Go Ahead, Overthink The Windows.
Architect: Upwall Design Builder: Douglas Knight Construction Photographer: Springgate Photography Follow us on Instagram @sierrapacificwindowsFor some homes, windows become more than a building element. All the more reason to start with the world's best materials and designs, sustainably crafted. To transcend function and open the world of stunning sight lines, playful light and museum-quality views. A tall order for a normal window, but not for windows that never compromise. Learn more >
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Design Better
JUL AUG
Scene
54 DESIGN DISPATCH
The little black book of all things new and fabulous in the local community.
Radar
66 ARCHITECTURALLY SPEAKING
Today’s designers offer an evolving approach to traditional barn architecture.
70 HISTORY LESSON
Floorcloths are back in vogue thanks to a new crop of creatives rethinking their aesthetics.
72 SHOP TALK
Shop owners discuss their latest ventures and the importance of local communities.
76 COME TOGETHER
A design, construction and architecture incubator is providing practical tools and a space to innovate.
Market
MATERIAL
their own fabric lines as muse, top designers create one-of-a-kind mood boards exclusively for Luxe.
With their own fabric lines as muse, top create one-of-a-kind mood boards for
TREND
Discover the American fashion designers who rede ning current sartorial attitudes.
Discover the American fashion who are rede current sartorial attitudes.
SPOTLIGHT
Furniture makers open their doors to share what’s in the works, how they stay inspired and what’s next in design.
Living
Furniture makers open their doors to share what’s in the works, how stay and what’s next in +
KITCHEN + BATH
Three pros in on the essential tenets of kitchen
Three pros weigh in on the essential tenets of good kitchen design.
“
–
I loved The Container Store’s suggestion of wrapping the credenza in recycled crocodile leather.”
DESIGNER HUMA SULAIMAN
Happiness is in the details.
Designer Huma Sulaiman partnered with The Container Store to create a modern gentleman’s space for Kips Bay Decorator Show House. The striking result featured glass-front cabinets and a floating credenza wrapped in recycled leather. To discover the potential of your space, start with a free design consultation.
Let us help you discover the potential of your space. Schedule a free design consultation at containerstore.com/custom-spaces.
FEATURES
172
Begin Again
After a couple’s underconstruction home is destroyed by wildfire, their response is to build back even better.
184
Natural Wonders
San Francisco artist Ellen Little loves to break watercolor “rules,” resulting in large-scale works that capture nature’s beauty.
Written by Deborah Bishop Photography by Lauren Segal
145 Presenting the 2023 Luxe RED Awards honoring excellence, innovation and the best residential architecture, interior design and landscape architecture projects and products.
188
Country Soul
A designer’s contemporary take on farmhouse style creates the perfect dwelling for adventure lovers.
200
Global Outlook
Family and a fondness for travel inspire the composition of this striking San Francisco penthouse.
ON THE COVER: Views were the priority for the outdoor living areas of this Healdsburg abode by architect H. Todd Kilburn and designer Caitlin Jones Ghajar. This quiet spot—sited to enjoy the landscape by James Bradanini— is outfitted with Gloster seating from Dunkirk and a vintage coffee table from Obsolete. Page 172
Written by Shannon Sharpe Photography by Haris Kenjar Written by Cheryl Meyers Photography by Paul Dyer Written by Maile Pingel Photography by Paul DyerLIFE OUTSIDE
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Luxe Interiors + Design®, (ISSN 1949-2022), Arizona (ISSN 2163-9809), California (ISSN 2164-0122), Chicago (ISSN 2163-9981), Colorado (ISSN 21639949), Florida (ISSN 2163-9779), New York (ISSN 2163-9728), Pacific Northwest (ISSN 2167-9584), San Francisco (ISSN 2372-0220), Southeast (ISSN 2688-5735), Texas (ISSN 2163-9922), Vol. 21, No. 4, July/August, prints bimonthly and is published by SANDOW, 3651 FAU Boulevard, Suite 200, Boca Raton, FL 33431. Luxe Interiors + Design® (“Luxe”) provides information on luxury homes and lifestyles. Luxe Interiors + Design®, SANDOW, its affiliates, employees, contributors, writers, editors, (Publisher) accepts no responsibility for inaccuracies, errors or omissions with information and/or advertisements contained herein. The Publisher has neither investigated nor endorsed the companies and/or products that advertise within the publication or that are mentioned editorially. Publisher assumes no responsibility for the claims made by the Advertisers or the merits of their respective products or services advertised or promoted in Luxe Publisher neither expressly nor implicitly endorses such Advertiser products, services or claims. Publisher expressly assumes no liability for any damages whatsoever that may be suffered by any purchaser or user for any products or services advertised or mentioned editorially herein and strongly recommends that any purchaser or user investigate such products, services, methods and/or claims made thereto. Opinions expressed in the magazine and/or its advertisements do not necessarily reflect the opinions of the Publisher. Neither the Publisher nor its staff, associates or affiliates are responsible for any errors, omissions or information whatsoever that have been misrepresented to Publisher. The information on products and services as advertised in Luxe are shown by Publisher on an “as is” and “as available” basis. Publisher makes no representations or warranties of any kind, expressed or implied, as to the information, services, contents, trademarks, patents, materials or products included in this magazine. All pictures reproduced in Luxe have been accepted by Publisher on the condition that such pictures are reproduced with the knowledge and prior consent of the photographer and any homeowner concerned. As such, Publisher is not responsible for any infringement of the copyright or otherwise arising out of any publication in Luxe Subscriptions: 1 year: $34.95 USA, $84.95 in all other countries. Luxe is a licensed trademark of SANDOW © 2023. All rights reserved. No part of this publication may
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Bots + Biedermeier
This summer, while we’re witnessing the colossus AI wave coming for us, and feeling slightly uneasy, we have observed a return to classic design. Perhaps it’s a counter to what’s in the zeitgeist. We know the bots are here, and getting smarter, thus we look to be comforted in our homes, and in design that is certain and stalwart. I imagine that I would feel better asking ChatGPT to organize my weekly meal plan while seated in, say, a Biedermeier chair. All the better to be rooted in something sure and dependable.
For this issue, we take a closer look at old-fashioned things that are resurging: brick-and-mortar shops, traditional floorcloth textiles, the push for agricultural barns as adaptive reuse conversions, and a non-profit art and design center that pays craft forward. Collectively, these stories make us recognize that the more things change, the more we crave what has come before.
Finally, this issue celebrates our RED Awards, recognizing the best in residential design. A big congratulations to all of our winners!
Pamela Jaccarino VP, Editor in Chief @pamelajaccarinoKRYSTA RODRIGUEZ
Actress, Stage & Screen
Founder, Curated by Krysta Rodriguez
DRESS IN: TAMBOURINE TRAPS
“
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Erin Fetherston Designer, Fashion & Interiors | LA - NYC
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SCENE
WRITTEN BY ANH-MINH LE | PRODUCED BY COLLEEN MCTIERNANSTATE OF THE ART EXIT
READING ROOM
Making Their Mark: Art by Women in the Shah Garg Collection
With their recently published tome, Making Their Mark: Art by Women in the Shah Garg Collection, Silicon Valley’s Komal Shah and Gaurav Garg are sharing their extensive art collection with a broader audience. The couple established the Shah Garg Foundation to support scholarship and program engagement centered on women artists—the focus of their collecting. Through her involvement with institutions such as the San Francisco Museum of Modern Art and Stanford University’s Cantor Arts Center, Shah “realized the incredible disparity in the art world,” she says. “I felt that I could use my resources and passion for art to bring further attention to this problem. I wanted to help create meaningful change through our collecting e orts and by supporting exhibitions and scholarship on the vast achievements of women artists.” grmandco.com
This spring, Catharine Clark doubled the size of her eponymous gallery, yielding additional exhibition space as well as a “bonus that was “the perfect size for wanted to pursue”—a store. O erings at shop, called Exit, include melted by Katherine Vetne, William Kentridge abstract stained-glass sculpture by Hope, Kara Walker lithographs and bracelets by Ana Teresa Fernández. Exit like my own living room,” Clark says and welcoming atmosphere. Amid and textiles from Mexico, a wooden canning table, chairs with sheepskin upholstered plaid sofa and a teak bar cart adjacent venue serves as a bookstore, inventory includes rare titles. “People are to sit and thumb through the books,” emphasizes. “Have a cup of tea or of something stronger with us. Exit is but it is also a hangout space—a to commune with others casually and context that might promote interesting conversation.” cclarkgallery.com
additional exhibition space as well as a “bonus room,” as she describes it, that was “the size for something I have often wanted to store. O erings at the new jewel-box called Exit, include melted crystal vases Katherine Vetne, William woodcuts, an abstract Andy Diaz Hope, Kara Walker lithographs and wooden bracelets by Ana Teresa Fernández. Exit “looks a little like my own living room,” Clark says of the warm and Amid Persian rugs and textiles from Mexico, a wooden 19 -century table, chairs with seats, an sofa and a teak bar cart preside. An venue serves as a bookstore, whose includes rare titles. are encouraged to sit and thumb the books,” the gallerist “Have a cup of tea or a glass of stronger with us. Exit is a store, but it is also a space—a place to commune with others and in a context that promote
ROAD TRIP
WITH LONGTIME LURES LIKE BEACHES, GALLERIES AND GOLF COURSES, PLUS NEW DESIGN-MINDED SPOTS, CARMEL-BY-THE-SEA BECKONS.
