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Portuguese visual artist Joana Vasconcelos designed the Bombom collection for Roche Bobois. It comprises a range of seats and decorative accessories with bold, delectable shapes suited to both indoor and outdoor use.
Bombom Collection, designed by Joana Vasconcelos.
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CONTENTS
MAR APR 2 02 4 28
EDITOR’S LETTER
Radar 32
AS TOLD TO Designer Mark D. Sikes shares the plans for his long-envisioned estate, Orange Hill Farm.
34
I N T E R I O R I N S P I R AT I O N Step inside three charming spaces where a love of florals served as muse.
42
I N N O VAT I O N In her quest to revive the craft of Appalachian basketry, artist Amy Krone looks to the land around her.
44
N AT U R A L C O N N E C T I O N S The practice of rewilding residential properties is heralding a return to nature.
Market 52
M AT E R I A L Four new performance fabric collections that are a perfect addition for outdoor entertaining season.
62
TREND Must-have products inspired by “it” girls who are carving their own paths in design, food and fashion.
70
SPOTLIGHT An enchanting greenhouse provides a backdrop for discovering Luxe’s wish list of garden folly furnishings.
Living 84
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K I TC H E N + B AT H These splashy, party-ready retreats prove pool houses offer design fun for all.
Kaitlin Guerin, owner of Lagniappe Baking, New Orleans, LA
A work of art deserves a proper pedestal. Presenting the 48-inch French Door Refrigerator by Signature Kitchen Suite Pastry is a delicate dance of butter, flour, and technique where bakers can create edible works of art. We kept this in mind with our new 48-inch Built-in French Door Refrigerator. From dual compressors that keep temperatures within 1°F, to a 5-mode Convertible Drawer for special ingredients to all the capacity you need, it ensures the last step to the plate is as cared for as the first. See how we respect food at every level at SignatureKitchenSuite.com.
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Copyright 2024© Signature Kitchen Suite, 111 Sylvan Ave., Englewood Cliffs, NJ 07632. All rights reserved. “Signature Kitchen Suite” and the Signature Kitchen Suite logo are trademarks of Signature Kitchen Suite.
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AS THE VIEW
CONTENTS
FEATURES
98
112
124
128
Good Bones
Blast from the Past
Dream Spaces
Old Soul
In a Chicago suburb, a grand Victorian receives a refresh that honors its roots.
A 1970s Dallas abode proves the ideal backdrop for a sentimental couple with ample heirlooms.
L.A. artist Wendell Gladstone delves into fantastic realms to create figurative paintings.
A newly built dwelling is an homage to the elegant character of Palm Beach’s historical homes.
Written by Zlata Kozul Naumovski Photography by Heather Talbert Styling by Kimberly Swedelius
Written by Monique McIntosh Photography by Stephen Karlisch Styling by Melanie McKinley
Written by Deborah Bishop Photography by Amy Dickerson
Written by Grace Beuley Hunt Photography by Carmel Brantley
ON THE COVER: Tasked with creating “the most unusual kitchen you could think of,” interior designer Margaret Kaywell devised a lounge-like space in this Palm Beach house. A banquette in Radish Moon fabric, Century Furniture chairs and an antique chair and ottoman in Kravet’s Posie Dot offer seating. General contractor Tim Givens made the table and cabinet. Page 128
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CAPSULE COLLECTION
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Luxe Interiors + Design®, (ISSN 1949-2022), Arizona (ISSN 2163-9809), California (ISSN 2164-0122), Chicago (ISSN 2163-9981), Colorado (ISSN 21639949), Florida (ISSN 2163-9779), New York (ISSN 2163-9728), Pacific Northwest (ISSN 2167-9584), San Francisco (ISSN 2372-0220), Southeast (ISSN 2688-5735), Texas (ISSN 2163-9922), Vol. 22, No. 2, March/April, prints bimonthly and is published by SANDOW, 3651 FAU Boulevard, Suite 200, Boca Raton, FL 33431. Luxe Interiors + Design® (“Luxe”) provides information on luxury homes and lifestyles. Luxe Interiors + Design®, SANDOW, its affiliates, employees, contributors, writers, editors, (Publisher) accepts no responsibility for inaccuracies, errors or omissions with information and/or advertisements contained herein. The Publisher has neither investigated nor endorsed the companies and/or products that advertise within the publication or that are mentioned editorially. Publisher assumes no responsibility for the claims made by the Advertisers or the merits of their respective products or services advertised or promoted in Luxe. Publisher neither expressly nor implicitly endorses such Advertiser products, services or claims. Publisher expressly assumes no liability for any damages whatsoever that may be suffered by any purchaser or user for any products or services advertised or mentioned editorially herein and strongly recommends that any purchaser or user investigate such products, services, methods and/or claims made thereto. Opinions expressed in the magazine and/or its advertisements do not necessarily reflect the opinions of the Publisher. Neither the Publisher nor its staff, associates or affiliates are responsible for any errors, omissions or information whatsoever that have been misrepresented to Publisher. The information on products and services as advertised in Luxe are shown by Publisher on an “as is” and “as available” basis. Publisher makes no representations or warranties of any kind, expressed or implied, as to the information, services, contents, trademarks, patents, materials or products included in this magazine. All pictures reproduced in Luxe have been accepted by Publisher on the condition that such pictures are reproduced with the knowledge and prior consent of the photographer and any homeowner concerned. As such, Publisher is not responsible for any infringement of the copyright or otherwise arising out of any publication in Luxe. Subscriptions: 1 year: $34.95 USA, $84.95 in all other countries. Luxe is a licensed trademark of SANDOW © 2024. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without the written permission of the Publisher. ADDRESS SUBSCRIPTION REQUESTS AND CORRESPONDENCE TO: Luxe, P.O. Box 808, Lincolnshire, IL 60069-0808. Email: luxe@omeda.com or call toll-free 800.723.6052 (continental U.S. only, all others 847.559.7358).
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CLUB 1683: TRADE PROGRAM FOR THE DESIGN COMMUNITY Gaggenau, maker of luxury, professionally recognized home appliances and the “Preferred Home Kitchen Appliance Brand” of the MICHELIN Guide, values its trade partners. Club 1683 is a trade program intended to further elevate and serve qualifying residential architects, designers, single-family builders and kitchen studios. As Club 1683 members, they receive access to personal guidance, professional support, rewards and invitations to unique design, cultural and culinary experiences. Learn more about Club 1683 and how to qualify via the QR code.
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Featured kitchens by Gaggenau Club 1683 member firms. CLOCKWISE FROM TOP RIGHT: Simplicity Interior Design |
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LETTER EDITOR’S
Garden Delight I’ve been preoccupied with nature lately and the growth cycle of flowers, in particular. The spring assortment of tulip, allium, hyacinth, muscari and anemone bulbs that I dug into beds last November have especially been on my mind. Just take a moment to consider their lifecycle: The knobs are shoved into a box, shipped via FedEx and planted into unfamiliar soil. Shortly thereafter, they grow roots and bide their time through winter. As I write this, it’s early January and rather cold, only reaching about 17 degrees last night. In spring the plants will bloom, having stored up enough energy in their brief and glorious time above ground to then survive another long dormancy (during which they are very much alive, yet in another state of being). I love to think about this cycle in the context of creativity and growth...how change manifests in different stages of energy, inertia and flourishment. Enjoy this beautiful issue!
Pamela Jaccarino
portrait: matthew carasella.
VP, Editor in Chief @pamelajaccarino
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TOLD
TO
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INTERIOR
INSPIRATION
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INNOVATION
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NATURAL
CONNECTIONS
photo: neil landino.
AS
RADAR
From craft and design to landscapes and gardens, inspiration awaits in the beauty and brilliance of nature.
ON A MAGNIFICENT PROPERTY IN OJAI, CALIFORNIA, DESIGNER MARK D. SIKES CONJURES ORANGE HILL FARM, A PARADISE HE HAS LONG ENVISIONED. A S T O L D T O M A R I O LÓ P E Z- C O R D E R O
You feel a strong sense of place when you enter Ojai that’s incredibly alluring. While it’s a historic farming community, it has evolved into a city with a rich history of cultivating the land. I felt immediately at home driving through the laid-back town and rolling countryside, but it wasn’t until my partner and I came across what would eventually become Orange Hill Farm that we really began to dream. Suddenly, our love for the landscape deepened. A weekend place is always something we’ve talked about—a big parcel to build a house and garden. The first time we walked onto the property we went through an unassuming gate, past a few
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sheds dotting the grounds and nothing else of which is its real beauty. But then the property unfolded, sloping up a hill with the most amazing citrus and avocado trees. In that moment, I got this sense of the land. It felt like a canvas. The smell of citrus, the color of the fruit and the plant’s natural beauty is such an inspiration to me, but it’s also very inherent to Ojai. Pixies are the particular citrus we’ll be planting and harvesting. They are an aromatic, petite tangerine that have a sweet, sugary taste. There is so much you can do with them beyond just eating. I’ve been using the fruit in indoor arrangements and
conjuring up my own fragrance, as it’s always been a scent I’m drawn to. I’m looking forward to having a piece of earth to nurture: to walk outside on the weekend, talk to the plants and see something new that has popped up. We’re studying where the sun rises and sets as well as how the light falls across the property at different times of day. Soon, more citrus groves will be planted, and a new phase of life and creative energy will begin to sprout. In a lot of ways, Orange Hill Farm is still a dream, and we don’t have it all figured out. But it’s land that is ripe for something new and exciting. markdsikes.com
still life of oranges and lemons with blue gloves, by vincent van gogh, from the collection of mr. and mrs. paul mellon. courtesy national gallery of art, washington.
