English 14th White MADE Now Magazine

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Illustration Nat de la Croix


Editor’s letter

I

n the season to come, the color white will be, with no doubt, one of the absolute protagonists in trend books and magazines, as it comes back directly from the athletic minimalism that Calvin Klein imposed in the 90s. We will also see it framed in that “normcore” halo in which everything in perfectly bad or strangely put; and also, in that gender game of the sowell-known fashion androgyny that has accompanied us for the last few seasons. All this aspects of fashion which inaugurate 2016 meet up in our new MADE Now: spotless minimalism, simple and direct as the flagship and main theme of a whole edition in which we explore all of the roles of our models, from their most brawny masculinity to their naïve and delicate femininity, all of it served by the de-

Daniel Albericio, Editor-in-chief

signs of young national talents such as Brea or Isabel Cófreces. ¿Inspiration? Of course: a issue about men in which every single page drinks from the work of Mies van der Rohe and his moto “less is more”, which proclaims a sober and universal architecture. The work of the German architect is reflected in clean and cared spaces that resemble the enormous rooms in his creations. An architecture that is also noticeable in the bags design by LAUTEM, which has caused Solange Knowles to fall in love with them. And as the white canvas that it supposes to start every new issue of MADE Now, we invite you to turn the page and dive into are first issue of the year. We present “WHITE”: an ode to the masculine body and the most elegant simplicity in which everything has its own place..

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Lupe Around the World Interview Undercover Rainboots

Lupe Around the World Street Style

That Woman Chapter 3

Interview LAUTEM

Interview Corta Cabeza

Inspíreme

Androgyn by César Vladés

We Can Be Heroes

Director Rubén González Co-Director Lola Rufino Creative Director Rubén González Editor-in-chief Daniel Albericio Art Director Carlos Carvajal Redactor Florángel Sánchez Coordination and Production Director Agnelymar Reyes Beauty Director Lulú Ventura Make Up Director Romina Elorrieta Marketing Cristina Pérez Public Relations Lupe Castro Communication Mónica Rodríguez Community manager David Delgado Translation David González Redactor Susana Martín Redactor Yolanda Castrodá Illustration Nat de la Croix

HAVE COLLABORATED IN THIS ISSUE

Claudia Espart / GM by JE / POPHOUSE / +QMODA

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Stylist Yeray Nóbrega Stylist Isabel Nóbrega Stylist Raúl Rodríguez Stylist Dan García Stylist Cris León Hairdresser Moisés Pérez Spots Eduardo Giménez Photographer Sara García Photographer Jesús Arvelo Photographer Javier Ramos Photographer Luis Sosa Photographer Edward Morpurgo / Iko Savoy Graphic Designer Nayra González Graphic Designer Cathaysa Franquis Graphic Designer Naila Pérez


Decor

Sex

Afortunadas Islas Canarias

Beauty

Jero on set!

White

EDIT MADE NOW Made Now. Tenerife: 38297 La Laguna Canary Islands / Spain MADE Now Magazine is not responsible for the Opinions expressed by contributors in their articles. © MADE NOW Reproduction prohibited, edit or transmitted or in part by any means run out written authorization of MADE NOW

ON COVER PAGE JERÓNIMO GARCÍA poses with the Speedy bag in red leather, LOUIS VUITTON

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INTERVIEW TO:

With only a year and half of existence we had the opportunity to interview Mary Quintero who owns the brand Undercover Rainboots and your is causing furor in Panama with her wellingtons.

