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54 DESIGN DISPATCH
The little black book of all things new and fabulous in the local community.
64 ARCHITECTURALLY SPEAKING
Today’s designers offer an evolving approach to traditional barn architecture.
68 HISTORY LESSON
Floorcloths are back in vogue thanks to a new crop of creatives rethinking their aesthetics.
70 SHOP TALK
Shop owners discuss their latest ventures and the importance of local communities.
74 COME TOGETHER
A design, construction and architecture incubator is providing practical tools and a space to innovate.
MATERIAL
their own fabric lines as muse, top designers create one-of-a-kind mood boards exclusively for Luxe.
With their own fabric lines as muse, top create one-of-a-kind mood boards for
TREND
Discover the American fashion designers who rede ning current sartorial attitudes.
Discover the American fashion who are rede current sartorial attitudes.
SPOTLIGHT
Furniture makers open their doors to share what’s in the works, how they stay inspired and what’s next in design.
Furniture makers open their doors to share what’s in the works, how stay and what’s next in +
KITCHEN + BATH
Three pros in on the essential tenets of kitchen
Three pros weigh in on the essential tenets of good kitchen design.
“
–
I loved The Container Store’s suggestion of wrapping the credenza in recycled crocodile leather.”
DESIGNER HUMA SULAIMAN
Designer Huma Sulaiman partnered with The Container Store to create a modern gentleman’s space for Kips Bay Decorator Show House. The striking result featured glass-front cabinets and a floating credenza wrapped in recycled leather. To discover the potential of your space, start with a free design consultation.
Let us help you discover the potential of your space. Schedule a free design consultation at containerstore.com/custom-spaces.
174
Mingling maximalist and minimalist preferences, a designer crafts an art-filled home.
A couple’s Norwegian heritage and energetic persona drive the design of their new residence.
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186
The quilted artworks of Regina Durante Jestrow seek to capture a unique sense of place.
190
Fresh takes on tropical tones distinguish this vibrant abode for its transplant owners.
ON
THE COVER: Benjamin Moore’s Shell Pink wraps this Palm Beach living room imagined by designers Sara McCann and Breanne Castillo. Baker’s Yves sofas create a tone-on-tone effect, joined by Casa Gusto chairs, an Oomph coffee table and a large-scale photograph by Richard Misrach. Page 190
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This summer, while we’re witnessing the colossus AI wave coming for us, and feeling slightly uneasy, we have observed a return to classic design. Perhaps it’s a counter to what’s in the zeitgeist. We know the bots are here, and getting smarter, thus we look to be comforted in our homes, and in design that is certain and stalwart. I imagine that I would feel better asking ChatGPT to organize my weekly meal plan while seated in, say, a Biedermeier chair. All the better to be rooted in something sure and dependable.
For this issue, we take a closer look at old-fashioned things that are resurging: brick-and-mortar shops, traditional floorcloth textiles, the push for agricultural barns as adaptive reuse conversions, and a non-profit art and design center that pays craft forward. Collectively, these stories make us recognize that the more things change, the more we crave what has come before.
Finally, this issue celebrates our RED Awards, recognizing the best in residential design. A big congratulations to all of our winners!
Pamela Jaccarino VP, Editor in Chief @pamelajaccarino
Founder, Curated by Krysta Rodriguez
DRESS IN: TAMBOURINE TRAPS
A beautiful outdoor space for our guests that will last a lifetime.
Erin Fetherston Designer, Fashion & Interiors | LA - NYC
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Coastal cool spaces abound at PGA National Resort in Palm Beach Gardens, where their extensive transformation includes newly designed guest cottages. The resort partnered with Serena & Lily to furnish 21 two-bedroom retreats in the beloved brand’s signature tropical motifs. The living areas are swathed in Island Palm wallpaper, which harmonizes with wicker-weave Yarmouth swivel chairs, a rattan Anguilla coffee table as well as light-blue accessories like Isora pillow covers and an Edgewood rug. Bedrooms are dressed in a breezy island style with Harbour Cane beds, rattan South Seas side carts and Avalon benches and imbued with elements like Brighton table lamps with wicker shades. Patios are decked out with blue-and-white Eastport striped umbrellas that provide shade to their iconic Riviera French bistro chairs and Wainscott table—the perfect alfresco spot for soaking up the scenic surroundings. serenaandlily.com; pgaresort.com
For those desiring covetable resort-style living in West Palm Beach, newcomer Olara will soon set an elevated precedence along the Intracoastal Waterway in 2026. Renowned architecture firm Arquitectonica conceived the 26-story condo tower along North Flagler Drive to seamlessly blend with its waterfront backdrop. “Differentiated by its unique curved corners and sleek glass design, the building’s street frontage is animated by a community-accessible commercial space that urbanizes the setting,” says Bernardo Fort-Brescia, founding principal of Arquitectonica, who collaborated with interior design studio Gabellini Sheppard Associates. Inspired by yacht architecture, residences will vaunt kitchens with Gaggenau appliances and spa-like bathrooms with oak vanities crowned with Breccia Capraia marble. Owners can look forward to indulging in rich amenities such as a holistic sixth-floor suite, coastal restaurant, deluxe fitness center and spa, two pools and a residents-only marina. olarawestpalmbeach.com
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Antiquities titan Newel recently acquired Gary Rubinstein Antiques & Modern Design in Hollywood. This marks the 84-year-old company’s first venture in South Florida and opens up a world of possibilities beyond their already impressive inventory of more than 35,000 pieces. Read on as Newel’s CEO, Jake Baer, shares how the company’s storied past will continue to evolve with this new chapter. garyrubinsteinantiques.com
Significance of this procurement. By combining Newel’s expertise in traditional antiques with Gary Rubinstein’s focus on modern design, we have created a unique opportunity to source a broader range of exceptional pieces. Many items were never cataloged or shown to the public, so we’re in the process of indexing 1,000 unseen items, so they can be viewed for the first time. Surrounded by luxury estates, Hollywood is also a strategically ideal location to source new inventory.
Sustainability and nature are at the core of Akiba Furniture’s first U.S. location. Recently unveiled in Dania Beach, the Central African brand’s sprawling showroom is divided into distinct spaces that intentionally highlight their handmade natural wood products’ versatility for homes, offices, restaurants and hotels. The collection features live-edge table masterpieces, contemporary indoor and outdoor furniture, sculptures and artwork hailing from the brand’s home base of Gabon, Africa. Fashioned from a variety of species from the area’s old-growth rainforests, the selection ranges in color and texture to suit multiple styles. Working exclusively with ethically sourced and traceable wood, Akiba Furniture carries products made by artisans in Gabon that celebrate the region’s rich culture. akibafurniture.com
Unique to South Florida. Interior designers and clients will discover an incomparable range of antique and contemporary furniture and art, including modern and midcentury objects. Some of the notable designers include Gio Ponti, Paul Evans, Paolo Buffa and Jules Leleu, whose works are highly sought after as well as bespoke and contemporary pieces by Karl Springer and Hyunae Kang.
Gallery showcases and inspiration. The space is curated in a way that highlights the value and beauty of each individual piece, while also showcasing how these items can be displayed together to create a particular and cohesive look. One of the distinctive features of the new location is the way that it mixes and matches contemporary works with antiques. This provides patrons and designers an opportunity to create bespoke interiors that seamlessly blend old and new.
Miami creatives, Art + Loom founder, Samantha Gallacher, and interior designer Bea Pernia, have combined their design superpowers to produce new collections for “The Art of Formation.” This joint installation, which appeared at Milan Design Week, explores the fascinating phenomenon of geological formations. Gallacher, who’s always been influenced by natural forms, designed four new handwoven rugs inspired by tectonic plate shifts, rock formations and shattered slate; while Pernia added two new sculptural furniture pieces made from marble and wood to her award-winning Atus collection. “The Art + Loom rugs serve as a unifying foundation that ties together different furniture pieces and adds a sense of cohesion,” Pernia says. “Meanwhile, the Atus collection elevates the visual interest of the space, adding depth and intrigue. Together, these elements create a harmonious balance that demonstrates the endless possibilities of design.” The collections are available online or at the designers’ individual showrooms. Both of whom have recently opened new locations in the Miami Design District. artandloom.com; beainteriorsdesign.com
Slip into vacation mode at the Four Seasons Hotel Miami, where refreshed guest rooms and suites boast touches of midcentury glamour, city-sleek sophistication and Miami flair. Known for creating a distinct sense of place, designer Tara Bernerd, of interior architectural firm Tara Bernerd & Partners, drew inspiration from the hotel’s surroundings in Brickell and beyond. “The neighborhood is a thrilling mixture of skyscraper-filled urbanism, yet it’s only minutes away from Biscayne Bay and the Miami River as well as just a short distance from the ocean. Our designs reflect this with a fresh mix of sophisticated playfulness that will appeal to guests,” Bernerd describes. Rooms are tailored with floor lights, dramatically elongated headboards, credenzas and benches enveloped in a pale palette that contrasts the bold carpets. Whimsical photography by Annelie Vandendael enlivens the spaces. Many rooms showcase a generous window seat fitted with cushions and blinds adorned with leather straps that help frame the stunning views. fourseasons.com/miami
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Luxe looks at the enduring appeal of barn architecture and floorcloth textile, shop owners making waves locally, and a creative incubator.
