Luca Morosetti - Architecture Portfolio by Luca Morosetti

Luca Morosetti Architecture Portfolio

Luca Morosetti Luca who? ��2 The Contemporary Monastery ��4 Urban Block ��14 Paardenmarkt in Loop ��20 UN | Noticed ��26 The Envelopers ��30 Border Line ��34 Professional collaborations ��40

Luca who?

Biography My name is Luca Morosetti and I am an Italian MSc Architect. During the past years I studied, worked and lived abroad in different countries, in order to learn from different points of view and to build myself an international profile. I am passionate in the complexity of small tailored architecture and in the organization of big architectural organisms. I have also developed a great interest in BIM process in architecture and I am an Autodesk Revit certified professional. During my youth I have been an former semi-professional Rowing athlete at a national and international level. Because of this now I am tenacious and stubborn. Fond of visual arts, art history, drawing and painting, photography and movies. I also love cooking and eating (mostly). I am a travel enthusiast, curious and eager to learn from anyone having something to share.

Contacts +39 348 1200 368

luca_morro90

morosettiluca@gmail.com

Via S.Pasquale 54, 34142 Trieste (IT)

https://it.linkedin.com/in/lucamorosetti

Formation & Skills Work Experience Dec 2018 Trieste, Italy

METROAREA - www.metroarea.it Architect / Collaboration: execution phase of a Congress centre in Trieste (10.000 m2) by refurbishing two existing industrial pavilions in the Old Harbour of the city.

Nov-May 2018 Barcelona, Spain

CREAM - www.creamestudio.com Junior Architect: residential, retail and exhibition spaces both as new and refurbishment. In charge of the BIM development of residential projects.

Dec-June 2017 Barcelona, Spain

BCQ Arquitectes - www.bcq.es Intern Architect: collaborated with the competition for a public library in Vic, Spain (1st prize). Took active part during the execution phase of a four-star Superior Hotel in Barcelona.

Feb-July 2016 Gent, Belgium

OYO Architects - www.oyo.eu Intern Architect: collaborated in several projects, from public (libraries, innovation centres, museums, city halls, sport facilities) to private (social and private houses).

Jan 2013 Gorizia, Italy

2013-2015 Delft, The Netherlands

2009-2012 Revit, Italy

Università degli Studi di Trieste Junior Tutor at the workshop Gorizia: city of cities? held by the BSc Urban Planning 2 Studio.

Education

Software Skills

TU Delft MSc Architecture Thesis’ Title: The Contemporary Monastery ArchiPRIX 2016 Nominee Final Grade: 9.0 / 10.0

Revit (professional certification) Autocad Ecotect Indesign Illustrator Photoshop Premiere Pro Lightroom Rhinoceros V-Ray Lumion 3DS Max Office EndNote Windows OS Mac OS

Università di Trieste BSc Architecture Sciences Thesis’ Title: Border Line Final Grade: 110 cum laude / 110

Languages Italian English Spanish French Catalan Dutch

(Native speaker) C2 (Academic and technical) Advanced (Professional and informal) B2 (DELF Certification) Basic understanding (Survival skills) Basic understanding (Survival skills) 3

The Contemporary Monastery MSc Thesis Project | Individual work | Sept 2014 - June 2015 | Amsterdam, the Netherlands Tutors:

Lidwine Spoormans | L.G.K.Spoormans@tudelft.nl Wido Quist | W.J.Quist@tudelft.nl Nicholas Clarke | N.J.Clarke@tudelft.nl

TASK: Scientific and academic sound research at the basis of the design process. The research investigates themes of housing, while the design deals with existing monuments. The whole process of “research by design”, as it is promoted by TU Delft, aims at giving practical solutions to theorized issues and topics. The outcome is a theory to design, urban to detail, process. PROJECT: The main concept of the design is to find new solutions for contemporary collective housing by means of using the principles of the monastery as a typology. The main issue that came out in comparing these two different typologies was that, in contrast with the monastery, cohousing never have a true binding element for common life as it was faith.

For this reason, work becomes the new binder. Each dweller, or “contemporary monk”, is the promoter of a new working activity and shares living spaces (private, shared and common) with other dwellers with the same purpose. The result is a sort of a long-term hostel for young entrepreneurs which decide to share their new experience in a common and vibrant live/work environment.

Full document available at TU Delft Repository 4

Impression of the new entrance volume seen from the Binnengasthuisstraat.

Research by Design

The architecture of the monastery defines the daily rhythm of the monk. The monastery is divided is individual, common, spiritual and working spaces. Luca Morosetti | Portfolio

The Immeuble Villas by Le Corbusier, follows the principle of the monastery in the definition of its typology. 6

Long section. On the two lower floors the working activities and on the top two the dwellings. What do we share?

Students

Starters

Small groups of entrepreneurs

Private Own room and bathroom

Shared Relax room to share with another person

Start-overs !

Collective Kitchen and Living room to share with three other people

Individual place: Rentable studios of flats ensure an intimate place to live. The limited dimensions limit also the costs and promote the urge to share. Bike storage: a shared bike storage is necessary on the ground floor and can promote casual interactions among the residents.