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Why Rainboots? It was really my childhood dream. I used them, although there were not fashionable, and people wondered why not using snickers instead? I have several interesting anecdotes, for example, on one occasion I was crossing Via España with my dad and a lady started yelling. I told my dad: “Dad, that lady is calling us” and he told me: “I do not know her”. The woman crossed the street, reached to us and said: Excuse me, I must ask where did you get your daughter these rain boots.” As I had the opportunity to travel since I was a child, I could buy them abroad, but as I was constantly asked about them, I told my dad: You see! I have to open a Rainboots shop in Panama With my own experience I learned what features were important for boots to be used here in Panama: 1- Extra-soft ones. 2- Cool coating. (You know, Panama is very warm). 3- With a non-slip sole. (I am the first that slips everywhere). Where are they produced? They are made in China. The brand is designed here and registered here. Some artists are here. They all have a purpose behind it and each design is tied to a donation to an NGO. For example: The golden frog is an iconic animal and the Smithsonian Museum has an organization for its preservation. Thus, a percentage of the sales of this design goes for the conservation program of the golden frog. Do you have a muse? And if you have one, who is she? The Muses are the pillars of the brand. They are an endemic animal of Panama, endemic flora and the country’s folklore. The designs are developed by a guest artist. We started in Panama and I want to continue with the same process in other countries.

Have you chosen the countries for your next collections? We have three countries in mind and we are making contact with local artists for collaboration: Mexico, Colombia and the United States...

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If you have to choose for a rainy day, what would it be: an umbrella or rain boots? I think I would shoot my foot if I don’t say boots! (chortles). It is difficult, I think it’s very important to wear boots. If I don’t have boots I would wear a raincoat because I also love it. In fact, it is what I wear instead of using umbrellas. I’m always in my raincoat. Many people say: “In Panama there are many rainy months so you must have a lot of competition” and say: No, actually there is no one selling rain boots. Maybe now that I do it, more will arise, but our concept is unique and original. What is your favorite pair from the collection? It is extremely difficult. It is so difficult that I can not pick one. My brother told me to show one design in one foot and another in the other one. But I think I will choose the “tembleque” design because of that collaboration with the artist was very good and it was the first and best-selling model launched in 2015. The first creation, the bestselling and an impressive contribution from the designer. What are your goals for the new year? Well, my personal purposes? (chortles) I guess my brand, right? I do not think people want to know if I want to make pottery or something like that (chortles). Our aim for this year is to make the new collection with the artist of my dreams, he is from Panama. That would be the best achievement for this year. To launch two more typical designs and to introduce ourselves internationally. We have been selling via e-commerce, but we want to start exporting in a more organized way. Do you sell only in Panama or anywhere? We have products in stores in Panama and in our website. International sales can be made in our website and e-commerce. There is only one rainy season in Panama, do you conceive La Collection for the whole year? Yes, absolutely! In fact, we just released a new flyer and I think it explains that very well. It is in Panama for all seasons.

Lupe Castro MsCastroRides.com Twitter: MsCastroRides Facebook: MsCastroRides

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LONDON COLLECTION MEN 10 | MADE NOW / WHITE


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Photography: Muffdal Abbas

Tinie Tempah


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Tuck Muntarbhorn - styleconsulting.co.uk


Photography: Muffdal Abbas David Gandy

STREET STYLING

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Photography: Muffdal Abbas

Michiko Koschino


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Otto Linger, stylist

Photography: Nyla Simmons

Joe Ottoway, male stylist


That

Woman

Ilustraci贸n: Nat de la Croix

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That

Woman

Julia walks aimlessly, feeling dazed, she can not believe Orlando’s words yet. In her head countless memories are crowding, among them, the deepest one, her mother ... “Mom if you were alive it would be different. I would not be afraid. I would feel happy and protected nevertheless. You passed too soon and I’ve been very alone. My grandparents died shortly after you, and dad got married again. I only have two friends, Marta and Susana. They are my only family. I fear I won’t be able to raise my son by myself. What I do know is that from now on I’ll always be accompanied.” Tired of walking, Julia sits on a bench in a square. Suddenly, an elderly lady catches her attention; She walks with a cane and She has demeanor despite her age. Her wonderful white hair makes Julia go back again to her childhood for a moment ... “What a beautiful hair, so white and brilliant. It reminds me of the snow at my birthplace, the white snowballs and the Christmas tree my mother always put in the living room, the tablecloths on where we ate, the white sheets she embroidered by hand. My mother loved that color. It is part of my life. “ Excuse me young lady, do you mind if I sit down? No, please sit - Julia responds. You know –the old lady says. I come here every Friday. My daughter brings me. I always sit on this bench. Maybe I’m bothering you, you do not know me and I am too old; young people are not interested in old people’s conversations.

