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CONTENTS
JULY AUG 2 02 1
52
EDITOR'S LETTER
Scene 58
D E S I G N D I S PAT C H The little black book of all things new and fabulous in the local community.
Radar 66
AS TOLD TO Four interior experts sound off on the flavor and ingredients of their region’s design.
74
C O L L A B O R AT I O N Alison Pickart brings a West Coast perspective to de Gournay’s Scenic Collection of wallpapers.
76
ART + CRAFT Known as the first minimalists and modernists, the Shakers continue to influence furnishings across the country.
Market 88
M AT E R I A L Of-the-earth elements take center stage in the latest wallcoverings, rugs and trims.
94
TREND New design-forward hotels beckon travelers to make a reservation.
102
SPOTLIGHT These creatives are honing in on handcrafted techniques and artisanal touches.
Living
LUXESOURCE.COM
116
K I TC H E N + B AT H Colorful materials shine in exquisitely adorned bathrooms.
130
THE REPORT Joyful accessory dwellings take the party out back.
LIAIGRE AT THOMAS LAVIN LAGUNA DESIGN CENTER 23811 ALISO CREEK ROAD, SUITE 139, LAGUNA NIGUEL, CA 92677 PACIFIC DESIGN CENTER 8687 MELROSE AVE, SUITE B310, WEST HOLLYWOOD, CA 90069 THOMASLAVIN.COM
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SCENT ARCHITECTURE + DESIGN 424.731.7138 | at-aroma.com/en/ LOS ANGELES
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CONTENTS
FEATURES
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164
Land of Plenty
Natural Wonder
Repeating Devices
Up, Up & Away
Steeped in Hollywood history, a hillside house reflects the wide-ranging passions of its owner and designer.
In a San Diego canyon, an architect couple creates a dwelling that embraces their love of the outdoors.
The myriad possibilities inherent in texture and pattern are at the heart of an L.A. creative’s wallpapers.
High in the foothills, a Glendora home nurtures communion with nature inside and out.
Written by Maile Pingel Photography by Karyn Millet
Written by Paige Porter Fischer Photography by Undine Pröhl
Written by Kelly Vencill Sanchez Photography by Carmen Chan
Written by Grace Beuley Hunt Photography by Roger Davies/OTTO
ON THE COVER: Designer Norm Wogan infused the interiors of a Glendora residence with a refined earthiness, typified by the monumental tables of petrified
wood from DAO and the plush swivel chairs in a Jim Thompson neutral in the living area. Tiles of crushed bronze and stone from Creative Environments on the fireplace add sparkle and dimension. Page 164
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The Plaine de Couleurs Table from The Studiolo Collection Available in your choice of colors and shapes We welcome your inquiries Studiolo.com
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HOMEBUILDING REFINED. Top In this living room, the original Emperador Dark marble fireplace was honed and 10-foot Jeld-Wen doors were added. Oak floors and wallpaper from Farrow & Ball provided the perfect canvas. Left French doors and custom iron railings are complemented by exquisite cabinetry and countertops, plus lighting by Alison Berger for Holly Hunt and Tom Dixon. Right Newly painted in Ralph Lauren’s Black Dose, this kitchen’s original cabinetry is vibrant once more. A custom station for coffee and tea is backed by an antique mirror. Interior Design by Maryl Georgi Design
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MICHAEL LEE ARCHITECTS 310.545.5771 | www.mleearchitects.com | @mleearchitects 2200 Highland Ave, Manhattan Beach, CA 90266
BAINBRIDGE ISLAND, WA | $3,900,000 John L. Scott Real Estate Eileen Black — +1 206 696 1540 WEB ID: QRRS8
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@luxemagazine Luxe Interiors + Design , (ISSN 1949-2022), Arizona (ISSN 2163-9809), California (ISSN 2164-0122), Chicago (ISSN 2163-9981), Colorado (ISSN 21639949), Florida (ISSN 2163-9779), New York (ISSN 2163-9728), Pacific Northwest (ISSN 2167-9584), San Francisco (ISSN 2372-0220), Southeast (ISSN 2688-5735), Texas (ISSN 2163-9922), Vol. 19, No. 4, July/August, prints bimonthly and is published by SANDOW, 3651 NW 8th Ave., Boca Raton, FL 33431. Luxe Interiors + Design (“Luxe”) provides information on luxury homes and lifestyles. Luxe Interiors + Design , SANDOW, its affiliates, employees, contributors, writers, editors, (Publisher) accepts no responsibility for inaccuracies, errors or omissions with information and/or advertisements contained herein. The Publisher has neither investigated nor endorsed the companies and/or products that advertise within the publication or that are mentioned editorially. Publisher assumes no responsibility for the claims made by the Advertisers or the merits of their respective products or services advertised or promoted in Luxe. Publisher neither expressly nor implicitly endorses such Advertiser products, services or claims. Publisher expressly assumes no liability for any damages whatsoever that may be suffered by any purchaser or user for any products or services advertised or mentioned editorially herein and strongly recommends that any purchaser or user investigate such products, services, methods and/or claims made thereto. Opinions expressed in the magazine and/or its advertisements do not necessarily reflect the opinions of the Publisher. Neither the Publisher nor its staff, associates or affiliates are responsible for any errors, omissions or information whatsoever that have been misrepresented to Publisher. The information on products and services as advertised in Luxe are shown by Publisher on an “as is” and “as available” basis. Publisher makes no representations or warranties of any kind, expressed or implied, as to the information, services, contents, trademarks, patents, materials or products included in this magazine. All pictures reproduced in Luxe have been accepted by Publisher on the condition that such pictures are reproduced with the knowledge and prior consent of the photographer and any homeowner concerned. As such, Publisher is not responsible for any infringement of the copyright or otherwise arising out of any publication in Luxe. Luxe is a licensed trademark of SANDOW © 2011. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without the written permission of the Publisher. ADDRESS SUBSCRIPTION REQUESTS AND CORRESPONDENCE TO: Luxe, PO Box 16329, North Hollywood, CA 91615. Email: subscriptions@luxemagazine.com or telephone toll-free 800.723.6052 (continental US only, all others 818.487.2005). ®
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LETTER
Perhaps it’s the return of the plush, squishy sofa, or maybe it’s the clogs, overalls and macramé that I’ve seen in fashion these days, but it feels like we’re having a bit of a free-form ’70s moment. Slowly shedding the maskwearing, hand-sanitizing of the past year-and-a-half, we are re-emerging into sunnier, more relaxed days. It’s a time of eclecticism and optimism, with home and design at the center of it. We’re excited to be living through this period of strong desire and enthusiasm for all things home, with much relocation and decoration taking place. In this issue, we report on playful accessory dwellings popping up across so many backyards, the return of the Shaker influence in design and the latest of-the-earth wallpaper and textiles. There’s endless design inspiration for those who seek it. Indeed, this summer, our homes are for living and loving.
Pamela Jaccarino VP, Editor in Chief @pamelajaccarino
LUXESOURCE.COM
photo: chelsae anne horton. jewelry: susan’s jewelry collection.
EDITOR’S
Summer of Love
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V I S U A L
C O M F O R T
PA C O L A R G E TA B L E L A M P IN MARION WHITE DESIGNER: AERIN
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SCENE WRITTEN BY MAILE PINGEL
PROPER ENGLISH KENSINGTON WALK BY ZOFFANY W R I T T E N B Y K AT E A B N E Y
When Zoffany design lead Peter Gomez set out to create Kensington Walk, the brand’s latest collection of textiles and wallcoverings, he didn’t need to look far. As a champion of emerging creatives, he first turned to an artist he’d worked with before, Royal College of Art alum Sam Wilde. It was Wilde’s drawings of koi carp (like those seen in the exotic Kyoto Gardens of Kensington) that got his wheels turning. The result was Eastern Palace (shown
far left), a pattern taking its cues from the neighboring Japan House London and depicting the Asian nation’s main islands guarded by fauna and native botanicals. Tucked away from the flurry of urban life, yet still touting the perks of it, Kensington “carries within it a sense of escapism—a real, refined luxury we wanted to capture,” Gomez says. The collection’s remaining SKUs thus sprung from the West London enclave’s many storied sites. There is Cope’s Trail, a Jacobean floral partly inspired by the late Holland House; Long Water, an abstracted botanical based on scenery of Hyde Park; and Persian Tulip (shown left), pulling from the ornamented Arab Hall at Leighton House. If Kensington Walk sounds diverse, then so is Kensington, a melting pot of a community historically home to artists from all corners of the globe, much like Zoffany. “The English aesthetic,” Gomez explains, “is very much borrowed from worldly influences that did not originate in the U.K.” zoffany.com
MEET THE MAKER James De Wulf creates avant-garde furnishings from concrete, a medium he finds fascinating for its liquid-to-stone quality. “I’m a big materials guy, and concrete was a fun discovery for me,” recalls the former investment banker. What began as a foray into making countertops in 2004 ultimately became an art furniture business with a clientele including Albert Hadley and Tory Burch. Newly returned to Los Angeles after several years in Europe, De Wulf has released his Exo series, a collection of indooroutdoor concrete tables inlaid with bronze and stainless steel. At once brutalist and graceful, the tables derive their forms from the exoskeletons of microscopic organisms. To emphasize their organic nature, De Wulf eschewed the rigidity of traditionally round or oval tabletops and gave the pieces meandering edges that “keep them approachable and fun,” he explains. “It’s the culmination of all my knowledge,” he says of the collection, available through his website. jamesdewulf.com
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proper english photos: courtesy zoffany. meet the maker photo: gianni franchellucci.
