Luxe Magazine - September/October 2021 National by Luxe Interiors + Design Magazine

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CONTENTS

SEP OCT 2 02 1

EDITOR’S LETTER

Radar 38

BEHIND THE BRAND Mind the Gap pays homage to its storied homeland of Transylvania.

NEWSWORTHY Large-scale painterly murals prove to be all the rage this fall.

C O M M E N TA R Y Creatives reveal their greatest inspirations and style revelations.

5 MINUTES WITH Luxe sits down with fashion designer Christian Siriano.

Market 60

M AT E R I A L Meet the forces behind four celebrated fabric houses.

TREND Design talents share insights alongside their new releases.

SPOTLIGHT An early 20th-century theater sets the stage for the latest furniture and lighting collaborations.

Living

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K I TC H E N + B AT H Designers highlight the details in these inspired kitchens and baths.

114

THE REPORT Metallic notes that shine and sparkle are the season’s haute accessory.

CONTENTS

FEATURES

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Waterfront Idyll

A Second Look

Sea Change

In the Grand Scheme

Color and sophisticated touches weave through a lakeside getaway in Montana with a strong sense of place.

In Dallas, a renowned interior designer gives a former project a family-friendly overhaul resulting in an eclectic mix.

A Portland-area artist draws on her new surroundings to inform her vivid and compelling fiber works.

Masculine and feminine elements balance glamour with gentility for a refined Atlanta residence.

Written by Shannon Sharpe Photography by Gibeon Photography

Written by Christine DeOrio Photography by Stephen Karlisch

Written by Maile Pingel Photography by Carly Diaz

Written by Paulette Pearson Photography by Mali Azima

ON THE COVER: The chipped edges of the custom granite center table chosen by designer Peter Dunham for the entry of this Montana retreat echo the rough-hewn stone on the walls. Injecting color and softness into the space are a bespoke sofa in a Brunschwig & Fils mohair, a Robert Natkin painting and a Noguchi pendant. Page 126

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@luxemagazine Luxe Interiors + Design , (ISSN 1949-2022), Arizona (ISSN 2163-9809), California (ISSN 2164-0122), Chicago (ISSN 2163-9981), Colorado (ISSN 21639949), Florida (ISSN 2163-9779), New York (ISSN 2163-9728), Pacific Northwest (ISSN 2167-9584), San Francisco (ISSN 2372-0220), Southeast (ISSN 2688-5735), Texas (ISSN 2163-9922), Vol. 19, No. 5, September/October, prints bimonthly and is published by SANDOW, 3651 NW 8th Ave., Boca Raton, FL 33431. Luxe Interiors + Design (“Luxe”) provides information on luxury homes and lifestyles. Luxe Interiors + Design , SANDOW, its affiliates, employees, contributors, writers, editors, (Publisher) accepts no responsibility for inaccuracies, errors or omissions with information and/or advertisements contained herein. The Publisher has neither investigated nor endorsed the companies and/or products that advertise within the publication or that are mentioned editorially. Publisher assumes no responsibility for the claims made by the Advertisers or the merits of their respective products or services advertised or promoted in Luxe. Publisher neither expressly nor implicitly endorses such Advertiser products, services or claims. Publisher expressly assumes no liability for any damages whatsoever that may be suffered by any purchaser or user for any products or services advertised or mentioned editorially herein and strongly recommends that any purchaser or user investigate such products, services, methods and/or claims made thereto. Opinions expressed in the magazine and/or its advertisements do not necessarily reflect the opinions of the Publisher. Neither the Publisher nor its staff, associates or affiliates are responsible for any errors, omissions or information whatsoever that have been misrepresented to Publisher. The information on products and services as advertised in Luxe are shown by Publisher on an “as is” and “as available” basis. Publisher makes no representations or warranties of any kind, expressed or implied, as to the information, services, contents, trademarks, patents, materials or products included in this magazine. All pictures reproduced in Luxe have been accepted by Publisher on the condition that such pictures are reproduced with the knowledge and prior consent of the photographer and any homeowner concerned. As such, Publisher is not responsible for any infringement of the copyright or otherwise arising out of any publication in Luxe. Luxe is a licensed trademark of SANDOW © 2011. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without the written permission of the Publisher. ADDRESS SUBSCRIPTION REQUESTS AND CORRESPONDENCE TO: Luxe, PO Box 808, Lincolnshire, IL 60069-0808. Email: luxe@omeda.com or telephone toll-free 800.723.6052. ®

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IN PA R T N ER S HIP WIT H T H E F R A N K LL OY D W RIG H T F O U N D ATIO N

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LETTER EDITOR’S

In my happy place; sitting in designer Brittany Bromley’s chic room for Kips Bay Palm Beach.

There’s a lively dialogue in the design world of late centered around the notion of “original” design and copying. I prefer to tweak the adjective to “genuine,” since everything is ultimately derivative. What is original, after all? Two great creatives of the world, Steve Jobs and Pablo Picasso both are quoted as saying, “Good artists copy, great artists steal.” Hmm. What they really mean is: be influenced by an idea that inspires you, turn it on its head and make it into something entirely different. Don’t imitate...create.

Here’s what I know about design as an editor who lives it every day. There is an abundance of riches to be inspired by if you’re curious, open to observation and educating yourself about design history. There are artists, creatives and makers across the country who turn out interesting work developed with integrity. Seek them out and support them, dear reader, for they drive design and “originality,” pushing everything to be ever more captivating, compelling and joyful. As design should be.

Pamela Jaccarino VP, Editor in Chief @pamelajaccarino

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RADAR

BEHIND

THE

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NEWSWORTHY

COMMENTARY

MINUTES

From fashion and furnishings to musings and murals, our definitive style guide explores luxury today.

WITH

BRAND RADAR

BEHIND

THE

Folk Spirit A PIONEERING DESIGN BRAND TOASTS FIVE YEARS WITH A TRIBUTE TO ITS BOHEMIAN ROOTS.

Mind the Gap’s Transylvanian Roots collection is a flourish of color, pattern and texture evocative of the region’s rich cultural heritage.

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Five years ago, Stefan Ormenisan took a leap when he launched a bespoke wallcoverings line—the first of its kind in his home country of Romania—with his business partner Victor Serban. “This was one of the biggest challenges—convincing people from around the world that we are doing serious things with great taste and beautiful stories,” says Ormenisan. Today, the creative director spends much less time convincing and a lot more time dreaming, as evidenced by the brand’s anniversary collection, Transylvanian Roots—a transportive maximalist assemblage of fabrics, wallpapers and furnishings emblematic of his homeland’s rich Bohemian spirit. “Once an independent country, Transylvania was a melting pot of peoples, cultures and traditions, from Saxons, Hungarians and Romanians to Székelys, Ashkenazi Jews, Armenians and Gypsies,” says Ormenisan, who takes pride in his mixed Romanian, Saxon, Hungarian and Armenian heritage. “When creating these pieces, we drew on the idyllic memories of our childhood summers spent with grandparents in the countryside.” In those traditional homes, embroidered textiles softened wooden furniture while trimmed and tasseled lamps brightened winter nights—themes reflected in the collection’s jubilant cushions, lampshades and wall art. Ornamental and decorative motifs in lush reds, yellows and greens recall vintage patterns and color palettes used by folk artists for hundreds of years, while painterly botanicals reference Central Asian suzanis and Slavic and Ottoman influences. “I love the diversity in

photos: courtesy mind the gap.

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The anniversary line includes 18 wallpaper and 13 fabric designs, as well as upholstered furnishings and wall art. Jubilant patterns, such as Vixen (top) and Heirloom (bottom), recall folkloric narratives of flora and fauna.

photos: courtesy mind the gap.

RADAR

such a small area—all of the traditions and customs belonging to different cultures that live together to form the authentic heritage of this place,” says the creative director. While Ormenisan believes Transylvanian Roots, with its detailed embroidery and handmade finishes, is equally befitting a rural cottage or city setting, he muses it would shine in a stately Georgian manse in London. “I imagine a large garden with a stylish topiary, a monumental entrance and a sumptuous drawing room with a large-buttoned sofa upholstered in the finest cotton velvet with embroidered and printed fabrics,” envisions the creative director. But for now, Ormenisan will dream a little closer to home. With his business partner, he recently purchased a hunting manor in the Romanian town of Presaca that once belonged to noble Hungarian families—making it the ideal backdrop for the brand’s storybook prints like Erdely, Vixen and Enchanted Woodland. “Surrounded by mystical scenery with smooth hills and vast woodland, when you enter this village, you feel the old history entering your body; a timeless vault,” he explains. “I love how time has stopped here, creating a world full of originality and romance.”

NEWSWORTHY RADAR

The Big Picture ARTISAN MURALS ARE HAVING A MAJOR MOMENT.

photo: douglas friedman, courtesy ken fulk inc.