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That

Woman

Julia is surprised. She answers no, it does not bother me, on the contrary, it makes me feel good. Julia was not lying, that woman transmits her peace. The old woman continues speaking - you know, here’s my life, I lived in this building. In this square my only daughter and my only grandchild have played many times. Now I am 92 years-old and at my age I only have memories. I’ve lived alone until 2 years ago. I broke my hip, I live now with my daughter. She is kind to bring me here every Friday. She knows I need to feed on those memories. That’s all I have left and all I will take with me when I pass away. The old lady talked incessantly. There was a moment when watching Julia she noticed the sadness in her face. Excuse me but you look very sad, are you all right? I dare guess that it might be problems with your partner, am I right? Julia looks down and replies- yes, you are right. The old woman says, look, life has taught me that there are three kinds of love: Love with passion, love with admiration and love with pain. The first one ends with time, the second one lasts in time and the third one is not worthy. What’s yours? - Julia replies- the third one- with tears in her eyes. ‘That’s not worth a tear’ – says the old lady. In that moment, a voice says, ‘come on mum’. Excuse me darling, if you want we can talk another day, now I have to go with my daughter. What is your name? Julia replies – ‘My name is Julia, and yours?

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That

Woman

The lady says ‘My name is Emilia. Nice to meet you Julia. I am here every Friday. I am aware that I am at the end of my life path, if you want to come another day we can talk for a while. Julia nods and says, ‘I will come. Nice to meet you Emilia.’ Julia had a very busy morning. She needs to eat something, rest and go to meet her friends as every Friday. Marta is a beautiful brunette woman. Mother of a 6-year-old child, Kamel, born from a relationship with a Muslim who ran away when he knew she was pregnant. She lives with her son and she works at a company that makes boat tours, Ceuta-Algeciras, Algeciras-Ceuta. Susana is not particularly beautiful, but she has charm. She works as a receptionist in a hotel. She lives with her lifelong boyfriend. Julia rested a bit, but she could not stop thinking about THAT WOMAN (Emilia). She makes up to look better. She meets her friends. She has much to tell and she needs to vent. And the three friends are together (always three). They greet and laugh. It is their day and they are willing to maximise their enjoyment. Today they decided to go to Castillejos (Morocco) to spend the afternoon. In Castillejos, Marta and Susana walk forward, Julia is looking her mobile. They go up to a nice cafe where they can see the sea through a huge glass. Marta and Susana get paralyzed when entering the cafe. They look scared; It cannot be! - Marta exclaims. Orlando is in a very loving attitude with another woman. They try Julia not to come in but it is too late. Julia is already going through the door ... • Y.C.

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T

o begin with the decor section, I write about one of the most beautiful neutral that exists. White is a color that enhances natural light. It makes places look more spacious and warm and it brings a sense of peace, purity and cleaning. It is said that white is associated with perfection, with balance. Because it includes all colour frequencies, it stimulates the brain into lucidity.

is quite important and that is another motivation to a creative room at home in this important color. But do we all think the same? Well, not really. The monochrome and colour expert Kwallek states that “white is not quite the best choice when painting our creative or work space because white does not help us to be productive.� He suggests that blue or light blue tones would be a better option.

It is perfect for small or dark spaces, because it gives a sensation of amplitude. This is rewarding when trying to create something new because it makes us see things in all their greatness. Colors can cause a variety of emotions that affect mood and personality, but in a digital sense white is the absence of colour. However, what would be of paint colors mixtures without white? This question leads us to see that as a pigment, white

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Then, since there are pros and cons, is it white the best colour for a studio or creative space?

