MArch II Catalogue

Page 1

THE GAME | the rule book


OBSERVATION

CONNECTION

GENESIS

PERCEPTION

ATTACHMENT

ANIMA

THE GAME | the rule book


THE GAME | the rule book

CONTENTS | the rule book

1 | THE AIM The aim of the game. 2 | THE PLAYING CARDS The cards for the game. 3 | SOLUTIONS The correct matching pairs.


CATALOGUE | the rule book

THE RULE BOOK This catalogue is a ‘rule’ book - to play the game, you need to understand and explore the binary pairs, and the work that comes under these headings. SIMILAR BINARIES Three similar binary pairs have been selected: observation | perception connection | attachment genesis | anima The pairs appear to mean very similar things, however, when delving deeper it becomes clear that these words have entirely different view points to each other. It is an exploration into how the same thing/object can be viewed in very different lights. THE AIM OF THE GAME The aim of the game is to collect as many matching binary pairs as possible, the winner is the person who has the most matching pairs when there are no more cards to turn over. Highlighting these binaries will start to make it clear the difference in the pairs, from what started seemly as very similar words, the end of the game will highlight the difference in these words.

the rule book


CATALOGUE | the rule book

STEP 01

STEP 02

Lay all of the playing cards face down on a flat surface. Playing cards with black backs should all be placed together and similarly the white cards should all be placed together.

Players take it in turn to turn over one black card and one white card in an attempt to match the binaries to form a pair (correct matches are highlighted in the solution pages at the back of the rule book).

STEP 03

STEP 04

When a correct matching binary pair has been formed you get to keep the pair - refer to the solutions if unsure on the matching pair, if checking is required ensure all players understand the reasoning for the pairing.

The matching cards are kept by the player who managed to find the pair, the player who has the most pairs when there are no more cards to turn over becomes the winner.


CONNECTION

GENESIS

OBSERVATION


ATTACHMENT

PERCEPTION

ANIMA


OBSERVATION [ ob-zur-vey-shuhn ] noun 1. an act or instance of noticing or perceiving. 2. an act or instance of regarding attentively or watching. 3. the faculty or habit of observing or noticing.


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THE STRING THEORY the string theory | the theory of everything In physics, string theory is a theoretical framework in which the point-like particles of particle physics are replaced by one-dimensional objects called strings. String theory describes how these strings propagate through space and interact with each other. Thus string theory is a theory of quantum gravity.



WRAPPING | connection


FRAMING | views out of the port to Syria


OBSERVATION

PERCEPTION



toxic



It is certain, not only to citizens but to the government as well, that the systematic transfer of toxic waste from industries in Northern Italy to Campania, was committed by the Camorra. Giorgio Napolitano, 2008



PERCEPTION [ per-sep-shuhn ] noun 1. the act or faculty of perceiving, or apprehending by means of the senses or of the mind; cognition; understanding. 2. immediate or intuitive recognition or appreciation, as of moral, psychological, or aesthetic qualities; insight; intuition; discernment: 3. the result or product of perceiving, as distinguished from the act of perceiving; percept. 4. Psychology. a single unified awareness derived from sensory processes while a stimulus is present.


OBSERVATION conclusion consideration examination experience information inspection investigation knowledge measurement monitoring note remark research review study surveillance view watching


The elements that allowed the game to exist. This is the layer that is hidden, it is real but to us it is imaginary. This is the ID of the game.


NAPLES



PERCEPTION approach attention attitude awareness concept consciousness feeling image impression judgment knowledge notion opinion recognition sense taste thought viewpoint


10 MILLION TONNES | TOXIC WASTE BURIED SINCE 1990s


FRAMING | views in towards the geothermal tunnels



the string | in-between | perception



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Vertigo, 1958 The fascination of beauty is always the vain that hides a nightmare. It is easy to act upon initial human instincts and take a situation for how it seems on the outside, without delving deeper to see what lies beyond. What is hidden behind a beautiful facade, often hides the reality.



