Ardan Özmenoğlu by Maçka Modern

modern ve çağdaş türk resim ve heykel sanat›ndan seçkin örnekler-6

very contemporary!

ARDAN ÖZMENO⁄LU

7 N‹SAN - 3 MAYIS 2011

modern ve çağdaş türk resim ve heykel sanat›ndan seçkin örnekler-6

tasar›m: ERKAL YAVİ fotoğraf: BAHADIR TAŞKIN Hüsrev Gerede Cad. Soydan Apt. 102/4 Teşvikiye, İstanbul Tel: 0212 236 71 61 bask› ve cilt: MAS MATBAACILIK A.Ş. Hamidiye Mah. Soğuksu Cad. No:3 Kağ›thane, İstanbul Tel: 0212 294 10 00 Ocak 2011

modern ve çağdaş türk resim ve heykel sanat›ndan seçkin örnekler-6

ARDAN

v e r y

ÖZMENO⁄LU

c o n t e m p o r a r y !

7 N‹SAN - 3 MAYIS 2011

ery Contemporary! A solo exhibition by Ardan Özmenoglu

If I have to talk about the work of Ardan Özmenoglu I will need to go back in time and check what has been happening in the formation of Turkey since the Otoman Empire until today. A lot has been changed during that time towards the development of the Turkish nation and I am not able to summarize it in this paper. What I am able to do is to connect Ardan´s work in relation to Turkish contemporary art. For this exhibition, the artist recreates in silk screen prints historical images of sultans, undercovered behind x-rays. We might not be able to see the sultan, but we know that the image depicts one. Commonly used in medicine for research and diagnostics, the x-rays are literally 'scanning' the sultans to see what is behind in the interior of their bodies. X-rays make people look the same, thus we all become anonymous. What happens today if we put a big head-dress on our head? Would be also become a sultan? This question remains open as dresses not necessarily make people have a major role in society. Another silk screen print shows a portait of the first president of Turkey and popular icon, Mustafa Kemal Atatürk, with an enlarged background inscription Don´t forget me, formerly Atatürk´s hand-written phrase. Best known for his efforts towards the modernisation of Turkey as a democratic and secular nation-state, Atatürk was aware of the importance of literacy and education for all Turkish inhabitants. During his administration, he introduced the new Turkish Latin based alphabet that replaced the Arabic script. He was influenced by Dewey´s teaching methods and gave more space to women in public matters, such as politics and education. As a result of secularisation, he abolished the use of the veil. He was also influencing the arts scene by creating in 1927 the first state art and sculpture museum, against Muslim tradition of avioding idolatry, but corresponding to his idea of a secular state. He considered that art production, either traditional or modern creations, belong to the Turkish heritage and therefore had to be shown. Ardan reminds us of his achievements that are related to her own body of work. The artist studied in the university of Bilkent, got an English and Turkish diploma, that she is selling to the public as a result of her own survey about the state of contemporary art in Turkey. She does not need a diploma to become an artist, as the artist resides inside her. She prefers to work with prints and installations, rather than doing paintings. Ardan moves out from the institutional work as a graduated artist and does street walks and observes a space full of meanings. She takes phrases written on walls, such as “God knows”, or phrases on crinkled papers posted on doors with adhesive foil that tell us to wait, as the owner will come soon, “I went to the Friday pray I will come back soon”, or a simple phrase such as “Do not put trash here”. Phrases that remind us of a social behaviour, of a living city with a religion and certain civic manners, that she recovers and writes on neon light tubes to express the importance of common life and of personal beliefs. But, what is contemporary here? The fact that painting and sculpture are still playing a major role in contemporary art in Turkey makes Ardan think about institutions and how art is being taught. The works “Oil on canvas” and “Ink on paper” are the clues to understand this exhibition. These two works are making a parody of the tradition of teaching art techniques in university: the artist literally exhibits oil on canvas and ink on paper, and that conceptualisation of the method is what we might call Very Contemporary!

