Case da Abitare China: Design, Interiors & Living
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设计生活杂志 | 人民币 ¥30，美元$18，欧元 €15 November 2013 | No.65
Architecture 建筑录 ISSN 1008-2832 33 9 771008 283139
把六棵香樟树彻底消化于建筑设计之中，这是个勇 敢的尝试。不断生长的树木有怎样的根壤，未来又 会怎样延伸都将决定建筑的走向。在设计师看来， 生长于树林中的建筑是另一种形式的树，而所谓自 然统一，是建筑与自然的共同生长。
国内统一刊号 CN11-3909/J 邮发代号 2-177
与树共生 65
Symbiosis with Tree 上海 建筑与树共生 Private Dining in Berlin 柏林 设计师的食肆
Ron Arad:No Rules in My World 我的世界里不存在规则 Lorenzo Palmeri:Being Transformers 跨界顽童的全面领域
Special Southern Style 南半球节奏 Design Network Africa 另一种非洲
2013/11 在自然风光最优美处，设 计师安排了一方水榭庭 院，将老香樟华盖交错的 美景倒映脚下。与之毗连 的樟树树枝，从波纹扭拉 铝条幕墙直接穿插至建筑 内部。悬浮的整体结构， 尽量将地面还给公众(由上 至下)
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图 苏圣亮 山水秀建筑事务所提供
在上海城市规划版图中，靠近
起来，尝试让它们共同生长。
桂林路的一片空地正在转型为城市
最终完成的建筑由四个独立的单
公共绿地。业主希望在其中新建一
体悬浮空间串联而成，尽量将地面空
处景观建筑，短期内用作办公展示
间还给公众。底层由10片混凝土墙支
空间，将来还能改造为社区文化场
撑上部结构，收纳了垂直上下的设备
所。从无到有的“立新”并无多大
管道。墙体表面包裹镜面不锈钢，消
困难，但矗立于空地中的六棵历史
解自身，同时进一步烘托建筑实体的
已久的香樟树，成为了考验建筑与
悬浮感。其中几片墙体与建筑轮廓合
环境关系的终极试题。担当设计的
围成通高的室内中庭，除此之外，所
山水秀建筑事务所不想将自然作为
有的功能空间均被安排在二层。
消费对象，进行或近或远的围观，
二层的四个单体建筑，在平面
于是干脆勇敢地把建筑和树木纠结
上呈现出YLYL的形态，两两脱开，
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建筑录 Architecture 项目信息 项目名称：华鑫展示中心 面积：730 平方米 建筑结构：钢桁架结构与混 凝土剪力墙 设计事务所：山水秀建筑事 务所 设计团队：祝晓峰 ( 设计总 监 )、丁鹏华 ( 设计主管 )、 蔡勉、杨宏、李浩然、杜士刚
以灵活的交叉方式在大树之间自由伸
地基成为了首当其冲的难题。由于无
展。每个单体的宽度均为4.5米，内
法获取樟树的全息影像，设计师请来
部可以进行自由划分。为了避免封闭
植物专家帮忙，通过树木镜像生长的
的4.5米环境造成局促，单体之间的
原理，预测树根的生长范围，并最终
连接与内部视野被精心控制着。几处
采用浅埋深、放大基础面积的方式，
贯通的玻璃墙面使视线可以看到远处
避开了对树根的直接伤害。大基础面
更大的空间，形状主题各不相同的露
积虽然保全了树根的完整度，却在一
天空中庭院营造出开阔的气氛，单体
定程度上阻挡了落水。为此，设计师
间或长或短的开放式连接桥因地制宜
在基础中埋了很多PVC管，使之在承
丰富着交通节奏。
重的同时亦能帮助雨水渗透，解决了
既然选择生长在一块儿，建筑与 六棵樟树势必会在看得见和看不见的
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地方进行穿插磨合。过近的距离使打
除了水榭，设计师在恰当 区域安排了四处庭院，进 行材质上的对比。连接建 筑单体的开放式连桥，控 制着交通节奏(左页由上 至下)。华鑫中心由形为 YLYL的四个独立单体建筑 构成，底部以10片镜面混 凝土墙支撑，制造出悬浮 的效果。室内处处可见自 然，阳光透过外墙，亦在 空间内部投射出如水如叶 的光影(由上至下)
建筑的整体高度严格设置在5.9米，
无论目视、脚踏、手触还是声闻，建
一方面提供了亲切的单层挑高，另一
筑内的人随时与自然发生着关系。
方面将建筑主体控制在樟树的主干部
在设计师看来，生长于树林中的
分，避免分支过多产生矛盾。仅有的
建筑是另一种形式的树。如果说YL
两根存在“冲突”的树枝，通过幕墙
的整体结构类似树干，那么将建筑整
穿到建筑体内部，彻底被接纳吸收。
个儿包裹起来的波纹扭拉铝条则神似
六株香樟中，有四棵长得特别美，在
树叶。经过扭曲和拉紧，旋曲姿态增
它们华盖重叠的对应区域，设计师安
加了强度，更重要的是，阳光空气和
排了一处水榭庭院。老樟树错综婀娜
雨水可以透过这层半镂空的外衣，在
的枝叶倒影在大片水台中，一条石头
室内空间投洒出类似水纹和树影流动
树根的吸水问题，也彻底做到了建筑
小径是置于其中的唯一交通方式。可
的光影。
之根与树根的接壤。
循环的水台通过与之相连的连廊一泻
www.scenicarchitecture.com 徐露梅
看得见的融合更加显而易见。
而下，则又形成空间内部的小气候。
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Translation
Symbiosis with Tree Human, nature and space is arguably the most timeless topic to which architects painstakingly attend, however, misunderstandings often occur when it comes to dealing with the relation between nature and contemporary architecture, which is constantly being approached as it were the interaction between subject and object. In that case, it would be at risk of putting these two elements on opposite sides. Conversely, upon reviewing the human history from the very beginning, ever since the first tree house was built, it has become apparent that the natural environment and the human living space are deeply integrated. The building of Huaxin Center by Scenic Architecture is a shining example of the unification between commercial construction and urban green land and that provides us with a fresh way of thinking. Shanghai’s urban plan shows that an open space near Guilin Road is being converted into a city public green area. The residents are looking to build a landscape architecture which can temporarily be used as a workplace exhibition space before it be repurposed into a community culture center. Building something from scratch is not so much difficult as dealing with the environmental factor, which in this case are six old camphor trees that stand proudly in the open space. Scenic Architecture, the