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Editor loves “Classic Monogram” clutch in textured-leather, SAINT LAURENT BY HEDI SLIMANE; and “Rockstud” leather, leopard-print calf hair and suede pump, VALENTINO
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Editor’s Letter ack in 2010, Miuccia Prada stated backstage at the end of her springsummer show that it was “time to be brave”. And she wasn’t wrong; one of the best designers of our era arrived, risked, and won. Other designers did exactly the same, adhering their creations to maximalism and presenting incredible color and print combinations. Five years later, we are still obeying the same key principle: written –or not written– rules are made to break them, and success keeps going with those who get to stand out from their groups. Because of that, we can say that today a new stage begins for MADE NOW. We close a cycle of vintage references, of masculine touches and homo tonalities; of the purest delicacy and the biggest ego, of colors and of black and white, of naturalness, of sensations, of the most mannish architecture and of the most feminine psychedelia.
Daniel Albericio, Editor-in-Chief
This new beginning faces a big change, new tasks, and new responsibilities; coordinating a team of fifty professionals from a new point of view, but without losing the essence which has made of MADE NOW what we can appreciate nowadays, an essence that will be always present in every word, in every photograph, in every outfit and in every layout of this, our second home. For this twelfth issue we take into account the most emphatic EXCESS from Moschino, Versace or DSquared2, the exclusiveness of fine jewelry; we break every rule regarding fashion à la Anna Dello Russo or the TV character of Carrie Bradshaw in Sex and the City, and each one of their impossible combinations, relinquishing absolute prominence to accessories. MADE NOWcelebrates LUXURY and fills up its pages with the most shameless opulence we have ever played with. A twelfth issue in which we create an authentic EMPIRE full of metallic auras, of precious gems, of sparkles, of Haute Couture echoes… An issue in which every single part fixes, giving shape to our most ambitious and, why not, narcissist edition with a unique visual power made to dazzle and, of course, to catch all the attention of our MADE Addicts. There is no doubt that, as the great Miuccia Prada prophesied, we have to risk, show boldness and excel from the rest. The world of fashion has never been a bed of roses: a voracious, competitive, violent industry. We need effort, persistence, optimism, confidence and lots of energy in order to stand out. A challenge that, with no doubt, MADE NOW has already accepted.
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Lupe Around the World
Interview MATTER
Interview THENAME
Blogger
Interview JESÚS DE PAULA
Personal Trainer
MY DADDY CALLS ME PRINCESS
Director Rubén González Co-Director Lola Rufino Creative Director Rubén González Editor-in-chief Daniel Albericio Art Director Carlos Carvajal Editor Florángel Sánchez
Senior Stylist Yeray Nóbrega Junior Stylist Isabel Nóbrega Hairdresser Moisés Pérez Spots Coordinator Agnelymar Reyes Spots Eduardo Giménez
Head of Layout Agnelymar Reyes Beauty Director Lulú Ventura Make Up Director Romina Elorrieta Communication & marketing Cristina Pérez Public Relations Lupe Castro
Beauty Photographer Sara García Photographer Jesús Arvelo Photographer Javier Ramos Photographer Luis Sosa
Community manager David Delgado Translation David gonzález Redactor Rubén Cubas Redactor Susana Martín Redactor Yolanda Castrodá
Graphic Designer Nayra González Graphic Designer Cathaysa Franquis Graphic Designer Naila Pérez Model Samuel Hernández Model Eva Basterretxea (POP HOUSE) Model Salvador M. Model Rosaía Barreto (+QMODA)
HAVE COLLABORATED IN THIS ISSUE
Grupo Bounty Canarias / Domingo Ayala / Sedomir Rodríguez de la Sierra / THE SOAP HOUSE / Lakra / Il Ciclamino / Juan Carlos Hernández / Andrew Velásquez
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THE FIGHT OF THE CENTURY Protocol
by Susana Martín
Memories of Julia Chapter 1
Beauty
THE EMPIRE
PENUMBRA by Pablo Benedicto
EXCESS
EDIT MADE NOW Made Now. Tenerife: 38297 La Laguna Canary Islands / Spain MADE Now Magazine is not responsible for the opinions expressed by contributors in their articles. © MADE NOW Reproduction prohibited, edit or transmitted or in part by any means run out written authorization of MADE NOW
SPECIAL THANKS Lupe Castro, for her unconditional help Grupo Bounty, for its reliance and support Mónica P. Rodríguez, for her kindness, professionalism and fantastic management
ON COVER PAGE SAMUEL HERNÁNDEZ with aluminium and pearls mask, Il Ciclamino
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Lupe Castro MsCastroRides.com
Twitter MsCastroRides
Facebook MsCastroRides
Francesca Liberatore MY Luxury is about having a heart! Not being afraid of wearing it on the outside so everyone can understand the beauty within Francesca Liberatore heart motifs throughout her SS16 collection were sprinkled with a multitude of sparkling Swarovski’s.
