Just NAFA 2012 08 Ko

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August 2012 | 2012๋…„ 8์›”



August 2012 | 2012๋…„ 8์›”

Contents โ€œGREAT GATSBYโ€ - THE LUXURY OF FUR RETURNS โ€œ์œ„๋Œ€ํ•œ ๊ฐœ์ธ ๋น„โ€-๋Ÿญ์…”๋ฆฌ ๋ชจํ”ผ๋กœ ๋Œ์•„์˜ค๋‹ค

Northern Lights : ITโ€™ S HIP TO WEAR FUR EVERYWHERE! ๋…ธ๋˜ ๋ผ์ด์ธ  : ๋ชจํ”ผ๋ฅผ ์ฆ๊ธฐ๋Š” ๊ฒƒ์ด ๋Œ€์„ธ

GRAYDON MANOR SETS THE STAGE FOR NOBLESSE ํ•œ๊ตญ ๋…ธ๋ธ”๋ ˆ์Šค ํ™”๋ณด ์ดฌ์˜์„ ์œ„ํ•œ ๊ทธ๋ ˆ์ด๋ˆ ๋งค๋„ˆ

STUDIO NAFA - A UNIQUE SOURCE OF DESIGN AND CRAFTSMANSHIP ์ŠคํŠœ๋””์˜ค NAFA-๋””์ž์ธ๊ณผ ์žฅ์ธ์˜ ์†œ์”จ๋ฅผ ์œ„ํ•œ ํŠน๋ณ„ํ•จ

STUDIO NAFA WELCOMES KOREAN STUDENTS ์ŠคํŠœ๋””์˜ค NAFA,ํ•œ๊ตญ ํ•™์ƒ ํ™˜์˜

NAFA Labels NAFA๋ ˆ์ด๋ธ” ํ• ๋‹ฌ์•ˆ ์ˆ˜์ • ๋ฐœํ‘œ SUEMI KIM JOINS NAFA AS MARKETING DIRECTOR NAFA, Korea์˜ ์ƒˆ๋กœ์šด ๋งˆ์ผ€ํŒ… ๋””๋ ‰ํ„ฐ, ๊น€์ˆ˜๋ฏธ

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Editor-In-Chief Diane Benedetti Associate Editor Nancy Daigneault Cont ribu tors Suemi Kim Cody Bokshowan Lumin Yao Cov er Black NAFA Signature Piece designed by Fashion House Natalia Valevskaya Layout & Design Luca Di Franco Jus tna fa is publ ished by NAFA 65 Skyway Ave Toronto, Ontario M9W 6C7 Canada T: 1.416.675.9320 F: 1.416.675.6865 w w w.nafa.ca

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โ€œGREAT GATSBYโ€ - THE LUXURY OF FUR RETURNS

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โ€œ์œ„๋Œ€ํ•œ ๊ฐœ์ธ ๋น„โ€-๋Ÿญ์…”๋ฆฌ ๋ชจํ”ผ๋กœ ๋Œ์•„์˜ค๋‹ค

Fur is back for another season on catwalks and in retail shops worldwide as an integral part of fashion. This fur trend continues to evolve to meet the needs and desires of many lifestyles. NAFA works closely with designers, major fur manufacturers and retailers to showcase what is, quite simply, the worldโ€™s finest collection of fur products. The annual summer photo shoot at NAFA is the foundation of the multi media campaign that results in NAFAโ€™s print brochures, magazine ads and billboards. This yearโ€™s shoot took inspiration from a bygone era as depicted in F.Scott Fitzgeraldโ€™s celebrated novel, โ€œThe Great Gatsbyโ€. Portraying the American lifestyle of the early 1920s, the mood is one of beauty and sophistication set against a backdrop of a turn of the century mansion in upstate New York and the glamour of New York City. To recreate this mood, NAFAโ€™s photo shoot was done on location at Torontoโ€™s Graydon Manor Estate and the newly opened Trump Towers in the city center. Three