Curated by Katerina Valdivia Bruch

OK ÇAĞDAŞ!

Ardan Özmenoğlu’nun işlerini anlatmam için öncelikle zaman tünelinde bir geziye ç›k›p Osmanl› İmparatorluğundan bu yana Türkiye’nin sosyal tarihini gözden geçirmeliyim. O günlerden günümüze Türk devletinin gelişiminde büyük değişiklikler olduğundan tüm bu süreçleri burada özetlemem imkans›z. Ancak Türk Çağdaş Sanat› kapsam›nda Ardan’›n işlerini göreceli olarak değerlendirebilirim. Ardan, bu sergi için özel tasarlad›ğ› padişahlar›n tarihi görsellerini röntgen tekniğiyle ipek bask› olarak çal›şm›şt›r - padişahlar›n suretleri net olarak görülemese de, ortaya ç›kan imaj›n bir sultan sureti olduğu anlaş›lmaktad›r. Araşt›rma ve teşhis için kullan›lan bu ›ş›nlar gerçekten padişahlar› t›p dilindeki gibi ‘scan’ etmekte ve bir şekilde onlar›n içlerinde ne olduğunu görmemizi sağlamaktad›r. Röntgen ›ş›nlar› herkesin ayn› görüntüyü verdiği ve insanlar›n anonimleştiği bir ortamd›r. Bugün baş›m›z›n üstüne büyük bir türban koyduğumuzda ne olur? Biz de padişah olur muyuz? İnsanlar›n giyimlerinin, onlar›n toplumda önemli rol edinmelerini sağlad›ğ› görüşünü sorgulamam›za yarayan bu eserde sanatç›, tart›şmaya aç›k bir konuya değinmektedir. Diğer bir ipek bask› eserde Türkiye’nin ilk cumhurbaşkan› , herkesin idolü Mustafa Kemal Atatürk’ün portresi ile arka planda, aslen Atatürk’ün el yaz›s› ile bilinen, “BENİ HATIRLAYINIZ” ibaresi büyütülmüş olarak durmaktad›r. Türkiye’nin demokratik ve laik bir ulus devlet olmas› ve çağdaşlaşmas› için uğraşm›ş olan Atatürk, tüm vatandaşlar›n okuma-yazma bilmelerinin ve eğitim görmelerinin önemini kavram›ş bir önderdi. İlk yapt›ğ› devrimlerden biri Arap harflerinden vazgeçip Latin alfabesini benimsediği Harf Devrimi olmuştur. Dewey’nin öğretim metodlar›ndan etkilenmiş, toplumda kad›nlara polititika ve eğitim gibi dallarda, daha büyük sorumluluklar vermiştir. Laik cumhuriyet idaresine uygun olarak kad›nlar›n çarşaf giymelerini yasaklam›şt›r. Ayr›ca 1927’de bir devlet heykel ve sanat müzesi kurarak Türk sanat ortam›n› da olumlu yönde etkilemiş ve o zamana kadar geçerli olan Müslüman toplumdaki suret yasağ›n› kald›rarak istediği laik idareye uygun bir sanat olgusu yaratm›şt›r. İster modern ister ananevi olsun sanat eserlerinin Türk kültür miras›n›n bir parças› olduğunu ve bunlar›n gösterilmesi ve paylaş›lmas› gerektiğini savunmuştur. Ardan, Atatürk’ün başard›klar›n› kendi işleri üzerinden vurgulamaktad›r. Sanatç› Bilkent Üniversitesinde eğitim alm›ş, bol diplomal› biridir ancak sanatç› olmak için diplomaya gereksinimi yoktur, sanatç› kimliği içinde oluşmuş,Türkiye’nin güncel sanat›yla ilgili görüşlerini çal›şmalar›na aksettirmektedir. Bask› ve enstalasyonlarla çal›şmay› f›rçayla boyamaya tercih eden sanatç›, kal›plaşm›ş akademik öğretilerin d›ş›nda sokaktaki hareketleri ve boşluklar› irdelemeyi sevmektedir. Yaz›l› sloganlar› “Allah›n Dediği Olur” veya işyerlerinin üzerine yap›şt›r›lm›ş “Cumaya Gittim gelicem” tarz› günlük basmakal›p sözcükleri veya “Buraya çöp atmay›n” gibi bilindik duvar yaz›lar› sanatsallaşt›rmakta ustad›r. Bu sözcükler bize bir sosyal yaşam›, yaşayan bir şehirden al›nm›ş davran›ş biçimlerini gösterirken Ardan bunlar› neon ›ş›klarla donat›p günlük hayat› ve inançlar› özetlemektedir. Burada çağdaş olan nedir peki? Heykel ve resmin günümüz Türkiye’sinin hala akademik öğretide baş› çektiği disiplinler olmas› sanatç›m›z›n bu öğretileri sorgulamas›na yol aç›yor. Nitekim sergideki ‘Tual üzeri yağl›boya’ ile ‘Kağ›t üzerine mürekkep’ isimli işleri Ardan’›n sanatseverlere verdiği tüyolardan – üniversitelerde öğrencilere gösterilen sanat tekniklerine yap›lan bu göndermelerde, sanatç› bu metodlar›, bu sergiye ad›n› veren ÇOK ÇAĞDAŞ! bir biçimde kavramsallaşt›rmaktad›r – tuale yağ, kağ›da mürekkep dökerek sanat›n içine düştüğü yeknesakl›ğ› ironik bir şekilde yads›maktad›r.