W R I T T E N BY M A R Y J O B O W L I N G

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NEWSWORTHY

Talking Walls

RADAR

THE EXPERT TAKE ON MURALS. “ We did a huge silhouette of native Oregon plants in a main bedroom. The design bled onto the ceiling and window frames. The result is fantastic.” –STEWART HORNER, PENNY BLACK INTERIORS

When describing the allure of a mural, New York artist Anne Harris calls out their immersive nature saying, “They command an interior, and they engulf a physical space and transport you.” She’s been practicing the art form ever since she first viewed Italian frescoes in person, an experience that was so powerful she describes it as “head spinning.” Harris notes that while wallpaper adds color and pattern to an interior, murals offer something else. “With wallpaper, you have a repeating pattern,” she says. “But with a mural, you have interest that continues around a room, and you can see the intent, the perspective and the hand of the artist.” Painting murals is an ancient art, and they can be found decorating walls throughout the millennia, in places ranging from Egyptian tombs to Pompeiian homes to Indian palaces. But Harris sees the uptick in their recent popularity as a rebellion against “the white-gray-neutral rooms we’ve been living in the last several years.” For some, the word “mural” conjures an image of traditional pastoral settings, but many contemporary muralists embrace an unexpected aesthetic. Take artist JohnPaul Philippe, whose abstract work often contains a series of modern, biomorphic forms. With an architectural approach to his

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craft, he pulls inspiration from the spirit of the place where his murals will live. “A lot of my work is an articulation of what is going on around it,” says the artist, who splits his time between New York and Connecticut. He credits his use of color and form to his childhood in Oklahoma, where he had an unofficial apprenticeship with the local billboard painter. “It made me completely unafraid to paint large,” he says. Youthful experiences also influence San Francisco’s Rafael Arana, who began his artistic journey by spraying graffiti on walls around his hometown. Although he is no stranger to classic motifs, his work often has a different flavor—such as a pair of brilliantly hued iguanas that dance across the ceiling of a Presidio Heights mansion. Noting that many of his clients, even those in private residences, are looking for an Instagram-worthy moment, he adds: “Like graffiti, murals are an attention grabber— they stand out and start a conversation.” Arana says it’s that compelling quality that drives demand for his murals—some of which take several weeks of 16-hour days to complete. “A hand-painted mural is customizable and can bring a client’s vision to life,” he says. “It can tell a story the way few other elements can.”

–MARIE FLANIGAN, MARIE FLANIGAN INTERIORS

“ I have a hand-painted Chinese mural in my living room. It constantly draws me into the space.” –ALEX PAPACHRISTIDIS, ALEX PAPACHRISTIDIS INTERIORS

“ We’re doing a large mural in a stairwell because hanging art would be tricky there. Covering the walls in this manner makes it instantly more special.” – J ULIE MASSUCCO KLEINER AND MELISSA WARNER ROTHBLUM, MASSUCCO WARNER

“ Dining rooms and entries are prime locations for dramatic murals—these welcoming and entertaining areas set the stage for the rest of the home.” –KATIE LEEDE, KATIE LEEDE STUDIO

photos: vignette: pieter estersohn. wallpaper: tria giovan.

A mural by Anne Harris dresses up the living room wall of a Thomas Jayne project, while Rafael Arana (previous page) works his magic on a Ken Fulk-commissioned job.

“ Wall treatments can be incredibly impactful in confined spaces, like powder baths, where one is fully enveloped in the artwork.”

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DESIGNERS AND CREATIVES MUSE ON WHAT’S STYLISH NOW.

Wallpaper can be layered into an overall scheme to be harmonious or audacious audacious—much the same way jewelry is used in fashion. – DANIELLE COLDING, DCDNY.COM

My Harlem Toile De Jouy pattern would make a super stylish garment garment, of course! –SHEILA BRIDGES, SHEILABRIDGES.COM

I am fond of pink and brown as a color combination. I love mixing pastel gemstones with brown diamonds, like the Petrified Tree Fern and Brown Diamond Pavé in my Nigella Earrings.

Most people define style as expensive and couture, but really, it’s about the mix of high and low, patterns and prints, and bright and tonal colors. –RAILI CLASEN, RAILICADESIGN.COM

I’ve realized the value of a cozy silk rug— something that feels luxurious while eating dinner on the living room floor. –SHANAN CAMPANARO, ESKAYEL.COM

Dries Van Noten’s idiosyncratic color stories are fascinating and inspiring. His SS18 runway show surely influenced our Kips Bay 2018 salon and bar, awash in saturated turmeric and saﬀ ron, grounded with coal and ebony. –JAMIE DRAKE AND CALEB ANDERSON, DRAKEANDERSON.COM

–MISH TWORKOWSKI, MISHNEWYORK.COM

Others may think it a commonplace material, but I consider the endless forms, qualities and appearances of stainless steel to be quite sophisticated. –MAXIMILIAN EICKE, MAXIDNYSTORE.COM

Our most beautiful creation is the Kiku wallcovering, featuring hand-painted chrysanthemums. It was inspired by a turnof-the-century French vase, a pair of panels painted by Hokusai’s daughter and a Japanese woven silk kimono. –LIZZIE DESHAYES, FROMENTAL.CO.UK

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PHOTOS: THIS PAGE: EARRINGS: COURTESY MISH NEW YORK. VIGNETTE: COURTESY FROMENTAL. OPPOSITE: TOP VIGNETTE: TITUS SUNG / GETTY IMAGES. PENDANT: COURTESY RALPH PUCCI. CHAIR: COURTESY HABLE FOR HICKORY CHAIR.

P R O D U C E D B Y B R I T TA N Y C H E VA L I E R M C I N T Y R E

RADAR

COMMENTARY

HAUTE REFLECTIONS

Eileen Fisher is a constant source of inspiration. The use of organic linen materials is so casual, all while being tailored and sophisticated. sophisticated Every luxury item should have one foot in the future and traces of the past, like pieces by Hervé Van der Straeten. If it’s not going to last over time, there’s no reason for it. –RALPH PUCCI, RALPHPUCCI.COM

– MIKEL WELCH, MIKELWELCH.COM

I’m often inspired by the detail and shape of furniture— especially from the 18th and 19th centuries— as well as through palettes and patterns used by designers like Madeleine Castaing.

With its French design influence, Morocco is intoxicatingly exotic in its sights, sounds and smells. It masters ambience more than any other country I’ve visited. You are born with the ability to see everything, especially the little details. Then one learns to edit and assemble in an interesting way.

–ADAM LIPPES, ADAMLIPPES.COM

–SERENA DUGAN, SERENADUGAN.COM

–SHELLEY JOHNSTONE, SHELLEYDESIGN.COM

I consider a white sofa to be ‘the little black dress of interiors.’ You can easily dress it up or down and add any accessories. –DAN MAZZARINI, BHDMDESIGN.COM

A great house tells a story about the people who live there while also inviting others in to enjoy its warmth and oﬀer an escape from their own surroundings.” –KEITH SMYTHE MEACHAM, REEDSMYTHE.COM

The unseen energy poured into craftsmanship is the epitome of luxury—think hand-block printing and pieces woven by artisans. –SUSAN HABLE, HABLECONSTRUCTION.COM

WITH MINUTES 5 RADAR

Sartorial Sense FASHION DESIGNER CHRISTIAN SIRIANO DELVES INTO THE WORLD OF DECOR. W R I T T E N BY C AT H E R I N E H O N G P H O T O G R A P H Y BY B R I T TA N Y A M B R I D G E

“I’m not an overthinker,” says designer Christian Siriano when it comes to decorating his Westport, Connecticut, home. “I buy pieces that I like and try them out—that’s the fun part of the design process.”

Last spring, Christian Siriano had only just closed on his new house—a 6,000-squarefoot glass-and-stucco dwelling in Westport, Connecticut—when the country went into lockdown. Instead of using that time to slow down and feather his nest, the Project Runway star immediately shifted into superhero mode, rallying his atelier to sew thousands of masks for health care workers. Then, in the months following, he presented a new ready-towear collection, whipped up Covid red carpet looks for Lizzo, Jennifer Lopez and Lady Gaga and introduced a bridal line. Perhaps most surprisingly, Siriano announced his entry into the home space, launching an interior design studio and debuting a glamorous collection of geometric Postmodern furniture on 1stdibs—all this before wrapping up season 19 of Project Runway. “Yeah, I’m keeping busy,” laughed Siriano when Luxe checked in on the designer at his home in Connecticut.

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You’ve said that if you hadn’t gone into fashion, you might have become an interior designer—and now you have. Did this affection for interiors begin when you were a child in Annapolis, Maryland? My mom was really into interior design and as a kid I always visited antiques shops with her. Even though our house had a sort of nautical, Nantucket feel that’s more traditional than my taste now, I have to say, I still love a beachy, coastal room. What did your room look like? I had a lot of stripes and plaids because I was into the Ralph Lauren look. My walls were a bright cobalt blue and filled with paintings from the flea market. I had a picture of Alicia Silverstone from Clueless up too, which is hilarious because now Alicia and I are close friends. Your furniture collection doesn’t play it safe. Share the inspiration. I made

pieces that I wanted. I think the chairs almost look like little people in dresses. They’re modern and neutral in color, but they have warmth and texture. The million-dollar question: How are you doing all this? Running an interiors firm on top of a fashion company is no easy feat. I have two full-time people working with me on interiors. But I’m literally the most insane multitasker there is. Juggling and taking on different types of projects is what I’ve always done. One of my strengths is that I’m not an overthinker. I make decisions very quickly. What’s your secret for working with clients? Projects can take years in highend interior design. We may be a new interiors firm, but I have dealt with some of the most unbelievable, challenging, famous and insane fashion clients in the world. Believe me, I can deal with an indecisive or difficult personality. That, I’m good at.

METAL FRAMED GLASS CABINETS | Made in Italy Riquadro by Mario Mazzer Design | Elegante Bespoke Collection Find an exclusive showroom near you, or dealership opportunities 1.877.762.4337 | Exclusively distributed by snaidero-usa.com

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DISCOVERIES FRESH.DESIGN.FINDS.

