M A D E L E I N E D. H O D G E GRADUATE ARCHITECT M. ARCH & B. ENVS (ARCH) UNIVERSITY OF MELBOURNE
`MADDIE HODGE \ CURRICULUM VITAE \ CONTACT DETAILS Phone: 0403 578 865 Email: madeleine.hodge@hotmail.com Address: 30/495 Royal Parade, Parkville 3052 Issu: http://issuu.com/madeleinehodge
ABOUT MADDIE Fresh out of a Masters of Architecture, I am a passionate and hardworking graduate looking to start my career. Throughout my Masters Studios, I have focussed on different economic, social and environmental aspects of sustainability and desire to make a positive impact to architecture. I am also particularly interested in tectonics and detailing and see many opportunities to develop those skills in architectural practice. I am a very competent public speaker, working as a Masters of Architecture Ambassador this year as well as having competed in debating and singing competitions and groups throughout school and my undergraduate degree. In 2013 I completed an internship at Clarke Hopkins Clarke and I now believe have an understanding of architectural practice and professionalism. I am looking forward to the challenge of learning more within the workplace.
EDUCATION 2014 - 2015 University of Melbourne Masters of Architecture Second Class Honours A
2010 – 2012 University of Melbourne Bachelor of Environments (Architecture) Second Class Honours A Received Interstate Bursary
2009 St. Michael’s Collegiate School, Hobart ATAR score of 96.25 EA (High Distinction) in Housing and Design subject (2008)
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Curriculum Vitae \ \ Madeleine Hodge
LEADERSHIP 2015 Melbourne School of Design Masters of Architecture Graduate Ambassador
2011 – 2012 Trinity College, University of Melbourne Student Co-ordinator
2009 St Michael’s Collegiate Spirituality & Service Prefect
EXPERIENCE 02/2014 - 10/2015
Waitress at Delaware North Companies
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Etihad Stadium (AFL Season) & Australian Open 2015
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Contact: James Martin, Livewire Corporate Area.
06/2013 – 09/2013 Architectural Assistant at Clarke Hopkins Clarke Architects -
Preparation of project marketing documentation
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Preparation of architectural documentation under the supervision of a director/senior staff member.
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Management of the Practice Library and liaising with trade representatives.
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General office duties – filing, copying, kitchen.
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Management of reprographic and printing supplies.
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Can provide a written reference if required.
2012 Mentored by architect William Leaf (through Trinity College) -
Weekly mentoring in construction design (Semester 1) and creative design work (Semester 2)
SKILLS Strong Moderate Basic
Auto Cad, Photoshop, Indesign, Adobe Illustrator Rhinoceros, V Ray Rendering (Rhinoceros Plug in), Physical Model Making Google Sketchup
REFEREES Dr Janet McGaw Senior Lecturer in Architectural Design in the Faculty of Architecture at the University of Melbourne - Thesis Supervisor. - Email : mcgawjk@unimelb.edu.au
Rivkah Stanton Graduate Architect at Six Degrees Architects - Studio Supervisor, Semester 1, 2014. - Email : rivkah.stanton@gmail.com
Curriculum Vitae\ \ Madeleine Hodge
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PROJECTS MASTERS STUDIO : THESIS
UNEARTHED
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MASTERS STUDIO 3
HIGH TRASHION
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MASTERS STUDIO 2
DEFENCING SUBURBIA
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thirty-nine
MASTERS STUDIO 1
CONNECT
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Masters Studio 1 \ \ Connect
UNEARTHED
LOCAVORE RESTAURANT & LABORATORY
Semester 2, 2015 Masters Design Studio 4: Thesis : Locavore Tutor: Dr. Janet Mcgaw Themes: Local, material flows, material eďŹƒciency, material life cycle, ground, spoil, sustainability. Masters Studio: Thesis \ \ Unearthed
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GEOLOGY & QUARRY FORENSIC MAPPING
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Masters Studio : Thesis \ \ Unearthed
SITE PLAN
original scale 1:500
LOCAVORE The studio began with an in-depth analysis of the locavore movement. With a food’s locality as the primary focus, Locavores believe that eating locally has environmental benefits, (minimising transport), social benefits (supporting small businesses/ farms) and produces higher quality ingredients. Through analysing materials in the same manner, earth based materials were the most local material used on a traditional construction site. Through research and analysis, the strongest ecological argument was identified. Rather than focussing on locality or recycling materials, material eďŹƒcient methods were the best solution, particularly with a non-renewable resource like earth based materials. Citing the works of Julian Allwood, Unearthed proposed a local, sustainable restaurant and laboratory using a new construction method. Masters Studio: Thesis \ \ Unearthed