RADAR
AS
TOLD
TO
Zest for Life
EXTERIORS
INSPIRATION
Rooms in Bloom
INTERIOR
INSPIRED BY THE GLORIES OF THE GARDEN, THREE ENCHANTING SPACES OFFER TRANQUIL RESPITE YEAR-ROUND.
photo: annie schlechter.
RADAR
W R I T T E N BY B A R T B O E H L E R T
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INSPIRATION
Vibrant Escape
New York-based designer Matthew Kowles brought the essence of Marrakech to Greenwich, Connecticut, crafting a verdant garden room for a client who had recently moved into a classic stone-and-timber house built in 1893 for a Gilded Age heiress. With views of Cos Cob Harbor and the Long Island Sound, the designer knew the neglected second-floor open-air space had the potential to be transformed into a peaceful, restorative retreat. Kowles devised a scheme that would nod to its natural surroundings as well as the homeowner’s far-flung travels, including a recent trip to Morocco (the interior pool gardens of stately riads
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proved especially inspiring). In keeping with the home’s origins, Kowles stripped the room’s original hickory beams to expose the natural graining. He then drenched the room in Moroccan green, laying the floor with glossy hand-chiseled terra-cotta zellige tiles in a watery, bottle green hue and enlisted decorative painter Shelly Denning to adorn the walls and ceiling in a matte lime plaster finish. The contrasting tableau creates a cocoon of rich, tactile layers. “We made the green all-enveloping,” says Kowles, “so we didn’t need many plants to still have a garden feel.” Overhead, Moroccan-inspired rattan pendants add an exotic touch. A chaise that once belonged to the
homeowner’s mother was recovered in Miles Redd’s exuberant Peacock fabric for Schumacher. Kowles worked handin-hand with his client throughout the process, even teaming up to scour antique markets for finishing touches. “We did an extensive antiques dive,” recalls Kowles. “She is an adventurous client and a lot of fun to work with.” Their finds included a romantic bird cage and Tuscan-style fountain that add to the room’s charming ambiance as well as a cafe table that Kowles topped with a marble slab. What’s more, the once-forgotten space is now an all-season retreat thanks to heated floors, bringing the feel of the garden indoors even when it lies dormant beyond the windows. matthewkowles.com
photos: annie schlechter.
RADAR
INTERIOR
In a Greenwich, Connecticut, garden room designed by Matthew Kowles, his client’s trip to Morocco led the room’s scheme—from the color palette down to the antique fountain and cafe table.
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INSPIRATION INTERIOR RADAR
A master at bringing the allure of the outdoors in, Rachel Lambert “Bunny” Mellon was a renowned philanthropist and horticulturalist who imbued interiors with her love for the garden. A close friend and mentor of Jacqueline Kennedy—for whom she redesigned the White House Rose Garden—Mellon deftly combined gardens, antiques and art to create breathtaking homes that reflected her decorating dictum, “Nothing should be noticed.” “Her sophistication and the way she lived was simple yet very luxurious,” observes Dallas interior designer Cathy Kincaid, a longtime admirer of Mellon’s inimitable style. “She would have a Manet or Rothko painting next to a sawhorse table.” Adding, “everything was collected, edited and well thought out.” Though Mellon had access to the world’s finest art and furniture, her homes were neither fancy nor stuffy. Instead, they were marked by an airy, comfortable and relaxed ease that remains the hallmark of great American style today. When tasked with reimagining a room for Kips Bay Decorator Show House Dallas, Kincaid drew inspiration from none other than Mellon’s Oak Spring Farm estate in Upperville, Virginia. In a nod to Mellon’s signature time-worn, understated color palette, Kincaid wrapped the walls and ceiling in Lisa Fine’s Persian Garden wallpaper. Window seats and romantic architectural details were added by architect Alex Eskenasy, including Gothic arches accented with plaster appliques by Casci Ornamental Plaster. And in keeping with Mellon’s penchant for painted wood floors, Kincaid called on Mirth Studio to adorn the room’s flooring with a striking geometric motif. Gardening books and topiaries—another Mellon hallmark— dot the refined and restful space that is imbued with a lightness and charm that echoes the understated elegance of Mellon herself. cathy-kincaid.com
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photo: kris ellis, courtesy lisa fine.
Floral Fantasy
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INSPIRATION INTERIOR
When designer Gretchen Farrell’s clients called upon her to rethink an architecturally-devoid basement room with low ceilings and wall-to-wall carpeting, she looked no further than the property’s beautiful backyard, which was ripe with inspiration thanks to a charming garden and Victorian Gothic greenhouse. “The clients, who are avid gardeners, said to me, ‘Can we do something that is an extension of the garden right outside the door?’” recalls Farrell. The North Salem, New York, designer took cues from the famous garden rooms of Federico Forquet and Renzo Mongiardino for Marella Agnelli, among others. “Their spaces are very lived in and possess an ease while still being thoughtfully designed,” she observes.
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Farrell got to work ripping out the carpeting and laying down a unifying bluestone that can also be found in the garden. To store the homeowners’ collection of vases, vessels, pots and candles, she designed 18-foot-long Shaker-inspired cabinetry on one side of the room, which is accented with printed linen inserts set behind chicken wire (a nod to the clients’ hobby of raising chickens). A medley of pale, neutral colors and textures flow throughout the scheme, while jute rugs and an Elizabeth Dow woven wallpaper add a layer of warmth. Centering the room is a 19th century English antique farm table atop of which potting and gardening often takes place. Nearby is a seating area featuring vintage rattan furniture sporting its original
garden-inspired green hue. Throughout, the homeowners’ collection of framed pressed flowers, garden reference books and inherited garden objects add a dose of horticultural authenticity. A truly multifunctional space, it can morph from gardening workhorse (ferns and geraniums are moved inside come winter) to entertaining central. When evening temperatures make it too chilly to dine alfresco, the space is dressed with candlelight and linens for spontaneous dinner parties. But it is at daybreak when the real magic happens. “Every morning the client sips her coffee overlooking the greenhouse as the sun rises,” reports Farrell. “It’s been the most pleasurable, happy outcome for them, which is the most rewarding experience I can have as a designer.” gretchenfarrell.com
photo: kate s. jordan for pat bates and associates. styling by brittany albert.
RADAR
Botanical Beauty
innovative design ideas that defy gravity eggersmann since 1908
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IN REVIVING A FORGOTTEN CRAFT, ARTIST AMY KRONE’S WORK IN APPALACHIAN BASKETRY BECOMES INTIMATELY ENTWINED WITH THE LANDSCAPE.
RADAR
INNOVATION
Nature’s Bounty W R I T T E N BY M O N I Q U E M C I N T O S H
used for centuries—proves ideal for experimentation “because it cuts clean, so you can get really sharp forms.” Construction-wise, Krone sticks to old-fashioned techniques. She sustainably cuts down each white oak by hand from her 124-acre property, only culling from overgrown areas. Then she painstakingly segments and splits the green logs into thin strips, armed only with an ax, knife and maul. Thicker pieces build the basket’s ribbed frame, while thinner ribbons become weavers. From here, the artist plays, sometimes adding ash or maple to flesh out the body or dyeing strips with botanicals grown on her farm. But, for its graceful pliability and honeyed tone, white oak remains the foundation of her practice—alongside the place that nurtures her creativity. “I feel a communion with something greater than myself when I’m in the forest,” shares Krone. “Finding meaning in my art through these woods is a gift the land has given me.” cambiumlostarts.com
photo: courtesy amy krone.
