portfolio of Yinghao LIN

Page 1

Portfolio of Yinghao LIN portfolio version: 2012-06-01 candidate of msc of architecture at TU Delft, expected to graduate at July 2012 email: firstnamelynx@foxmail.com mobile: 0622611400


Content the content of this document includes the introductions and impressions of my recent projects. additional contents such as older projects and participated exhibitions can be found in the supplementary materials.

1. the “Sand Engine”: graduation project

2. “Sand Castel”: evolutionary patterns | deepFORMATIONS

3 recent projects

3. Performative Material 4. Supplementary materials: exhibitions, System other projects, etc.

7 projects


recent projects


the “Sand Engine�: a building that creates ever-changing dunes, graduation project independent work tutors: Jan Engels, Suzanne Groenewold, Mauricio Morales Beltran


the “Sand Engine” graduation project independent work W=100mm L=200mm

wind velocity

H=40mm

D=60mm

The first time I went to Scheveningen the beach, long before the project, I was already stunned by the landscape, mainly being the dunes. I always see the Dutch landscape, either natural or artificial, as the landscape for living. The polder, is the result of the Dutch people fighting against the sea level with the application of wind mills. The dunes, are also vital to the thriving of the Dutch.

Hd D1 Ld1 Ld2

≈ 5 minutes

≈ 10 minutes

≈ 60 minutes

≈ 5 minutes

≈ 10 minutes

≈ 60 minutes

D1= 14 mm Hd= 20 mm Ld1= 58 mm Ld2= 197 mm

D1= 27 mm Hd= 38 mm Ld1= 98 mm Ld2= 248 mm

D1= 30 mm Hd= 42 mm Ld1= 103 mm Ld2= 253 mm

D1= 29 mm Hd= 43 mm Ld1= 112 mm Ld2= 225 mm

D1= 33 mm Hd= 51 mm Ld1= 115 mm Ld2= 234 mm

D1= 35 mm Hd= 54 mm Ld1= 120 mm Ld2= 246 mm

≈ 5 minutes

≈ 10 minutes

≈ 5 m/s

≈ 11 m/s

≈ 18 m/s

no dune

no dune

D1= 14 mm Hd= 17 mm Ld1= 95 mm Ld2= 286 mm

D1= 36 mm Hd= 58 mm Ld1= 116 mm Ld2= 235 mm

D1= 43 mm Hd= 30 mm Ld1= 134 mm Ld2= 339 mm

≈ 5 minutes

≈ 10 minutes

≈ 60 minutes

90°(≈ 60 minutes)

45°(≈ 60 minutes)

0°(≈ 60 minutes)

D1= 29 mm Hd= 55 mm Ld1= 110 mm Ld2= 212 mm

D1= 35 mm Hd= 61 mm Ld1= 115 mm Ld2= 228 mm

D1= 36 mm Hd= 58 mm Ld1= 116 mm Ld2= 235 mm

D1= 36 mm Hd= 58 mm Ld1= 116 mm Ld2= 235 mm

D1= 29 mm Hd= 43 mm Ld1= 99 mm Ld2= 251 mm

no noticable dune

Tutors: Jan Engels, Suzanne Groenewold, Mauricio Morales Beltran


the “Sand Engine” graduation project independent work

Later upon knowing the site of the graduation project will be at there, I decided to do something about the dunes to express my fond of this natural legacy.

+

=

245° projection

distribution of wind ≥ 5 m/s

threshold speed to set sand into motion

sand source direction

many directions in the domain of SW

240°(extrem e)

distribution of wind to transport sand

morphology finding

dune

Tutors: Jan Engels, Suzanne Groenewold, Mauricio Morales Beltran


the “Sand Engine� graduation project independent work

At the first field trip to the site at the beach, I recognized that sand was very essential for dunes. Sand particles were moved by wind and formed little dunes at wind traps.