Images by tumblr

Personally I think that depends on the feeling it transmits to us. Also, on the way we decorate our space and on how personal we do it. White will always be an option because it’s fun when combined. The trick is whether using it is going to give more or less creative life. •F.S

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Virginal

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Taking advantage of the topic featured in this issue of MADE, I will write about a subject that reflects purity in an abstract sense, since white is the colour of purity par excellence.

Virginity has been associated since ancient times to religious and / or cultural issues. This has made it a taboo for society, something which is absurdly treasured, above all the female virginity. It is not a matter of not having sexual relations but it is hypocritically associated to sexual penetration. And how about male virginity? Why is it treasured a simple internal physical change? Does this mean that men and women who haven’t had sexual intercourse are virgins? Then, even if oral sex is practised, virginity still remains? This is why I previously used the word hypocrite. But one is “pure and virginal” only if there is no sexual penetration? I think from that point of view, it is a little questionable virginity as something that reflects purity. And let’s not talk about being a virgin before getting married as a “tradition.” As for sexuality, virginity or its loss is not entirely pleasant, because at this point it is known that the penetration of the penis into the vagina does not cause all the pleasure that has been told, and it’s more a reproduction mechanism. It’s true, sexuality is much more than that, because it consists of learning, discovering, sensing all over your body, with the person of your choice. It does not remain stagnant anymore in malefemale intercourse. “One should learn about his/her own body before learning to give pleasure to another” Virginity as a physical reality, according to sexologist and psychologist

Antoni Bolinches: “It is a concept that depends on having or not sexual relations and that has nothing to do with the integrity of the hymen, as this may break in everyday situations.” In fact, the hymen can be repaired with surgery. Thus, it does not make a woman to be virgin. “The hymen is just a remnant of the membrane separating the lips of the vagina during the embryonic stage. Therefore it has no physiological utility. It breaks during the first sexual relationship, although a tampon or speculum improperly used can also break it. “ On the contrary, men does not change anything physiologically when losing his virginity and, thus, his first sexual encounter has not played a significant role. It more some kind of taboo to try to have control over the female body and to have the “certainty” that her offspring is due to the only man with whom she has had intercourse. It is quite backward and amazing that this may look like something pure or even nice, because it is actually something creepy, specially today with sexual liberation and a more open way of thinking. From my point of view, the loss of virginity should be the moment when the person decides to give and receive pleasure, chosen by himself/ herself. A decision as an individual, not by evidence of love for anyone, not much less by tradition, but by discovery of sexuality as such. One should feel more and think less. •F.S

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‘‘BE HAPPY WITH NOTHING AND YOU’LL BE HAPPY WITH EVERYTHING.’’ -THINK WHITE-


AfortIslas unadas Canarias

This beautiful brand aims to offer its customers the highest possible quality and beauty, combining the best of the islands with fashion, shaping it into its designs.

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fortunadas is created by entrepreneurs Isabel Torres Quevedo, economist and expert in marketing, and Andrea Cabrera Kñallinsky, journalist, who painstakingly make their dream a reality, creating this brand which is committed to exploit the beauty of the islands which are referred to as “a garden located in the Atlantic Ocean, beyond the coast where the sun sets in Africa. This brand is like the icing on the years of working together; the machine is so ingrained that it is already flowing, we both know what to do; we are a team that fits perfectly and that is working”, they explain.

Afortunadas Islas Canarias is much more than bags. It offers high quality products, with wonderful photographs printed in its fabrics. It has contributions from exceptional photographers and it uses environmentally friendly materials. The “made in” label is very important for Afortunadas. Therefore, they are committed to making their products in Spain, especially in the Canary Islands, seducing in this way the whole archipelago, causing it to feel identified and to wear their wonderful prints with pride.

Now they are working on shirts, beach towels and other models of bags. They accept orders from around the world through their website shopafortunadas. com, and they exploit the visit of thousands of tourists who visit us so that “in addition to remember their trip, they can take a picture and show it off ”. And to show it off in the best possible way, since it is a premium product with lots of colour and beauty, and with an elegant touch that can be worn everywhere and look impeccable.