Küratör : Katerina Valdivia Bruch

very contemporary! ARDAN ÖZMENO⁄LU

MONALISA LOOK, 110x170 cm. kağ›t üzerine ipek bask›, 2 0 1 1

very contemporary! ARDAN ÖZMENO⁄LU Anatomy of an Ottoman I, 60x42 cm. kağ›t üzerine kar›ş›k teknik, 2 0 1 1

Anatomy of an Ottoman II, 42x60 cm. kağ›t üzerine kar›ş›k teknik, 2 0 1 1

very contemporary! ARDAN ÖZMENO⁄LU

Anatomy of an Ottoman III, 42x60 cm. kağ›t üzerine kar›ş›k teknik, 2 0 1 1

İsimsiz, 100x140 cm. kağ›t üzerine ipek bask›, 2011

v er y cont emp or ar y ! AR D AN Ö ZME N O ⁄ L U

Ghost of Sultan Selim, 110x150 kağ›t üzerine ipek bask›, 2 0 1 1

Brain details of Fatih Sultan Mehmet, 110x150 kağ›t üzerine ipek bask›, 2 0 1 1

very contemporary! ARDAN ÖZMENO⁄LU Brain details of Fatih Sultan Mehmet (detay), 110x150 kağ›t üzerine ipek bask›, 2 0 1 1