Truly beautiful!
Photographs Falcone Reale for MsCastroRides
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T E E R ST LING Y T S Famous blogger Susie Lau, from Style Bubble, strikes a pose in front of our cameras after Peter Jensen show in London
Photographs Muffdal Abbas for MsCastroRides
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Photographs Muffdal Abbas for MsCastroRides
Luxury style excess Paris Haute Couture week
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Photographs Nyla Sammons for MsCastroRides
Fifi Evelyn is Creative Director for Candyatom (www.candyatom.co.uk). We love her creative freedom; maybe for us this is what real luxury is all about.
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Focused on sustainable luxury, Matter is a project designed to create travelling garments with stories to tell.
W
ith just one year of life, it is impossible for Matter to have a clearest motto: “trousers to see the world”. With no doubt, this project is more than international (created in Mexico, with headquarters in Singapore, designed in Amsterdam and produced in Rajasthan, India) and keeps always in mind that it is dressing modern nomads totally sustainable and intelligent designs, distancing itself from mass marketing with alternative methods in which textile artisans from the province of Rajasthan are able to improve considerably their working conditions.
The beginning of this adventure is anything but typical. With a trip around India, Yvonne and Ren, its cofounders, were convinced that fashion needed brands whose pillars were consolidated with conscious, timeless, functional clothing, showing through its designs –carried out by Dutch designer Lisanne Stoop– the identity of the place of origin of really visual and wearable clothes which “adapt to every single woman thanks to its multiple combinations, from adjustable laces to buttons with different positions”. Success is a word that can clearly define the short life of Matter: Tatler, Italian and Indian editions of VOGUE, Conde Nast Traveller… are just some of the publications that have selected pieces of this young brand. The working method in Matter is also worth commenting. Artisanal communities in Rajasthan make use of techniques such as the loom and xylography, thus developing unique designs in silk and cotton. Combining this fact with modern tailoring, the result is a collection of exclusive
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pieces which adapt perfectly to the silhouette of every single woman. Delightfully ethnic designs which are inspired in traditions and typical garments from India, such as the “Dhoti”, whose name comes from the masculine trouser with the same name, interpreting its asymmetries in a more contemporary style; or the “Classic”, following the Capri style, comfortable and 100% versatile, as well as the “Harem” or the “Pescador”, perfect for long walks; and the “Sunday” ones, inspired by the big pockets in the overalls of Indian farmers. Sold exclusively online, these little pieces of India reflect an exotic culture that inspires, of course, the prints through its history, its places and traditions; the temple of Bhalka, the Chakri, Kamal, Kangura, Mobi… Corners in a dream country, full of charm and that, with no doubt, makes Matter a unique brand which connects us with stories, traditions and values of a culture still waiting to be discovered. • D.A
‘‘Matter connects us with stories, traditions and values’’
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Illustration: Daniel Albericio
The claim of classic Couture under the label Made in Spain After working for various international fashion firms, Diego Rodriguez, Carlos Avila and Yolanda Figueroa, friends from childhood, launched in 2013 thename firm, with a concept halfway between the European elegance and the American functionality, to contribute to sewing with their personal vision of fashion. And no wonder that, in an age when fashion has become a giant of creative speed (prêt-à-porter, haute couture, cruise and pre-fall collections...), more and more firms are affected by an industry that values more the sales than the concept of luxury that it once sought to be. “We want to recover the essence of the haute couture houses of yesteryear, where a customer was not just a sale,” say these three professionals for whom, without any doubt, a garment is more than a piece of cloth on a hanger. It is “a reflection of the person wearing it; it talks about his personality, its culture, its way of life.’’
Mónica P. Rodríguez, THENAME ambassador.
What concept represents perfectly your firm? The concept that best sums up the philosophy of thename is elegance, which together with our finishing sewing and the best raw materials, allow us achieve excellence.. Classic, current... Can we place thename in a particular category? If you stick to the basics, thename is a firm of classic and sleek but adapted to our time. That is, something like a classic up to date. How does thename enhances the beauty of women? To thename, the most important part when designing is the personality of each woman, what she transmits when she comes to see us. We always start with a good pattern and choosing the right fabric for each creation. The client does the rest. What we try to do is to take outside what it is inside.
“We want to recover the essence of the haute couture houses of yesteryear, when a customer was not just a sale.”