Pouch Montañas de fuego de Lanzarote

Messenger bag Vides en La Geria de Lanzarote

Tote modelo Teide

Photographies: Afortunads Islas Canarias

Afortunadas Islas Canarias are the very definition of chic casual also committed to a philosophy that respects the environment and encourages a good care of our beautiful land, especially that of the fortunate Canary Islands. • F.S.

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THINK


Produced in the same ateliers which make the creations of brands such as Prada or Loewe, Spanish brand LAUTEM has achieved -in record timea position as one of the new names in fashion that deserve to be taken into account

In almost three years, the label “made in Spain” of this creations, fruit of architect Elena García Silva and partner Roberto Vercellotti, expert in international relations and marketing, has captivated celebrities and stylist from all over the world -as Beyoncé’s sister, Solange Knowles, who was caught wearing of the brand’s designs during last Paris fashion week.

Architecture and fashion has been always together. How is LAUTEM cretaed?

get a touch that differentiates us as a brand and that, when people see one of our designs, they are surprised.

It springs as an evolution of our professional lives, we wanted to begin our own project. LAUTEM is created... Well, from the love for details, love for good design and a well-done work.

And concerning the design process, how important is the selection of materials for a brand such as LAUTEM?

Following these words, what does characterize the brand? A continuous search for excellence, both in desing and production. We wish our clients to feel absolutely satisfied with the product they are going to hold in their hands.

We try to look for top quality materials, always national, but as important as these materials are the hands that transform them into our designs. We work and produce with the best artisans in Ubrique. Characterized as “jewel-bags”, are we talking about pieces with would only adjust to just one single style of dressing?

So, what is your philosophy when creatin a new design? We begin always from the idea that everything can be rethought from zero. I ask myself how I can create something different, but functional, novel, but recognizable. We try to

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We have been able to prove that our design are worn by several kinds of people with really different styles in dressing; more serious or more informal, even men, women... Each of them can make our design their own, and interpret them according to their likes and personality.


Black and white, your last collection. 多Why these colors? We have incorporated this colors to our designs because the fit perfectly with them: simply architectural, and they describe really good the phylosophy of the collection, inspired by the Bauhaus.

International fashion shows, celebrities wearing LAUTEM... What is going to be the next step for the brand? Well... We would like to keep incorporating new collections, to still be able to surprise our clients, and the most important: get every kind of people to like us.

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Corta Cabeza We interview CORTA CABEZA, Luciano Cañete’s company in which the essence of hairdressing is redefined, and customers can feel like “real divas”. The company was born from Luciano Cañete’s idea of opening a business model in which workers were involved to the extent that each new room is open for each of them, thus motivating them and focusing on people who aim to grow. The philosophy within CORTA CABEZA is that all people working for the firm have their own identity. In this way, it is not the workers the ones having the identity of the firm, but the opposite. Only then is it possible to achieve the largest of the audiences, and the most diversity in the style and personality of each worker. “CORTA CABEZA headquarters, which identify perfectly with its creator.”

“We bet on the British hairdressing model for its style and the importance it gives to the hairdresser.”

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“Love for hairdressing”; how did it become your vocation? Some begin to study hairdressing because they like it already at a young age; others because one day they get into this job by chance and discover what they want to do the rest of their lives, and others choose it as a solution to an uncertain future. The latter ones almost always quit. It is such a beautiful, hard and full of satisfactions job... You realize it is your thing when you no longer have other hobbies, when you spend ten, twelve or fourteen hours a day!, when you meet someone and all you want is to cut his hair or when you go out with your workmates beacuse they become your family. You are tired, but the conversation is always the same: hairdressing and hairdressing. Which is your strongest characteristic, that one which makes a difference?

What hairstyle do you represent to perfection? Hum… I would say a slightly textured wavy, very broken and very high natural hairstyle, like a rock star! “Chromatid”, “Pastel”, “Killer Women”… These are some of your creative collections. Which one was the hardest? How did these ideas come from? The trickiest collection —but certainly the most impressive— was “Airless”, our latest one, where all accessories are made of hair. It was not easy to obtain the shapes we wanted. It was the result of many nights of working and burning our brains in order to get the desired effects... But, definitely, if one collection speaks of us louder, as it involved the whole team, this one is “Chic & Shock”.