CHEZ NOIR
European bistro meets California cool at Chez Noir, the first restaurant from chef Jonny Black and his wife, Monique. “Carmel sits in that elusive, sweet intersection where the local ingredients are a chef’s dream and the quality of life is high,” Monique says. Located in a Craftsman-style house, Chez Noir’s interiors were conceived by hospitality design studio Roy. “The beautiful balance of bleached white oak adds a coastal casualness to the otherwise very chic and elevated dining room and bar,” says Roy founder Hannah Collins. Think deep indigo leather banquettes, turmeric-hued velvet drapery, marble checkerboard flooring and a ceiling composed of abalone shells. cheznoircarmel.com
SHOP SHOSHIN
Not long after moving from Piedmont to Carmel, interior designer Alexis Smith found an ideal spot for her retail venture: a 2,400-square-foot space in a charming stone-clad building. The founder of Studio Shoshin debuted Shop Shoshin in March 2022, purveying goods from nearly 100 different vendors along with unique finds. There are resin-and-shell caviar dishes from a small workshop in the Philippines; portable Muranoglass lamps; Ortigia Sicilia home fragrances; vintage Italian toleware candelabras; furnishings and accessories by The Lacquer Company; and antique Wedgwood plates. “We’ve got an uncommon mix of products that makes a visit feel more like a treasure hunt than shopping,” Smith says. studioshoshin.com
VILLA MARA
Alongside private homes on a quiet street in the Carmel Point neighborhood—with convenient access to Carmel Beach and downtown—Villa Mara’s 16 rooms offer a residential-inspired experience. The grounds of the luxury boutique hotel, featuring an abundance of flora and seating areas with fire pits, instantly enchant. Meanwhile, interior spaces by Lisa Koch Design combine patterns, leather, wicker and natural wood for a contemporary and coastal aesthetic. Design industry favorite Lost Art Salon was tapped to curate the in-house art collection. Architecture enthusiasts, take note: Frank Lloyd Wright’s Mrs. Clinton Walker House and Frank Wynkoop’s Butterfly House are located on nearby Scenic Drive. villamaracarmel.com
ON VIEW
“THE TUDORS: ART AND MAJESTY IN RENAISSANCE ENGLAND”
The first major exhibition in the U.S. of portraiture and decorative arts from the Tudor period just opened at the Legion of Honor. In its only West Coast presentation, “The Tudors: Art and Majesty in Renaissance England” runs through September 24 and includes paintings, tapestries, sculpture, metalwork and manuscripts. The artifacts span the founding of the dynasty in 1485 by Henry VII to the death of Queen Elizabeth I in 1603. Martin Chapman, interim curator-in-charge of European decorative arts and sculpture, notes that the Tudor monarchs “commissioned Italian, Flemish and German artists to work for the court, producing a magnificence not seen in England before or after.” Not to be missed: the Heneage Jewel, a locket worn to express loyalty to Queen Elizabeth. The outside depicts “Elizabeth I in her mature years, framed in rubies and diamonds,” Chapman says. “The inside contains a very different portrait of Elizabeth, by the artist Nicholas Hilliard, as an ageless beauty.” famsf.org
CELEBRATE CLÉ
Deborah Osburn has had a lifelong fascination with tile. In 2008, while operating her second tile business, she started her blog, Tile Envy, to field client questions. Soon, tile designers were requesting that she feature their products, and homeowners were inquiring where to buy them. Osburn ultimately combined these ideas—e-commerce and editorial—and launched Marin-based clé, which turns 10 this year. cletile.com
What was your initial vision? Clé was meant to feature tile artisans, but as an artist and designer myself, I began to add my own tiles and curations. When compared to the construction-based—and largely mass-manufactured—tile industry, this made for a very distinctive offering. We showed that tiles are an art form, not just a construction material.
What’s new with clé? Clé’s Cinema Collection is an embrace of cement tile and all its expressive possibilities. Whether it’s color, pattern, shape or dimension, this collection will change the way people look at cement tiles.
Any goals for the next 10 years? In other countries, tiles are used to clad all surfaces, inside and out—not just the kitchen and bath. I’m hoping that in the next decade, clients will take their cues from such places.
RADAR
Luxe looks at the enduring appeal of barn architecture and floorcloth textile, shop owners making waves locally, and a creative incubator.
This Old House
LUXE REFLECTS ON THE AGELESS GRACE AND PATRIOTISM OF THE TIMBER-FRAMED BARN.
WRITTEN BY ADRIAN MADLENERThe agricultural barn has been a cornerstone of the American homestead image for centuries, long signifying principles of self-sufficiency and craftsmanship critical to the country’s evolution. In keeping with this spirit, a new push for adaptive reuse residential conversions is ensuring that these historic structures take on new life and remain relevant reminders of our shared past.
Interestingly, they offer a very modern canvas. “Today, people want to live without defining walls, and barns are perfectly suited to that with their great volume, openness and order,” muses architect Michael Neumann, who recently redeveloped an 1800s dairy farm barn into a striking private residence. The upstate New York getaway features contemporary conveniences set within an original oak beam frame, it’s centerpiece a vaulted,
double-story dining room courtesy of a now-demolished upper hay loft.
In nearby Dutchess County, designer Heide Hendricks implemented a similar upcycling approach when transforming a disused farm building into a luxe guest house. Her firm combined original materials from three other dismantled barns for added character and implemented concealed steel framing to bolster the structural integrity. “A timber frame is a beautiful form that allows for dramatic ceiling heights,” says Hendricks, adding that “the size, shape and scale creates a special opportunity for open plan living.”
The benefits of this typology are also informing the construction of new residences, as with designer Trinity Shay Roddam’s home in Nashville. “Centuriesold mortise and tenon joinery is one of the
strongest structures one can build,” notes Roddam, who ultimately decided on a barn for its durability, site appropriateness (the property was once a farm) and straightforward layout. “Having such a simple footprint really helps when it comes to stripping away the unnecessary and forces you to focus only on what is vital and livable.”
Still, beneath any notions of minimalism and modernity, the barn, with its patina and craftsmanship, is an undeniably nostalgic icon—as symbolic of our agricultural history as an ear of corn. As Roddam puts it, “The image of a barn takes me to a place where there is hard, quality work. When you touch a hand-hewn beam, even without much construction knowledge, you can recognize the quality of the material and the resolve that went into every cut.”
Left: Original oak beams define the double-height dining area of a dwelling renovated by architecture firm Neumann & Rudy.Ground Cover
WRITTEN BY MAILE PINGELThe humble canvas floorcloth rose to fame in 18th-century England, but its practicality was soon embraced stateside, too. George Washington used them at Mount Vernon, and White House inventory records show Thomas Jefferson’s use of a “canvas floor cloth, painted green” in his dining room. While they were a popular and inexpensive means of protecting floors, the arrival of even-cheaper linoleum in the 1860s heralded their demise. But thanks to a new crop of innovative creatives, floorcloths are returning with a fresh look.
“I love them as an alternative to a painted floor, especially in spaces where spills are inevitable like a bar, kitchen, or under a breakfast table, because they’re durable,” Lilse McKenna says. The Connecticut-based designer has commissioned variations painted with wall stencils, as well as faux-marble designs for clients with period houses as “a little nod to their home’s history.” (Early floorcloths were often handpainted to resemble parquetry or stone,
but intricately stenciled designs became equally favored.) “The bold patterns typical of floorcloths punctuate simple wood floors in a dramatic, yet timeless way—they add that ‘wow’ factor,” notes New Jersey–based designer Michael Aiduss, who recently used a checkerboard floorcloth for a client’s entryway.
At his New York City gallery, Culture Object, Damon Crain is encouraging makers to push the boundaries even farther. “We’re in a moment of reassessing floorcloth for its sustainability, but also for its creative potential,” he explains. Two of the artists he represents, Mumbaiborn, New Jersey–based Neelam Padte and Megan Enright of Studio Teppi in Los Angeles, are exploring playful motifs in vibrant palettes. He likens Padte’s “gestural abstractions” to works by artist Paul Klee, and Enright’s hard-edge designs to the Pattern and Decoration movement of the 1970s and 1980s.
Enright, who grew up with treasured floorcloths made by her grandmother,
gravitated to the craft naturally but her process (stretching and priming the canvas, working with robust latex paints, and finishing the cloth with sealant and wax) is largely self-taught. “There weren’t many guides or tutorials, so I feel like a trailblazer,” Enright says. “Floorcloths can be washed with soapy water, or refinished as needed, but they last for decades and patina beautifully, like leather,” she adds. “People want furnishings with a narrative now, and my goal is to revive interest with a new visual language so that floorcloth isn’t lost to history.”
“What we’re creating today matters for the future,” Crain remarks. “The execution of floorcloths is a creative aspect unlike most other flooring options, and they’re such an interesting way to do something expressive.” studioteppi.com, cultureobject.com
TRADITIONAL FLOORCLOTH TEXTILES ARE HAVING A RESURGENCE, AND THIS TIME AROUND THEY’RE ANYTHING BUT OLD-FASHIONED.
Hometown Heroes
TASTEMAKERS BEHIND THREE NEW BRICK-ANDMORTAR SHOPS DISCUSS SUPPORTING LOCAL MAKERS AND THE VALUE OF AN IN-PERSON EXPERIENCE.
WRITTEN BY SHANNON SHARPEHEIRLOOM ARTIFACTS
Nashville
After receiving requests from clients, designer Stephanie Sabbe took the plunge and opened a storefront. What can customers find at Heirloom Artifacts? I’ve had wonderful shopping experiences on travels abroad and brought back many special pieces. I wanted to create the same experience in Nashville and introduce customers to different makers. They can find everything from Turkish rugs and vintage objects to Japanese ceramics. Plus, our pillows are all handmade locally by an amazing seamstress. Talk to us about shopping in person. No matter how beautiful things are online, you still can’t touch or see them in person—I feel this is essential. Your other programming sounds interesting, too. We provide a teaching space to help customers discover the perfect pieces, and also offer workshops on varying artistic disciplines including still-life painting, chain stitching and calligraphy. It’s become a fun, creative place for people to gather. heirloomartifacts.com
HOUSEHOLD
Los Angeles
Looking to expand their marketplace while also satisfying a longtime penchant for hardware stores of yore, design duo Todd Nickey and Amy Kehoe opened a space dedicated to small, utilitarian goods. How is L.A. reflected in your wares? TN: We represent many local artists that capture the essence of California craft in unique ways. Courtney Duncan and Skye Chamberlain are two ceramicists with West Coast roots but differing aesthetics. Artist Esme Saleh paints flowers on candles and lampshades, and photographer Joslyn Lawrence’s moody prints have an esoteric nature. Talk to us about the in-person experience. AK: Our shops cement an inherent desire for the senses to be activated. Feeling the entirety of Household will transport clients. How do you connect with your customers? AK: We prioritize relationships and like to have fun by hosting workshops that range from floral design to pie making. What defines Household? TN: We select what speaks to us— pieces with nuance and utility. We offer things you cannot live without, but never knew you needed. nickeykehoe.com
THE BLACK HOME Brooklyn
After finding success with a shop in Newark, New Jersey, designer Neffi Walker decided to bring her offerings to another dynamic, urban locale. Why do you believe in the power of brick-and-mortar? I want to create community in areas where there is gentrification. The Black Home is a pivotal space where old meets new. How do you determine what makes it on the shelves? Our offerings change every three weeks and I carefully curate around the seasons. I also want to champion women, so I showcase a lot of female founders. What role do you play in bringing attention to makers? It’s important to work with businesses I love because I want to be knowledgeable and honest with customers when I feature someone’s work they may be unfamiliar with. I’ve become friends with many of the artists and I want to broaden their network through my network. It’s not about me, it’s about the community as a whole. theblackhome.com
top photo: deborah jaffe, bottom photo: lesley unruh.Relax fearlessly
Cutting Edge
THIS NON-PROFIT STUDIO IS CHAMPIONING CRAFTSMANSHIP, PASSING DOWN LEGACIES OF SKILL AND KNOWLEDGE IN THE PURSUIT OF INNOVATION.
Creativity feels far from a quiet, staid affair inside Assembly House 150, a non-profit art, design and construction incubator mushrooming from a deconsecrated 19th-century Catholic church in Buffalo. The air hums thick with sawdust and the snarl of saws as students learn craftsmanship from artisans and master tradespeople—in a space that is part active workshop, part evergrowing art installation.
The building, like the program, “is a living, breathing hybrid space,” says founder and director Dennis Maher, an artist and architecture professor at University at Buffalo. Launched in 2014, Assembly House “brings together creative production and learning as an integrated whole.”
Regardless of experience, anyone from the local community can train for construction careers and explore
specialized crafts like plasterwork and stained glass fully funded. Classes in turn become experimental playgrounds. Together, students and experts work to create Assembly House’s labyrinth of immersive art installations and off-site commissions. Upon graduation, students activate their newfound skills through a job placement program.
