Luhua liu architectural portfolio

Page 1

ARCHITECTURE PORTFOLIO

LUHUA LIU


(785)3203708 LIULUHUA@KSU.EDU

RÉSUMÉ


LUHUA LIU EDUCATION

MASTER OF ARCHITECTURE KANSAS STATE UNIVERSITY, MANHATTAN, KANSAS, UNITED STATE 2014-2016 BACHELOR OF ARCHITECTURE MINOR IN BUSINESS KANSAS STATE UNIVERSITY, MANHATTAN, KANSAS, UNITED STATE 2010-2014 DANISH INSTITUTE FOR STUDY ABROAD COPENHAGEN, DENMARK 2015 Five months program

WORK EXPERIENCE

JUUL FROST ARCHITECT COPENHAGEN, DENMARK Jan 2015 - May 2015 (5 months) ZAHA HADID ARCHITECTS BEIJING, CHINA June 2014 - Aug 2014 (3 months)

SKILLS

DIGITAL Auto Cad, Revit, Rhino, V-ray, Sketch up Pro, 3ds Max Photoshop, Illustrator, InDesign Ecotect Analysis, Premiere Pro CC Office: Word, Excel, Power point PHYSICAL Drafting, Sketching, Hand Modeling, Laser cutting, Pencil Rendering, Prisma Color Rendering, Maker Drawing, Water Color Drawing, Hand Lettering, Graphic Design LANGUAGES English Chinese

HONORS

ADS II TRAVEL STUDY FUND AWARD DEAN’S LIST DANISH INSTITUTE FOR STUDY ABROAD SCHOLARSHIP


CONTENTS


01

CROSSROADS BREW Studio 7, Fall 2014

[P.1]

02

TAKASHI MURAKAMI MUSEUM Studio 6, Spring 2014

[P.11]

03

FLINT HILLS CRAFT CENTER Studio 5, Fall 2013

[P.21]

04

LEGO HOUSE Studio 8, Spring 2015

[P.31]

05

DENMARK STUDY ABROAD Spring 2015

[P.35]

06

HAND DRAWING

[P.37]

07

JUUL FROST ARCHITECT Jan - May 2015

[P.43]

08

ZAHA HADID ARCHITECTS [P.45] Jun - Aug 2014


01

CROSSROADS BREW

PROJECT TYPE: Restaurant STUDIO 7: Professor Nathen Hawe DATE: Dec 2014 LOCATION: Kansas City

Crossroads Brew is located at Kansas City Downtown Crossroads district. This brew house is different, because it not only hold the product and a small restaurant but the brewing process. My big idea is to make the brewing process partly hidden and partly visible from the street. I create several layers to achieve this goal. When we stand at the street, we can see the pub space, and crew process disappeared, and reappearing again. Which make people willing to explore their own way in the brew house. The first layer is an corrugated, oxidized zinc screen and has 30% open, staggered-cicle perforation. It can be seen through, but not transparent. Which makes everything behind the screen partly hidden and partly visible. There is another function for the screen, reducing the noise from the street, which make the second layer behind the screen, pub area, much quiet. Third layer is circulation space. I create this layer because I want the circulation space not just for movement, but make people enjoy the sight of brewing process everywhere in this brew house. What’s more, the brewing process is surrounded by curtain wall.

First layer Corrugated, oxidized zinc screen

1

Second layer Pub area

Third layer Circulation space


Winter sun Summer sun

Brew process

Natural lighting

Opposite page - top Money shot view Opposite page - middle Site plan Top Right Street view

2


Top Site plan Opposite page - top Third floor plan Opposite page - middle Second floor plan Opposite page - bottom First floor plan

3


Egress II

office II Sub Pub

Sub Pub

Room mechanical

brew process

egress storage

Owner Project Name Third floor plan Third Floor Level 1/8" = 1'-0"

Project number Date Drawn by Checked by

A103

Project Number Issue Date Author Checker

1/8" = 1'-0"

Scale

2014/12/9 18:29:31

1

Beer Garden

Sub Pub Egress II

Open to Below Office I Private Salon

Open to Below

Brew Process Storage III

Egress I Storage II

Owner Project Name Second FLoor Plan

Date Drawn by Checked by

A102

Project Number Issue Date Author Checker

Scale

1/8" = 1'-0"

2014/12/9 18:29:22

Project number

Level 5 1/8" = 1'-0"