Ottoman on canvas, 110x140 tuval üzerine kar›ş›k teknik, 2 0 1 1

very contemporary! ARDAN ÖZMENO⁄LU

Untitled, 110x140 cm. kağ›t üzerine ipek bask›, 2 0 1 1

v er y cont emp or ar y ! AR D AN Ö ZME N O ⁄ L U

Untitled, 110x140 cm. kağ›t üzerine alt›n tozlu ipek bask›, 2 0 1 1

very contemporary! ARDAN ÖZMENO⁄LU

Beni Hat›rlay›n›z, 80x100 cm. post-it notlar üzerine kar›ş›k teknik, 2 0 1 1

very contemporary! ARDAN ÖZMENO⁄LU

New York İstanbul - İstanbul New York, 240x120 cm. C-print, 1/5, 2 0 1 1

very contemporary! ARDAN ÖZMENO⁄LU

Kiss Me!, 70x100 cm. pleksiglas üzerine kar›ş›k teknik, 2 0 0 7

very contemporary! ARDAN ÖZMENO⁄LU

Hit the Mona Lisa, 110x140 cm. kar›ş›k teknik, 2 0 1 1

AR D AN Ö ZME N O ⁄ L U

v er y cont emp or ar y ! 26

Iron Me, 450x100 cm. enstelasyon, kar›ş›k teknik, 2010

Golden Ring, 25x25 cm. sar› neon ›ş›k, 1/3, 2011

AR D AN Ö ZME N O ⁄ L U

v er y cont emp or ar y ! 28

Diploma work, 35x35 cm., orijinal diploma, 2011

very contemporary! ARDAN ÖZMENO⁄LU “Baba - Anne”, 45x80 cm. 7 adet kağ›t üzerine özel teknik, ipek bask› 2 0 1 1

very contemporary! ARDAN ÖZMENO⁄LU

PAST, FUTURE, NOW, 64x70 cm. tuval üzerine sentetik boya, 2 0 1 0

Havada Kalan Cümle, 50x5 cm. beyaz neon ›ş›k, 2/3, 2 0 1 0

very contemporary! ARDAN ÖZMENO⁄LU Platanus orientalis II, 67x72x53 cm. cam üzerine çizim, 2 0 08

very contemporary! ARDAN ÖZMENO⁄LU

Platanus orientalis I, 47x70x60 cm. cam üzerine çizim, 2 0 08

very contemporary! ARDAN ÖZMENO⁄LU

Oturan Adam, 26x32x22 cm. cam üzerine çizim, 2 0 08

very contemporary! ARDAN ÖZMENO⁄LU Ölçüler Değişken, 150x180 cm. alüminyum kesim, 2 0 11

Atan EĹ&#x;ektir!, 200x200 cm. tuval Ăźzerine sentetik boya, 2 0 11

very contemporary! ARDAN ÖZMENO⁄LU

Solo Exhibitions 2011.04 Turkey. 2010.06 2010.03 2010.02 2010.01 2009.05 2008.12 I conquer 2008.04 2008.01

“Very Contemporary!”, Macka Modern Art Gallery, Istanbul, Daire Sanat, “ Political Arena”, Cihangir, Istanbul, Turkey. ALANistanbul, “Taxi Driver”, Istanbul,Turkey. AC Institute, “ 1 bird, 2 birds, 3 birds”, New York, USA. Ekav Art Gallery, “ Things on my mind”, Istanbul, Turkey. Ilayda Art Gallery, “Dékolleté”, Istanbul, Turkey. Gallery Play Studio, “It’s either Istanbul conquers me or Istanbul”, Istanbul, Turkey. Galerie IAC Berlin, “Play Revisited”, Berlin, Germany. ES Konsept Gallery, “Rendezvous” Istanbul, Turkey.

Residencies 04.2010-07.2010 Kultur Kontakt , Vienna, Austria 10.2008 Frans Masereel Centrum, Kasterlee, Belgium. 02.2008-04.2008 Ateliergemeinschaft Milchhof e.V. , Berlin, Germany. 02.2007- 08.2007 Kala Art Institute, Berkeley, CA, USA

