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A BREATH IN TIME
Jay Exon’s creative journey from backstage to spotlight
BY VALENTINA GUTIÉRREZ
Tulsa artist Jay Exon’s first brush with creation, so to speak, came as an apprentice painting backdrops and scenery for stage productions. Less than a decade after leaving that craft to become a full-time artist, he is a celebrated and sought-after painter of abstract works, having never lost his sense of theatricality.
As he puts it, “I paint as if treasure hunting, inspired by possibilities in pursuit of the novel.” We caught up with the busy brush-wielder for a quick chat about his early influences, current inspirations, advice for aspiring artists and more.
When did your interest in art begin?
As Picasso said, “Every child is an artist. The problem is how to remain an artist once he grows up.” Luckily, I’ve found a way to channel the playful spirit of my inner child into my work as a painter.
Can you tell us about your apprenticeship with Richard Ellis and how it shaped your approach to painting scenery for the theater?
I asked for a structured apprenticeship from a master scenic artist. This experience brought me a full appreciation for and practice of construction, drafting, color theory, materials, contrast and proportion on a scenic scale — all of which translated into my current studio practice.
How did you make the transition from painting for the theater to becoming a full-time independent artist?
Continuing on my own, the work I began to create and the vision I developed expanded my approach to painting on a studio scale.
Can you discuss how you developed this style and what inspires you?
My inspiration occurs only after laying down a color and diving in. The work develops by little discoveries, serendipitous happenings and unexpected occurrences that come to life on the canvas. The inspiration is in the doing.
Can you tell us about any upcoming exhibitions or projects you have in the works?
I will be painting live at the Howell Gallery on April 22 from 10 a.m. to 2 p.m.
What advice would you give to aspiring artists who are just starting out on their creative journeys?
Paint 100 paintings in 100 days. If you can do that and are satisfied with your work, then you can be a painter. Stick with it. Make as much art as you can. Natural talent is largely illusion and has very little to do with success in any endeavor. One becomes proficient with enough practice. Put in the hours. Above all, don’t doubt your capabilities.
How would you define Art?
Art is the expression of a breath in time, a fluid message to be experienced by the viewer. •