Deep in New York State’s Catskill Mountains, the woods take over, enveloping the senses with the crunch of fallen leaves and the scent of pine sap. For artist Amy Krone, this forest, in many ways, is her studio. Its native white oaks bestowing the raw materials and inspiration for Cambium Lost Arts—her collection of handwoven Appalachian-style baskets. After a decade immersed in corporate graphic design, Krone itched for something tactile and found her calling in the poetry of traditional Appalachian basketry. She was especially intrigued by the generations of artisans who invented forms purposebuilt for what they carried, such as round, shallow structures strong enough to hold potatoes. “This intersection of form and function spoke to me,” says Krone. Her approach interpolates these historic designs “into something more modern but still useful, complementing organic shapes with the geometric.” Think arching crescents and half-moons fused with wood salvaged from nearby streams, or angular vessels with deep bellies. White oak—the same wood Appalachian basket makers
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MARK DE LA VEGA FURNITURE DESIGNER APRON: CAROLINA MIRROR
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BRINGING ART TO
LIFE
AS REWILDING BECOMES MORE MAINSTREAM, LANDSCAPE ARCHITECTS CHAT WITH LUXE ABOUT LETTING NATURE LEAD THE WAY.
NATURAL
CONNECTIONS
Running Wild
More than two decades ago, the stewards of Knepp Estate— a Regency-era manor house in West Sussex, England—opted to let their 3,500-acre property return to the overgrown, exultant state that Mother Nature intended. Soon, everything from nightingales to turtle doves reappeared, and flora and fauna thrived. The concept that Knepp helped popularize— known as rewilding—is largely due to pioneering husband and wife conservationists, Sir Charles Burrell and Isabella Tree. Since then, rewilding has grown in popularity across the pond too. The idea refers to “creating a natural environment versus one that is overly manicured and artificial,” says Connecticut-based landscape architect Janice Parker. “It’s achieved by switching to a natural ecosystem that supports the insects, birds and pollinators where you live and the size of your land.” Creating such a lush environment is the first step in letting nature come roaring back and shifting to a more sustainable way of gardening or landscaping.
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There’s also a way to do rewilding even if you prefer to cultivate a formal garden. For example, Parker suggests creating a 10-foot border at the edge of your property and planting panicum seeds and native wildflowers within the designated area. “Just letting the grass grow high and mowing paths through it can be successful”, says Parker, as is evident in her Greenwich, Connecticut, project, above. “But it’s always unpredictable as to what will take, so I never suggest making a huge investment.” Paige Martin, a landscape architect based in Mill Valley, California, integrates pollinator-friendly plant material in projects large and small, weaving them in alongside other companion plantings. “Seasonal planting provides interest throughout the year—not just for humans, but for attracting birds, pollinators and other wildlife,” Martin says. Allowing biodiversity and natural habitats to flourish uninhibited is at the heart of rewilding and doing so, even on a small scale, supports the regeneration of nature.
PHOTO: NEIL LANDINO.
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Visual Comfort fort & Co. Artisanal glass elevates tes the Talia series by Julie Neill for a new take on the simple glass globe light fixture. Light shimmers through multiple swirled-glass ss orbs attached to metal baskets, creating a whimsical flourish. Available in a variety of sizes and configurations, it is perfect for entryways, yways, dining areas, bedrooms and more. visualcomfort.com
Noir Trading, Inc.
J. Tribble
This handcrafted and beautifully finished walnut sideboard’s strong lines are enhanced with four hand-carved cupboard doors that open to reveal generous interior storage with two adjustable shelves. A timeless look that can be easily integrated into any home. Priced at $6,829.
Handcrafted in England, the Brighton Sink Base uses distinctive elements such as applied moldings and the coupling of burl and straightgrain veneers. Available in burl walnut, yew wood and oak.
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MATERIAL
Revel in spring’s arrival with cheery alfresco fabrics, talented tastemakers on the rise and garden-ready furnishings.
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Fabric Fete LUXE IMAGINES OPEN-AIR TABLESCAPES WITH THE LATEST PERFORMANCE TEXTILES. P R O D U C E D BY K AT H R Y N G I V E N A N D S A R A H S H E LT O N P H O T O G R A P H Y BY A L I S O N G O O T E E ST YLING BY BENJAMIN REYNAERT
STRIPED SERVICE | Fermoie Fabrics: Tablecloth in Orchard Stripe in Outorch-503 / fermoie.com. Napkins in York Stripe in Outyork-788, Strié in Outstri-515 and Poulton in Outpoul-505 / fermoie.com. Accessories: Bistro Flatware in Buffalo by Sabre / hudsongracesf.com. Brown on Cream Splatterware Salad Plate, Large Pitcher and Cups / marchsf.com. Vintage 1950s Foraging Basket / westontable.com.
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MORNING GLORY | Leah O’Connell Textiles Fabrics: Curtains in Georgie in Lamb’s Ear by Leah O’Connell / johnrosselli.com. Tablecloth in Vivian in Forget-Me-Not by Leah O’Connell / johnrosselli.com. Napkin in Georgie in Yarrow by Leah O’Connell / johnrosselli.com. Accessories: Freya Egg Cup / aerin.com. Paulette Salad Plate in Cream / aerin.com. Hand-painted Wicker Ceramic Plate in Blue / les-ottomans.com. French Vintage Silver Flatware / hudsongracesf.com. Picasso Vase / francespalmerpottery.com.
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Inspired Design. Unrivaled Craftsmanship. Newport Brass is widely recognized for its expertise in creating bathroom and kitchen faucets and fixtures known for their exceptional quality. The brand’s collections encompass a broad spectrum of designs, innovations, and finishes, catering to contemporary, transitional, and traditional styles.
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ALFRESCO APPETITE | Pierre Frey Fabrics: Tablecloth in Soverato in Prusse / pierrefrey.com. Placemat in Lecce in Prusse / pierrefrey.com. Table runner in Soverato in Ocre / pierrefrey.com. Napkins in Soverato in Ocre / pierrefrey.com. Accessories: Tullin Mini Hurricane / aerin.com. Georgia Stemmed Wine Glass / hudsongracesf.com. Bamboo Flatware / juliska.com. Lexington Dinner Plate in Turquoise by Haviland Parlon / collectoworld.com.
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SUNDOWN SEATING | Eskayel Fabrics: Blanket in Up For Anything in Cerulean / eskayel.com. Pillow in Gradient Stripe in Pink Island / eskayel.com. Cocktail napkins in Water Signs in Multi / eskayel.com. Pillow in Cherifia in Duomo / eskayel.com. Accessories: Simile Wine Glasses in Citrine / abchome.com. Prose Rocks Glass in Light Blue / abchome.com. Alto Tray in Opaline Green / fermobusa.com. Custom table linens sewn by EM Studio / emstudiony.com.
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Get to know the multi-hyphenate creatives whose influence reigns supreme. W R I T T E N A N D P R O D U C E D B Y S A R A H S H E LT O N
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Clockwise from top right: Cecilia Rectangular Mirror / Price upon request / curreyandcompany.com.. Ultra Shine Lip Color in Île Privée by Tom Ford / $59 / sephora.com sephora.com. Flitcroft Mantel in Calacatta Vagli Marble / Price upon request / chesneys.com. L412 18th Century Italian Candlestick with Agatized Coral / $850 / interionline.com. Adelphi Towels in Ivory / from $27 / matouk.com. Ibis Outdoor Lounge Chair by Susan Hable / Price upon request / hickorychair.com. Even Stripe Indoor/Outdoor Fabric in Sand by Caroline Z Hurley / Price upon request / schumacher.com. Table Lamp No 2 by Carol Leskanic and Amy Meier / $2,100 / amymeier.com.. Rayas Dinner Plate in Maroon / $210 for four / porta-nyc.com.
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PHOTO: COURTESY LIZ DAMRICH.
When aesthete Liz Damrich isn’t reimagining her family’s circa late 19th-century Greek Revival home near the languid shores of Mobile, Alabama, the decorator takes up other creative pursuits, like designing ready-to-wear clothing and accessories for Dillard’s (a second collection will debut later this year). All the while, Damrich remains true to her roots, influencing her followers toward home and fashion pieces rooted in classicism. @liz_damrich
Sourcing the highest quality marble, quartzite, quartz, granite, and soapstone for a meticulously curated collection to ensure your search ends with Architectural Surfaces.
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Chef’s Treat
Clockwise from top right: Chillable Red-Ish Wine / $29 / drinkthiswine.com. Big Chill Cooling Rack in Blueberry / $50 for two / greatjonesgoods.com. Timberline Floor Lamp by Mads Caprani / $1,199 / gubi.com. Good Vibrations Paint by Benjamin Moore / price upon request / benjaminmoore.com. Ash Credenza by Willettspace / $8,200 / 1stdibs.com. Flow Centerpiece in Yellow Speckle / $135 / fermliving.us. More Is More: Get Loose in the Kitchen by Molly Baz / $35 / penguinrandomhouse.com. Monopoly Clock by Newgate Clocks / $99 / endclothing.com.