Clustered Communities Clustered communities. Each community is Each is independent, independent;community they live and work separately and lives and work separately from from the other ones. Nevertheless they the other ones. Nevertheless they share share spaces andand getgettogether for the spaces together for overalloverall organization and management. organization and Every management. clustered community is eventually Every cluster is eventually responsible for its responsible for its own product or own activity. product or activity.

Laundry room: tenants do not necessarily need private washing machines and can share it with other tenants by saving thus money and space. Common areas: common areas such as places to chat with each other, a common kitchen, or a common dining room promote a sense of community between the students that have a place to share that is not necessarily their individual one.

Private

Shared

Multi-purpose/Projection room: Can be used for public events and audiences, host small conferences or courses but, when available, it can be used to watch movies together.

Collective

Common Gym: Is a place for the everyday life of a person that can bring people together and push them to interact with each other and create bonds outside their work activities. Roof Terrace: Can be used in Summer and Spring to enjoy the good weather and organize BBQs, but also to find a quiet shelter for ourselves.

Private

Shared

Common life and shared spaces People belonging to the same cluster work and live together in the same building, sharing common areas and facilities.

Common

The Contemporary Monastery

Working activities The buildingâ&#x20AC;&#x2122;s program is structured so that it can offer both a working and a living experience. Working activities are placed on the two lower floors so that a direct interaction with the public is possible. On the ground floor the working activities are divided in ateliers and workshops, one for each activity and group. This space can be modified and customized when there is a turnover of activities, accordingly to the needs of each production. On the upper floor an office-like program was chosen, so that also those activities that do not need a direct relationship with the public can take place, like architecture offices, startups and similar.

Impression of the Ateliers and Workshops placed on the public routing on the ground floor.

Luca Morosetti | Portfolio

Living together Dwellings are place on the two upper floors. The dwellings are minimal but are provided with large common areas and shared spaces. The project is developed from the most individual space (the room or studio) and from there it gets more and more public. This is achieved by introducing spaces that are shared by more and more people till areas that are shared by everybody, such as the common terrace and the gym. Both buildings have central common areas which provide the dwellers with areas to gather together and spend time together, this areas being recreational areas, lounge and kitchens, laundry rooms and storage units.

Impression of the common recreational area for the dwellers on the second floor.

The Contemporary Monastery

Impression of the common gallery of the dwelling units.

Ground floor plan. The working activities and the inner courtyard.

Impression of the courtyard. Intervention is kept minimal in order to leave the customization to the residents.

Second floor plan. The dwellings and the common gym. Luca Morosetti | Portfolio

Intervention to connect

Second floor plan. The dwellings and the common gym. 11

The Contemporary Monastery

A new way of Living Traditional

Collective

Own Proposal

One Pic-Nic are and a multi-purpuse projection room (former â&#x20AC;&#x2DC;Snijzaalâ&#x20AC;&#x2122;)

3.16% 5.42%

LIVING

16 Ateliers/Workshops (10 TCK, 6 ZH), 14 Offices, 2 Meeting Rooms for Clients

8 Shared Living rooms with Kitchens

26 Double-height Rooms with bathroom (17 m2) in the TCK, 28 Private Studios (20-35 m2) in the ZH

3.52%

1.75% 3.30% 2.22%

South elevation of the existing building and of the intervention.

4 Main Common areas providing Recreational rooms, Lounge space for parties, common kitchens and common Laudry room. 4 Shared Relax Rooms

16.11%

14.54% 4 Private Bycycle Storage units

Public Circulation Room in connection with the surrounding public space, and provided with selling stands and Exhibition Places

8.17% 7.60%

WORKING

3 main common areas, 2 Landscape Office areas

13.49%

16.69%

One Common Gym and one Multi-Purpose Roof Terrace

Main entrance with Lobby

3.32%

Private internal Routing with Open Galleries in the TCK, with 4 separete accessess on the ground floor

Thermal Insulation - 150mm Vapour Barrier Two-ways reinforced concrete slab - 300 mm Plaster - 15 mm

DETAIL 6

1.10 m

Wooden flooring for exteriors - 20mm EPDM Rubber System Concrete Screed - 50mm Thermal Insulation - 150mm Rubber Mat 10 mm Two-ways Plywood - 18+18 mm Waterproofing Steel IPE 200 Beam Thermal Insulation - 150mm Wooden Joists - 180 mm x 40 mm Vapour Barrier Two-ways reinforced concrete slab - 300 mm Plaster - 15 mm

DETAIL 6

1.10 m

Wooden flooring for exteriors - 20mm Concrete Screed - 50mm Rubber MatColumn 10 mm - 100 mm x 200 mm Hollow Steel Waterproofing Square Reinforced Concrete Column - 400 mm Thermal Insulation - 150mm Vapour BarrierFolding Curtain Wall - 2950 mm x 760 mm Three-Panelled Two-ways reinforced concrete slab - 300 mm Plaster - 15 mm

DETAIL 6

Wooden flooring for exteriors - 20mm Concrete Screed - 50mm Rubber Mat 10 mm Waterproofing Thermal Insulation - 150mm Vapour Barrier Two-ways reinforced concrete slab - 300 mm Plaster - 15 mm