1

2

3

slab system

actuator

cable

4

5

6

membrane

cable membrane anchor ring

typical details

7

8

cable fixing knot

9

cable cable fixing knot

expansion of the membrane 10

11 Tutors: Jan Engels, Suzanne Groenewold, Mauricio Morales Beltran


the “Sand Engine� graduation project independent work

roof system

section variation 1 shading

slab system

Then I started to investigate the mechanism of dune formations, as well as the knowledge of the coastal dune environment. The interaction between any two of wind, sand and wind obstacle is what it is all about. A wide idea formed in my mind.

anchor pts anchor pts

membrane

anchor pts

anchor pts

anchor pts

cable beams cable beams

section variation 2 typical section

cable beams

roof system

shading

cable beams

dune in an experiment

cable beams slab system

cable beams

anchor pts

membrane

this explosion view shows the relation of major construction elements

Tutors: Jan Engels, Suzanne Groenewold, Mauricio Morales Beltran


the “Sand Engine� graduation project independent work

A building that generates dunes? As we all know building can greatly change the local wind distribution. By doing so it will cause the sands to move and drop, according to the theoretical research. So the idea of creating a building that can generate dunes, or exactly speaking, a building that can cause sand accumulation, is quite promising.

Tutors: Jan Engels, Suzanne Groenewold, Mauricio Morales Beltran


“Sand Castel”: evolutionary patterns | deepFORMATIONS work done within HYPERBODY role: team coordinating, schematic design, scripting, modeling and drawing additional team members: Yinghua WEN, Kai Wang, Bo Zhou tutor: Marco Verde


Sand Castel EVOLUTIONARY PATTERNS | deepFORMATIONS - work at Hyperbody (team coordinating, schematic design, scripting, modeling, drawing)

sand pattern as the result of sand leaking position n+2

This project based on infomation subtracted from a series of physical experiments. Base on this data we develop a parametric system to process the data. With the result of the processing, we drew volumnmetric architectural components to visualize the complexity of the physical transition.

position n+1

position n

Also, we applied several advanced rapid prototying methods to create large scaled prototype. y

X

oringinal position

firstly rotate around x axis with a certain step

position 30

position n+4

positions in between position n+3

position 1 position n+2

position 40 y

X

y

positions in between

X

position 31

secondly rotate around y axis with a certain step

how we use two "stairs" to regulate the rotation with a step of 1째.

Project Team: Yinghao Lin, Kai WANG, Yinghua WEN, Bo ZHOU Tutor: Marco Verde this project was part of the programme of

HYPERBODY


Sand Castel EVOLUTIONARY PATTERNS | deepFORMATIONS - work at Hyperbody (team coordinating, schematic design, scripting, modeling, drawing)

This project based on infomation subtracted from a series of physical experiments. Base on this data we develop a parametric system to process the data. With the result of the processing, we drew volumnmetric architectural components to visualize the complexity of the physical transition. Also, we applied several advanced rapid prototying methods to create large scaled prototype. samples of data extracted from experiments

perspective of point cloud

Project Team: Yinghao Lin, Kai WANG, Yinghua WEN, Bo ZHOU Tutor: Marco Verde this project was part of the programme of

HYPERBODY


Sand Castel EVOLUTIONARY PATTERNS | deepFORMATIONS - work at Hyperbody (team coordinating, schematic design, scripting, modeling, drawing)

This project based on infomation subtracted from a series of physical experiments. Base on this data we develop a parametric system to process the data. With the result of the processing, we drew volumnmetric architectural components to visualize the complexity of the physical transition. Also, we applied several advanced rapid prototying methods to create large scaled prototype.

1st scaled components

digital to physical

2nd digital prototype 2nd scaled components

2nd scaled components 3rd scaled components

1st scaled components

Project Team: Yinghao Lin, Kai WANG, Yinghua WEN, Bo ZHOU Tutor: Marco Verde this project was part of the programme of 3rd scaled components

component development (1 of 14)

pod

HYPERBODY


Sand Castel EVOLUTIONARY PATTERNS | deepFORMATIONS - work at Hyperbody (team coordinating, schematic design, scripting, modeling, drawing)

This project based on infomation subtracted from a series of physical experiments. Base on this data we develop a parametric system to process the data. With the result of the processing, we drew volumnmetric architectural components to visualize the complexity of the physical transition. Also, we applied several advanced rapid prototying methods to create large scaled prototype.