OBSERVATION conclusion consideration examination experience information inspection investigation knowledge measurement monitoring note remark research review study surveillance view watching



VIOLENCE DRUGS VIOLENCE DRUGS VIOLENCE DRUGS VIOLENCE DRUGS VIOLENCE DRUGS VIOLENCE DRUGS VIOLENCE DRUGS VIOLENCE DRUGS VIOLENCE DRUGS VIOLENCE DRUGS VIOLENCE DRUGS VIOLENCE DRUGS VIOLENCE DRUGS VIOLENCE DRUGS VIOLENCE DRUGS VIOLENCE DRUGS VIOLENCE DRUGS VIOLENCE DRUGS VIOLENCE DRUGS VIOLENCE DRUGS VIOLENCE DRUGS VIOLENCE DRUGS VIOLENCE DRUGS VIOLENCE DRUGS VIOLENCE DRUGS VIOLENCE DRUGS VIOLENCE DRUGS VIOLENCE DRUGS VIOLENCE DRUGS VIOLENCE DRUGS VIOLENCE DRUGS VIOLENCE DRUGS VIOLENCE DRUGS VIOLENCE DRUGS VIOLENCE DRUGS




A TRUE RENAISSANCE MAN Leonardo Da Vinci


2021 Italian incentives for renewable energy plants Investments estimated to be in the region of 10 billion Euros, and the incentive will be given to plants built on closed landfills and for the installation of photovoltaic systems built on schools etc.


ATTACHMENT adapter affection bond clamp connection connector coupling devotion fastener fondness joint junction link tie


CONNECTION [ kuh-nek-shuhn ] noun 1. the act or state of connecting. 2. the state of being connected: the connection between cause and effect. 3. anything that connects; a connecting part; link; bond: an electrical connection. 4. association; relationship:


Attachment Give away attachment in favour of happiness. Attachment to her. Attachment to him. Attachment to things. Attachment to hope, dreams and beliefs. Attachment makes you heavy. Attachment drains you. It holds you just tight enough to let you see the world, but not to explore it.

Daniel McDougall


Partial Autonmous Object Orthogonal drawings

1

3

2

WORKER

4

SWELL

HABIT

5

CAUTIOUS

6

PRESCRIBE

MIGRATE

Old Town

SWELL

CAUTIOUS

WORKER

HABIT

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4

5

5 | PRESCRIBE

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2

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COOK

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EGGNOG

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2 | HABIT

MIGRATE

1 | WORKER

12

TIGER

DISTANCE

Catacombs of San Gennaro

SLAVE RICH

REPLY

HOUR

15

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9

REPLY

7

INK

14 15 | RICH

16

COOK

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10

13 14 | HOUR

TIGER

13 | INK

12 | DISTANCE

16

RICH

HOUR

INK

11

15

14

13

11 | TIGER

16 | REPLY

12

10 | SLAVE

9 | ABSORB

DISTANCE

8 | COOK

7 | EGGNOG


52°55’14.8”N 1°43’42.3”W



“Judy living in a world without sound, and now I understand: our connection, how important it was, how together we felt each piece of our world, how she tasted her world and seemed to breathe in its colors and shapes, how we carefully observed and delicately touched everything as we felt our way through each day.” - Joyce Scott, talking about her twin sister Judith Scott


CONNECTION

ATTACHMENT


a dark vortex in the centre



the string | transitional object | connection | in-between


ATTACHMENT [ uh-tach-muhnt ] noun 1. an act of attaching or the state of being attached. 2. a feeling that binds one to a person, thing, cause, ideal, or the like; devotion; regard: a fond attachment to his cousin; a profound attachment to the cause of peace. 3. Psychology. a. an emotional bond between an infant or toddler and primary caregiver, a strong bond being vital for the child’s normal behavioral and social development. b. an enduring emotional bond that develops between one adult and another in an intimate relationship: romantic attachment.


D. W. Winnicott suggests that string can be looked upon as an extension of other methods of communication. He uses the comparison of a child who has been separated from their mother. Using the string as a transitional object, as it is a coping mechanism for the separation, a method of communication. it can also be used to join, to wrap, to educate, to hang etc. in this case the string has a symbolic meaning other than communication. These actions can continue to take place throughout the childs lifetime, even if [the child] feels detached from their mother [the string] is always there, helping them along the way, until finally re-connected to their mother.




2017 | 65,000 people employed Italian pharmaceutical manufacturing




THE CAMORRA The Camorra is an Italian criminal organisation dating back to the 17th Century which originated in the region of Campania, still operating to this day. Unlike the pyramidal structure of the mafia, the Camorra is much harder to define - it is an amorphous grouping within Naples composed of over 100 independent clans, prone to feuds and alliances between one another. Each district typically has a criminal family that controls the territory which will recruit and form alliances with smaller clans to gain power. It is an underground society with its own means of justice, referred to by Neapolitans as ‘the system’. Its main businesses include drug trafficking (close relationships with South American cartels), money laundering, racketeering, as well as arms trafficking, loan sharking, etc. It is not unusual for local clans to infiltrate their respective political groups. Children are often recruited into the Camorra with offers of money as a means to escape poverty. Baby gangs – with many Camorra bosses now in prison, some clans are now run by teenagers, these are less organised but very violent.