Wood planks Wooden flooring flooring - 20mm for exteriors - 20mm LightenedConcrete ConcreteScreed Screed- 50mm - 60mm Soundproofing Rubber Mat 10 mm Thermal Waterproofing Insulation -Column 150mm Square Reinforced Concrete - -400 Hollow SteelColumn 100mm mm x 200 mm Vapour Barrier Thermal Insulation - 150mm GradientVapour Layer -120 Barrier mm Two-ways Two-ways reinforced reinforced concrete slab - 300 slab mm -- 300 Three-Panelled Folding concrete Curtain Wall 2950mm mm x 760 mm Plaster - Plaster 15 mm- 15 mm

1.10 m

DETAIL 6

1,5%

1 Wood planks flooring - 20mm Concrete screed - 40mm Sound-proof insulation Thermal Insulation - 60mm Two-ways reinforced concrete slab - 300 m

DETAIL 7

1.10 m

Square Reinforced Concrete Column - 400 mm

DETAIL 6 DETAIL 7

Wooden flooring for exteriors - 20mm Concrete Screed - 50mm Rubber Mat 10 mm Waterproofing Thermal Insulation - 150mm Vapour Barrier Two-ways reinforced concrete slab - 300 mm Plaster - 15 mm

Wood planks flooring - 20mm Lightened Concrete Screed - 60mm

Soundproofing 9.55 m

1,5%

Square Reinforced Concrete Column - 400 mm

Thermal Insulation - 150mm Vapour Barrier Gradient Layer -120 mm Two-ways reinforced concrete slab - 300 mm Plaster - 15 mm Wood planks flooring - 20mm Concrete screed - 40mm Sound-proof insulation Thermal Insulation - 60mm Two-ways reinforced concrete slab - 300 m

Square Reinforced Concrete Column - 400 mm

9.55 m

DETAIL 7

Wood planks flooring - 20mm Concrete screed - 40mm Sound-proof insulation Thermal Insulation - 60mm Two-ways reinforced concrete slab - 300 m

Square Reinforced Concrete Column - 400 mm

Wood planks flooring - 20mm Concrete screed - 40mm Sound-proof insulation Thermal Insulation - 60mm Two-ways reinforced concrete slab - 300 mm

DETAIL 7

Wood planks flooring - 20mm Concrete screed - 40mm Sound-proof insulation Thermal Insulation - 60mm Two-ways reinforced concrete slab - 300 mm

DETAIL 7

Wood planks flooring - 20mm Concrete screed - 40mm Sound-proof insulation Thermal Insulation - 60mm Two-ways reinforced concrete slab - 300 m

+8.95 m

Aluminium Curtain Wall System

+8.95 m

Double Swing Glazed Door with Frame Aluminium Curtain Wall System

Tile Flooring - 20 mm Double Swing Glazed Door with Frame Concrete screed - 40 mm Vapour Barrier Aluminium Curtain Wall System Thermal Insulation - 100 mm Two-ways reinforced concrete slab - 300 m Thermal Insulation - 100 mm Lean Concrete - 150 mm

Aluminium Curtain Wall System

+1.44 m Double Swing Glazed Door with Frame

0.80 m

Tile Flooring - 20 mm Concrete screed - 40 mm Vapour Barrier Thermal Insulation - 100 mm Two-ways reinforced concrete slab - 300 m Thermal Insulation - 100 mm Lean Concrete - 150 mm

Aluminium Curtain Wall System

2.55 m

+1.44 m

Tile Flooring - 20 mm Double Swing Glazed Door with Frame Concrete screed - 40 mm Vapour Barrier Thermal Insulation - 100 mm Two-ways reinforced concrete slab - 300 m Thermal Insulation - 100 mm Lean Concrete - 150 mm

Double Swing Glazed Door with Frame

+1.44 m

The Contemporary Monastery

0.80 m

2.55 m

Urban Block Architecture & Urban Design Studio | Individual Work | Apr 2014 - July 2014 | Rijeka, Croatia Tutors:

Roberto Cavallo | R.Cavallo@tudelft.nl Maurice Harteveld | M.G.A.D.Harteveld@tudelft.nl Tamara Rogic | trogic@yahoo.com

TASK: The focus of the studio was the re-development of the Hartera (Croatian: paper factory) in Rijeka, Croatia. The area is just outside the city centre of the city on its riverside. The studio tries to create the link between architecture and urbanism students. The aim is to draft urban general urban strategies that eventually lead, for each student, to an architecture project in a different location. The sum of all the interventions forms a broader Masterplan for Rijeka. PROJECT: In a group of three students, we drafted urban strategies following the theme of the sequence of spaces. We believed, in fact, that since the area of Hartera is not directly adjacent to the city centre it was necessary to create the basis for new synergies for a new regeneration to happen. To these purpose we drafted an acupunctural design strategy that enables this very process by triggering a continuous sequence of spaces that, from the inner city, leads to Hartera.

The individual design, on the other hand, tries to address the same theme and trigger the same issues. Urban Block is a mixed-program complex with main focus on dwellings. The project tries to blend in with its surroundings both from a functional and aesthetic point of view. As a result, the intervention tries to create a nuanced fading architectural language that leads the citizen from the inner city to the soon-to-be re-developed area of Hartera.