JAMES DE WULF
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DISPATCH
WHAT’S IN STORE
NOMA COLLECTIVE: In Orange County, interior designer Rebecca Haskins has launched Noma Collective, offering consciously designed home goods in partnership with artisans across the globe, with a particular focus on female-led cooperatives. Noma acts as a bridge between conscious consumers and lesser-known artisans, whose life stories are intrinsically linked with the wares they make. “People are shopping with their values in mind, not only for environmental best practices but for sourcing and labor,” says Haskins. This summer, she’s adding new cotton blankets from a family-owned workshop near Oaxaca City, Mexico. “Our aesthetic has always been about natural, earthy elements, and our designs are made with naturally-sourced materials,” she says. “These bring a real sense of serenity into people’s homes.” nomacollective.com
SCENE
DESIGN
INSPIRED BY NATURE
KALE TREE SHOP: Santa Monica-based interior designer Sarah Barnard’s Kale Tree Shop, so named for the hardiness of the plant, offers homewares inspired by the intersection of art, design and nature. “My design firm is rooted in creating healthy spaces, but beautiful products made of mindful materials aren’t always widely available,” says Barnard. “I’ve worked with local artisans to create personalized pieces, so I decided to start a shop with limited, seasonal collections.” There are floral wallpapers and fabrics inspired by her garden, rugs of bamboo silk or New Zealand wool, and furniture, too, including a hand-carved Butterfly Dreams bed. “Surrounding ourselves with nature improves our overall well-being,” she says. “We’re inviting people to incorporate nature into their homes in alternative ways.” This summer brings a new mangrove-pattern area rug and fresh prints inspired by the California brown pelican. kaletree.com
NEW + NOW
Logan Montgomery Textiles has partnered with artist Liesel Plambeck to create a new indoor-outdoor jacquard-woven palm-print fabric called Sabal. Plambeck, who has worked with Kelly Wearstler, Georg Jensen and Mehraban, developed the design as an oversize repeat that creates a strikingly artful effect on furnishings. It is available at Una Malan in West Hollywood. Interior designer Kara Smith of KES Studio will launch her new rug collection, Dusk, at Marc Phillips this summer. The geometric abstractions play on perceptual phenomena theories (light, volume, scale) explored during Southern California’s Light and Space movement of the 1960s and 1970s. For his first tile collection, called Sensuale, L.A. designer Ryan Saghian looked to London, finding inspiration in its many boroughs. The terrazzo tiles, designed to be mixed and matched, are named for famous London streets: Carnaby (shown left), Savile, Shaftesbury and Strand. The collection is available through his showroom and online.
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what’s in store photos: top, ace misiunas; right, courtesy noma collective. launches photo: courtesy ryan saghian.
LAUNCHES
RO | ROCKETT DESIGN
DISPATCH
THREE NEW TITLES CELEBRATE THE MANY VIBRANT FACETS OF CALIFORNIA DESIGN, YESTERDAY AND TODAY.
SCENE
DESIGN
SHELF LIFE
MASTER OF THE MIDCENTURY: THE ARCHITECTURE OF WILLIAM F. CODY
photos: courtesy monacelli press, gibbs-smith and rizzoli.
This first monograph on the work of William F. Cody is written by the architect’s daughter, Catherine Cody, alongside curator Jo Lauria and architectural historian Don Choi—the team who organized his 2016 exhibition, Fast Forward: The Architecture of William F. Cody, at the A+D Museum. The book explores Cody’s prolific career through his masterful renderings and images by such notables as Julius Shulman. While most associated with Palm Springs, Cody worked throughout the West, as well as Mexico, Honduras and Cuba, with each project exemplifying his passion for experimental design and his innate understanding of leisure and luxury. monacellipress.com
A TALE OF WARP AND WEFT: FORT STREET STUDIO Artists Brad Davis and Janis Provisor founded Fort Street Studio in 1996 and quickly became leaders in the world of luxury handmade carpets. The couple’s painterly approach revolutionized an industry that was in need of new methods and creative spirit. Long a favorite resource for designers around the world, the book features several projects by California-based firms, including Jordan Design Crew, Kathy Guild Interior Design and Scavullo Design. The book’s layout celebrates the artistic nature of the collections and pays a visit to the studio’s weaving factory, which has produced rugs for design executives and celebrities alike. rizzoliusa.com
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PATINA HOMES This latest book from Steve and Brooke Giannetti illustrates their signature style through a dozen projects, beginning with their own farm in Ojai. Each house is presented with a biography-like entry that feels fitting for these friendly homes. California projects include Atherton, Malibu, Santa Monica, Palm Desert and Oceanside, but the East Coast and Europe are represented, too. As Steve recalls in his introduction, childhood summers spent at his family’s decorative plaster studio near Washington, D.C., gave him an appreciation for old-world craftsmanship and comforting, chalky patinated hues— elements that still inform his vision today. gibbs-smith.com
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Luxe uncovers the local context, landscape and culture of place, which informs design in lasting ways.
FOUR LEADING DESIGNERS DISCUSS THE POWER OF PLACE. AS TOLD TO MARY JO BOWLING
California Dreaming Nathan Turner
Nathan Turner, Los Angeles
I was raised on a ranch in Northern California. Growing up, food was a huge part of my family and culture. At the Alisal Ranch, a resort where I designed the guest rooms in a classic California Monterey style, they are famous for their pancakes and pastries. It’s fitting because I was taught on the ranch that breakfast is the most important meal of the day, and necessary to set the day up right. Food is a big part of my life, and my feeling is, ‘What good is a really great-looking house if the food on the table isn’t delicious?’ Along with food, I think you can’t talk about the state without talking about our Spanish architecture, particularly in Southern California. Our history is embedded in it, and the oldest buildings we have in the state are the missions. I am extremely influenced by the old Spanish-style homes and downtown buildings in Los Angeles. To understand my choice of materials and colors, you would have to understand the soft light of this state. It’s very close in quality to the light in the South of France. The artist David Hockney talked about how unique the light in California is, and how beautiful. And I believe the movie industry started here because of it. The light affected my style without me realizing it at first, but working in this incredible natural light has allowed me to have a lot of fun with color.
Nathan Turner at the Alisal Ranch in California.
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The common thread throughout this region is an easy-going lifestyle with a big emphasis on outdoors and bringing the outdoors in. It’s a laid-back vibe, but it’s stylish. I gravitate to relaxed, natural materials—linens over silks, for example. I love using wicker, grass cloth or seagrass—anything with an outdoor feeling to it. I have completed interiors all around the country, but even if I’m doing a traditional, formal interior in New York City, there’s still a little California in it.
photo: noah webb.
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American Accents
BUILDER: PureHaven Homes ARCHITECT: Habitations Design Group INTERIOR DESIGNER: PureHaven Homes PHOTOGRAPHER: Melissa Kelsey
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Midwest Modernism Holly Hunt
House of Hunt, Chicago
I grew up in West Texas, but I’ve been living in Chicago since 1976. I started my business here in 1983, and at that time, it was unusual for a design business not to be headed up out of New York or Los Angeles. I like it here because the people are warm and honest. When you are running a business, common sense is important—and common sense is a community element here, as in Texas. The Midwestern work ethic and what they call “Midwestern nice” are real things, and when you are staffing a business, that’s great.
Holly Hunt in the lobby of Chicago’s Design Center at the Merchandise Mart.
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Also, art is everywhere in the streets of Chicago, and it’s inspiring. We have grandscale public sculptures by Alexander Calder, Joan Miró, Jean Philippe Arthur Dubuffet and Pablo Picasso. I am struck by the richness of them and how they are so accessible. Of course, that’s not the only art here. I love the Museum of Contemporary Art Chicago and The Art Institute of Chicago. We have great theaters, dance, orchestras and restaurants. There are some people who would be surprised to learn that life is not slow in Chicago.
photo: cynthia lynn.
This city is also the heart of Modernism. This is the home of the Chicago School and of Bauhaus in America. Chicago is where Mies van der Rohe settled and did a lot of important buildings. In fact, you can’t talk about Chicago design without discussing its architecture. The architecture is strong, but it is also about the clean lines and the proportions of the Modernist movement. There’s a timeless quality about it, and it’s certainly influenced my work as I’m about clean, timeless design. Before buildings went up around it, I used to be able to see the Aon Center from my apartment. It’s the perfect Modernist building, with a clean, pure design, and I have admired it often over the years.
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Mimi McMakin at her home in Palm Beach with her dogs Mango and Anchovie.
Pretty in Palm Beach Mimi McMakin
Kemble Interiors, Palm Beach
I was born in Palm Beach, and my family has been looking at the same sunset for many generations. This is an extraordinary area and an extraordinary town. It’s filled with beautiful beaches, glorious weather and people who like to be outdoors. After all, this place is enclosed by water, with a lagoon on one side and the ocean on the other. In Palm Beach, we have an elegant and beautiful way of living that’s attractive to people. There’s a high standard for architecture here. The older structures are beautiful, and the new buildings are pretty and well-built. A lot of the influence in this area is Mediterranean—our buildings tend to have high ceilings, beautiful plaster walls and big windows for the view. Many interiors feature tile floors and handpainted murals. Personally, I love rattan, sisal rugs, glazed walls and tile floors.
My firm works everywhere—including Europe—but we’ve found that once people see how we live in Palm Beach, they decide they want to live the same way, so we often end up including Palm Beach elements. We make happy, beautiful places that you miss when you leave.
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photo: sonya revell.
We aren’t known for prissy design, in fact, our design could be considered irreverent by some. In my own home, the kids used to ride skateboards inside! Here we are known for interiors where you can put your feet up and really relax and live. I think something that makes us different is that we have a great deal of openness. You can be walking down the street and find yourself peering over a hedge into a beautiful garden and at a lovely home—walks can almost be like a garden club tour. Our lifestyle is clearly on view, and you don’t get that in New York City when your home is 27 stories in the air.
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James Farmer in his Perry, Georgia dining room.
Southern Hospitality James Farmer
James Farmer Designs, Perry, Georgia
The great Southern writer William Faulkner said: “The past is never dead. It’s not even past.” I am the fourth generation of my family to live in Perry, Georgia. If you came to my home, you’d find my GreatAunt Irene’s big, beautiful platter hanging in the entryway. You’d see china, artwork and needlepoint from different generations of my family mixed with a traditional Schumacher fabric in a modern colorway. It’s a very Southern thing to be purveyors of family heirlooms and objects. And if Aunt Irene could see her things mixed in with mine, she’d say: “Honey, it’s all fabulous.” One of the signatures of a Southern home is an embrace of collections and curated objet d’art. I have long maintained that the concept of “less is more” never made it south, as most Southerners are collectors. I personally collect odds and ends of silver pieces, including a serving spoon meant for spring peas and a fancy fork for bacon.
I think people unfamiliar with the South would be surprised at how avant-garde we are and have always been. We wear our fine clothes to football games, eat fried chicken with silver forks and drink bourbon in a julep cup. For us Southerners, it’s an unapologetic mix of the high and low, the old and new and the lost and found.
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photo: emily followill.
Another thing Southerners love and cherish is brown furniture. I like these pieces because they are a sturdy foundation to build upon in interior design. There’s nothing like an old bow-front table that’s built up a beautiful wax patina over the years mixed in a room with old mirrors and art from every decade. When you have all new furniture in a room, it’s not very exciting. But when you add old with the new, it’s an adventure for the eyes.