I would say that there are several: patience, generosity and the magical quality of making people look nice, which in my opinion is the most important one! When you make a person look good, it is like doing everything possible to change his mood, his look, the way he walks... You even manage to improve his relationship with others. It sounds a bit bizarre, but believe me, it is so.

On this pages, different images from the “Chromatid” and “Airless” collections.

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the

You are opening a new lounge, which always means good news. At which point of the project are you?

For us, our customers are the most important thing, because without them we would not exist, even if we were the best hairdressers in the world! Hairdressing is not only about the look. From the very first moment they walk through the door, they have to feel important. We need to convey the message that this is going to be their time, and that they are about to live a different experience, because that is what they are going to communicate to others when they leave the salon. This different experience starts from head washing, cutting, drying, and treatment, until they go out. It musts always be excellent, for there are people who are saving for months in order to go to the hairdresser, and that effort must always have the best reward —I hate that kind of “modern hairdressers” that have much pull and they consider themselves real divas; the only divas for a hairdresser must be the customers!

We are in a very good period, sort of saying. In six years we have opened three studios and we have moved one of them to a larger one. With the present economic situation, it is an honor to say that we have just opened a school for hairdressers’ development and trends, and we plan to open two more salons in 2016, but everything is still in the air. Furthermore, we would also like to move from Madrid, always with people who work with us —of course. There is no doubt that teamwork is the master key of CORTA CABEZA.

CABEZA

enhance

Images: courtesy of CORTA CABEZA.

How does CORTA customer’s look?

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E R

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Inspíreme arises from a wonderful team formed by Darius Cozma (event manager who is also in charge of all the communication area) and Paula Gonzalez (coordinator of the creative part and of the Inspíreme branding). Along with Ángel López (coordinator of the organization) and Sonia Santana (press director) they create the meeting for Fashion and Communication in Santa Cruz de Tenerife, aiming to motivate, inspire and inform about the technological and creative breakthroughs, to provide recent information on how social networks and Internet move the world, especially the exciting world of fashion. “Our philosophy is that anyone can learn, and the goal is that with all the information we provide them in the meeting, attendees begin to implement their ideas and to create change” The conference will feature impeccable professionals who will present and explain their experiences and learning in different branches of communication. Angela Villarejo, ADDICT BE ICONIC, Andrea Compton and Anton Lofer, Gazz, Nayra Iglesias, are some of the guests who will participate during the two days that the conference will be lasting. Inspíreme aims to inform, teach and translate innovative ideas in the Canary Islands, in order to make Tenerife a clear reference in the islands when talking about communication and to encourage all people who, like them, are passionate about what they do. It’s time for projects like this, which invite to move forward and raise options in a positive and creative way. You can keep abreast of all their projects through their web and social networks where you find all the information you need www.inspiremetf.es •F.S

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Artistic Corner Design: Cathaysa Franquis

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Illustration Claudia Espart


Photography SARA GARCÍA Make up ROMINA ELORRIETA Text LULÚ VENTURA

WHITE is the new

BLACK With the human body as the best canvas, skin represents, since very ancient times, communication, artistic expression at its best, geometric lines and colors, which acquire multiple meanings according to cultures and contexts.

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C

hromacake

These products in compact-paste format are activated with water; they carry a huge pigmentation with dull finish, and its application is very simple. After drying, its color is highly resistant. If we are looking for a different result, we can add diverse colors, getting much more creamy textures that will help creating perfect lines.

A P

aint sticks

quacolors

Little watercolors that remind us of childhood, they are also activated with water, but they are more prone to move on the skin. In order to work better with them, it is useful to use synthetic paint brushes or sponges.

Amazing colors in small compact-pipes, creamy, and with no need of blending before application. They are highly pigmented and really emollient, they do not shine, they have to be applied directly on the skin, and create an amazing effect if we blur the lines with brushes and sponges, getting new shapes that break with the harmony.