Group Exhibitions 2010. 10 “Handle with care”. The second exhibition of the CARTE BLANCHE PROJECT inside UNICREDIT STUDIO, Milan, Italy. 2010.10 “70th State Exhibion on Paintings& Scultures”, Printing Competition, Republic of Turkey Ministry of Culture and Tourism, General Directorate of Fine Arts, CERMODERN, Center of Modern Arts, Ankara, Turkey. 2010.09 “The Huma Kabakç› Collection”, Modern Hungarian Museum, Pecs, Hungary. 2010.09 “The 2.nd Canakkale Biennial; “Fictional Realities, Transformations”, Çanakkale, Turkey. 2010.08 “The Huma Kabakç› Collection”,Mönchehaus museum for Modern Arts, Goslar, Germany. 2010.06 “Ausstellung 2/4” Galerie ArtPoint, Vienna, Austria. 2010.05 “The Huma Kabakç› Collection” Othaus Museum Hagen, Hagen, Germany. 2010.04 “ Who’s afraid of Ornament?” curated by Natasha Kurchanova, NurtureArt Gallery, Brooklyn, USA. 2010.04 “Stuck up”, curated by Karen Shaw, Islip Art Museum, NewYork, USA 2010.01 “CDA@play”, CASA DELL'ARTE Gallery, Istanbul, Turkey. 2009.12 International Print Center of New York exhibition New Prints – Part I, The Leonard Pearlstein Gallery at Drexel University, Philadelphia, USA 2009.12 “BAC! Pandora’s Box- International Festival of Contemporary Art, X edition” CCCB Centro de Cultura Contemporanea de Barcelona, Barcelona, Spain. 2009.10 “New Prints 2009/Autumn”, IPCNY, New York, USA.

2009.10 “Nurture Art 2009 Benefit”, Claire Oliver Gallery, New York, USA., 2009.09 Rush Arts Gallery, “That was then…”, New York, USA. 2009.09 “The code is Istanbul”, curated by Beral Madra, Point Hotel, Istanbul, Turkey. 2009.09 “The International Art Exchange Exhibit: Featuring works by artists from 10 cities around the World”, Incheon, Korea. 2009.09 “I am alone, but”, curated by Denizhan Özer, Daire Art Gallery, Istanbul, Turkey. 2009.07 “ The Art Market/Art Bazaar Summer”, Lyons Wier Gallery, New York, USA. 2009.06 “New Prints 2009/Summer, Portraits: In Pursuit of likeness”, International Print Center New York, USA. 2009.06 “28th Contemporary Artists Istanbul Exhibition”, Turkish Painting and Sculpture Museum Association hosted by Akbank Art Center, Beyoglu, Istanbul,Turkey. 2009.03 “New Prints 2009/Winter, Anchor Graphics& Columbia College Chicago for Global Implications: Southern Graphics Council Conference 2009, Chicago, USA. 2009.02 “XXV Jubilee International Festival Sarajevo Winter 2009,Organic Art Life”, Sarajevo, Bosna I Herzigova. 2009.01 “New Prints 2009/Winter”, International Print Center New York, USA. 2008.08 “The Chelsea International Fine Art Competition Exhibiton”, Agora Gallery, Chelsea, New York, USA. 2008.06 “Art is my playground”, Kucuk Ciftlik Eglence Park, Istanbul, Turkey. 2007.11 Buca Education Faculty 2nd International Visual Arts İzmir Biennial, İzmir, Turkey. 2007.11 Ilayda Art Gallery, “1st Contemporary Artists Meeting”, Istanbul, Turkey. 2007.09 Istanbul Modern Arts Gallery, “Young Artists”, Istanbul, Turkey. 2007.06 Monotype Marathon 2007, San Jose Institute of Contemporary Art, CA, USA. 2007.01 “Anonymous Drawings I”, Blütenweiss, Berlin, Germany. 2006.10 “Mixed placement inside the gallery”, Piramid Art Gallery, Istanbul, Turkey. 2006.11 Ateliers of Alexandria, AAW International Workshop Exhibition, Assembly of Artists and Writers, Alexandria, Egypt. 2006.07 The 25th Contemporary Artists Istanbul Exhibition, Turkish Painting and Sculpture Museum Association hosted by Akbank Art Center, Beyoglu, Istanbul,Turkey. 2006.06 4th International Student Triennial. Marmara University, Faculty of Fine Arts, Istanbul,Turkey. 2006.05 “Feiticio- Object Petitio- Fetishism”. Bilkent University, Fine Arts, Design and Architecture Building Exhibition Hall. Ankara, Turkey. 2006.05. “Silkscreens from the Silkroad: Student Prints from Bilkent University”, Puryear Hall, University of Richmond. USA.