WRITTEN BY ADRIAN MADLENER
The agricultural barn has been a cornerstone of the American homestead image for centuries, long signifying principles of self-sufficiency and craftsmanship critical to the country’s evolution. In keeping with this spirit, a new push for adaptive reuse residential conversions is ensuring that these historic structures take on new life and remain relevant reminders of our shared past.
Interestingly, they offer a very modern canvas. “Today, people want to live without defining walls, and barns are perfectly suited to that with their great volume, openness and order,” muses architect Michael Neumann, who recently redeveloped an 1800s dairy farm barn into a striking private residence. The upstate New York getaway features contemporary conveniences set within an original oak beam frame, it’s centerpiece a vaulted,
double-story dining room courtesy of a now-demolished upper hay loft.
In nearby Dutchess County, designer Heide Hendricks implemented a similar upcycling approach when transforming a disused farm building into a luxe guest house. Her firm combined original materials from three other dismantled barns for added character and implemented concealed steel framing to bolster the structural integrity. “A timber frame is a beautiful form that allows for dramatic ceiling heights,” says Hendricks, adding that “the size, shape and scale creates a special opportunity for open plan living.”
The benefits of this typology are also informing the construction of new residences, as with designer Trinity Shay Roddam’s home in Nashville. “Centuriesold mortise and tenon joinery is one of the
strongest structures one can build,” notes Roddam, who ultimately decided on a barn for its durability, site appropriateness (the property was once a farm) and straightforward layout. “Having such a simple footprint really helps when it comes to stripping away the unnecessary and forces you to focus only on what is vital and livable.”
Still, beneath any notions of minimalism and modernity, the barn, with its patina and craftsmanship, is an undeniably nostalgic icon—as symbolic of our agricultural history as an ear of corn. As Roddam puts it, “The image of a barn takes me to a place where there is hard, quality work. When you touch a hand-hewn beam, even without much construction knowledge, you can recognize the quality of the material and the resolve that went into every cut.”
Left: Original oak beams define the double-height dining area of a dwelling renovated by architecture firm Neumann & Rudy.
The humble canvas floorcloth rose to fame in 18th-century England, but its practicality was soon embraced stateside, too. George Washington used them at Mount Vernon, and White House inventory records show Thomas Jefferson’s use of a “canvas floor cloth, painted green” in his dining room. While they were a popular and inexpensive means of protecting floors, the arrival of even-cheaper linoleum in the 1860s heralded their demise. But thanks to a new crop of innovative creatives, floorcloths are returning with a fresh look.
“I love them as an alternative to a painted floor, especially in spaces where spills are inevitable like a bar, kitchen, or under a breakfast table, because they’re durable,” Lilse McKenna says. The Connecticut-based designer has commissioned variations painted with wall stencils, as well as faux-marble designs for clients with period houses as “a little nod to their home’s history.” (Early floorcloths were often handpainted to resemble parquetry or stone,
but intricately stenciled designs became equally favored.) “The bold patterns typical of floorcloths punctuate simple wood floors in a dramatic, yet timeless way—they add that ‘wow’ factor,” notes New Jersey–based designer Michael Aiduss, who recently used a checkerboard floorcloth for a client’s entryway.
At his New York City gallery, Culture Object, Damon Crain is encouraging makers to push the boundaries even farther. “We’re in a moment of reassessing floorcloth for its sustainability, but also for its creative potential,” he explains. Two of the artists he represents, Mumbaiborn, New Jersey–based Neelam Padte and Megan Enright of Studio Teppi in Los Angeles, are exploring playful motifs in vibrant palettes. He likens Padte’s “gestural abstractions” to works by artist Paul Klee, and Enright’s hard-edge designs to the Pattern and Decoration movement of the 1970s and 1980s.
Enright, who grew up with treasured floorcloths made by her grandmother,
gravitated to the craft naturally but her process (stretching and priming the canvas, working with robust latex paints, and finishing the cloth with sealant and wax) is largely self-taught. “There weren’t many guides or tutorials, so I feel like a trailblazer,” Enright says. “Floorcloths can be washed with soapy water, or refinished as needed, but they last for decades and patina beautifully, like leather,” she adds. “People want furnishings with a narrative now, and my goal is to revive interest with a new visual language so that floorcloth isn’t lost to history.”
“What we’re creating today matters for the future,” Crain remarks. “The execution of floorcloths is a creative aspect unlike most other flooring options, and they’re such an interesting way to do something expressive.” studioteppi.com, cultureobject.com
TRADITIONAL FLOORCLOTH TEXTILES ARE HAVING A RESURGENCE, AND THIS TIME AROUND THEY’RE ANYTHING BUT OLD-FASHIONED.
TASTEMAKERS BEHIND THREE NEW BRICK-ANDMORTAR SHOPS DISCUSS SUPPORTING LOCAL MAKERS AND THE VALUE OF AN IN-PERSON EXPERIENCE.
WRITTEN BY SHANNON SHARPENashville
After receiving requests from clients, designer Stephanie Sabbe took the plunge and opened a storefront. What can customers find at Heirloom Artifacts? I’ve had wonderful shopping experiences on travels abroad and brought back many special pieces. I wanted to create the same experience in Nashville and introduce customers to different makers. They can find everything from Turkish rugs and vintage objects to Japanese ceramics. Plus, our pillows are all handmade locally by an amazing seamstress. Talk to us about shopping in person. No matter how beautiful things are online, you still can’t touch or see them in person—I feel this is essential. Your other programming sounds interesting, too. We provide a teaching space to help customers discover the perfect pieces, and also offer workshops on varying artistic disciplines including still-life painting, chain stitching and calligraphy. It’s become a fun, creative place for people to gather. heirloomartifacts.com
Los Angeles
Looking to expand their marketplace while also satisfying a longtime penchant for hardware stores of yore, design duo Todd Nickey and Amy Kehoe opened a space dedicated to small, utilitarian goods. How is L.A. reflected in your wares? TN: We represent many local artists that capture the essence of California craft in unique ways. Courtney Duncan and Skye Chamberlain are two ceramicists with West Coast roots but differing aesthetics. Artist Esme Saleh paints flowers on candles and lampshades, and photographer Joslyn Lawrence’s moody prints have an esoteric nature. Talk to us about the in-person experience. AK: Our shops cement an inherent desire for the senses to be activated. Feeling the entirety of Household will transport clients. How do you connect with your customers? AK: We prioritize relationships and like to have fun by hosting workshops that range from floral design to pie making. What defines Household? TN: We select what speaks to us— pieces with nuance and utility. We offer things you cannot live without, but never knew you needed. nickeykehoe.com
After finding success with a shop in Newark, New Jersey, designer Neffi Walker decided to bring her offerings to another dynamic, urban locale. Why do you believe in the power of brick-and-mortar? I want to create community in areas where there is gentrification. The Black Home is a pivotal space where old meets new. How do you determine what makes it on the shelves? Our offerings change every three weeks and I carefully curate around the seasons. I also want to champion women, so I showcase a lot of female founders. What role do you play in bringing attention to makers? It’s important to work with businesses I love because I want to be knowledgeable and honest with customers when I feature someone’s work they may be unfamiliar with. I’ve become friends with many of the artists and I want to broaden their network through my network. It’s not about me, it’s about the community as a whole. theblackhome.com
top photo: deborah jaffe, bottom photo: lesley unruh.
THIS NON-PROFIT STUDIO IS CHAMPIONING CRAFTSMANSHIP, PASSING DOWN LEGACIES OF SKILL AND KNOWLEDGE IN THE PURSUIT OF INNOVATION.