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ALISON PICKART ENCHANTS WITH A NEW DE GOURNAY WALLPAPER COLLECTION. W R I T T E N BY B R I T TA N Y C H E VA L I E R M C I N T Y R E
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Nature’s Aura
Interior designer Alison Pickart’s design for de Gournay draws on the landscape of the magnificent redwoods and includes woodland creatures, such as raccoons, foxes and red-tailed hawks.
The most fitting collaborations are effortless. Tell us about your relationship with de Gournay. As a bespoke heritage brand, de Gournay’s work has always caught my eye. I started by using the designs in smaller spaces and then worked up to larger applications. After a few projects, I became friends with owners Rachel and Hannah Cecil Gurney and the de Gournay team. The brand is very much in line with my design ethos: “If you can imagine it, you can do it.” But it was this one project in East Bay,
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which will be published in an upcoming issue of Luxe San Francisco, that helped to bring about this exciting collaboration. You give your client a lot of credit for this collection. What was the inspiration? I proposed the idea of using a different de Gournay pattern. However, this client is very clued-in on the local flora and fauna. He loved the direction but wondered what we could do that would be “very California.” I looked out the windows of the second-story property surrounded by three large redwood groves and thought, “Done! It’s redwoods and can’t be anything else.” I often look to nature and see hundreds of different colors, shapes and textures together. The most unlikely combinations are the most spectacular. Panoramic patterns tend to veer traditional. How did you strike a versatile
note with this scene? Nature always provides the ultimate baseline of beauty, and I believe this collection can be enjoyed from any perspective. In many ways, the different colorways can be the aesthetic catalyst. In addition to the original, there is a lavender version (Aurore), a sepia tone style (Eau Forte) and a blue one (Mare Verde). When you move into the lavender and sepia tone colorways, the inflection is more fantastical and otherworldly, and that helps skew an interior more modern versus traditional. Where do you envision this being used? Any location that has a high ceiling, like a dining room or foyer. We’re installing the lavender colorway in my studio’s conference room with 12.5-foot ceilings. Personally, I would love to see it in Kamala Harris’s Washington, D.C., dining room—I think that would be a fantastic nod to California.
photo: chris andre.
Imagine meandering through California’s magnificent redwood forests teeming with woodland life—squirrels, bobcats, native lilies and sword ferns. It’s a setting that San Francisco interior designer Alison Pickart majestically captured in de Gournay’s firstever West Coast-inspired Scenic Collection of wallpapers. Here, Luxe chats all things whimsy with the designer.
Customizable Color Dorian door levers with hand glazed ceramic The Dorian Collection is sleek, but makes an impact. Its tapered shape references Greek columns, making it a contemporary design with a classic reference point. Available in nineteen metal finishes and twenty-three glaze colors. To learn more about Dorian offerings, contact us at 212.758.3300 or browse the collection at sherlewagner.com
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WITH UTILITY AND BEAUTY TOP OF MIND, THE SHAKER INFLUENCE IS MORE PROFOUND THAN EVER.
photo: courtesy the long confidence.
W R I T T E N BY H E AT H E R C A R N E Y
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Schedule your free design consultation today (or try our new Virtual In-Home Design Service) at containerstore.com/custom-closets.
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Laren® Closet Design by Doniphan Moore Interiors
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Rafi Ajl’s Gathering Chair and Bench (previous page), Brian Persico’s Span Table (top) and Kim Markel’s Glow collection (below) all exhibit hallmarks of Shaker design—quality, authenticity and beauty.
TOP VIGNETTE: COURTESY BRIAN PERSICO. BOTTOM FURNITURE: COURTESY KIM MARKEL.
CRAFT + ART RADAR
Rumor has it that with just two fingers you can effortlessly lift an original Shaker chair. Such is the elegant, weightlessness of the design—lightness, utility and beauty intertwined into one. It is the Shakers, who, after all, ostensibly spawned the modern design movement when one of their chair prototypes was spotted by students at a Danish design school in the early 20th century. And yet 240 years since the Shakers established roots in the U.S., their values of self-sufficiency, craft and optimism resonate more than ever in American design. “There is something incredibly comforting and hopeful about the Shakers,” says Lacy Schutz, executive director of New York’s Shaker Museum, who is overseeing the institution’s move to a new building and renovation by Selldorf Architects. “They modeled a way of life we’re longing for today—gender equality; racial equality; respect for the environment; pride of craft.” That ethos inspired Berkeley furniture designer Rafi Ajl of The Long Confidence, whose first memory of Shaker design started in Brooklyn with his parents’ ladder back maple dining chairs. “They are these special objects—refined and functional,” he remarks. “I’ve appreciated them more as they’ve aged with grace.” Beauty and timelessness are threaded throughout Ajl’s work, including his thin and strong tapered Spindle Bench and his cleanlined Gathering Chair. “In a throwaway culture, to have things that have provably and measurably endured is highly valuable,” reflects Ajl. Brian Persico was drawn to the Shakers’ emphasis on sustainability, citing their devotion to growing and harvesting their own materials. For his Windham Chair series, the Catskills-based designer experimented with post-and-rung construction, using local hardwoods he fells and splits along the grain, resulting in a stronger and lighter frame. The seats are woven with hickory bark or rawhide, and the finishing touch is the joinery pins in the chair back, which he carves from white-tailed deer antlers collected on walks. “Materials of the same place have a tendency to go well together,” he says. Most surprisingly, perhaps, is the community’s embrace of technology and progressive ideas (think: flattening the round broom)—qualities that attracted Hudson Valley designer Kim Markel. “This combination of ingenuity and resourcefulness is so admirable. It’s about finding solutions in unexpected places,” says Markel, alluding to her dreamlike Glow series, which uses a recycled resin composite that took years to perfect. “The shape is familiar but the material is almost foreign to the matter.” As Schutz explains, a Shaker-influenced furnishing doesn’t have to feel or look like one would expect. “People want something that has meaning and is connected to a set of values,” she says. “It’s a lot more interesting to see how the ethos is manifesting itself in ways that may not be immediately obvious.”
405 Midday
Outdoor Collection
The series’ innovative quartz surfaces are designed, developed and tested to withstand the most extreme weather, standing up to sun, rain and snow over the long term.
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The new neutral white, echoing an industrial concrete surface that is embellished with warmer greys and a confetti of cloudy sparks. Beautiful inside and out.
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NOTABLES S O P H I ST I C AT E D.C U R AT E D. S T Y L I S H .
KNOLL Eero Saarinen’s iconic dining chair for Knoll, known for its sculptural form and exceptional comfort, fits as seamlessly around the dining table as it does in the home office. It is now available in a four-star base. knoll.com
FERGUSON BATH, KITCHEN & LIGHTING GALLERY Allow Ferguson to be the solution for your plumbing, lighting and appliance needs. Its showrooms offer the best selection of products, like the Amalfi glass vessel sink from Native Trails. fergusonshowrooms.com
MODERN HACIENDA For the 50th anniversary of Verner Panton’s iconic Panthella, Louis Poulsen has introduced the new Panthella 320 table, which is 32 centimeters in diameter and available in white opal acrylic, high-luster chrome and, as shown, metalized brass. 760.406.1099
CORR CONTEMPOR ARY HOMES At Corr Contemporary Homes, the mission is to build some of the finest homes with the most talented design teams. The philosophy is to never stop improving upon its processes along the way. Founder James Corr and his team are known for their exceptional execution of complex custom homes with high-end finishes. corrcontemporaryhomes.com
The French Modernist Designers’ reproduction collection
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DISCOVERIES FRESH.DESIGN.FINDS.
NEWPORT BR ASS The Muncy Kitchen Collection delicately combines creativity and artisan manufacturing, pairing industrial al knurled elements with a beautifull bent tube spout, exemplifying stunning unning craftsmanship. newportbrass.com com
THE CONTAINER STORE CUSTOM CLOSETS The innovative design of Avera Custom Closets takes all the benefits of a built-in closet and puts them within reach. Schedule a free design consultation today. containerstore.com/custom-closets
LEE INDUSTRIES The Lee Uncovered collection brings the comfort of the indoors, outside. Upholstered in performance Sconset Chalk fabric, the U160-Series Hampton outdoor sectional features a teak frame to weather all elements. leeindustries.com
P R O M O T I O N
WESTERN WINDOW SYSTEMS The Series 7950 Bi-Fold Door is designed to smoothly fold and stack against side walls, connecting the indoors with the outside and expanding your living space. westernwindowsystems.com/performance-line/ series-7950-bi-fold-door
BROWN SAFE As the premier manufacturer of luxury watch and jewelry safes, Brown Safe specializes in one-of-a-kind security solutions that meet the exacting needs of its clients. brownsafe.com
J. TRIBBLE A premier builder of custom-designed sink bases, J. Tribble handcrafts cabinets that are a valuable asset for designers with a discerning eye, and for homeowners looking for something truly distinctive. jtribble.com
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Explore earthy and elevated accents, a fresh ensemble of creatives and design-forward hotels to top your travel bucket list.
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Natural Attraction FROM SISAL AND RAFFIA TO MICA AND JUTE, OF-THE-EARTH MATERIALS PROVE FRESH AND TIMELESS. P R O D U C E D BY K AT H R Y N G I V E N W I T H S A R A H S H E LT O N P H O T O G R A P H Y BY K R I S TA M B U R E L LO
BLUSHING BEAUTY Clockwise from top left: Puka Grasscloth Wallcovering in Blush by Linherr Hollingsworth / kravet.com. Mineral Mica Wallcovering in Dusty Blush / carlisleco.com. Atomic Grasscloth Wallcovering in Ice Cream / auxabris.com. Burma Whitewash Rattan Bowl / hivepalmbeach.com. Sandy Lane Fabric in 485 by Travers / zimmer-rohde.com. Underwood Abaca Macrame Braid / samuelandsons.com. Majani Brass & Raffia Trim by S. Harris / fabricut.com. Ovina Sisal & Wool Rug in Dove / starkcarpet.com. Hillevi Grasscloth Wallcovering in Peony & Off-White by Peter Fasano / johnrosselli.com. Abaca Horizon Wallcovering in Cinnamon / carlisleco.com.