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PHOTO: MORE IS MORE COPYRIGHT © 2023 BY MOLLY BAZ. PHOTOGRAPHS COPYRIGHT © 2023 BY PEDEN + MUNK. ILLUSTRATIONS COPYRIGHT © 2023 CLAIRE MCCRACKEN. PUBLISHED BY CLARKSON POTTER, AN IMPRINT OF RANDOM HOUSE.”
After cutting her teeth in restaurant kitchens and working as an editor at glossy food publications, Molly Baz is rocking the food world on her own terms. With a second cookbook, More Is More, under her belt, Baz has no plans of slowing down, releasing kitchenrelated product lines (independently and with big-name retailers) in addition to creating at-home cooking videos and viral recipes coded in millennial slang, like the cult favorite Cae Sal (aka Caesar salad) that her devout following eats right up. @mollybaz
Handmade in England samuel-heath.com
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Culture Club
Clockwise from top right: Starburst Napkin in Evergreen by Maison Venu / $148 for four / beverlys.world. Mood Silver-Plated 24-Piece Flatware Set in Silver by Christofle / $1,900 / beverlys.world. Carta d’Armenia Pot Pourri Scented Candle / $100 / smnovella.com. Rimbaud Lounge Chair / Price upon request / studioliaigre.com. Fortune Tables / from $13,300 / eggcollective.com. Dune Jug in Green / $384 / lagunab.com. Glyph Sconce in Glimmer by Yabu Pushelberg / Price upon request / rbw.com. Conie Necklace / $1,300 / agmesnyc.com.
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PHOTO: HUY LUONG.
Tucked away on a happening street in Manhattan’s Lower East Side, Beverly Nguyen’s small but mighty storefront is a shopper’s paradise for special homewares ranging from posh Christofle flatware sets to cast iron skillets and thoughtful textiles. Ever a changing rotation of goods, Beverly’s NYC also plays host to Nguyen’s many parties for the city’s creative set. With over a decade of fashion styling under her belt, Nguyen is dialed in on all that is emerging and cool. @thatgirlbeverly
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This Isn’t Wood. This is Fortina.
Fortina is a remarkable architectural system that looks and feels like real wood, but is made with aluminum and a hyper-realistic non-PVC surface. Available in over 100+ wood and metal finishes and 50+ profiles for interior and exterior applications. Now with integral lighting, larger, up to 2" x 12" profiles, and quicker delivery with Quick Ship.
Fortina
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I N D O O R + O U T D O O R L I V I N G N AT I O N A L LO O K B O O K
Lloyd Flanders 800.526.9894 | lloydflanders.com |
lloyd_flanders
Elegant, functional furnishings crafted from the finest materials set the stage for exceptional outdoor living. A true design leader, Lloyd Flanders has defined this level of excellence since 1906. “Our abiding mission is to outfit our customers’ homes with beautiful, durable furniture that elevates their lifestyles,” says Senior Vice President of Sales and Marketing, Bryan Echols. “We want to inspire our customers and give them the freedom of choice, that’s why we offer 20 different frame finishes on our Loom products, so each homeowner can make a unique style statement.” Lloyd Flanders is also known for their signature coil spring system and water-resistant cushions, which deliver maximum comfort and years of use. “As a third-generation, family-owned business, we remain passionately committed to helping each customer create their own personal oasis.”
Designing A Legacy • Where do you find design inspiration? We work closely with our representatives and dealer network to discover the latest trends and design ideas. We also look for new color palettes, materials, textiles and functional design innovations beyond the outdoor sector. • Share something that sets your designs apart. The fact that we embrace the use of color on our frames is just one of many ways that Lloyd Flanders is truly unique. • How is social media playing a role in your success? We’ve partnered with a select group of style influencers to help us tell our story. The way they organically weave our furnishings into their projects is highly inspirational, and they have been quite powerful at relaying our message to the outdoor design community. • Talk about the importance of ecoconsciousness and sustainability. As responsible manufacturers, we’re always looking for new ways to lessen our environmental impact including finding new eco-friendly materials, incorporating best practices in our manufacturing facility and working with partners who do the same. Top Inspired by the rugged beauty of the American West, the Frontier Collection lounge seating and tables offer a unique blend of rustic charm and modern technology. Right Embrace the peak of outdoor comfort with the Summit Collection’s minimal form and sloped-back design for a more comfortable dining experience. Far right With clean lines and comfort-scale seating, Catalina embraces the relaxed attitude of the island that inspired it. Photography Top + Right by David Cannon Photography; Far right by Molly Wood Garden Design
WE ARE PROUD TO CRAFT OUR EXTRAORDINARY HEIRLOOM FURNITURE IN THE SAME FACILITY WHERE IT ALL BEGAN 118 YEARS AGO.”
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W R I T T E N A N D P R O D U C E D BY K AT H R Y N G I V E N A N D S A R A H S H E LT O N P H O T O G R A P H Y BY L E S L E Y U N R U H
AMIDST A LUSH OASIS OF FLORA, UNEARTH THE LATEST OUTDOOR PIECES FOR MODERN-DAY GARDENERS.
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VERDANT VISTA Between McKinnon and Harris co-founder Will Massie’s memorable family trips to Italy and his longstanding appreciation for the country’s art and craftsmanship, it’s no surprise that the brand’s latest Thirza Collection is a love letter to the Mediterranean destination. Take the Thirza Dining Chairs, where every detail tells a story: The sphere finials nod to the Medici orbs seen throughout Florence, and the frame and apron reference ancient Etruscan bronze thrones and chariots. The customizable knife edge cushions—shown in Artemis Green and Swan White—are midcentury in spirit. mckinnonharris.com
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VERANDA SEASON For 25 years, designer Bunny Williams’ former New York City storefront, Treillage, was a haven for green thumbs. She recently delighted the interiors world with a collection in honor of the beloved brick-and-mortar for Bunny Williams Home. Among the offerings is the rattan Mirabel Side Table, which boasts a star-like inlaid rattan top, sinuous legs and a handsome cross-base design. Perfectly sized for a lamp or beverages, it’s a versatile workhorse for any covered porch. bunnywilliamshome.com
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JARDIN DELIGHT The inspiration behind Sunset West’s Provence Bench can be found in its namesake. Paying homage to the French countryside aesthetic that has long influenced contemporary furniture companies, this perch is an artful study in form and function. At a roomy 6 feet wide, the powder-coated wrought-iron basketweave frame features a hand-applied silver pewter finish. The upholstery is customizable and shown here in Sunbrella’s Fretwork Mist. sunsetwestusa.com, salvatoreoutdoor.com
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WATERING DUTY Mundane gardening chores will soon become more pleasurable with the Incredible Trellis Watering Can. The painted tole accessory begs to be left on display as ornamentation where its cheerful print can be enjoyed. Hailing from the trad-happy online destination, The Well Appointed House—a go-to for preppy décor treasures founded by Connecticutbased Melissa Hawks in 2001—the watering can is also available in a chinoiserie pattern. wellappointedhouse.com
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When exquisite taste has nothing to do with culinary skills
A New Era of Walker Zanger Experience a revitalized, refreshed Walker Zanger, reflected in a delectable palate of surfaces, and sustained by the superior product, showroom service, and client support that has defined the storied brand since 1952. Visit walkerzanger.com
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IN BLOOM Atlanta-based Mainly Baskets Home has long been known for its handcrafted wicker and rattan product offerings. Now, the brand is expanding its penchant for woven furniture and accessories with the launch of an outdoor collection featuring their best sellers, including this Scallop Console. Crafted from a resin-based rattan, the piece is ideal for yearround outdoor living. Inspired by an antique form, the petaled skirt gives way to a flat back making it suitable to stand flush against a wall or sofa. mainlybaskets.com
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The Wabi Sabi Collection I perennialsandsutherland.com
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GREENHOUSE GLOW Behold the Clara Lanterns by hospitality designer Chiara Caberlon, in collaboration with product designer Marco Forbicioni, for Italian lighting company Contardi. With a bronze lacquered frame and Vienna straw resin-like caning, these modern pieces offer the practicality and portability of outdoor-friendly lights without sacrificing the elegant ethos of pieces consigned to the indoors. Available in three sizes (medium and small, shown) and a white lacquered finish, the lanterns feature a rechargeable battery that lasts up to eight hours. contardi-usa.com
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NoirFurnitureLA.com
Inspired by nature, born from technology
Order free samples at TIMBERTECH.COM Featuring TimberTech Advanced PVC Vintage Collection® in Weathered Teak®
TimberTech is a better, more sustainable choice than wood. Crafted using proprietary technology and a majority of recycled materials, our decking promises the beauty and warmth of natural wood without the drawbacks.
LIVING +
BATH
photo: rikki snyder.
KITCHEN
Dive into warmer days with posh pool houses designed for backyard escapism.