์ƒˆ๋กœ์šด ์‹œ์ฆŒ์„ ๋งž์•„ ํŒจ์…˜์‡ผ์™€ ์ „์„ธ๊ณ„ ๋งค์žฅ์„ ํ†ตํ•ด ํŒจ์…˜์˜ ์ค‘์š”ํ•œ ๋ถ€๋ถ„์ธ ๋ชจํ”ผ๊ฐ€ ์†Œ๊ฐœ๋ฉ๋‹ˆ๋‹ค. ๋ชจํ”ผ ํŠธ๋ Œ๋“œ๋Š” ๋‹ค์–‘ํ•œ ๋ผ์ดํ”„ ์Šคํƒ€์ผ๊ณผ ์š”๊ตฌ์— ๋งž๊ฒŒ ๊ณ„์† ๋ณ€ํ™”๋˜์–ด ์™”์Šต๋‹ˆ๋‹ค. NAFA ๋Š” ๋””์ž์ด๋„ˆ์™€ ์ฃผ์š” ๋ชจํ”ผ ์ œ์กฐ ์—…์ฒด ๋ฐ ์†Œ๋งค ์œ ํ†ต ์—…์ฒด์™€ ๊ธด๋ฐ€ํ•œ ํ˜‘์กฐ๋ฅผ ํ†ตํ•ด ์„ธ๊ณ„์—์„œ ๊ฐ€์žฅ ์ข‹์€ ๋ชจํ”ผ ์ œํ’ˆ์ด ๋ฌด์—‡์ธ์ง€ ๊ฐ€์žฅ ์‰ฝ๊ฒŒ ๋ณด์—ฌ์ค„ ์ˆ˜ ์žˆ๋Š” ์ปฌ๋ ‰์…˜์„ ์ค€๋น„ํ•ฉ๋‹ˆ๋‹ค. ํ•ด๋งˆ๋‹ค ์—ฌ๋ฆ„์— ์ง„ํ–‰๋˜๋Š” NAFA์‚ฌ์ง„ ์ดฌ์˜์€ NAFA ์˜ ๊ฐ์ข… ํ™๋ณด ์ธ์‡„๋ฌผ๊ณผ ์žก์ง€ ๊ด‘๊ณ  ๋ฐ ๋นŒ๋ณด๋“œ ๊ด‘๊ณ  ๋“ฑ์„ ์œ„ํ•œ ๋ฉ€ํ‹ฐ ๋ฏธ๋””์–ด ์บ ํŽ˜์ธ์˜ ๊ธฐ์ดˆ๊ฐ€ ๋˜๋ฉฐ, ํŠนํžˆ, ์˜ฌํ•ด์˜ ์ดฌ์˜์€ ํ”ผ์ธ ์ œ๋Ÿด๋“œ์˜ ์œ ๋ช…ํ•œ ์†Œ์„ค, โ€œ์œ„๋Œ€ํ•œ ๊ฐœ์ธ ๋น„โ€์—์„œ ์˜๊ฐ์„ ๋ฐ›์•˜์Šต๋‹ˆ๋‹ค. 1920 ๋…„ ์ดˆ๋ฐ˜์˜ ๋ฏธ๊ตญ ์ƒํ™œ์ด ๋‰ด์š• ๋ถ๋ถ€์˜ ์ €ํƒ์„ ๋ฐฐ๊ฒฝ์œผ๋กœ ์•„๋ฆ„๋‹ต๊ณ  ์„ธ๋ จ๋œ ๋ถ„์œ„๊ธฐ๊ฐ€ ๋ฌ˜์‚ฌ๋˜์—ˆ์œผ๋ฉฐ, ์ด๋Ÿฌํ•œ ๋ถ„์œ„๊ธฐ ์žฌํ˜„์„ ์œ„ํ•ด NAFA ์˜ ์ดฌ์˜์€ ํ† ๋ก ํ†  ๊ทธ๋ ˆ์ด๋ˆ ๋งค๋„ˆ ์—์Šคํ…Œ์ดํŠธ์™€ ์‹œ๋‚ด์— ์ƒˆ๋กญ๊ฒŒ ์˜คํ”ˆํ•œ ํŠธ๋Ÿผํ”„ ํƒ€์›Œ์—์„œ ์ง„ํ–‰๋˜์—ˆ์Šต๋‹ˆ๋‹ค. ์„ธ ๋ถ€๋ถ„์œผ๋กœ ๋‚˜๋ˆ„์–ด ์ง„ํ–‰๋œ ์ด๋ฒˆ ์ดฌ์˜์€ ์ตœ๊ณ ์˜ ์‚ฌ์ง„์ž‘๊ฐ€์™€ ๋ชจ๋ธ๋“ค์ด ํ•จ๊ป˜ ํ–ˆ์Šต๋‹ˆ๋‹ค.

separate shoots were completed, working with two of the cityโ€™s top photographers and models from New York and Paris.

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Each year since its inception in 2003, a signature image of Black NAFA has been at the heart of NAFAโ€™s international marketing campaign. Designers from different countries have been invited to showcase their talents in the creation of a unique garment. Past years have seen designers from Italy, China, Canada and the USA crafting their inspirations into fur garments. This yearโ€™s designer, Natalia Valevskaya, has a wealth of talent as she comes from a culture that embraces fashion as art and has a true appreciation of craftsmanship. Ms. Valevskayaโ€™s love affair with fashion began as a child whilst attending classes in restorative gold embroidery at the Kremlin. From that early age she went on to major in Art History and Fashion Design; obtaining several university degrees including a PhD in Semiotics of Art. The Natalia Valevskaya Fashion House was launched in 1998 with two haute couture collections presented each year at Moscow Fashion Week. Accolades have followed every presentation and clientele now includes actors, singers, top models and socialites. Ms. Valevskayaโ€™s sensational design of a Black NAFA mink dress and shoulder wrap, reminiscent of the opulence of the 1920โ€™s era, was inspired by the โ€œThe Great Gatsbyโ€ theme of this yearโ€™s campaign. This ensemble will make its Russian debut at the NAFA Gala Show in Moscow on October 17, 2012. Black NAFA์˜ ๋กœ๊ณ  ์ด๋ฏธ์ง€๋Š” 2003๋…„ ์ฒ˜์Œ ์‚ฌ์šฉ๋œ ์ด๋ž˜๋กœ NAFA์˜ ๊ธ€๋กœ๋ฒŒ ๋งˆ์ผ€ํŒ… ์บ ํŽ˜์ธ์˜ ์ค‘์‹ฌ์ด์—ˆ์Šต๋‹ˆ๋‹ค. ๊ฐ ๋‚˜๋ผ์˜ ๋””์ž์ด๋„ˆ๋“ค์€ ๊ทธ๋“ค ๊ณ ์œ ์˜ ์ฐฝ์˜์ ์ธ ์˜๋ฅ˜๋ฅผ ์„ ๋ณด์ด๊ธฐ ์œ„ํ•œ ์‡ผ์ผ€์ด์Šค์— ์ดˆ๋Œ€๋˜์—ˆ๊ณ , ์ง€๋‚œ ๋ช‡ ๋…„๊ฐ„ ์ดํƒˆ๋ฆฌ์•„, ์ค‘๊ตญ, ์บ๋‚˜๋‹ค, ๋ฏธ๊ตญ ๋””์ž์ด๋„ˆ๋“ค์€ ๋ชจํ”ผ ์˜๋ฅ˜๋ฅผ ํ†ตํ•ด ๊ทธ๋“ค์˜ ์˜๊ฐ์„ ๋ณด์—ฌ์ฃผ์—ˆ์Šต๋‹ˆ๋‹ค. ์˜ฌํ•ด์˜ ๋””์ž์ด๋„ˆNatalia Valeskaya ์—ญ์‹œ ๋ฌธํ™”์™€ ์˜ˆ์ˆ ์„ ํฌ์šฉํ•˜๋Š” ํŒจ์…˜์œผ๋กœ ํ‘œํ˜„๋œ ์ž‘ํ’ˆ์—์„œ ๊ทธ๋…€์˜ ํ’๋ถ€ํ•œ ์žฌ๋Šฅ์„ ๋ณผ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. Valevskaya์˜ ํŒจ์…˜์„ ํ–ฅํ•œ ์‚ฌ๋ž‘์€ ์–ด๋ฆฐ ์‹œ์ ˆ ํฌ๋žจ๋ฆฐ์˜ ๊ณจ๋“œ ์ž์ˆ˜ ์ˆ˜์—…์— ์ฐธ์„ํ•˜๋ฉด์„œ ์‹œ์ž‘๋˜์—ˆ๋‹ค๊ณ  ํ•ฉ๋‹ˆ๋‹ค. ๊ทธ๋…€๋Š” ์ด๋ฅธ ๋‚˜์ด๋ถ€ํ„ฐ ์˜ˆ์ˆ ์‚ฌ์™€ ํŒจ์…˜ ๋””์ž์ธ์„ ์ „๊ณตํ•˜์—ฌ ์˜ˆ์ˆ  ๊ธฐํ˜ธํ•™ ๋ฐ•์‚ฌ ํ•™์œ„๋ฅผ ํฌํ•จ, ์—ฌ๋Ÿฌ ๋Œ€ํ•™์˜ ํ•™์œ„๋ฅผ ์ทจ๋“ํ•˜์˜€์Šต๋‹ˆ๋‹ค. Natalia ValevskayaํŒจ์…˜ ํ•˜์šฐ์Šค๋Š” 1998๋…„ ๋ชจ์Šคํฌ๋ฐ” ํŒจ์…˜ ์œ„ํฌ์—์„œ ๋‘๋ฒˆ์˜ ์˜ค๋œจ ๊พธ๋„๋ฅด ๋ฐœํ‘œ์™€ ํ•จ๊ป˜ ์ถœ๋ฒ”ํ•˜์—ฌ, ํ˜„์žฌ๋Š” ๋ฐฐ์šฐ, ๊ฐ€์ˆ˜, ํƒ‘ ๋ชจ๋ธ์„ ๋น„๋กฏ ์‚ฌ๊ต๊ณ„ ์ธ์‚ฌ๋“ค์ด ๊ทธ๋…€์˜ ์ปฌ๋ ‰์…˜์„ ์ข‹์•„ํ•˜๋Š” ๊ณ ๊ฐ์ด ๋˜์—ˆ์Šต๋‹ˆ๋‹ค. Valevskaya ์˜ Black NAFA ๋ฐํฌ ๋“œ๋ ˆ์Šค์™€ ์ˆ„๋” ๋žฉ์˜ ๊ฐ๊ฐ์ ์ธ ๋””์ž์ธ์€ 1920๋…„๋Œ€ ๋ถ€์œ ํ•œ โ€œ์œ„๋Œ€ํ•œ ๊ฐœ์ธ ๋น„โ€๋ฅผ ์—ฐ์ƒ์‹œํ‚ต๋‹ˆ๋‹ค. ์ด ์•™์ƒ๋ธ”์€ ์˜ค๋Š” 10์›” ๋ชจ์Šคํฌ๋ฐ”์˜ NAFA ๊ฐˆ๋ผ ์‡ผ๋ฅผ ํ†ตํ•ด ์„ ๋ณด์ด๊ฒŒ ๋ฉ๋‹ˆ๋‹ค. 4