GREEN THUMB Clockwise from top left: Rustica Grass Roman Shade in Burlap / hunterdouglas.com. Madeleine Sisal Wallcovering in Linden by Michael S. Smith / hartmannforbes.com. Hillevi Grasscloth Wallcovering in Kiwi by Peter Fasano / johnrosselli.com. Cadiz Cork Wallcovering in Titanium by Stroheim / fabricut.com. Braided Square Base Urn / mainlybaskets.com. Sankara Jute Border / samuelandsons.com. River Jute Rug / usa.armadillo-co.com. Farnham Long Tom Pot #3 by Peter Wakefield / hivepalmbeach.com. Gizi Evergreen Jute Rug / annieselke.com. Jacob Stripe Ramie Window Covering in Linden by Michael S. Smith / hartmanforbes.com. Strié Sisal Wallcovering in Green Tea / jimthompsonfabrics.com.
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ORGANIC FORMS Clockwise from top right: Buscemi Grasscloth Wallcovering in Bastille Brass / bridgetbearicolors.com. Desi Sisal Grasscloth Wallcovering in Skylight / thelawnsco.com. Ikat Grasscloth Wallcovering in Pearl by Crezana / johnrosselli.com. Manning Sisal Rug in Ivory / starkcarpet.com. Dunes Jute Rug in Natural / annieselke.com. Mia Ceramic Pot / hivepalmbeach.com. Capa Raffia Trim in Hemp / pindler.com. Narrative Abaca & Mulberry Wallcovering in Crystal / weitznerlimited.com. Zumberi Abaca Rug / pattersonflynnmartin.com.
GARDEN PARTY Clockwise from top left: Wild Flower Sisal Wallcovering in Sleepy Blue / thibautdesign.com. Rattan Grasscloth Wallcovering in Seacloud and Bronze / madeaux.com. Argus Grasscloth Wallcovering in Aqua/Metallic Sisal by Peter Fasano / johnrosselli.com. Cape May Raffia Wallcovering in Pale Blue / thibautdesign.com. Waterfall Woven Wood Shade in Hampton in Almond / theshadestore.com. Hexagon Wood Veneer Wallcovering in Ivory / yorkwallcoverings.com. Caspian Blue/White Marbleized Pot / hivepalmbeach.com. Rattan Wallcovering in Off-White / arte-international.com. Briar Raffia Tape in Sage / fschumacher.com. Dunes Jute Rug in Bleached Oak / annieselke.com. Loop Cut Jute & Wool Rug in White / marcphillipsrugs.com. Faux Bois Pot / hivepalmbeach.com.
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Style That’s Smart DISCOVER THE INTELLIGENCE OF CRYPTON HOME FABRIC … BECAUSE REAL LIFE HAPPENS
Everyone deserves a soft place to land. At home, that place should also be cozy, carefree and loaded with style. Crypton creates fabrics that are beautiful, lush and stylish with unique performance technologies that give upholstery spill repellency, cleanability, plus stain and odor resistance. Elegant, sustainable and trusted by top interior designers, Crypton Home Fabrics are available at chic, sophisticated furniture showrooms throughout the country, including Arhaus, Cisco Home and many others. Learn more at crypton.com.
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clockwise from top : Coastal Casual The coastal living style isn’t about proximity to water, but more so, a state of mind. The Camps Bay rattan chair by Universal Furniture feels as fresh as an ocean breeze year-round, with its open frame and plush Crypton fabric cushions. Sleep Green Rest easy in the Tombo bed with “Inside Green” from Cisco Home. Crypton’s Greenguard® Gold-certified Lester Snow fabric always comes clean with permanent stain resistance. Inside, Tombo is made with all natural, responsible, organic materials—for a safe and sound sleep. Oops, Rewind Crypton Home Fabric is a no-stress, no-mess, antimicrobial wonder. Spills bead up like magic—even sticky or buttery ones. Stains lift easily with only mild soap and water. Try it yourself at home; order a free test kit today at crypton.com. Divine Dining Nowhere is Crypton fabric more important than in the dining room, where upholstered chairs mean family and guests can gather longer and more comfortably. Here, Arhaus’ refined, modern Jagger chairs are upholstered in P/K Lifestyles Mixology fabric with a Crypton finish—ensuring spills are never a problem. opposite: Menswear-Inspired The Paxton sofa from Arhaus, with its low profile and curved lines, feels current and timeless at once. With English rolled arms accentuated by meticulous pleating, it looks as expertly tailored as a Savile Row suit. Shown here in Crypton Suntory Stone striped linen.
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SUITE LIFE Check out by checking in to these new design-centric hotels. W R I T T E N A N D P R O D U C E D BY S A R A H S H E LT O N
Party People
PHOTO: ALICE GAO.
Meet The Goodtime Hotel, the brainchild of Grammy Award-winning artist Pharrell Williams and hospitality maven David Grutman. The Ken Fulkdesigned, 266-room property offers exactly what the name suggests. Art Deco nuances and cheeky, colorful designs abound throughout the lobby, suites and cabana-clad rooftop pool, Strawberry Moon, creating a hangout that has enough nostalgia and contemporary splash to appeal to past, present and future sunseekers. thegoodtimehotel.com
Clockwise from top right: The Beach Towel in Lauren’s Sage Stripe / $69 / businessandpleasureco.com. Antique Brass and Glass Ice Bucket / $100 / williams-sonoma.com. Florio Shower Gel / $40 / ortigiasicilia.com. Malibu Round Sofa / $9,300 / marieburgosdesignthestore.com. Minimalist SW Coffee Table by Soft-Geometry / $949 / 1stdibs.com. Sabu Fabric in Red & Rose by Rose Cumming / Price upon request / wellstextiles.com. Belen Hat / $395 / yosuzi.com. Hollis Single Light Vanity / $219 / hinkley.com. Flower Power Hoops in Coral Pink / $1,550 / beabongiasca.com.
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the wendover collection rugs that inspire feizy.com
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Brooklyn’s Boerum Hill neighborhood recently welcomed a new kid on the block with the opening of the Ace Hotel. Roman and Williams designed the ground-up build and interiors, making this their third collaboration with Atelier Ace. The resulting hotel offers an “undecorated and tactile spirit,” say the designers, who drew inspiration from the surrounding industrial areas, artist Jean-Michel Basquiat and the traditions of studios and work spaces. acehotel.com
Clockwise from top right: Nordic 1-Light Pendant / $328 / maximlighting.com. Mattis Rug / Price upon request / scottgroupstudio.com. No. 3 Body Wash / $20 / rudysbarbershop.com. Essential Check-In L in Red / $870 / rimowa.com. V-10 Leather Sneaker in White Nautico Pekin / $150 / veja-store.com. Finn Leather Daybed / $3,127 / mgbwhome.com. Stelton EM French Press in Red / $80 / crateandbarrel.com. Pinot Grigio White Oak Flooring / Price upon request / legnobastone.com. Katan Fuchsia Throw by Designers Guild / $335 / neimanmarcus.com.
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PHOTO: STEPHEN KENT JOHNSON, COURTESY ATELIER ACE.
City Slicker
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P R E S E R V I N G T H E TA S T E O F N AT U R E REDEFINE PERFECTION
Discover more at mieleusa.com/mastercool #LifeBeyondOrdinary
COOKING STARTS WITH COOLING. LEARN MORE HERE. NO APP REQUIRED.
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With its effortless brand of California hospitality, Palisociety’s newest outpost, Palihouse Santa Barbara, has settled into a 1920s Spanish Colonial blocks from the Pacific Ocean. Offering just two dozen rooms, the property is intimate and chockfull of charm. Communal areas, like this living room adjacent to the bar, combine subtle coastal elements, preppy plaids, vintage treasures and, what founder Avi Brosh calls, “American Riviera” touches. palisociety.com
Clockwise from top right: Orphéon Eau De Parfum / $188 / diptyqueparis.com. Carrick Plaid in Jade & Tomato by Colefax and Fowler / Price upon request / cowtan.com. Framework Pillow in Terracotta / From $255 / brookperdigontextiles.com. Cane Partition in Charcoal Black / $2,900 / industrywest.com. Faux Shell / $250 / jaysonhome.com. Coupe Dining Chair by Barbara Barry / Price upon request / bakerfurniture.com. Mini Tiber Wall Light / Price upon request / hectorfinch.com.
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PHOTO: COURTESY PALISOCIETY.
Easy Rider
“With Western Window Systems, we were able to put a lot of multi-slide doors in and still meet the energy objectives we were chasing.” - Dan Coletti, president, Sun West Custom Homes
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Moving glass walls and windows for all the ways you live.
A NEW WAVE OF MASTER ARTISANS RETURNS TO HANDCRAFTED METHODS AND TIME-HONORED MATERIALS. P R O D U C E D BY K AT H R Y N G I V E N W I T H S A R A H S H E LT O N
photo: nico schinco.
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Inspiration Nation
ERIN LOREK
“The thing about light is that it’s always changing,” explains Erin Lorek of Lorekform. After studying light from the object’s point of view at North Carolina’s Penland School of Craft, Lorek developed her own glass and iron process, and has since honed her craft while operating out of Brooklyn Glass studio in Gowanus, New York. For each piece, including The Surround Pendant, shown, she ladles glass onto large iron plates that start out as clay, and then presses various textures into the mixture to refract light. A simple lost-wax casting process transforms the pattern into iron and creates imperfections, which add their own narrative to the original texture. This deep dive into materiality and form are a true expression of an artist dedicated to the evolving pursuit of light. lorekform.com
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photo: winona barton-ballentine.
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MATTY CRUISE
When asked why handcrafting furniture is still important today, Matty Cruise of Corbin Cruise admits it’s because the artform is disappearing. While the digital age has certainly contributed to accessibility and exposure, he says there is something primal about working with your hands, especially as fewer people learn these valuable skills. For Cruise, this includes metal smithing, fabrication and experimentation with steel, brass, bronze and aluminum out of his workshop in upstate New York. The Aqueduct Bench and Fluted Console, shown, for example, are part of his new Gouge Collection, in which an invasive finish is used to age the pieces with a striking patina. His Collection No. 1 Coffee Table and Lattice Mirror Frame are also favorite designs, the result of slowing things down, sitting with the materials and seeing where his imagination takes him. corbincruise.com
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LIFE’S BEST MOMENTS. FURNISHED.™ MONTEREY COLLECTION Schedule a complimentary virtual design consultation or shop online. SummerClassicsHome.com/Luxe
SPOTLIGHT
photo: jacqueline marque.