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Do you remember the first collection that you designed? Sure! Our first collection was called «Ma Nuit» and it was inspired by the new generations of European royalty. They are well prepared and with a fine education, but they usually are women with a rebel touch. They were classically inspired garments, but with certain punk details: studs, skulls, spikes .... With this collection we laid the foundation for what today is a «thename» woman. Like Chanel with its tweed jacket, with what garment or accessory could you be defined? Rather than a garment, clients come to visit thename because of the concept we defend and for our handcrafted finish. If we had to choose one garment as our “icon”, we would probably pick our wonderful skirts with pockets (we love pockets in clothes!). And we also choose our fur garments. How would you define «good taste»? Good taste is like elegance: either you have it or you don’t. One can learn how to combine clothes, colours, fabrics or how to behave, but we think it is something innate. For us, good taste is always in that middle ground, which is sometimes so hard to find. It is a very relative concept, but when something is conceived from that perspective, it can inmediately be seen at first sight. In the ceremony of the 2015 Goya Awards, we could find Cayetana Guillen dressed in thename. How is it selected a design for such an event? As we do with our regular customers: we look at the personality and style of each person. We offer them what, in our opinion, will suit better. We also keep in mind the type of event that they will be attending in order to avoid
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falling into excess, or just the opposite. In the case of Cayetana, her stylists and us agreed that that was the dress she should wear. We are very satisfied with the result, because the whole look was impeccable. And it all, betting on Spanish fashion! It is very important to us and to the national industry. In what stage is your firm currently? At this time, we are focused on strengthening our concept and research on new fabrics. We are also expanding our bridal collections due to the great demand we are having. There are plans to expand outside our borders. More and more women and celebrities who cross the ocean and come to see us. Therefore, we are studying and visiting every country in which we are interested.
“Good taste is like elegance: either you have it or you don’t “
thename prêt-à-porter.
It’s the most casual line, with clothes for the day. Comfortable and functional designs with a sophisticated touch. Handmade finish and limited productions, becoming almost exclusive pieces.
thename Couture.
It is the star product. The designs which are made for a client will not be repeated again. The sewing and finish is entirely made to measure, ensuring maximum exclusivity. It bets on red carpet clothing for the special occasions of every woman.
thename Bridal.
Their concept of a wedding dress is, undoubtedly, custom design. They sketch and make each dress as a single piece. The thename bride wants to feel unique and special.
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Illustration: Juan Carlos Hernรกndez
THE LUXURY OF
FLOWERS
Millions of flowers are planted in the world in order to embellish those significant moments of important events. And it is so that nature also gives us examples that are worth as much as or more than precious gems. Flowers such as: White Oriental Lilies Alstroemerias. Aspidistra. Robellini. Chinese Carnation. Orchids. Capuchin. Jacobite and pichistachis.
Begonias with flowers scatter in all directions. Geraniums in their strange ways. Petunias as hugeas bushes. Stem chards in vivid colors.
A place to note is Búcaro’s. (www.bucaroflores.es) There are wonderful floral arrangements, perfect for any important event. At Búcaro’s there are experts in interior and exterior. They were responsible for the floral decoration in both Prince Felipe’s and Infanta Elena’s weddings, among others.
Luxury & Orchids Orchids are one of the world’s most numerous species of plants, as there are more than 30,000 species. Something unusual is that they can be pollinated by others of different species, then arising a hybrid species from them. These species are often very expensive and exclusive in the flower market. Two of the most expensive and amazing ones are: The so-called “Golden Orchid”. The Kinabalu, is a very rare flower. A single unit costs approximately 3,700 euros. The reason, in addition to its exclusivity, is that it might take up to 15 years in order to flourish. It is a flower that develops in water or in very wet areas and it blooms in early March. And the most expensive copy, the so-called Shenzhen Nongke Orchid, which was obtained after 8 years of study and research. In 2005, an anonymous buyer purchased a Shenzhen Nongke orchid at an auction for more than190,000 euros.
Images: Zankyou/FloresFrescas
Paphiopedilum rothschildianum
This is why orchids are the perfect flower for any really important and luxurious time. • F.S.
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THE FIGHT OF THE CENTURY T
he debate about what luxury represents, is an old one and we now bring it back with a dedicated number.
If some years ago someone had asked me what word came to my mind to evoke the term luxury, it would have certainly been “zero”; a long line of properly placed zeros, one after another, following the number one. It is impossible not to think of money when it comes to luxury, but they are not the same. What gives value to an object? It is said that middle classes are an aspirational one, that is, a social stratum that aspires to emulate, or fails in doing so, the life of the richest levels of society and, in that stairway to heaven, fashion is a powerful propellant; brands with their logos are a testimony - or so they intend- of the purchasing power of their owners. The powerful fashion industry is one of the most lucrative sectors of the wild capitalism system which we live in. However, with the help of credit cards, loans and financing (let alone fakes), it is not complicated to wear our desired logos embroidered on the chest luxury is the or hanging on our shoulders.
“Some people think opposite of poverty. It is not. It is the opposite of vulgarity.’’ Coco Chanel.