The experience offers “this wonderful intersection of practical application and art,” shares Frances Parson, a former student now working in custom cabinetry and historical restoration. “It was life changing for me, germinating the seed of confidence to move forward in this profession.” For volunteer instructors like stained glass artisan Kitty Mahoney of Revival Glassworks, the program too provides “an opportunity to play with
our craft, empowering craftspeople and artists to layer our ideas together for a community purpose.”
Weaving through the church’s naves, each installation embodies this fusion of disciplines, materials and techniques new and old: from intricate millwork, to the behemoth towers of Black Mass —a jigsaw sculpture altered by consecutive classes that houses a library and presentation space.
During their popular Second Saturdays tours, visitors can explore this madcap maze and a new limited line of furniture and objets d’art which also fuels the House’s legacy of craft. Every project feeds this collaborative continuum, and “that for me, is the ethos of Assembly House,” Maher adds. “A wonderful material and social unity.” assemblyhouse150.org
100% MADE IN EUROPE
CLUB 1683: TRADE PROGRAM FOR THE DESIGN COMMUNITY
Gaggenau, maker of luxury, professional-grade home appliances and the “Preferred Home Kitchen Appliance Brand” of the MICHELIN® Guide, values its trade partners. Club 1683 is a trade program intended to further elevate and serve qualifying residential architects, designers, single-family builders and kitchen studios. As Club 1683 members, they receive access to personal guidance, professional support, rewards and invitations to unique design, culture and culinary experiences.
Learn more about Club 1683 and how to qualify via the QR code.
With specialized concierges, continuing education courses, invitations to special tours and events, hands-on trainings, culinary experiences and more, Club 1683 provides resources and opportunities for its collective of members.
NOTABLES
DORIS LESLIE BLAU
This 15'0" × 20'5" modern Swedish design rya rug is modeled on one of the iconic Scandinavian rya patterns from centuries ago. The contemporary geometric composition features multiple scale-like elements that are enhanced by well-matched colors of blue, green, beige and purple. Priced at $40,000. dorisleslieblau.com
AMERICA ITALIANA
Italian-made, thermally-broken, minimal bronze windows and doors are the perfect upgrade for any custom home project. In addition to bronze, America Italiana o ers their custom products in an array of materials including thermally-broken aluminum, steel, corten and wood. americaitaliana.com
CHRIS HOWARD ANTIQUES & MODERN
Designed by Jorge Zalszupin in Brazil circa 1955, the Carrinho de Chá bar cart is an iconic piece of Brazilian modern design. Handcrafted from jacaranda rosewood with solid brass wheels and a carved removable tray, it seamlessly blends high style and function. antiquesandmodern.com
ALL WEATHER ARCHITECTURAL ALUMINUM
Enhance indoor-outdoor living spaces with All Weather’s exceptional, energy-e cient custom aluminum doors and windows. Builder: Smith Development & Construction Company. Photography: Miles Minno. allweatheraa.com
“I can trust the knowledgeable team and timeless appliances from Riggs to elevate our designs.”
THE CENTER OF ATTENTION
Featuring Sub-Zero, Wolf and Cove luxury appliances, our new San Francisco Design Center showroom delivers an experience that inspires creativity and satisfies the senses. Offering 40 years of unrivaled personal service, esteemed designers and discerning homeowners alike always take center stage here.
COME DISCOVER FOR YOURSELF WHY GREAT DESIGNS START AT RIGGS
LUXURY CUSTOM HOMES
DISCOVERIES
ROCHE BOBOIS
The Polygonia sideboard, designed by Giacomo Garziano, highlights four fascinating volumes that intersect, creating a shape that opens like two butterfly wings on the top and has two hinged doors on the bottom. roche-bobois.com
SCAVOLINI
Formalia Outdoor is the first Scavolini kitchen designed for outdoors. It stands out for its modern design, functionality and high-quality materials, in terms of both performance and aesthetic appeal. scavolini.com/us
BEVOLO GAS & ELECTRIC LIGHTS
European-influenced, the Bevolo Italianate is characterized by a stunning iron scroll bracket and an elongated lantern. The design will add charm to any space. Available in gas or electric. bevolo.com
J. TRIBBLE
J Tribble’s long history of selling beautiful, custom pieces now extends to repurposing antiques for modern bathrooms. More than 100 antiques ready for conversion are available online. jtribble.com
NASIRI CARPETS
Nasiri’s Mazandaran flatweaves highlight the minimalist sophistication that existed long before the modern era. The kilim shown was crafted by the company’s skilled artisans using hand-spun wool and natural dyes. Reference number: 009178. nasiricarpets.com
MARKET
Explore layered mood boards, Americana fashion brands to watch and talented furniture makers from coast to coast.
Grand Scheme
TOP DESIGNERS PRESENT THEIR NEW COLLECTIONS IN LAYERED, ONE-OF-A-KIND MOOD BOARDS FOR SUMMER.
PRODUCED
WRITTEN AND BY KATHRYN GIVEN AND SARAH SHELTON GARDEN DELIGHT WILLIAMS LAWRENCE, WILLIAMSLAWRENCE.COM Clockwise from top: Mead Embroidery Fabric in Saffron/Petal by Bunny Williams for Lee Jofa / kravet.com Giallo Siena Marble / abcworldwidestone.com Woodland Wallpaper in Stone by Bunny Williams for Lee Jofa / kravet.com Waldon Stripe Fabric in Brown by Bunny Williams for Lee Jofa / kravet.com Beaucaire Fabric in Orage / pierrefrey.comWELL VERSED BENJAMIN JOHNSTON, BENJAMIN-JOHNSTON.COM
Clockwise from top: Andare Fabric in Salerno by Benjamin Johnston for S. Harris / fabricut.com Pudgy Pom Trim in Envy / fabricut.com Arabesque Tile in Royal Blue / annsacks.comEASTERN INFLUENCE
NATASHA BARADARAN, NATASHABARADARAN.COM
Clockwise from top: Pardis Fabric in Rosewater/Burnished / natashabaradaran.com Soraya Sheer Fabric in Hazel / natashabaradaran.com Costa Trim in Natural & Indigo / hollyhunt.com Kotakot Fabric in Ivory / dedar.com Calyx Jacquard Braid in Terra by Michael Aiduss / houles.com Fe Karoo Fabric in Cent Dix / toyine.com Fountain Fabric in Ivory / natashabaradaran.com Reflection Fabric in Dusty Rose / natashabaradaran.comFEEL Collection
Textured Shower Bases
Created from an innovative, high-density composite material that evokes the appearance of natural stone, these streamlined bases are suitable for all bathroom types as they can be cut at the factory or even by the installer directly on site.
WHY NOT FEEL IT?
• Realistic texture
• Anti-slip
• Stone-like strength
• Easy maintenance
• Slate or Concrete texture
• White, Grey or Black
• Matching drain cover
NANTUCKET NUANCES
GARY MCBOURNIE, GMCBINC.COM Clockwise from top: Seaside Strie Wallpaper in Ocean / gmcbinc.com Arcadia Fabric in Delft / raoultextiles.comInnovative design and the transformative nature of light have the power to enrich lives. Such is the belief that has guided the forward-thinking minds at Lutron for more than 60 years. The ethos is visible in Lutron’s signature keypads, which control lighting integrated into the whole home with labels like Energize, Relax, Retreat and Entertain. Providing a quick, intuitive way to shift the feel, tone and energy of a space, this feature brings the experiential element of lighting to the forefront. But the concept of working with the natural world lies at the helm, too. As the Lutron team says, “To make the best light control systems in the world, you need to control the best light source: the sun.” This thought has driven the brand toward green solutions, in which dimmers, occupancy sensors and automated shades work together to build sustainable, whole-home light management systems. The sun gets its due—and homeowners are naturally saving energy by living in tune with it.
THE CAPRI LEGACY
Back in 1961, Lutron’s first product began to define the light control industry. The Capri rotary dimmer featured an ergonomic, minimalist design that was intuitive to use and had the power to transform the ambience and comfort of a space. Today, it resides in the Smithsonian and serves to showcase the longevity of Lutron’s commitment to beautiful, thoughtful lighting design that transforms how home is experienced.
AN INTELLIGENT FUTURE
What will lighting look like in 50 years? Lutron believes it will be more beautiful, more personal and more intuitive. Capable of learning from occupants’ preferences and habits, smart systems will be able to adjust light levels and color temperatures seamlessly, eliminating the need for homeowners to even contemplate the task, unless they want to the future is about customization.
“Timelessness, simplicity, quality, authenticity— these words get bandied about, but to us, they’re a foundation at the root of our culture.”
LIGHT CREATES SANCTUARY
Shades and Lighting
Part of a home ecosystem. Designed by Lutron.
lutron.com/luxe
Sartorial Spirit
Put your best foot forward with these American brands in uencing the way we dress up.
Bold Type
Fashionistas take note: To make a memorable statement, put on a number by Autumn Adeigbo. Whether it be a fringed coat, floral mini dress, or blouse bedecked in a print inspired by the designer’s Nigerian family roots, pattern, color and bold silhouettes define the Parsons grad’s collections. The Black designer prioritizes sustainable practices, like made-to-order, and supporting female-owned production facilities throughout the U.S. autumnadeigbo.com
upon rubelli.com 9" Tapered Pendent in Copper / $550 / arhaus.com Pintora Dinner Plate in Terracotta and Maroon / autumnadeigbo.com Studio Ottoman / Price upon request / buchanan.studio. Ellingham Chest of Drawers / Price upon request / vaughandesigns.com Checkered Hart Rug in Terracotta / From $199 / revivalrugs.com Coronado Suede & Feather Down Pillow in Sand / $189 / chauran.com Doline Vase in Speckled / Terracotta / $240 / virginiasin.com Clockwise from top right: Alexander Fabric in Sabbia / Price upon request / $62 each / sharland-england.com. Leather Ankle Strap Clog in Sienna / $770 /SHE DIDN’T BELIEVE IN ASKING permission .
OR FOR THAT MATTER , forgiv eness
THE MODERN GODDESS
FEATURING THE ODIN® KITCHEN COLLECTION
Love All
Stripe lovers will rejoice in Kule’s cool offering of go-to, everyday pieces, ranging from simple t-shirts (a natural starting point for New York founder, Nikki Kule) to tote bags, sweaters and outerwear, to name a few. Equal parts preppy designs are classic staples twist that can be dressed up or collaborations with Bergdorf West Elm under their belt, the what comes next. kule.com
and sporty, Kule’s are classic with a playful twist that can be dressed up or down. With buzzy collaborations with Goodman and West Elm under their belt, the sky’s the limit for what comes next.
Clockwise Northeast Block each tangerinepaddle.com Scallop Lemon Rug / From $2,800 / jennifermanners.co.ukBoding Well
Bode founder Adams Bode who first
Wellscene in as a menswear
ever women’s collection. With an M.O. for antique
Bode founder Emily Adams Bode Aujla, entered the fashion scene in 2016 as a menswear designer, delighted legions of fans at this year’s Paris Fashion Week with the debut of her firstever women’s collection. With an M.O. for antique textiles, appliqué, quilting and overall storytelling through garments, Bode captures a singular, nostalgic aesthetic that in-the-know dressers crave. For home dwellers, the brand also offers a special selection of textiles and furnishings that are equally as covetable. bode.com
are as covetable.