LIAIGRE Arpège, Liaigre’s ﬁrst modular sofa, is the perfect answer to an essential need for comfort and ﬂexibility. With its timeless design, clean lines and the comfort Liaigre sofas are known for, the Arpège invites you to relax. 212.210.6264

BROWN SAFE Brown Safe is the premier builder of high-security luxury safes. It specializes in creating one-of-a-kind safes and vaults designed to ﬁt any need and decor. brownsafe.com

INCEPTION SHADES BY J GEIGER From the makers of J Geiger, Inception Shades feature premium aluminum hardware, versatile automation options and a sleek proﬁle without visible wires or screws. Shades install in minutes, saving time and money without sacriﬁcing style. Pro and DIY options are available. inceptionshades.com

SUN VALLEY BRONZE The Flush Edge Pull series by Sun Valley Bronze includes double-sided pulls for sliding doors and single-sided pulls for cabinet doors and drawers. The series is available in all 12 bronze and brass ﬁnishes. Made in the U.S. Price upon request. sunvalleybronze.com

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ROCKY MOUNTAIN HARDWARE Featuring a linen drum shade suspended within the frame of a modern rectangular bronze lantern, the Madison pendant by Rocky Mountain Hardware is available in a wide assortment of ﬁnish options. Priced at $9,596. rockymountainhardware.com

CHRISTOPHER PEACOCK Christopher Peacock introduces his Hudson Collection. A clean aesthetic with special details, hardware and material selections, this more modern style is perfect for an urban apartment or a large contemporary, suburban home. Custom colors and hardware ﬁnishes available. peacockhome.com

VANGUARD FURNITURE Clean lines, gentle organic curves and a midcentury modern design aesthetic make the Cove dining table a true statement piece. It features a mix of brushed, quartered oak and maple in earthy hues, and extends from 84 to 120 inches. vanguardfurniture.com

WEATHEREND ESTATE FURNITURE The Penobscot swivel chair by Weatherend is generously proportioned and topped with plush cushions for extra comfort. Durable and beautiful, it is shown with the Weatherend Yacht ﬁnish but available in any color or natural wood. weatherend.com

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SPOTLIGHT

Discover conversations with leading textile designers, showstopping collaborations and the latest design books.

Clarence House creative director Kazumi Yoshida wraps himself in the vibrant Blooming Jungle, a new fabric. Below, the Vietri motif is offered in five colorways.

A LOOK AT FOUR STORIED FABRIC HOUSES AND THE ARTISTIC FORCES DRIVING DESIGN FORWARD. W R I T T E N A N D P R O D U C E D BY K AT H RY N G I V E N A N D S A R A H S H E LT O N

A PARTICULAR PARTNERSHIP Kazumi Yoshida, Clarence House

When one door closes, another door opens— or so they say. For longtime Clarence House creative director and visionary artist Kazumi Yoshida that time came in 2019 when, after nearly 40 years at the legendary textile company and several owners in between, Fabricut acquired the brand making Yoshida’s retirement seem inevitable. Yet instead, the creative director was so touched by the enthusiasm of his new employers that he decided to stay on and begin a new chapter. With the Fabricut partnership in place, Yoshida thought the 60 th anniversary of Clarence House would be the perfect opportunity to pay homage to his original collaborator, Robin Roberts, who founded the brand in 1961.

portrait: erik bardin. fabric inset: courtesy clarence house.

MATERIAL MARKET

Woven Threads

With Champagne taste and an eye for glamour, Roberts’ atelier quickly became the destination for something unique during the ’60s—gorgeous bolts were coveted by New York society, and the rest of the country soon caught on. As appetite increased for original motifs, Yoshida was hired and his first assignment was to transform an old document from India into a new pattern that eventually became Papiers Japonais, still currently one of the bestselling

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Clarence House designs. The dynamic alliance between the two creatives allowed the business to flourish. Today, Yoshida’s 60 th anniversary collection brings to life an opulent time in history that Roberts was particularly fond of: the grand yet bizarre period of the early 18 th century, which the creative director describes as “Oscar Wilde with a twist.” Impressively, Yoshida still paints each design by hand—a rarity in the world of fabrics and wallpapers. clarencehouse.com

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MATERIAL

portrait: kevin kerr. inset photos: courtesy scalamandré.

MARKET

FRESH FACE

Sumitra Mattai, Scalamandré Early on, Sumitra Mattai realized that everything around her was designed and created by someone, and she indeed wanted to be that someone. “I always knew I loved textiles, and when I doodled, I doodled in pattern,” says Mattai, now Scalamandré’s senior design director. Growing up in suburban New Jersey with influences from her Guyanese and Indian heritage, Mattai says she couldn’t deny the creative pull. Founded in 1929 by Franco Scalamandré, an Italian immigrant with an engineering background, Scalamandré saw an opportunity for creating silks domestically in lieu of importing them from abroad. Success swiftly followed. From famous estates to the White House to one particular Wes Anderson film, the brand’s designs have made their mark on American culture.

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Three years into the role, Mattai is off and running with her natural gift for product design—fashion, fine art and the brand’s archives all inform her ideas. And she has acknowledged that the fabric house means different things to different people, whether it’s a loyal client of 50 years or someone who has recently discovered the company by way of their new partnership with The Inside. As for what’s next, the Sahara collection will debut later this year. Inspired by North Africa, the line boasts large-scale patterns and rich colors. Plus, there’s a new Leaping Cheetah design—a play on the infamous Zebra wallpaper. Surely, this is just the beginning for Mattai. “The magic of seeing something I draw or paint come back as a beautiful design…it never gets old,” she says. scalamandre.com

Scalamandré’s senior design director, Sumitra Mattai, shown with the Leaping Cheetah design from the new Sahara collection. Above are sketches and trims from the recent Folklore collection.

Apollo Faucet Set A stunning example of modern design, the Apollo Faucet Set was created by Sherle Wagner himself in the mid-twentieth century and continues to be a focal point in bathrooms across the globe. Shown here in High Polish Platinum with Lapis Lazuli, it is available with a range of semiprecious stones or in all metal. Choose from nineteen metal ﬁnishes, or even two-tone. Produced according to the highest standards at Sherle Wagner International’s dedicated Massachusetts factory.

Browse the collection sherlewagner.com

MATERIAL

portrait: mickey riad. fabric photos: courtesy fortuny.

MARKET

FORWARD LOOKING Mickey Riad, Fortuny

“We are here for a short amount of time, but Fortuny deserves to be here forever,” observes Mickey Riad, artistic director of the inspirational Italian textile house. With the 100-year anniversary of Fortuny’s Venice factory on the horizon, it’s a time of reflection for the brand. The story begins in the early 1900s when Spanish artist Mariano Fortuny created silk dresses and textiles in Venice. After making a name for himself, the company was lovingly placed in the hands of designer Elsie McNeill Lee in 1949, who, 20 years prior, brought Fortuny to New York’s Madison Avenue and established the brand’s position in the U.S. market. In 1988, Maged Riad bought the company from Lee, and eventually his sons, Mickey and Maury, began working for the new family business. Fast-forward 23 years and Mickey Riad is designing collections and shepherding the brand into the future. But no matter what direction the designs take, Venice, “the fountain of inspiration,” is always at the core. The latest collection, Imago, celebrates not only Venice but its supporting characters— local places and things are woven into the literal and

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Above, sumptuous textiles from the Imago collection provide a luxe backdrop for Fortuny’s artistic director, Mickey Riad. The rich green Barberini design is shown top left.

metaphorical fabric of the company. Barberini (above, top left) is named after the noble Roman family whose Palazzo featured a lush secret garden; the reintroduced Simboli (shown to Riad’s right in portrait above) was used on early notebooks for the brand. The magic is in embracing the originality of Fortuny, while still looking ahead. For the artistic director, the longer he continues at the Italian fabric house, the more relevance he sees in founder Mariano Fortuny, and his lasting influence. fortuny.com

Shown with Hatch.

Dreamy nights and bright mornings. matouk.com

photos: delphine jouandeau, courtesy manuel canovas.

MATERIAL MARKET

At the Manuel Canovas studio, design director Olivia Deruelle poses with some of her latest designs including Pondicherry and Bengale. Below is the embroidered fabric Ango.

COLLECTED APPROACH Olivia Deruelle, Manuel Canovas

“I am always looking for treasures,” says Olivia Deruelle, design director at Manuel Canovas, of sourcing inspiration for upcoming collections at the famed French fabric house. Growing up in Brittany, a charming region dotting the coast of France, this idea of collecting pieces from nature and the sea was embedded at an early age and continues to be a common theme in her current role. Coincidently, Monsieur Manuel Canovas, who founded his namesake brand in 1963, was also an incredible collector of art, crafts and antiques, and eventually grew the company internationally to encompass fabrics, wallpapers and carpets. It is this collectors’ sensibility, both from the past and present, that has curated beautiful designs that feel at once au courant and incredibly refined. While color continues to be at the heart of the brand, Deruelle focuses on maximalist, narrative-driven patterns; the result is an eclectic mix infused with happiness and joy. It was fitting then for her first collection released this year, that the focus was on French joie de vivre and exploring the modern interpretation of Toile de Jouy fabrics and wallcoverings. Classic Canovas motifs including Bengale and La Musardiere were recolored in vivid hues, and introductions like Pondicherry and Nara have farther flung influences including Japanese architecture and an Indian palace. Finding joy in the process of textile making is important to the design director as she considers Manuel Canovas’ honored heritage and gently steers the company into the future. Whether delving into the archives or working with contemporary artists and her team to develop original patterns, the guiding principle is to stay true to a brand that has created so much happiness and exuberance through the language of fabrics. cowtan.com

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nebula ¨ Intersecting stems form clusters of illuminated glass spheres in a dance-like rhythm. Mounted in precisely poised positions along rectangular beams in linear and rectilinear configurations of expansive scale, these Nebula constructions form illuminating sculptures of joyous activity in dramatic scale and proportion. Explore the possibilities at sonnemanlight.com.

Visit our new website: sonnemanlight.com SHOWROOM | THE NEW YORK DESIGN CENTER 200 LEXINGTON AVE NYC 10016 | VISIT IN PERSON OR CONTACT US FOR A VIRTUAL MEETING. U.S. and Foreign Patents Pending

Crafted Luxury. HANDCAST BRONZE HARDWARE | 12 FINISHES | MADE TO ORDER IN THE USA |

rockymountainhardware.com

Antilles Collection: Wallpaper, Print & Woven Fabrics

Anna French is a division of Thibaut, Inc. www.annafrench.co.uk

Wallpaper, Addison Daybed and bed panels in Antilles Toile. Bed panels lined in Saybrook Check. Pillows in Clipperton Stripe. Bolsters in Javanese Stripe.