BATH + KITCHEN
photo: stacey van berkel.
LIVING
Tabarka Studio’s Palio 2 tiles provided the jumping off point for this whimsical North Carolina pool house by MA Allen Interiors and Carter Skinner Residential Design. Eschewing upper cabinets for pattern-forward wall treatments, the space gains task lighting from wicker Arteriors sconces.
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Holiday House LIBERATED FROM THE DESIGN DEMANDS OF THE EVERYDAY, POOL HOUSES ARE PLAYHOUSES FOR ALL AGES. WRITTEN AND PRODUCED BY G R AC E B E U L E Y H U N T A N D S A R A H S H E LT O N
BATH + KITCHEN LIVING
The open concept kitchen-living room is linked by complimentary wallpapers: Faye Bell’s Atoll (above) and Nobilis’ Ipanema (right). TileBar’s Terrazzo Italy Sacra Grigio carries through to the bathroom (below), where a mirror from Cooper Classics hangs above a double tap Kohler bucket sink.
SUNNY SIDE This Chapel Hill, North Carolina, retreat designed by MA Allen with senior designer Margaret Richards balances poolside practicality with spunky, tropical-nodding style. Below, Allen dishes on the details that bring the look to life. maalleninteriors.com
Tough Stuff: Flooring throughout is a very cool precast terrazzo tile that is easy to clean and slip-resistant for wet feet. All of the fabrics we used are indoor-outdoor and the counters are White Zen quartz from Cosmos Granite & Marble—a win for these clients who enjoy squeezing fresh juice for cocktails. Entertaining is much more relaxing in a bulletproof space. Destination Design: We wanted this pool house to highlight what the homeowners love—which is a colorful, preppy Palm Beach look. This scheme wouldn’t necessarily work for a main house in North Carolina, but it was a lot of fun to create a Floridian escape in the backyard. Now, they have a place that expresses their chosen design style. How great is that?
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THIS PAGE PHOTOS: STACEY VAN BERKEL.
Happy Hour: Beneath the pass-through counter to the pool is a beverage center with Marvel drawer refrigerators, a True Residential ice machine and glassware storage. On the opposite wall, we hung custom scalloped shelves to display the client’s collection of tiki barware. This feature wall has incited her to keep collecting!
Fans of clé will rejoice at the news of their first-ever outdoor tile collection, OUTERclé. Launching with an array of materials and styles, including Origami in Basil, a pleated cement tile, and the Paritzioni Breeze Block Tile in terra cotta (right) by Fornace Brioni and Cristina Celestino. Such varied options will add a dose of high-style to exterior spaces everywhere. cletile.com
Want the look of hardwood without the maintenance? TimberTech’s polymer decking options, like this Oyster stain from the Porch Collection, can withstand the elements while remaining timeless. timbertech.com
A fixture pretty enough for the indoors, Serena & Lily’s Watermill Outdoor Chandelier features a rattan shade and white powder-coated frame. serenaandlily.com
Splash Zone
Dornbracht’s line of MEM faucet handles in collaboration with Nature Squared boasts natural materials like pearl shell (shown), agate and eggshell hand-laid into sleek metal finishes. dornbracht.com
DIVE INTO CHIC AND STALWART PRODUCT DISCOVERIES FOR THE POOL DECK AND BEYOND.
For a resort-ready feel, Tuuci’s newest silhouette, the Cupola, is designed to allow a continual breeze beneath its canopy and is available in custom colors and finishes. tuuci.com
Stretch out on the Gio Outdoor Laf Chaise from NYC-based design firm Carrier & Company, a standout from their inagural outdoor furniture collection with Century Furniture. centuryfurniture.com
Cosentino has partnered with designer Claudia Afshar to debut Ukiyo, a new Dekton collection. Featuring two distinct fluted tile designs in fi ve colors (shown here is GV2 in Umber), the linear texture brings depth and warmth to its wide use of indoor and outdoor applications. cosentino.com
BATH + KITCHEN
In the rolling hills of New York’s Hudson Valley, a Manhattan-based family found the acreage they needed to build a multigenerational holiday estate. In order to comfortably host their grown children and grandchildren—along with their many-numbered friends seeking solace from the city—the clients tasked interior designer Hilary Matt and architect Carol Kurth with creating a bespoke pool house with plenty of room to play. While the resulting modern barn-style dwelling boasts such fun spaces as a bunk room and rock-climbing wall, the joyful bathroom suite manages to
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steal the show. With direct access from both the pool and the interior, and separate chambers that can be closed off during times of high traffic, it offers a master class in how to cater to a crowd. Luxe chatted with Matt and Kurth to glean the spatial considerations, material makeup and design details that render it pool house perfection. hilarymatt.com; carolkurtharchitects.com At an Upstate New York pool house designed by Hilary Matt and architect Carol Kurth, Thermador horizontal wood siding nods to indigenous barns found on the property in a contemporary manner. The architectural cubist lighting fixtures are Simes.
this page photo: rikki snyder. opposite page photo: rikki snyder.
LIVING
POOL PARTY
BATH + KITCHEN LIVING
Functionally speaking, what were the goals? CK: Programmatically, we wanted to achieve a plan for separation of access zones, thus this “wet feet-dry feet” layout of two separate rooms was conceived. From the pool deck, one can directly access the playful trough sink area, which is then sectioned off from the tub, shower and toilet area. The bathroom can also be accessed from the interior of the pool house for overnight guests and those already inside. HM: We went with some really practical fixture decisions, like a full bathtub instead of a shower. All age ranges will use this space, so that was a necessity. Also, a double vanity that allows multiple users was the best choice. Which design details were the most impactful? HM: We found the wallpaper—Swimmers from Walls Need Love—early in the process and knew it was the perfect starting point for the rest of the design.
The bathtub walls are covered in a bright, aqua-colored glazed ceramic tile and the flooring is a modern, oversized take on traditional penny tile. The rope sconces from Cuff Studio were the final element to bring in texture and summertime style. CK: Having the vanity “float” in the space was an important aspect of the design, too; it’s almost a literal interpretation of floating in a pool. I always like a focal point when entering a doorway, so we designed a towel storage niche in the entry as a three-dimensional element to draw the eye that is also highly useful. What’s the report? CK: This bath is as much fun for adults as it is for kids. You can’t help but feel uplifted when you’re in there. HM: The pop of color from the wallpaper is such a fun surprise for visitors. As for the grandchildren, they now refuse to bathe anywhere else on the property!
The vanity features a countertop with a seamless trough sink composed of Trueform concrete that was designed to be “big enough to bathe a baby,” notes architect Carol Kurth. Matte black Watermark fixtures lend a high-contrast pop. The wall and floor tiles are from TileBar and Studium, respectively.
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2024 KITCHEN & BATH DESIGN COMPETITION
BEST OVERALL BATH
FIRST PLACE | SECONDARY BATH Jaque Bethke, Principal Designer JAQUE jaque.design | jaquebethke Photography Provisuals Media
Jaque Bethke Principal Designer
The “Small but Mighty” bath by designer Jaque Bethke of JAQUE in Scottsdale, Arizona, won Best Overall Bath for its original, artistic and highly textured design. Bethke ingeniously transformed the space to fit a tub, separate toilet room and plenty of storage, meeting the client’s need for a bath that accommodates many guests while providing a fun atmosphere. The creative elements included a showstopping tile pattern, a vinyl wallcovering, an inventive suspended light fixture and a backlit mirror.
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There are many different rooms and moments that make up a home. But it is an undeniable truth that the kitchen and bath are at the center of it all. They bring the function every household must have, but they’ve also become the hub of the home in another way: they often serve as a design foundation, setting the tone for everything else. Each year, the National Kitchen & Bath Association celebrates the very best of these all-important spaces in its Kitchen & Bath Design Competition. Keep reading to explore the iconic concepts that are taking their place in NKBA history in 2024. nkba.org/design-competition
BEST OVERALL KITCHEN
FIRST PLACE | LARGE KITCHEN Bahar Zaeem, Partner Shima Radfar, Principal Designer RZ Interiors r-zinteriors.com | rzinteriors_ Photography Ryan Fung of Ryan Fung Photography
Bahar Zaeem Partner
Shima Radfar Principal Designer
The “Ultra Modern Kitchen” by co-designers Bahar Zaeem and Shima Radfar of RZ Interiors, based in Toronto, Ontario, was designed to be minimalist and sleek while meeting the client’s storage needs and addressing the room’s asymmetry. Full-height, graphite-toned cabinetry, juxtaposed with oak base cabinets, keep surfaces uncluttered, and the cleverly positioned island and breakfast table result in an architecturally complex yet balanced space. This kitchen is lush, polished and harmonious.