Ground floor plan with working places, everyday facilities and a semi-private courtyard.

The concept of urban acupuncture is prototyped in the diagram on the left hand side. By intervening locally, the areas adjacent will, as a consequence gain from this and will spontaneously develop over time. The scheme is then applied on the urban scale in order to develop the whole area leading to Hartera. Luca Morosetti | Portfolio

Blend-in with the city blocks The re-evaluation of the Hartera area in Rijeka is as essential as the requalification of the area adjacent to it. Hartera does not touch the city centre and for this reason it is essential to make the path to it inviting as well. For this reason an acupunctural urban intervention was planned from the Seaside, along the river and eventually to the Hartera area. By intervening locally on spots, it is possible on the long term to have the whole area re-evaluated by its citizens. Different programs and areas were pursued by different students. The concept of my design is a mixed-target dwelling program, which also offers some everyday facilities and working activities. The aesthetics of the new courtyard block is inspired by the existing typologies, developed over the centuries in a spotaneous way, fragmented in their appearance.

Urban Block

The courtyard

Long section over the courtyard. The block has the mountains on its back and faces the riverside on its front.

Impression of the semi-private courtyard. The dwellings face an open inner gallery which faces the courtyard. The latter defines a pathway that crosses the block and is divided in green sloped platforms for multi-purpose use. Luca Morosetti | Portfolio

Volume manipulation

First floor plan. Dwellings are divided in units so that different interior galleries and exterior terraces are created.

The shape of the complex is achieved according to several priciples: open it to the public realm, shift the volumes on the first floor in order to create different levels of privacy, lastly to create some voids on the top floor so that framed views of the city are created.

Exterior elevation of the complex. The different heights and slopes of the roofs, together with the flat and protruding windows give a fragmented exterior character to the architecture. 19

Urban Block

Paardenmarkt in Loop RMIT Design Studio | Individual Work | Sept 2013 - Jan 2014 | Delft, the Netherlands Tutors:

Alexander de Ridder | Alexander.deRidder@tudelft. nl

TASK: Design of a dwelling and/or working program in a former cloister that was then turned into a gunpowder storage. Nowadays the buildings are empty and used for storage. The task it to re-design the buildings from the urban level to the architecture and detailed technological level. Great attention must be paid to adaptive re-use issues.

PROJECT: The aim of the project is to keep the introvert character of the complex constituted by several buildings, among which two of them possess relevant historical and architectural values. The two smaller adjacent courtyards host a residential program which varies in size and targets; they range from small studios for students to small apartments for couples and bigger ones for families. The two main buildings which are meant for office spaces, workshops, temporary exhibitions and conferences are located in the bigger courtyard. The work-spaces on the ground floor are laid out in clusters, each one of them

with private offices and a common discussion and relax room. On the upper floor, the former gunpowder storage, the circulation goes through an enfilade of wooden trusses that give a unique spatial atmosphere and distributes into the offices in one building and through an exhibition space in the other one. The main idea of the project though, is to preserve the outer face of the complex by intervening on the interior with the addition of a contemporary arcade-like structure, thus reflecting the ancient typology of the nunneries. The arcade binds the courtyard together and connects the buildings with each other.

Concept

After analysing the typology of the courtyard, it was clear that the portico was a recurring element. With this idea on the back of my mind I decided to develop a contemporary portico which preserves the character of the place and introduced a binding element for the whole complex of buildings. As a consequence, routing becomes an essential theme of the intervention. Old Dutch wooden trusses are what expresses the essence of the existing buildings the most and create a unique enfilade of elements. For this reason the same idea was then applied to the new intervention in order to create the same atmosphere with a new identity.

Working activities

S S S M

M M

L L L

Dwellings and target groups Luca Morosetti | Portfolio

A connecting portico

Restaurant

Workshop

Discussion Room

Meeting Room

Common Area

Discussion Room Workshop

Meeting Room Reception

Library

C D

Routing becomes essential and it has a leading role both in the interiors and in the exterior. The repetition of wooden elements in an enfilade become the recurrent theme and leading principle.

Courtyard elevation.

Ground floor plan.

Paardenmarkt in Loop

Visual perception

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Visual perception of the old trusses is used as a leading architectonic element for the routing.

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Cross section of the building.

Luca Morosetti | Portfolio

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Materialisation and Tectonics

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

1. Roof tiles 2. Wooden rafter - 3x3 cm 3. Water proof metal sheet 4. Roller sun shading system 5. Wooden frame 6. Insulating double-glazing window 7. Wooden supporting element 8. Silicone sealant 9. Aluminum profile 10. Existing rain gutter 11. Laminated wood structural element 12. Wooden frame with aluminum profile 13. Prefabricated dripstone 14. Computer floor support 15. Water proof layer 16. Damp proof layer 17. Thermal joint 18. Steel Connection PRODUCED BY AN AUTODESK EDUCATIONAL

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Y AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCTPRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCTPRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

UN | Noticed RE-Thinking competitions | Competition | Luca Morosetti, Giulia Dentice Sept 2017 | Pamukkale, Turkey Honorable Mention

TASK: The task for the competition was to design a visitor centre and observatory facility for the Unesco heritage site of Pamukkale, an incredible landscabe of natural pools in a sloping lime-based soil. The intervention had to take into account the relationship between architecture and lanscape.