CONNECTION contact network relation acquaintance associate friend go-between mentor reciprocity messenger intermediary sponsor relative ally




107%

INCREASE pharmaceutical exports from Italy in last 10 years


WRAPPING | attachment


GENESIS [ jen-uh-sis ] noun, plural gen·e·ses [jen-uh-seez]. 1. an origin, creation, or beginning.


A body without an eye [soul] is a partial autonomous object. The eye is the partial autonomous object. The eye is being fed by seeing and imagining things. The eye doesn’t just see. The eye takes a persons soul. The eye feeds the brain. The eye is a portal from the persons soul to the brain. The eye has this extra power. The eye has a life of its own.

Lucy King


CONNECTION | The Middle East



CAMORRA

TOXIC WASTE


ANIMA pshyche soul



40%

UNEMPLOYED

15-24 year olds


ANIMA [ an-uh-muh ] noun 1. soul; life. 2. (in the psychology of C. G. Jung) a the inner personality that is turned toward the unconscious of the individual (contrasted with persona). b the feminine principle, especially as present in men (contrasted with animus).


GENESIS origin provenance alpha birth commencement dawn formation generation inception opening outset propagation root source start




CAPACITY OF NEW PLANTS: 8,000 MW



EXPORTS | Italy No.1 70% of Italian pharmaceutical production is exported


GENESIS

ANIMA



THE TRIANGLE OF DEATH nola | acerra | marigliano



“Take walk down the jetty bridge. A step closer to revealing your ID or Super-ego. An event in which you are not to go as your ego, for you must mask your ego with your truth, reveal your ID or Super-ego. “ A place where nothing but the truth exists.


Psycho, 1960 Alfred Hitchcock uses the eye as a metaphor for the distinction between dimensions. The eye is shown as a window of the soul, but what if there is no soul behind the eye? What if the eye is a crack in which we can perceive the abyss of a netherworld? If the eyes are covered, the reality and fantasy dimensions still exist.


BOSRA AMPHITHEATRE LIBRETTOS

SEQUENZA DI ESPOSIZIONE DATE ............... 30TH JANUARY - 16TH FEBRUARY ARRIVAL COMMENCE PREPARATIONS TO RE-MASK THROUGHOUT YOUR APPROACH TO THE ‘HOUSE OF WORK’ ALONG THE JETTY MATINEE 1900HRS ..... ESPIOSIZIONE: LOCATED WITHIN THE LABRYNTHIAN TRANSITIONAL SPACES. APPLY FACE MASK AND REVEAL YOUR ID. 2030HRS ..... INTERMISSION

PSICOPATICA

2100HRS ..... ENCORE. LOCATED ON THE CENTRAL STAGE. THE SHOW OF PSICOPATICA

SYNOPSIS OF SCENERY ACT 01 | EGO ....................... THE STAGE | GROUND FLOOR EXPLORATION OF UNCONVENTIONAL SPACE ACT 02 | SUPER-EGO ......... THE AUDIENCE | FIRST FLOOR INTRODUCTION TO PSICOPATICA ACT 03 | ID ............................ CATACOMBS | BASEMENT PSICOPATICA COMMENCES

PUBLISHED BY

LUCY KING, ELLIOT COX, ALLASTER GRANT & DANA AL-KHAMMACH

ARGUMENT AND UNCERTAINTY. DESERTED WORK, FEAR, ANXIETY. MAKES IMPULSIVE DECISION. PUTS HERSELF IN DANGER. INTRODUCTION TO PSYCHO; HE SEEMS NICE. NORMANS MOTHER SHOWS FRICTION. WARNING IN STUFFED BIRDS. INNOCENT DINNER OF SANDWICHES AND MILK. NORMAN IS TRAPPED. NORMAN LOOKS THROUGH A PEEPHOLE. PUGNALATA, PUGNALATA. SHE IS KILLED. CRIME IS CONCEALED. ...”WE ALL GO A LITTLE MAD SOMETIMES.”


GENESIS origin provenance alpha birth commencement dawn formation generation inception opening outset propagation root source start


BIG BANG


toxic



ANIMA pshyche soul



3X HIGHER CANCER CANCER CANCER


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increased birth

DEFECTS






THE GAME | the rule book observation | perception. Please rotate for solutions.


THE GAME | the rule book connection | attachment. Please rotate for solutions.


THE GAME | the rule book genesis | anima. Please rotate for solutions.


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