Distinct style and thoughtful ideas unite this season’s design tomes. W R I T T E N A N D P R O D U C E D BY S A R A H S H E LT O N

Inspiration Found REVEL IN PETER PENNOYER’S LATEST BOOK CELEBRATING A CZECH CUBIST-INSPIRED HOME. Go-to source for inspiration: Our office library. Favorite room in a house: The living room. Design bucket list: To design a garden pavilion on a Nordic island. I can become consumed with… curiosity. I love when a client says: “Show me your best idea.” I always come back to… the fundamentals. What’s up next: Reclaimed building materials. If not a designer, I’d be… a poet.

Clockwise from top right: Corfu Fabric in Aubergine by Ferran / Price upon request / supplyshowroom.com. District Tile in Fig / Price upon request / waterworks.com. Gathered Bedwyn Lampshade in Suede Shoes / $352 / fermoie.com. Orion Demilune Chest in Emerald / $3,750 / ambellahome.com. Jodhpur Wood Inlay Tray in Teak Brown / $199 / gaurikohli.com. Dayak Armchair in Honey & Black by Paolo Moschino / $669 / nicholashaslam.com. Rowdy Meadow: House – Land – Art by Anne Walker and Peter Pennoyer Architects / $70 / vendomepress.com. Talia Bangles / $8,350 each / markdavis.com.

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PHOTO: ERIC PIASECKI.

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FINE PRINT

Surfaces inspired by your spotless style

Inspiration isn’t always obvious, but the right partner should be. View our entire line of porcelain tile and countertops at CrossvilleInc.com and create a digital account to order complimentary samples. Countertop: State of Grace by Crossville Project and Photography by The OAK Design Project

What Inspires You, Inspires Us.

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Master Craftsmen ARCHITECTS KEN PURSLEY AND CRAIG DIXON CHRONICLE THE PROJECTS THAT DEFINE THEM.

Clockwise from top right: Calvino Mini 3-Light Chandelier by Ian K. Fowler / $999 / circalighting.com. Finding Home: The Houses of Pursley Dixon by Ken Pursley and Jacqueline Terrebonne / $55 / rizzoliusa.com. Arlington Sofa / Price upon request / granttrick.com. Bronze Trépied Side Table / Price upon request / liaigre.com. Alden 8637F in Multi / Price upon request / feizy.com. Gallatin Dinnerware / From $59 / arhaus.com. Classic Throw in Herringbone Cognac / $445 / aliciaadamsalpaca.com.

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PHOTO: WILLIAM ABRANOWICZ.

Best tip to keep ideas flowing: (CD) Experiential learning. Underrated material: (KP) Veneered plywood. Dream project location: (CD) Remote places. I obsess over… (KP) the perfect gimlet. I wish clients would embrace… (CD) not stylistically labeling architecture. It’s all about… (KP) surrounding yourself with people you enjoy. Up next: (KP) The book tour—to meet new friends and reunite with old ones as we share our story. If not an architect, I would… (CD) partner up with Ken to conquer the corn hole world.

Form and function converge in Vincent Van Duysen’s Franck Modular Seating and performance fabrics, pillows and rugs for Sutherland and Perennials. I perennialsfabrics.com I sutherlandfurniture.com

TREND MARKET

Pretty In Pink A CELEBRATION OF JANIE MOLSTER’S 25 YEARS OF VIBRANT, FUN DESIGN.

Clockwise from top right: Margaux Key Tassel in Hydrengia Antique / Price upon request / samuelandsons.com. Hamburg Rug in Flamingo / Price upon request / starkcarpet.com. House Dressing: Interiors for Colorful Living by Janie Molster / $50 / monacellipress.com. Madame Stationery Set / From $210 / shop.casafelix.com. Hosios Embellished Mules in Dark Red Satin / $1,075 / manoloblahnik.com. Brighton Octagonal Ottoman in Mini Branca Stripe Cerise / $7,100 / casabranca.com. Claydon House Linen Press by Jamie Merida / Price upon request / chelseahouseinc.com. Tulip Contemporary Wall Sconce by Hannah Woodhouse / $1,619 / 1stdibs.com.

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PHOTO: GORDON GREGORY.

Daily dose of inspiration: Downtime near the water. Favorite item to source: Original artwork. Dream collaboration: Collector and designer Furlow Gatewood. I always think about: Longevity. I pray for a client… who wants to travel the world with me finding treasures for their home. When in doubt… I collaborate. In the works: A family compound in Captiva, Florida. If not a designer, I’d be… an antiques dealer.

The ultra-soft hand of Crypton Home fabrics—linens to velvets—is so luxe, you’d never guess every single ﬁber is encapsulated with Crypton technology, protecting against spills, stains and odors.

Cheers to that! Visit crypton.com/where-to-ﬁnd

A Perfectionist’s Playground From the ground up, we are built on precision and purpose. Whether it’s articulating handles, consistency in our stainless steel grain, Signature Fit™ installation, or engineering considerations that follow your countertop’s lines, our full collection of built-in appliances is designed to please the designer, builder and home chef alike. Carrying over to our respect for food, each of our appliances is thoughtfully designed to prepare, preserve, or clean in the best ways possible — including the market’s only built-in sous vide. That’s how we stay True to Food.™

Bundle and save with Dream Suite Savings. Visit us at SignatureKitchenSuite.com to find your nearest dealer.

Technicureans™ Times Two kitchen designed by Joan Ravasy | www.joanravasydesign.com

Copyright ©2021 Signature Kitchen Suite, 111 Sylvan Ave., Englewood Cliffs, NJ 07632. All rights reserved. “Signature Kitchen Suite” and the Signature Kitchen Suite logo are trademarks of Signature Kitchen Suite.

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Curtain Call THE SHOW MUST GO ON FOR CREATIVES AND THEIR LATEST COLLABORATIONS. P R O D U C E D BY K AT H R Y N G I V E N A N D S A R A H S H E LT O N P H O T O G R A P H Y BY W I L L I A M A N D S U S A N B R I N S O N

THE RUG COMPANY X MARTIN BRUDNIZKI A dream partnership between two British powerhouses, Martin Brudnizki’s New Romantic collection of rugs is a celebration of some of the designer’s favorite motifs, like architectural patterns, linear stripes and painterly animal prints. The Folly Rug, shown here and described as exuding “joyful hedonism,” is woven of luxurious Tibetan wool and silk and flaunts a gold leopard and balustrade design. therugcompany.com

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SPOTLIGHT MARKET

POLTRONA FRAU X GAMFRATESI In the recent collection between the Italian leather house and design duo Stine Gam and Enrico Fratesi, the Plot leather and metal modular room dividers offer both a retro reference along with a newfound, modern-day functionality. Available in six colors, the weaving technique allows both transparency and pattern while creating “an awareness and curiosity of space and time.” poltronafrau.com

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t h e o d o rea l ex a n d e r. c o m

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HOLLY HUNT X ATELIER ALAIN ELLOUZ Alabaster and rock crystal are the materials of choice for French lighting studio Atelier Alain Ellouz, and it’s those features that caught the attention of Holly Hunt. On display in a number of showrooms, the partnership is sure to shepherd alabaster into America’s design vernacular. All handmade, the Camille Pendant Light’s simple, sculptural form is reminiscent of Greco-Roman architecture and allows for the natural material to shine. hollyhunt.com

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SPOTLIGHT MARKET

NIERMANN WEEKS X KATALIN FARNADY Old-world architectural details, Art Deco influences and geometric forms are the reference points for Katalin Farnady’s first-time collaboration with furniture manufacturer (and fellow Marylander) Niermann Weeks. The flat-backed wood Adele Console table flaunts a glossy finish, and the piece’s three distinct curves represents each of the designer’s three daughters. niermannweeks.com

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SPOTLIGHT MARKET

INDUSTRY WEST X UNITED STRANGERS Petite, yet impactful, the Malibu Side Table embodies Australian-based United Strangers’ design ethos of bringing together different materials and cultures to create pieces that are fresh, exciting and sustainable. Designed exclusively for U.S. retailer Industry West’s discerning clientele, the versatile side table is situated on a polished stainless-steel base and topped with a green and orange Turkish marble. industrywest.com

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Thermal Steel Windows and Doors

arcadiacustom.com

SPOTLIGHT

shot at the landmark loew’s jersey theater.

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ROLL & HILL X LARA BOHINC Staying true to the belief that lighting is jewelry for a room, it was natural for the Brooklyn-based Roll & Hill to tap Lara Bohinc, a London designer with a degree in metalwork and jewelry, to create a line of exquisite lighting pieces. The brushed-brass design of the Moonrise Chandelier—inspired by the many phases of the moon—is wired with LED cables to allow the acrylic spheres to glow. rollandhill.com

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“With Western Window Systems, we were able to put a lot of multi-slide doors in and still meet the energy objectives we were chasing.” - Dan Coletti, president, Sun West Custom Homes

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Moving glass walls and windows for all the ways you live.

LIVING KITCHEN

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THE

REPORT

It’s all about the details in high-end kitchen and bath design, plus we’re enthralled by the magic of illumination.

BATH + KITCHEN LIVING

FROM HARDWARE TO FITTINGS, THE FINAL DETAILS MAKE KITCHENS AND BATHS SHINE. P R O D U C E D BY K AT H R Y N G I V E N A N D S A R A H S H E LT O N

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photo: read mckendree/jsba.