PROJECT: Un|Noticed is based on the principle of intervening by making a strong architectural statement which respects the qualities of the landscape and takes them over as design tools. The leading concept is to create a new panoramic route which guides you through the natural pools of Pamukkale in a breathtaking journey. It will connect the existing path in a closed

loop which will ultimately lead the visitor to the main architectural intervention, a visitor centre and a panoramic viewpoint inspired by the pools in volume and materiality. The intention to dialogue with the territory as much as possible lead to the decision of letting nature set the rules of the game that architecture will follow adapting to them.

Connecting with a loop From a landscape and urban point of view, it was decided to implement the existing sloping path. The intervention closes the latter is in a looped path which encircles the natural pool, thus guiding the visitor through a whole experience. The new pathway is composed by a continuous hovering platform which lands gently on the surface whenever it is necessary in order to access the terraced pools areas. Moreover, along this pathway several miradores are positioned in strategic spots in order to frame the landscape in views which are changing along the journey. The intervention still preserves and encourages free hiking around the area but wants to offer the visitor guidance in discovering an outstanding natural wonder.

Luca Morosetti | Portfolio

Main route with terraced pools

Equipped terraces

Access to the terraced pool

Visitor center | Main view point Miradores along the route

The visitor centre The visitor centre is designed to be a turning point along every visitorâ&#x20AC;&#x2122;s promenade and to stand out as a landmark inspired by the beauties of the site it sits on. It is composed by three main volumes adapting to the terrain, each containing a different functional area: the main reception with a shop and a cafĂŠ, the auditorium, and a workshop and activities zone. The functional program is site specific and yet open and flexible. From a volumetric point of view the intervention clearly follows the archetype of the surrounding nature as each roof becomes accessible by the public with its own pool-like water surface. As the main character is still meant to be the nature, the materials are kept neutral and rough with the intention of fading out of sight from a distance.

UN | Noticed

The Envelopers Building Technology Seminars | Groupwork: Luca Morosetti, Albert Achammer, Jesse van der Ploeg | Sept 2013 - Jan 2014 | Rotterdam, the Netherlands Tutors:

Arno de Vries | A.H.deVries@tudelft.nl

TASK: The theme of the Lecture Series was the Re-Design of an existing building on the basis of the climatic and structural issues that the current state faces. The students need to re-think the project from scratch with the main aim at solving the current climatic issues. The outcome is to have main concepts for each field of expertise (climate, installations, structure, construction) and develop the details for the facade of the new design. PROJECT: The chosen building is the NAI (Nederlands Architectuur Instituut) in Rotterdam, the Netherlands. Designed by Jo Coenen in 1993, the building has a strong compositional character but critical climatic problems such as overheating and lack of natural ventilation. After analysis the current state of the building, we were asked to find reference projects to strengthen our ideas. As a result, we decided to rotate the building and to add a second tilted facade. The latter does not act as a

double-skin facade but more like an actual envelope as its interior create a space that can be used for circulation. The main concept is that the facade can slide open, so that in summertime natural ventilation can be performed by means of chimney effect. In winter, on the other hand, the facade stays closed off and by means of greenhouse effect, creates an induced interior upwards natural ventilation that, together with technical installations, creates an extremely sustainable solution.

The re-design of the structural system is constituted by a steel beam-column system with wooden secondary beams. The exterior steel trusses are hinged to the ground and to the main building.

The Envelope facade

The exterior facade acts as an envelope for the interior one. It is not a simple doubleskin facade as it creates an actual living environment with galleries and circulation. It acts as a climatic mitigator. By taking advantage of the climate of the environment and its windy character an operable system was developed. The entire facade can be slid vertically, so that wind can be driven into the building during the warm season.

Exploded axonometric of the facade construction including the shading system, fixed and sliding glass panels, and load-bearing steel structure of beams and trusses.

Shadow range analysis on December 21st, Winter Solstice. Luca Morosetti | Portfolio

Climate analysis of the area of Rotterdam. On the left hand-side the prevailing wind analysis in percentage and direction. On the right hand-side, wind temperature/direction. 32

Climate concept Detail A

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Design takes advantage of the chimney-effect.

Detail B

Climate schemes in winter and summer, where the facade is either closed or slide-open. 33

The Envelopers

ITA SLO

Border Line BSc Thesis Project | Individual work | Mar 2012 - Oct 2012 | Gorizia, Italy /Nova Gorica, Slovenia Tutors:

Paola Di Biagi | pdibiagi@units.it Maurizio Bonizzi | maurizio@ufficioxarchitettura.it Valentina Crupi | valentinacrupi@gmail.com

TASK: Research of architectural themes together with a urban design as outcome. Great attention was given to the research part as backbone of the later design. This was aimed to a thorough understanding of social synergies and processes. The urban planning and design aims, on the contrary, in influencing and driving these relationships, in order to heal some of the social issues of the city. PROJECT: The first approach was analysing the territory of Gorizia (Italy) and Nova Gorica (Slovenia) focusing on the border areas that divide them. I pictured them as a single “divided city” and for this reason I decided to make further research, looking into both technical and social aspects. The research’s aim was to understand the issue of divided cities in modern society, and if the two cities of my study case could be “healed” by transforming the border areas into a linear park. For this purpose, several examples of existing cases, for both divided cities and linear parks, have been provided and later

codified. This work of research resulted in the design of a linear park developed alongside the border while the aim was to combine the two realities and create a unique, common space. Particular attention has been paid to reinforce infrastructures in order to restore the connections between the people of the two different cities and along the park itself. The result is a public space, a sort of “nobody’s land” belonging to both cities, that tries to figure out unsolved issues of internationality in a EU context after the Schengen Agreement.