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CONCEPT SKETCHES & PHYSICAL FORM FINDING The form was derived from the structural principles of hanging chain structures. By inverting the system from tension to compression, thin timbrel vault structures made from earth could be constructed. Combined with timber formwork and gridshells, the design was to be materially eďŹƒcient as possible. A series of sketches and physical models became key to developing the final design. The idea of central nodes where the various domed joined became a key programmatic and circulation driver. 10
Masters Studio : Thesis \ \ Unearthed
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Key exploratory model
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Preliminary model 1
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Preliminary model 2
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Final model
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Key sketch concept drawing
Masters Studio: Thesis \ \ Unearthed
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GROUND FLOOR PLAN
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Masters Studio : Thesis \ \ Unearthed
FLOOR PLAN
LEGEND 1 2 3 4 5 6 7
RESTAURANT ENTRY RESTAURANT DINING COUNTER/ BAR AREA OUTDOOR DINING AREA KITCHEN: FREEZER STORE KITCHEN: REFRIGERATED STORE KITCHEN: DRY STORE
8 9 10 11 12 13 14 15 16
KITCHEN: PREPARATION AREA KITCHEN: COOKING AREA KITCHEN SERVING AREA KITCHEN: DISHWASHING AREA TOILETS: DISABLED TOILETS: FEMALE TOILETS: MALE LABORATORY: RESEARCH OFFICE LABORATORY: GERMINATION & PROPAGATION AREA
Masters Studio: Thesis \ \ Unearthed
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EXPLODED ISOMETRIC
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Masters Studio : Thesis \ \ Unearthed
The project proposes to make use of the topography of the site - carving out material (spoil) to be used to make the primary building material. The strategic “carving� into the landscape
SECTION 1
Masters Studio: Thesis \ \ Unearthed
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CONSTRUCTION PROC ESS
PERSPECTIVE SECTION
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Masters Studio : Thesis \ \ Unearthed
CONSTRUCTION MATERIALITY After researching and analysing various earth based materials, compressed Earth Blocks were used for several reasons. With the strength similar to regular bricks, as well as diminished curing time, CEB would allow for excavation and brick production on a small site such as the Royal Society. By adding geopolymers (fly ash with an alkaline liquid), the bricks could be set similar to with cement, but with many ecological benefits including; lower embodied energy, use of waste materials, less manufacturing/ processing and lower transport emissions (cement now sourced from interstate).
Masters Studio: Thesis \ \ Unearthed
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MAIN ENTRY PERSPECTIVE
RESTAURANT DINING PERSPECTIVE
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Masters Studio : Thesis \ \ Unearthed
KITCHEN & RESTAURANT PERSPECTIVE
Masters Studio: Thesis \ \ Unearthed
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CONCRETE NODE DETAIL SCALE 1:10 Legend 1 60mm timber laths (3 layers of 19mm timber) 2 80mm timbrel compressed earth tile roof (4 layers of 19mm tiles in alternating directions) 3 Steel bolts 4 Steel bracket 5 Concrete rebate 6 Drainage gutter 7 Concrete basin with fall to 10 8 In situ concrete footing 9 Steel reinforcement 10 100mm PVC drainage pipe 11 Steel bolts for ETFE structural system 12 Steel cables for ETFE structural system 13 ETFE transparent membrane
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Masters Studio : Thesis \ \ Unearthed
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FOOTING DETAIL SCALE 1:10 Legend 1 2 3 4 5 6 7 8 9 10 11
Grass 100mm clayey silt top soil Drainage layer: crushed bluestone Waterproof membrane 100mm diameter pvc drainage pipe Flashing/ capping 80mm timbrel compressed earth tile roof Steel bracket Steel bolts Concrete rebate Concrete footings with crushed bluestone aggregate
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Steel reinforcement 60mm timber lath (3 layers of 19mm timber) 280mm (L) x 140mm (w) x 90mm (H) com pressed earth bricks 45mm thick timber seat Geopolymer set exposed earth ground
Masters Studio: Thesis \ \ Unearthed
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Masters Studio : Thesis \ \ Unearthed
MADELEINE HODGE
HIGH TRASHION
MODULAR BOUTIQUE SYSTEM
Semester 1, 2015 Masters Design Studio 3: Wearable Spaces Tutors: Stephanie Liddicoat & Isun Kazerami Themes: Retail, shopping, consumption, modularity, rubbish theory, temporality. Masters Studio 3 \ \ High Trashion Boutiques
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TRASHION FASHIONISTA The studio began with a focus on retail spaces, and how we experience and consume the space. The first task was to create a “wearable space” or garment that engaged with this process. Interested in the boho-chic style and perceived value or garments and brands, I created a “trashion” dress from local materials in a bri-colage manner. I walked into the city, to gauge the response of the public, asking what they believed the garment was worth. With much interest, but no fooling the customer, I began to question how we engage with branding in space. 24
Masters Studio 3 \ \ High Trashion Boutiques
D O C U M E N T A T I O N
//
E M P O R I U M
V I S I T
“CAN I PUT MY SUGAR STIRRER IN YOUR DRESS?” “LADY WEARING CRAP!”