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The celebrity designs of Gianfranco Ferre, Michael Kors, Oscar de la Renta, Guy Laroche , Dennis Basso and Kati Stern set the stage for the NAFAโ€™s photo shoots with an incredible variety of luxury furs. Black NAFA mink was amongst their favorites. The camera also captured images of a stunning array of other popular colors of mink from leading fur manufacturers from Italy, Greece, Russia, Hong Kong and Korea. The wild furs from the NAFA Northern collection offered added drama. Whether highlighted in their natural beauty or dyed in some of the seasonโ€™s hottest fashion colors, the furs were outstanding. Raccoon, beaver, coyote, red fox, fisher, lynx, lynx cat and sable all found favor.

Gianfranco Ferre, Michael Kors, Oscar de la Renta, Guy Laroche , Dennis Basso์™€ Kati Stern๋“ฑ ์„ธ๊ณ„์ ์ธ ๋””์ž์ด๋„ˆ๋“ค์˜ ๋‹ค์–‘ํ•œ ๋ชจํ”ผ๋กœ ์ด๋ฒˆ NAFA ์ดฌ์˜์˜ ๋Ÿญ์…”๋ฆฌํ•จ์„ ๋”ํ•˜์˜€์Šต๋‹ˆ๋‹ค. Black NAFA ๋ฐํฌ๋Š” ๊ทธ๋“ค์ด ๊ฐ€์žฅ ์ฆ๊ฒจ์ฐพ๋Š” ๊ฒƒ์ด๊ธฐ๋„ ํ•ฉ๋‹ˆ๋‹ค. ํ•œํŽธ ์ดํƒˆ๋ฆฌ์•„, ๊ทธ๋ฆฌ์Šค, ๋Ÿฌ์‹œ์•„, ํ™์ฝฉ, ํ•œ๊ตญ ์ตœ๊ณ ์˜ ๋ชจํ”ผ ์—…์ฒด์˜ ๋‹ค์–‘ํ•œ ๋ฐํฌ์˜ ์•„๋ฆ„๋‹ค์›€์„ ์นด๋ฉ”๋ผ์— ๋‹ด์•˜์Šต๋‹ˆ๋‹ค. NAFA ๋ถ๋ถ€ ์ปฌ๋ ‰์…˜์˜ ์•ผ์ƒ ๋ชจํ”ผ๋Š” ๊ทธ ์ž์—ฐ์Šค๋Ÿฌ์›€ ์ž์ฒด์˜ ์•„๋ฆ„๋‹ค์›€๊ณผ ํ•ซํ•œ ์ƒ‰์ƒ์œผ๋กœ ์—ผ์ƒ‰๋œ ๊ฐ•๋ ฌํ•จ์ด ์กฐํ™”๋ฅผ ์ด๋ฃฌ ๋“œ๋ผ๋งˆ๊ฐ€ ๋‹๋ณด์˜€์Šต๋‹ˆ๋‹ค. ๋ผ์ฟค, ๋น„๋ฒ„, ์ฝ”์š”ํ…Œ, ๋ ˆ๋“œ ํญ์Šค, ํ”ผ์…”, ๋ง์Šค์™€ ์„ธ์ด๋ธ” ๋ชจ๋‘๊ฐ€ ํฌํ•จ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.