Daisy cecebarfi Bouquet lisacorti.com Beaded Crochet Bag in Blue / $450 / bode.com Basket Lounge Chair in Zero Kvadrat Fabric by Joe Colombo / $4,999 / gubi.com Plec Occasional Rectangle Table in Red by Antoni Pallejà / Price upon request / rsbarcelona.com Espresso Cup in Cypress and Dinner Plate in Marigold by Carolina Irving & Daughters / $25 and $115 / aerin.com Vintage Bell Light in Amber / $702 / rothschildbickers.com Kata Dimensional Field Tile in Rosa by Ali Budd / $145 per square foot / artistictile.com Clockwise from top right: Coaster Napkins / $200 for six / cecebarfieldinc.com. Cotton Tablecloth in Lisa Bouquet Cream / $194 / . Basket Lounge Chair in Zero Kvadrat Fabric by Joe Colombo / $4,999 /A LUXURY KITCHEN REVOLUTION
When Monogram and the Keeler Brass Company joined forces, the two iconic brands delivered an unprecedented level of artistry, detail and innovation to Monogram’s Designer Collection that is disrupting the luxury appliance space and elevating today’s kitchens to new heights. Designed in partnership with Richard T. Anuszkiewicz, this world-class collaboration created the industry’s first-ever custom 96-inch-high refrigeration panels—Monogram’s unparalleled panel that stretches floor to ceiling—as well as custom hoods, knobs, handles and hardware, resulting in highlypersonalized and sophisticated appliances that are taking the design community and style-savvy consumers by storm.
THE POWER OF TWO
Monogram’s Richard T. Anuszkiewicz and Keeler’s Knikki Kennedy Grantham on inspiration, design and collaboration.
Describe the philosophy that inspires the Monogram Designer Collection?
“The heart of the Designer Collection is to bring thought-provoking products that meet the wants, needs and visions of today’s homeowners to market,” Anuszkiewicz shares. “That ideal has been the impetus for unique design innovations like refrigerators that reach 96 inches in height. With taller ceilings becoming the norm in many homes, these models provide a better, more proportional fit than an 84-inch refrigerator. Similarly, our consumers are seeking something more impactful in their finishes and materials, so we’ve created a true luxury experience by incorporating world-class workmanship and innovation into this collection.”
Share your latest inspirations.
“Hyperphysical experiences,” says Kennedy Grantham. “With hardware being the thing we touch most on all case goods, the tactile element is so important. With that in mind, we spend a lot of time executing the proper feel to even the underside of hardware. This may seem like an afterthought, but it is a very important measure in design.”
What’s motivating you right now?
“Creating new products has always been a dream and goal of mine, and
with the launch of the Designer Collection, I’m very much of the ‘what’s next’ mindset,” Anuszkiewicz enthuses. “I’m currently putting a lot of energy into that, which is very inspiring and fulfilling to me.”
What constitutes good design?
“The fundamental principles of balance, proportion and scale can be applied to any facet of design, from the pen you’re writing with to the shape of a building,” Kennedy Grantham explains. “Those principles make an impression on everyone because they evoke emotions and instill powerful design into everyday life. The merging of Richard’s design philosophy with the legacy, innovation and craftsmanship of Monogram and Keeler Brass Company has brought about a product line that is like no other.”
How do you stay abreast of trends while remaining true to Monogram’s personality? “I task myself with discovering what’s relevant and has longevity,” Anuszkiewicz adds. “Being a student of design has instilled a habit in me of paying attention to tactile items while living, traveling, observing or inventing so that I can try to bring things forward that are either underrepresented or unavailable in the marketplace. Focusing on spaces and products through an architectural, material and furniture-focused lens is a unique approach that marries my vision with Monogram’s mission. These three things make my work and Monogram’s products stand out in a crowd.”
Richard T. Anuszkiewicz, Creative Director Monogram monogram.com monogramappliances Knikki Kennedy Grantham, Creative Director Keeler Brass Company keelerbrasscompany.com keelerbrasscompany“This groundbreaking partnership between Monogram and Keeler Brass Company has resulted in exquisite, one-of-a-kind hardware and accents.”
License to Experiment
MEET THE FRESH WAVE OF FURNITURE MAKERS WHO ARE PUSHING THE BOUNDARIES OF FORM, FUNCTION AND MATERIALITY.
CONVERSATION STARTER
Soft to the touch, Luam Melake’s saturated urethane and polyurethane foam furniture is inspired by positions that encourage social engagement. Perched here on the Listening Chair, Melake, who studied architecture at UC Berkeley, views a piece’s functionality as a way of expressing wishes for the future, namely one where digital distractions are few and personal interactions are cherished. Based in Harlem, New York, the senior materials researcher at Parsons came upon her unique material through trial and error. “I set out to create a sort of permanent upholstery for soft sculpture that could last for decades, while also being non-toxic nor requiring restoration.” luammelake.com, r-and-company.com
DESIGNER LIGHTING SHOP NOW
AVROKO LANGSTON MEDIUM CHANDELIER IN PLATED BRASS VISUALCOMFORT.COM
LOOKING AHEAD
Plaster is Hannah Bigeleisen’s medium of choice. “I think about it as an alternative to ceramics—it’s additive and subtractive, endlessly modifiable and virtually indestructible,” says Bigeleisen, who was introduced to the material as an undergraduate at the Cleveland Institute of Art (she later earned an MFA from Rhode Island School of Design). Outdoor-friendly pieces like the vibrant Bluetta Chair and Lily, Clover and Margueritte Tables—the latter of which are inspired by petal and leaf formations found in nature—come to life in her Brooklyn studio. Bigeleisen adds cotton pulp to her plaster mixture for added texture and reinforcement, while artist-made paint colors are mixed and applied to thoughtfully complement each design. Playful and fresh, she credits fellow designers’ break from tradition as a boost of confidence in pushing her practice forward. hbigeleisen.com
CHISELED CRAFT
“It’s an adventure and always an experiment,” says Raleigh native Matt Byrd of the challenges and joys of working with stone. The selfdescribed stone carver, who has a background in stonemasonry, recently moved from smaller sculpture to furniture, and is in the midst of an artist residency in Switzerland focusing on large-scale marble sculpture. The CIA Table and Peter Chair, pictured in his workshop, are carved from a solid chunk of granite and exemplify his largely freehand approach. “I don’t have a detailed sketch before I start,” Byrd admits. “I have a rough outline of what I want it to look like, and then I go for it. Sometimes it’s not perfect, but that’s what I love about the process.” mattbyrdsculpture.com
ARTFUL MANNER
Whether Emmett Moore is experimenting with materials or exploring the dialogue between art and design (of which he believes objects exist on a spectra, and the most interesting things are difficult to label), curiosity, resourcefulness and fluidity are central themes at play in his Miami studio. Case in point: the Bay Rag chair made from layers of secondhand t-shirts, epoxy and automotive paint—inspiration for the process was culled from the maritime industry—utilizes readily available, unexpected materials thanks to the port city’s apparel import industry. “The t-shirt became the perfect standard unit of measurement, like a two-by-four or a sheet of plywood, and a nice anthropometric unit to base the work,” Moore says. “The sizes of t-shirts relates directly to the human body as do dimensions in furniture.” emmettmoore.com
This Isn’t Wood.
Fortina is a remarkable architectural system that looks and feels like real wood, but is made with aluminum and a hyper-realistic non-PVC surface.
is a remarkable architectural system that looks and feels like real but is made with aluminum and a non-PVC surface.
Available in a multitude of wood species and metal finishes for interior and exterior applications.
Available in a multitude of wood and metal finishes for interior and exterior
Small Photos, left to right: Louvers in Earl Walnut M, Abel Oak N, Rican Oak, some profiles in Vent Walnut, Earl Walnut and Rokko Cedar.REGALLY REPURPOSED
After years working in fashion, Sam Klemick turned to woodworking as a creative outlet. The hobby ultimately transformed into a fullfledged business in response to fashion’s wasteful overproduction. Today, Klemick strives to source discarded materials, which, in turn, influences the direction of her work. But in the end, the Los Angeles designer wants people to respond to what resonates with them. “I hope furniture design continues to diversify and show individual points of view,” Klemick says. “It doesn’t have to be quirky and colorful or muted and round to be relevant.” Klemick, pictured at LA Woodshop where she handcrafts wooden components, is seated on the Ebony Cutie Stool made of salvaged Douglas fir. She is flanked by a soap and lye version and the Pinwheel Nap Chair—all of which are topped with deadstock canvas. studiosamklemick.com, lawoodshop.com
Sourcing the highest quality marble, quartzite, quartz, granite, and soapstone for a meticulously curated collection to ensure your search for surfaces ends with Architectural Surfaces. Visit a showroom today.
STORIED APPROACH
Chicagoan Norman Teague believes that furniture contributes to a narrative of who we are, and the makers behind such pieces play a crucial part in our shared story. Citing recent events like the pandemic, the creative regards comfort as a driving force behind his designs. “We are asking more from our homes,” Teague says. “The answer lies in the things we live with—the multifunctionality and beauty of objects.” Photographed in his studio, the Art Institute of Chicago alum stands beside his blue Sinmi Stool and red Africana Chair. Made of basswood, the stool is inspired by the bentwood tradition of 1930s furniture maker Isokon, while the chair represents the resilience of the African American experience. For Teague, making furniture isn’t just a creative process, but a way to communicate a Black presence and provide a platform for local talent. normanteaguedesignstudios.com
Bellevue, WA | $14,800,000
Peerless and perfect, ultra-luxe full-floor penthouse with unrivaled panoramic views.
Windermere Real Estate
A. Riley/D. Niles — 425 761 8836
Search TFYR on luxuryportfolio.com
Miami, FL | $9,500,000
Luxurious beach and sea lifestyle at Oceana-Key Biscayne.
The Keyes Company
Patricia Pava — 786 344 0078
Search OBEG on luxuryportfolio.com
San Diego, CA | $8,300,000
The ultimate San Diego penthouse showcasing the Pacific Ocean, bay & city.
Willis Allen Real Estate
Ken Baer — 619 248 4200
Search FNAS on luxuryportfolio.com
Austin, TX | $7,800,000
Architectural masterpiece by Miró Rivera + J. Pinnelli. Boasting city skyline views.
Realty Austin
Keenan Property Group — 512 415 7653
Search HTVL on luxuryportfolio.com
©2023 Luxury Portfolio International.® Offering is subject to errors, omissions, change of price, or withdrawal without notice. All information has been supplied by third parties and should not be relied on as accurate or complete. Equal Opportunity Employer and pledged to the letter and spirit of Equal Housing Opportunities.
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Bonne Nuit AF-635
CUSTOM SOLUTIONS for COMMON PROBLEMS
LIVING
Designers flex their creative prowess in the kitchen and share what makes the heart of the home hum.