“CAN I TAKE A PHOTO OF YOU?”
“MUMMY, WHAT’S SHE WEARING?”
“LOOK, SHE’S WEARING A DRESS OF RECYCLED MATERIALS!”
D O C U M E N T A T I O N
//
E M P O R I U M
V I S I T
“WHAT ARE YOU WEARING?” “YOU CALL THAT A DRESS?”
“SHE MAKES THE RUBBISH LOOK GOOD!”
KID: “WHAT HAPPENED?” FATHER: SHE’S WEARING A DRESS OF RUBBISH.”
Masters Studio 3 \ \ High Trashion Boutiques
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B
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C
A
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C
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D
A
C
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Masters Studio 3 \ \ High Trashion Boutiques
TRASHION MODULES The trashion modules were a design response to the consumerist, fast-paced nature of the fashion industry. I believed that creating an adaptable modular system which could be made out of “wasted� materials or trash would be the best way to target this consumption. Over the course of three weeks, I developed a system of building 2.4m modules using scrap metal angles, which were identified on a tip site visit. A step-by-step booklet was formed to show how it would be put together. Several hacks for the systems were also added allowing to customise the design. Masters Studio 3 \ \ High Trashion Boutiques
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THE SITE - LOY’S PADDOCK
2
1
MINIMALLY INTRUSIVE ON THE SITE, THE TOPOGRAPHY, DAMAGE AND PEDESTRIANS FLOWS ON SITE WERE DIAGRAMMED TO CREATE ADDITIONAL GRAVEL PATHS AND VEGETATION ON SITE.
THE
3
THREE DESIGNED POP-UPS CAN BE SEEN ON
THE SITE PLAN.
SITE PLAN 1:500 (ON 594
X
594MM)
To display the aesthetic and structural possibilities of this module, three different boutiques were created for three very different clients. The projects were to be placed at Loys Paddock in Burnley, an existing parkland. 28
Masters Studio 3 \ \ High Trashion Boutiques
Exposed Skillion Trusses
1
Pop Up Window Seat
Plywood + Panels
Plastic Feature Wall
JAC & JACK [C L O T H I N G ] A clothing store, with an eco-minimalist focus. Jac & Jack has a strong focus on quality and sourcing local materials. The brand aesthetic combines soft materials and wood to create an intimate shopping experience. The pop up strong fuses these elements together to create a small store, with unique details to enhance this experience. With apertures out towards the river, the store connects to nature, using the beauty of the site as the main design driver and orientation. Masters Studio 3 \ \ High Trashion Boutiques
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2 x Pop up Roof System
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Polycarbonate Roof + Panels
1200mm Shop Front System
Plastic Strorage Boxes
BENEFIT [B R O W & M A K E U P B A R] Benefit is a brow bar and make up company originally from San Francisco. The aesthetic is heavily influenced by retro pictures and styling, with a strong focus on projecting your internal and external beauty. The main unique feature of this store is that it is made out of plastic storage containers which can easily be brought onto site and create a variety of ways to display and place the products throughout the store. The design also includes the pop out roof system to allow additional light and height into the space. The store is placed under large trees on the site, to control the solar gain damaging the plastic containers. 30
Masters Studio 3 \ \ High Trashion Boutiques
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6WDQGDUG 5RRĆQJ 6\VWHP