Creativity feels far from a quiet, staid affair inside Assembly House 150, a non-profit art, design and construction incubator mushrooming from a deconsecrated 19th-century Catholic church in Buffalo. The air hums thick with sawdust and the snarl of saws as students learn craftsmanship from artisans and master tradespeople—in a space that is part active workshop, part evergrowing art installation.
The building, like the program, “is a living, breathing hybrid space,” says founder and director Dennis Maher, an artist and architecture professor at University at Buffalo. Launched in 2014, Assembly House “brings together creative production and learning as an integrated whole.”
Regardless of experience, anyone from the local community can train for construction careers and explore
specialized crafts like plasterwork and stained glass fully funded. Classes in turn become experimental playgrounds. Together, students and experts work to create Assembly House’s labyrinth of immersive art installations and off-site commissions. Upon graduation, students activate their newfound skills through a job placement program.
The experience offers “this wonderful intersection of practical application and art,” shares Frances Parson, a former student now working in custom cabinetry and historical restoration. “It was life changing for me, germinating the seed of confidence to move forward in this profession.” For volunteer instructors like stained glass artisan Kitty Mahoney of Revival Glassworks, the program too provides “an opportunity to play with
our craft, empowering craftspeople and artists to layer our ideas together for a community purpose.”
Weaving through the church’s naves, each installation embodies this fusion of disciplines, materials and techniques new and old: from intricate millwork, to the behemoth towers of Black Mass —a jigsaw sculpture altered by consecutive classes that houses a library and presentation space.
During their popular Second Saturdays tours, visitors can explore this madcap maze and a new limited line of furniture and objets d’art which also fuels the House’s legacy of craft. Every project feeds this collaborative continuum, and “that for me, is the ethos of Assembly House,” Maher adds. “A wonderful material and social unity.” assemblyhouse150.org
Gaggenau, maker of luxury, professional-grade home appliances and the “Preferred Home Kitchen Appliance Brand” of the MICHELIN® Guide, values its trade partners. Club 1683 is a trade program intended to further elevate and serve qualifying residential architects, designers, single-family builders and kitchen studios. As Club 1683 members, they receive access to personal guidance, professional support, rewards and invitations to unique design, culture and culinary experiences.
Learn more about Club 1683 and how to qualify via the QR code.
With specialized concierges, continuing education courses, invitations to special tours and events, hands-on trainings, culinary experiences and more, Club 1683 provides resources and opportunities for its collective of members.
The Polygonia sideboard, designed by Giacomo Garziano, highlights four fascinating volumes that intersect, creating a shape that opens like two butterfly wings on the top and has two hinged doors on the bottom. roche-bobois.com
Formalia Outdoor is the first Scavolini kitchen designed for outdoors. It stands out for its modern design, functionality and high-quality materials, in terms of both performance and aesthetic appeal. scavolini.com/us
European-influenced, the Bevolo Italianate is characterized by a stunning iron scroll bracket and an elongated lantern. The design will add charm to any space. Available in gas or electric. bevolo.com
J Tribble’s long history of selling beautiful, custom pieces now extends to repurposing antiques for modern bathrooms. More than 100 antiques ready for conversion are available online. jtribble.com
Nasiri’s Mazandaran flatweaves highlight the minimalist sophistication that existed long before the modern era. The kilim shown was crafted by the company’s skilled artisans using hand-spun wool and natural dyes. Reference number: 009178. nasiricarpets.com
Explore layered mood boards, Americana fashion brands to watch and talented furniture makers from coast to coast.
TOP DESIGNERS PRESENT THEIR NEW COLLECTIONS IN LAYERED, ONE-OF-A-KIND MOOD BOARDS FOR SUMMER.
PRODUCED
WRITTEN AND
BY KATHRYN GIVEN AND SARAH SHELTON
GARDEN DELIGHT WILLIAMS LAWRENCE, WILLIAMSLAWRENCE.COM
Clockwise from top: Mead Embroidery Fabric in Saffron/Petal by Bunny Williams for Lee Jofa / kravet.com Giallo Siena Marble / abcworldwidestone.com Woodland Wallpaper in Stone by Bunny Williams for Lee Jofa / kravet.com Waldon Stripe Fabric in Brown by Bunny Williams for Lee Jofa / kravet.com Beaucaire Fabric in Orage / pierrefrey.com
Clockwise from top: Andare Fabric in Salerno by Benjamin Johnston for S. Harris / fabricut.com Pudgy Pom Trim in Envy / fabricut.com Arabesque Tile in Royal Blue / annsacks.com
NATASHA BARADARAN, NATASHABARADARAN.COM
Clockwise from top: Pardis Fabric in Rosewater/Burnished / natashabaradaran.com Soraya Sheer Fabric in Hazel / natashabaradaran.com Costa Trim in Natural & Indigo / hollyhunt.com Kotakot Fabric in Ivory / dedar.com Calyx Jacquard Braid in Terra by Michael Aiduss / houles.com Fe Karoo Fabric in Cent Dix / toyine.com Fountain Fabric in Ivory / natashabaradaran.com Reflection Fabric in Dusty Rose / natashabaradaran.com
Textured Shower Bases
Created from an innovative, high-density composite material that evokes the appearance of natural stone, these streamlined bases are suitable for all bathroom types as they can be cut at the factory or even by the installer directly on site.
• Realistic texture
• Anti-slip
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• Slate or Concrete texture
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GARY MCBOURNIE, GMCBINC.COM
Clockwise from top: Seaside Strie Wallpaper in Ocean / gmcbinc.com Arcadia Fabric in Delft / raoultextiles.com
Innovative design and the transformative nature of light have the power to enrich lives. Such is the belief that has guided the forward-thinking minds at Lutron for more than 60 years. The ethos is visible in Lutron’s signature keypads, which control lighting integrated into the whole home with labels like Energize, Relax, Retreat and Entertain. Providing a quick, intuitive way to shift the feel, tone and energy of a space, this feature brings the experiential element of lighting to the forefront. But the concept of working with the natural world lies at the helm, too. As the Lutron team says, “To make the best light control systems in the world, you need to control the best light source: the sun.” This thought has driven the brand toward green solutions, in which dimmers, occupancy sensors and automated shades work together to build sustainable, whole-home light management systems. The sun gets its due—and homeowners are naturally saving energy by living in tune with it.
Back in 1961, Lutron’s first product began to define the light control industry. The Capri rotary dimmer featured an ergonomic, minimalist design that was intuitive to use and had the power to transform the ambience and comfort of a space. Today, it resides in the Smithsonian and serves to showcase the longevity of Lutron’s commitment to beautiful, thoughtful lighting design that transforms how home is experienced.
What will lighting look like in 50 years? Lutron believes it will be more beautiful, more personal and more intuitive. Capable of learning from occupants’ preferences and habits, smart systems will be able to adjust light levels and color temperatures seamlessly, eliminating the need for homeowners to even contemplate the task, unless they want to the future is about customization.
“Timelessness, simplicity, quality, authenticity— these words get bandied about, but to us, they’re a foundation at the root of our culture.”
Part of a home ecosystem. Designed by Lutron.
lutron.com/luxe
Fashionistas take note: To make a memorable statement, put on a number by Autumn Adeigbo. Whether it be a fringed coat, floral mini dress, or blouse bedecked in a print inspired by the designer’s Nigerian family roots, pattern, color and bold silhouettes define the Parsons grad’s collections. The Black designer prioritizes sustainable practices, like made-to-order, and supporting female-owned production facilities throughout the U.S. autumnadeigbo.com
upon rubelli.com 9" Tapered Pendent in Copper / $550 / arhaus.com Pintora Dinner Plate in Terracotta and Maroon / autumnadeigbo.com Studio Ottoman / Price upon request / buchanan.studio. Ellingham Chest of Drawers / Price upon request / vaughandesigns.com Checkered Hart Rug in Terracotta / From $199 / revivalrugs.com Coronado Suede & Feather Down Pillow in Sand / $189 / chauran.com
Doline Vase in Speckled / Terracotta / $240 / virginiasin.com
Clockwise from top right: Alexander Fabric in Sabbia / Price upon request / $62 each / sharland-england.com. Leather Ankle Strap Clog in Sienna / $770 /
SHE DIDN’T BELIEVE IN ASKING permission .
OR FOR THAT MATTER , forgiv eness
THE MODERN GODDESS
FEATURING THE ODIN® KITCHEN COLLECTION
Stripe lovers will rejoice in Kule’s cool offering of go-to, everyday pieces, ranging from simple t-shirts (a natural starting point for New York founder, Nikki Kule) to tote bags, sweaters and outerwear, to name a few. Equal parts preppy designs are classic staples twist that can be dressed up or collaborations with Bergdorf West Elm under their belt, the what comes next. kule.com
and sporty, Kule’s are classic with a playful twist that can be dressed up or down. With buzzy collaborations with Goodman and West Elm under their belt, the sky’s the limit for what comes next.