Cooking with Fire
DESIGNERS GO ALL OUT TO ACHIEVE PERSONALITY-PACKED KITCHENS FOR THEIR CLIENTS.
WRITTEN BY ALYSSA BIRD PRODUCED BY SARAH SHELTONZOE FELDMAN
For a D.C.-based client with a beautiful 1910 Beau Arts brownstone, designer Zoe Feldman needed to transform a dark garden level kitchen into a bright and livable space. With light now pouring through the room, Feldman could then focus on creating an area to be savored.
There are so many interesting details. Where did you start? We wanted to modernize the kitchen while retaining this historic home’s classic feel. Our goal was to infuse the space with some unexpected moments without making it feel too saturated. We landed on a subtle palette of grays and walnut surfaces with a moment for the jewel-toned range.
What was important to the clients for this space? We try to create solutions tailored to each client’s lifestyle. The homeowners don’t cook very often, but they wanted a beautiful space to dine. We took advantage of an existing curved wall and transformed it into an intimate dining area. We added pop-up outlets so it can dually function as a workspace.
Overall, what makes a good kitchen? A good k itchen is a workhorse. I subscribe to the belief that you can have a beautiful kitchen without being precious about maintenance. Knicks and stains are part of the charm of a great kitchen—I cut things directly on my marble countertops. Europeans have always done this; we just need to catch up! zoefeldmandesign.com
The space features Calacatta marble countertops from GLB Tile & Marble Co., a Waterworks sink and faucet, an Ilve range and clé backsplash tile. A Jamb pendant hangs above the banquette while the island is illuminated by an Urban Electric Co. fixture. Designer Zoe Feldman collaborated on the gut renovation with architecture firm Outerbridge Horsey Associates and builder McFarland Woods.SARAH ROBERTSON
Seasoned pro Sarah Robertson of Studio Dearborn was more than up for the challenge of reimagining a Greenwich, Connecticut, kitchen to suit the needs of a young family. As avid cooks who love to entertain, the kitchen needed zones to prep, cook and serve efficiently, along with an area for casual dining and plenty of storage to boot.
Talk to us about the palette. The clients showed me inspiration images of blue kitchens, so that was our starting point. We found the perfect shade—Benjamin Moore’s Van Courtland Blue—that acts as a neutral and goes with everything. It’s lighthearted, fun and colorful without being too much. To break it up, we added a cherry cabinet that coordinates with the flo oring.
How do the two islands function? It’s a long room, so the space called for two islands. One long island would have cut off the circulation of the room. We actually widened the kitchen by two feet to accommodate them. One is for prep and storage and another for seating.
Are coffee stations popular? Yes, people are requesting dedicated breakfast pantries that can double as a cocktail bar. Here, we installed closed storage that includes drawers for tea, snacks, silverware and vegetables. studiodearborn.com
“A good kitchen embraces your day-to-day life like a friend . It feels helpful, kind, loving and joyful. It enables you to go about your daily life feeling both supported and inspired.”
–SARAH ROBERTSON
REGAN BAKER
It’s not always easy to create a stylishly ambiguous space, but Regan Baker did just that for a client’s circa-1949 Bay Area residence. The directive called for a traditional feel—but still artful, inviting and not overly precious. Therefore, the designer served up a kitchen that is chic yet durable for the young family, hitting every style note with aplomb.
Tell us about the inspiration. The client is from Canada and wanted a modern-meets-rustic farmhouse. She loves drama, so we paired warm
oak with dark blue cabinetry and a Calacatta Oro marble backsplash that’s refined and elevated. The reclaimed oak shelf provides display space for found items and lends a personal touch to the room.
How are you pushing yourself when it comes to kitchen design?
I’m thinking through the busy pace of a client’s life, including how their children will use the kitchen, so they can learn how to be more independent in the space. A kind of Montessori-inspired approach. Here, it was important to include multiple water sources for everyone to stay hydrated and fill up their own water bottles. The kids even have their own area to prepare food.
How did you decide on materials for the island? The island is used for informal meals, so we chose to treat it as a piece of furniture and make it feel different stylistically. The oak is topped with soapstone, which ties in with the dark window f rames. reganbakerdesign.com
2023 RESIDENTIAL EXCELLENCE IN DESIGN AWARDS
Introducing the 2023 Luxe RED Awards, honoring excellence and innovation for the best in residential projects and product introductions.
Meet the Judges
Luxe Interiors + Design invited design professionals from across the country to compete in the 2023 Luxe RED Awards. After receiving more than 1,600 entries, a panel of industry experts weighed in to select our winners, and the public voted for our Readers’ Choice awards. Meet the judges:
Courtney McLeod
FOUNDER AND PRINCIPAL, RIGHT MEETS LEFT INTERIOR DESIGN
Courtney McLeod believes in the power of design to spark joy and utilizes a kaleidoscopic toolbox of texture, pattern and color to create a singular and cohesive expression of each client’s unique personality and lifestyle. The name of her award-winning, New York–based full-service design firm, Right Meets Left, reflects her design process, which is rooted in an optimal balance of innovative design (right brain) and analytical rigor (left brain). She serves as a trustee of the New York School of Interior Design.
Benjamin Johnston
PARTNER AND CREATIVE DIRECTOR, BENJAMIN JOHNSTON DESIGN
Houston-based Benjamin Johnston has dedicated his life to the pursuit of artistic expression as a designer, artist, teacher and tastemaker. Johnston earned his Bachelor of Architecture from Texas A&M University and his Master of Architecture from University of Texas at Austin. Since launching his first design business focused exclusively on interiors, he has expanded the firm to include architectural services, offering clients a holistic approach that allows his team to manage the creation of luxury homes from start to finish.
Noz Nozawa
PRINCIPAL INTERIOR DESIGNER AND OWNER, NOZ DESIGN
Principal interior designer and owner of San Francisco’s Noz Design, Noz Nozawa is known for her commitment to artful, highly personal interiors. Fearless in her design choices, Nozawa’s spaces are grounded in a commitment to helping her clients access joy and love through the process and have earned her projects across the country as well as many industry accolades. Nozawa holds a Bachelor of Science in economics from the University of Pennsylvania.
Marie Flanigan
PRINCIPAL,
MARIE FLANIGAN INTERIORS
Award-winning interior designer Marie Flanigan uses her experience as a classically trained and practiced architect to unlock a unique level of depth through her mutual consideration of interior and structure; her homes reveal the magic that transpires when each is made to augment the other. Flanigan’s trademark style is evident through a sophisticated use of color, texture and light. Every home she designs receives her personal signature of timeless elegance and innovative simplicity.
Sean Anderson
PRINCIPAL, SEAN ANDERSON DESIGN
Sean Anderson presents a sense of style that offers enduring interiors for inspired living. His design philosophy is rooted in the pursuit of creating customized, soulful spaces that tell the unique story of those who inhabit them. Anderson began his design career in 2013 with the formation of his namesake firm in Memphis. Since its inception, he and his team have transformed homes and commercial spaces with his enigmatic style and casual, collected aesthetic. Sean Anderson Design offers a full suite of bespoke interior design services to residential and commercial clientele throughout North America.
Pamela Jaccarino
VICE PRESIDENT AND EDITOR IN CHIEF, LUXE INTERIORS + DESIGN
Pamela Jaccarino is the founding Editor in Chief of Luxe Interiors + Design, the largest network of architecture and design magazines in the country, a position she has held since 2005. Jaccarino has been instrumental in the growth of the publication, both locally and nationally, and continues to champion its fresh vision and evolution. She also lectures frequently on design-related topics. Prior to joining Sandow Media in 2002, Jaccarino was an executive editor with the LVMH Group.
Bathroom
Exterior Architecture
Interior Architecture
NATIONAL WINNER
Ryan Street Architects
REGIONAL WINNERS
David Michael Miller Associates
ARIZONA
Ryan Street Architects
AUSTIN + SAN ANTONIO
Michael Abrams Interiors
CHICAGO
Factor Design Build
COLORADO
Urbanology Designs
DALLAS + FORT WORTH
Kelly Marie Interior Design
FLORIDA
Workshop/APD
GREATER NEW YORK
Lucas/Eilers Design Associates
HOUSTON
KAA Design
LOS ANGELES-SOUTHERN CALIFORNIA
Shannon Adamson Interior Design
PACIFIC NORTHWEST
Tucker & Marks
SAN FRANCISCO
Anna Booth Interiors
SOUTHEAST
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Heliotrope Architects
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PHX Architecture
ARIZONA
LaRue Architects
AUSTIN + SAN ANTONIO
Robbins Architecture
CHICAGO
Forum Phi
COLORADO
Wernerfield
DALLAS + FORT WORTH
Smith and Moore Architects
FLORIDA
Haver & Skolnick Architects
GREATER NEW YORK
Cusimano Architect
HOUSTON
Woods + Dangaran
LOS ANGELES-SOUTHERN CALIFORNIA
Heliotrope Architects
PACIFIC NORTHWEST
Geddes Ulinskas Architects
SAN FRANCISCO
Christopher Architecture & Interiors
SOUTHEAST
NATIONAL WINNER
Michael G. Imber, Architects
REGIONAL WINNERS
David Michael Miller Associates
ARIZONA
Michael G. Imber, Architects
AUSTIN + SAN ANTONIO
Craig & Company
CHICAGO
Tumu Studio
COLORADO
William S. Briggs, Architect
DALLAS + FORT WORTH
Thomas Melhorn
FLORIDA
Messana O’Rorke
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Cusimano Architect
HOUSTON
Woods + Dangaran
LOS ANGELES-SOUTHERN CALIFORNIA
Studio H Design
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Regan Baker Design
SAN FRANCISCO
Historical Concepts
SOUTHEAST
Interior Design Jewel Box Spaces Kitchen
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Chad Dorsey Design
REGIONAL WINNERS
IMI Design
ARIZONA
Bradshaw Designs
AUSTIN + SAN ANTONIO
Suzanne Lovell Inc.
CHICAGO
Karen White Interior Design
COLORADO
Chad Dorsey Design
DALLAS + FORT WORTH
Strang Design
FLORIDA
Grade New York
GREATER NEW YORK
Dodson Interiors
HOUSTON
Meghan Eisenberg
LOS ANGELES-SOUTHERN CALIFORNIA
Kat Lawton Interiors
PACIFIC NORTHWEST
NicoleHollis
SAN FRANCISCO
Melanie Turner Interiors
SOUTHEAST
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Andrew Suvalsky Designs
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Earth & Images
ARIZONA
Anne Barger Designs
AUSTIN + SAN ANTONIO
Amy Carman Design CHICAGO
Karen White Interior Design
COLORADO
Deborah Walker & Associates
DALLAS + FORT WORTH
The Associates Studio
FLORIDA
Andrew Suvalsky Designs
GREATER NEW YORK
Tracy Design Studio, LLC
HOUSTON
Birgit Klein Interiors
LOS ANGELES-SOUTHERN CALIFORNIA
Charlie Hellstern Interior Design
PACIFIC NORTHWEST
Kendall Wilkinson Design
SAN FRANCISCO
T.S. Adams Studio, Architects
SOUTHEAST
NATIONAL WINNER
GordonDunning
REGIONAL WINNERS
IMI Design
ARIZONA
Ryan Street Architects
AUSTIN + SAN ANTONIO
Donna Mondi Interior Design
CHICAGO
Charles Cunniffe Architects
COLORADO
Tori Rubinson Interiors
DALLAS + FORT WORTH
Ellen Kavanaugh Interiors
FLORIDA
BHDM Design
GREATER NEW YORK
Kara Childress Inc.