It is, at this point, where I’d like to be more exhaustive and to get into the fashion ring and its industry. The first one refers to communication, identity, witness and a symptom of a time ... The second one moves millions around the globe. Fashion as such can be art, and not just for its incursion into the most prestigious museums in the world, but because of the power it has to express, communicate, transform and change the world around it. Unfortunately, industry wins all rounds to fashion. I understand we are talking about a business whose purpose is obviously to sell, but I feel overwhelmed about it and it often disgusts me the heartless speed at which we are encouraged to consumption; excessive and insane. Garments cycles and trends are becoming shorter and they override the capability of analysis: beware that you may request a garment at Asos.com and before it arrives it might be completely out. We are not prepared to invest any longer than strictly necessary to be informed and updated. We only read headlines and that extends to fashion. I have a feeling that it is difficult to find really interesting and innovative proposals in the shop windows and that is due to lack of time. Time for designers to think, inspire, research and time for the consumers to digest the new arrivals in order to decide whether we like it or not. Industry is making us useless yes-people ... It gives us everything already digested (nice and easy) so that we don’t have to waste time thinking if we buy it or not.
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Alessandro Michele presents the 2016 Gucci Cruise collection; there are tigers, snakes, velvet, frills, men, women, granny skirts ... and you must take a moment to check whether you love it or not. John Galliano debuts for the Belgian Maison Margiela and you have to go back. Is Galliano’s touch so evident? Bright, correct or disappointing? Prada presents a very very ugly shoes, but in colours that we love... Did we definitely love them or hate them? ... To see, to think. Michael Kors: right, nice, easy to wear ... CONSUMABLE. This is not an argument about which firms are more or less preferred. I’d just like to emphasize the role of Fashion outside Industry. I’d love that it take us a little longer to make a judgment (three looks are not enough to understand a complete collection), that we challenge our intellect and our taste with new proposals, in order to give a chance to what, in principle, we do not understand, that we value things not only for what is seen, but for what is behind them.
GUCCI resort 2016
Images: Nowfashion/Livingly
Dana Thomas, in Deluxe: when luxury lost its splendor, draws attention to the fact that large firms are more concerned about what their logo represents than for the quality of their products: “Those family workshops where brands such as Dior, Louis Vuitton and Prada manufactured exclusive items have become large corporations whose objectives are no longer the quality and exquisiteness but the brand image and the profits. No longer matters what the item is, but just what it represents.” With time I am more convinced that luxury is closely related to the time spent and enjoyed and not so much with the possession and exhibition. To me, personally, it’s important to know what it is behind what I’m buying, what values have what I wear, what materials are used, how is their environmental policy, what story it’s been written... I like pretty and flirty things, of course, but I prefer the invigorating ones, those which fascinate me and make me think. I prefer FASHION on a large scale, without complexes or bonds. • S.M
MICHAEL KORS resort 2016
MAISON MARGIELA HC spring 2015
“Fashion is born by small facts, trends, or even politics, never by trying to make little pleats and furbelows, by trinkets, by clothes easy to copy, or by the shortening or lengthening of a skirt.’’ Elsa Schiaparelli.
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Memories of
A
new day was dawning, still half asleep, Julia gets up. She lights up his first cigarette and prepares coffee, “another day” – she murmurs. Julia is an attractive and very thin brunette of medium height, she looks very fragile. At her 34 years-old, she begins to feel the need to change her life. Nothing is as she had dreamed of. She’s really worried, she walks around the house very nervous, the anxiety is overwhelming; she doesn’t have much work and Orlando will not take her calls. It’s been several days that she knows nothing from him. Sitting on her couch, staring at one point and savoring the last sip of coffee, Julia is immersed in memories ... “The first time I came to Ceuta I had a feeling of freedom. Ceuta smells like crowds, sea, fresh coffee, and mint tea; its light, its colorful streets, the stillness she will never want to leave. I’ve been here for 10 years now. I remember my first walks in Revellín, Calle Real, those sunsets on the beach of Chorrillo. I fell in love with this city and with Orlando. I hardly remember how it happened. I stumbled and fell, someone helped me up, and within days I was in his arms and madly in love. Orlando was 42 but he looked younger. Tall, blond, slender and with deep black eyes; He used to wear a suit (I like him more in jeans and polo shirt). He always wore a wonderful Cartier on his wrist, he drove a brand new car, and I imagined that he would live in a luxurious house and it was eventually confirmed what I thought. What struck me the most about him was his tidiness, not even the ambient dust would dare to settle on his clothes. Our worlds were very different; he was a great entrepreneur and a mature man. I was a 24 years old girl who worked as
a personal assistant, a job that I liked and which was good enough to make me live with dignity, barely with dignity. Yet, we fell in love with each other. I could not help it, I fell in love. Orlando made me feel unique (I suppose this is what any woman in love would want). By the time I found out he was married, it was too late. I was not aware of it, or maybe yes, I don’t know. In few days I hunger for him. I wanted to see him every day, hear his voice every moment, feel his kisses, his hugs, God, I needed that! It was as if my life had no meaning without him. I never felt something so deep, I was living in a continuous dream ... now it is different. Time changes everything. Marta, my great friend and the voice of my conscience, always told me what was going to happen, “JULIA, THEY NEVER LEAVE THEIR WIVES ‘’, she said. Even though I knew deep down that this was true, I could not give it up. Something in me had taken over in an irrational way. Falling in love is a drug. “ The sound of her mobile makes Julia come back to reality. “Who can be calling so early?” - she asks. J- Hi Andrea, how are you? A- Hello Julia, did I wake you up? J- Not at all, I’m getting ready to leave. A- Perfect! Look, this week you have to go to Algeciras, I need you to pick me up a dress at Lola’s. It is for a dinner that I have with my coworkers on Saturday. J- Perfect, tomorrow I will go to Algeciras then. A- Look for an accesory. The dress is black. J- Something in bright colours? A- Yes, nice. J- Okay, I’ll take pictures and I’ll send them to you via whatsapp. Then you tell me. A- Good! I’ve got to go now. I’m very busy right now. Oh, I forgot, I have a customer for you, a friend of mine. I’ll call you later and tell you all about it. Take care. J- Okay. Bye! Julia is happy for a moment, more work as she needs. What she can not imagine is that her new client is Margarita, Orlando’s wife... • Y.C.