Finishing Touches

NEOLITH® STRATA ARGENTUM Space | NEOLITH® Urban Boutique Milan (Italy) | Designed by Héctor Ruiz | Photography: Nacho Uribe Fotógrafo

Responsible Elegance www.neolith.com | @neolithnorthamerica CIOT: MI & GA; EVOLV SURFACES: NorCal CA, OR, WA, ID, NV, AK & HI; GLOBAL GRANITE & MARBLE: MO, KY, KS IL, IA, IN, NE & TN; HG STONES: NY (NYC, LI, BK, QNS, LIC & BX); LA NOVA TILE: HOU; MARBLE & GRANITE: CT, MA, RI, VT, NY & HPN; MARVA MARBLE: VA, MD, NC, DC, WV, PA, DE, SC; NEOLITH® ATLANTA: GA; NEOLITH® FLORIDA: FL; NEOLITH® NEW JERSEY: NJ & NY; OLLIN STONE: SoCal; POMOGRANIT STONES: TX (HOU, AT & SAT); STONE DESIGN: WI & IL; THE STONE COLLECTION: DTX, NM, NE, CO, AZ, UT, MT, WY, ND, SD, FL & ID.

BATH + KITCHEN LIVING

GOLDEN AGE LILSE MCKENNA INC.

“I love the challenge of putting together kitchens and baths, and I really interrogate my clients about how they live in these functional rooms,” says New York-based designer Lilse McKenna, who explains that a lot of wasted space can accumulate if the needs and wants of clients are ignored. For a home on the Eastern Shore of Maryland that dates to 1750, investing in the details—everything from the materials and hardware to the finishes and fittings—allowed the renovated kitchen and bath to maintain its historic feel while still embracing a new and elevated scheme. lilsemckenna.com Where did you start? It was very important to the clients that when embarking upon this renovation, we paid homage to the heritage of the home and brought in elements that felt authentic and even patinated. Cue the tongue-and-groove walls, antique ceiling beams, butcher-block style countertop and pine flooring that we dyed instead of stained in keeping with 18th-century ethos. The kitchen island (previous page) is beautiful! We hung the custom Ann-Morris pot rack to make it feel like an older kitchen, but it really grounds the entire space and balances out the massive island. I also like the collected feel of mixing metals; here we used antique copper pots, brass lighting and fittings, and a treated stainless-steel hood. Some may have rules about finishes but I always just go with what feels right in the space. Talk to us about this extra sink (right)? The homeowners cook and entertain constantly and needed two sinks and dishwashers, so we added a prep area with a charming, hammered copper sink and painted cabinetry. This allows for a bit more storage, so things feel less cluttered. Everyone always ends up in the kitchen and I strive to make sure the details here are just as beautiful as in the rest of the house. In a Maryland home by Lilse McKenna, shown here and on previous page, the kitchen features custom cabinetry painted in Farrow & Ball’s Inchyra Blue and Benjamin Moore’s Ivory White. A House of Rohl pot filler sits above a Lacanche range while Hickory Chair stools upholstered in Holly Hunt leather round out the decoration. Waterworks’ copper sink and fittings adorn the prep area. The architectural scheme is by Michael Elfenbein Design.

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SEA CHANGE

The primary bathroom follows the same guiding principles as the kitchen. Vaulted ceilings and antique wide-plank flooring throughout connect the spaces. In the water closet, McKenna added paneling painted in Benjamin Moore’s Silken Blue to complement Bennison Fabrics’ showstopping Wheat Flower. To create the feeling of an old historic bedroom that had been converted into a bath, the designer included antique etched hurricanes with custom brass and mahogany backplates.

PERFECT FIT

As much as the designer wanted to fabricate a new vanity for the bath, nothing was turning out quite as well as the 18th-century chest she had found, which fit snuggly into the footprint of the room. She added a marble countertop and backsplash, along with fittings and a sink. The chest’s beautiful original finish was kept as is.

photos: read mckendree/jsba.

WATERED DOWN An old-fashioned copper Waterworks tub adds to the narrative that this was once a small bedroom original to the home that had been adopted as a bath over time. Placing the piece away from the wall and installing the fittings directly into the floor contributes to the authentic feel.

ANN SACKS CURATED BATH COLLECTION The Ann Sacks Curated Bath Collection unites many of Kohler’s luxury bath brands into a beautiful, design-driven presentation featuring seven fully appointed vignettes. Ranging from modern to traditional, the varying interiors nod to pivotal and influential style eras throughout the decades such as Rosebrook, shown, which was inspired by elegant Parisian architecture and features Celano lighting and a hand-stained oak vanity. Customers can purchase the entire look or select from individual items, many new and exclusively designed for this collection from Robern, Kohler Lighting, Ann Sacks and Kallista. annsacks.com

photo: courtesy ann sacks.

BATH + KITCHEN LIVING

FULL SUITE

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LIFE’S BEST MOMENTS. FURNISHED.™ Schedule a complimentary virtual design consultation or shop online. SummerClassicsHome.com/Luxe

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INDIVIDUAL APPROACH

FREE FALLING

Suzanne Tucker’s recent line of hardware with The Nanz Company includes the fluid and spherical Tiburon collection inspired by the concentric circles formed by a single drop of water. Shown here are lever Nº 2932, knob Nº 1932 and pull Nº 8608; all available in Nanz’s 30-plus finishes. nanz.com

STATEMENT SOAK

Talk about a focal point. Wrapped in handpolished brass, Waterworks’ Emile Freestanding Oval Cast Iron Bathtub is as classic as it is eye-catching and versatile. Curved lines nod to vintage tubs while the “of-the-moment” finish effortlessly complements both a clean and crisp backdrop or a more maximalist, patterned surrounding. waterworks.com

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INDIVIDUAL APPROACH PHOTO: ERIC ROTH. STATEMENT SOAK PHOTO: COURTESY WATERWORKS. FREE FALLING PHOTO: COURTESY NANZ.

For designer Liz Caan’s own 1920s Georgian-style home in Boston’s Chestnut Hill, it was without question that when it came to aesthetics, her choices would be ultra-personal—inspired by the work of trusted vendors and objects collected from travels. “The powder room is a play of opposites,” says Caan, “old and new, classic and industrial.” This charming sink vignette is comprised of a Watermark faucet, Soane sconces and Antoinette Poisson wallpaper. Best of all, the designer notes, “It’s constructed of truly natural and solid materials that will age beautifully.” lizcaan.com

405 Midday

Outdoor Collection

The series’ innovative quartz surfaces are designed, developed and tested to withstand the most extreme weather, standing up to sun, rain and snow over the long term.

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The new neutral white, echoing an industrial concrete surface that is embellished with warmer greys and a confetti of cloudy sparks. Beautiful inside and out.

BATH + KITCHEN LIVING

FRENCH FLAIR L’ATELIER PARIS

The custom kitchen purveyor’s cofounder and senior design director Maria Moraes walks us through a Pawleys Island, South Carolina, project that’s thought out to a T. leatelierparis.com

The range is a stunning statement piece. Tell us about it. It’s a custom Le Classique style La Provençale 2100 range in the exclusive Blanc de Blancs colorway. It includes 82.5 inches of prime cooking space with two large convection ovens, 4 gas burners, a smooth griddle and a coup de feu. Polished brass trim complements the stainless-steel powder-coated base, and the surrounding cabinetry is wire-brushed oak. Share any other noteworthy elements. We always include thoughtful details in our L’Atelier kitchens. On this island, the sink’s faucet sits just below the countertop on a small ledge so when people sit at the island, they don’t have to look at sponges, dish soap or collected water. These nuances make all the difference.

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photos: dustin peck, courtesy l’atelier paris.

What did the homeowners request? The clients were building their forever home by the beach and asked for a fresh, clean look. However, after we installed the brass finishes, they realized the space was really more like a jewel box! The range fit right in with the custom metalwork and bright brass accents. Plus, the couple loves to cook, so this was an important feature.

Fall in Love with Elfa during our Spend & Save Event September 3rd through October 17th. Schedule your free design consultation today (or try our new Virtual In-Home Design Service) at containerstore.com/custom-closets. ©2021 The Container Store Inc. 51526

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The beauty of re-using timeless material, enjoying the patina and continuing the provenance is what makes the antique stone of Paris Ceramics extremely coveted.

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A D V E R T I S E M E N T

NATIONAL LOOKBOOK | KITCHEN + BATH

ZEPHYR

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In the kitchen perhaps more than any other part of home,

compatible range hoods remotely, from anywhere, with the

performance is king. Certainly, you want an aesthetically gorgeous

Zephyr Connect app. “Change fan speed, alter lighting, set

design. But in this culinary center, function is just as important

timers, check filter status—you can do all this on our new app,”

as form. That’s why Zephyr, beloved by designers, architects and

says Luke Siow, Zephyr’s president. “Not to mention, it seamlessly

builders alike for more than 25 years, continues to challenge the

connects with smart devices like Amazon Alexa and Google

perception of what appliances can and should do. For its latest

Home to enable voice activation.” It will even connect you to

innovation, the company has gone digital. Now, you can control

expert support resources if ever an issue arises.

“For the home chef, entertainer, or busy modern family, the Zephyr Connect app is the ultimate kitchen partner.”

PRODUCT SPOTLIGHT: TIDAL II The newest product in the Zephyr Pro collection, the Tidal II range hood with Zephyr Connect has a proprietary PowerWave™ blower system and untraditional, beveled bottom edges. Compatible with Zephyr Connect, Tidal II is virtually silent, exceedingly powerful, beautiful and smart. “Homeowners want pro-style kitchens with innovative tech and sleek, modern designs,” Siow says. “The Tidal II hood delivers on it all.” It’s also equipped with LumiLight LEDS.

ALEXA, SET ZEPHYR FAN SPEED TO THREE All you need is a Wi-Fi connection and Zephyr Connect allows you to control compatible range hoods from anywhere using your mobile device. It provides real-time diagnostics, product information and more. The app sends reminders when it’s time to clean or replace filters, linking directly to the model, the right parts to purchase, and how-to videos. It is available to download from the Apple App Store and Google Play.