HOUSTON
Chad Waterhouse Design
LOS ANGELES-SOUTHERN CALIFORNIA
Light and Dwell
PACIFIC NORTHWEST
Amanda Teal Design
SAN FRANCISCO
GordonDunning
SOUTHEAST
Landscape Architecture Outdoor Spaces
Restoration or Renovation
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Hoerr Schaudt
REGIONAL WINNERS
Refined Gardens
ARIZONA
Eden
AUSTIN + SAN ANTONIO
Hoerr Schaudt
CHICAGO
Design Workshop
COLORADO
Melissa Gerstle Design
DALLAS + FORT WORTH
KWD Landscape Architecture
FLORIDA
LaGuardia Design Group
GREATER NEW YORK
Viola Gardens
LOS ANGELES-SOUTHERN CALIFORNIA
Land Morphology
PACIFIC NORTHWEST
Boxleaf Design
SAN FRANCISCO
NATIONAL WINNER
Hollander Design Landscape Architects
REGIONAL WINNERS
Drewett Works
ARIZONA
Double B Design
AUSTIN + SAN ANTONIO
Robbins Architecture
CHICAGO
Design Workshop
COLORADO
From the Ground Up
DALLAS + FORT WORTH
Ellen Kavanaugh Interiors
FLORIDA
Hollander Design Landscape Architects
GREATER NEW YORK
Laura U Design Collective
HOUSTON
Abramson Architects
LOS ANGELES-SOUTHERN CALIFORNIA
Prentiss Balance Wickline Architects
PACIFIC NORTHWEST
Arterra Landscape Architects
SAN FRANCISCO
Linda MacArthur Architect, LLC
SOUTHEAST
NATIONAL WINNER
Sutro Architects
REGIONAL WINNERS
Iconic by Kaitlyn Wolfe
ARIZONA
Jobe Corral Architects
AUSTIN + SAN ANTONIO
Deep River Partners, Ltd.
CHICAGO
Aspen Design House
COLORADO
Urbanology Designs
DALLAS + FORT WORTH
LaBerge and Ménard
FLORIDA
Eric J. Smith Architect
GREATER NEW YORK
Kara Childress Inc.
HOUSTON
Jill Lewis Architecture
LOS ANGELES-SOUTHERN CALIFORNIA
The Residency Bureau
PACIFIC NORTHWEST
Sutro Architects
SAN FRANCISCO
T.S. Adams Studio, Architects
SOUTHEAST
Wow-Factor Room
Readers’ Choice
Best of the Rest
NATIONAL WINNER
Mark English Architects
REGIONAL WINNERS
Salcito Design Group
ARIZONA
Liz MacPhail Interiors
AUSTIN + SAN ANTONIO
Bruce Fox Design
CHICAGO
D’Amore Interiors
COLORADO
Tori Rubinson Interiors
DALLAS + FORT WORTH
Eolo Design
FLORIDA
Studio DB
GREATER NEW YORK
LJ Interiors
HOUSTON
Murphy Deesign
LOS ANGELES-SOUTHERN CALIFORNIA
The Residency Bureau
PACIFIC NORTHWEST
Mark English Architects
SAN FRANCISCO
Colordrunk Designs
SOUTHEAST
The Aspiring Home Interiors
DALLAS + FORT WORTH
BATHROOM
Specht Architects
AUSTIN + SAN ANTONIO
EXTERIOR ARCHITECTURE
Daniel Joseph Chenin, Ltd.
LAS VEGAS, NV
INTERIOR ARCHITECTURE
Unscripted Interior Design COLORADO
INTERIOR DESIGN
Alison Damonte Design
SAN FRANCISCO
JEWEL BOX SPACES (shown above)
Maverick Design
LOS ANGELES-SOUTHERN CALIFORNIA
KITCHEN
Mariani Landscape
CHICAGO
LANDSCAPE ARCHITECTURE
Carol Kurth Architecture + Interiors
GREATER NEW YORK
OUTDOOR SPACES
Cdot Design Studio
ARIZONA
RESTORATION OR RENOVATION
Arditi Design
GREATER NEW YORK
WOW-FACTOR ROOM
Nicole Hogarty Designs
BOSTON, MA
BATHROOM
Purple Cherry Architects
ANNAPOLIS, MD
EXTERIOR ARCHITECTURE
PKA Architecture
MINNEAPOLIS, MN
INTERIOR ARCHITECTURE
Isabel Ladd Interiors
LEXINGTON, KY
INTERIOR DESIGN
Cloth & Kind
ANN ARBOR, MI
JEWEL BOX SPACES
Ivy Residential Concepts
BATON ROUGE, LA
KITCHEN
Dan Gordon Landscape Architects
WELLESLEY, MA
LANDSCAPE ARCHITECTURE
Daniel Joseph Chenin, Ltd.
LAS VEGAS, NV
OUTDOOR SPACES
Patrick Ahearn Architect
BOSTON, MA
RESTORATION OR RENOVATION (shown above)
LeBlanc Design
BOSTON, MA
WOW-FACTOR ROOM
PRODUCT WINNERS
Bath: Collection
BUSTER + PUNCH
Cast Bathroom Collection
Bath: Faucet
KOHLER CO. Occasion Faucet Collection
Bath: Mirror
DURAVIT
Mirror With Lighting from Zencha Bathroom Collection
Bath: System
BRIZO® KITCHEN & BATH COMPANY
The Mystix™ Steam System
Flooring
LEGNO BASTONE
St. Moritz G1 from European Elegance Collection
Folding Door
LACANTINA DOORS
V2 Folding Door
Kitchen: Range
HESTAN Smart Gas Range
Kitchen: Refrigeration Innovation
BEKO HOME APPLIANCES
Bottom Mount Refrigerators with HarvestFresh™
Kitchen: Ventilation System
GAGGENAU
Vario 400 Series Downdraft Ventilation System
Kitchen: Wine Dispenser
DACOR
24 Inch Built-In Wine Dispenser
Lighting: Chandelier
ARTERIORS
Raine Chandelier
Lighting: System
JOHN POMP Drift Lighting System
Outdoor: Collection
PERENNIALS AND SUTHERLAND
Perennials and Sutherland by Vincent Van Duysen
Outdoor: Design Innovation
TUUCI
Ocean Master MEGA MAX Classic
Rug Collaboration
THE RUG COMPANY WITH GHISLAINE VIÑAS Shongololo
Stone: Collaboration
COSENTINO WITH NINA MAGON Dekton® Onirika
Stone: Mantel
FRANÇOIS & CO.
The Silhouette Mantel from Contemporary Collection
Textile: Collaboration
KRAVET COUTURE WITH COREY DAMEN JENKINS Trad Nouveau
Textile: Collection
THE VALE LONDON Sloane Capsule Collection
Tile: Design
FORNACE BRIONI
Le Piastrelle Segnate by Giovanni Barbieri
Tile: Sustainable Design
KOHLER CO.
The Abstra™ Collection by Kohler WasteLAB®
Wallcovering: Collaboration
HARLEQUIN WITH DIANE HILL
Florence Wallpaper in Fig Blossom, Apple & Peony
Wallcovering: Innovation
ARTE
Mimic Moth from Moooi Wallcovering Memento Moooi Collection
Windows & Doors
JELD-WEN
Auraline® True Composite Windows & Patio Doors
Product Readers’ Choice
Baldwin Hardware
BATH ACCENTS & ACCESSORIES
Modern Cabinet Hardware Collection
Legno Bastone FLOORING St. Moritz G1 from European Elegance Collection
Four Hands
FURNITURE DESIGN
Zoia Dining Table
Monogram Luxury Appliances
HOME APPLIANCES
Monogram™ Designer Collection by Richard T. Anuszkiewicz
Emtek
KITCHEN ACCENTS & ACCESSORIES
Select Cabinet Collection
Baker Furniture
LIGHTING
Murano Vessel Pendant from The Thomas Pheasant Collection
McGuire Furniture
OUTDOOR DESIGN
Cuerda Lounge Chair from The Laura Kirar Collection
François & Co.
STONE & TILE
The Silhouette Mantel from Contemporary Collection
Egg & Dart Textiles
TEXTILES
Rainbow from Pride Velvet Collection
Arte
WALLCOVERINGS
Secret Silhouettes from Décors & Panoramiques Collection
LaCantina Doors
WINDOWS & DOORS
V2 Folding Door
The stone sets the tone.
IRG’s Calacatta Medici Marble derives its name from Renaissance art and architecture patrons the Medici Family of Tuscany, Italy. While this stone embodies all the aesthetics of traditional luxury, the crisply elegant look of classic white marble complements a variety of interior styles and applications, such as this grand design by Mia Conway.
WINE COUNTRY
ON LOCATION
Among the world’s most famous and beloved destinations, California’s Wine Country stands tall. Certainly, the exquisite bottlings that come from the region are to credit, but so too is the culture in each local town. Many an artist has found inspiration in the fields of grapes, countless architects and designers have been influenced by the sun-drenched rolling hills and the food scene that naturally builds around a place known for its wine production well, little else need be said. In this special section, the design, construction and real estate industry luminaries of Wine Country reveal their favorite local work, must-sees and must-dos— and desert-island vintages.
BLACK OAK BUILDERS
707.823.2625 | blackoakbuilders.net | black_oak_builders
Wine country is defined by beautiful landscapes and architecture, the quality and refinement of its products and a collaborative spirit that attracts talented, passionate people. These exact ideals inspire Andy Briglio and his world-class team at Black Oak Builders. “We started in 2007 as a small operation of builders that’s grown into an esteemed general contracting firm that delivers high-quality craftsmanship while forging lasting relationships with our clients, co-workers and contracting partners,” Briglio says. Known for refined custom-built homes and exacting renovations, Black Oak Builders’ client-centric approach is key to their success. “Our clients are our foundation,” Briglio adds, “which is why we are seriously committed to understanding their visions, crafting plans that fits their needs and budgets and supporting them through every phase of the building or remodeling process.”
WINE COUNTRY WISDOM
• Share your guiding principle. At Black Oak Builders, we have a deep love for this land and will continue to make like-minded people’s dreams come true with our unique vision of fine craftsmanship.
• In what ways does your firm complement your community? From rustic winery/cidery projects to custom modern California homes to beautiful contemporary farmhouses, we work alongside great architects, craftspeople, designers and engineers to add beauty and comfort to this place we call home.
• Describe the local design community and a not-to-be-missed design event. Our community has a love for artistry, as exhibited in the number and variety of art studios and co-ops in the area, which is showcased in our annual Art Trails studio tour.
Above This Westside sanctuary welcomes guests through its gorgeous glass pivot door. Top An elegant mix of stone, wood and steel sets the scene in this relaxing fireside seating area. Bottom BOB worked in partnership with Zimmerman + Associates (architects), Merge Studio (landscape design) and Shawback Design (interior design) to create the quintessential California home with exceptional indoor-outdoor living.