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Oversized clothes were never so cool inside the masculine wardrobe Born and raised by a family dedicated to fashion, it was clear that his destiny would make him launch a project in this industry. In 2012, he goes for a blog-platform one, and here begins his adventure. Today, Luis G贸mez can boast about having one of the most stylish blogs in Spain. We present you the blogger of the most exquisite comfort, versatility and naturalness
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Cape, WHEREISMYJUMPER. Shirt, HUGO BOSS. Trousers, shoes and gloves, ZARA. Handkerchief as a belt, DOLCE & GABBANA. Watch, KARL LAGERFELD. Sade, Afghan Hound dog.
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Why «Where is my Jumper»? Well Where is my Jumper comes at a time when you have to start to squeeze in somehow, in a time of change ... In fact, I would say «how did Where is my Jumper find me!» I guess I’ve always had that special feeling with fashion (I’ve grown up with this talent because my family dedicated to dressmaking and I spent many hours in the workshop making my own designs). As you get older, you realize that it becomes an important aspect in your daily life, and you find yourself look twice in the mirror before going out! People will comment on how much they like your style, and by March 2012 I knew I had to do something about it; I had to show and share what I do; so I decided to open my blog, and I started to look for a name. After 25 different tests and several scribbles I then find the key: «jumper» Who hasn’t ever lost his and asked his mother, «Where’s my jumper?,» I’m an expert in that... ( chuckles) According to you, what do you think that your fans are looking in your outfits? Well I would say comfort, simplicity and versatility. I dress myself based on simple, practical looks that speak for themselves and which are fully dressy in various situations throughout the day.
Photography CRISTINA FARRÉS (cristinafarresphotographer.blogspot.com) Assistants MAR PEÑAS, MÓNICA AGUADO
Coat, pants and shoes, ZARA. T-shirt, ALEXANDER WANG. “Trío Bag” bag, CÉLINE. Glasses, H & M. Location: Boutique Santa Eulalia, Barcelona.
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How important are social networks for you? What do you regard as essential? Important? I would rather say necessary! (chuckles) For me, and for people who do what I do, is essential to have a social network where you can share information and get followers; thanks to them we can be seen. Undoubtedly, Instagram is the key. To keep abreast of all, it is the one that I most enjoy ... It’s like my second blog. We live in a time of change in which androgyny, increasingly, is becoming a huge role in fashion. Can we find on your looks ideas for both sexes? Totally, long live the unisex look! A garment or an outfit which can be adapted to two persons of opposite sex seems fantastic. I have several male sources which inspire me, but I also follow closely female trends, as I believe that there it is where fashion «really» happens, let’s say. Many times, I try to adapt to menswear what I see it is proposed for women so that a boy or a girl could share the same combination. Honestly, I declare myself a fan of those women who dare with a 100% masculine look, as if they pick clothes from their husbands’ closets and they go out with that special «role».
Oversize shirt, H & M. Trousers and shoes, ZARA. Clutch, &OTHER STORIES. Watch MICHAEL KORS. Bracelet CARTIER.
Jacket, TOPMAN. T-shirt, ALEXANDER WANG. Trousers, sandals and backpack, ZARA. Pendant, MARC JACOBS. Watch JUST CAVALLI.
