REPETICIONES Para tres o mas ejecutantes / for three o more performers
Luis Toro (2012)
Instructions for applying (7) - The number in parentheses indicates silence, complete absence of action. It This work is written by way of a share distribution matrix of the instrumentalists on
is a silent mind active and instrumentalists must remain stationary during these
the instrument. The numbers shown in the score are used to determine the type
silences
and sequence of such actions in the course of the work. Performers must perform a silent internal account and indicated speed (beats per minute)
[7] - Indicates a silent passive account. Overall general suspensions of musical action, that can be used by the director to "regroup" accounts.
Each instrumentalist makes his separate account, without considering synchronization issues such speeds moment by moment over another instrumentalist and without a pulse dial a director general.
The Actions The performers perform actions that are indeterminate and may be limited to a
The Numbers
single sound or gesture the same action on the instrument body, generating a
Six basic instructions that are encoded by adding the sign numerical signs, are
sound group composed of the same action, in all cases, if the sign indicates
used for this embodiment the first instance.
action, not silence, action must be one and only one.
7 >> - A number followed by two "arrows" indicates that the action should start at
Dynamics
the beginning and end of the account strictly to finish it.
The dynamic levels are indicated with the conventional notation, by minimum and maximum ranges: [p - f]. Within these ranges the performer determines ad
7 - The number "only" indicates that the action on the instrument (and only one)
libitum.
should start at the beginning of the account but may end when the performer deems appropriate.
To Direction It can be performed with or without direction. In the second case, to facilitate
7 - The number "strikethrough" indicates that the action (one and only one) can
direction marks are arranged distributed in capitals along the score and dotted
begin and end at any time of the account, but always "inside" of that amount
lines. Indicate precise synchronization points for the ensemble. The players can accommodate your accounts to synchronize with management.
7 - The underlined number indicates that the action should be repeated as often as directed by the number, in sync with the internal account. This repetition does not necessarily imply the repetition of the sound, as this action may vary (at any level).
REPETICIONES A Tempo 70 x3
a, b, c) 13>>
x2
:
:7
x5
a)
: 3 (2) 5>>
(2) 3 1 (1) 2 (1) :
b)
: 5 (2) 1 (1) 1 :
: (1) 2 (1) 3 (3) 7>>
c)
: (2) 3 (2) 3
: (5)
x7
(7)
: 3
(2) 5>>
:
: (5) 7 (2) :
19>> (5) 11>> (13) 13>>
:
(7)
: (3)
7
:
: (3) 11
:
17>> (3) 13>> (11) 17>>
:
7>>
: (1) 3 (1) 2 (2) 1 :
: (7)
:
(13) 17>> (11) 13>> (7)
mf
:
5
5>>
2
7
B C
Doble tempo
a)
: 5>> (3) 2 (1) 1 (2) :
x3
(5) 7
(19)
Tempo
b)
5
: 2 (2) 2 (1) 3 (2) 2 (2) 2 (3) 2 (3) :
x3
Doble Tempo
: (2) 3 (3) 1 :
x3
(1) 11
19>>
(7)
11>>
(5)
3>> (17)
11>>
Doble Tempo
c)
: 7>>
2 2
2 (1) 3 (3) :
x2
11>> (1)
23
(1)
: (2) 3 (2) 3 (2) 2 (1) 3 (2) 1 (1) 1 (2) 1 :
x3
D Tempo
a)
x7
x5
: 1 (1) 1 (1) 2 :
: 2 (1) 1 (1) 2 1 :
[11]
7 (3) 2 (1) 2 (7)
: (1)
[11]
(5) 2 2 3 (5) 11
3 (5)
11
2 3 2 (1) 5 3 2 3
Tempo
b)
:
(3)
3
:
7
(1) :
(3) 2 3 2 (7) 5
2 3 25
Tempo
c)
: (1) 1 (1) 2 1 :
: (1) 2 (1) 2 1 2 :
[11]
(11) 13
(2) 19
2 3 2 (3) 7
C贸rdoba diciembre 2012 Concierto de Alquimistas
(5)