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Northern Lights : ITรข€™S HIP TO WEAR FUR รข€“ EVERYWHERE! The young generation of fashionistas around the world continue their love affair with fur. Once again, designers have found new ways to satisfy their demand for fresh and innovative looks. Northern Lights, the marketing support program for wild fur that NAFA began in 2010, continues to grow in popularity amongst manufacturers, retailers and consumers. Exposure at international fur fairs early in the year resulted in additional participants in the program. A photo shoot took place this spring and a new brochure is now available featuring the latest fashion colors and styles coming from the streets.

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๋…ธ๋˜ ๋ผ์ด์ธ  : ๋ชจํ”ผ๋ฅผ ์ฆ๊ธฐ๋Š” ๊ฒƒ์ด ๋Œ€์„ธ ์ „์„ธ๊ณ„ ์ Š์€ ํŒจ์…”๋‹ˆ์Šคํƒ€๋“ค์€ ์—ฌ์ „ํžˆ ๋ชจํ”ผ์— ์—ด๊ด‘ํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ์ด์— ๋””์ž์ด๋„ˆ๋“ค์€ ์ด๋Ÿฌํ•œ ์š”๊ตฌ๋ฅผ ๋งŒ์กฑ์‹œํ‚ค๊ธฐ ์œ„ํ•ด ๋ณด๋‹ค ์ƒˆ๋กญ๊ณ  ํ˜์‹ ์ ์ธ ๋ฃฉ์„ ์œ„ํ•œ ๋ฐฉ๋ฒ•์„ ๋ชจ์ƒ‰ํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. NAFA๊ฐ€ 2010 ๋…„์— ์‹œ์ž‘ํ•œ ๋…ธ๋˜ ๋ผ์ด์ธ  ๋งˆ์ผ€ํŒ… ํ”„๋กœ๊ทธ๋žจ์€ ์ œ์กฐ์—…์ฒด์™€ ๋ธŒ๋žœ๋“œ, ์†Œ๋น„์ž ์‚ฌ์ด์— ์ธ๊ธฐ๋ฅผ ๋”ํ•ด๊ฐ€๊ณ  ์žˆ๋Š”๋ฐ, ์˜ฌํ•ด ์ดˆ ์—ด๋ฆฐ ๊ตญ์ œ ๋ชจํ”ผ ๋ฐ•๋žŒํšŒ๋ฅผ ํ†ตํ•ด ์ด ํ”„๋กœ๊ทธ๋žจ์˜ ์ฐธ๊ฐ€์ž๋ฅผ ๋”ํ•˜์˜€์Šต๋‹ˆ๋‹ค. ์˜ฌ ๋ด„์— ์ดฌ์˜๋œ ์‚ฌ์ง„์€ ์ƒˆ๋กœ์šด ๋ธŒ๋กœ์Šˆ์–ด๋ฅผ ํ†ตํ•ด ์ตœ์‹  ์œ ํ–‰ ์ปฌ๋Ÿฌ์™€ ์ŠคํŠธ๋ฆฌํŠธ ํŒจ์…˜ ์Šคํƒ€์ผ๋กœ ๋ณด์—ฌ์ง€๊ฒŒ ๋ฉ๋‹ˆ๋‹ค.

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GRAYDON MANOR SETS THE STAGE FOR NOBLESSE It has become a tradition for NAFA to host several leading fashion magazines from around the world to visit Canada each year for the opportunity to photograph highlights of the latest fur collections of leading international designers.

NAFA was pleased to host senior fashion editor Jaeheui Seo of Noblesse Korea for an editorial fur fashion photo shoot in July. Ms. Seo was looking for a unique backdrop that offered glamour and elegance but with a Canadian flavor. Graydon Manor in Toronto turned out to be a perfect setting. This mansion, dating from the mid 1930s, offered acres of courtyards and gardens in which Ms. Seo discovered dramatic surroundings that played with light and angles creating a stage for each shot. NAFA Northern raccoon, coyote and red fox wild furs were styled with a theatrical tone making them as equally at home at Graydon Manor as the elegant Black NAFA mink coats by Gianfranco Ferre and Guy Laroche. 8

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ํ•œ๊ตญ ๋…ธ๋ธ”๋ ˆ์Šค ํ™”๋ณด ์ดฌ์˜์„ ์œ„ํ•œ ๊ทธ๋ ˆ์ด๋ˆ ๋งค๋„ˆ ์ „์„ธ๊ณ„ ์ฃผ์š” ํŒจ์…˜ ์žก์ง€์—์„œ ์„ธ๊ณ„์ ์ธ ๋””์ž์ด๋„ˆ์˜ ๋ชจํ”ผ ์ปฌ๋ ‰์…˜์„ ์ดฌ์˜ํ•˜๊ธฐ ์œ„ํ•ด ํ•ด๋งˆ๋‹ค ์บ๋‚˜๋‹ค๋ฅผ ๋ฐฉ๋ฌธํ•˜๋Š” ๊ฒƒ์ด NAFA์˜ ํ•˜๋‚˜์˜ ์ „ํ†ต์ด ๋˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ํ•œ๊ตญ ๋…ธ๋ธ”๋ ˆ์Šค์˜ ์„œ์žฌํฌ ์—๋””ํ„ฐ๊ฐ€ ๋ชจํ”ผ ์ดฌ์˜์„ ์œ„ํ•ด ์ง€๋‚œ 7์›” ์บ๋‚˜๋‹ค์— ์™€์„œ NAFA๋Š” ๊ธฐ์˜๊ฒŒ ํ˜ธ์ŠคํŠธ ์—ญํ• ์„ ํ•˜์˜€์Šต๋‹ˆ๋‹ค. ๊ทธ๋…€๋Š” ๋งค๋ ฅ์ ์ด๊ณ  ์šฐ์•„ํ•˜๋ฉด์„œ๋„ ์บ๋‚˜๋‹ค๋งŒ์˜ ๋ถ„์œ„๊ธฐ ์—ฐ์ถœ์„ ์›ํ–ˆ์Šต๋‹ˆ๋‹ค. ํ† ๋ก ํ† ์˜ ๊ทธ๋ ˆ์ด๋ˆ ๋งค๋„ˆ๋Š” ์™„๋ฒฝํ•œ ์„ธํŒ…์ด์—ˆ์Šต๋‹ˆ๋‹ค. 1930 ๋…„๋Œ€ ์ค‘๋ฐ˜ ๋Œ€์ €ํƒ์˜ ์ •์›์„ ๋ฐฐ๊ฒฝ์œผ๋กœ ์กฐ๋ช…๊ณผ ์•ต๊ธ€์„ ํ™œ์šฉํ•˜์—ฌ ๋งค์ปท ๋“œ๋ผ๋งˆํ‹ฑํ•œ ์—ฐ์ถœ์ด ๊ฐ€๋Šฅํ•˜์˜€์Šต๋‹ˆ๋‹ค. NAFA๋ถ๋ถ€ ๋ผ์ฟค, ์ฝ”์š”ํ…Œ์™€ ๋ ˆ๋“œ ํญ์Šค ์•ผ์ƒ ๋ชจํ”ผ๋Š” Gianfranco Ferre ์™€ Guy Laroche์˜ ์šฐ์•„ํ•œ Black NAFA ๋ฐํฌ ์ฝ”ํŠธ๋งŒํผ์ด๋‚˜ ๊ทน์ ์ธ ์Šคํƒ€์ผ์„ ์—ฐ์ถœํ•˜์˜€์Šต๋‹ˆ๋‹ค. JUSTNAFA

