 2011 OIL ON PAPER | 60 x 40 INCHES

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Pierre-Yves Le Duc (France, born 1964)

PIERRE LE DUC | A-26, 2011 OIL ON PAPER | 60 x 40 INCHES

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Pierre-Yves Le Duc (France, born 1964)

PIERRE LE DUC | VESUVI 18, 2011 OIL ON PAPER | 41 x 29 INCHES

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Pierre-Yves Le Duc (France, born 1964)

PIERRE LE DUC | VESUVI 7, 2011 OIL ON PAPER | 41 x 29 INCHES

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Mario Henrique (Portuguese, born 1983)

MARIO HENRIQUE | MATERIA NO. 3, SERIES III, 2018 ACRYLIC & OIL ON REVERSED CANVAS | 80 x 60 INCHES

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Mario Henrique (Portuguese, born 1983)

MARIO HENRIQUE | VULTUS NO. 2 SERIES I, 2017 ACRYLIC & OIL ON REVERSED CANVAS | 80 x 60 INCHES

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Mario Henrique (Portuguese, born 1983)

MARIO HENRIQUE | APPARENTIA NO. 4 ACRYLIC & OIL ON REVERSED CANVAS | 47 x 39 INCHES

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Mario Henrique (Portuguese, born 1983)

MARIO HENRIQUE | MATERIA NO. 3, 2018 ACRYLIC & OIL ON REVERSED CANVAS | 59 x 47 INCHES .

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MARIO HENRIQUE | MATERIA NO. 1, 2018 ACRYLIC & OIL ON REVERSED CANVAS | 60 x 80 INCHES

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Mario Henrique (Portuguese, born 1983)

MARIO HENRIQUE | VULTUS NO. 5 SERIES I, 2017 ACRYLIC & OIL ON REVERSED CANVAS | 43 x 43 INCHES

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Mario Henrique (Portuguese, born 1983)

MARIO HENRIQUE | VULTUS NO. 10 SERIES I, 2017 ACRYLIC & OIL ON REVERSED CANVAS | 39 x 39 INCHES

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Kim Chesney (American)

KIM CHESNEY | VENUS ENCAUSTIC GESSO ELMERS GLUE & MIXED MEDIA ON CANVAS 61 x 61 INCHES

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Kim Chesney (American)

KIM CHESNEY | MARS ENCAUSTIC GESSO ELMERS GLUE & MIXED MEDIA ON CANVAS 61 x 61 INCHES

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Kim Chesney (American)

KIM CHESNEY | EGYPTIAN DREAMS I, 2016 PARCHMENT, CARDBOARD & ENCAUSTIC ON CANVAS | 72 x 48 INCHES

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Kim Chesney (American)

KIM CHESNEY | EGYPTIAN DREAMS II PARCHMENT, CARDBOARD & ENCAUSTIC ON CANVAS | 72 x 48 INCHES

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Maggie Hasbrouck (American)

MAGGIE HASBROUCK | CARNAL FLOWER DANCE, 2017 PHOTO-ENCAUSTIC ON PANEL | 48 x 60 INCHES

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Maggie Hasbrouck (American)

MAGGIE HASBROUCK | CALLA, 2017 PHOTO-ENCAUSTIC ON PANEL | 60 x 48 INCHES

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Maggie Hasbrouck (American)

MAGGIE HASBROUCK | MIDNIGHT, 2017 PHOTO-ENCAUSTIC WITH CRUSHED GLASS ON PANEL | 80 x 60 INCHES

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Maggie Hasbrouck (American)

MAGGIE HASBROUCK | AWAKENING, 2017 PHOTO-ENCAUSTIC WITH CRUSHED GLASS ON PANEL | 60 x 80 INCHES

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Maggie Hasbrouck (American)

MAGGIE HASBROUCK | BEFORE THE STORM (THE CALM) PHOTO-ENCAUSTIC ON PANEL | 74 x 82 INCHES

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Maggie Hasbrouck (American)