Top The Tidal II range hood’s sleek beveled edges give it a professional, yet style-forward feel. Bottom With Zephyr Connect, you’ll receive notifications informed by intuitive support technology. Be reminded to clean and replace filters or get an alert when the hood has been running for too long. Photography Courtesy of Zephyr

For more inspiration visit our San Francisco Design & Experience Center zephyronline.com

S T Y L E TO S TO P Y O U C O L D

Presrv ™ Wine & Beverage Coolers are the coolest way to keep beverages at optimal storage temperatures. With innovative technology and the sleek, fashionable looks you expect from Zephyr.

REPORT THE LIVING

Positively Illuminatıng CAST YOUR HOME IN ITS MOST FLATTERING LIGHT WITH A TIMELY MIX OF MODERN FIXTURES AND REFLECTIVE FINISHES. W R I T T E N A N D P R O D U C E D BY G R AC E B E U L E Y H U N T

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this page: light vignette: jon day, styled by hannah franklin, courtesy bodo sperlein studio, j. & l. lobmeyr, and les ateliers courbet. opposite: swatch: courtesy misha.

Exemplary of lighting’s sleek and elegant mood, the Script collection (chandelier shown this page) by artist Bodo Sperlein for Viennese glass manufacturer J.& L. Lobmeyr debuts stateside this fall at the New York-based design gallery, Les Ateliers Courbet. Shown opposite, a swatch of Polonium 037 wallpaper from Milanese studio Misha adds light via reflective metal leaf applied by hand to a fine paper surface. ateliercourbet.com; mishawallcoverings.com

REPORT THE LIVING

SIMPLE GEOMETRY THE LATEST LIGHTING PIECES EVOKE DAINTY, ANGULAR, IT-GIRL JEWELRY.

GLOW UP

A charismatic companion for desk or table, the Tableton lamp from Melbourne-based Volker Haug Studio touts sculptural heft, a tactile finish and a soft, diffuse glow. Crafted from a single piece of cast metal, it’s available in two sizes, and in either gunmetal or aluminum. (One is a statement, a pair is a party.) volkerhaug.com

TURNING CIRCLES

The Wells Sconce from More Classics—Mark D. Sikes’ latest collection with Hudson Valley Lighting—offers a lighthearted spin on tradition. An aged brass base pairs with either a black or white plaster shade, and, in a fun twist, can be positioned facing up or down, depending on the mood of the room. hudsonvalleylighting.hvlgroup.com

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SHAPE SHIFTER

Exploring architectural concepts in physical form is a passion for Brooklyn designer and architect, Douglas Fanning, as seen in his Till chandelier, available exclusively through Maison Gerard. With blades of slender brass finished in a smoky, oil-rubbed bronze polished back in a spotted effect, it’s both strong and delicate—a chic study in balance. maisongerard.com

SMOOTH OPERATOR

With a view to designing a fixture as beautiful off as on, Jonathan Browning debuts the Tourville table lamp. Comprised of hand-polished and patinated solid brass, and featuring a long, slim Edison bulb in its rotating head, it’s a dynamic desktop addition from every angle. jonathanbrowninginc.com

PHOTOS: THIS PAGE: ADAM MACCHIA. OPPOSITE: GLOW UP: HAYDN CATTACH. SHAPE SHIFTER: COURTESY MAISON GERARD. SMOOTH OPERATOR: COURTESY JONATHAN BROWNING. TURNING CIRCLES: COURTESY HUDSON VALLEY LIGHTING.

QUIET REFLECTION

A MANHATTAN DINING ROOM MAKES MAGIC OF ITS INWARD CONFINES.

On Manhattan’s Upper East Side, a classic six apartment had just one dark quality: its courtyard-facing dining room, which called for a thoughtful lighting program. Enter New York and Miami-based designer Elizabeth Bolognino, who, alongside Anderson Kenny Architecture, installed a fresh fenestration, including a matching window connecting to the kitchen to borrow its sunlight. In addition to a 12-headed Gabriel Scott chandelier (“I really wanted it to look like an anthropomorphic jewel;” she says), Bolognino commissioned decorative artist Dean Barger to paint a pale pink lacquered ceiling to mimic the surface of a calm lake. “Any time you bring in reflection, it makes a room feel bigger,” she says, adding, “Any time you can utilize light as art, you should do it.” elizabethbolognino.com

REPORT THE

photos: this page: all angles: matthew millman. opposite: gold standard photo: courtesy paint laboratory. fresh perspective: portrait, mike vorassi. bar vignette, courtesy ellis design group. Swatches, courtesy wallpaper projects.

LIVING

ALL ANGLES A NAPA ENTERTAINING BARN CONDUCTS A GRAND LIGHTING EXPERIMENT.

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“The very essence of this project was about exploring the play of light,” shares architect William Duff of the century-old Wine Country hay barn he reconceived. Set amidst his clients’ lush vineyard and impressive modern sculpture gardens, the crisp California sun played muse to Duff’s proposed reincarnation of the outbuilding as an entertaining pavilion with a contemporary spirit. “The first time I walked the existing barn, I was struck by the way sunlight filtered through the gaps in the wood siding and thought that light, and the different ways it can illuminate

space, could be the guiding design theme for the project,” he explains. In turn, the original wood-slatted shell was maintained as a screen to splash abstract patterns across the floor by daylight. By evening, the structure then casts beams across the grounds like a glowing lantern. Joined by two new opposing glass volumes with mirrored walls, and a discreet lighting program, the project perfectly synthesizes how artificial and natural light, along with clever visual illusion, can elevate a humble structure to something extraordinary. wdarch.com

SHINE ON METALLIC WALL TREATMENTS OFFER A DAZZLING WAY TO PLAY WITH LIGHT.

GOLD STANDARD

For designer and entrepreneur Rocky Rochon, solving the problem of how paint color is affected by shifting light sources prompted the birth of The Paint Laboratory, a custom paint company governed by metamerism: the science of light reflection. While all specialty paints are developed to troubleshoot specific design woes, Rochon’s metallic special finishes—available in any Rocky Rochon paint color—aim to brighten even the darkest corners via pearlescent additives designed to refract and create a luminous shimmer. thepaintlaboratory.com

FRESH PERSPECTIVE

Good things happen when Brooklyn creatives collide. Take Patina Studies, a mesmeric line of wallcoverings from the boutique wallpaper studio Wallpaper Projects in collaboration with design practice Kin & Company. Admiring Kin & Company’s arresting metal patinas— the result of chemical experiments on bronze— at a shared trade show, Wallpaper Projects’ husband-and-wife owners, David Jimenez and Amanda Dandeneau, saw an exciting opportunity to develop an atmospheric wallpaper. Printed on gleaming mylar, the patterns— seen here in Patina Studies 1, Patina Studies 2 and Patina Studies 3 installed by Ellis Design Studio at London venue Electric Shuffle—are designed as an experience unto themselves. Fluctuating sunbeams, shadows and artificial light sources pick up on different nuanced metallic reflections, creating a dynamic, ever-changing canvas. wallpaperprojects.com

ASPEN, CO | PRICE UPON REQUEST Slifer Smith & Frampton Real Estate K. Klees/N. Bartley — 970 925 8088 WEB ID: QYRH8

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Bold color coupled with a strong sense of place yields a flip-the-script lakeside getaway in Montana.

Waterfront Idyll

Architecture: Larry Pearson, Pearson Design Group Interior Design: Peter Dunham, Peter Dunham & Associates Home Builder: Kelcey Bingham, Bear Mountain Builders, Inc. Landscape Architecture: Kurt Vomfell, Terra Designworks LLC

he words, “I want to have a little fun with this house,” are music to a designer’s ears. And that’s exactly what Peter Dunham’s client said upon hiring him to craft the interiors of the Whitefish, Montana, vacation home she shares with her husband. To Dunham, “fun” meant playing to the expansive lake views from the residence’s hillside location. It also meant going a bit wild, blending elements from the 1950s, ’60s and ’70s, and layering with art and handmade pieces. “I’ve never done this particular look for another client in this environment and context,” he says. “It’s very much tailored to their style and the locale.” The clients emphasized the importance of respecting the surrounding environment. To speak to the local vernacular, Dunham recommended residential designer Larry Pearson. He was familiar with Pearson’s work and confident that he could create the contemporary but relaxed vibe the couple was looking for yet stay true to the setting. “We love regional materials,” notes Pearson, who worked with general contractor Kelcey Bingham to incorporate recycled timber and Montana moss rock. “The exterior color scheme and materials blend into the setting,” adds Bingham. A sense of place was top of mind for landscape architect Kurt Vomfell as well. “The goal was to reflect the character of Montana,” says Vomfell. He points to the native and near-native plantings he used that “feel like they were found in a meadow here.” While the team wanted the residence to fit in, they also wanted it to be aesthetically interesting. So, Pearson flipped the script on a classic lake house. A guest house was erected at the top of the hill, with the main house set below. The entry from the motor court leads to a foyer from which a stone staircase descends into the social spaces at lake level. “This is a home that touches the water,” Pearson says. “So, you’re engaging with the lake.” A contemporary style was important, but, Pearson asserts, an ultra-sleek modern home was never his goal. It was important, he says, “that you can take your shoes off, walk down to the

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beach, jump in a boat and come back in soaking wet.” Adds Dunham: “It was much more about organic modernism. Larry was very invested in how his design was working between these materials. You’ve got really beautiful stonework, woodwork, hand-troweled plasterwork and iron elements that he brought in.” Since the clients didn’t want what Dunham calls “a serious, monochromatic house,” he incorporated color but carefully considered its usage. “The outside view is stunning with the shades of blue and gray-blue. When the lake goes bright, it’s green,” he says. “You’ve got the green of the trees and the colors of the mountains. So those are what you want to celebrate.” The designer worked in verdant tones through furnishings such as teal pendants in the kitchen, a sea-green sofa in the foyer and light green swivel chairs in the living room. Varying shades of sand that nod to the beach set the backdrop. When Dunham did choose to use other colors—mixing in burnt-orange and saffronyellow dining chairs among the blue and green ones; designing a sectional upholstered in a pumpkin-colored chenille for the sitting room— he kept them muted rather than bright and intended for them to support the vibrant art. “A lot of the art is quite fresh,” Dunham says. “You didn’t want to put up works that felt sludgy.” To this end, he hung a vintage tapestry prominently in the dining room. Its black background and bold colors contribute an eyecatching graphic quality and a bit of drama, while the textile itself mutes noise and adds softness against the stone walls and steel-framed windows. The result: A room where dinners last for hours, thanks also to the generously scaled chairs covered in a stain-proof leather that is “semi-indestructible,” says Dunham. This isn’t the only room for gatherings. The entire house is designed for groups. There’s the cozy nook in the living area warmed by a fireplace—the perfect spot for card games—the inviting orange sectional and the many seating areas out on the deck. Which is precisely the point, Dunham muses. “I look back, and I see the picture over the lake or the chairs around the fire pit and think, ‘that’s somewhere I’d like to be.’ ”

“The entry is all about the mix of materials,” says designer Peter Dunham of this Montana vacation home. “It’s a yin and yang.” The granite table with chipped edges—a nod to the stone walls—is by Peter Dunham & Associates, as are the rest of the custom pieces in the residence. Its monumental presence balances the bespoke sofa in a lush Brunschwig & Fils mohair, a classic Noguchi paper pendant and the Robert Natkin painting.