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NATALIE ERWIN
A celebrated artist in her own right for decades, New Orleans resident Natalie Erwin was constantly on the hunt for beautiful frames to complement her work. So, the recent launch of Fleur Home, a bright, happy collection of customizable mirrors and trim, seemed to be an organic evolution for the painter. Each piece is handmade from wood and finished in hues from color purveyors Benjamin Moore, Sherwin-Williams and Farrow & Ball, as well as in bespoke tones. The designs are a nod to all the wonder and whimsy that her city has to offer. Even her mirror names pay homage to New Orleans, such as Garden District Laurel, Satsuma, Audubon and Carnival Proteus (all shown). Further fueling her creativity, Erwin has collaborated with other artists she admires, including Riley Sheehey, with several more in the works. fleurhome.com
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Dreamy nights and bright mornings. matouk.com
SPOTLIGHT
photo: andrew ingalls.
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BENNET SCHLESINGER
For Los Angeles artisan Bennet Schlesinger, inspiration is found through the maintenance and cyclical rhythm of creation itself. Made from bamboo, paper and ceramic, his evocative and ethereal lighting pieces come to life through many steps—moments he describes as quiet action. Having grown up watching his uncle shape surfboards, he was taught by his family to see form and notice details in both art and functional objects, a practice he continues today. The fabrication process for the shades, which has been years in development, involves bamboo for the structure with layers upon layers of translucent paper sheets and archival glue for an overall effect that radiates warmth. Producing thoughtfully considered works that still exude ease and natural expression is certainly no small feat. bennetschlesinger.com
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t h e s t o n e c o l l e c t i o n .c o m arizona | colorado | florida | texas | utah
Botanic Wave, Brazil
SPOTLIGHT
photo: gerard + belevender.
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NINA CHO
Detroit-based product designer Nina Cho credits her education for giving her the freedom to form a unique way of creating. Having studied woodworking and furniture design at Hongik University in Seoul, South Korea, followed by a focus on 3D design at Cranbrook Academy of Art, Cho now tells her story through pieces of furniture, and is influenced by the artistic ethics of her Korean heritage. In discussing her vision, the artist says, “There is beauty in empty spaces and it’s about respecting absence as much as the object.” This reductive aesthetic is a combination of Eastern philosophy with experimental form, exemplified in works like the Maung Maung Mirror and Cantilever Table, both shown. Through the use of various mediums and materials including glass, metal, wood and marble, Cho aims to make sculptural works that blur the lines between art and design. ninacho.com
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T H E K E N SINGT O N WALK CO LLE CT IO N Celebrating the beauty and heritage of British design 800 894 6185 zoffany.sandersondesigngroup.com @zoffanyusa A PRO UD M EMB ER O F S AND E RSO N D E S I G N G RO UP
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Jewel-box bathrooms and playful outbuildings bring summertime magic to a full crescendo.
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Daring Details DESIGNERS MAKE A SPLASH WITH ALL-ENCOMPASSING, ELEVATED BATHROOM SCHEMES. W R I T T E N A N D P R O D U C E D BY K AT H R Y N G I V E N
Fortune favors the bold, or so they say, but nothing could be more true for today’s top designers who are transforming bathrooms into jewel-box spaces with striking, statement-making elements. Whether a grand main bath with double sinks or a charming powder room, both functionality and high design are equally important. From graphic and colorful stone to decorative wallcoverings and finishing touches, the drama is here to stay.
photos: courtesy noa santos.
In Manhattan, designer Noa Santos went big with Guatemala Verde marble for nearly every surface in the powder room. RH Modern faucets and Articolo sconces complete the look, while a Kelly Wearstler for Visual Comfort & Co. lighting fixture decorates the ceiling.
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Is this a main bath? It’s a powder room but can also function as a full bath. These spaces are unique because they’re one of the only areas in a home that nearly everyone, including guests, experiences, but not for a lot of time. This allows for the opportunity to make a really dramatic, special statement without the risk of fatigue. Like this marble! Talk to us about it. The clients love stone of all types. They wanted something impactful, so the idea was for someone to walk in and feel enveloped by the marble, which is polished Guatemala Verde. It has this glowing effect. Because the stone is so bold, I wanted the other elements to fall in line, both serving a function while still looking beautiful. What about lighting? Creating equal lighting throughout is really important, especially when the powder room has a directional window. If you don’t light from above and from the sides, very harsh shadows will be cast. We added the sconces and overhead fixture, and also installed brass louvers with caning at the window to bring in a soft light and add visual interest without taking away from the stone. Why did you choose brass details? Green marble lends itself to a warmer metal, which plays well with the wood flooring. I wanted most of these brass components—the fittings and hardware—to be pretty minimal and recede. The shower without any glass sort of shrinks back and doesn’t detract from the fact that this is an exquisite powder room. Even with the striking components, there is a certain quietness in this space that is really beautiful. nainoa.com
LINEAR APPEAL
The latest quartz surface designs from Cambria take their cues from nature, subtlety incorporating blue and green hues into elegant, veined patterning. For Ivybridge (top), Cambria’s head of design, Summer Kath, was inspired by the lush greenery from a trip to Kyoto, Japan, and wove dark teal diagonal lines into the white background for a lovely marbling effect. The color and movement of the Aegean Sea influenced Kendal (bottom), which features a soft swirling palette that mimics the ocean. Both are available in matte or high gloss with a variety of edge treatments. cambriausa.com
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GREEN WITH ENVY PHOTO: COURTESY NOA SANTOS. LINEAR APPEAL PHOTO: COURTESY CAMBRIA.
FOR DESIGNER NOA SANTOS, THE STORY FOR THIS SOPHISTICATED NEW YORK BATH STARTS WITH STONE.
BATH + KITCHEN LIVING
COPPER POINT IVEY DESIGN GROUP
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photo: ansel olson.
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“The thing about powder rooms is that they have to be functional, but they don’t have to be that functional,” explains designer Jamie Ivey of Ivey Design Group. It’s one of the few places in the home that is style first, she says, which translates to permission to have fun. The starting point in this central Virginia home was the sleek and modern sink by
Porcelanosa that paired perfectly with a copper faucet. After searching extensively for the right wallcovering, Ivey finally landed on Arte’s Focus Facet motif, which she wrapped the walls and ceiling in. With angled lines and a textured surface, the wallpaper shines much like a bright penny when the sunlight hits just right. iveydesigngroup.com
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BATH + KITCHEN LIVING
MIRROR MIRROR When it comes to finishing touches in the bath, mirrors are the ultimate accessory. From whimsical silhouettes to luxe materials and metallic detailing, these reflective accent pieces deserve their moment in the spotlight. Designer Cara Woodhouse explains, “Whether looking for something more decorative, modern, glam or whimsical, there’s a mirror out there to put on your wall.”
Clockwise from top right: Tennyson by Bunny Williams for Mirror Image Home / $1,795 / bunnywilliamshome.com. Melody / $2,100 / carversguild.com. Waverly by Made Goods / $1,350 / mecox.com. Bobbin Mirror / $1,203 / susieatkinson.com. Gloria Mirror / $1,300 / arteriorshome.com. Reunion Mirror by Busetti Garuti Redaelli / $455 / ligne-roset.com.
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MARBLE MOMENT In a traditional Victorian home in Deal, New Jersey, the marriage of old and new was the guiding principle for a modern main bathroom update. Lead designer Cara Woodhouse built the design around the existing green tile, mixing in elements like rich Calacatta marble and unlacquered brass fittings. “I have an obsession with stone,” Woodhouse admits, adding that she’ll incorporate it everywhere she can when it comes to the bath. With the statement-making materials in place, Woodhouse turned to the functional features such as storage and detailing, building in a custom double-sink vanity and relaxed West Elm Mirrors. carawoodhouse.com
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photo: courtesy cara woodhouse.
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Providing bespoke capabilities and mix-and-match options, Emtek’s Select platform has extended into cabinet hardware. Customers can choose from a range of sizes, designs and finishes including, below, the Cabinet Pull with Rectangular Stem and Knurled Bar in Satin Copper, a new finish for the brand. emtek.com
OFF THE WALL
Cosentino has launched the Dekton Craftizen Collection, an innovative range of large-format stucco material that can be used on the floor and also for cladding. Inspired by the Venetian building material, the design is offered in five natural colors including Umber, a lovely terra-cotta hue, and includes a production process that runs on almost 100% recycled water and renewable energy. The collection debuts later this year. cosentino.com
ON THE SURFACE
A stunning standout within Antolini’s substantial stone offerings is Cristallo Glacè, a quartz that features lovely tone-on-tone detailing. Part of the Exclusive Collection, which consists of more than 80 extraordinary materials, this natural stone is durable enough for indoor and outdoor installations including countertops, kitchens, bar areas and more. antolini.com
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PHOTOS: COURTESY RESPECTIVE COMPANIES.
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carefully curated inter ior s andreaschumacherinteriors.com
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KITCHEN STUDIO LOS ANGELES
318 S. Robertson Blvd
Los Angeles, CA 90048
(310) 858-1008
@downsviewkitchens
The Downsview cabinetry collection is custom-crafted in North America and available exclusively through select kitchen design showrooms. Whether you are building a new home or renovating your existing space, Kitchen Studio Los Angeles’ professional assistance can prove invaluable, from the initial planning stages through to final installation. Kitchen design involves the combination of fine art with a highly technical craft. In working with Downsview’s artisans, we are able to offer the most extensive collection of cabinetry styles and the highest-quality, environmentally sensitive finishes available on the market. In addition to kitchen interior design, we provide closet systems, bathroom vanities and entertainment centers, as well as state-of-the-art integrated appliance solutions and truly professional installation.
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photos: tim lenz.
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Small Wonders PLAYFUL, PRACTICAL AND OH-SO-PRETTY ACCESSORY DWELLINGS ARE TAKING THE AMERICAN BACKYARD BY STORM. W R I T T E N A N D P R O D U C E D BY G R AC E B E U L E Y H U N T
There’s a certain magic to a backyard hideaway; a conjuring of escape from the comforts of home with ageless appeal. Perhaps it is this very quality that spurred a movement of quarantined homeowners to convert or construct petite outbuildings devoted to good times and creative pursuits. The way we see it, the trend is a win-win for maximizing property while staying young at heart. Take inspiration from these bite-sized exemplars around the country. Designer Bryan Graybill and Historical Concepts President Andrew Cogar looked to the primitive, monochrome homes of early Nantucket and Newport in selecting Benjamin Moore’s Narragansett Green for the façade of Graybill’s East Hampton cocktail shed. With a view to easy-breezy entertaining by the pool, the accordion window with mahogany sill functions as a self-catering bar.