MAGGIE HASBROUCK | EXORDIUM, 2017 PHOTO-ENCAUSTIC ON PANEL | 72 x 80 INCHES

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MAGGIE HASBROUCK | DREAM OF THE SOUTHERN MAGNOLIA PHOTO-ENCAUSTIC WITH CRUSHED GLASS | 80 x 144 inches

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PHOTO-ENCAUSTIC WITH CRUSHED GLASS | 80 x 144 inches

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Michael Lotenero (Pennsylvania, born 1966)

MICHAEL LOTENERO | FOREST MIXED MEDIA ON CANVAS | 96 x 96 INCHES

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Michael Lotenero (Pennsylvania, born 1966)

MICHAEL LOTENERO | DSC 0736 MIXED MEDIA ON CANVAS | 96 x 96 INCHES

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Michael Lotenero (Pennsylvania, born 1966)

MICHAEL LOTENERO | WHATâ&#x20AC;&#x2122;S LEFT MIXED MEDIA ON CANVAS | 96 x 96 INCHES

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Michael Lotenero (Pennsylvania, born 1966)

MICHAEL LOTENERO | TOO MIXED MEDIA ON CANVAS | 96 x 96 INCHES

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NISSA KAUPPILA | Wú Tí 35°45'23.4”N 81°20'46.2”W, 2018 CHINESE WATERCOLOR & INK ON CHINESE HANDMADE PAPER | 61 x 35 INCHES

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NISSA KAUPPILA | WÚ TÍ 35° 45'24.1”N 81°20'44.8”W, 2018

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CHINESE WATERCOLOR & INK ON CHINESE HANDMADE PAPER | 35 X 60 INCHES

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Nissa Kauppila (North Carolina)

NISSA KAUPPILA | WÚ TÍ 35° 45'24.1”N 81°20'44.8”W, 2018 CHINESE WATERCOLOR & INK ON CHINESE HANDMADE PAPER 35 x 60 INCHES

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Nissa Kauppila (North Carolina)

Nissa Kauppila | Wú Tí 35°45'23.1”N 81°20'46.2”W, 2018 CHINESE WATERCOLOR & INK ON CHINESE HANDMADE PAPER 56 x 35 INCHES

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Nissa Kauppila (North Carolina)

Nissa Kauppila | Wú Tí 35°20'59.9”N 80°55'05.7”W, 2018 CHINESE WATERCOLOR & INK ON CHINESE HANDMADE PAPER 35 x 60 INCHES .

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Nissa Kauppila (North Carolina)

Nissa Kauppila | Wú Tí 22°31'12.2”N 114°03'48.1”E, 2018 CHINESE WATERCOLOR & INK ON CHINESE HANDMADE PAPER 27 3/4 x 56 INCHES .

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RAUL MAGALDI | GATE OF LOVERS, 2015 PHOTO-ENCAUSTIC W . ITH CRUSHED GLASS | 80 x 144 inches

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OIL & ENAMEL ON PANEL | 84 x 96 INCHES

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RAUL MAGALDI | GATE OF LOVERS, 2015 OIL & ENAMEL ON PANEL | 84 x 96 INCHES

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Raul Magaldi (Argentina)

RAUL MAGALDI | TRUE COLORS I, 2015 OIL & ENAMEL ON PANEL | 60 x 72 INCHES

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Raul Magaldi (Argentina)

RAUL MAGALDI | TRUE COLORS II, 2015 OIL & ENAMEL ON PANEL | 60 x 72 INCHES

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KELLY BREEDLOVE | SOMEWHERE BETWEEN HERE AND THERE PHOTOGRAPHY, OIL, GRAPHITE & MIXED MEDIA ON PANEL | 60 x 60 INCHES

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KELLY BREEDLOVE | FAIRY CIRCLE PHOTOGRAPHY, OIL, GRAPHITE & MIXED MEDIA ON PANEL | 36 x 48 INCHES

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KELLY BREEDLOVE | GODS AND MONSTERS PHOTOGRAPHY, OIL, GRAPHITE & MIXED MEDIA ON PANEL | 48 x 66 INCHES