digital to physical

Project Team: Yinghao Lin, Kai WANG, Yinghua WEN, Bo ZHOU Tutor: Marco Verde this project was part of the programme of rapid prototyping technique: vacuum forming + milling

HYPERBODY


Sand Castel EVOLUTIONARY PATTERNS | deepFORMATIONS - work at Hyperbody (team coordinating, schematic design, scripting, modeling, drawing)

This project based on infomation subtracted from a series of physical experiments. Base on this data we develop a parametric system to process the data. With the result of the processing, we drew volumnmetric architectural components to visualize the complexity of the physical transition. Also, we applied several advanced rapid prototying methods to create large scaled prototype.

Project Team: Yinghao Lin, Kai WANG, Yinghua WEN, Bo ZHOU Tutor: Marco Verde this project was part of the programme of

HYPERBODY


Performative Material System work done within HYPERBODY role: schematic design, scripting, modeling and drawing additional team member: Ting WEN tutor: Marco Verde


Performative Material System work at Hyperbody (schematic design, scripting, modeling, drawing)

Position #1 Overlapping: #4——#5

This project based on emgence theory. We defined the parameters of single components and the conncection rules between neighbours and then form the overall system. After a series of serious studies, we could control the curvature of the system.

Position #2 Overlapping: #4——#6

All the components were made of light weigth materials and gained structural performance through their volumatric shapes. Also, we built large scaled physical prototype which was control by servo motors connected to computers via Arduino.

42° 60° 172° 5.18

60° 170°

Position #3 Overlapping: #4——#7

18.12 60°

5

14°

5 198° 5

20.56 133.25

9.90

20.01

17 136°

76° 13°

13.84

13° 11°

Position #4 Overlapping: #4——#8

122°

11°

174°

73.49

27

Position #5 Overlapping: #3——#8

16.90

60° 10° 10° 10° 6°

Position #6 Overlapping: #2——#8

Position #7 Overlapping: #1——#8

Project Team: Yinghao Lin, Ting WEN Tutor: Marco Verde this project was part of the programme of

HYPERBODY


Performative Material System work at Hyperbody (schematic design, scripting, modeling, drawing)

This project based on emgence theory. We defined the parameters of single components and the conncection rules between neighbours and then form the overall system. After a series of serious studies, we could control the curvature of the system. All the components were made of light weigth materials and gained structural performance through their volumatric shapes. Also, we built large scaled physical prototype which was control by servo motors connected to computers via Arduino.

Cuvature 7 Top: position #7 Bottom: position #4 Cuvature: R=850mm

Cuvature 6 Top: position #1 Bottom: position #4 Cuvature: R=1010mm

Cuvature 5 Top: position #1 Bottom: position #4 Cuvature: R=1250mm

Cuvature 4 Top: position #1 Bottom: position #4 Cuvature: R=infinitive

Cuvature 3 Top: position #1 Bottom: position #4 Cuvature: R=1850mm

Cuvature 2 Top: position #1 Bottom: position #4 Cuvature: R=1450mm

Cuvature 1 Top: position #1 Bottom: position #4 Cuvature: R=1230mm

curvature study

Project Team: Yinghao Lin, Ting WEN Tutor: Marco Verde this project was part of the programme of static proliferation

HYPERBODY


Performative Material System work at Hyperbody (schematic design, scripting, modeling, drawing)

This project based on emgence theory. We defined the parameters of single components and the conncection rules between neighbours and then form the overall system. After a series of serious studies, we could control the curvature of the system.

180mm

All the components were made of light weigth materials and gained structural performance through their volumatric shapes. Also, we built large scaled physical prototype which was control by servo motors connected to computers via Arduino.

dynamic prototype 1

dynamic prototype 2

dynamic prototype 3

dynamic prototype

Project Team: Yinghao Lin, Ting WEN Tutor: Marco Verde this project was part of the programme of

HYPERBODY


Performative Material System work at Hyperbody (schematic design, scripting, modeling, drawing)

This project based on emgence theory. We defined the parameters of single components and the conncection rules between neighbours and then form the overall system. After a series of serious studies, we could control the curvature of the system.