2024 NKBA KITCHEN & BATH DESIGN COMPETITION
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PRIMARY BATH
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SECOND PLACE
Knight Varga Interiors Vancouver, British Columbia knightvarga.com | knightvarga
Neil Kelly Co. Bend, Oregon neilkelly.com | neilkellycompany
Photography Janis Nicolay Photography
Photography Tim Cotter Photography
THIRD PLACE
Anthony Wilder Design/Build, Inc. Cabin John, Maryland anthonywilder.com anthonywilderdesignbuild Photography John Cole Photography
Trish Knight, Partner Nicole Varga, Interior Designer
Kathleen Donohue CMKBD, Senior Designer
Melissa Sakell CKBD, Interior Designer
SECONDARY BATH
FIRST PLACE
JAQUE Scottsdale, Arizona jaque.design | jaquebethke Photography Provisuals Media
Jaque Bethke Principal Designer
SECOND PLACE
THIRD PLACE
Interiors for Modern Living Palo Alto, California interiorsformodernliving.com interiorsformodernliving
Christopher’s Kitchen & Bath Englewood, Colorado christophersshowroom.com christophersdenver
Photography R. Brad Knipstein Photography
Photography Morris Photography
Jennifer Hale Senior Interior Designer
Heather Radliff CLIPP, Designer
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POWDER ROOM
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Knight Varga Interiors Vancouver, British Columbia knightvarga.com | knightvarga
D’Amore Interiors Denver, Colorado damoreinteriors.com | damoreinteriors
Photography Janis Nicolay Photography
Photography Eric Lucero Photography
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Interiors for Modern Living Palo Alto, California interiorsformodernliving.com interiorsformodernliving Photography Eric Zepeda Studio
Trish Knight, Partner Nicole Varga, Interior Designer
Gina D’Amore Bauerle Partner and Interior Designer
Jennifer Hale Senior Interior Designer
SPECIALTY KITCHEN
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JSF Design Inc. Scottsdale, Arizona jsfdesigninc.com | jsfdesigninc
Fleur de Lis Designs Los Gatos, California fleurdelis-designs.com
Kustom Home Design Greer, South Carolina kustomhomedesign.com | kerldesign
Photography Eric Kruk Photography
Photography Exceptional Frames
Photography Ben Ivins Media
Jeffrey Florentine CEO
Cindy Steele Designer/ Project Manager
Kimberly Kerl Owner
2024 NKBA KITCHEN & BATH DESIGN COMPETITION
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LARGE KITCHEN
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RZ Interiors Toronto, Ontario r-zinteriors.com | rzinteriors_ Photography Ryan Fung Photography
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Adapt Interior Design Beaverton, Oregon adaptinteriordesign.com adaptinteriordesign Photography Meagan Larsen Photography
Bahar Zaeem, Partner Shima Radfar, Principal Designer
Hannah Hacker CMKBD, Owner and Lead Designer
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Glen Alspaugh Co., LLP St. Louis, Missouri glenalspaughkitchens.com glenalspaughkitchenandbath Photography Alise O’Brien Photography
James E. Howard, CKBD, Designer Kelly Johnson, Owner/Designer
SMALL KITCHEN
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Lakehaus Designs Atlanta, Georgia jerellake
Two Tone Interiors Bradford, Ontario twotone-interiors.com | two_tone_interiors
New England Design Works Manchester, Massachusetts ne-dw.com | newenglanddesignworks
Photography Marc Mauldin Photography
Photography Arnal Photography
Photography Jared Kuzia Photography
Jerel Lake Kitchen and Bath Designer
Angel Yalda Designer
Karen Swanson Owner/Designer
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NKBA’s 2025 Kitchen & Bath Design Competition is scheduled to open in May. All entries are welcome, including non-member submissions. Cash prizes totaling $100,000 will be given out to award winners, with Best Overall Kitchen and Best Overall Bath each taking home $20,000. For more information and to enter, please go to nkba.org/design-competition.
Every year, I am more and more impressed by the winning projects that our panel of distinguished judges choose. This year, I am extremely impressed by the creativity and innovation of our Design Award winners, and the fact that they represent a wide variety of regions in North America.” - BILL DARCY NKBA | KBIS GLOBAL PRESIDENT & CEO
2024 NKBA KITCHEN & BATH DESIGN COMPETITION
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Carmine Lounge Chair, Mocha Wash, by Kirk Nix
Good Bones Warm wood and original features lay the groundwork for a revamp in suburban Chicago.
W R I T T E N BY Z L ATA KO Z U L N AU M O V S K I | P H O T O G R A P H Y B Y H E AT H E R TA L B E R T | S T Y L I N G B Y K I M B E R LY S W E D E L I U S
Interior Design: Caroline Turner, Caroline Turner Interiors Home Builder: Omar Muñante, LM Build
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ld homes—with their thoughtful architectural details and charming quirks—have a way of capturing hearts, including those of one couple who fell in love with a historically designated 1906 Wilmette Victorian. While they weren’t originally looking for a century-old abode, “the bones of this place, the history and the woodwork had me excited,” the wife says. “We loved that it had character, but we could put a modern twist on it.” Enter designer Caroline Turner, whom the homeowners entrusted to help them turn the dwelling into a comfortable, contemporary space that would better serve their young family while maintaining the historical appeal that attracted them in the first place. “They purchased the home with the intent of being good stewards,” Turner muses. But before work could begin, the couple set one main stipulation for the renovation: “They said we could not paint any of the existing wood,” Turner says. “Honestly, I was a little terrified.” But the designer rolled with the request and found that the warm brown trim enhanced the doors, windows and case openings throughout the three-story house. And though it went unaltered, Turner was still able to accent the original woodwork with contemporary touches. See the foyer fireplace’s hand-carved mantel, which is now paired with a marble surround. Such modern juxtapositions “freshen up the space,” Turner notes. Another important feature to be preserved was the scenic mural running along the upper third of the dining room walls. Turner took utmost care to protect it, checking regularly to ensure it wasn’t damaged and using it as a touchstone when choosing the room’s color— stony blue with hints of silver. “My job was to make it sing,” she says of the painting. The shade worked with Turner’s palette of warm blues and greens found throughout the first floor—a scheme that initially gave the wife pause. The couple’s previous homes were “very white and
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modern,” the wife says. “Caroline had a different vision. The more time I spent working with her, the more I trusted her.” Accordingly, a soothing blue now coats the custom built-ins in the wife’s office, while a deep green envelops the music room, where the couple enjoys relaxing once the children have gone to bed. The latter is one of Turner’s favorite spaces. “It’s the perfect spot for them to retire to when having friends over,” she says. In outfitting the rooms, Turner took care to incorporate pieces from the couple’s collection of iconic midcentury furnishings, including a set of Pierre Jeanneret chairs in the living room as well as a pair of Milo Baughman chairs in the wife’s office. She then filled the gaps with a mix of new and other vintage items. For art, she turned to the multitude of works painted by the husband for a personal touch. While structural changes weren’t necessary in most of the living spaces, the bathrooms and kitchen required full gut renovations, for which Turner worked with general contractor Omar Muñante. Color became a driving force in the refresh of the bathrooms, particularly the primary bath, where Turner lined the shower walls with rose-hued zellige tiles and used a Calacatta Viola marble with swirls of aubergine and plum— discovered on a client-designer jaunt to a stone yard—for the counters. In the first-floor powder room, a green-and-pink floral wallpaper makes for a whimsical jewel-box space. The biggest transformation, however, occurred in the kitchen. Cherrywood cabinets and an awkward peninsula were replaced with white oak cabinetry and a 15-foot-long island topped with quartzite. “Wherever children will be touching, we opt for quartzite, which is stain- and chip-resistant,” Turner explains. The perimeter counters, on the other hand, are a classic Calacatta marble. In line with the historic nature of the home, the porous material will etch and patina over time. “It’s a living finish,” the designer says. Though rehabbing a centenarian abode was quite the undertaking, the couple has no regrets. “We were not setting out to find a big Victorian home,” the wife says. “We ended up here, and we absolutely love it. It’s so warm, comfortable and incredibly beautiful.”
In the foyer, designer Caroline Turner wanted the historical features, such as the mantel with hand-carved details, to shine. She then added modern touches, including the Calacatta Turquoise fireplace surround, Crate & Barrel pedestal table and Hudson Valley Lighting fixture. The painting is by the homeowner.
Left: The dining room’s original mural served as the jumping-off point for Turner’s design, starting with a coat of Benjamin Moore’s Iced Marble on the walls. Hair-onhide Four Hands chairs and an oak RH table complete the space. Opposite: A travertine coffee table from Lulu and Georgia and a side table from Jayson Home complement the living room’s Pierre Jeanneret chairs. Above the mohair Maiden Home sofa is a photograph by Elisa Sighicelli.