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KELLY BREEDLOVE | JUST LET ME IN PHOTO-TRANSFER, OIL, MIXED MEDIA & RESIN ON PANEL | 33 x 40 INCHES

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KELLY BREEDLOVE | FAIRYTALES ARE FULL OF SHIT PHOTO-TRANSFER, OIL, MIXED MEDIA AND RESIN ON PANEL | 48 x 48 INCHES

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KELLY BREEDLOVE | THIS IS NOT THE END PHOTO-TRANSFER, OIL MIXED MEDIA AND RESIN ON PANEL | 81 x 58 INCHES

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KELLY BREEDLOVE | I JUST DONâ&#x20AC;&#x2122;T KNOW WHERE I BELONG PHOTO-TRANSFER, OIL MIXED MEDIA AND RESIN ON PANEL | 40 x 40 INCHES

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Kelly Breedlove (American, born 1967)

KELLY BREEDLOVE | I TAUGHT MYSELF TO BE A MAN PHOTO, OIL AND MIXED MEDIA ON PANE L | 30 x 38 INCHES

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Kelly Breedlove (American, born 1967)

KELLY BREEDLOVE| COULD THIS HAVE ALL BEEN AVOIDED . . . POSSIBLY PHOTO, OIL AND MIXED MEDIA ON PANEL | 30 x 38 INCHES

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Reiner Heidorn (Germany, born 1966)

REINER HEIDORN | SANS TITRE 3 OIL & TRANSPARENT FOIL ON CANVAS | 94 x 67 INCHES

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.Reiner

Heidorn (Germany, born 1966)

REINER HEIDORN | SANS TITRE 2 OIL & TRANSPARENT FOIL ON CANVAS | 94 x 67 INCHES

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Reiner Heidorn (Germany, born 1966)

REINER HEIDORN | NYMPHAECEAE 1 OIL ON LINEN | 78 x 94 INCHES

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Reiner Heidorn (Germany, born 1966)

REINER HEIDORN | NYMPHAECEAE 2 OIL ON CANVAS | 78 x 94 INCHES

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REINER HEIDORN | LAND 3 OIL ON CANVAS | 74 x 114 INCHE S

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REINOR HEIDORN | LAND 3

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OIL ON CANVAS | 74 x 114 INCHES

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REINOR HEIDORN | LAND 2

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OIL ON CANVAS | 74 x 114 INCHES

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REINOR HEIDORN | LAND 1

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OIL ON CANVAS | 74 x 114 INCHES

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RICHARD HEINSOHN | INVASION OF THE PRIMARIES ACRYLIC GEL POLYMER & SAWDUST ON PANEL | 64 x 80 INCHES

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RICHARD HEINSOHN | CHANGE APPROACHES THE BLUE DOT, 2011 ACRYLIC GEL POLYMER & SAWDUST ON PANEL | 72 x 80 INCHES

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Richard Heinsohn (Tennessee)

RICHARD HEINSOHN | CHINA TOWN ACR YLI C POLYMER & VI NYL PHOTO ON AL UMI NUM P ANEL | 60 x 84 I NCHES

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Richard Heinsohn (Tennessee)

RICHARD HEINSOHN | MASQUERADE PT.3 ACR YLI C POLYMER & VI NYL PHOTO ON AL UMI NUM P ANEL | 60 x 80 I NCHES

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Richard Heinsohn (Tennessee)

RICHARD HEINSOHN | THE VISITOR ACR YLI C POLYMER & VI NYL PHOTO ON AL UMI NUM P ANEL | 60 x 84 I NCHES

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Richard Heinsohn (Tennessee)

RICHARD HEINSOHN | HIGH ANXIETY ACRYLIC POLYMER & VINYL PHOTO ON ALUMINUM PANEL 60 x 84 INCHES

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Shay Kun (I sraeli, born 1974)

SHAY KUN | CHERRIES, 2013 OIL ON CANVAS | 40 x 60 INCHES .

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Shay Kun (I sraeli, born 1974)

SHAY KUN | DRENCHED, 2013 OIL ON CANVAS | 40 x 60 INCHES

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Shay Kun (I sraeli, born 1974)

SHAY KUN | JUNGLE IMPULSE, 2014 OIL ON CANVAS | 40 x 60 INCHES .