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STUDIO NAFA : A UNIQUE SOURCE OF DESIGN AND CRAFTSMANSHIP A very important part of NAFAโ€™s strategy in building its luxury brand is to continue to work with international fashion designers as well as the designers of the fur trade. The concept of Studio NAFA is to give designers a good understanding of the advantages and challenges of working with fur. Professor Vasilis Kardasis and Professor Lorenzo Scarpi developed unique curricula. In the case of designers and design students, Professor Kardasisโ€™s wide-ranging experience in design make him well qualified to lead designers on the journey of exploration. Professor Scarpiโ€™s vast technical experience in mink, fox and wild fur is an incredible resource for fur technicians at every level. This summer very different workshops were held: Studentsโ€™ Exploration, Designer Inspiration and Technical Skills. Each workshop was specially tailored to the needs of the group attending and was focused on different skills. Following the studentsโ€™ workshop was the technical workshop led by Professor Scarpi. Representatives from two Chinese, one Mexican, four Russian and two Greek companies attended the class. This was a rare opportunity for designers and technicians to learn the latest techniques of working with fur as well as some of the lost or forgotten arts of fur craftsmanship. This workshop focused heavily on developing techniques and practical skills in working with NAFA wild fur. Studio NAFA has become a meeting point for those who love NAFA furs. They come for inspiration and knowledge, to do research and develop new approaches for working with the many diverse products that are included in the NAFA family of brands. 10

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์ŠคํŠœ๋””์˜ค NAFA-๋””์ž์ธ๊ณผ ์žฅ์ธ์˜ ์†œ์”จ๋ฅผ ์œ„ํ•œ ํŠน๋ณ„ํ•จ ๋Ÿญ์…”๋ฆฌ ๋ธŒ๋žœ๋“œ ๊ตฌ์ถ•์„ ์œ„ํ•œ NAFA ์ „๋žต์˜ ๋งค์šฐ ์ค‘์š”ํ•œ ๋ถ€๋ถ„์€ ๋ชจํ”ผ ๋ฌด์—ญ ๊ด€๋ จ ๋””์ž์ด๋„ˆ ๋ฟ๋งŒ ์•„๋‹ˆ๋ผ ์„ธ๊ณ„์ ์ธ ํŒจ์…˜ ๋””์ž์ด๋„ˆ์™€ ํ•จ๊ป˜ ๊ณ„์† ์ž‘์—…ํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค. ์ŠคํŠœ๋””์˜ค NAFA๋Š” ๋””์ž์ด๋„ˆ์—๊ฒŒ ๋ชจํ”ผ๋ฅผ ์ž‘์—…ํ•˜๋Š” ๊ฒƒ์˜ ๋„์ „๊ณผ ์žฅ์ ์„ ์ดํ•ด์‹œํ‚ค๊ธฐ ์œ„ํ•จ์ž…๋‹ˆ๋‹ค. Vasilis Kardasis ๊ต์ˆ˜์™€ Lorenzo Scarpi ๊ต์ˆ˜๋Š” ๋…ํŠนํ•œ ์ปค๋ฆฌํ˜๋Ÿผ์„ ๊ฐœ๋ฐœ ํ–ˆ์Šต๋‹ˆ๋‹ค. ๋””์ž์ด๋„ˆ์ด์ž ๋””์ž์ธ ํ•™๊ณผ ๊ต์ˆ˜์ธ Kardasis๋Š” ๊ทธ์˜ ๋‹ค์–‘ํ•œ ๊ฒฝํ—˜์œผ๋กœ ๋””์ž์ธ์„ ๋งŒ๋“ค์–ด๊ฐ€๋Š” ๊ธด ๋„์ „์˜ ์—ฌ์ •์„ ์ž˜ ๋ฆฌ๋“œํ•  ์ˆ˜ ์žˆ๊ฒŒ ํ•˜์˜€์œผ๋ฉฐ, ๋ฐํฌ, ํญ์Šค, ์•ผ์ƒ ํผ์— ๋Œ€ํ•œ ํญ๋„“์€ ๊ธฐ์ˆ  ๊ฒฝํ—˜์„ ์ง€๋‹Œ Scarpi ๊ต์ˆ˜๋Š” ๋ชจํ”ผ ๊ธฐ์ˆ ์— ๋Œ€ํ•œ ๊ฐ ๋‹จ๊ณ„๋ณ„๋กœ ํฐ ๋„์›€์ด ๋˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ์ด๋ฒˆ ์—ฌ๋ฆ„ ํ•™์ƒ ํƒ๊ตฌ์™€ ๋””์ž์ด๋„ˆ์˜ ์˜๊ฐ๊ณผ ๊ธฐ์ˆ ์— ๋Œ€ํ•œ ๋งค์šฐ ๋‹ค๋ฅธ ์„ฑ๊ฒฉ์˜ ์›Œํฌ์ƒต์ด ์žˆ์—ˆ์Šต๋‹ˆ๋‹ค. ๊ฐ ์›Œํฌ์ƒต์€ ์ฐธ์„์ž์˜ ์š”๊ตฌ์— ๋งž๊ฒŒ ํŠน๋ณ„ํžˆ ์ค€๋น„๋˜์–ด ์„œ๋กœ ๋‹ค๋ฅธ ๊ธฐ์ˆ ์— ์ง‘์ค‘ํ•  ์ˆ˜ ์žˆ์—ˆ์Šต๋‹ˆ๋‹ค. ํ•™์ƒ๋“ค ์›Œํฌ์ƒต์— ์ด์–ด ๊ธฐ์ˆ  ์›Œํฌ์ƒต์€ Scarpi ๊ต์ˆ˜์— ์˜ํ•ด ์ฃผ๋„ ๋˜์—ˆ์Šต๋‹ˆ๋‹ค. 4๋ช…์˜ ๋Ÿฌ์‹œ์•„์ธ, 2๋ช…์˜ ๊ทธ๋ฆฌ์Šค์ธ, 2๋ช…์˜ ์ค‘๊ตญ์ธ,1๋ช…์˜ ๋ฉ•์‹œ์ฝ”์ธ์ด ๊ฐ ๋‚˜๋ผ์˜ ํšŒ์‚ฌ๋ฅผ ๋Œ€ํ‘œํ•˜์—ฌ ํด๋ž˜์Šค์— ์ฐธ์„ํ•˜์˜€์Šต๋‹ˆ๋‹ค. ์ด๋Š” ๋””์ž์ด๋„ˆ์™€ ๊ธฐ์ˆ ์ž ๋ชจ๋‘์—๊ฒŒ ์žŠ๊ณ  ์žˆ์—ˆ๋˜ ์žฅ์ธ์ •์‹ ์„ ์ผ๊นจ์šธ ๋ฟ ์•„๋‹ˆ๋ผ ๋ชจํ”ผ์˜ ์ตœ์‹  ๊ธฐ๋ฒ•์„ ๋ฐฐ์šธ ์ˆ˜ ์žˆ๋Š” ์ข‹์€ ๊ธฐํšŒ์˜€์Šต๋‹ˆ๋‹ค. ์ด ์›Œํฌ์ƒต์€ NAFA ์•ผ์ƒ ๋ชจํ”ผ ์ž‘์—…์„ ์œ„ํ•œ ์‹ค์šฉ์ ์ธ ๊ธฐ์ˆ  ๊ฐœ๋ฐœ์— ์ง‘์ค‘๋˜์—ˆ์Šต๋‹ˆ๋‹ค. ์ŠคํŠœ๋””์˜ค NAFA๋Š” NAFA ๋ชจํ”ผ๋ฅผ ์‚ฌ๋ž‘ ํ•˜๋Š” ์‚ฌ๋žŒ๋“ค์˜ ํ•˜๋‚˜์˜ ๋ชจ์ž„ ์ง€์ ์ด ๋˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ์˜๊ฐ๊ณผ ์ง€์‹์„ ๋ฐ”ํƒ•์œผ๋กœ NAFA ์ œํ’ˆ๊ตฐ์„ ํฌํ•จํ•˜์—ฌ ์ข€๋” ๋‹ค์–‘ํ•˜๊ณ  ๋ฐœ์ „๋œ ๋ชจํ”ผ ์ œํ’ˆ์„ ์œ„ํ•œ ์—ฐ๊ตฌ์™€ ๊ฐœ๋ฐœ์ด ์‹œ๋„๋˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.

