Lyssa Giots portfolio by Lyssa Giots

architectural por tfolio by Lyssa Giots

LYSSA GIOTS

lyssa.giots@gmail.com Warandestraat 8 3500 HASSELT (Belgium) +32 (0)473 49 52 70 Born on April 12, 1990 Belgium nationality Driver license B: obtained on May 14, 2008

THIS IS ME

I am a vivacious, enthusiastic and curious person, which makes me always eager to learn new things. A love for life and a passion for architecture drives me. According to my parents, there is one song that describes me very well: Queen - I want it all. Why? Because I dream big and when I have a goal in mind, I’m very determinate to achieve it. Hobbies and interests: Member of youth movement (VKSJ Moos Herk) 1996 - 2007 Leader of the youth movement 2007 - 2014 2007: BKV (Basis KaderVorming): certificate in youth work Travelling and exploring the world

Fashion & Photography Running Horseback riding Playing the piano

EDUCATION

2012-2014 Master of Architecture Sint-Lucas (KULeuven), Brussels, Belgium 2013 Master of Architecture RMIT, Melbourne, Australia International exchange 2009-2012 Bachelor of Architecture Sint-Lucas (KULeuven), Brussels, Belgium 2008-2009 Bachelor of Nutrition and Dietetics KHLeuven, Louvain, Belgium 2002-2008 High school diploma of Economics – Modern languages Virga-Jessecollege, Hasselt, Belgium

INTERNATIONAL EXPERIENCES

2013 International Student Exchange Program to Melbourne, Australia. Master of Architecture at RMIT. Fifth year of Architecture, first semester of 2013. 2014 - 2015

Weekend work and summer job in Maastricht, The Netherlands. Clothing and service store Levi’s & Co.

SKILLS KNOWLEDGE OF LANGUAGES Dutch: mother tongue French: orally: fluent - in writing: intermediate English: orally: fluent - in writing: fluent German: orally: intermediate - in writing: beginner SOFTWARE KNOWLEDGE (Windows and Mac) Autodesk Autocad || Archicad || Vectorworks Adobe Indesign || Adobe Photoshop || Adobe Premiere Pro Google Sketchup || Thea for Sketchup (basic) || 3DS Max (basic) Microsoft Office Suite OTHER SKILLS Hand drafting || modelling

WORK EXPERIENCE Reference most recent job: Dhoore Vanweert Architects Phone number: +32 11 26 27 77 (office) || +32 495 21 09 86 (Jan Vanweert) E-mail: info@dhoorevanweert.be

2016 Dhoore Vanweert Architects, Hasselt, Belgium Architecture firm 2015 - 2016 UAU Collectiv, Hasselt, Belgium Architecture firm 2015 Delta Vander Avort Architects, Leuven, Belgium Architecture firm 2015 Joris De Baes Architects, Kortrijk, Belgium Summer internship at an architecture firm

ARCHITECTURE IN CONTEXT my view on architecture

Architecture always is connected to space and context. We are aware of the space around us on a social, mental and physical level. As an architecture student, this awareness has always been an indispensable element in my thought process and my way of interpreting architecture. A design always has to take part of a context and by taking this into account, it is possible to design an answer to what is required for this context. This includes respecting the materials, the culture and the nature which is already there. We already live in an environment. There is a context. There are existing walls, existing views and one of the most forgotten but important aspects: nature, an unstoppable source of inspiration. A painter will say that the most difficult part of painting is beginning with the white canvas. An architect can skip this step. There is no white canvas. There is a context. Always.

PART 1: STUDENT WORK

HOUSE ASAMA

REFUGEE RELIEF

ARTIST COMPOUND

CONSTRUCTION BECOMES CITY

ARCHITECTURE AFTER DARK

IN BETWEEN THE WALLS OF THE LANDSCAPE

PART 2: ARCHITECTURAL WORK

DELTA VANDER AVORT ARCHITECTS

UAU COLLECTIV

DHOORE VANWEERT ARCHITECTS

ON TO A NEW ADVENTURE

HOUSE ASAMA Semester 4, year 2, 2011

Fire! Fire! Fire! An established architectâ&#x20AC;&#x2122;s design becomes an example to you as a young architect. But the house catches fire and it becomes your design. What will you do with it?