Clockwise Northeast Block each tangerinepaddle.com Scallop Lemon Rug / From $2,800 / jennifermanners.co.uk
Bode founder Adams Bode who first
Wellscene in as a menswear
ever women’s collection. With an M.O. for antique
Bode founder Emily Adams Bode Aujla, entered the fashion scene in 2016 as a menswear designer, delighted legions of fans at this year’s Paris Fashion Week with the debut of her firstever women’s collection. With an M.O. for antique textiles, appliqué, quilting and overall storytelling through garments, Bode captures a singular, nostalgic aesthetic that in-the-know dressers crave. For home dwellers, the brand also offers a special selection of textiles and furnishings that are equally as covetable. bode.com
are as covetable.
Daisy cecebarfi Bouquet lisacorti.com Beaded Crochet Bag in Blue / $450 / bode.com Basket Lounge Chair in Zero Kvadrat Fabric by Joe Colombo / $4,999 / gubi.com Plec Occasional Rectangle Table in Red by Antoni Pallejà / Price upon request / rsbarcelona.com Espresso Cup in Cypress and Dinner Plate in Marigold by Carolina Irving & Daughters / $25 and $115 / aerin.com Vintage Bell Light in Amber / $702 / rothschildbickers.com Kata Dimensional Field Tile in Rosa by Ali Budd / $145 per square foot / artistictile.com
Clockwise from top right: Coaster Napkins / $200 for six / cecebarfieldinc.com. Cotton Tablecloth in Lisa Bouquet Cream / $194 / . Basket Lounge Chair in Zero Kvadrat Fabric by Joe Colombo / $4,999 /
When Monogram and the Keeler Brass Company joined forces, the two iconic brands delivered an unprecedented level of artistry, detail and innovation to Monogram’s Designer Collection that is disrupting the luxury appliance space and elevating today’s kitchens to new heights. Designed in partnership with Richard T. Anuszkiewicz, this world-class collaboration created the industry’s first-ever custom 96-inch-high refrigeration panels—Monogram’s unparalleled panel that stretches floor to ceiling—as well as custom hoods, knobs, handles and hardware, resulting in highlypersonalized and sophisticated appliances that are taking the design community and style-savvy consumers by storm.
Monogram’s Richard T. Anuszkiewicz and Keeler’s Knikki Kennedy Grantham on inspiration, design and collaboration.
Describe the philosophy that inspires the Monogram Designer Collection?
“The heart of the Designer Collection is to bring thought-provoking products that meet the wants, needs and visions of today’s homeowners to market,” Anuszkiewicz shares. “That ideal has been the impetus for unique design innovations like refrigerators that reach 96 inches in height. With taller ceilings becoming the norm in many homes, these models provide a better, more proportional fit than an 84-inch refrigerator. Similarly, our consumers are seeking something more impactful in their finishes and materials, so we’ve created a true luxury experience by incorporating world-class workmanship and innovation into this collection.”
Share your latest inspirations.
“Hyperphysical experiences,” says Kennedy Grantham. “With hardware being the thing we touch most on all case goods, the tactile element is so important. With that in mind, we spend a lot of time executing the proper feel to even the underside of hardware. This may seem like an afterthought, but it is a very important measure in design.”
What’s motivating you right now?
“Creating new products has always been a dream and goal of mine, and
with the launch of the Designer Collection, I’m very much of the ‘what’s next’ mindset,” Anuszkiewicz enthuses. “I’m currently putting a lot of energy into that, which is very inspiring and fulfilling to me.”
What constitutes good design?
“The fundamental principles of balance, proportion and scale can be applied to any facet of design, from the pen you’re writing with to the shape of a building,” Kennedy Grantham explains. “Those principles make an impression on everyone because they evoke emotions and instill powerful design into everyday life. The merging of Richard’s design philosophy with the legacy, innovation and craftsmanship of Monogram and Keeler Brass Company has brought about a product line that is like no other.”
How do you stay abreast of trends while remaining true to Monogram’s personality? “I task myself with discovering what’s relevant and has longevity,” Anuszkiewicz adds. “Being a student of design has instilled a habit in me of paying attention to tactile items while living, traveling, observing or inventing so that I can try to bring things forward that are either underrepresented or unavailable in the marketplace. Focusing on spaces and products through an architectural, material and furniture-focused lens is a unique approach that marries my vision with Monogram’s mission. These three things make my work and Monogram’s products stand out in a crowd.”
Richard T. Anuszkiewicz, Creative Director Monogram monogram.com monogramappliances Knikki Kennedy Grantham, Creative Director Keeler Brass Company keelerbrasscompany.com keelerbrasscompany“This groundbreaking partnership between Monogram and Keeler Brass Company has resulted in exquisite, one-of-a-kind hardware and accents.”
MEET THE FRESH WAVE OF FURNITURE MAKERS WHO ARE PUSHING THE BOUNDARIES OF FORM, FUNCTION AND MATERIALITY.
Soft to the touch, Luam Melake’s saturated urethane and polyurethane foam furniture is inspired by positions that encourage social engagement. Perched here on the Listening Chair, Melake, who studied architecture at UC Berkeley, views a piece’s functionality as a way of expressing wishes for the future, namely one where digital distractions are few and personal interactions are cherished. Based in Harlem, New York, the senior materials researcher at Parsons came upon her unique material through trial and error. “I set out to create a sort of permanent upholstery for soft sculpture that could last for decades, while also being non-toxic nor requiring restoration.” luammelake.com, r-and-company.com
DESIGNER LIGHTING SHOP NOW
AVROKO LANGSTON MEDIUM CHANDELIER IN PLATED BRASS VISUALCOMFORT.COM
Plaster is Hannah Bigeleisen’s medium of choice. “I think about it as an alternative to ceramics—it’s additive and subtractive, endlessly modifiable and virtually indestructible,” says Bigeleisen, who was introduced to the material as an undergraduate at the Cleveland Institute of Art (she later earned an MFA from Rhode Island School of Design). Outdoor-friendly pieces like the vibrant Bluetta Chair and Lily, Clover and Margueritte Tables—the latter of which are inspired by petal and leaf formations found in nature—come to life in her Brooklyn studio. Bigeleisen adds cotton pulp to her plaster mixture for added texture and reinforcement, while artist-made paint colors are mixed and applied to thoughtfully complement each design. Playful and fresh, she credits fellow designers’ break from tradition as a boost of confidence in pushing her practice forward. hbigeleisen.com
“It’s an adventure and always an experiment,” says Raleigh native Matt Byrd of the challenges and joys of working with stone. The selfdescribed stone carver, who has a background in stonemasonry, recently moved from smaller sculpture to furniture, and is in the midst of an artist residency in Switzerland focusing on large-scale marble sculpture. The CIA Table and Peter Chair, pictured in his workshop, are carved from a solid chunk of granite and exemplify his largely freehand approach. “I don’t have a detailed sketch before I start,” Byrd admits. “I have a rough outline of what I want it to look like, and then I go for it. Sometimes it’s not perfect, but that’s what I love about the process.” mattbyrdsculpture.com
Whether Emmett Moore is experimenting with materials or exploring the dialogue between art and design (of which he believes objects exist on a spectra, and the most interesting things are difficult to label), curiosity, resourcefulness and fluidity are central themes at play in his Miami studio. Case in point: the Bay Rag chair made from layers of secondhand t-shirts, epoxy and automotive paint—inspiration for the process was culled from the maritime industry—utilizes readily available, unexpected materials thanks to the port city’s apparel import industry. “The t-shirt became the perfect standard unit of measurement, like a two-by-four or a sheet of plywood, and a nice anthropometric unit to base the work,” Moore says. “The sizes of t-shirts relates directly to the human body as do dimensions in furniture.” emmettmoore.com
Fortina is a remarkable architectural system that looks and feels like real wood, but is made with aluminum and a hyper-realistic non-PVC surface.
is a remarkable architectural system that looks and feels like real but is made with aluminum and a non-PVC surface.
Available in a multitude of wood species and metal finishes for interior and exterior applications.
Available in a multitude of wood and metal finishes for interior and exterior
Small Photos, left to right: Louvers in Earl Walnut M, Abel Oak N, Rican Oak, some profiles in Vent Walnut, Earl Walnut and Rokko Cedar.
