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I’ m a graduate s " Te cno ló gico de M o nte I co ns ide r my s e l f as re s po ns ible and I like challe nge s a
M y goal in eve r y t hin a u t h e nt ic and do it by ta o f all my capacit ie s . I m o st im po r tant t hing in l to yo urs e l f , a
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FERNANDA PAD LLA SENTATION
ad ill a Rodríg u ez Arc hi tect M ex i can, 1 993 stud e nt f rom t h e errey " uni ve rsit y. s a p e rs everan t , posi t ive perso n . an d I enjoy team workin g. ng in l ife i s to be ak in g advanta ge b e l ieve that t h e life is to be l oya l and never s e t t le.
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EXPERIENCE . ABILITIES o pt imistic . p ositive . a uthentic . l i d e r . fa s t l ea r n e r Seco nd p la ce w inner a t the inte r n a t i o n a l wo r k s h o p gi ve n b y “ Va i l l o + I r r i ga ra y ” s t udio (M éxico , 2 01 4) In terna tiona l semester a t the “ Po l i tè c n i co d i Mi l a n o ” u n i ve rs i t y (I ta l y , 2 01 5 ) I lea rn ed a b out a rchitectura l re s ta u ra t i o n , I m a d e t r i p s t h a t ex te n d e d my ba gga ge. Pa r t icipa tion in the inter na tiona l co n te s t “ A rc h m e d i u m Oh r i d OWC ” (I ta l y , 2 01 5 ). I h ad the oppor tunit y to wor k wi t h p e o p l e f ro m o t h e r pa r t s o f t h e wo r l d . Pro fes siona l pra ctices on the “ Re ga a ” s t u d i o o f a rc h i te c t u re (Méx i co , 2 01 5 ) Th e exp er ience introd uced me i n to t h e l a b o ra l wo r l d , I re i n fo rce d my s o f t wa re s k i lls . Devel op m ent a nd future constru c t i o n o f t h e p roj e c t “ Pa b e l l ó n Pa d i l l a ” (Méx i co , 2 01 5) First p la ce w inner of the inter n co n te s t “ S h owro o m E u ro ga ra ge ” , f u t u re co n s t r u c t i o n (M éxico , 2 01 6) First p la ce w inner a t the M oreli a D e s i gn fe s t i va l co n te s t “ fo to gra p h i n g t h e c i t y ” (México , 2 01 6) Pa r t icipa tion on the wor k shop g i ve n b y “ Ba r t l e t t s c h o o l o f a rc h i te c t u re ” (Méx i co , 2 01 6)
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pabellรณn padilla
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laud mediateca
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pabellรณn.padilla
“the melody of a space. Listen out! the interiors are as large instruments. They gather sound, amplify it , transmit it to another location�. Peter Zumthor, atmospheres (2006).
Lo ca te d i n t he o ut s k i r t s o f th e c i t y o f M o re l i a , Pa b e l l รณ n Pa d i l l a co ns i s t s on a fu nc t i o na l s pa ce t ha t ca n be re nte d fo r t he d a y to f unci o n as a ro o m fo r eve nt s . T h e p roj e c t wa s d eve l o ped u nd e r t he i d ea s o f d y na mi sm an d f unc t i o na l i t y . The a wa re ne s s of th e co ntext wa s a s ta te m en t th a t d i re c te d t he d e s i g n. Fu t ure co ns t r uc t i o n on d e ce mb e r 2 01 6 .
casa.colima H ous e i n Co lima , mex ico. 201 2 F i rs t project develo ped over my ca reer . my i nte ntio n was to crea te a spa ce g ifted w ith e m o t i o n s , to g enerate o n t h e u se r exper iences of sur pr ise , p ea ce , warmth an d deligh t n ess. The c l i mate co n dit io n s a nd the context influen ce d a l o t on the arch itect u ra l decisions.
" I n my ga rd e n s , i n my h o u se s , i have a l wa y s e n d ea vo re d to a l l ow t he placid m u r m u r o f s i l e n ce . . . " Lu i s Ba r ra gรก n .
owc.macedonia
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F i rs t pl ace w in n er project, "s h owroo m eu ro gara g e" was design ed u n der the i d eas of in n ova t io n a nd e conomy. Th e clien t wanted a s pace in wh ich t h e m a in c h arac ter was t h e ca r being expos e d. The project respo n ded to thi s ne e d by creat ing a c lean and u n iqu e st ru cture, c h arac terized by its i n d us tri al a rch itect u re a nd c h o s en ma teria ls. In thi s spa ce we g ive p ro tag onism to t h e ca rs a nd a t t he s ame t ime we crea te an armo n ic rela t io nship w i t h the i n media te co n text.
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T h e p roj e c t c o n s i s t s o n 4 b l o c k s w h i c h a dj o i n t h e o u t s i d e , a n d t h a t a re co n n e c te d b e t we e n ea c h o t h e r b y a ce n t ra l s pa ce t h a t works as a lobby and it is divided by t wo gardens. “ Yo u t h r o w a s t o n e i n t o t h e w a t e r : s a n d whirls and settle again . the disturbance wa s n e c e s s a r y a n d t h e s t o n e h a s fo u n d i t s place , however , the pond is no longer the s a m e a s b e fo r e . � Peter zumthor
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The place is located in t h e ce n te r o f t h e c i t y o f Mo re l i a , MĂŠx i co . o n i t s s u r ro u n d i n gs i t ex i s t s o n e o f t h e m a i n h i s to r i ca l b u i l d i n gs : t h e a c u e d u c t , wh i c h re p re s e n t s an o u t s a n d i n g c u l t u ra l l e ga c y . t h e p roj e c t ge n t l y includes it wi t h t h e a c t i o n o f f ra m i n g.
Co n s t r u c t i o n processes respects the ancient local methods. We took as main material a particular local stone that has been used since the colonial buildings
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