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For Bryan Graybill, designing a cocktail shed at his Hamptons home alongside architect Andrew Cogar proved a great opportunity to flex his background in hospitality design. “My husband and I love to entertain, but we also like to be part of the party, so we tried to create a selfdirected environment,” he explains. “We wanted a casual hosting program, and to keep guests and wet bathing suits out of the kitchen when they need a drink. We defined that purpose first and the architecture followed.”
For the exterior expression, Cogar and Graybill drew inspiration from East Hampton village—specifically, from its one-room schoolhouse whose modest scale and circa 1784 charm felt apropos. “Reclaimed materials were key to bringing a sense of nostalgia into the present,” says Graybill. Cement tile (allegedly salvaged from stables in Spain), irregular-width wood siding to reflect hand planing of the 18 th century, a simple shake roof and burnished brass details all lend to the historical ethos, while restaurant-grade appliances, including an ice maker, dishwasher and refrigeration suite, offer all the modern comforts of a tiny resort. “There’s something fun and ceremonial about ‘opening up the bar,’ ” says Cogar, pointing to the pool-facing accordion window, a busy watering hole in the summer months. Meanwhile, the interior functions as a dressing room (replete with an outdoor shower off the back) and a berth-like loft accessed via ladder provides guests (and often Graybill himself) a comfy place to steal away for a nap. “It’s such a fun little workhouse and not redundant to the kitchen,” says Cogar, adding, “if you’re going to do an outbuilding, being honest about what you want—whether that’s turning out 30 margaritas in a hour or not—will help you make the most of it.” graybillddb.com; historicalconcepts.com
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A Tallahassee, Florida, garden house by Alison Carabasi with interior design by Cary Langston of Langston Sprowls Design Group serves as a sophisticated pool lounge—and fully functional HQ. “The client had been paying so much in rent for her downtown office that the garden house paid for itself in a few months,” shares Carabasi.
FRIENDS & FOLLIES
schoolhouse rocks photo: tim lenz. friends & follies photos: carolyn allen.
Working with a build team of Amish craftsmen in her native Lancaster, Pennsylvania, Alison Carabasi has carved a chic niche for herself: designing exquisite custom garden houses, which are then shipped as a single, finished piece to discerning clients around the country. Below, Carabasi shares her insight on the accessory dwelling’s limelight moment. Origin story: I’m from an artistic family and grew up appreciating pretty homes. But this all started when I made my own garden house and saw how much my whole family fell in love with it. Every time I looked out my window, it made me happy. My kids called it “The Shed” in high school, and all their friends would come over and hang out. I saw how great it was to have one—how it enhanced everything about my yard, my home, my life. Business report: I noticed an uptick before the pandemic, and it’s only increased since then. You know how in England gardening is a big part of mainstream culture? I think that’s happening here more and more. There’s a growing awareness for healthy eating and healthy living, and that translates to people being out in their yards and caring for their gardens. It’s a good trend. On deck: Continuing to evolve the architectural styles we offer; one I have in mind is a pagoda. I also want to launch garden ornaments and accessories. I have a copper sphere and finial designs that are so pretty, and I just launched lanterns—for no reason other than the fact that I don’t want to see ugly lanterns on my buildings! hillbrookcollections.com
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SEEING GREEN ENTERTAINING EXPERT JOSEPH MARINI SHARES THE VISION BEHIND HIS BACKYARD RETREAT.
seeing green photo: courtesy joseph marini. time honored photo: joshua mchugh.
At my home in St. Petersburg, Florida, a shed became the foundation for my garden studio. Syncing the look to my home’s Georgian exterior was important, so I opted for hipped roofs and an all-white exterior. To take advantage of the garden views, I installed two reclaimed French doors instead of windows, and built in two lime-washed benches. One serves as my work space, the other as a floral arranging and potting spot. Cases were built on top to house collections of glass and silver floral vessels, which I look forward to setting out for small garden parties. But for now at least, the studio is all mine. athomewithjoseph.com
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TIME HONORED
In 1929, Frederick P. Ristine, a Philadelphia investment banker, and his wife, Elizabeth, moved into BetzFred, the aptly named Wayne, Pennsylvania, English Arts and Crafts estate that would be their country home. Fast forward nearly a century and
seeing an irreplaceable diamond in the rough, Lauren Wylonis scooped it up with a view to restoration. While the property was renamed the Heydon Estate, everything else was lovingly patched, painted and coaxed back to period glory. Even the original potting shed, which stands like a beacon at the entrance to a walled English garden (which Wylonis nostalgically planted with lavender, hydrangeas, redbud trees, salvia and roses), got a fresh face lift befitting its roots.
Today, BetzFred is home to a young family who saw a great place to raise children in its fairy-tale grounds rich with nooks and crannies and history. While outbuildings are on the rise, this grand specimen, modeled after the potting sheds of old English country homes, reminds that “structures are super important, interesting focal points to gardens,” says Wylonis. “This has been true for years and years and years.” kingshavendesign.com; kingshavenproperties.com
Land of Plenty A historic house in the Hollywood Hills embraces its storied past while telling new and exotic tales. W R I T T E N BY M A I L E P I N G E L | P H O T O G R A P H Y BY K A R Y N M I L L E T
Interior Design: Scott Formby, Scott Formby Design
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Designer Scott Formby found many of the furnishings for his historic Hollywood Hills home at auction, including the living room’s 1974 suede sectional by Giovanni Offredi, the 1957 Pepe Mendoza table lamp, one of a pair, and the 1960 coffee table by Arturo Pani. Formby and artist Corinne Gilbert conceived the mural, which Gilbert then painted by hand.
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esigner Scott Formby may have moved to Los Angeles intent on finding a midcentury home—in fact, he did consider one by Richard Neutra—but an alluring, aging beauty in the Hollywood Hills won his heart. “I was intrigued by the architecture, the beautiful windows and that it was a little imposing,” Formby recalls. The house, a 1920s Spanish-Moorish style that steps up the hillside in five levels, also came with an irresistible history. It reportedly belonged to silent film star Vilma Bánky and was later home to singer Stevie Nicks. “An obsession developed,” he admits. The possibilities felt infinite, so after he saw real estate agents hanging a sign, he immediately made an offer. The house, a project but one of mostly surface fixes, could not have fallen into his hands at a better time. A former creative director and designer for brands including J. Crew and Frette, Formby, then based in Manhattan, had been living a life of corporate travel and needed a break. “I was burned out,” he says, “and I justified buying the house as a creative outlet. I’d be in Toronto—10 degrees—and come back to the hotel and look at auction catalogs. There weren’t any corporate ‘boxes’ around my creativity, and it filled my soul.” Influences and ideas that had been percolating in his mind came forward “in a stronger way,” he notes. Traveling through India, Thailand and Japan had honed his eye for textiles, but he also has a penchant for midcentury design (hence the Neutra house) and knew he wanted to avoid anything that felt too new. “There’s a comfort level to things that feel lived in,” he notes, distilling the spirit that drove the restoration, which included removing elements not original to the house while updating it with additions like a powder room. “I was trying to see the bigger picture,” says Formby. He began with the living room, letting its design set the tone for the rest of the house. “My first instinct was to do wallpaper, but I didn’t want an all-over pattern,” he remembers. A friend
introduced him to Corinne Gilbert, a decorative painter in Manhattan who has done murals for Bunny Williams, David Easton and Jacques Grange. Together, they envisioned a mirage-like landscape. “It’s a little bit Japanese since we wanted it to feel like a woodcut,” he says, adding that it could almost be a reflection of the palm trees right outside the windows. Palms also carry into the design of two bathrooms, an example of one of the many thematic threads that run neatly through the house. “Repetition connects things,” says the designer, pointing to twin sets of Harvey Probber “scissor” chairs: the natural wood set in the living room and the black-lacquered set in the dining room. The Probber chairs, too, highlight another thread: Formby’s love of modernism, be it Italian (the dining room table is by Fornasetti) or Mexican. The latter has become something of a passion, inspiring the living room’s brass coffee table by Arturo Pani and pineapple- and bambooform lamps by Pepe Mendoza. Vintage rugs are another artform Formby treasures. “I collect 1950s North African rugs—Tuaregrugs made of reed and cane woven with leather. They’re neutral but provide pattern and a little warmth without the woolly texture,” he explains. And, of course, there is color. Green, Formby’s favorite, graces nearly every space—the living room’s sage sofa, the dining room’s chartreuse walls, or the kitchen’s patinated brass drawer pulls (another Pepe Mendoza find) set with turquoisegreen ceramic inlay. Painted a dark charcoal gray, the kitchen “feels romantic,” says the designer. Upstairs, bedrooms were given lighter hues, like the main bedroom’s earthy pink. “It’s pretty but not sweet, and black accents give it an edge,” he adds. Formby’s many interests resulted in a house that exudes a worldly outlook yet is quintessentially Hollywood. And with the help of landscape designer William Shapiro, the gardens are as lush as the interiors. “It’s pretty and natural,” says Formby of the plantings, noting the cacti that remind him of his Texas childhood. “The history, all of the influences mixing in this house, it’s a little bit of a luxury.”
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A Finn Juhl lounge chair, another auction find, is near the living room fireplace—updated with Tabarka Studio tiles. Hovering above is a 1930s Spanish chandelier. The mirror and African woven rugs are vintage. Formby surrounded the Fornasetti games table with Harvey Probber chairs upholstered in a geometric Kravet design. He chose a Le Manach pattern from Kneedler Fauchère for the room’s draperies.
“I was intrigued by the architecture, architecture, the beautiful windows and that it was a little imposing.” imposing.” –SCOTT FORMBY
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The breakfast lounge connects the dining room’s vibrance with the moody feel of the kitchen. “I wanted it to feel comfortable, romantic and old world,” notes Formby, who covered the built-in’s cushions with Designs of the Time fabric from Una Malan. The angular Clodagh sconces from Circa Lighting play off the more curving lines of the Baker tray-top table and Ib Kofod-Larsen chair.