After a few weeks of observing, analysing, materializing, drawing and presenting to understand the motivations of an exemplary architect, an imaginary fire made it my design. The same program but a different architect. Aterlier Bow-Wow, established by Japanese architects Yoshiharu Tsukamoto and Momoyo Kaijima, is a pleasure to learn from. In their architecture they work with simplicity. House Asama was designed for a man at rest, who wanted to live in simplicity in the midst of nature. The house was surrounded by nature and this was their inspiration. Mount Asama became the contours of the house. The windows were placed in a way that allowed the light to be experienced different at any time of the day. The sun and light rays were a crucial factor in the placement of the windows. In my design I started from this simplicity, the simple form of the square. I wanted to explore this figure and the possibilities of this simple form. The square was observed in every possible way. In the design, I started to open up and twist the walls to admit a ray of light in the interior. The walls still have the recognizable shape of the square, but the roof has had an enormous transformation. Structurally speaking it will be quite a challenge, but by lifting the roof it can allow the rays of light to enter, in different ways throughout the day. As Bow-Wow, I wanted to create a large open space. For this reason, the structure is placed at the top of the house. The walls are white and hang on the structure of the roof. To retain the openness, the interior is a clear, open space where areas have been divided without the use of walls. As an example, the floor of the seating area has been sunken. It is a compact apartment and in it I wanted to search for the greatest possible space, without increasing the surface area.

In my design I started from this simplicity, the simple form of the square. I wanted to explore this figure and the possibilities of this simple form. The square was observed in every possible way. In the design, I started to open up and twist the walls to admit a ray of light in the interior. The walls still have the recognizable shape of the square, but the roof has had an enormous transformation. Structurally speaking it will be quite a challenge, but by lifting the roof it can allow the rays of light to enter, in different ways throughout the day. As Bow-Wow, I wanted to create a large open space. For this reason, the structure is placed at the top of the house. The walls are white and hang on the structure of the roof. To retain the openness, the interior is a clear, open space where areas have been divided without the use of walls. As an example, the floor of the seating area has been sunken. It is a compact apartment and in it I wanted to search for the greatest possible space, without increasing the surface area.

REFUGEE RELIEF Semester 5, year 3, 2011

Shelter. 60 people. 6x60=360+360=720-1,4=1008m2 What would living be if it is not the way we are used to it? How can living be different? There is a different context and a different environment. There is a need for strategic planning, along with the aesthetic view of an architect. This design exercise runs parallel to the artist compound. Two different programs, for different people. A different world. Parallel. The refugee. The refugee lives in a community. He lives here to hide. With other people, with different stories but with one common factor: being a refugee. Before thinking about a master plan, the first task was to make a cell for one person. How do you give one person everything he needs on the smallest possible surface? What will this mean for the person? How do I see a refugee living?

ARTIST COMPOUND Semester 5, year 3, 2011

15 artists. 80+45=125x15=1875x1,4=2625m2 What would living be if it is not the way we are used to it? How can living be different? There is a different context and a different environment. There is a need for strategic planning, along with the aesthetic view of an architect. This design exercise runs parallel with the artist compound. Two different programs, for different people. A different world, parallel. The artist. The artist lives here to create, to make, to get inspired. The necessities of an artist are different from those of a refugee. He has more space because he requires more space. You can start to feel the inner conflict growing. The artist needs space to work, but to live in this compound as well. How do you mix those two in one area?

CONSTRUCTION BECOMES CITY BACHELOR THESIS Semester 6, year 3, 2012

An old monster in the city will become a public area, with collective and independent functions. Think about the city. A city means grey. Grey streets, people with grey suits entering their grey office buildings and in Belgium, all of this usually happens on a grey, cloudy day. A city needs to breath, needs air, needs green. What if we bring the green to the city and in the construction. In this design, elements of nature are placed in a grey area by using the surface on the roof. The building is opened up in a way that it allows for open and green areas on every level. Nature is brought back into the city. Nature and city will work together. Elements which can be found in the countryside have a central place. This green view will contribute to the apartments as well. Every apartment will comprise of a green area, connecting the living area to the public space through nature.