“I’ve never done this particular look for another client in this context and environment. It’s very much tailored to their style.” –PETER DUNHAM

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To keep the vibe informal and fun, Dunham incorporated occasional bursts of color, such as the custom sectional covered in a vivid AST Fabrics performance chenille in the sitting room. Both the bespoke coffee table sporting a vintage cowhide patchwork and a Hans J. Wegner rocking chair suggest a rustic feel.

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Right: “It was important for us to connect the house visually to the surroundings,” says residential designer Larry Pearson. Accenting the stair hall, which looks onto the lake, are a custom console with a live-edge walnut top and branch legs and a Bocci light fixture. Opposite: Artworks by Erin Morrison provide a graphic counterpoint to the dining area’s custom chairs covered in a rainbow’s worth of Keleen Leathers hides. Above the bespoke walnut table hangs a custom five-drop Apparatus chandelier. Underfoot is a Marc Phillips rug.

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A generous fireplace separates the main living area from a casual dining spot furnished with a round table and armchairs by Pacific Green, the latter upholstered in a Perennials linen. Shining from above is a 1950s steel-frame chandelier found at auction. Throughout, the white oak flooring is by Burchette & Burchette Hardwood Floors.

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Above: “In the guest house, I again used a strong mountain narrative,” notes Dunham. He topped a 1960s pine table from the French Alps with a vintage lamp from Big Daddy’s in Los Angeles. The mirror is from his Hollywood at Home line. Left: The designer placed the bespoke bed dressed in Deborah Sharpe linens in the center of the main bedroom. A custom hanging chair holds court in one corner, while a 1950s Kurt Østervig leather armchair offers another place to relax in the other. The artworks are by Sonia Delaunay.

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A generous terrace serves up spaces for eating, lounging and taking in the views and the grounds by landscape architect Kurt Vomfell. Arrayed around the dining area’s custom table are teak Peter Dunham Home chairs. Flanking the fire feature are Peter Dunham Home rockers.

A New Chapter Vibrant art, antiques and character-rich rooms refresh a Dallas residence.

W R I T T E N BY C H R I S T I N E D E O R I O | P H O T O G R A P H Y BY S T E P H E N K A R L I S C H

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Architecture: Joel Gallegos, JJGDesign Interior Design: Jan Showers, Jan Showers & Associates Home Builder: Mike Moss, Ornata Residential Services

ne quirk of being an interior designer as soughtafter as Jan Showers— whose career spans some 40 years and hundreds of projects in her hometown of Dallas and beyond—is that every so often, you’re called upon to design the same house twice. Such was the case when local clients David and Emberli Pridham asked Showers to reimagine their recently purchased residence on “one of the prettiest streets in Highland Park,” the interior designer says. Years ago, Showers had helped a previous owner decorate the French provincialstyle house, including the formal dining room for which she had commissioned the shimmering hand-painted wallpaper that still remains. For the new iteration, Showers set about making it suit the current couple and their children, layering the rooms with an eclectic mix of art, antiques and color. Says David: “Jan has a knack for finding pieces you might think would never work together and melding them perfectly.” Thus began a year-long process during which Showers, her senior designer Zara Taitt, builder Mike Moss, his project manager Oscar Mena, residential designer Joel Gallegos and landscaping company Southern Botanical updated almost every inch of the interior and exterior. Changes outside included cladding the symmetrical front façade with cast stone, while inside updates comprised such moves as removing a bar separating the kitchen from the family room, with openings between other living areas expanded. Elegant new moldings wrapping these doorways repeat throughout the house, “making it more architecturally interesting,” Showers observes. Such details give the home authority to host furnishings varying widely in style, period and provenance, from vibrant photography by Celia Rogge and abstract paintings by Ludwig Schwarz to European antiques and new pieces from Showers’ own collections. “That’s what I like,” the interior designer says of combinations such as the foyer’s Biedermeier table paired with vintage Chinese Chippendale chairs, Murano lamps and a credenza inspired by a 1970s Italian piece Showers found in Paris. “There’s an art to the mix, and that’s what makes a room interesting to me.”

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At times, the homeowners were amazed by such pairings, including Showers’ juxtaposition of a hefty, 1950s wood-and-brass Italian bar cabinet with breezy, vintage bamboo furnishings in the solarium, a space seemingly right out of the Slim Aarons photography adorning the walls. “The first thing I thought was, ‘How could that possibly work together?’ ” David recalls. “But now it’s almost as if all of these pieces were always together.” Adds Emberli: “I’ve learned from Jan that not everything needs to match perfectly.” Showers underlined this rule in the main bedroom, which she swathed in an array of blush tones, from the soft fabrics on feminine upholstered chairs to the vaulted ceiling, from which hangs a pearlescent chandelier of Showers’ design. “It’s like being wrapped in a gorgeous peach-colored coat,” the interior designer says of the effect. “It makes the room so much cozier.” In the new Christopher Peacock kitchen, the interior designer let Emberli return to her comfort zone of white on white. “When we began this project, I was huge on using white, and Jan talked me out of doing it in every room,” the homeowner recalls. “She told me it works best in kitchens and bathrooms for a clean and soft look.” But that edict didn’t preclude the addition of the kitchen’s blue Murano-glass chandelier and La Cornue range honoring Emberli’s grandmother’s and mother’s love of the shade. “I like to use a client’s favorite colors,” says Showers, who explored the full spectrum of watery hues for Emberli, selecting a teal velvet for the living room sofa, a silvery blue for the foyer walls, pale turquoise for the solarium’s trellis-patterned wallpaper, and a soft blue check-patterned fabric on the dining room chairs featuring a nailhead trim complementing the room’s original hand-painted wallpaper. “I love the yin and yang of that fabric with the wallcovering and Baccarat chandelier,” the interior designer says. “It helps to keep the room from feeling too formal.” Selections such as these also ensure a design that’s not easy to date or define. “We like a lot of different looks,” Emberli says, “and we wanted every room to have its own story.” Until Showers returns again, perhaps, to imagine the home’s next chapter.

Carleton V Ltd.’s Boca Grand grass-cloth wallcovering establishes a Palm Beach mood in the solarium in tandem with Coleen & Company Sarafina lanterns, while the turquoise lamps are Venetian Series #4 from interior designer Jan Showers’ eponymous collection. The rattan sofa and faux-bamboo barrel chairs are vintage finds, the latter upholstered in the Jan Showers Glamorous Collection for Kravet’s Flamands pattern in Celery.

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Above: Showers preserved the dining room’s existing Gracie hand-painted wallpaper in this to-the-studs renovation. The Marnie dining chair and Sebastien demilune table—which holds a vintage stacked Lucite lamp—are from the Jan Showers Collection. Opposite: A 1920s antique French Baccarat crystal chandelier illuminates the brass-embellished Zara dining table from the Jan Showers Collection. Kravet’s Barnsdale pattern in Cloud covers the backs of the Marnie dining chairs. The blue Marbro Murano glass lamp is vintage.

Furnishings in rich shades of blue and green sit like gems in the living room with walls painted Farrow & Ball Light Blue. Atop a Stark rug, the Jan Showers Collection Richardson sofa is covered in Kravet’s Versailles velvet, while the interior designer’s Chela chairs wear a verdant velvet in tune with the vintage Murano glass lamps.

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Above: The La Cornue range’s custom blue hue pops against the Christopher Peacock kitchen cabinetry. Marble selected by J+L Design Studio for the backsplash and counters is from Allied Stone. A custom Modern-Aire Ventilating hood complements the Christopher Peacock brass cabinetry hardware and The Urban Electric Co.’s Maxine sconces. Opposite: The Jan Showers Collection Elizabeth chandelier in turquoise adds a splash of color over the kitchen dining table. The Jan Showers Glamorous Collection for Kravet’s Bambu Fret pattern in Ciel appears on the tablecloth, Bungalow 5 chair upholstery and window shades. Art by Susan Barnett is from Conduit Gallery.

Blush tones—including walls painted Benjamin Moore’s Queen Anne Pink—transform the main bedroom into a jewel box. The custom four-poster bed is draped with Pindler Lisbeth fabric in ivory and pairs with a Jan Showers Collection Laurette table opposite a seating area comprising Jan Showers Collection Paris and Daphne chairs. Drawings by Don Bodine line the shelves.