Pub

Egress II

Loby

kitchen

Sample Taste brew process

Elevator

Egress I

storage I

Owner Project Name First Floor plan Project number Date Drawn by Checked by

A101

Ground Floor Level 1 1/8" = 1'-0"

Project Number Issue Date Author Checker

Scale

4

1/8" = 1'-0"

2014/12/9 18:28:53

1


West elevation

West elevation with screen removed

Section perspective

5


North elevation

North elevation with screen removed

6


Double glazed curtain wall system Galcanised - Steel Column Steel plate connection with bolts

Exterior Facade: Corrugated, oxidized zinc screen horizontally lapped, perforated, 30% open, staggered - cicle perforation

Pedestal system wood panel Pedestal system support Cast-in-place concrete slab with metal decking Roof membrane

Extruded aluminum tube section Exterior Facade: Corrugated, Oxidized Zinc Screen Horizontally- lapped, Perforated, 30% open, staggered-cicle perforation Galvanized Steel Column

璐 华 劉 璐

璐 华

Treated Wood Blocking 2” Plywood Vapor Barrier 5/8” Wall Sheating Batt Insulation Tapered Insulation Cast-in-place Concrete slab with metal decking Curtain Wall Steel Plate Connection w/ Bolts

Steel Plate Connection W/ Bolts Column 4

Screen Foundation 1" = 1'-0"

4

Screen Foundation 1" = 1'-0"

Rigid insulation 4

5

Screen Foundation 1" = 1'-0"

Foundation 1" = 1'-0"

Sidewalk Drain Cast-in-place Concrete 4” Insulation 4” Gravel Vapor Barrier Drain Gravel 6

Roof 1" = 1'-0"

6

Roof 1" = 1'-0"

Crossroads Brew

Section Details 6

Roof 1" = 1'-0"

CAPD 2014 1 Dec 2014

Project Name Date Drawn by

Crossroads Brew Luhua Liu Nathan Howe

Checked by

A402 Section Details CAPD 2014 1 Dec 2014 Luhua Liu Nathan Howe

Project Name Date Drawn by Checked by

5

A402

Foundation 1" = 1'-0"

Crossroads Brew

Section Details CAPD 2014 1 Dec 2014 Luhua Liu Nathan Howe

Project Name Date Drawn by Checked by

5

7

Foundation 1" = 1'-0"

A402


璐 华

Path of air return

Equipment

Path of air supply

Crossroads Brew

Mechanical DIagram

Path of Air Return Path of Air Supply

CAPD 2014 1 Dec 2014 Luhua Liu Nathan Howe

Project Name

Equipment

1

Date

Mechanical Diagram

Drawn by Checked by

A802

CIP Insulated Thermo-mass Wall

Concrete Floor

Steel Structure

Double Glazed Curtain Wall System

劉 璐 华

CIP Insulated Thermomass Wall

Concrete Floor

Steel Structure

Double Glazed Curtain Wall System

Wood Ducking Wood Ducking

Corrugated, Oxidized Zinc Screen

Corrugated, Oxidised Zinc Screen

Crossroads Brew

Material Diagram CAPD 2014 1 Dec 2014 Luhua Liu Nathan Howe

Project Name Date

1

Material DIagram

Drawn by Checked by

A800

Screen structure

Primary girder Primary beam

Primary column

Double glazed curtain wall system

8


Top Hand Model of Crossroads Brew Opposite page - top View towards brew process Opposite page - middle View of beer garden Opposite page - bottom Entrance of Crossroads Brew

9


10


02

TAKASHI MURAKAMI MUSEUM

PROJECT TYPE: Museum STUDIO 6: Professor Genevieve Baudoin DATE: May 2014 LOCATION: 223E, 13th st, Manhattan, New York

I thought about the project based on the site proposition. I found that New York is humid subtropical climate, and half of the year is clear, and the other half is cloudy. I took the most advantage of the area of sunlight and shading in winter and summer to decide the position of the art park.

s to design kami, street, New shi he founder s used o various e graphic e and fine

n

adow

The task of the project was to design a museum for Takashi Murakami, which is located on E 13th street, New York City. Through Takashi Murakami’s career, he is the founder of “superflat”. Superflat is used by Murakami to refer to various flattened forms in Japanese graphic art, animation, pop culture and fine art.