joint

top layer (component position #1)

All the components were made of light weigth materials and gained structural performance through their volumatric shapes.

air cushion top layer (component position #1)

Also, we built large scaled physical prototype which was control by servo motors connected to computers via Arduino.

bottom layer (component position #7)

architectural proposal

bottom layer (component position #7) Project Team: Yinghao Lin, Ting WEN Tutor: Marco Verde this project was part of the programme of

bottom layer (component position #7)

details

HYPERBODY


supplememtary materials


AA Paris Workshop role: schematic design, scripting, modeling and drawing additional team member: Nicholas Pajerski study model 2

tutors: Jorge Ayala, Christoph Eppacher The ability for architecture to enhance the interpretation and setting for fashion was the basis of investigation. The choice was to take a critical stance on how we as viewers perceive fashion and what role then can architecture have? While the design of a garment carries the intentions of being seen in a specific manner, still or in movement, as an overall stament or containing specific details, the view chosen of the spectator is pivotal. This project chose to establish a relationship with the view to and from the garment being displayed as well as between the spectators themselves.

rapid prototype

Conceptually driven by controlling layers of transparency to frame views and dictate emotional response the project began with studies of moire control. Evolving from two-dimensional studies to the effect's growth into a thickened third dimension, for an understanding of transparency and form working simultaneously. These studies led to an ability to control views through and within a thickened matter composed of layered elements.

Now the roles are reversed. Contrary to the conventional runway style display of a clothing line where the viewer is stagnant and the model in movement, the inactive viewer is removed. Placing the models within an architecture defined to control a range of views upon the garment and between the viewers themselves. The formal architecture acts as the discussion point between viewer, model, and designer. Questions of detail focus and seeing the entirety of a design for only a glimpse are the intention to evolve the thought of how we may understand fashion design. final proposal study model 1


Redesign of Arcam of Amsterdam

presentation scripting the virtual environment

independent work

This project is an alternative proposal for the facade of Arcam.

Interative Virtual Environment

Base on the architectural concept, the designer of Arcam, René van Zuuk Architects, decided that the building should have an organic form which embodies a significant curvature on the southwest façade. To achieve this feature, the architect applied Kalzip 50/333, a standing seam roofing and wall cladding system developed by Corus Company. This system consists of profiled aluminum sheets with snap-on connections. Aluminum sheets are of great ductility and malleability. They can be bent convexly or concavely. They can be twisted to a reasonable degree. It is this feature of aluminum sheets that was taken advantage of by the architect to envelop the organic form of the building. If we cut the shape vertically into slices, we will get multiple curved sections. The main idea of the existing cladding is the usage of flexible long stripe material to form the shape section by section.

role: schematic design, scripting additional team members: Ting WEN, Alice Bodanzky, Federica Garofalo and Vladimir Ondejcik tutor: MarkDavid Hosale

section of the new proposal

As the final product of the media study couse at HYPERBODY, this project focused on the interaction between virtuality and realality. By creating the virtual world with max\MSP\JITTER and its plugin Cosm, we set up the first step of the process. After a click the “world” would start to run and send out initial data to inform the servo motors controlling the physical model via Arduino. Then sensors would collect data of the movement of the physical model and send it back to the “world” to inform the behavior of agents representing the physical model in the “world”.


the “Brick Fall�: part of the D.A.S.T. project role: schematic design, construction

finish

additional team members: Sen Yang, Jiawei Jiang

construction progress

The D.A.S.T. project included a master plan and building design scheme of a resort village in Yangshuo, China. The brick fall was an entrance extension for a tea house in the area.

study of the arrangement of steel grid


Memorial of the 512 Earthquake role: schematic design, drawing, modeling, rendering additional team members: Cheng GONG, Nan MEI

Concrete bottom

Flowers

Soil

Water supply

The memorial provides a grid of flower field that people can rent them to grow flower inside. The rent will go to charity and be sent to needy. Steel grids

Three light towers form the major form of the memorial. Light goes through these towers to the interior.