“ There’s an art to the mix, mix, and that’s what makes a room interesting to me.” me.” –J A N S H O W E R S

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Sea Change A move to the Portland area weaves a wealth of ideas for an emerging fiber artist. W R I T T E N BY M A I L E P I N G E L P H O T O G R A P H Y BY C A R LY D I A Z

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t’s hard to explain what I do,” says Portland-area artist Felicia Murray. “Fiber art means so many different things, and what I do is experimental, using several techniques in one piece.” Murray’s works, which she makes with yarn, wool, felt, fabric, embroidery thread and even beads, employ a variety of methods, including needle felting and tufting, that produce different textures. “By putting them together, I create imagined landscapes,” she explains. But beyond their intriguing surfaces, her one-off wonderlands also tell intricate tales. The latest chapter of Murray’s own story involves a move to the Pacific Northwest after she and her husband graduated from The Savannah College of Art and Design. Although Murray had never visited Portland until just before relocating, she knew it would be a good fit. “I’m a maker, and there’s a great community of artists here,” she says. “The closeness to nature has also brought me back to growing up in Maine. The coast, beaches, mountains and the fast pace of downtown with its cool artists and small businesses, too—inspiration is everywhere.” Even the city’s recent political demonstrations have motivated her. “It’s made me want to speak about topics in my own art,” she says, particularly her commitment to highlighting at-risk environments like coral reefs. Those she renders not only as vivid, fantastical seascape “tapestries,” but as all-white iterations that tell the plight of coral bleaching, a nearly irreversible loss of color that occurs when ocean temperatures rise. At her home studio in Beaverton, where she fastidiously color-coordinates her materials, Murray, alongside two “studio mates” (her cats), often listens to music and podcasts while she creates. “It’s meditative,” she says of her art. “With fiber, I’m often repeating the same process over and over, so there’s a rhythm that can go on for hours. When I need to change it up, I go sit in the sun on the patio.” That sunshine also inspired a brighter palette. “After a long, dark winter, I wanted more color in my work,” she says, referring to her recent Rainbow Collection, an inaugural series of framed tonal pieces. She’s also experimenting with natural dyes, an exploration that began during her artist residency at Kunstkollektivet 8B in Denmark last year. She even imagines herself making her own dyes and concocting unique colors. “I’m just finding my path,” she says, “but I’m already developing ideas for new collections.”

A recent transplant to the Portland area, artist Felicia Murray (opposite) uses various techniques to create her vibrant fiber pieces (left and below). Since moving to the Pacific Northwest, she has immersed herself in the region’s thriving culture and stunning landscapes, finding new inspiration for her work along the way.

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Two disparate design tastes drive artful interior updates to a stately Atlanta residence.

In the Grand Scheme

Architecture: Dietrich T. Logan, Logan Design Group International Interior Design: Melanie Turner, Melanie Turner Interiors

Custom Penshaw Hill wallpaper lends levity to the two-story entry of this stately Atlanta abode. The pastel palette continues in custom settees designer Melanie Turner covered with Holland & Sherry’s Rambouillet Orchid wool velvet, set against walls of Pratt & Lambert’s 1304 Mica. Natasha Baradaran’s color-blocked Globeau poufs and a Kelly Wearstler Ida dining table center the large room.

mural depicting hand-painted birds and flowers appears to dance across the walls of an Atlanta home’s expansive twostory foyer. It makes for a highdrama moment that appeals perfectly to the modern tastes of the owners, who enlisted designer Melanie Turner to refresh their English manor-style abode, originally masterminded by architect Dietrich T. Logan. “We have very high ceilings and wide, open spaces,” the homeowner explains. “So, we looked for a designer who could make those feel warm and cozy.” Inspired by the home’s majestic envelope, Turner thought to do something quintessentially British in her mind’s eye: bring nature inside. “I wanted to create something like a classic Regency floral wallcovering, but scaled up,” she says of her playful twist on tradition. The opening statement sets a welcoming tone for the rest of the home, which Turner approached with similar goals: making commodious rooms feel warm and inviting while marrying her clients’ styles in unique and artful ways. “He likes monochromatic and edited with clean lines, while she’s glamorous with a love of color, pattern and layers,” the designer says. “What they both wanted was a sense of peace and calm.” Within view of the aviary-like foyer, a bank of floor-to-ceiling windows in the living room follows suit, ushering in a flood of tranquil backyard vistas. “The optimization of natural light was a central focus of this project,” says Logan, who used the sun’s orientation to help determine the best locations for glazing. Here, Turner took a cue from the verdant surroundings, flanking the fireplace with a pair of commanding abstracts by Birmingham artist William McLure. To bring intimacy to the voluminous room, she divided the floor plan into four separate seating areas anchored by custom banquettes and backto-back sofas. “The room’s scale required breaking things down into smaller arrangements, and within those incorporating bulbous and substantial pieces,” explains Turner, noting she partnered sofas with side tables to form larger silhouettes. In turn, layers of texture in the upholstery and even a cascading feather-like chandelier add warmth and ambience. Turner utilized the same strategy in the main bedroom, a vast sanctuary with a 32-foot vaulted ceiling made cozier thanks to strategically grouped furnishings and texture-infused neutrals. “You just

want to curl up and cocoon in there forever,” says the owner. “It’s cozy, sexy and everything a bedroom should be.” Turner responded to her clients’ desire for a canopy bed via a custom leather-wrapped version lined with luxurious wool curtains, opting to define an adjacent seating area with a plush rug to form “a space within a space for that intimacy,” she adds. Amid the sea of neutrals, bespoke wallpaper inserts subtle movement and pattern while a dramatic Erik Madigan Heck print reigns above the mantel “for a high-fashion moment that appeals to her tastes,” notes Turner of the client. Not only in the living room and main bedroom but also throughout the house, art selections play an important role in channeling each homeowner’s style while creating an inviting look and feel. “There’s a constant play of masculine and feminine, negative and positive—with any intensity in color or art punctuated with open areas allowing the eyes to rest,” Turner explains. On the dining room walls, for example, a duo of Dusty Griffith encaustics blends seamlessly into the backdrop, juxtaposed with a striking Fabiola Jean-Louis archival pigment print in concert with chartreuse draperies, lavender upholstered chairs and a dazzling French antique chandelier suspended from the lacquered blue ceiling. “It’s the most traditional of all the rooms but with fashion-forward colors in the mix,” says Turner, who also chose haute hues for the breakfast room. Hanging a vivid Hunt Slonem butterfly painting against walls that feature a plaster relief design (reminiscent of Henri Matisse’s leaf cutouts) imbues a layered look “that’s comfortable and organic,” she notes, adding, “We love to add architectural elements and texture to a room—it makes things more personal.” A whiteplaster chandelier, Balinese tree-trunk dining table and voluptuous custom chairs covered in a coral velvet underscore those sculptural effects. On the opposite end of the spectrum, a stag print by the late Todd Murphy helps establish a masculine, monochromatic aura in the library. Suspended above the mantel between floor-toceiling shelves lined with books bound in uniform beige tones, it offers an orderly and calming influence. But even here, hints of pattern and color in the throw pillows and dusty purple upholstered furnishings impart a feminine touch. “There’s a little bit of both homeowners everywhere,” says Turner. Adds the client: “How Melanie was able to combine both of our tastes really was the ‘wow’ factor for me.”

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Dressed in Villa Nova’s Atil Caspian velvet, Bradley’s Arlyn counter stools bring a glamorous note to the kitchen’s understated backdrop. A Christopher Boots BCAA Horizontal Ball chandelier acts as an abstract art piece above. Kingdom Woodworks cabinetry painted in Benjamin Moore’s Hot Spring Stones complements herringbone backsplash tiles from Renaissance Tile & Bath.

“ We made it monochromatic for him, with pops of color for her. There’s a constant play of masculine and feminine, negative and positive.” –MELANIE TURNER

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Above: A Dusty Griffith encaustic from Pryor Fine Art blends with dining room walls of Benjamin Moore’s Wind’s Breath. Supporting an embroidered Canasta pillow by Holland & Sherry, the custom Bradley bench wears Holly Hunt Great Plains’ Water’s Edge Glacier Melt cotton from Jim Thompson adjacent to a wool Oushak rug sourced from Keivan Woven Arts. Opposite: Pops of color balance traditional silhouettes in the dining room, where Suzanne Kasler’s Choate dining table for Hickory Chair teams with Brabbu dining chairs in Holland & Sherry’s Rambouillet Orchid wool velvet. To the left of the fireplace, draperies of Zimmer + Rohde’s bright citron Solice fabric frame a Corbin bronze sculpture from Jerry Pair opposite a Fabiola Jean-Louis piece from Alan Avery Art Company.

Above: Clean lines define the study, the family’s evening retreat. Here, a Susie Pryor painting from Pryor Fine Art overlooks a Julian Chichester coffee table and Dmitriy & Co. Masson sofa from R Hughes, all flanked by Visual Comfort & Co.’s Mobius Medium table lamps. Turner covered the vintage De Sede DS 125 armchairs in Holly Hunt leather. Opposite: A Todd Murphy work hangs above the study mantel between rows of books from E. Lawrence, Ltd. and Holly Hunt Great Plains panels; the Niermann Weeks Volpone sculpture is from Townhouse by Robert Brown. Iatesta Studio’s Trocadero chandelier from Ainsworth-Noah lights the space, which also includes Saladino’s Harley chairs atop a Holland & Sherry Saint Cloud rug.

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Above: In the main bathroom, a Hope Fassett painting from Scott Antique Markets presides over a Madrid soaking tub, Sydney tub filler and Astor Gold field tiles—all by O’Neil Ruppel for Renaissance Tile & Bath—plus a Formations x-ottoman from Jerry Pair. Opposite: Textural neutrals envelop the main bedroom, where twin Mazzega-style Murano glass chandeliers complement custom-colored Wavelength Mural wallpaper by Drop it Modern Design House and a Pavoni leather-wrapped bespoke bed. An Erik Madigan Heck print from Jackson Fine Art overlooks Diva stools from Jean de Merry, a De La Vega Designs Giac settee and custom armchairs in Proof by Sahco upholstery.

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