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Above: The breakfast nook’s vintage table nestles up to windows trimmed in woodwork original to the 1906 Victorian abode. A custom banquette by Westwood Millwork topped with cushions in faux leather from Fishman’s Fabrics is accented with pillows in a Dedar textile sourced through Holly Hunt. Opposite: Fumo quartzite and Calacatta Michelangelo marble, both from Calia Stone Boutique, top the New Era Woodworks-crafted island and perimeter cabinetry, respectively. Bell jar pendants by Pooky and an unlacquered brass Rohl faucet nod to the home’s historic roots.
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Above: Midcentury vibes infuse the wife’s office, where a brass side table from Jayson Home and a Berber Creations rug play to the rust-hued velvet of the Milo Baughman chairs. The Mimi Lauter painting’s blue and orange tones continue the color scheme. Opposite: Benjamin Moore’s Van Courtland Blue coats the office’s built-in millwork. A bleached oak CB2 desk is topped with a lamp from Crate & Barrel and further illuminated by an Arteriors ceiling fixture.
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Right: “Powder rooms are our favorite place to be whimsical,” Turner says of the space’s floral Scalamandré wallcovering. Above the Barclay pedestal sink and unlacquered brass Waterworks faucet is a vintage mirror. Opposite: In the children’s room, twin spindle beds wear Casa De Linos linens. Artwork by the owner is set against walls in Benjamin Moore’s Louisburg Green. The ceiling fixture is Rejuvenation, and the lamp is from Anthropologie.
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Right: Rose-colored zellige tiles from clé and mosaic flooring by American Restoration Tile punctuate the primary bath. The vanity is topped with Calacatta Viola marble from Terrazzo & Marble Supply Companies. Opposite: Honoring the attic-turned-playroom’s original brick wall and arched window, general contractor Omar Muñante crafted a built-in nook perfect for reading. Benjamin Moore’s White Dove keeps the space light.
Architecture: Gianna Glaesmann, G.Glaesmann Architects Interior Design: Andrea Marino Taylor, Andrea Marino Design Home Builder: Yossi Gallor, Chellyanna Contractors
NOSTALGIC DRAW Embracing its existing architecture, a Dallas residence finds fresh inspiration in treasured memories.
W R I T T E N BY M O N I Q U E M C I N T O S H | P H O T O G R A P H Y B Y S T E P H E N K A R L I S C H | S T Y L I N G BY M E L A N I E M C K I N L E Y
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ewfangled fashions come and go, but some retain their charm despite the passing years—as one couple discovered when first touring their Dallas house. The ranch-style structure “probably had not been touched since the 1970s,” the wife says. However, they still loved the richly molded interior that gestured toward French Provincial but with ’70s architectural details, including a circular breakfast room featuring vaulted ceilings. “It was dated but had a lot of wonderful elements,” she explains. “We wanted to embrace its bones rather than change it dramatically.” The couple also came with a lifetime’s worth of treasured artworks and heritage furnishings. Their goal was to marry these memory-laden pieces with the home’s already character-filled interiors—a task eagerly welcomed by designer Andrea Marino Taylor. “I was intrigued,” the LUXE Next In Design 99 honoree shares of the prospect. “A design just has so much more depth when there’s a history and nostalgia behind it.” The project’s architect, Gianna Glaesmann, adds: “I love that the couple wanted this house to keep its personality.” Working with builder Yossi Gallor—alongside site supervisor, Shlomo Gallor—Taylor and Glaesmann approached the renovations with a sensitive hand, encouraging greater functionality and movement without losing desirable eccentricities. They replaced all the existing windows and added more in key areas, keeping loyal to the same quaint style of the originals. However, their wider glass panes and thinner mullions now “allow more sunlight to stream through,” Glaesmann explains. New stained oak floors restored a sense of warmth, while original decorative millwork in a few select areas remained intact, including the family room’s paneling. “Those original panel finishes are quite dark,” Taylor adds. “So, we tried to freshen everything up with more color and personality throughout.” Cue the burst of vibrant hues inspired by “things the couple already owned and loved,” the designer continues. Heirloom china informed the carousel breakfast room’s garden palette, namely the matching green molding and builtin lattice cabinetry, and a vaulted ceiling clad in a block-print wallpaper. Serene shades from the owners’ wedding china saturate the dining room, with floral wallpaper and sky blue coating
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the tray ceiling. An electric blue engulfs the richly paneled living room, complementing a reupholstered antique yellow sofa gifted from the wife’s great-grandmother. Some original details proved too groovy, like the primary bathroom’s ’70s-style rock wall and sunken tub. The new layout retains the his-and-her vanities, but updated with Carrara marble countertops and white millwork, while a walk-in shower and pedestal tub refresh the space. Other changes, meanwhile, were more surgical. Removing one awkward wall that had enclosed the kitchen, for instance, proved enough to enhance the flow into the family room and breakfast area. The extra breathing space accommodated the kitchen’s expanded layout with a spacious pantry and “the world’s largest island,” the wife says enthusiastically. “My husband loves to cook, so he really wanted a kitchen that lends itself to serving and gathering.” To further flesh out spaces, Taylor dived deeper into the homeowners’ trove of pieces, reupholstering many of their soft furnishings in emotive hues. Antique chairs from the Baker Hotel now wear a spicy paprika linen and jade cut velvet. The re-covered family room sofas borrow tones from a blue-and-white porcelain lamp the couple has had in every one of their homes together. New upholstered additions, in turn, offer “a fun, eclectic mix of stripes, checks, paisleys and florals that brings out their playful personality,” the designer notes. She also tracked down online auctions and vintage dealers for traditional case goods, from the living room’s mahogany secretary desk to the dining area’s focal Chinese Chippendale cabinet. Joining this mix of old and new, many sentimental artworks found their place, including pieces by Texan artists Bill Worrell and Drew Boatright. Pastoral scenes range from a landscape that once belonged to the wife’s great-grandmother to a portrait of a beloved horse, which was given to the couple by dear friends in Kentucky as a memento of an unforgettable venture. Alongside these hang precious keepsakes like the owners’ original wedding invitation and handmade needlework by the husband’s grandmother. Inch by inch, “everything tells a story,” the wife describes. “It’s a melting pot of our experiences together, from getting married to living in different houses over the past 30 years.” Animated with meaningful colors and treasures, this home is now poised for many more joyful memories to come.
Backed by a Woodbridge Furniture console, an existing family room sofa is reupholstered in Cowtan & Tout navy pinstripes. Pillows don Bennison Fabrics’ Wheat Flower and Kravet’s Aura linen in Mango. Ralph Lauren Home’s Dalfern brass chandelier illuminates the space.
Above: A Woodbridge Furniture cabinet with brass hardware forms a charming vignette in the family room. The commissioned classical still life paintings by Drew Boatright were custom framed by Dallas Frame & Gallery by Max. Opposite: Dining room walls in Schumacher’s Persian Lancers block print complement Benjamin Moore’s Soft Chinchilla on the ceiling. The custom draperies are a Fabricut material. Schumacher’s performance velvet and coordinating Zoila print cover the chairs beneath a Windsor chandelier from Hudson Valley Lighting.
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Amid walls lacquered Benjamin Moore’s Blue Danube, living room antiques include a sofa in Scalamandré’s La Perouse print, an armchair with Fabricut linen and side chairs in Schumacher’s Saint Ambrose velvet. Art behind the sofa is by Bill Worrell.
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Above: The reimagined kitchen features an oversize walnut butcher-block island painted Sherwin-Williams’ Isle of Pines. A custom bar is outfitted with natural quartzite counters from KLZ Stone Supply. The Rohl faucet and Top Knobs polished-nickel hardware are from Westside Kitchen & Bath. Opposite: Wallpaper from Morris and Co.’s Cornubia collection by Ben Pentreath, purchased at Culp Associates, accents the breakfast room ceiling. Sherwin-Williams’ Dill coats beams and cabinetry. Above the vintage table and chairs in Perennials’ Ticking Stripe hangs Coleen & Company’s Sarafina chandelier.
Left: Cole & Son’s Frutto Proibito wallpaper from Lee Jofa adorns the study, where Benjamin Moore’s Orange Blossom pops on the ceiling. A cotton flat-weave rug by From Jaipur With Love completes the scene. Opposite: Enveloping the powder room is Sanderson’s Pamir Garden wallpaper, punctuated by a Newport Brass faucet and Carrick Leaf sconce from Vaughan. The ceiling is shrouded in SherwinWilliams’ Connor’s Lakefront.