One of the keys of your outfits is the oversized aesthetics. Is it a quality simple or complicated to wear? More than the oversize itself, what I like is to play with the structures of long and short, the overlying clothing; but yes, I usually wear clothes of larger sizes. I love the freedom of movement provided by these garments. About whether it is easy or difficult to wear ... A little of both, I’d say . Easy, because with such a garment, you can substantially benefit from styling, but also complicated, because the oversize does not suits well to everyone, so you have to know what favours you and take into account factors such as height, width of the body, etc. A color that trangresses on the catwalk... Grey. It’s perfect valid for both winter and for summer; It combines perfectly with many others; It brings me calm and softness in its lighter shades, and elegance and strength in the darkest. Although it has a reputation as a sad color, I do not think so at all. We must bet more on grey! (chuckles) What is your philosophy when it comes to creating a look? The truth is that I left myself be carried away by the spontaneity and vibration transmitted by a garment when I am dressing. Something I am clear about is that a look should be lightly loaded, and convey a feeling of cleanliness. I do not like feeling overwhelmed; It really catches my attention soft looks.
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Editor loves AppliquĂŠd black suede ankle-boot, DOLCE & GABBANA
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Since childhood he was very clear that his profession would be related to the hairdressing; for 17 years he has been devoted to it, and today, he is right where he had imagined. He studied at CĂĄdiz to later move to Madrid and continue his learning with CĂŠsar Morales. He finished training in London with Toni&Guy, where he really.
What is the most difficult part of creating with a person’s hair? Listening to the customers and knowing or finding out what makes them feel comfortable. Enhancing their potentials and make them feel safe and encouraged so that they can feel their hair is consistent with their identity and that it reflects what they want to transmit. What is your favorite hairstyle? Always something subtle, natural and with movement and texture, but also femininity; alive and easy to handle hair. I love to try and risk. And your essential to a good hairstyle? Essential? Good preparation of the hair, with suitable products according to the type of hair and look. Of course, it is also important to have good tools at work in order to achieve the best results performed with the greatest care. Personally, I feel fortunate to have GHD products; its wide range and the philosophy of this brand seem great. It is also true that there are some secret tricks ... (chuckles)
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“... I discovered how exciting and creative the world of hairdressing is.”
Man or woman, what do you find most difficult? For me, the male audience is always more complicated. They are more demanding and they look more into details. They always follow trends and take care of their hair, and with it, of their whole look. In your career, what has so far been the biggest challenge when facing a mane? The hardest part is finding the desired effect or look, getting the whole team around you to love it and enhancing the work of them all. I don’t know if it’s the most complicated part, but at last it is the one which requires more concentration on my side (and the one driving me nervous!). My first editorial with Blanca Suárez in HELLO magazine brought me a bunch of sleepless nights! (chuckles) Personally and professionally, what has implied you working with GHD? GHD has allowed me to grow as a person and as a professional hairdresser. I have managed to reach a level of work that I would never have imagined. I feel highly regarded, and I have met fantastic people and colleagues who I will always have in mind. All this together with an unparalleled pleasure when doing my work. Finally, what would you recommend to our readers for the care of their hair? What don’t you recommend them? I always recommend to follow a set of guidelines, coupled with appropriate products for a proper hair care. I do not recommend to exposure it to unsuitable technical work (smoothing, very aggressive colouring, etc.), as an important feature is that it has vitality. For me, our hair is something very immportant in our image, and therefore, it is essential that it is healthy and full of vitality.
“It is essential that (the hair) is healthy and full of vitality.”
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Illustration Carlos Carvajal
Your fitness is indeed a luxury.
T
here is no better luxury than to enjoy a healthy body equipped with fullest capabilities. Nothing is comparable to owning a perfect balance of physical conditions in order to respond efficiently to the daily demands. If we add to that state the positive consequences for your image, derived from a proper training plan, we achieve some ideal elements to complete a pack of ultimate luxury. In this issue I introduce you to various global useful exercises to achieve your highest goals. • R.C.
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40 seconds squat position + 50-meter sprint; 3 series.
8 jump squats and dumbbell up.
8 flexo extensions height + 50 meter sprint; 2 series.
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30 multihop skipping + 10 dips on the ground; 3 series.
Push-ups with TRX; 4 sets of 10 repetitions.
30 abdominal crunches.
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Intense step skipping; 3 sets of 30
30 run arm movements skipping with high knees and dumbbells; 3 sets with 1 minute break.
10 jump squats and front extension arms.
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10 trunk rotations on both sides with arms crossed and 5 kg.
20 minutes jogging: soft + 2min 2min intense.
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Illustration: Juan Carlos Hernรกndez
Photography SARA GARCÍA Make-up ROMINA ELORRIETA
GOLDEN DRAGON Legend has it that, dragons were covetous beings that used to watch over treasures for centuries. They were attracted by gold and, in this case, the use of dazzling pigments in order to highlight metallic tonalities such as gold, recall those treasures, zealously kept in the beast’s claws. So as to get the scales-mask effect, we use a net on which we will hurl metallic pigments of gold. We apply foundation such as MAC Paint Pot “Ruberesque”, amplifying the dazzling effect with a flat brush, as the 217 by MAC. We work on the eyes with a higly-pigmented gold shadow, as URBAN DECAY “Half Baked”, or the soft ones “Melon” by MAC.