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Shay Kun (Israeli, born 1974)

SHAY KUN | LOST IN THE LIBRARY, 2014 OIL ON CANVAS | 48 x 72 INCHES .

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JOSE UTRERA | SAILING ACRYLIC ON CANVAS | 68 x 72 INCHES

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JOSE UTRERA | THE GREAT STAGE CURTAIN ACRYLIC ON CANVAS | 68 x 82 INCHES

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JOSE UTRERA | WHAT IS THE SUN HIDING I & II

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ACRYLIC ON CANVAS | 72 X 120 INCHES

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JOSE UTRERA | WHAT IS THE SUN HIDING I & II ACRYLIC ON CANVAS | 72 x 120 INCHES

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Jose Utrera (Argentine, born 1962)

JOSE UTRERA | WHAT IS THE SUN HIDING I ACRYLIC ON CANVAS | 72 x 60 INCHES

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Jose Utrera (Argentine, born 1962)

JOSE UTRERA | WHAT IS THE SUN HIDING II ACRYLIC ON CANVAS | 72 x 60 INCHES

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JOSE UTRERA | THE DOORS OF THE FOREST

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ACRYLIC ON CANVAS | 56 X 82 INCHES

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JOSE UTRERA | NOCTURNAL GARDEN II ACRYLIC ON CANVAS | 27 x 68 INCHES

JOSE UTRERA | NOCTURNAL GARDEN I ACRYLIC ON CANVAS | 27 x 68 INCHES

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Jose Utrera (Argentine, born 1962)

JOSE UTRERA | THE HOUSE OF THE TREE ACRYLIC ON CA NVAS | 56 x 68 INCHES .

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Jose Utrera (Argentine, born 1962)

JOSE UTRERA | THE BLACK ROSE ACRYLIC ON CANVAS | 56 x 68 INCHES .

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THORNTON DIAL | EVERTHING SCRAMBLES FOR LIFE, 1990 OI L, C ARPET, ROPE, SPL AHZONE COMPUND & MI XED MEDI A ON P ANEL | 69 x 90 I NCHES

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THORNTON DIAL | FAVORITES, 1989 OIL, ACRYLIC, ENAMEL, TIN, ROPE AND CARPET & ASSEMBLAGE | 80 X 80 X 3 INCHES

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THORNTON DIAL | REMEMBERING THE ROAD, 1992 O I L , E N AM E L , S P R AY P AI N T , T I N , R O O T S & T I R E T R E A D O N W O O D | 8 1 x 1 4 3 x 1 5 I N C H E S

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ILIDIO CAND

THORNTON DIAL | STRANGE THINGS, 1988 OIL, ENAMEL, STEEL & MIXED MEDIA ON WOOD | 26 x 80 x 3 INCHES

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MIXED MEDI

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THORNTON DIAL | LADY IN THE TIGERâ&#x20AC;&#x2122;S TAIL (1990) OIL, ENAMEL, TIN & CARPET ON PANEL | 71 x 90 INCHES

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THORNTON DIAL | MOVIE STAR LADIES AND THE TIGER WHO SEES EVERYTHING (1990) OIL, ENAMEL, TIN & CARPET ON PANEL | 71 x 85 INCHES

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William Stoehr (Colorado, Born 1948)

WILLIAM STOEHR | RHEANNA 2, ACRYLIC & GRAPHITE ON CANVAS | 80 x 60 INCHES

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William Stoehr (Colorado, Born 1948)

WILLIAM STOEHR | ANASTASIA I, ACRYLIC & GRAPHITE ON CANVAS | 80 x 60 INCHES

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William Stoehr (Colorado, Born 1948)

WILLIAM STOEHR | DESTINY 17, ACRYLIC & GRAPHITE ON CANVAS | 80 x 60 INCHES

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William Stoehr (Colorado, Born 1948)

WILLIAM STOEHR | DESTINY 16, ACRYLIC & GRAPHITE ON CANVAS | 80 x 60 INCHES

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