ARCHITECTURE AFTER DARK Semester abroad in Melbourne, Australia Semester 9, year 5, 2013

IN BETWEEN THE WALLS OF THE LANDSCAPE A search for a social architecture within the context of ribbon development MASTERS PROJECT Semester 10, year 5, 2014

My masters project started when I observed my own living environment. I’m spending a lot of time on the train, more specifically the route from Hasselt to Brussels, which is my daily routine to get to school. Everyday, I see the Flemish landscape. Everyday, I wonder. Everyday there are changes but everyday it remains the same. As a first year architecture student, I was always wondering about and looking at the beauty of the landscape. But over the years, I obtained a critical look towards this Flemish scenery. I started observing the landscape instead of only looking at it. Or at least, what is left of it. I had questions. ‘What do I see?’. I started from my seat on the train and my curiosity. Taken from an offset of this route I have selected a location where I’ll concentrate on. This street is a typical example of Flemish ribbon development, the Sint-Truidersteenweg, which starts in Hasselt and ends in Sint-Truiden. This causeway is parallel to my train route and will be my focal point. What I hope to achieve is that, through architecture, people become more aware of their environment, of the landscape and the people around them. We lost sight of the social aspect of living and lost sight of what is around us. I wonder what architecture can mean in this subject. I wonder if the architecture that we already have in the landscape can be of importance. Maybe there is a certain quality in ribbon development, probably not easy to see at first sight, but which exists. With my masters project I wanted to demonstrate a designing method, through research by design, where architecture can ensure an awareness towards our surroundings; our neighbourhood with all its aspects. I would like to reintroduce an awareness of a type of urbanisation which is very typical in the urban sprawl context of Flanders: the ribbon development.

Curiosity and wonder - I’m pretty sure these two character traits are the reason why I’m always looking out of the window on the train. Even though I’ve been on this route an endless number of times, it still catches my attention every day. When leaving Hasselt by train or by car, bus, bicycle,... it is almost impossible to see where the city ends and the rural environment begins. The defined city and countryside are two ideal images that no longer exist in Flanders. Urbanisation slowly gave way to endlessly stretched agriculture fields. These stretched fields eventually blend in with urban sprawl when arriving in the next city where backs of housing and garages are most common to see. During the ride one thing is very obvious, the landscape was created and manipulated by man. The train shows the landscape from a different perspective than the more common mode of transportation: the car. Because of its speed, the train is more radical in its behaviour. It allows opportunities to observe the landscape from more points of view, not only the front side of buildings are shown, but the backs, the forgotten and less attractive places are shown as well. When leaving the city, it’s not obvious when the transition from landscape to city occurs. The landscape is fragmented. Parallel to this route, I started to observe a causeway, called the Sint-Truidersteenweg. How do people interact there? Is it possible to interact with neighbours when the only brief contact they could have is the moment they step out the door and enter their car? While observing the street, one thing was clear: every time I saw an individualistic use of space.

Having grandparents with a house full of old pictures just happened to help me in the search for a better use of space in the ribbon development. I found pictures where my grandparents were spending time in front of their house. On the street. This charming phenomenon was very common in earlier times. But not anymore. The car became a necessary tool in our everyday lives. There is no longer a need to walk or take a bicycle. Traffic and a rushed life played a big role in this transition. People are continuously busy, nobody has time. We live next to each other instead of with each other. This phenomenon made me realise how important it is to live in an environment where we can interact with other people. Even in the smallest daily interactions. To use the ribbon development as a social quality, it is necessary to understand the current situation. This situation has boundaries. We like to define what is ours. These boundaries are not always equally visible and can be physical or mental. Living in rural areas originally meant fewer neighbours. Because of the cumulative fragmentation of the landscape, experiencing and living in the landscape became less and less private, the number of neighbours increased. â&#x20AC;&#x2DC;The increase in the use of private space can be placed in the wider societal evolution of individualization, which controls the own money, the own time, oneâ&#x20AC;&#x2122;s own body and also the own private living spaceâ&#x20AC;&#x2122; (Beck, 1992). The garden surrounding the private home was still part of the private area and to show this, boundaries were put up to make it visible where their piece of land ends. Thus the public space no longer began when we walked out of our front door, but from the point we left our garden.