After years working in fashion, Sam Klemick turned to woodworking as a creative outlet. The hobby ultimately transformed into a fullfledged business in response to fashion’s wasteful overproduction. Today, Klemick strives to source discarded materials, which, in turn, influences the direction of her work. But in the end, the Los Angeles designer wants people to respond to what resonates with them. “I hope furniture design continues to diversify and show individual points of view,” Klemick says. “It doesn’t have to be quirky and colorful or muted and round to be relevant.” Klemick, pictured at LA Woodshop where she handcrafts wooden components, is seated on the Ebony Cutie Stool made of salvaged Douglas fir. She is flanked by a soap and lye version and the Pinwheel Nap Chair—all of which are topped with deadstock canvas. studiosamklemick.com, lawoodshop.com
Sourcing the highest quality marble, quartzite, quartz, granite, and soapstone for a meticulously curated collection to ensure your search for surfaces ends with Architectural Surfaces. Visit a showroom today.
Chicagoan Norman Teague believes that furniture contributes to a narrative of who we are, and the makers behind such pieces play a crucial part in our shared story. Citing recent events like the pandemic, the creative regards comfort as a driving force behind his designs. “We are asking more from our homes,” Teague says. “The answer lies in the things we live with—the multifunctionality and beauty of objects.” Photographed in his studio, the Art Institute of Chicago alum stands beside his blue Sinmi Stool and red Africana Chair. Made of basswood, the stool is inspired by the bentwood tradition of 1930s furniture maker Isokon, while the chair represents the resilience of the African American experience. For Teague, making furniture isn’t just a creative process, but a way to communicate a Black presence and provide a platform for local talent. normanteaguedesignstudios.com
Bellevue, WA | $14,800,000
Peerless and perfect, ultra-luxe full-floor penthouse with unrivaled panoramic views.
Windermere Real Estate
A. Riley/D. Niles — 425 761 8836
Search TFYR on luxuryportfolio.com
Miami, FL | $9,500,000
Luxurious beach and sea lifestyle at Oceana-Key Biscayne.
The Keyes Company
Patricia Pava — 786 344 0078
Search OBEG on luxuryportfolio.com
San Diego, CA | $8,300,000
The ultimate San Diego penthouse showcasing the Pacific Ocean, bay & city.
Willis Allen Real Estate
Ken Baer — 619 248 4200
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Austin, TX | $7,800,000
Architectural masterpiece by Miró Rivera + J. Pinnelli. Boasting city skyline views.
Realty Austin
Keenan Property Group — 512 415 7653
Search HTVL on luxuryportfolio.com
©2023 Luxury Portfolio International.® Offering is subject to errors, omissions, change of price, or withdrawal without notice. All information has been supplied by third parties and should not be relied on as accurate or complete. Equal Opportunity Employer and pledged to the letter and spirit of Equal Housing Opportunities.
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Designers flex their creative prowess in the kitchen and share what makes the heart of the home hum.
WRITTEN BY ALYSSA BIRD
PRODUCED
SARAH SHELTON
For a D.C.-based client with a beautiful 1910 Beau Arts brownstone, designer Zoe Feldman needed to transform a dark garden level kitchen into a bright and livable space. With light now pouring through the room, Feldman could then focus on creating an area to be savored.
There are so many interesting details. Where did you start? We wanted to modernize the kitchen while retaining this historic home’s classic feel. Our goal was to infuse the space with some unexpected moments without making it feel too saturated. We landed on a subtle palette of grays and walnut surfaces with a moment for the jewel-toned range.
What was important to the clients for this space? We try to create solutions tailored to each client’s lifestyle. The homeowners don’t cook very often, but they wanted a beautiful space to dine. We took advantage of an existing curved wall and transformed it into an intimate dining area. We added pop-up outlets so it can dually function as a workspace.
Overall, what makes a good kitchen? A good k itchen is a workhorse. I subscribe to the belief that you can have a beautiful kitchen without being precious about maintenance. Knicks and stains are part of the charm of a great kitchen—I cut things directly on my marble countertops. Europeans have always done this; we just need to catch up! zoefeldmandesign.com
The space features Calacatta marble countertops from GLB Tile & Marble Co., a Waterworks sink and faucet, an Ilve range and clé backsplash tile. A Jamb pendant hangs above the banquette while the island is illuminated by an Urban Electric Co. fixture. Designer Zoe Feldman collaborated on the gut renovation with architecture firm Outerbridge Horsey Associates and builder McFarland Woods.
Seasoned pro Sarah Robertson of Studio Dearborn was more than up for the challenge of reimagining a Greenwich, Connecticut, kitchen to suit the needs of a young family. As avid cooks who love to entertain, the kitchen needed zones to prep, cook and serve efficiently, along with an area for casual dining and plenty of storage to boot.
Talk to us about the palette. The clients showed me inspiration images of blue kitchens, so that was our starting point. We found the perfect shade—Benjamin Moore’s Van Courtland Blue—that acts as a neutral and goes with everything. It’s lighthearted, fun and colorful without being too much. To break it up, we added a cherry cabinet that coordinates with the flo oring.
How do the two islands function? It’s a long room, so the space called for two islands. One long island would have cut off the circulation of the room. We actually widened the kitchen by two feet to accommodate them. One is for prep and storage and another for seating.
Are coffee stations popular? Yes, people are requesting dedicated breakfast pantries that can double as a cocktail bar. Here, we installed closed storage that includes drawers for tea, snacks, silverware and vegetables. studiodearborn.com
“A good kitchen embraces your day-to-day life like a friend . It feels helpful, kind, loving and joyful. It enables you to go about your daily life feeling both supported and inspired.”
–SARAH ROBERTSON
Scan the QR code and experience the entire residence.
At Sklar we realize how important design is to creating a living ledgeable and experienced team can work with you on all of your interior design needs. We invite you to explore this exceptional residence and the entire 3 bedroom, 3+1/2 bathroom project for yourself. See how Sklar can work with you to make your vision your reality.
It’s not always easy to create a stylishly ambiguous space, but Regan Baker did just that for a client’s circa-1949 Bay Area residence. The directive called for a traditional feel—but still artful, inviting and not overly precious. Therefore, the designer served up a kitchen that is chic yet durable for the young family, hitting every style note with aplomb.
Tell us about the inspiration. The client is from Canada and wanted a modern-meets-rustic farmhouse. She loves drama, so we paired warm
oak with dark blue cabinetry and a Calacatta Oro marble backsplash that’s refined and elevated. The reclaimed oak shelf provides display space for found items and lends a personal touch to the room.
How are you pushing yourself when it comes to kitchen design?
I’m thinking through the busy pace of a client’s life, including how their children will use the kitchen, so they can learn how to be more independent in the space. A kind of Montessori-inspired approach. Here, it was important to include multiple water sources for everyone to stay hydrated and fill up their own water bottles. The kids even have their own area to prepare food.
How did you decide on materials for the island? The island is used for informal meals, so we chose to treat it as a piece of furniture and make it feel different stylistically. The oak is topped with soapstone, which ties in with the dark window f rames. reganbakerdesign.com
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2023 RESIDENTIAL EXCELLENCE IN DESIGN AWARDS
Introducing the 2023 Luxe RED Awards, honoring excellence and innovation for the best in residential projects and product introductions.
Luxe Interiors + Design invited design professionals from across the country to compete in the 2023 Luxe RED Awards. After receiving more than 1,600 entries, a panel of industry experts weighed in to select our winners, and the public voted for our Readers’ Choice awards. Meet the judges:
FOUNDER AND PRINCIPAL, RIGHT MEETS LEFT INTERIOR DESIGN
Courtney McLeod believes in the power of design to spark joy and utilizes a kaleidoscopic toolbox of texture, pattern and color to create a singular and cohesive expression of each client’s unique personality and lifestyle. The name of her award-winning, New York–based full-service design firm, Right Meets Left, reflects her design process, which is rooted in an optimal balance of innovative design (right brain) and analytical rigor (left brain). She serves as a trustee of the New York School of Interior Design.
PARTNER AND CREATIVE DIRECTOR, BENJAMIN JOHNSTON DESIGN
Houston-based Benjamin Johnston has dedicated his life to the pursuit of artistic expression as a designer, artist, teacher and tastemaker. Johnston earned his Bachelor of Architecture from Texas A&M University and his Master of Architecture from University of Texas at Austin. Since launching his first design business focused exclusively on interiors, he has expanded the firm to include architectural services, offering clients a holistic approach that allows his team to manage the creation of luxury homes from start to finish.