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STUDIO NAFA WELCOMES KOREAN STUDENTS From July 9th to 13th, 2012, Studio NAFA welcomed two special guests from Korea, Ms. Yongrim Ko and Ms. Yu Yeon Jung. These young ladies were the winners in the fur category of the Joong Ang Design Competition, which was sponsored by NAFA. Joining them in Toronto at Studio NAFA were nine other students representing China, Greece and the USA. As this 5-day workshop commenced, the students were introduced to NAFAโ€™s fine quality mink and a rich variety of wild furs. Information on wild fur management in North America was presented by Steve Gamblin, Vice President of NAFAโ€™s Wild Fur Division. Students also had the opportunity to learn about traditional and advanced fur techniques. After the students had basic knowledge about the furs and techniques, Mr. Vasilis Kardasis, Creative Director of Studio NAFA, tasked them with a project to create a new โ€œfabricโ€. This โ€œfabricโ€ must include NAFA furs with other materials. The entire workshop was truly an ongoing exercise. Ms. Ko and Ms. Jung first discussed their ideas with Mr. Kardasis to get his advice. They then focused on the different types of furs that inspired them the most and made adjustments in the production as needed. Finally, each of them had their different ways to create a new piece of fabric. It was a very challenging project for all of the students, as they had to make full use of the knowledge that they just learned in the first two days. They had to grasp their inspiration from the fur species that they had just been introduced to and then sew a new piece of fabric by using a fur sewing machine that was a novelty. All of this was to be completed in the short time frame allowed. As the workshop came to a close, the students were excited but exhausted. They were most appreciative with the opportunity the workshop gave them to learn more about North American furs and also the challenging experience on how to think and achieve their goals under pressure. This Studio NAFA workshop will be an asset as they pursue their future ambitions in design.