Photography Adam Potts Photography
“We specialize in uniquely beautiful custom residential projects that provide quality craftsmanship for lasting elegance.”
CARRIGER ROAD INTERIOR DESIGN
707.694.5841 | carrigerrd.com | carrigerroad
When world-class design meets Sonoma’s refined aesthetic, exceptional spaces are born. As an esteemed professional with decades of commercial and residential design experience, Susan Waxman brings unique expertise, talent and passion to her role as principal at Carriger Road Interior Design. “With our studio located in the quaint town of Sonoma amongst picturesque vineyards and abundant wildlife, nature is our muse,” Waxman says. “We draw inspiration from its calming energy to create something truly special.” A commitment to teamwork and relationship building is another key to Carriger’s success. “Because we understand that the design process is collaborative, we partner with a diverse group of highly-talented artisans and trade professionals,” she shares. “Working hand-in-hand with them allows us to deliver homes and spaces that bring each client’s vision to life with beauty and purpose.”
WINE COUNTRY WONDERS
Susan Waxman shares five local favorites.
• More than a scenic area, Jack London Park is steeped in history that nourishes your soul as you explore its breathtaking trails.
• The Happy Dahlia Farm offers a kaleidoscope of vibrant blooms that invite you to explore the creative spirit that lurks in their playful fields.
• Tucked into an enchanting Pierre Deux satchel, a freshlybaked baguette paired with a creamy cappuccino from Les Pascals Patisserie is a wonderful way to start the day.
• Stepping into the historic Sebastiani Theatre for an evening of cinematic or live entertainment transports you to a more glamorous era.
• From seasonal outfits to fun gifts and yummy treats, Woof! is a pet lover’s paradise that has something special for every four-legged friend.
Top The pool house cabana offers a private space for guests and a path to the main residence. Lighting and dining table with seating by RH. Left Clean modern lines frame the property entry. Wood is used on the soffit for warmth. Right The exterior cabana utilizes metal cladding. Chaise lounge by RH. Outdoor umbrellas by Tuuci. Architect: BISBEE
Architecture + Design, Landscape
Architect: Merge Studio, Architectural
Consultant: Jenny Lozada Gosiengfiao,
General Contractor: GMH Builders.
Photography Nicholas Miller
“We incorporate design principles that emphasize simplicity, elegance and functionality to bring clients’ dreams to life.”
SALT SHED DESIGN BUILD
707.559.2089 | saltshed.com | saltshed_designbuild
In a locale with as much illustrious repute as California’s Wine Country, it may prove difficult to imagine how it will evolve as time goes on. For Matthew Tippell and Mike Coleman, leaders of local firm Salt Shed Design Build, 30 years living and working in the region makes it easier to envision. Tippell explains: “There has been a large influx of designers to Wine Country, from San Francisco and beyond, over the past 20 years. This community has embraced the local heritage, but also brought a modern design vernacular. There is a lot of design-driven quality with materials, yet a casual approach to interior and exterior space planning.” Located steps from historic Sonoma Plaza, Salt Shed is a resource for homeowners and trade pros in Marin, Sonoma and Napa. When asked what their desert-island bottle of wine would be, Tippell shares, “The largest bottle of Rosé possible the ship may take a while to find us!”
HERITAGE IN A NAME
Salt Shed’s name is derived directly from a local legacy: the classic Saltbox homes that originated as American Colonial architecture in New England. “Similar to that region, Wine Country has a deep history of agricultural structures, typically comprising white gable buildings with stone and boardand-batten siding,” Coleman says. “Our modern interpretation of these structures takes into account the rolling, vineyardcovered hills and valley views.”
RESPITE TO REFUGE
“With the advancement of remote working, the decision to accelerate second homes to permanent ones has increased dramatically,” Tippell says. “We are seeing our clients spending more time in their homes. This has altered the design approach to prioritize function on a full-time basis, as opposed to a typical holiday home.”
“Our ideal Saturday would include a morning hike followed by a vineyard picnic with friends, locally-produced wine and brilliant conversation.”Above & Top Powered by a large solar system and resting on five pristine landscaped acres, this gorgeous home boasts a main house, pool house and guesthouse, plus wine and potting sheds. Left Perched atop a hillside among majestic redwoods, this modern estate includes an under-stair wine cellar, polished concrete floors and a drought-resistant landscape—stylish and sustainable.
STANLY RANCH
707.224.8000 | stanlyranchnapa.com | stanlyranchauberge
When world-class design and amenities are infused with Napa’s elegant aesthetic, exceptional homes are the natural result. A bold new destination in the Carneros region of Napa Valley, the residences at Stanly Ranch, offers unparalleled access to Wine Country living and its stunning natural landscapes. From its inception, the resort community has been focused on well-being and sustainability that includes everything from environmentally-minded infrastructure to agricultural “rooms” that activate the senses to the passion and intimate boutique experiences only Auberge can provide. Stanly Ranch’s bold energy, elevated designs and immersive experiences—both on and off-property—exceed the expectations of the most sophisticated residents. The limited collection of whole-ownership residences at Stanly Ranch include expansive three- to six-bedroom Vineyard Homes and furnished, two-bedroom Villas.
NAPA-INSPIRED LUXURY
Set amidst the breathtaking vines, the Vineyard Homes at Stanly Ranch bring the vision of renowned California residential design expert Bob White to life and provide his signature sensorial architecture and ethos of discovery that seamlessly connects residents to the outdoors. These threeto six-bedroom single-family residences provide a one-ofa-kind resort lifestyle with Auberge five-star resort services and amenities.
DESIGNER SPOTLIGHT
For more than 16 years, Bob White has been designing exceptional private residences in Hawaii, Nantucket and numerous places in between. As the founder of Forest Studio, he brings a unique design approach that is not easily read. Currently working on 12 projects across different states, White has broken many design rules to reach what his clients seek and desire, but don’t know how to articulate. Stanly Ranch is proud to work in collaboration with this renowned talent on their exclusive Vineyard Homes.
Top Sensorial architecture is defined by blurring the lines between indoor and outdoor living spaces, creating a connection to the landscape beyond.
Bottom Life among the vines and olive trees at the Vineyard Homes connects each residence to Napa’s splendid, unspoiled landscape.
“Stanly Ranch offers over 700 acres of rolling vineyards, eucalyptus trees, longhorn steer and walking and biking trails.”
JOHN LUM ARCHITECTURE | NICOLEHOLLIS INTERIOR DESIGN | ARTERRA LANDSCAPE ARCHITECTS
Photo by Adam Rouse“We wanted the great room to be cozy and inviting,”
says designer Caitlin Jones Ghajar. She appointed the space with textural pieces, such as a Stahl + Band sofa upholstered in a Pindler performance fabric, shearling-covered vintage chairs from Housewright and a Mehraban rug.iles and Kathy Kilburn were thrilled when they purchased their Healdsburg dwelling. Perched at the top of a hill, the abode enjoyed tremendous views of the surrounding 13 acres dotted with ancient oak trees. “This site is very special, very magical,” Miles says. However, it wasn’t perfect.
“The house was a little small,” he admits. Plus, it had a difficult-to-find entrance and didn’t take full advantage of the vistas. The couple decided to double the size of the home by adding a second floor. It wasn’t the ideal solution—they preferred a single-story layout—but expanding the first floor in the original configuration was impossible. Even with these challenges, Miles and Kathy were confident that the team they brought on— designer Caitlin Jones Ghajar, architect H. Todd Kilburn (who is also Miles’ brother), and general contractors Preston Addison and Micah Addison— would create the dwelling of their dreams.
The remodel had begun, and the structure was already down to the studs when wildfires broke out in the area. Flames engulfed and destroyed the house, and the couple’s dreams briefly crumbled. “It was pretty traumatic,” Miles says. Although he and Kathy initially thought to rebuild with the plans they already had in hand, Jones Ghajar encouraged them to do some soul-searching. “Caitlin asked us ‘What would you envision if you could have exactly what you wanted?’ ” Miles says.
The designer herself already had an idea. “I had a dream about rebuilding the house,” she recalls. “The following evening, I sketched what ended up being fairly close to the final result.” Reenvisioned, the abode is now an inviting, single-story modern Mediterranean that capitalizes on the views and possesses great curb appeal. The team also rotated the structure, providing western outlooks and a better visual of the front door, which opens to a vaulted foyer. “We did away with the discreet entry to provide more of a statement and create a clear and unmistakable entrance for guests,” Kilburn explains. “It reflects the new home and gives it more grandeur.”
The foyer leads to the great room, which, though Jones Ghajar describes it as the “most
formal of all the spaces,” is still decidedly comfortable. During dinner parties, guests can linger on the plush dining chairs or move to the cozy seats in the living area to enjoy cocktails. Shades of gray and taupe “whisper instead of shouting,” Miles muses. “And they provide a casual elegance throughout the home.”
The bright, airy kitchen—which serves as a showcase for the couple’s ceramics collection— and its adjoining family room were designed as more intimate spaces. And while this is where Miles and Kathy spend most of their time, they truly take advantage of every room. “There is not a spot in the house I don’t use,” Kathy laughs. With a multitude of carefully curated guest rooms (Kilburn has already chosen his), family and friends know they’re welcome.
Most important to the renovation was celebrating the surrounding sun-dappled hills and valleys through enhanced indoor-outdoor living. The H-shaped form of the home, centered around a large swimming pool, allows for a separation of public and private spaces while offering 360-degree views. “We developed a plan with huge windows and pocketing doors so they could feel as though they’re part of the landscape even when inside,” Jones Ghajar says. “This was part of why they bought this property in the first place.” Complementing the newly designed residence, landscape architect James Bradanini sited Mediterranean-influenced plantings around the oak trees that survived the fire. “I selected droughttolerant plants like lavender, sage, ornamental grasses and olive trees due to their ability to thrive in the hot, dry conditions,” he explains.
Given the area’s climate, fire prevention was always in the plans. “We went with a true cement stucco and an unvented roof so embers can’t get into the roof cavity,” Kilburn explains. “The house and perimeter have a full sprinkler system, and any exposed wood was treated and coated with fire-retardant paint.” With this sense of security, the couple can relax while taking in their surroundings, moving with the sun to seating vignettes Jones Ghajar created throughout the landscape. Finishing an evening meal at the outdoor dining table provides perhaps the best views of the surviving oaks. “Although a number of trees were lost, many survived,” the designer says. “It has been incredible to see them come back.” They have, like the home itself, risen from the ashes.
“We prioritized the views in every exterior space,” Jones Ghajar says. Overlooking the pool by Johnson Pool and Spa, the lounge area is furnished with Gloster seating from Dunkirk and a vintage coffee table found at Obsolete.
Natural Wonders
Ellen Little’s large-scale floral watercolors capture all the beauty—and decay—of her surroundings.
WRITTEN BY DEBORAH BISHOP PHOTOGRAPHY BY LAUREN SEGALAlthough watercolor might not be considered a groundbreaking medium, painter Ellen Little’s work suggests otherwise.