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The research starting point was to analyse the urban typology of the divided city, that is to say a city literally split in two by a administrative border. It is important to understand if the division is friendly or not, if it can be perceived or not and also if there are social frictions. To get a graps in understanding the urban consequences of this typology, a case study was done and extreme example were analysed. Subsequently, the answers were applied to the main case study, the cities of Gorizia and Nova Gorica, for the ultimate draft of an urban intervention.

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ETEROGENEO

LINEA LINEA MARGINE LINEA

LINEA LINEA

LINEA MARGINE MARGINE LINEA

LINEA LINEA LINEA LINEA

MARGINE MARGINE

VISIBILE INVISIBILE VISIBILE

VISIBILE INVISIBILE VISIBILE VISIBILE INVISIBILE

INVISIBILE INVISIBILE INVISIBILE

VISIBILE

INTANGIBILE TANGIBILE INTANGIBILE

TANGIBILE INTANGIBILE TANGIBILE

TANGIBILEINTANGIBILE TANGIBILE TANGIBILEINTANGIBILE

INTANGIBILE INTANGIBILE INTANGIBILE

TANGIBILE

INCOMPATIBILE COMPATIBILE INCOMPATIBILE

COMPATIBILE INCOMPATIBILE COMPATIBILE

COMPATIBILE INCOMPATIBILE COMPATIBILE COMPATIBILE INCOMPATIBILE

INCOMPATIBILE INCOMPATIBILE INCOMPATIBILE

COMPATIBILE

VISIBILE INVISIBILE VISIBILE

VISIBILE

TANGIBILE INTANGIBILE TANGIBILE

COMPATIBILE INCOMPATIBILE COMPATIBILE

INVISIBILE INVISIBILE

Luca Morosetti | Portfolio

OMOGENEO OMOGENEO OMOGENEO

ETEROGENEO ETEROGENEO OMOGENEO ETEROGENEO

OMOGENEO OMOGENEOETEROGENEO

MARGINE MARGINE MARGINE MARGINE

LINEA LINEA LINEA

MARGINE MARGINE LINEA MARGINE

LINEA LINEA

INVISIBILE VISIBILE VISIBILE

VISIBILE

INVISIBILE INVISIBILE

INVISIBILE VISIBILE VISIBILE

INTANGIBILE TANGIBILE TANGIBILE

TANGIBILE

INTANGIBILE INTANGIBILE

INCOMPATIBILE COMPATIBILE COMPATIBILE

COMPATIBILE INCOMPATIBILE INCOMPATIBILE

MARGINE

ETEROGENEO OMOGENEO ETEROGENEO OMOGENEO

OMOGENEO

ETEROGENEO ETEROGENEO

OMOGENEO OMOGENEO ETEROGENEO OMOGENEO

OMOGENEO ETEROGENEO OMOGENEO ETEROGENEO OMOGENEO ETEROGENEO

MARGINE LINEA MARGINE LINEA

LINEA

MARGINE MARGINE

LINEA LINEA MARGINE LINEA

LINEA LINEA LINEA

VISIBILEINVISIBILE VISIBILEINVISIBILE

VISIBILE INVISIBILE INVISIBILE

INVISIBILE

INTANGIBILE TANGIBILE TANGIBILE

TANGIBILE INTANGIBILE TANGIBILE INTANGIBILE

TANGIBILE INTANGIBILE INTANGIBILE

INTANGIBILE

INCOMPATIBILE COMPATIBILE COMPATIBILE

COMPATIBILE INCOMPATIBILE COMPATIBILE INCOMPATIBILE

COMPATIBILE INCOMPATIBILE INCOMPATIBILE

INCOMPATIBILE

Gorizia (I) - Nova Gorica (Si)

MARGINE MARGINE

ETEROGENEO ETEROGENEO ETEROGENEO ETEROGENEO

CULTURE DIVERSE CULTURE AFFINI CULTURE AFFINI CULTURE DIVERSE CULTURE DIVERSE CULTURE AFFINI CULTURE DIVERSE CULTURE AFFINI CULTURE AFFINI CULTURE DIVERSE CULTURE DIVERSE CULTURE DIVERSE CULTURE AFFINI CULTURE DIVERSE CULTURE AFFINI CULTURE AFFINI CULTURE DIVERSE CULTURE AFFINI CULTURE AFFINI CULTURE DIVERSE CULTURE DIVERSE

Velké Slemence (Sk) - Mali Selmentsi (Ua)