PRINCIPAL INTERIOR DESIGNER AND OWNER, NOZ DESIGN
Principal interior designer and owner of San Francisco’s Noz Design, Noz Nozawa is known for her commitment to artful, highly personal interiors. Fearless in her design choices, Nozawa’s spaces are grounded in a commitment to helping her clients access joy and love through the process and have earned her projects across the country as well as many industry accolades. Nozawa holds a Bachelor of Science in economics from the University of Pennsylvania.
PRINCIPAL,
Award-winning interior designer Marie Flanigan uses her experience as a classically trained and practiced architect to unlock a unique level of depth through her mutual consideration of interior and structure; her homes reveal the magic that transpires when each is made to augment the other. Flanigan’s trademark style is evident through a sophisticated use of color, texture and light. Every home she designs receives her personal signature of timeless elegance and innovative simplicity.
Sean Anderson presents a sense of style that offers enduring interiors for inspired living. His design philosophy is rooted in the pursuit of creating customized, soulful spaces that tell the unique story of those who inhabit them. Anderson began his design career in 2013 with the formation of his namesake firm in Memphis. Since its inception, he and his team have transformed homes and commercial spaces with his enigmatic style and casual, collected aesthetic. Sean Anderson Design offers a full suite of bespoke interior design services to residential and commercial clientele throughout North America.
VICE PRESIDENT AND EDITOR IN CHIEF, LUXE INTERIORS + DESIGN
Pamela Jaccarino is the founding Editor in Chief of Luxe Interiors + Design, the largest network of architecture and design magazines in the country, a position she has held since 2005. Jaccarino has been instrumental in the growth of the publication, both locally and nationally, and continues to champion its fresh vision and evolution. She also lectures frequently on design-related topics. Prior to joining Sandow Media in 2002, Jaccarino was an executive editor with the LVMH Group.
NATIONAL WINNER
Ryan Street Architects
REGIONAL WINNERS
David Michael Miller Associates
ARIZONA
Ryan Street Architects
AUSTIN + SAN ANTONIO
Michael Abrams Interiors
CHICAGO
Factor Design Build
COLORADO
Urbanology Designs
DALLAS + FORT WORTH
Kelly Marie Interior Design
FLORIDA
Workshop/APD
GREATER NEW YORK
Lucas/Eilers Design Associates
HOUSTON
KAA Design
LOS ANGELES-SOUTHERN CALIFORNIA
Shannon Adamson Interior Design
PACIFIC NORTHWEST
Tucker & Marks
SAN FRANCISCO
Anna Booth Interiors
SOUTHEAST
NATIONAL WINNER
Heliotrope Architects
REGIONAL WINNERS
PHX Architecture
ARIZONA
LaRue Architects
AUSTIN + SAN ANTONIO
Robbins Architecture
CHICAGO
Forum Phi
COLORADO
Wernerfield
DALLAS + FORT WORTH
Smith and Moore Architects
FLORIDA
Haver & Skolnick Architects
GREATER NEW YORK
Cusimano Architect
HOUSTON
Woods + Dangaran
LOS ANGELES-SOUTHERN CALIFORNIA
Heliotrope Architects
PACIFIC NORTHWEST
Geddes Ulinskas Architects
SAN FRANCISCO
Christopher Architecture & Interiors
SOUTHEAST
NATIONAL WINNER
Michael G. Imber, Architects
REGIONAL WINNERS
David Michael Miller Associates
ARIZONA
Michael G. Imber, Architects
AUSTIN + SAN ANTONIO
Craig & Company
CHICAGO
Tumu Studio
COLORADO
William S. Briggs, Architect
DALLAS + FORT WORTH
Thomas Melhorn
FLORIDA
Messana O’Rorke
GREATER NEW YORK
Cusimano Architect
HOUSTON
Woods + Dangaran
LOS ANGELES-SOUTHERN CALIFORNIA
Studio H Design
PACIFIC NORTHWEST
Regan Baker Design
SAN FRANCISCO
Historical Concepts
SOUTHEAST
NATIONAL WINNER
Chad Dorsey Design
REGIONAL WINNERS
IMI Design
ARIZONA
Bradshaw Designs
AUSTIN + SAN ANTONIO
Suzanne Lovell Inc.
CHICAGO
Karen White Interior Design
COLORADO
Chad Dorsey Design
DALLAS + FORT WORTH
Strang Design
FLORIDA
Grade New York
GREATER NEW YORK
Dodson Interiors
HOUSTON
Meghan Eisenberg
LOS ANGELES-SOUTHERN CALIFORNIA
Kat Lawton Interiors
PACIFIC NORTHWEST
NicoleHollis
SAN FRANCISCO
Melanie Turner Interiors
SOUTHEAST
NATIONAL WINNER
Andrew Suvalsky Designs
REGIONAL WINNERS
Earth & Images
ARIZONA
Anne Barger Designs
AUSTIN + SAN ANTONIO
Amy Carman Design CHICAGO
Karen White Interior Design
COLORADO
Deborah Walker & Associates
DALLAS + FORT WORTH
The Associates Studio
FLORIDA
Andrew Suvalsky Designs
GREATER NEW YORK
Tracy Design Studio, LLC
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T.S. Adams Studio, Architects
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Maximalism and minimalism collide with stunning results in a new abode for art-loving homeowners.
Interior Design: Nicole White, Nicole White Designs Interiors Home Builder: Jason Bush and Antonio Fernandez, NJM Builders Inc.
WRITTEN BY KAMALA NAIR
PHOTOGRAPHY BY KRIS TAMBURELLO
STYLING BY PEGGY CHASE JORDAO
With soaring windows overlooking the pool, the living area includes a pair of sofas covered in Artefacto green velvet, a graphic upholstered bench from Currey & Company and an Interlude Home cocktail table. The artwork is by Mario Gerth.
hen designer Nicole White put the finishing touches on an artfilled condo in a South Florida high-rise, she was sure the job was done. After all, her clients were thrilled
with the results. But not long after the project was completed, White received a call from the couple, who were having second thoughts. As much as they loved the design, they found themselves longing for more space to host friends and family—and had decided to upgrade to a sprawling private residence.
The significantly larger house in Pinecrest would require new acquisitions as well as the reimagining of existing pieces—and White knew exactly where to start. “The clients are avid collectors, and big supporters of Black artists, especially. It was beautiful to design a home where art is so appreciated and valued. We knew we could build a whole story around their collection once again,” she says.
A large part of that story meant honoring the disparate styles of the husband and wife—she loves bold design, while he prefers minimalism. But unlike the condo, whose spatial constraints had called for a more neutral approach, the sheer size of the new home gave White, aided by general contractor Jason Bush and project supervisor Antonio Fernandez, more leeway to incorporate the two styles into the renovation.
To create a moment of pure drama in the living area, the designer found a stunning slab of green-streaked marble for the fireplace surround, complemented by a tight edit of streamlined furnishings. A grouping of soaring chandeliers offers another thrilling moment, while at the same time artistically bringing down the ceiling, fostering a feeling of intimacy. The call for drama also presented the perfect opportunity to showcase some of the couple’s more spectacular works of art. A striking statue by Woodrow Nash greets guests near the entryway, while an elaborate beaded wood necklace holds court on a nearby wall.
With a juxtaposition of grand gestures and quieter moments at the front of the house, White knew the rest of the rooms needed to similarly rise to the occasion. In a petite bathroom, she chose a wallcovering featuring lush foliage as a nod to the wife’s glamorous tastes, with a more muted floating vanity providing soft balance. And in the kitchen, boldly marbleized counters pop against neutral cabinetry. While the original kitchen featured two islands, White removed the second in favor of a large central one in order to better accommodate the owners’ many parties and charity events. “They wanted a drink trough in the island to put bottles in and for folks to gather around,” she adds.
Creating an inviting space for visitors also informed the design of the guesthouse. “I wanted anyone staying here to really feel as if they’re on vacation,” White notes. Inspired by a recent trip to Tulum, Mexico, where she became “obsessed with the abundance of texture,” the designer chose a distinctive palm-print wallpaper for both the bedroom and breakfast area. “When I saw that pattern, I thought, ‘This feels like the outdoors to me.’ It was perfect.” Still, the soft palette keeps the atmosphere serene.