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The death of one of the most celebr ated personalities in history inspires a look defined by the most absolute drama. A total-black matt-effect eye is the principal allegorical of the assassination of the emperor Julius Caesar, remembering the era of a decadent Rome, full of excess, opulence and gold.
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CAE
For the black eye-shadow in matteffect, apply randomly “Blackout” by URBAN DECAY with a brush like the 242 by MAC. We complete the finishing touches contrasting with the dazzling effect of gold leaf, applied with the help of the brush 217 by MAC, over a skin previously dampened with Fix+, also by MAC. “Piscis” articulated earring, IL CICLAMINO.
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Model: Salvador M. Artistic direction: : Rubén González & Daniel Albericio
GOLD DELUSION With a beveled brush, we apply the “Jinx” URBAN DECAY tone as a stroke of color on the lower lid. Deities take control and start cursing our character, who is suddenly captured in a gold cage. His own body turns into the precious metal and abandons its mortal life, transforming not in a god, but a statue of pure gold, hidden to humanity as a punishment for his temerity. Taking gold leaf, we apply it on half of the face and the neck, helped by some sticky, translucent material such as vaseline. With a brush, as the 217 by MAC, we touch softly the gold leaf, getting a scale-effect which will give a more realistic texture to our look.
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Great emperors, men surrounded by the biggest luxuries, by gold, silver and precious gems. With this motto, jewels take on absolute prominence in a masterful exercise of excess, opulence and waste. Photography JESÚS ARVELO Styling YERAY NÓBREGA
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Little Prince
Suit in dark blue cool wool, CHARLES DASTIER; Oxford shoes in brown agedleather, ZARA; gilded brass crown (previous page) and necklace with triangular pieces, and gilded brass rings with rustic agate, all IL CICLAMINO; chain with gold badges, from the stylist
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Leather King
Black cotton t-shirt, black leather pants with zips, black leather biker, and black fedora hat, all ZARA; bicolor patent leather shoes, DOLCE & GABBANA; and gilded brass rings with rustic agate, IL CICLAMINO.
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Hippique Chic
Seamless black leather leggins and plaid shirt, both MANGO; patent leather ankle-boots, ZARA; red Jacquard nylon jacket, GUCCI; gilded brass bracelet, IL CICLAMINO; and equestrian cap in black suede, vintage.
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Plaid
Seamless black leather leggins and plaid shirt, both MANGO; patent leather ankle-boots, ZARA; gilded brass bracelet, IL CICLAMINO.
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Cuir D’or
Black waxed blazer and black patent leather pointy-toe shoes, both ZARA; seamless black leather leggings, MANGO; leather belt, from the stylist; gilded brass mask embellished with precious and semiprecious stones, necklaces from the “Glamour” collection with gilded brass chain and agate stones, and (both forearms) gilded brass bracelets, all IL CICLAMINO.
Model: Samuel Hernández. Make up: Romina Elorrieta. Styling assistant: Isabel Nóbrega. Digital technician: R.W. Artistic direction: Rubén González & Daniel Albericio. Assistant: José Bossini. Special thanks: Lupe Castro (MsCastroRides).
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Editor loves Green and black suede cage-sandal, SERGIO ROSSI
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Penumbra
Photography PABLO BENEDICTO Styling DIDI MAQUIAVELI
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Didi wears t-shit and bag, MOSCHINO; Mario & Guillermo, with accesories from BOXER BARCELONA
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Models: Didi Maquiaveli, Mario MĂŠndez y Guillermo Benedicto.
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Princess
My daddy calls me
Photography JAVIER RAMOS Styling ISABEL NÓBREGA & DANIEL ALBERICIO
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PREVIOUS PAGE: embroidered black ball gown with blue silk ribbon, SEDOMIR RODRÍGUEZ DE LA SIERRA; “Soho” bag in yellow leather with chain, and “GG” cap in black canvas, both GUCCI; leather jacket, embellished ring and ear cuff with pearls and crystals, from the stylist. On the right, from the top downwards: ankle-boots and pep toe pumps, Gianvitto Rossi; “Rockstud” pumps, Valentino; Mary Jane pumps, Dolce & Gabbana; embellished boots, Jimmy Choo; and “Tutto Buckle” sandals, Aquazzura. At the back: Gucci’s fall-winter 2015 collection
My daddy calls me princess Nowadays, sales are getting more and more important than design and exclusivity. Exuberant dresses are mix with more casual pieces in a combination that, with no doubt, shows the most exaggerated consumerism we can imagine.