What are the boundaries in the garden? The boundaries from the private domain to the public space in the rural environment and the ribbon development? Observing from the Sint-Truidersteenweg, I established four types. Even though they are not always as visible or physically present, they are there. Mentally, we see the borders and we donâ&#x20AC;&#x2122;t want to cross them because our mind tells us we shouldnâ&#x20AC;&#x2122;t be there. Four boundaries: sidewalk and entranceway, entranceway and front door, garden path and fence/hedge, footpath and the hedge/fence. In my design I want to attract people to stay in the public domain by removing the boundaries, without neglecting that a private area is necessary as well in everyday life. I would like to increase the social life in an area where, because of the ribbon development, social interaction has been repressed up to a point where people will only interact if it is necessary. The Sint-Truidersteenweg is a causeway that goes straight on with a few side streets. Its public area is limited by boundaries put there by design and by inhabitants of the buildings. The public area is thus the street and the bicycle track. In my design I open up this public space by involving the gardens in front of the houses in the design. More often than not, the garden in front of the house is an enrichment towards the monumental look of the house or it is used as a car park. By opening up the boundaries, there is no more fragmentation of the open space.

A well-designed public space can mean the difference between a passer-by who will continue his journey or a passer-by who becomes a visitor. It must be attractive and inviting so it will lead to the people consciously or unconsciously wanting to stay in this space. The design can provide a function to the public space but the people give the space its true purpose. Within the design, the central theme and focal point is the social interaction that can occur between the residents and users of the causeway. The design originated from the erratic character of the watercolour and its play of coincidental motions. This unpredictable form will be a guideline in the design of the broadened public area. This public domain will be extended up to the already existing boundaries of the properties. This signifies the front yard. The street will preserve its context but will experience a modification of space and mentality. By changing the foundation of the street, the driver will be required to drive slower and be more aware of his surroundings. The driver can even be enabled to put aside his car and become a pedestrian himself in the social area. I do not intend to force the driver out of this area as forcing a behaviour will not cause a change of mentality. Making a modification in the space will give the driver a choice. He can choose to enter the space and adjust his behaviour to the space or he can choose to take another route. The causeway will become part of the pubic space and will be included in the social life. The newly designed space will be a meeting of social life.

Delta Vander Avort Architects

Mgr. Ladeuzeplein 9 Leuven, Belgium info@deltaleuven.be www.deltaleuven.be 2015 All design concepts and images shown are property of Delta Vander Avort Architects

ALDEN BIESEN Competition Bilzen, Belgium

Building a hotel on the site of a commissioner residence The old commissioner residence is part of a castle which is used for lectures, literature festivals, and so one. There is a need to provide a hotel for guests to stay on site for a longer period in time. The hotel is integrated in the commissioner residence, the renovated building will be the location of the public areas. The site will be broaden with a new building where the rooms are situated. My participation in the project: DESIGN PHASE The site was located on a hill and had a beautiful view. The orientation of the sun played a vital part in the outcome of the project. We made a design that is integrated in the landscape and where the commissioner residence can again be of a historical value to the surroundings. The new construction will supplement the old building, without clashing with it. The commissioner residence is the protagonist of this design. The new part has a significant but supporting role. Because of the beautiful location of the project, it was important to give every room in the hotel the best possible view. For this reason and the fact that we didnâ&#x20AC;&#x2122;t wanted to interrupt the existing nature, we opted for separated buildings in an L-shape. The buildings are connected through a glass path, which gives the design an open feeling and plays with the interior versus exterior aspects. The design in its whole is a mixture of old and new, brought together in a beautiful landscape.

PROJECT S. Apartment building Leuven, Belgium Building an apartment building with 12 apartments The request of the client was to present a building that was pleasant and comfortable to live in and fitted in the surroundings without being an alien or an impenetrable block. The building needed to contain 12 apartments for different types of families. There needed to be a difference in size and number of bedrooms. The overall look the clients wanted was modern and sleek look with all the comfort of modern life. My participation in the project: DESIGN PHASE The site had a few challenging aspects. The garden essentially was a big hill and was orientated north. The apartments are built around a central open area in the middle. This area was crucial to give the inhabitants an open feeling. It was perfect to bring in natural light in the apartments as well as in the garden, because of its orientation to the north and the hill blocking the little sunlight that could reach the back of the site. The colour of the building was chosen to amplify this aspect. A light and bright white which enforces the natural light. The open area was designed to be in between public and private, and would contain green to emphasise a transition into the garden. Every apartment had a small private garden which overflowed into a shared garden. The common garden would become a place for the inhabitants to rest, to meet each other, for children to play in, etc. The purpose of the garden was to enhance social life. The apartments are all different in size and design, which would give the inhabitants a home which is not a copy of their neighbourâ&#x20AC;&#x2122;s house and would benefit the feeling of a pleasant and comfortable way of living. The interiors where designed in a way that natural light would enter the building as much as possible and create an open atmosphere where people could call the apartment their home.