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C

hromagraphic pencils

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Absolutely creamy and pigmented, they are ideal in order to use them as eyeliners or to mark designs on the skin, excellent for creating intense and perfectly-defined lines, but it is indispensable to apply them gently.e.


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supracolor

A specific and much pigmented product with a good coverage, its application is very simple, as its texture is exquisitely creamy. It can be applied with Beauty Blender sponges or with standard make-up brushes. Used in various capes, it gets a uniform result with a spectacular coverage

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Model: Jerónimo García (+QMODA). Hairdressing: Moisés Pérez. Graphic technician: R.W. Creative direction: Rubén González and Daniel Albericio.


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WHITE Photography R.W. /Styling ISABEL NÓBREGA & RAÚL RODRÍGUEZ

Next season’s most spoken trend —‘90s inspired minimal fashion— is combined here with exquisitely eccentric pieces in a mixture that plays a ‘mix & match’ game with both genders.

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ON PREVIOUS PAGE: Pale pink faux-fur jacket, from the stylist; pale pink crepe culotte pants, ZARA; and black and white “Superstar” sneakers, ADIDAS ORIGINALS. Bottle green leather armchair, vintage.

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White cotton shortsleeve shirt and black leather culottes, both ZARA; black leather boots with yellow laces, DR. MARTENS; black leather gloves, BENETTON; and white cotton socks, from the stylist. On the table, cream colored faux-fur blanket used as a tablecloth, ZARA HOME; white pottery vase and glasses, both IKEA.

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Black felt coat from the “Concious Collection”, H&M; black wide leg pants, ZARA; white sneakers with platform, Y.R.U; watch with brown leather strap, DANIEL WELLINGTON; white cotton T-shirt and socks, from the stylist.

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Short sleeve shirt in White cotton with transparent stripes, vintage; black felt coat from the “Concious Collection”, H&M; black cotton and leather pants with zips, ZARA; black perforated nylon backpack; BERSHKA; black and white “Superstar” sneakers, ADIDAS ORIGINALS; and watch with blue rubber strap and white socks, from the stylist.

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Turtleneck jumper in black cotton, BENETTON; pleated grey cotton pants, NEW LOOK; black leather boots with yellow laces, DR. MARTENS; faux-fur stole, vintage; and white cotton socks, from the stylist. Bottle green leather armchair and cream colored fleece, both vintage.

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Model: Romén López. Creative director: Rubén González. Artistic director: Daniel Albericio.

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An

drogyn “Markus”, 19-year-old male model, with its so well known androgynous face —which has caused an amazing launch in his career--, deserves its own position as the protagonist of worldwide ad campaign for Fanta, apart from many projects as an actor, and runway shows with brands such as Roberto Verino, Amichi and Félix Ramiro. With various editorials in Dubai, Italy and Monaco waiting to be published, we celebrate with him the most fashionable androgyny.

photography CESAR VLADÉS styling CLAUDIA DOMECQ

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Sweatshirt and flatform sandals, both ISABEL CĂ“FRECES; bermuda shorts, BREA.

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100% masculine, Markus strikes a pose with a total look by ZARA.

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Structured jacket, bermuda shorts and trousers, all BREA; red leather boots, DR. MARTENS.

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Top with elastic bands on one side and capri pants, both ISABEL CĂ“FRECES; shoes with rubber sole, ZARA

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Model: Sofian El Ben “Markus” (WILHELMINA MODELS). Make up and hairstyling: Débora Pérez San Martín. Production: Mohamed El Ben. Communication: Mónica Rodríguez.


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WE CAN

BE HEROES Photography LUIS SUSA Styling CRIS LEON & DAN GARCÍA

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White turtleneck jumper, EASY WEAR.

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Model: Bruno Miranda. Make up: Patricia Santana. Photgraphy assistant: Ulises. Graphic technician: R.W. Special thanks: Studio Las Coloradas.

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www.madenow.es


Illustrationn Nat de la Croix



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