Kişisel Sergileri 2011.04 “Çok Çağdaş!”, Maçka Modern Sanat Galerisi, İstanbul, Türkiye. 2010.06 “ Siyaset Meydan›”, Daire Sanat, Cihangir, İstanbul, Türkiye. 2010.03 “Taksi Şöförü”, ALANistanbul, İstanbul, Türkiye. 2010.02 “1kuş, 2 kuş, 3 kuş…” AC Institute, New York, USA 2010.01 “Akl›ma tak›lan şeyler”, Ekav Art Galeri, İstanbul, Türkiye 2009.04 “DEKOLTE”, İlayda Sanat Galerisi, İstanbul 2008.12 “Ya İstanbul beni al›r ya ben İstanbul’u”, Playstudio Gallery, İstanbul, Türkiye. 2008.04 “Play revisited”, Galeri IAC Berlin, Berlin, Almanya 2008.01 “Randevu”, ES Konsept, İstanbul, Türkiye.

Çal›şt›ğ› Atölyeler 201020082008200820082007-

Kultur Kontakt, Vienna, Austria. Frans Masereel Centrum for Arts, Kasterlee, Belgium Lower East Side Printshop, New York, USA Ateliergemeinschaft Milchhof e.V. , Berlin, Almanya Künstlerhaus Bethanien, Berlin, Almanya Kala Art Institute, Berkeley, Kalifornia, Amerika

Grup Sergileri 2010. 10 “Handle with care”. CARTE BLANCHE PROJESİ, UNICREDIT STUDIO, Milano, İtalya. 2010.10 “70. Devlet Resim ve Heykel Sergisi”, T.C. Kültür ve Turizm Bakanl›ğ›, Güzel Sanatlar Genel Müdürlüğü, CERMODERN, Ankara Modern Sanatlar Merkezi, Ankara, Türkiye. 2010.09 “2. Çanakkale Bienali; “Kurgusal gerçekler, Dönüşümler”, Çanakkale, Türkiye. 2010.06 “Ausstellung 2/4” Galeri ArtPoint, Viyena, Avusturya. 2010.04 “ Who’s afraid of Ornament?” kuratör Natasha Kurchanova, NurtureArt Gallery, Brooklyn, USA. 2010.04 “Stuck up”, kuratör Karen Shaw, Islip Art Museum, NewYork, USA 2010.01 “CDA@play”, CASA DELL'ARTE Galleri, Istanbul, Turkey. 2009.12 International Print Center of New York exhibition New Prints – Part I, The Leonard Pearlstein Gallery at Drexel University, Philadelphia, USA 2009.12 “BAC! Pandoran›n kutusu- International Festival of Contemporary Art, 10. y›l›” CCCB Centro de Cultura Contemporanea de Barselona, Barselona, İspanya. 2009.12 “Bak›ş›ms›z ilişkiler”,kuratör:Seyhan Boztepe, Konak Belediyesi Güzelyal› Kültür Merkezi, İzmir, Türkiye. 2009.09 “That was then…” Rush Arts Galerisi, New York, USA. 2009.10 “New Prints 2009/Autumn”, IPCNY, New York, USA. 2009.09 “Kod: İstanbul”, kuratör: Beral Madra, Point Hotel Barbaros, İstanbul, Türkiye. 2009.09 “The International Art Exchange Exhibit: Featuring works