UAU Collectiv Kempische Kaai 7/5 Hasselt, Belgium info@uaucollectiv.com www.uaucollectiv.com 2015 - 2016 All design concepts and images shown are property of UAU Collectiv

PROJECT T. Private residence with a medical practice Genk, Belgium

Private residence with a doctorâ&#x20AC;&#x2122;s practice The owners of the building wanted a residence where they could live and work with a warm and modern look. It had to be in balance with the hill where it was located. The facade in the front keeps the privacy of the residents while in the centre of the building there is a centralised patio to bring in natural light. The back is an open facade to bring the living room in contact with the garden. By doing this, boundaries between inside and outside fade. The project is designed to embrace the needs of the clients, where one of the requirement was sustainable living. My participation in the project: TENDERING STAGE This project was my first project when I started at UAU. I completely fell in love with the design and was pleased when I was instructed to make the technical drawings of the interior of the design. The unity of the design is reflected in the interior. It is light and open and gives the residents a high level of comfort. I learned a lot about detailed drawing, about details in a design and about designing itself. Drawing every detail makes you think profound of the design. It learned me to think about the entire design through the smallest parts.

DEUREN GELAKT RAL 9010 SATIJN, VOORZIEN VAN INGEFREESDE GREEP

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UAU collectiv 4 architecture bv cvba • info@uaucollectiv.com • www.uaucollectiv.com • kempischeUAU kaai 7b5 collectiv • 35004 hasselt architecture • be • tbv+32 cvba 11 80 • info@uaucollectiv.com 09 40 • t +32 11 74 93 •29www.uaucollectiv.com • koloniënstraat 56b6••kempische 1000 brussel kaai • be 7b5• •btw 3500 behasselt 0632.532.446 • be • t•+32 kbc11 be80 9109 7360 40 •1347 t +32 4576 11 74 93 29 • koloniënstraat 56b6 • 1000 brussel • be • btw be 0632.532.446 • kbc be 91 7360 1347 4576

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INFOTruijen PROJECT BOUWHEER • Dhr. & Mvr. België getekend LG land België datum provincie Limburg Onderwijslaan 31 2/11/15 Limburg 3600 Genk 3600 Genk inhoud interieur kelderverdiepinng gemeente 3600 Genk schalen straat Molenblookstraat 8 4/20 Molenblookstraat 8 1e afdeling, sectie I, nr(s) 1145f plannummer 1/1 kadaster 1e afdeling, sectie I, nr(s) 1145f

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LEGPLANK DIKTE 2 CM

BOUWHEER • Dhr. & Mvr. Truijen

Bouwen van een woning met praktijkruimte

VOORZIEN VAN UITFRESINNG TBV VERLUCHTING

WAND GESCHILDERD WIT RAL 9010 SATIJN

MUUR DOUCHE: EXPOXY - RAL 9010

STOPCONTACT

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CUBO DOCCIA LARGE WAND GELAKT WIT RAL 9010 SATIJN OPGEBOUWD UIT GYPROC DUBBELE BEPLATING

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LG 2/11/15 interieur kelderverdiepinng 3/20 LEGPLANK 1/1

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LG België 2/11/15 Limburg interieur kelderverdiepinng 3600 Genk 3/20 Molenblookstraat 8 1/1 1e afdeling, sectie I, nr(s) 1145f