์ŠคํŠœ๋””์˜ค NAFA,ํ•œ๊ตญ ํ•™์ƒ ํ™˜์˜ ์ง€๋‚œ 7์›” 9์ผ๋ถ€ํ„ฐ 13์ผ๊นŒ์ง€ ํ•œ๊ตญ์—์„œ ์˜จ ํŠน๋ณ„ํ•œ ๋‘๋ช…์˜ ์†๋‹˜์ด ์ŠคํŠœ๋””์˜ค NAFA์— ๋จธ๋ฌผ๋ €์Šต๋‹ˆ๋‹ค. ์ค‘์•™ ๋””์ž์ธ ๊ณต๋ชจ์ „ ๋ชจํ”ผ ๋ถ€๋ถ„์˜ ์šฐ์Šน์ž์ธ ๊ณ ์˜๋ฆผ ๊ณผ ์ •์œ ์—ฐ์€ ์ค‘๊ตญ, ๊ทธ๋ฆฌ์Šค ๋ฏธ๊ตญ์—์„œ ์˜จ9๋ช…์˜ ํ•™์ƒ ๋Œ€ํ‘œ์™€ ํ•จ๊ป˜ ์ง€๋ƒˆ์Šต๋‹ˆ๋‹ค. 5 ์ผ๊ฐ„ ์ง„ํ–‰๋œ ์›Œํฌ์ƒต์„ ํ†ตํ•ด NAFA์˜ ์ข‹์€ ํ’ˆ์งˆ์˜ ๋ฐํฌ์™€ ๋‹ค์–‘ํ•œ ์•ผ์ƒ ๋ชจํ”ผ๊ฐ€ ์†Œ๊ฐœ๋˜์—ˆ์œผ๋ฉฐ, ๋ถ๋ฏธ ์•ผ์ƒ ๋ชจํ”ผ ๊ด€๋ฆฌ์— ๋Œ€ํ•œ ์ •๋ณด๋Š” NAFA ๋ถ€์‚ฌ์žฅ์ธSteve Gamblin ์ด ์„ค๋ช…ํ•˜์˜€์Šต๋‹ˆ๋‹ค. ํ•™์ƒ๋“ค์€ ์ „ํ†ต์ ์ธ ๋ฐฉ๋ฒ•๊ณผ ์ตœ์‹  ๊ธฐ๋ฒ•์— ๋Œ€ํ•ด ๋ชจ๋‘ ๋ฐฐ์šธ ์ˆ˜ ์žˆ๋Š” ์ข‹์€ ๊ธฐํšŒ์˜€์Šต๋‹ˆ๋‹ค. ๋ชจํ”ผ์™€ ๊ธฐ๋ฒ•์— ๋Œ€ํ•œ ๊ธฐ๋ณธ์ ์ธ ์ง€์‹์„ ์ตํžŒ ํ•™์ƒ๋“ค์€ ์ŠคํŠœ๋””์˜ค NAFA์˜ ํฌ๋ฆฌ์—์ดํ‹ฐ๋ธŒ ๋””๋ ‰ํ„ฐVasilis Kardasis์™€ โ€œํŒจ๋ธŒ๋ฆญโ€์„ ์ƒˆ๋กญ๊ฒŒ ๋งŒ๋“œ๋Š” ํ”„๋กœ์ ํŠธ๋ฅผ ์ˆ˜ํ–‰ํ•˜์˜€๋Š”๋ฐ, ๋‹ค๋ฅธ ์†Œ์žฌ์™€ ํ•จ๊ป˜ NAFA ๋ชจํ”ผ๊ฐ€ ํฌํ•จ๋˜์–ด์•ผ ํ–ˆ์Šต๋‹ˆ๋‹ค. ์›Œํฌ์ƒต ๊ธฐ๊ฐ„ ๋™์•ˆ ํ›ˆ๋ จ์€ ๊ณ„์†๋˜์–ด์กŒ์Šต๋‹ˆ๋‹ค.ํ•œ๊ตญ ํ•™์ƒ ๋‘๋ช… ์—ญ์‹œ ์ฒ˜์Œ์—” ๊ทธ๋“ค์˜ ์•„์ด๋””์–ด๋ฅผ ์˜๋…ผํ•˜๊ณ  Kardasis ์˜ ์กฐ์–ธ๋„ ๋ฐ›์•„๋“ค์—ฌ ๋‹ค๋ฅธ ์ข…๋ฅ˜์˜ ๋ชจํ”ผ์— ์ดˆ์ ์„ ๋‘๊ณ  ์ƒ์‚ฐ ๊ณผ์ •์—์„œ ํ•„์š”ํ•œ ์ตœ์ ์˜ ์กฐ์ •์„ ๊ทธ๋“ค์˜ ์˜๊ฐ์ด ๋”ํ•ด์ ธ ์ƒ‰๋‹ค๋ฅธ ๋ฐฉ๋ฒ•์œผ๋กœ ์ƒˆ๋กœ์šด ํŒจ๋ธŒ๋ฆญ์„ ๋งŒ๋“ค์–ด ๋ƒˆ์Šต๋‹ˆ๋‹ค. ์ด ํ”„๋กœ์ ํŠธ๊ฐ€ ํ•™์ƒ ๋ชจ๋‘์—๊ฒŒ๋Š” ์ฒ˜์Œ 2์ผ ๋™์•ˆ ๋ฐฐ์šด ์ง€์‹์„ ์ถฉ๋ถ„ํžˆ ํ™œ์šฉํ•ด์•ผ ํ•˜๋Š” ๋งŒํผ ๋งค์šฐ ๋„์ „์ ์ธ ๊ณผ์ œ์˜€์Šต๋‹ˆ๋‹ค. ๊ทธ๋“ค์€ ์†Œ๊ฐœ๋ฐ›์€ ๋‹ค์–‘ํ•œ ๋ชจํ”ผ ์ข…๋ฅ˜์— ๊ทธ๋“ค์˜ ์˜๊ฐ์„ ๋ถˆ์–ด๋„ฃ์–ด ๋ชจํ”ผ ์žฌ๋ด‰ํ‹€์„ ์ด์šฉํ•˜์—ฌ ์ฐธ์‹ ํ•œ ์ง๋ฌผ์„ ์งง์€ ์‹œ๊ฐ„ ์•ˆ์— ๋งŒ๋“ค์–ด ๋‚ด์•ผ๋งŒ ํ–ˆ์Šต๋‹ˆ๋‹ค. ์›Œํฌ์ƒต์ด ๋งˆ๋ฌด๋ฆฌ ๋˜์–ด๊ฐ€๋ฉด์„œ ํ•™์ƒ๋“ค์€ ๋ฌผ๋ก  ์ฆ๊ฑฐ์šด ์‹œ๊ฐ„์„ ๋ณด๋‚ด๊ธฐ๋„ ํ–ˆ์ง€๋งŒ, ์ง€์น˜๊ธฐ๋„ ํ•˜์˜€์Šต๋‹ˆ๋‹ค. ๊ทธ๋“ค์€ ๋ถ๋ฏธ ๋ชจํ”ผ์— ๋Œ€ํ•ด ๋ฐฐ์šธ ๊ธฐํšŒ๋ฅผ ์ค€ ๊ฒƒ์— ๋Œ€ํ•ด ๊ฐ์‚ฌ์˜ ๋งˆ์Œ์„ ์ „ํ•˜์˜€๊ณ , ๋˜ ์•ž์œผ๋กœ ๊ทธ๋“ค์˜ ๋ชฉํ‘œ์— ์ด๋ฃจ๊ธฐ ์œ„ํ•ด ์–ด๋–ป๊ฒŒ ํ•ด์•ผ ํ• ์ง€์— ๋Œ€ํ•ด ์ƒ๊ฐํ•  ์ˆ˜ ์žˆ๋Š” ๊ธฐํšŒ๊ฐ€ ๋˜์—ˆ์Šต๋‹ˆ๋‹ค. ์ŠคํŠœ๋””์˜ค NAFA ์›Œํฌ์ƒต์€ ๋””์ž์ธ ๋ฏธ๋ž˜์— ๋Œ€ํ•ด ํˆฌ์žํ•˜๊ณ  ์‘์›ํ•ด ๋‚˜๊ฐˆ ๊ฒƒ์ž…๋‹ˆ๋‹ค.