My building concept is “superflat”. The flat windows make a three dimensional building out of two dimensional shapes. What’s more, the trend of the movement is from less opening to more opening, which gives us an idea of solid building versus framed park. In my opinion, a museum for Takashi Murakami’s art should be neutral in the character of its gallery space in order to have a contrast with his art.

section pers

I tried to play with two dimensions to create an open and light weight museum. The only volume in the museum is the glass box, which also reads in the least obvious way. Lastly, the movement of flattened windows also transition to the higher neighboring building to the lower neighboring buildings. The light section façade also brings a contrast to the heavy context. Winter shadow winter shadow

11

view from art gallery

Summer shadow

view from

summer shadow


I tried to play with two dimensions to create an open and light weight museum. The only volume in the museum is the glass box, which also reads in the least obvious way. Lastly, the movement of flattened windows also transition to the higher neighboring buildings to the lower neighboring buildings. The light facade also brings a contrast to the heavy context.

Top Street view of Museum Opposite page - top Money shot view Opposite page - middle Site plan Opposite page - bottom Sun study diagram

12


Top Second floor plan Middle First floor plan Bottom Basement plan

13


Top Fifth floor plan Middle Fourth floor plan Bottom Third floor plan

14


Section perspective

Elevation

15


Circulationcirculation culation

lighting

top lighting

Entrance

Concept concept

concept

entrance Structure

entrance

Function concept

function

entrance structure Day lighting

Section

16

s


View of Library

View of Lobby

17


View of Art park

View of Exhibition

18


19


Top Money shot view of context model Bottom Sectional model of Museum Opposite page Elevation view of context model

20


03

FLINT HILLS CRAFT CENTER

PROJECT TYPE: School STUDIO 5: Professor Judy Gordon DATE: Dec 2013 LOCATION: Flint Hills, Manhattan, KS

The concept of the Flint Hills Craft Center is blurring the boundaries between the public & private area. Using simple geometry and minimalist language, the project explores the permeability of the public space through different levels of transparency. In order to create a balance between the private & public area. I opened the library into public, also proposed a mixed-use layout, organized around the three craft studios. The craft center has three special craft studios, contained in three sloped boxes. Depend on different purpose of each studio, they have different opacity and hight. The craft center has two systems which are horizontal system and vertical system. I placed each box based on those two system. Also, each box has their own skylight around the edge of the box.

Function

21

Height

Horizontal VS. Vertical


Light

Massing size

Opposite page - middle Site plan Top Money shot view of Craft Center

22


Top Second floor plan Bottom First floor plan

23


TOP left Model Middle right Model with half roof removed Bottom left Model with roof removed

24


Elevation

Section

Section perspective

25


26


View of Art Gallery

View of Lobby

27


View of Library

View from Garden

28


29


View of Craft studio

30


04

LEGO HOUSE

PROJECT TYPE: Museum STUDIO 5: Professor Judy Gordon DATE: Dec 2014 LOCATION: Flint Hills, Manhattan, KS

Our task is to design a new experience center of LEGO, which is located at the border of the Botanical Garden, between two existing buildingsSolvgadekomplekset and Geologisk Museum, opposite Statens Museum of Kunt. My main concept is creating a fluid floor for citizens and tourists to enjoy, which is follow the topography of existing landscape. And another reason for using the existing topography is I want to keep the most trees there. The curves and slopes of the roof which define the original topography.

Top Site plan Opposite page - top Money shot view of LEGO HOUSE

West elevation

Section

31

The idea of Lego is about creative and diversity. I want to make the circulation diversity as the big idea of Lego. So, I opened my circulation space, which people could have different ways when they visiting the museum during different times. Meanwhile, my Lego house is a deformation of Lego modular, and the organic forms based on the shape of existing landscape.


LEGO HOUSE

LEGO HOUSE

LUHUA LIU

Our task is to design a new experience center of LEGO, which is located at the border of the Botanical Garden, between two existing buildings- Solvgadekom-

LUHUA LIU

plekset and Geologisk Museum, opposite Statens Museum of Kunst.

Our task is to design a new experience center of LEGO, which is located at the border of the Botanical Garden, between two existing buildings- Solvgadekomoriginal top

plekset and Geologisk Museum, opposite Statens Museum of Kunst.

building roof

My main concept is creating a fluid floor for citizens and tourists to enjoy, which is follow the topography of exisiting landscape. And another reson for using the exisiting topography is I want to keep the most trees there. The curves and slopes of the roof which define the original topography.