Above: “I wanted a dark kitchen—but not cold,” says Formby. To achieve the right balance, he used Benjamin Moore’s Black Iron paint and accented the cabinetry with 1950s Pepe Mendoza hardware from Blackman-Cruz. Ann Sacks ceramic tile covers the countertops. The cooktop is Miele, and the faucet is by Newport Brass. Opposite: The dining room centers on a vintage octagonal McGuire table and a second set of Harvey Probber chairs, the latter upholstered in a Pierre Frey pattern. Overhead is a 1935 Venini chandelier, and underfoot is a vintage African rug. Topping the 1950s Italian sideboard is a Pepe Mendoza pineapple-form lamp. The velvet drapery fabric is by Kravet.
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Right: Farrow & Ball’s Setting Plaster, a dusty pink, coats the main bedroom’s walls. Joining the bed, dressed in linens Formby designed during his time as creative director at Frette, is a fish trap side table by Franco Albini. Opposite: Formby carried the home’s dark hues outside, placing a black RH table and chairs in the garden to contrast with the lush greenery. The outdoor spaces were revived with the help of William Shapiro Fine Gardens.
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Two architects design their own private oasis just minutes from downtown San Diego.
NATURAL WONDER
Architecture, Interior Design and Landscape Architecture: Taal Safdie and Ricardo Rabines, Safdie Rabines Architects Home Builder: David Kramer, Oakhurst Builders, Inc.
The entry to the home that architects Taal Safdie and Ricardo Rabines designed for themselves in San Diego opens to a stairwell that runs past a wall of glass from Western Window Systems. “We made this glass stair tower but used reeded glass, so you see color, but you can’t see figures,” Safdie explains. “Sunlight can filter in, but you can get the privacy you want.”
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rchitects Taal Safdie and Ricardo Rabines shared a common goal when envisioning their Goldfinch Canyon house together. “We wanted it to feel as though we were living outside, like we were truly connected to the canyon and nature,” says Safdie. Known for their sustainable, site-specific designs, the husband-and-wife duo had just the right skill set to make that happen. “This is a dense, urban neighborhood, just three minutes from downtown San Diego, and the houses are close together,” says Safdie, noting that they’re 8 feet apart. “We actually lived on this block before we bought this lot, and we wanted to stay. We love it for the diversity, the mix of singlefamily and multi-family homes here, and the proximity to restaurants and other amenities.” Sited on a narrow but deep lot measuring 50 by 200 feet, they designed a home that both honors the natural landscape and embraces it—quite literally. “We had depth restrictions because canyon lands are considered sensitive lands,” says Safdie. “We had to get creative to win the space we desired and the seclusion we craved. Our design process was all about making sure we didn’t experience the neighbors directly. That meant orienting the views and the energy of the house toward both the canyon and toward the street, where we have a private courtyard.” To that end, they fashioned a large, open first floor with a sight line that runs through the house toward the outdoor living spaces, which spill over the canyon. The back of the house features a glass wall, with large glass doors that stack on either side of the living and dining spaces, allowing a completely seamless transition between the interior and exterior. “We call this our ‘balcony house’ because we wanted to feel like we were always on a balcony outside,” says Rabines. “The house flows onto the patio, the patio flows onto the terrace, and the terrace onto the canyon,” he says. “It gives this illusion that the house keeps on going.”
Privacy is not an illusion, however. The duo, who recruited general contractor David Kramer to build the house, achieved a secluded feeling inside thanks in large part to the thoughtful landscape design plan they created along with the architecture itself. “Our architectural plan included the landscape design because we wanted the foliage to feel like an extension of the house,” says Safdie. “We needed the plants to help with privacy, but we also wanted them around because we love gardening. We love being outdoors as much as possible. So, the plants come right up to the edge of the house, and if the doors are open, you can reach out and touch them. It’s the way we like to live.” Because they also wanted to bathe the entire house in natural light, the couple designed a reeded glass wall that envelops the entrance and stairwell, allowing light to pour into the home, but blurring images outside. The reeded glass repeats in the kitchen, on the island cabinet fronts. “Repetition of materials is a theme in our work,” says Safdie. “That’s why we chose the same backdrop for everything—this very simple and warm ash wood that carries through on the floors, ceilings and paneling.” Only upstairs does the wood vary, and only on the ceilings, where the architects used maple: similar in tone and warmth, but more durable for the ceilings that extend outside over the balcony. Atop this clean canvas of wood, Safdie and Rabines invited in plenty of saturated shades to the contemporary spaces. “We have always been drawn to warm colors, and we were purposeful about the backdrop so that we could use plenty of them,” says Safdie. The couple’s favorite hues aren’t limited to textiles and upholstery but also welcomed by way of jewel-like light fixtures, original art in vibrant shades and a rainbow’s worth of decorative glass. “When it’s daylight, we’re often looking through the house to the colorful landscape outside,” says Rabines. “But when it’s dark outside, our house lights up, and the colors of the flowers are all there, warming the inside. It is quite inviting by day or by night.”
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Safdie and Rabines re-used many pieces from their former residence, such as the dining area’s chairs, which were reupholstered, and the pendants hanging above. Cabinetmaker Edgar Adams fabricated the dining table, which the couple designed. In the adjacent living area, a Roche Bobois sofa faces a 12-foot-wide oil painting by Safdie’s sister, artist Carmelle Safdie.
“ W E LO V E WA R M C O LO R S A N D WA R M L I G H T I N G . A HOME SHOULD FEEL COZY, EVEN IF IT IS A M O D E R N H O U S E .” – TA A L S A F D I E
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Right: Khatmia limestone from Turkey covers the kitchen floors. Honed Palomino granite from Brazilian Exotic Granite tops the counters and backsplash, adding another layer of pattern and richness to the space. Opposite: An outdoor sectional from Teak Warehouse transforms a platform in the garden into an open-air living room. “If you live on a canyon, even if your neighbors are close by—when you orient yourself toward the canyon, it feels like you’re living in the country,” says Safdie.
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A clerestory window brings light into the main bedroom. Hanging against the ash veneer wall paneling is a painting by Sylvia Safdie, Safdie’s aunt. The architects positioned the custom platform bed to take in the view and had the chaise, a vintage find, recovered. Underfoot is LM Flooring’s Kendall North American maple.
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Repeating Devices In her evocative silkscreened wallpapers, an L.A. creative mines the possibilities of texture and pattern. W R I T T E N BY K E L LY V E N C I L L S A N C H E Z P H O T O G R A P H Y BY C A R M E N C H A N
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tep into Roxana Eslamieh’s Eagle Rock studio, and you’re as likely to find sheets of paper overflowing with fanciful sketches as cuttings of plants that catch her eye. The Southern California native seeks out inspiration both natural and manmade to create her hand-drawn, silkscreened wallpapers for her firm Manuka Textiles. Though they may become impressionistic scenes that capture nature’s ephemeral beauty or illusory geometries that push the boundaries of the two-dimensional plane, Eslamieh’s art typically begins with the same simple tools: black ink and rice paper. “It’s just black marks on paper,” she says, though occasionally she swaps her calligraphy pen for a brayer roller. The artist’s color combinations are as eyecatching as her patterns, but she doesn’t think about color until she’s painstakingly worked out the design itself. She’ll scan the hand-done sketch before printing it out in black and white on large sample sheets to perfect her designs. “I’ll hang them up and circle the places that have too much concentration or not enough,” she says. “The black is a clean slate before I have to think about color.” When color does make an appearance, metallics often play a prominent role, sometimes setting off vibrant blues and matte blacks. Or, as in her Rainbow Eucalyptus pattern, Eslamieh mixes a metallic with hues like rose taupe, dusty pink and gold on an aubergine background. Her combinations often arise from playing with gouache swatches from the art supply store or color chips from paint manufacturers. Eslamieh’s work is also the result of constant experimentation. A chair’s cane webbing inspired her Pressed Cane pattern, merged with the gridded graph paper her father, an accountant, had around the house when she was growing up. And the pitaya, an exotic cactus whose flowers bloom only once, tumbles across walls in her newest paper—an immersive mural she calls Night Lotus. Whether they cover a wall that “needs some love” or an entire room, Eslamieh hopes that her wallcoverings give viewers the chance to make them their own. “With my Rift paper, you can get lost trying to figure out the repeat or if those are cliffs or valleys. Or you can hang it upside down and pretend it’s the Aurora Borealis. You can have your own sense of discovery with each piece,” she says.
The patterns Roxana Eslamieh (bottom) creates in her Los Angeles studio begin as ink sketches on paper (below), which she develops into full-fledged wallpaper designs for her company, Manuka Textiles. Her inspirations are varied, ranging from natural forms to items imbued with particular memories. A wall (opposite) showcases source material and shots of installed work.
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Up,Up & Away High in the foothills, a Glendora home nurtures communion with nature inside and out. W R I T T E N BY G R AC E B E U L E Y H U N T P H O T O G R A P H Y BY R O G E R DAV I E S / O T T O
Architecture: George De La Nuez, Rocha Nuez Architects Interior Design: Norm Wogan, Wogan Design Home Builder: Mark Estupinian, MCE Construction Design/Build
A custom bronze-framed pivot door from Reveal Windows & Doors marks the entrance to a hillside home in Glendora. Designer Norm Wogan selected a brass pendant by Natasha Baradaran from Jean de Merry to illuminate the threshold, leading the eye through the great room to the vast views beyond. The sunken courtyard garden is the client’s design.