LINEA LINEA

OMOGENEO ETEROGENEO OMOGENEO OMOGENEO OMOGENEO ETEROGENEO

CULTURE AFFINI CULTURE AFFINI CULTURE DIVERSE

Tornio (Fin) - Haparanda (Se)

COMPATIBILE

MARGINE LINEA MARGINE LINEA

OMOGENEO ETEROGENEO ETEROGENEO OMOGENEO

Rafah (Eg) - Rafah (Pt)

TANGIBILE

OMOGENEO ETEROGENEO OMOGENEO ETEROGENEO

Nicosia (Cy) - Nicosia (Trnc)

VISIBILE

MARGINE MARGINE MARGINE

ETEROGENEO OMOGENEO ETEROGENEO OMOGENEO

Moyale (Ke) - Moyale (Et)

LINEA

Cieszyn (Pl) - Český Tešín (Cz)

CULTURE AFFINI CULTURE DIVERSE CULTURE DIVERSE CULTURE AFFINI CULTURE DIVERSECULTURE AFFINI CULTURE AFFINI AFFINI CULTURE DIVERSE CULTURE CULTURE AFFINI CULTURE DIVERSE CULTURE AFFINI AFFINI DIVERSECULTURE AFFINI CULTURE DIVERSE CULTURE CULTURE AFFINI CULTURE DIVERSE CULTURE AFFINI CULTURE DIVERSE CULTURE AFFINI CULTURE DIVERSE DIVERSE CULTURE AFFINI CULTURE DIVERSE CULTURE CULTURE AFFINI CULTURE DIVERSE CULTURE CULTURE AFFINI CULTURE AFFINI CULTURE DIVERSE CULTURE AFFINI CULTURE DIVERSE CULTURE DIVERSECULTURE AFFINI

Baarle Nassau (Ned) - Baarle Hertog (B)

CULTURE AFFINI

MARGINE MARGINE MARGINE

ETEROGENEO ETEROGENEO OMOGENEO ETEROGENEO

MARGINE MARGINE LINEA MARGINE

CULTURE DIVERSE

MARGINE

VISIBILE VISIBILE VISIBILE

INVISIBILE VISIBILE INVISIBILE INVISIBILE

VISIBILE INVISIBILE VISIBILE

INVISIBILE

TANGIBILE TANGIBILE TANGIBILE

INTANGIBILE TANGIBILEINTANGIBILE INTANGIBILE

TANGIBILE INTANGIBILE TANGIBILE

INTANGIBILE

COMPATIBILE COMPATIBILE COMPATIBILE

INCOMPATIBILE COMPATIBILE INCOMPATIBILE INCOMPATIBILE

COMPATIBILE INCOMPATIBILE COMPATIBILE

INCOMPATIBILE

INVISIBILE

INTANGIBILE

INCOMPATIBILE

Linear Parks

P P P

JardĂŹ del Turia_Valencia

P P

P P P

P P

Project Strategies

P P

Functions and Activities

Urban Materials

La Sagrera_Barcellona

Madrid RIO_Madrid

The high line_New York

While the divided city was a research over the existing issues of the problem statement, the linear park case study was an analysis about possible solutions. The typology of the linear park was studied in order to understand which design tools can be used in order to develop urban strategies to connect the two cities.

Border Line

From Extra-Large...

LEGENDA Confine Amministrativo Accesso Accessi Parcheggi Parcheggi Intervento Fermate dell’autobus Pista Ciclabile Pista Ciclabile Pista Ciclabile - Accessi Pista Ciclabile - Ampliamento Pista Ciclabile - Ampliamento Accessi Materiali Urbani Riferimenti e Centralità Percorsi - Asse Y Percorsi - Assi X Strategie Riconversione Strutture Densificazione Fronte Strada Demolizione Manutenzione Funzioni e Attività Playground e Parchi Attrezzati Gestione Campagne Urbane Punti Informazione

Luca Morosetti | Portfolio

...to Extra-Small imbullonatura di fissaggio travi di supporto in legno-8x8cm

tavolato di legno-5x20x200cm chioderia travi di supporto in legno-10x20cm

Acer campestre: può raggiun-

Acer campestre: può gere raggiuni 18-20 metri di altezza, un gere i 18-20 metri di altezza, unparticolarmente diftempo era fuso in pianura padana. Attualtempo era particolarmente difmente trova fuso in pianura padana. Attual- impiego come albero lastra di calpestio in CLS ornamentale. mente trova impiego come albero lastra di supporto in CLS terreno permeabile ornamentale.

Cupressus sempervirens: Cupressus sempervirens: usato in filare lungo la pista ciclausato in filare lungo la pista ciclabile, può raggiunge i 50m di alpuò raggiunge i 50m di altezza in alcunibile, esemplari. La sua tezza ined alcuni chioma è caratteristica usata esemplari. La sua per motivi ornamentali; chioma le è sue caratteristica ed usata radici, scendendo fuso nella per amotivi ornamentali; le sue terra in profondità invece di sviradici, scendendo a fuso nella lupparsi in orizzontale, non danterra in profondità invece di svineggiano la sede stradale.

Prato campestre: seminato con Prato campestre: seminato con mescole di fiori locali per limitare mescole localidi per limitare la cura edilafiori richiesta acqua. la cura e la richiesta di acqua.