Sewage system

entrance floor plan

uppor floor plan


Folk Museum of Guangzhou independent work tutor: Xuanxing ZHOU

Temporary Exhibition

Corridor Leading Upstairs Equiptment Underground Parking Lot

West Wing Entrance Hall Temporary Warehouse

Passage Connecting Inside and Outside

Auditorium

Warehouse #1 Exhibits Processing Center #2

Exhibits Processing Center #1 Cargo Transportation Center

Exhibition

Exhibition

Shopping Dinning Research Centre

Corridor Leading Upstairs

Entrance Platform

East Wing Entrance Hall

Warehouse #2 #3

Corridor Leading Upstairs

Exhibition

Traffic

Traffic

Traffic

Traffic

Exhibit

Exhibit

Exhibit

Exhibit

Staff

Staff

Staff

Staff

Folks

Folks

Folks

Folks

The Folk Museum of Guangzhou situates at the middle of the concrete forest of Guangzhou. It acts as an barrier that prevents negative urban factors and invite positive ones.


Sunshine Sponge: for the 2009 Shenzhen & Hong Kong Bi-City Biennale of Urbanism\Architecture role: team organization, schematic design, construction additional team members: Sen Yang, Aiyun WU, Weiping CHEN

Prototype Development

Prototype

Kneaded Tin Foil Kneaded tin foil has countless reflection faces.

close up of one component

*6

ďźˆDifferent Sizes


CV

(2012/06/01)

Basic info. Name: Yinghao LIN date of birth: 1986-12-17 place of birth: Zhuhai, China email: firstnamelynx@foxmail.com address: Roland Holstlaan 305 2624HH, Delft, NL Yinghao LIN is currently a Msc. Architecture candidate of TU Delft and he is expected to graduate at 2012-06-28. He holds a creative and critical way of thinking, thanks to his education and participation of a series of academic events with international background. He is easy to work with. On the other hand, he shows the potential of a team leader when needed. Notably, Yinghao grew his creativity and skill thanks to his 8-year study of fine art. Now he channels his understanding of beauty to architectural practice and photography.

Education

Relevant Academic Experience

Msc. Architecture, TU Delft (2010-2012) Bachelor of Architecture, South China University of Technology, School of Architecture (2005-2010)

8 years study of basic fine art (1992-2000) Shigang Workshop I, Guangzhou, China (2006/12) Architecture Case Study, works of Alvar Aalto, Copenhagen, Arhus, Stockholm, Helsinki, Jyvaskyla (2007/05-2007/06) International Urban Study Workshop & On-site construction in Bergen Arkitekt Skole (2007/05) Shigang Workshop II, Guangzhou, China (2008/05) Tradional village and house survey of the Qiang People respects to damage suffered from the 512 Earthquake, Sicuan, China (2008/08) Survey and drawing of an old Portuguese building, Macau, China (2008/01) Entry of the Shenzhen & Hong Kong Bi-City Biennale of Urbanism\Architecture 2009 (2009/07)

Skill 3D modeling: Sketchup, Rhino, basic Maya Scripting: Grasshopper, basic VB, basic MAX MSP Jitter Rendering: V-ray, Maxwell Graphic: smooth skill with Adobe CS, AutoCAD Rapid Prototyping: basic setup for laser-cutting, vacumn-forming and 3D-printing others: photography

Language mother tongue: Mandarin, Cantonese additional: fluent English

Work Experience trainee, an elememtary school design in Sicuan, China, Academy of Oriental Archiculture, (2008/08-2008/09) reference: Feng Jiang Associate Chair, Architecture Department, SCUT Academician, Academy of Oriental Archiculture Special Editor, NEW ARCHITECTURE trainee, DOGMA Architects (Guangzhou) (2009/12-2010/02) reference: Yimin Zhu Associate Professor, Architecture Department, SCUT Partner, DOGMA Architects designer, D.A.S.T. project, Yangshuo, Guangxi, China (2009/07-2009/09) reference: Geping BAO Associate Professor, Architecture Department, SCUT


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Portfolio of Yinghao LIN portfolio version: 2012-06-01 candidate of msc of architecture at TU Delft, expected to graduate at July 2012 email: firstnamelynx@foxmail.com mobile: 0622611400

the end, thank you.


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