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JUSTNAFA


NAFA ANNOUNCES REVISION IN LABEL ALLOTMENT

NAFA ๋ ˆ์ด๋ธ” ํ• ๋‹น์•ˆ ์ˆ˜์ • ๋ฐœํ‘œ

Beginning with the February 2013 auction, NAFA will adjust the number of mink skins required to receive Black NAFA and NAFA Mink labels.

2013๋…„ 2 ์›”์˜ ๊ฒฝ๋งค๋ฅผ ์‹œ์ž‘์œผ๋กœ NAFA ๋Š” ๋ฐํฌ ์Šคํ‚จ์˜ Black NAFA์™€ NAFA ๋ฐํฌ ๋ ˆ์ด๋ธ” ์ˆ˜๋ฅผ ์กฐ์ • ํ•˜๊ฒŒ ๋ฉ๋‹ˆ๋‹ค.

For NAFA Gold quality male mink, one label will be awarded for every 12 skins.

๋ฉ”์ผ ๋ฐํฌ ํ’ˆ์งˆ์ธ NAFA ๊ณจ๋“œ๋ฅผ ์œ„ํ•œ ๊ฒƒ์œผ๋กœ, 12 ์Šคํ‚จ ๋งˆ๋‹ค ํ•˜๋‚˜์˜ ๋ ˆ์ด๋ธ”์ด ์ฃผ์–ด์ง‘๋‹ˆ๋‹ค.

For NAFA Gold quality female mink, one label will be awarded for every 17 skins. Quantities of NAFA Fox and NAFA Northern Wild Furs will remain unchanged.

NAFA ํญ์Šค์™€ NAFA ๋ถ๋ถ€ ์•ผ์ƒ ๋ชจํ”ผ์˜ ์ˆ˜๋Ÿ‰์€ ๊ทธ๋Œ€๋กœ ์œ ์ง€ ๋ฉ๋‹ˆ๋‹ค.

SUEMI KIM JOINS NAFA AS MARKETING DIRECTOR NAFA, Korea์˜ ์ƒˆ๋กœ์šด ๋งˆ์ผ€ํŒ… ๋””๋ ‰ํ„ฐ, ๊น€์ˆ˜๋ฏธ NAFA has announced the appointment of Ms. Suemi Kim as the new Marketing Director for Korea. Ms. Kimโ€™s background makes her an ideal representative for NAFA with both trade and media. Her previous posting with AWI, Korea, as Marketing and P.R. Manager gives her a strong foundation from which to expand NAFAโ€™s marketing program in Korea. Ms. Kim began her role at NAFA in mid July and has already incorporated new concepts into the advertising program as well as initiating special events for fall and winter 2012/13.

NAFA๋Š” ํ•œ๊ตญ์˜ ์ƒˆ๋กœ์šด ๋งˆ์ผ€ํŒ… ๋””๋ ‰ํ„ฐ์— ๊น€์ˆ˜๋ฏธ๋ฅผ ์ž„๋ช…ํ•˜์˜€์Šต๋‹ˆ๋‹ค. AWI (Australian Wool Innovation Ltd.) ํ•œ๊ตญ ์ง€์‚ฌ์—์„œ ํ™๋ณด ๋งˆ์ผ€ํŒ… ๋‹ด๋‹น์ž๋กœ ์ผํ–ˆ๋˜ ๊ทธ๋…€๋Š” NAFA๋ฅผ ๋Œ€ํ‘œํ•˜์—ฌ ํ•œ๊ตญ ์—…๊ณ„์™€ ๋ฏธ๋””์–ด ๋‘ ๋ถ„์•ผ์˜ ์ด์ƒ์ ์ธ ์ ์ž„์ž๋กœ์„œNAFA๋งˆ์ผ€ํŒ… ํ”„๋กœ๊ทธ๋žจ์„ ํ™•์žฅํ•˜๋Š” ๊ฐ•๋ ฅํ•œ ๊ธฐ๋ฐ˜์„ ์ œ๊ณตํ•  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ์ง€๋‚œ 7์›” ์ค‘์ˆœ ์ด๋ฏธ ๊ทธ๋…€์˜ ์—ญํ• ์€ ์‹œ์ž‘๋˜์—ˆ๊ณ , ์ƒˆ๋กœ์šด ๊ด‘๊ณ  ํ”„๋กœ๊ทธ๋žจ์— ๋Œ€ํ•œ ์ดํ•ด๋กœ 2012/13 ์ถ”๋™ ๊ด‘๊ณ ์™€ ์ด๋ฒคํŠธ ํ”„๋กœ๊ทธ๋žจ์„ ์ง„ํ–‰ํ•˜๊ฒŒ ๋ฉ๋‹ˆ๋‹ค. s_kim@nafa.ca ๋˜๋Š” 82 10 5768 0509๋กœ ์—ฐ๋ฝํ•˜์‹œ๊ธฐ ๋ฐ”๋ž๋‹ˆ๋‹ค.

For those wishing to contact Ms. Kim, she can be reached by email at s_kim@nafa.ca or by telephone at 82 10 5768 0509. JUSTNAFA

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