For her personal office, however, the wife was ready to fully stake her maximalist claim. “She sent me a whole design book on how far she wanted this to go. She wanted a ‘more is more’ approach,” White recalls of her client’s vision. They initially settled on a moody green palette to play off the living room, but when the wife saw—and fell in love with—the “mom cave” White designed in her own home, featuring bold, black-painted walls, she requested a similar look. A bright-pink tufted sofa became the room’s centerpiece with a graphic rug underfoot and sculptural light fixture overhead, tying the space together.
“As a designer, you have to listen to your clients and not get caught in the middle,” White explains. Yet, she also understands the persuasive powers of a fabulous design. The husband, for example, was not enthusiastic about the concept for his wife’s office initially. “But now,” White laughs, “he hangs out in there all the time.”
“IT WAS BEAUTIFUL TO DESIGN A HOME WHERE ART IS SO APPRECIATED AND VALUED . WE KNEW WE COULD BUILD A WHOLE STORY AROUND THEIR COLLECTION.”
–NICOLE WHITE
In the dining room, Cubé chairs from Morada-Haute Furniture Boutique and an E.M. Soberon table and chandelier make a sophisticated statement. The shagreen bar cabinet is from Wasser’s Exclusive Furniture & Interiors.
Left: The Dekton Khalo counters from Cosentino are inspired by natural Patagonian granite and provide a dramatic contrast to the neutral kitchen. An integrated drink trough within the island allows for effortless entertaining.
Opposite: Bahati chairs by Arteriors and a custom bench surround a Mod table in the dining area of the guesthouse. The chandelier overhead is Hubbardton Forge. A textured linen leaf-motif wallcovering by Arte defines the space.
A Haute House sofa wearing a Kravet performance velvet brings a splash of color to the wife’s office, which features a carpet from Rugs by Zhaleh Limited and a chandelier by Currey & Company. The desk is Belle Meade Signature, and the guest chairs are Caracole.
“
THE CLIENT SENT ME A WHOLE DESIGN BOOK ON HOW FAR SHE WANTED TO GO . SHE WANTED A ‘MORE IS MORE’ APPROACH.”
–NICOLE WHITE
Right: In a small bathroom, Astek’s Verdure mural echoes the tropical foliage outside. The multidrop light fixture is from Currey & Company.
Opposite: A custom wall-to-wall upholstered headboard creates a cozy vibe in the guesthouse sleeping area. A CB2 saddleleather bench sits at the foot of the bed. The pendant is Arteriors.
WRITTEN BY ABIGAIL STONE | PHOTOGRAPHY BY CARMEL BRANTLEY
Architecture: Mitchell E. Miller, Village Architects AIA Interior Design: Jackie Armour, Taylor Ehrlund and Eden Tepper, JMA Interior Design Home Builder: Dan Wilberding, F&D Wilberding, Inc. Landscape Architecture: Steve Parker, Parker-Yannette Design Group, Inc.
Framed by Canary Island date palms, the home’s exterior features understated nautical details, including a round window and shutters painted Sherwin-Williams’ Debonair. Sconces and a hanging lantern, all by Coastal Copper, illuminate the front door.
he most memorable houses convey a strong impression of the people who live within them, reflecting their owners’ interests, enthusiasms and heritage in details large and small. So, it’s no wonder that this bespoke, newly constructed residence is the talk of its South Florida neighborhood: It perfectly mirrors the lucky couple that calls it home.
This is true beginning from the exterior.
Conceived by architect Mitchell E. Miller, the structure, with its extended eaves, sky-blue shutters, creamy façade and shingled roof, projects a coastal sheen that nods to the seaside locale. That impression is underlined by its shipshape construction, courtesy of general contractor Dan Wilberding, who took his clients’ wishes for a solar energy system and heated bathroom floors (both typical of homes in their native Norway, but less so for residences in Hobe Sound), and meticulously delivered.
Meanwhile, oversize sliding glass doors chosen to erase the boundary between indoors and out, give way to gardens thoughtfully designed by landscape architect Steve Parker. Catering to the homeowners’ active lifestyle, the property boasts a pool, sauna, bocce court and its own putting green. And, in tribute to their favorite colors, Parker emphasized blues and reds in his composition, dotting the hues around the lush landscape via dwarf ixora, red-tipped cocoplum, flame-red bougainvillea and plumbago auriculata, to name a few.
When it came to the interiors, designers Jackie Armour, Taylor Ehrlund and Eden Tepper similarly let the couple’s go-to palette lead the way. “They love red, white and blue,” echoes Armour, noting that the wife is rarely seen without cerulean polish on her nails. The hurdle was incorporating these colors—which compose Norway’s flag as well as the United States’—into the decor without tipping over into Americana territory. The team’s solution? Clad the entire intricate living room millwork program (walls; trim; ceilings; built-ins) in the same nuanced shade, thereby avoiding any stars-and-stripessuggestive contrast. They settled on a tranquil gray-blue that channels the weathered, painted
wood tones seen in traditional Scandinavian interiors in the subtlest of fashions.
This same cool, steely hue envelops the adjoining kitchen, transforming the workhorse space into a perfectly elegant partner for the living room. “Because they made it clear they were not color adverse,” Armour says, “at one of our first meetings, I asked if we could be bold and not have a completely white kitchen. And they said, ‘Yes, we would prefer it.’ That was really the starting point, and our design emerged from there.” Adds Ehrlund: “They were very open-minded to almost every idea we suggested. They didn’t flinch at anything.”
The designers’ choice to wash the space in a single, subdued tone also provided the perfect foil for a generous dose of lipstick red as the accent layer. Witness the living room, where crimson threads through the draperies and throw pillows, skips across the accessories displayed in the builtin cabinetry shelves and commands attention in the custom-tinted glass tops of the cocktail tables. At the same time, judicial dollops of dark blue (see: the living room sofa; the painted wood dining table; the husband’s office walls), provide additional grounding for even bolder moments of red throughout, like the guest quarter’s fire engine-hued spool beds and the powder room’s floating vanity replete with ruby lacquer.
The distinctively vibrant framework also allowed the designers to layer in playful patterns, from exuberant botanicals to whimsical toiles to nostalgic marine scenes. A flurry of small and delicate prints on textured weaves rounds out the mix, offering yet another homage to the couple’s roots. “These elements feel artisanal and vaguely Scandinavian,” Armour notes, pointing to details like the dining chairs’ charming mix of dainty floral and ticking stripe upholstery.
Of course, all of this design wizardry is made possible by the Florida setting, flooded with light, air and tropical foliage. “The views and greenery also work to neutralize what’s happening inside,” says Armour, who recognizes the precise alchemy required for this thoroughly custom home.
“Builders call this kind of project an autobiography in sticks and bricks,” reflects Wilberding, adding, “I think that is the real success of this house. It is a true reflection of the owners.”
Left: Benjamin Moore’s Pike’s Peak Gray takes a leading role in the design, enveloping the entirety of the living area, as well as its built-in cabinetry. The sconce is from Visual Comfort & Co.
Opposite: A pair of Lexington’s Riverdale cocktail tables pop with custom-tinted glass in the living area, where a Caracole drinks table joins Kravet armchairs. The chandelier in the foyer is from Currey & Company.
Above: Donning a custom blue paint color, the dining table partners with Lexington’s Alderman side chairs wearing Anna French’s Milford floral fabric. Weiland LiftSlide doors open to the backyard and golf course beyond.
Opposite: “The kitchen cabinetry had to read like high-end furniture,” general contractor Dan Wilberding says. A glass-fronted cabinet spotlights a collection of Blue Danube china. Artistic Tile’s Ava WJ Mosaic covers the backsplash. The countertops are from Pompeii Quartz.
Left: Tucked within the living area’s paneling, a built-in desk is paired with Kravet’s Twist stool in white, upholstered in Thibaut’s Bayside Stripe. Displayed within the open shelving are the clients’ beloved porcelain and artworks.
Opposite: The husband’s office is drenched in oceanic references, including a compass-inspired side table. Phillip Jeffries’ Abaca Harvest wallcovering complements tailored valances of Schumacher’s Marine Toile fabric.
Right: Kohler’s Imperial Blue vessel sink inspired the powder room’s maximalist vibe. Coastal Copper sconces in navy temper Thibaut’s Palm Botanical wallpaper and a vanity lacquered in PPG’s Rum Runner.
Opposite: Atop a rug from Dash & Albert, Harriet Spindle beds from The Beautiful Bed Company animate a guest room. The quilts and matching shams are Serena & Lily. Thibaut’s Cornwall material was used for the Roman shades.
A textile artist weaves a sense of time and place into her prismatic quilts.