LEGO HOUSE

LUHUA LIU original top

building roof garden circulation

building circulation

My main concept is creating a fluid floor for citizens and tourists to enjoy, which Our task is to design a new experience center of LEGO, which is located at the is follow the topography of exisiting landscape. And another reson for using the

The idea of Lego is about creative and diversitive. I want to make the circula-

border of the Botanical Garden, between two existing buildings- Solvgadekomexisiting topography is I want to keep the most trees there. The curves and plekset and Geologisk Museum, opposite Statens Museum of Kunst.

tion diversitive as the big idea of lego. So I opened my circulation space, which people could have different ways when they visting the musuem during

slopes of the roof which define the original topography.

original top

building roof

different times.

deformation of lego modular

garden circulation

building circulation

idea of Lego is about creative and diversitive. I want to make the circulaOriginal top VS Building roof The Building circulation VS Garden circulation tion diversitive as the big idea of lego. So I opened my circulation space,

Deformation of Lego modular

My main concept is creating a fluid floor for citizens and tourists to enjoy, which

Meanwhile, my lego house is a deformation of lego mudular, which is a one by

is follow the topography of exisiting landscape. And another reson for using the

two rectangle when seen in the plan. Also the organic forms based on the

SITE PLAN

exisiting topography is I want to keep the most trees there. The curves and

shape of existing landscape.

SCALE: 1:500

slopes of the roof which define the original topography.

which people could have different ways when they visting the musuem during different times.

garden circulation

building circulation

The idea of Lego is about creative and diversitive. I want to make the circulation diversitive as the big idea of lego. So I opened my circulation space,

deformation of lego modular

which people could have different ways when they visting the musuem during

Meanwhile, my lego house is a deformation of lego mudular, which is a one by

different times.

two rectangle when seen in the plan. Also the organic forms based on the

SITE PLAN

shape of existing landscape.

SCALE: 1:500

East elevation deformation of lego modular

B

Meanwhile, my lego house is a deformation of lego mudular, which is a one by two rectangle when seen in the plan. Also the organic forms based on the

SITE PLAN

shape of existing landscape.

SCALE: 1:500

MONEY SHOT

A

B

B

32


Top Second floor plan Bottom First floor plan

33


Top View of Lecture space Second View towards garden Third View of gallery Bottom View of double height space

34


05

DENMARK STUDY ABROAD

Top Photograph of Saint Benedict Chapel Bottom left Photograph of Therme Vals Bottom right middle Photograph of SANAA Vitra Campus

35


36


06

HAND DRAWING

37


38


39


40


41


42


07

JUUL FROST ARCHITECT INTERN

DATE: Jan - May 2015 LOCATION: Copenhagen, Denmark

Juul Frost Architect is a limited company with its head office in Copenhagen and subsidiaries in Sweden -JFA AB. The company employs over 35 employees with multidisciplinary role and experience. The founding partners are Helle Juul and Flemming Frost. Their ambition is to challenge,develop and be a credible partner in all kinds of partnerships. After I familiarized with the working environment, the I have engaged in a competition which is a community in Sundbybergs. I am responsible for preparing their presentation sketches. Give the life to the community by hand drawing. I need to add human life to that community. Below are the different way of showing the community. During these process, I have learned to use Photoshop brush to create maker effects on my hand drawings. I think this skill will be quiet helpful in my future study. I think the most contribution to our firm is the hand drawing. The presentation way is different because of my joining. The role I played seemed to fit my talents, abilities, values, and interests.

43


44


08

ZAHA HADID ARCHITECTS INTERN

PROJECT: LIZE SOHO DATE: June - Aug 2014 LOCATION: Beijing, China

I was an intern at Zaha Hadid Architects from June to August 2014. During that time I worked under Satoshi Ohashi supervision on LIZE SOHO, a 124,000 square meter mixed-use commercial project in Beijing. My summer internship with Zaha Hadid Architects was a fantastic learning experience. During the internship I was involved from the schematic design phase of the project, participating on the signage and retail design planning and coordination with our client and consultant. I coordinated the architectural design with the engineering disciplines by using various 2D and 3D tools, including Auto Cad, Rhino and Revit. I also developed my graphic skills with Illustrator and Photoshop for presentation materials. Through my internship practice in Zaha Hadid Architect, I have gain more confidence and professional skills which will, in no doubt, assist in my future growth and to the future study.

Internship Experience LIZE SOHO Summer 2014 Project designer: Zaha Hadid architect 124,000 square meter

45 My summer internship with Zaha Hadid Architect was a fantastic learning


46 23


(785)3203708 LIULUHUA@KSU.EDU


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.