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igns from the universe can take many forms. For designer Norm Wogan’s client, a tidy pile of redtailed hawk feathers glistening in the sun was all it took to confirm the property she was viewing for a second time was home. A practicing shaman, she had always felt a connection to the hawk’s spirit. “It was almost like someone took a pillowcase and dumped its feathers there,” she recalls. “I said to myself, ‘Okay, I’m ready to buy this place now.’ ” Those feathers—54 in total—now fill a vessel in the meditation room of her new-build Glendora home, which nestles peacefully in a crook of the San Gabriel foothills. Downsizing from a much larger residence, the client sought sanctuary in her new chapter—a dwelling luxurious in its simplicity that would allow her to connect with the land. Wogan, her longtime designer turned close friend, was just the person to realize such a vision. Together with architect George De La Nuez, Wogan imagined a modern building with soaring ceilings, glass pocket doors all around and a façade of chiseled cream limestone trimmed in ipe wood. The style takes its cues from a trip that he and the client took to Peru. “We both fell in love with the architecture of the mountains, and it’s said that women’s energy moved those boulders with an interlocking system they created,” says the designer. “It was all female power. You see that connection in this house.” De La Nuez affirms the trip’s formative influence on his design, adding, “There’s something about the simple structure, the stacking of the stones, the way it sits on the hillside, that almost gives the effect of an obelisk or monument.” To bring a mountain feel indoors, Wogan began by laying wide French oak planks in a muted gray-brown finish. “That floor is the earth,” he says. “It resembles the trees and nature outside.” Choice pieces throughout evoke a similarly woodsy sentiment, such as the custom petrified wood sink in the powder room and a trio of stump tables in the living area, which seemingly “grow out of the house”—and might as well, quips
Wogan—they’re inconceivably heavy. General contractor Mark Estupinian is keen to distinguish the home’s grounded quality as literal as well as visual, citing the retaining walls that average 6 feet thick and burrow into the landscape. “You don’t notice it from indoors, but 80 percent of the first floor is underground,” he says. “The house flows into the hillside.” While serene and subdued, there are flashes of pixie dust, too. Take the great room’s crushed bronze and stone tiles (the first detail Wogan selected), which give the illusion of soft, shimmering holograms on the living room hearth and kitchen walls. A penchant for mesmeric material is seen again in the main bath, with its cladding of swirling emerald quartzite. But the biggest glamour hit comes from Wogan’s lighting concept—an artful program of sparkling pendants and sconces that dot the walls and ceilings “like earrings,” he says. “It’s hard to explain, but when you step inside, you just feel different,” says Wogan. “It’s a safe, encompassing Mother Earth home.” The outdoor spaces promote the same sense of nurturing. A passionate gardener, the homeowner began her efforts to enrich the grounds by removing 42 dead avocado trees, planting 200 new ones in their place (“I have more avocados than I know what to do with,” she admits), along with cedar and olive trees. Connecting the driveway to the entrance, she designed a sunken courtyard replete with babbling fountains crossed by a footbridge to access the front door and a Japanese garden-inspired terrace off the southern façade with views stretching to the sea. Off the kitchen, she seeded a bountiful vegetable patch that she fondly refers to as “my salad bar.” For the client, the home has over-delivered on its promise, providing a cosseting oasis and the immediacy with nature she so desired. “There’s nowhere in L.A. where you can connect with the land like this,” she says, citing the joy she’s found in watching her new trees double in size over the past year and the wildlife that routinely paints living art in her windows. Deer, bears, rabbits and foxes all roam the hillside. Circling above (we can only assume), a red-tailed hawk is keeping watch.
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Above: Earth tones and rich textures define the great room, which is framed by distressed white oak planks on both the floor and ceiling and a Phillip Jeffries grasscloth on the walls. Beyond the sofa upholstered in Nina Campbell velvet through Osborne & Little hangs a work by Pam Douglas. “I think of her as Mother Earth,” says the homeowner. “I’m glad she’s here.” Opposite: A monumental bronze-and-crystal Petra Powell chandelier from Wired Custom Lighting anchors the living area, hovering above a set of swivel chairs in Jim Thompson fabric from Kneedler Fauchère and a trio of petrified wood tables from DAO atop a Stark Carpet rug. The fireplace surround sports tiles of crushed bronze and stone from Creative Environments.
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Above: A large window from Reveal Windows & Doors faces an outdoor seating area appointed with Gloster loungers. Bleached walnut Poliform cabinetry housing a discreet Gaggenau range defers to the sight lines. A Dornbracht faucet from Renaissance Design Studio ties back to the backsplash tiles. Opposite: The crushed bronze-and-stone tiles appear again in the kitchen, where they sparkle along with the rock crystal pendants from Wired Custom Lighting—a nod to the homeowner’s vast collection. Jiun Ho’s comfy Toledo stools from Thomas Lavin pull up to an island topped with quartzite in a leathered finish from TriStone & Tile.
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Above: An immersive quartzite from TriStone & Tile steals the show in the main bathroom, cladding the walk-in shower as well as the countertops. The sleek floating vanity fabricated by Marcelino’s Cabinetry features wide polished chrome edge pulls by Classic Brass. The pendant is by Jonathan Browning Studios. Left: “I always want wallpaper, even in contemporary homes,” says Wogan. “It brings things down to earth.” The main bedroom, with its Phillip Jeffries grasscloth, bears testament. Jewelry-like pendants by Gabriel Scott hang above the custom oak nightstands flanking the Jiun Ho bed. Cantoni lounge chairs and a Mitchell Gold + Bob Williams side table provide a chic spot to take in the views.
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PORTFOLIO I D E A S + I N S P I R AT I O N
ABSTR ACT, ORIGINAL , MIXED -MEDIA ART EL LØVA AS
MAKE THE MOST OF HOME FERGUSON BATH, KITCHEN & LIGHTING GALLERY
El Løvaas works from intuition with intention to amplify the energy in the painting’s space. El’s work is layers of feelings and stories without words. When a piece is complete, it’s left open to interpretation, for the viewer to see what they see.
ellovaas.com | 760.845.4499
Whether you’re renovating an outdated bathroom or building your dream kitchen, Ferguson Bath, Kitchen & Lighting Gallery brings you the widest selection of products from today’s most recognized brands, like Wolf. Its state-of-the-art showrooms and product experts ensure that kitchen, bath and lighting selections are perfectly suited to your home and design.
CREATE YOUR DREAM CLOSET VALET CUSTOM CABINETS & CLOSETS Do you think your walk-in closet is at capacity? Think again! Whatever your closet’s shape and size, maximizing functionality with a custom-designed closet organizer will enable you to store more than you could have imagined, with everything accessible and in its place.
valetcustom.com | 408.370.1041
fergusonshowrooms.com
BUILT TO L AST AND LEAVE A L ASTING IMPRESSION TEAKI TILES Designed on Maui, handcrafted in Bali and available in more than 40 carefully selected showrooms across the U.S., Teaki Tiles’ 100-percent-reclaimedteak tiles come in 25 shapes and custom colors to inspire nearly any design. Installation possibilities include walls, floors, ceilings, backsplashes, kitchen islands and even showers!
teakitiles.com | info@teakitiles.com
EMILE CHAIR
AURELIUS LOUNGE CHAIR
handmade in santa monica
PETRA DESK
RIVA DINING CHAIR
P.S. WE ALSO LOVE TO DESIGN AND BUILD CUSTOM FURNITURE! Los Angeles: Zele Co. | 2015 Main Street | Santa Monica, CA | 310.254.6841 | www.zelecompany.com San Francisco: Sloan Miyasato | 2 Henry Adams Street | San Francisco, CA | 415.431.1465 | info@sloanm.com
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UNFORGETTABLE DESIGN MOMENTS BEYOND TRENDS BRIAN BROWN STUDIO Brian Brown Studio’s designs are smart and authentic. To its team, California is home and influences all aspects of its work. Specializing in remodels, principal Brian Brown has made a name for himself in the area of kitchens and baths. Materials and functionality are carefully considered in the creation of clean, modern and thoughtful spaces.
STYLISH OUTDOOR LIVING JULES WILSON DESIGN STUDIO Jules Wilson Design Studio is a full-service multidisciplinary studio with a national reputation for conceptualizing design experiences, from interiors and exteriors to integrated hardscape. Its unique design process puts function and wellness at the forefront without compromising beauty and sophistication, delivering an infused sense of elevated living with relaxed luxury.
LIVING LUXURY, INDOORS AND OUT MOYA LIVING Moya O’Neill, a local Southern California manufacturer, has raised the bar once again. Moya Living’s luxurious, colorful steel kitchen cabinet line is now available for outdoor use, offering a seamless transition from interior to exterior.
brianbrownstudio.com | 619.230.5262
juleswilsondesign.com | 619.546.4930
moyaliving.com | 714.545.1838
NEW VAN NUYS SHOWROOM TO OPEN SOON
STUNNING WALL ART PHOTOGR APHY PRINTS
WDC SPOTLIGHTS NEW AGOUR A HILLS SHOWROOM RENOVATION
SNYDER DIAMOND Snyder Diamond’s newest state-of-the-art showroom is set to open this summer. It will offer unparalleled expertise and more than 300 exquisite brands to complement every style and budget. An integral part of Los Angeles’ design, architecture, builder and homeowner communities since 1949, Snyder Diamond remains Southern California’s premier kitchen and bath showroom.
snyderdiamond.com | 310.450.1000
MCCLEAN PHOTOGRAPHY Brian McClean’s photography supports individual well-being through the use of themes, colors and subjects proven to inspire relaxation, hope and calm. His company, McClean Photography, is a service-disabled veteran- and minority-owned small business that provides canvas, metal, acrylic and wood photography wall art decoration for homes and offices.
mccleanphotography.com | 907.738.6789
WDC KITCHEN & BATH CENTER WDC Kitchen & Bath Center recently unveiled its new, highly anticipated redesigned bed, bath and fixture showroom at its flagship location in Agoura Hills. The space features fully functioning showerheads and kitchen faucets, private conference areas and a full coffee bar.
wdcappliances.com | 805.222.1380
Antique Tabriz circa 1900, 13.3' X 18'
J. ILOULIAN RUGS
ANTIQUE | TRADITIONAL | CONTEMPORARY
8451 Melrose Place | Los Angeles, California | 323.651.1444 Serving Clients for 40 Years | jirugs.com
McEwen
Westbury Textiles
Taffard Fabrics
TEXTILES Armani/Casa Exclusive Textiles by Rubelli Bart Halpern Chase Erwin Dani Leather Elworthy Studio Filippo Uecher John Boyd Textiles Kohro
Erinn V.
Korla Mariaflora Peter Fassano Rubelli Taffard The Sign Westbury Textiles
WALLCOVERING Abnormals Anonymous Alpha Workshops Elworthy Studio Kohro Paper Mills Peter Fasano Rubelli Studio Zen The Sign
HARDWARE
ACCESSORIES/ART
LIGHTING
Cecil Humphreys Bronzework Elan Atelier
Matthew Studios Boyd Lighting David Alexander Studio Elan Atelier Hersh Designs Matthew Studios McEwen Lighting Studio Bel Vetro
FURNITURE Anees Furniture Elan Atelier Erinn V. Matthew Studios Quintus
Mariaflora Textiles
Boyd Lighting
Pacific Design Center - quintushome.com
Studio Bel Vetro
The Sign
Introducing the
Precious Metals Collection Handcrafted fireclay glazed with genuine 24k Matte Gold, Platinum, and Silver
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