“I love breaking the accepted rules of watercolor,” Little declares, gesturing toward pieces that can measure almost 7 feet tall and more than 4 feet across—a scale more commonly associated with oils.
Little’s botanical portraits line the walls of her sun-washed Dogpatch studio, while jars filled with wild irises, native grasses and magnolia dot the worktables in the middle—along with a tin of dead moths. A master at capturing nature in every stage of bloom and decay, Little forages for flowers, branches, weeds, insects, dead birds and “anything I feel drawn
to on my daily walks,” she says, to use as artistic fodder. Starting with a blossom or a tangle of grass, she gradually layers elements into her composition—over the course of days, weeks, even years—to capture the immersive experience of lying in a meadow or strolling through a sea of wildflowers.
Little paints spontaneously while standing over a table. When the paint is dry enough to prevent drips, she hangs the work on a wall and photographs it. Using printouts, she choreographs next steps, drawing directly onto the images to plot perspective and new elements. But not everything is in her control. “As the water evaporates, an alchemical process takes over, causing pigments to separate, move and settle in unexpected ways,” she explains. “The results are unpredictably magical.”
The artist’s past life as a graphic designer is discernible in the composition of her
“Backyard” series of flowers and moths culled from her garden as well as the visually dramatic “Goat Hill” collection, which captures the view from a favorite spot in all seasons and climactic conditions—including mist, haze, smoke and drizzle.
Little doesn’t fret about making mistakes or dipping her brush into dirty water: “The muddier the better!” she insists. When the artist erases something, she relishes the smudges and marks that remain as beautiful, ghostly memories. “I embrace the darkness as well as the light,” she says, pointing out the shadows in one piece and a dead sparrow nestled into the foliage of another.
“There’s a subtext of death in all my work,” Little continues. “I want my paintings to reflect all the stages present in nature—from the full fragrant bloom to the shriveling and dropping of petals.”
Paintings decorate the walls of artist Ellen Little’s studio, including Backyard No. 405, Nocturnes 27 Backyard No. 434 and Backyard No. 454 (opposite, from left). During walks, the artist collects dead insects, flowers and leaves (left) to inspire her work. She uses goat-hair calligraphy brushes (below) as well as traditional watercolor brushes. A detail of Goat Hill 32 (bottom, left) showcases regional flora.
Country Soul
One family recaptures their roots through a new dwelling that combines farmhouse style with modern living.
BY CHERYL MEYERS
Interior Design: Sondra Ganz, Studio Ganz Landscape Architecture: David Thorne, David Thorne Landscape Architect, Inc. WRITTEN PHOTOGRAPHY BY PAUL DYERive months into the 2020 lockdown, a young San Francisco couple bought an empty lot in idyllic Lafayette to build a spacious, modern farmhouse. They’d been living in a luxurious highrise building in the city and hustling at their jobs—he in civil construction, she in corporate retail—while fully enjoying the amenities of urban life. But the triple whammy of the pandemic, working from home and a new baby caused them to question some of their life choices. “We knew we weren’t going to live in the city forever, but suddenly our interest in leaving town increased,” the wife says.
She has family roots in Tennessee and her husband grew up in the wilderness of Alaska and Oregon. “I like to say we are city people with country souls,” she says, noting that their closets are full of cowboy boots, the soundtrack to their lives is country music, and their ideal vacation involves skiing down mountain slopes. With this newly purchased land, they could live out their open-space dreams with their daughter while also staying connected to the larger urban center with easy access to downtown Lafayette and a BART station that makes visiting San Francisco a quick trip.
The lot came with mature oak and redwood trees as well as preapproved plans for a large, traditional abode with notes of both ranch and Craftsman styles. Hoping to build something more contemporary, they hired friend and interior designer Sondra Ganz to adjust elements to suit their preferred aesthetic and needs. “They had been living in a high-rise. Since this is a much larger home, we practically started from scratch furniture-wise,” the designer explains. “I asked them: ‘How do you want to tell the story of your life with this house?’ ”
They landed on a livable, effortlessly elegant modern farmhouse look. Ganz admits that this style can feel cookie-cutter—even ubiquitous— in the wrong hands. But for these homeowners, it was the right fit. “They embody modern farmhouse,” the designer says. “If I were to write the script of their life together, it would be mountain man meets modern-country woman. Their love story is a meeting of the minds.” With Ganz’s guidance, the decor tells a tale that feels both elevated and personal.
In the charming powder room, this mix of hisand-hers is on full display. The woodland-inspired wallcovering is a nod to the husband’s bird-hunting hobby—a vestige of his Alaska days. Nickel and black metal fixtures along with dark granite round out the masculine feel, while milk-glass sconces, blue basket-weave marble flooring and pompomtrimmed hand towels bring in softer notes. The same goes for the approachable-yet-luxurious living room, where an oversize iron chandelier and deep leather sectional find delicate counterparts in the petite shearling-and-acrylic stools and bone inlay accessories on the custom oak bookshelves.
The home’s original exterior plans called for green shingles; its Craftsman vibe was heavy with bay windows, mullions and railings. Ganz’s preconstruction design changes were simple yet impactful: She shaved off many of these elements, making the front porch more accessible and inviting. “We love this feature,” the wife says. “It reminds me of my Southern roots.” The designer also changed the siding to classic white board-andbatten and paired the neutral canvas with blackframed windows and a gray standing-seam metal roof. At the rear of the dwelling, she made tweaks so that indoor-outdoor entertaining would be more effortless, such as using bifold windows to connect the classically elegant chef’s kitchen to the patio.
Landscape architect David Thorne was brought on to reimagine the backyard for family living. Traditional sod lawn was nixed to make way for sports-friendly artificial turf. The much-used pool features bluestone coping, and the surrounding architectural concrete pavers are topped with chaises. Shaded by mature redwoods, the gardens feature a mix of California-native rushes, ferns and groundcover geraniums to “add a feeling of woodland understory,” Thorne explains.
Further honoring local materials, the home incorporates charred oak salvaged from a 2020 wildfire in Santa Cruz’s Big Basin Redwoods State Park. The entry console, living room coffee table and front-porch columns all come from this cache of burned oak that would have been disposed of otherwise.
Taken together, the resulting residence is a place that suits the people who live there. “Sondra was able to blend our love for all things country and Western with our desire to keep things fresh and modern,” the wife says. Ganz agrees: “The home truly feels like they dreamed it and built it for themselves.”
“They embody modern farmhouse.
If I were to write the script of their life together, it would be mountain man meets moderncountry woman. ”
–SONDRA GANZSchoolhouse pendants hang above the 15-foot granite-and-butcher-block kitchen island. The backsplash, composed of Ann Sacks’ Savoy field tile, complements the hood designed by Ganz. Bifold windows by Sierra Pacific Windows open to an outdoor kitchen.
GLOBAL OUTLOOK
An international mindset and a love of kin are the hallmarks of this San Francisco home.
WRITTEN BY MAILE PINGEL | PHOTOGRAPHY BY PAUL DYERor a busy, often-traveling couple, a little pied-à-terre in the city where their daughter and her family lived made perfect sense. But when their son also decided to make San Francisco home, that petite pied-à-terre suddenly became too small. As luck would have it, the solution was right above them: an unfinished two-story penthouse. One phone call to designer Andrew Petronio, who did their Manhattan abode as well as their first unit in the building, and things quickly fell into place.
“It was nothing but a concrete slab and a steel staircase—in the wrong place and blocking the view—but that meant it was a blank canvas,” Petronio recalls. Next, the couple brought on architect Houman Sharif, who was in sync with Petronio’s vision. “He saw what I saw—it was symbiotic,” the designer says. “The goal was to create something of a departure from their other residences, this time going more contemporary,” he continues. But key to this project—indeed, the very reason for the move—was to create rooms for their grandchildren to come and spend the night.
“The clients wanted a modern, urban home, but it also needed to be warm and approachable,” Sharif notes. Working around structural and mechanical limitations, including a front door that couldn’t be moved, the architect studied various views to create a layout that felt coherent while still offering elements of surprise. “The space itself is very rectilinear, so we spent a lot of time looking at how different areas could flow into each other and how architectural elements like the entry screen or fireplace could create definition,” he explains. The architect also jettisoned the steel stair, much to Petronio’s delight, replacing it with a sweeping wooden version. “It’s like a sculpture that can be experienced from different vantage points,” Sharif says. “That curve—it’s almost Zaha,” Petronio adds, referencing famed Iraqi-British architect Zaha Hadid.
In fact, there is a distinctly global outlook that pervades the abode. “I’m from Iran, and I was educated more under the French model,”
explains Sharif, whose wife, architect Ghazaleh Jamei, also contributed to the plans. “We really pay attention to the combination of beautiful materials and highly skilled craftspeople,” he says, likening their approach to contemporary Italian or Belgian design. “We love working with architects who bring that feel,” adds general contractor Jeffrey Woods. “The soundness of this design is fantastic, and its subtle details really set it apart.” While the site was challenging, Woods realized the plans with aplomb, including the installation of a 390-pound steel wall that had to be craned into the site. “These clients understand good design, but they also understand good execution,” he notes.
For the furnishings, Petronio focused on soft, clean-lined pieces in warm neutral tones. “We were all cognizant of the artworks we’d be hanging—lots of color and texture—so the palette was very deliberate,” he says. At one end of the main floor are the formal living and dining areas, outfitted with low-profile pieces for unobstructed views. A center bar sets them apart from the family’s more casual sitting and dining spaces as well as the kitchen. “We found the kitchen at a showroom in SoHo and fell in love with the combination of metal cabinets above and dark wood cabinets below,” Petronio says. “It was the first thing we selected. It was sleek and clean and really set the tone for the entire apartment.”
Upstairs, Sharif and Petronio created a large primary bedroom suite that includes a walnutand marble-clad bathroom and a comfortable lounge area. “They wanted a space where they could snuggle up with the grandkids, or that they could use as a retreat for themselves,” says the designer, who added a morning bar for an easy cup of coffee before playtime starts. Just off the lounge are the nursery and the bunk room, and at the far end of the floor is a plush, hotellike guest room.
“All of us involved are big travelers, and we brought that romance of being abroad into this apartment,” Petronio says. “There’s a worldliness here, a different perspective. You could drop this apartment into London, New York or Beirut, and it would feel right at home.”
“WE SPENT A LOT OF TIME LOOKING AT HOW DIFFERENT AREAS COULD FLOW INTO EACH OTHER AND HOW ARCHITECTURAL ELEMENTS COULD CREATE DEFINITION
.”
–HOUMAN SHARIFThe dining room features a walnut table by Joseph Jeup, a Lindsey Adelman Studio chandelier and Vladimir Kagan chairs. Perched atop the Holly Hunt Studio console are figural sculptures by Mexican artist Sergio Hernández. Above: Lacquered panels designed to resemble a folding screen separate the primary bedroom from the adjacent sitting room. The Holly Hunt Studio bed, dressed in linens by Frette, is grounded by a Stark rug. Opposite: The sitting room doubles as a study with a Douglas Jennings desk, found at The Bright Group, and a Caste chair from Holly Hunt. British artist David Spiller’s All My Loving sounds a tender note.
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