WRITTEN BY MONIQUE MCINTOSH
PHOTOGRAPHY BY MARY BETH KOETH
Some American stories are never written. Instead, they are quilted deep into fabric and batting. Generations of female artisans—often nameless and unseen—have stitched their lives into patchwork patterns, a legacy Regina Durante Jestrow honors by weaving her own voice into this American tradition. Her geometric quilts are laden with memories, incorporating found materials and hand-dyed fabrics. This art form offers “a different way of thinking about the past,” she describes, “constructing your own story from what already exists in the world.”
Playing with historical quilt motifs, like the classic log cabin and triangle, satisfied the artist’s career-long fascination with geometry. “I keep finding new ways to tell distinct stories, creating new feelings and effects with the same patterns,” says Jestrow, who fills countless sketchbooks with potential configurations. From a studio space in her home, she uses a sewing machine to stitch her final composition directly onto muslin, juxtaposing various textures and adding visual depth by layering sheer materials or padding segments with stuffing. More than pure exercises in line and form, the fabrics introduce layers of the past. “They have a history to them,” she observes. “Patterns, textiles and colors can remind people of their mother’s curtains or grandmother’s tablecloths.”
Fellow Miamians may recognize their hometown in Jestrow’s recent series, “Pieces of the Landscape,” shown at Mount Sinai Medical Center’s Skolnick Surgical Tower. “I wanted to make a portrait of Miami using materials that translate our experiences into geometric pieces,” the artist says. Conjuring her early years in the city, she hunted local shops for secondhand party clothes in gold neoprene, sequins, acid-wash denim and silks.
These fragments are interwoven with fabrics dyed by hand using locally foraged elements. There’s South Florida’s lush flora in deep browns extracted from black olive trees, the sunset oranges of annatto seeds, the pale pinks of avocado pits, and the earthy reds of Shiboristyle prints made from rusty metals. Whether hung like tapestries or stretched over frames, the final works capture Miami’s contradictions, its neon electricity and natural wildness.
It’s a poignant reminder that all quilts, in the end, are for remembrance—a thread that ties the present to people and places, long after they are gone.
Architecture: Caroline Forrest, MHK Architecture Interior Design: Sara McCann and Breanne Castillo, McCann Design Group
Home Builder: Todd Cury, The Cury Group Landscape Architecture: Keith Williams, Nievera Williams Design
Embracing the aesthetics of their cross-country move, a couple seeks an oasis of tropical tones.
WRITTEN BY ANGELA CARAWAY-CARLTON | PHOTOGRAPHY BY NICKOLAS SARGENT
Painted Benjamin Moore’s Chantilly Lace, the front exterior is softly contrasted by garden greenery composed by landscape designer Keith Williams. Benjamin Moore’s Coral Reef on the door creates tropical drama that previews the colorful interiors ahead.
eeking perpetual summer, designer Sara McCann’s clients left behind the fog and moody enchantment of San Francisco for a fresh start in South Florida. With their new home as a blank slate, the couple desired a dramatic reset reflective of the sunny locale. “The homeowners wanted to bring in a lot of bright colors and textures for an indooroutdoor feel,” recalls designer Breanne Castillo, who worked alongside McCann on the project.
When it came to refreshing the Palm Beach residence, the couple initially envisioned solely renovating the kitchen and primary suite in addition to painting and updating the flooring. Yet, they soon realized a complete overhaul was necessary to achieve a cohesive aesthetic with the help of residential designer Caroline Forrest and general contractor Todd Cury. “We collaborated to create a bright palette and as much volume, space and organization so the designers could highlight rooms with colors and textures,” Forrest explains. They refinished the hardwood flooring in a whitewash stain and revamped the kitchen with features such as white cabinetry, a large island and shiplap paneling on the ceiling, mirroring the nearby family area. As for the private spaces, they elevated the primary bathroom with touches like marble flooring and countertops and decreased the size of the primary bedroom to create a feature the homeowners coveted: expansive his-and-her closets. “There’s not one thing in the house that didn’t get touched— but when you walk in, you can’t tell there’s been a major renovation,” Cury observes.
McCann and Castillo established feel-good vibes from the outset by splashing the front door of the white exterior in a punchy lacquered coral. Once inside, each space reveals its own energetic color story. “We like to have one jumping-off point by room,” McCann says. In the living and dining areas, for instance, the inspiration was a shell-pink fabric chosen for the sofas—a shade the wife requested on replicating for the surrounding walls, millwork and ceiling. “By painting the pale pink on every surface, she definitely pushed us out of our comfort zone,” Castillo acknowledges. “However, the color is subtle enough that your
eye isn’t drawn away from the furnishings and accessories, so everything gets to have its own moment against the calming backdrop.”
Reflecting a duality between Palm Beach inspiration and sophisticated touches, the designers outfitted the living area with elements such as pink and green textiles, an abaca area rug and rattan chairs. They then echoed the tropical refinement in the dining area with circular rattan lighting above a softly rounded wood table.
Also driving the color narrative is a floral print in a reddish-coral, green and yellow palette that swaths the primary bedroom’s window treatments and pillows. “You see the same colors woven throughout the home, but they’re used differently,” Castillo notes, pointing to the coralhued materials on the kitchen’s counter stools and the family area’s deep sectional. Green, meanwhile, shows up most vividly in the powder room, where the designers enveloped the walls in an iconic banana leaf-print wallpaper and, in a daring twist, lacquered the millwork and vanity for a jewel-box feel.
Coastal tones define the husband’s library, home to patterned draperies and modern geometric artwork set against walls wrapped in a pale, woven paper. “He’s a huge fan of blue, so it started with the drapery color, and then he found the artwork,” McCann explains. “We kept the wallcovering neutral so the art and fabrics could pop.” What also stands out is a sentimental item occupying the desk: a vintage hula dancer lamp the husband found in Hawaii years ago that has made every move with the family. “It’s a nod to our love of tropical living—a talisman that one day we’d be living in a sunny place,” the wife muses.
Naturally, the outdoor areas also deserved their own refresh, orchestrated by landscape designer Keith Williams. Surrounding the refinished pool, spaces are dotted with bright bougainvillea that crawls up the house. “The gardens are kept very simple to create a sense of depth,” Williams describes, “and the bougainvillea provides a magnificent element of color.”
All of this results in a tropical oasis worthy of a vibrant, new beginning in Palm Beach. “I’m just delighted with it,” the wife says. “I go around and sit in different areas of the house and pick out special touches I love.”
“The homeowners wanted to bring in a lot of bright colors and textures for an indoor-outdoor feel.”
–BREANNE CASTILLO
The family room off the kitchen reveals ample notes of rope and sisal, including a Robert James Collection buffet, a Fibreworks rug, Arteriors floor lamps and a Palecek pendant and string chair. A custom sectional carries through the coral color story.
Above: The husband’s library offers a striking color departure with its cobalt Alan Campbell draperies, Maris Lighting pendant and A. Rudin lounge chair and ottoman, below a Garry Fabian Miller artwork. The artist’s work also presides behind a Mr. Brown London desk and RH chair.
Opposite: An extension of the living room, the dining area boasts the same hue—Benjamin Moore’s Shell Pink at 50 percent—on the walls. A Soane Britain pendant hangs above a Keith Fritz dining table surrounded by A. Rudin chairs. The artwork is Garry Fabian Miller.
Above: In the powder room, walls are swathed in Beverly Hills’ iconic Banana Leaf wallpaper. The vanity is lacquered in Benjamin Moore’s Raleigh Green, replete with inset caning, a Calacatta Gold marble top and an unlacquered-brass Waterworks tap.
Left: Layers of pattern, including Brunschwig & Fils’ Les Touches wallpaper and throw pillows covered in a John Robshaw fabric, enliven a guest room. The scalloped bed is a custom design, while the nightstands topped with Visual Comfort & Co. lamps are Made Goods.
A fleet of chaises and an outdoor lounge area all feature crisp white Brown Jordan furnishings, which echo the exterior architecture. The dining table and chairs are Dedon, and the floor lanterns are from Hive Home, Gift & Garden.
PHOTO CREDIT: MICHAEL STAVARIDIS
PHOTO CREDIT: MICHAEL STAVARIDIS
INTERIOR DESIGN | NEW CONSTRUCTION | REMODELS | FURNITURE SELECTIONS
AN INTERNATIONAL AWARD WINNING DESIGNER, LAETITIA LAURENT DRAWS FROM HER PARISIAN ROOTS TO INFUSE HOMES WITH EUROPEAN PRINCIPLES THAT MARRY FORM AND FUNCTION.
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