by artists from 10 cities around the World”, Incheon, Kore. 2009.09 “Yaln›z›m ama….”, kuratör: Denizhan Özer, Daire Sanat, Cihangir, İstanbul, Türkiye. 2009.07 “ The Art Market/Art Bazaar Summer/Sanat Pazar›”, Lyons Wier Gallery, New York,USA. 2009.06 “New Prints 2009/Summer, Portraits: In Pursuit of likeness”, International Print Center New York, USA. 2009.06. 28.Günümüz Sanatç›lar› Sergisi, Resim ve Heykel Müzeleri Derneği, Aksanat Galeri, Beyoğlu, İstanbul. 2009.03 “New Prints 2009/Winter, Anchor Graphics& Columbia College Chicago for Global Implications: Southern Graphics Council Conference 2009, Şikago, USA. 2009.01 “New Prints 2009/Winter”, Uluslarars› Bask› Merkezi New York, New York, Amerika. 2009.02 “25.Uluslaras› Saraybosna K›ş Festivali 2009, Organik Sanat, Saraybosna, Bosna Hersek. 2009.03 “ New Prints 2009/Winter”, Anchor Graphics ve Columbia College Chicago for Global Implications : Southern Graphics Konferans› 2009, Şikago, Amerika. 2008.09 “Uluslararas› Chelsea Sanat Yar›şmas› Sergisi”, Agora Galerisi, Chelsea, New York, USA 2008.06 “Sanat Benim Oyun Alan›m”, Küçük Çiftlik Eğlence Park›, İstanbul 2007.11 “II. Uluslar aras› Buca Eğitim Fakültesi Görsel Sanatlar Buluşmas›, İzmir Bienali”, İzmir. 2007.11 “ 1.Çağdaş Sanatç›lar Buluşmas›”, İlayda Sanat Galerisi, İstanbul. 2007.09 “Genç Sanatç›lar”, İstanbul Modern Sanatlar Galerisi, İstanbul. 2007.06 Monotype Marathon 2007, San Jose Cağdaş Sanatlar Enstitüsü, Kalifornia, USA. 2007.10 “Galeri içine Kar›ş›k Teknik”, Piramid Sanat Galerisi, Beyoğlu, İstanbul. 2006.11 Ateliers of Alexandria International Workshop, Ateliers of Alexandria, İskenderiye, M›s›r. 2006.07 25.Günümüz Sanatç›lar› Sergisi, Resim ve Heykel Müzeleri Derneği, Aksanat Galeri, Beyoğlu, İstanbul. 2006.06 4. Uluslararas› Öğrenci Trienali, Marmara Üniversitesi, Güzel Sanatlar Fakültesi, İstanbul. 2006.05 “Feiticio- Object Petitio- Fetishism”. Bilkent Üniversitesi,Güzel Sanatlar Tasar›m ve Mimarl›k Fakültesi Sergi Salonu. Ankara. 2006.05. “Silkscreens from the Silkroad: Student Prints from Bilkent University”, Puryear Hall, Room 110, University of Richmond. USA.

very contemporary! ARDAN ÖZMENO⁄LU Ink on paper, 170x100 cm. kağ›t üzerine mürekkep, 2 0 10

İLHAN KOMAN ABİDİN DİNO HÜSEYİN ARDA ÖMER ULUÇ FERRUH BAŞAĞA ALBERT BİTRAN ADNAN ÇOKER ALAATTİN AKSOY ZEKAI ORMANCI D E V R İ M E R B İ L Ö Z D E M I R A L T A N MEHMET ARDAN ÖZMENOĞLU FEVZİ KARAKOÇ G Ü N ARSLAN EROĞLU PEYAMİ GÜREL Z E K İ A R S L A N BALKAN NACİ İSLİMYELİ EKREM KAHRAMAN M E R İ Ç H I Z A L A H M E T O R A N B E D R İ B A Y K A M B İ L G E A L K O R SEVİNÇ ALTAN A B D Ü L K A D İ R Ö Z T Ü R K YASEMİN ASLAN

MAÇKA

BAKİRİ

CADDESİ

NO:

ESRA

24/1

ŞATIROĞLU

TEŞVİKİYE,

İSTANBUL

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