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DEUREN GELAKT RAL 9010 SATIJN, VOORZIEN VAN INGEFREESDE GREEP

SPIEGELWAND FUME

SNEDE bb' - BADKAMER MASTER BEDROOM

VOORZIEN VAN UITFRESINNG TBV VERLUCHTING

LEDVERLICHTING TAL 1U

DEUREN GELAKT RAL 9010 SATIJN, VOORZIEN VAN INGEFREESDE GREEP

DOORSNEDE cc' - DOUCHE EN LAVABO - FITNESS-SAUNA-DOUCHE-WC

LICHTSTROOK VOORZIEN VAN LED VERLICHTING

VOORZIEN VOORZIEN VAN VAN UITFRESINNG UITFRESINNG TBV TBV VERLUCHTING VERLUCHTING

AANZICHT bb' - DOUCHE EN LAVABO - FITNESS-SAUNA-DOUCHE-WC

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AANZICHT bb' - DOUCHE EN LAVABO - FITNESS-SAUNA-DOUCHE-WC

DOORSNEDE ee' - DRESSING MASTER BEDROOM SNEDE bb' - BADKAMER EN LINNENKAMER

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dossier

PROJECT E. Private residence with a dental practice Herentals, Belgium

Residence for two dentists and their practice The clients had bought a building which had a lot of architectural value but needed to be renovated. The design of the residential area is made within the original building. It is connected to the new building which is the dental practice. The intention of the design was to bring a unity within the design through materialisation. Through well placed walls it was possible to keep the residential area private but still have a spacial feeling in the dental practice. My participation in the project: BUILDING PERMIT PHASE & TENDERING STAGE The project reached the phase of the building permit when I arrived at UAU. My part in this project was to finalise the plans and documents for the building permit. It got through and currently the project is in the tendering stage. I helped with the technical details and plans for contractors. This project has been a bless to work on. Even though the design was made before I arrived in the office, I learned a lot about designing and how a project flows from design to finished building.

PROJECT D. Renovation of a private residence Hasselt, Belgium Renovation of a renovation for a couple and their three children The building was renovated 10 years ago and since the owners recently bought the building, they wanted to upgrade it. My participation in the project: DESIGN PHASE & TENDERING STAGE There are grand windows on the back of the building which bring in lots of light but also heat. We choose to put a sunscreen on the back. It filters the light and a play of shadows is introduced. The surrounding landscape got a more wild looking feel with a modern water feature in the front and back. Overall, the design is more in balance with its surroundings. The interior was fitted to the clients by placing the master bedroom in the front where it has an overview of the water feature. In general, we have given more attention in the detailing of the interior.

PROJECT CASA MKA Residential house for the partner of UAU Collectiv Hasselt, Belgium

Dhoore Vanweert Architects Boomkensstraat 13 Hasselt, Belgium info@dhoorevanweert.be www.dhoorevanweert.be 2016 All design concepts and images shown are property of Dhoore Vanweert Architects

PROJECT AV. Extention of a private residence Hasselt, Belgium Extension of the kitchen in an old farmhouse. The family had an enclosed kitchen with a blocked view towards the garden. Since this was a part of the house where they spend a lot of their time, they wanted to have an open and spacious area with a clear view in the direction of their garden. My participation in the project: TENDERING STAGE & CONSTRUCTION SITE Where the extension of the kitchen is placed, was an outdoor terrace. The family loved this little spot and felt it was important to have this feeling of being covered but still feel like they were outside. This resulted in an open kitchen where the windows would open as much as possible. To ensure this open feeling, it was important that there was no column in the corner of the windows. Since this is an old farm, cautiousness with the construction was necessary, but through thorough and clear communication between architect and contractor, all went well.

PROJECT LM. Building a private residence Asse, Belgium Private residence for a young couple and their son. The young family wanted a home that was different and could stand out from the others. They had a love for concrete. The irregular shape of the lot was the starting point for the design, it follows its lines. The concrete facade works as a shield of comfort and privacy for the inner shell, which is made from a reflecting glass. My participation in the project: DESIGN PHASE & BUILDING PERMIT PHASE The house owners wanted the house to be open and light, but still have the privacy they needed. This is given by the concrete shield, the intimacy is found in the interior and in the two small patioâ&#x20AC;&#x2122;s. The ground floor is completely open, and even then, there is no loss of privacy. After the design phase, I was asked to start with the building permit. The construction of this building will exist of glass for the intimate area and concrete for the shield. This shield will be hold together through columns on every corner, so six in total. The horizontal walls will be supported by these columns.

Thank you for reading my portfolio, it is made with love