firm which is responsible for the conversion decided not to utilize nature as the subject of consumption, or the subject to be viewed from near and far. It decided to grow a symbiotic relationship between the buildings and trees by interweaving them together. In order to maximize the amount of floor space that the public is getting, the finalized construction is composed of four independent spaces with solitary suspension. At the bottom, there are 10 pieces of concrete wall in place to support the superstructure while taking in vertical pipelines. Stainless steel mirror is enclosed in the wall surface, which further accentuates a sense of suspension of the architectural entity. Several pieces of wall are in tandem with building outline to form a high pass atrium and all of the functional space is assigned to the second floor. The four individual buildings on the second floor present themselves in two separate sets of “YL” and stretch freely between trees. This is an organic form as well as an architectural experiment. It is expected to achieve the same level of symbiosis in a more complex natural site through reproduction and arrangement. The width of each building averages at 4.5 meters and the interior is open for partition. In order to avoid any sense of oppression caused by the width, the connections between the buildings are meticulously controlled, as well as the view. Several see-through glass walls allow the residents to have a better vision, the open air courtyards with different shapes and themes creates an openness atmosphere and the open connection bridges with various lengths inject a touch of freshness into the otherwise monotonous daily routine. The building design was to thoroughly combine the architecture with camphor trees.
Translation
The close proximity between the two would become the biggest obstacle to lay the foundation. Since the hologram of the camphor tree wasn’t immediately available, the architects had to enlist the help of botanists in calculating the extent of the root growth and eventually prevented the root from any direct damage by employing the method of shallow buried depth and enlarging the foundation area. Although a larger base area preserves the integrity of the root, it inevitably blocks the rainfall from reaching to the root. The architects buried multiple PVC pipes under the ground to tackle this problem and provide load bearing support. The “visible” part of the combination is more noticeable. The height of the building is set strictly at 5.9 meters which not only enlarges the vertical distance between each floor but also averts the messiness of the excess of branches by concentrating the main part of the building on the trunk. The only two “conflicting” branches are allowed to go through the curtain wall and fully blended in the building. The architects also built a pavilion under the overlapping part of the canopy out of the profound appreciation of the four beautiful camphor trees. The old camphor trees cast their gorgeously intertwined shadow into a huge water platform which can only be accessed by a narrow stone path. Small interior scenery is forged by the marriage of recyclable water platform and a corridor. For those who are inside the building, the constantly interaction between men and nature is palpable. In the eyes of the architects, a building in the wood is a tree in other from. If we compare the overall “YL” structure to a tree trunk, it would be appropriate to consider the corrugated aluminum strips that cover the entire building as leaves. Twisting and straining increase the strength of the partially hollowed-out veneer while sunlight and raindrops romanticize the interior by painting light and shadow in the form of wave and tree.