ON THIS PAGE: embroidered black ball gown with blue silk ribbon, SEDOMIR RODRÍGUEZ DE LA SIERRA; lead-colored platform sandals, MICHAEL KORS; embellished ring and ear cuff with pearls and crystals, from the stylist. At the back: Gucci’s fall-winter 2015 collection
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Marie Antoniette Burgundy strapless ball gown in tulle, SEDOMIR RODRÍGUEZ DE LA SIERRA; kitten heels with print and embellishments, DOLCE & GABBANA; chain and pearl earrings, TERIA YABAR; white cotton shirt, embellished diadem, bracelet and gold and pearls necklace, from the stylist. On the table, “Lady Dior” bag in pale pink and white lambskin, CHRISTIAN DIOR; and “Saffiano” bag in fuchsia leather, PRADA; on the sofa, from left to right: “Sac de Jour” in green leather, SAINT LAURENT BY HEDI SLIMANE; “2Jours” bag in magenta Elite leather, FENDI; sequined Mary Jane pumps, DOLCE & GABBANA; “Riley” bag in fuchsia leather and suede, JIMMY CHOO; kitten heels in printed silk with embellishments, DOLCE & GABBANA; and yellow leather and degrade python bag, DSQUARED2. At the back: Christian Dior’s fall-winter 2015 collection; Gucci bag; and Valentino and Aquazzura shoes.
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Madonna
ON THE LEFT: claret long coat with V neck and embellished shoulders, SEDOMIR RODRÍGUEZ DE LA SIERRA; “Dionysus” grey suede bag, “Bamboo Daily” black leather bag, and black wool and silk shawl with black fox-skin trim, all GUCCI; white tutu, embellished hand cuff and ring, and grey woolen tights, from the stylist; “Tutto Buckle” cheetah-printed calfskin sandals, AQUAZZURA. At the back, on the left, from the top downwards: fall-winter 2015 collections by Valentino, Saint Laurent by Hedi Slimane, and Balenciaga; on the right: fall-winter 2015 collection by Dolce & Gabbana.
Street-Couture Model: Rosalía Barreto (+QMODA). Make up: Romina Elorrieta. Hairstyling: Moisés Pérez. Digital technician: R.W. Artistic Direction: Rubén González & Daniel Albericio. Special Thanks: PinUp Store, Grupo Bounty Canarias.
AT THE TOP: black Rebrodé lace gown with ruffle, SEDOMIR RODRÍGUEZ DE LA SIERRA; necklace with crystals and pearls, and earrings with pearls and black leather, both TERIA YABAR; and “Candy 80 Bow” sandals in yellow leather, SAINT LAURENT BY HEDI SLIMANE. On the table, from left to right: “Lady Dior” bag in green lambskin, CHRISTIAN DIOR; and cage sandals in green and black suede, SERGIO ROSSI.
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excess Photography R.W. Styling Daniel Albericio
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Rock ’n’ Roll Queen PREVIOUS PAGE: Black quilted leather jacket, black transparent tulle skirt, and necklace with seashells, horn and fur, all LAKRA; feathered vest, from the stylist; leather boots with chain detail, PRIMARK; earcuff with gold leaves, STRADIVARIUS.
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ON THIS PAGE: Rings, left to right: wrought and with oval turquoise stone, BERSHKA; long with triple applique of burgundy stones, and triangular with double stones in turquoise and burgundy, both LAKRA.
Bohemian Rapsody Fringed cotton top, vintage; lace panties, OYSHO; tangerine fringed “Celia� poncho, necklaces with red stones, with red and turquoise stones and metallic details, and with silver leaves and turquoises, embroidered straw hat, and metallic rings with quartz, all LAKRA; metallic bracelet with embroideries, BERSHKA; and thin bracelet, from the stylist.
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Sporty Girl Fuchsia and black neoprene top, PRIMARK; grey sports shorts, PULL & BEAR; grey hoodie tied on the waist, ELEVEN PARIS; socks, from the stylist; sneakers model 574, NEW BALANCE; necklaces, from the top downwards: “Cooper-Ethnic”, “Rope” and “Surf ’s Up”, and “New Scooby” and “Essential Knots” bracelets, all DOMINGO AYALA.
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Disco Diva Silver dress with elastic bands, LAKRA; black sequined blazer, ZARA; reversible leather belt, PIERRE CARDIN; necklace with chain and gemstones, H&M; XXL earrings, PARFOIS; iPhone case with chain, CHANEL; and “Dior SO Real” sunglasses, CHRISTIAN DIOR.
Model: Eva Basterretxea (POP HOUSE). Make up: Andrew Velásquez. Hairstyling: Moisés Pérez. Styling Assistant: Isabel Nóbrega. Digital technician: R.W. Artistic Direction: Rubén González & Daniel Albericio
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www.madenow.es
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