Lampioni: alti 3,50m, lamapde a

Lampioni: alti2,60m 3,50m, a sede e a lamapde 3,50m per la 2,60m e a 3,50m per elaper sede stradale l’area con la stradale e perseduta. l’area Fusto con lain ferro Cor-ten. seduta. Fusto in ferro Cor-ten.

0,15 0,2

lupparsi in orizzontale, non danneggiano la sede stradale.

imbullonatura di fissaggio travi di supporto in legno-8x8cm

0,1 2

0,08

0,1

p-2%

0,3 0,242

0,09

tavolato di legno-5x20x200cm chioderia travi di supporto in legno-10x20cm

0,1

griglia metallica canale di scolo in CLS-15x20cm fondazione in CLS

0,35 : (150cm x Seduta doppio uso strato superficiale-4cm strato dinamico-6cm 264cm x 117cm; seduta alta massicciata-12cm 62cm) in CA e seduta in listelli di terreno legno (142cm x 5cm x 2,5cm). griglia metallica canale di scolo in CLS-15x20cm Usata da un lato come seduta, fondazione in CLS dall’altra ergonomica può essere doppio usoper : (150cm x utilizzata sdraiarsi. p-2% 1,75 0,125

264cm x 117cm; seduta alta 62cm) in CA e seduta in listelli di legno (142cm x 5cm x 2,5cm). Usata da un lato come seduta, dall’altra ergonomica può essere utilizzata per sdraiarsi.

0,25

0,125

Seduta: rettangolare in CA (142cm x 57cm x 54cm) e seduta in listelli di legno (142cm x 5cm x 2,5cm).

0,09

0,55 0,75

0,1 0,15 0,1 0,35

strato superficiale-4cm strato dinamico-6cm massicciata-12cm terreno

lastra di calpestio in CLS lastra di supporto in CLS terreno permeabile

0,15 0,2

0,05

0,3 0,242

imbullonatura di fissaggio travi di supporto in legno-8x8cm Seduta

tavolato di legno-5x20x200cm chioderia travi di supporto in legno-10x20cm

Seduta: rettangolare in CA (142cm x 57cm x 54cm) e seduta in listelli di legno (142cm x 5cm x 2,5cm).

0,35

0,2

0,15

0,1 0,15 0,1

0,1

strato di pendenza in CLS griglia metallica canale di scolo in CLS-15x20cm fondazione in CLS

0,1

0,08

0,1 2

0,1

strato di calpestio in CLS-2cm strato dinamico-8cm massicciata-20cm terreno strato superficiale in ghiaia-2cm

39 tavolato di legno-5x20x200cm chioderia travi di supporto in legno-10x20cm

p-2%

p-2%p-8%

imbullonatura di fissaggio travi di supporto in legno-8x8cm 0,09

0,1 2

0,15 0,2

0,08

strato di pendenza in CLS griglia metallica canale di scolo in CLS-15x20cm fondazione in CLS

p-2%

strato di calpestio in CLS-8cm strato dinamico-8cm massicciata-20cm terreno tubo di drenaggio-ø20 cm sabbia

0,05

0,55 0,75

0,25

p-2%p-8%

strato di calpestio in CLS-2cm strato griglia dinamico-8cm metallica massicciata-20cm canale di scolo in CLS-15x20cm terrenofondazione strato superficiale in in CLS ghiaia-2cm p-2%

Border Line

0,125

Professional collaborations Reference contacts: OYO Architects Nigel Jooren | nigel@oyo.eu BCQ Arquitectes Toni Casamor | tcasamor@bcq.es

TASKS: This is a selection of projects I have collaborated to during my professional experience. They range from bigger public designs to smaller private houses. I had the chance to work both on national and international competitions as well as on commissions to be executed. With OYO I started with simpler tasks such as model making and testing solutions and went later more in depth in the design part. I had the chance to have an active role during the design phase of several competitions. During this internship I was part of an active and dynamic young office that inspired me professionaly and personally. With BCQ I first was part of the design team of a competition for a public library that was awarded 1st prize and won the commission. Later on I was part of a team in charge of finetuning the design of a Four Stars-Hotel near Barcelona. The project was to be realised and we had to deal with clients and suppliers as well as adapting the design to legal requirements and to changing budgets. It was a new experience that taught me a lot about project management and real life/down to earth issues.

Biblioteca de Vic BCQ Architectes (credits: www.bcq.es) Public library and innovation center Building area 4000 m2 Vic, Spain (image credits: plataformaarquitectura.cl)

Learning and Innovation Center OYO Architects (credits: www.oyo.eu) University library and innovation center Building area 9144 m2 Elsene (Bruxelles), Belgium

Luca Morosetti | Portfolio

Leopoldskazerne OYO Architects (credits: www.oyo.eu) Commercial, offices, residential Building area 70000 m2 Gent, Belgium

Professional collaborations

Administrative Center OYO Architects (credits: www.oyo.eu) Municipality offices Building area 2540 m2 Oudenburg, Belgium

Luca Morosetti | Portfolio

House dede OYO Architects (credits: www.oyo.eu) Private house Building area 375 m2 Drongen, Belgium

Professional collaborations

morosettiluca@gmail.com