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Dream Spaces The luminous paintings of Los Angeles-based artist Wendell Gladstone seem drawn from an otherworldly dimension. W R I T T E N BY D E B O R A H B I S H O P | P H O T O G R A P H Y B Y A M Y D I C K E R S O N
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s a child, Wendell Gladstone adored stories about fantastical realms. Fast-forward to today and world-building is still a concept he embraces. “It’s license to create a space where anything can happen,” says the artist, whose richly detailed figurative paintings offer portals to scenes governed by the surreal logic of dreams. Set in a liminal place between the natural and supernatural, Gladstone’s works are populated by figures who appear more humanoid than human. “I like to straddle between something very stylized—faces that appear to be carved from wood or plastic, with otherworldly eyes— and an expression of soul, emotion and human connection,” says Gladstone. In this uncanny dimension, window panes with pliable mullions might be penetrated by hands; and in his latest beach-themed series, faces arise from the sand while birds, crabs and other creatures appear as if they’re made out of semitransparent stained glass. Gladstone’s sun-washed color palette also helps to amplify his subjects. “It’s very bright, kind of acidic and artificial in a way that evokes an alien world,” he says. The artist likens his process to a kind of divination: Ideas come to him from books, television, browsing the web or just out of the ether. He jots them into notebooks and turns them into sketches. “When the images start to talk to one another, I take photos and play with them in Photoshop until a composition emerges, and then I begin to paint,” shares Gladstone, who often employs an impasto technique to lay down a thick coat of white paint with a palette knife. He then applies a layer of acrylic color to create a bas-relief effect that he can etch into to render tactile details, such as fabric or the pattern on a palm tree’s trunk. “Spooky Action,” his latest solo show at Shulamit Nazarian Gallery in Los Angeles, took its title from Albert Einstein’s famous quip about the connectivity between distant entities. Gladstone’s April exhibition at London’s Public Gallery, “A Face Drawn in the Sand at the Edge of the Sea,” nods to another famous figure: philosopher Michel Foucault. Whatever references infuse his works, Gladstone’s art invites speculation. “I set up the stage, but I don’t want to put the period at the end of the sentence,” he muses. “I want you to come in and make your own projections. And then, we have a real dialogue.”
Painter Wendell Gladstone (opposite) works on a beach-themed series within his Silver Lake studio. His pieces begin as sketches (below) rendered in acidic-colored acrylics paired with an impasto technique that allows for etched detailing. His works, Then, Now, Warmth Hereafter (opposite), A Face Drawn in the Sand at the Edge of the Sea and Whispers to You (bottom, from left) are part of an April exhibition at London’s Public Gallery.
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Architecture: Stan Dixon, D. Stanley Dixon Architect Interior Design: Margaret Kaywell, Kaywell Interiors, LLC Home Builder: Tim Givens, Tim Givens Building & Remodeling Inc. Landscape Design: Mario Nievera, Nievera Williams Design
Old Soul Channeling the elegance of the past, a newly built residence pens a love letter to Florida’s halcyon days. W R I T T E N BY G R AC E B E U L E Y H U N T P H O T O G R A P H Y BY C A R M E L B R A N T L E Y
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The coral stone loggia features a fountain with a mural from Devonshire. Over time, the sea plum plants against the wall will grow as a vine to frame the tile work. Ground orchids and pots of fishtail palms fill the space.
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he thwack of a screen door. The distant clammer of dogs and children. The embrace of a tropical breeze. These simple pleasures—gleaned and cherished over decades of Floridian holidays—are what spurred one Chicago couple to fly south for good and build their dream home. And for these clients who sought to capture a certain nostalgia, the design had to speak the same language. “Their desire was for it to not look like a new house but something original to Palm Beach Island from the 1930s or ’40s,” architect Stan Dixon reflects. Happy to oblige, he put pen to paper, devising a gracious yet humble structure that has seemingly evolved over the course of a century. “Family. Entertaining. Old Florida. Those were the marching orders,” adds interior designer Margaret Kaywell—who, joined by general contractor Tim Givens and landscape architect Mario Nievera, composed the design team. That vision begins with a cheerful AngloColonial-style façade and picks up pace as you enter the home through a windowed gallery devised as a receiving hall and built from scratch to resemble a loggia long-ago encased. “The idea was for it to look like a converted porch,” Kaywell describes. Reclaimed marble tiles were laid underfoot, and the coral stone block walls were limewashed and left raw to evoke a peeledaway stucco exterior. “We used steel windows and doors, which might have been used in the ’40s or ’50s, to enclose the space and reinforce the narrative,” Dixon explains. Storytelling similarly defines the kitchen, which was designed as “an eating lounge” to cater to more family time, Kaywell shares. “They wanted the most unusual kitchen you could think of,” she adds. Two anteroom pantries allow for intrigue over storage, making way for pieces like the captain’s chest-inspired lower cabinets. “Whenever we remodel a project, we save materials that can be repurposed,” Givens notes. “Those cabinets were built from reclaimed cypress timbers from a demolished 1920s house.” Another custom confection: the farmhouse-style table that centers the space, which was based off
an antique table the wife saved to her inspiration binder; Givens’ carpentry studio crafted the piece out of salvaged wood used for a mash tub from a Kentucky distillery. Grounding the kitchen while stealing the show are oak floors decoratively painted by the wife—a professional portrait artist—upon Kaywell’s direction and, finally, distressed to evoke a lifetime of foot traffic. A lesser expected heart of the home and resounding fan favorite is the moody cocktail lounge. “Early on, the clients requested an elegant, sexy room for entertaining. Stan jotted down ‘Sexy Bar’ on the plans, and the name stuck!” laughs Kaywell, who rose to the occasion with peacockblue lacquered walls, velvet banquettes and Lucite chairs cheekily re-covered in the owners’ old Louis Vuitton luggage. With its twinkling, mirrored ceiling, “It’s a bit of a surprise—like you’ve opened up a little jewel box” Dixon muses. Yet even in this most polished of spaces, patina takes precedence, seen in details like the bar’s stone toe kick, which was ground down to suggest years of loving wear. “Everywhere you look, there’s the hand of craftspeople,” Givens concurs. True to the brief, all public areas are designed with entertaining in mind—even the entry gallery, where an octagonal settee can be rolled to the outskirts to make way for a long, narrow table. When the doors are open, welcoming ocean breezes, the space turns into an alfresco dining hall that encourages guests to cap their meal with a stroll through “these incredible, rambling outdoor pockets,” Dixon observes. Unifying the south and north lawns as well as many-numbered garden nooks is a plant palette designed by Nievera in the same spirit of old-world elegance. “We used many native species, such as sabal palm, agave, butterfly bush and saw palmetto,” he notes. “The plantings are informally placed in the garden with little symmetry but carefully considered for textural variety.” That tropical flora has since grown in, and the cedar-shingled roof has weathered with salt and sun. Now loved and lived in, the residence nestles in its plot in a way that might fool even the staunchest admirers of Palm Beach’s architectural history. As delicately detailed as a seashell in whisper pink, Kaywell says, “It captures every vision these clients dreamed of for a Florida home.”
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Tea-stained marble floor tiles from Paris Ceramics and walls of Dominican stone from Coral Classics by A&P define the entry gallery. Pillows in Quadrille’s Paradise Garden textile sit on the custom octagonal settee.
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Behind a 1930s artwork, clé zellige tiles rise 9 feet in the kitchen. A banquette in Radish Moon fabric, Century Furniture chairs and an armchair and ottoman in Kravet’s Posie Dot offer seating. General contractor Tim Givens crafted the table and cabinet.
Left: Dark Times by Gay Griffin Riseborough commands the cocktail lounge. Banquettes in Pollack’s Heritage velvet mingle with antique coffee tables. RH’s burnished-brass Fulham sconce wears a custom shade. Opposite: A copper counter tops the bar, painted a custom lacquer. Visual Comfort & Co.’s Soleil fixture hangs from a mirrored ceiling. Worlds Away’s Duke chair is outfitted with the clients’ old Louis Vuitton luggage.
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Above: An Edward Fields Carpet Makers rug grounds the primary bedroom, whose chic mélange includes Mr. and Mrs. Howard for Sherrill Furniture’s Tuscan bed, Regina Andrew’s Adeline lamp and an antique chair. Schumacher’s Wesley Ticking Stripe on the walls enhances the coziness. Opposite: At each corner of the pool, landscape architect Mario Nievera arranged Florida thatch palms with bleeding heart vines wrapped around their trunks. Santa Barbara Designs’ Mirasol umbrella shades the chaises. Just behind is a preserved banyan tree.
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Above: Illuminated by Northeast Lantern sconces, a table from Faustina Pace Antiques & Interiors and Oly dining chairs provide space for informal entertaining on the east terrace. Sabal palms and beds of philodendron, elephant ears and tree ferns add a lush quality. Opposite: Benjamin Moore’s Strawberry Yogurt colors the stucco exterior, accented with pecky cypress shutters. Clusia plants line the top of the coral stone wall, while a date palm stands near a jasmine vine in a lattice pattern on the chimney wall.
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