IT TAKES TWO

Brothers Dean and Dan Caten, shown from left to right, founded Dsquared2. TWIN FASHION DESIGNERS DAN AND DEAN CATEN LOVE TO SAY THEY WERE “BORN IN CANADA, MADE IN ITALY”

Designer twins Dean and Dan Caten, who grew up financially struggling and often bullied outside Toronto then skyrocketed to fame as co-founders of the Milan-based lu ury label Dsquared2, have long touted a personal mantra: orn in anada, made in Italy. These days, add to that beachcombing in yprus.

Lean, chiseled, and perennially tan, the atens, 5 , have made an art form of living, working, and playing together. After parlaying a semester at Parsons into a gig as co-creative directors of the lu e anadian brand Ports International later Ports 1 1 , they relocated to Milan, starting their own menswear brand with minimal funds and ma imum showmanship. They soon caught the eye of Madonna they created costumes for her Don’t Tell Me video and 00 world tour , later adding womenswear to the mi .

A stream of celebrity fans followed, from Lenny ravit to hristina Aguilera and Rihanna. nown for e travagant runway shows, the brothers found it tough to scale back during the pandemic. They o ered a video presentation of their spring line last September. ut this year they returned to the runway with a men’s show in anuary and women’s in February. They spoke to RESIDE® from their showroom in Milan.

What was it like being backstage again after two long years? DAN: Like it used to be. The adrenaline, the nerves, the e citement, the chaos. DEAN: e did one video show. It was almost the same amount of work and money, with much less reward. DAN: There’s something magical about a live fashion show, and the energy of the room.

For your spring line, you had grunge on the brain. DAN: Spring was like a great hanging out moment. DEAN: A fairy tale. DAN: rungy, yes, but poetic, with laser-cut camouflage that was airy, and these delicate print dresses. It was a bit romantic for us.

You also debuted the “Honey” collection, a new size-inclusive line for spring. DAN: e started it for the American market. There are a lot of curvy girls out there. e wanted to have things that would accommodate all si es and shapes. e created the “honey fit,” which is for voluptuous beautiful girls. DEAN: It’s almost a se ier version of our regular line. These girls are proud of their curves.

Let’s jump back to 1991, when you decided to move to Milan. Why there, and not London, Paris, L.A., New York? DAN: hile working for Ports, we spent time in Italy visiting fabric mills. Somehow there was a connection. ur father’s Italian. e felt really at home here. e liked the food, the people. So we chose to start our company here. ur father came to anada to start his life and we kind of closed the circle by coming back to Italy to start ours.

Did you speak Italian? DAN: No. Which was another obstacle. But it was a good thing. We could’ve taken a bus to New York. It’s not so far, and if we failed we could just go home. That was too easy. A lot of people said we were crazy. We said, no, we need to do this.

With a move like that, who’s the cautious one? DEAN: We were both ready. DAN: Dean is the more ready-to-jump guy. I’m more cautious. But I need his energy to know that we’ll jump and be OK. DEAN: Jumping as two is easier than jumping by yourself.

And now where’s home? DAN: We’re living in Cyprus. We bought a cute historical house in town, which we’re renovating. For now we’re in a little bungalow on the beach, and made a small studio.

Where’s your go-to place in your new home when you’re stressed out and need to decompress? DEAN: Bed. Bed. Bed. Bed. DAN: We have comfy bedrooms with big fireplaces and televisions. And lots of interesting objects surrounding us. I think our bedrooms are the most personalized rooms in the house. DEAN: It’s very cozy. DAN: But the next place is the kitchen. It’s active, with smells from cooking. It’s full of good energy. You can read or look through work at the kitchen table, with a co ee or tea. e sit at a banquette and look out. Very cafe style. It’s sunny and always hot. On the beach we run in the morning first thing. A friend of ours does yoga on paddleboards. We say hello to people. DEAN: It’s a real community. DAN: Then we’ll run down to a little co ee shop on the beach and have breakfast. It’s a great change of pace. Rather than rush, run, five million people. [He chuckles.] It’s very, very relaxing.

The designers created a spring line that was equal parts “grungy” and “poetic.”