1800mm Opening internally
Shop Front Cladding 1200mm Shop Front System
600mm x 1200mm Cladding System
STEVE MADDEN [S H O E S] Steve Madden is chain store empire. A global sensation, the cheap shoes brand has been massive for more than 15 years. With an industrial aesthetic, this store really displays the recycled materials in the raw state. As a massive chain, the store has a recognisable brand DNA but is designed to be a unique individual store. It was imagined that the store would be used as an outlet for sales. Made from 8 modules, it is the largest example in this suite of designs. The design features included exposed internal structure, and an adjustable shelving system made out of wooden spoons, wooden chopping boards and perforated metal cladding. Masters Studio 3 \ \ High Trashion Boutiques
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JAC & JACK [C L O T H I N G ] FLOOR PLAN
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Masters Studio 3 \ \ High Trashion Boutiques
ELEVATION
SECTION
Masters Studio 3 \ \ High Trashion Boutiques
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BENEFIT [B R O W & M A K E U P B A R] FLOOR PLAN
EXTERNAL PERSPECTIVE
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Masters Studio 3 \ \ High Trashion Boutiques
ELEVATION
SECTION
INTERNAL PERSPECTIVE
Masters Studio 3 \ \ High Trashion Boutiques
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STEVE MADDEN
FLOOR PLAN
[S H O E S]
EXTERNAL PERSPECTIVE
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Masters Studio 3 \ \ High Trashion Boutiques
ELEVATION
SECTION
INTERNAL PERSPECTIVE
Masters Studio 3 \ \ High Trashion Boutiques
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Masters Studio 3 \ \ High Trashion Boutiques
TAIWAN
CHINA VIETNAM
Hong Kong
Hanoi
THE ISLAND : Jolo Island, PHILIPPINES
LAOS R
Vientiane
PHILIPPINES Philippine Sea
THAILAND
Bangkok
Manila
CAMBODIA
Ho Chih Mihn City
Gulf of Thailand
Sulu Sea
BRUNEI
Bandar Seri Begawan
JOLO Celebes Sea
Kuala Lumpur
Kuching
MALAYSIA
Singapore
Jolo Town, Jolo
Patikul Town, Patikul
6.0520° N, 121.0020° E
6.0667° N, 121.1000° E
Major Port Capital City
Major Port Municipality Capital
INDONESIA
Jakarta
Banda Sea
Java Sea
Surabaya
Timor Sea
Indanan Town, Indanan 5.973° N, 120.917° E Municipality Capital
PATIKUL Limawa, Luuk
Siit, Old Panamao
JOLO 2575
5.981° N, 121.215° E
6.003° N, 121.305° E
Minor Port
Minor Port
Patotol, Omar 5.983° N, 121.371° E Minor Port
1282
INDANAN 2661
OLD PANAMAO 1410
TALIPAO
PARANG
PANGLIMA ESTINO
1276
LUUK
OMAR
MAIMBUNG KALINGALAN CALUANG
1998
1286
Subukan, Kalingalan Caluang Minor Port
Parang Town, Parang 5.914° N, 120.906° E Minor Port Municipality Capital
Maimbung Town, Maimbung
Talipao Town, Talipao
5.928° N, 121.029° E
5.910° N, 121.215° E
Minor Port Municipality Capital
Muncipality Capital
DEFENCING SUBURBIA
I N F O R M A L ‘E M B A S S Y’ F O R J O L O
Semester 2, 2014 Masters Design Studio 2: Terra Incognita Tutors: Alex Selenitsch & Mikhail Rodrick Themes: Asylum seekers, cultural identity, social sustainability, Beacon Cove. Masters Studio 2 \ \ Defencing Suburbia
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Jolo Town, Jolo
Patikul Town, Patikul
6.0520° N, 121.0020° E
6.0667° N, 121.1000° E
Major Port Capital City
Major Port Municipality Capital
Kaunayan, Patikul 6°5’7” N, 121°5’1” E Minor Port 2011.07.28 201 11. 1 1. .0
Bato-Bato, Indanan 6.033° N, 120.948° E 2009.07.09 2 0 200 09.0 07 7.0 09
Minor Port
Candea, Indanan
20 2002.07.18 20 0
6.033° N 120.933° E
PATIKUL
2002.01.15 2002.0 .01 .0 01.15 1.15 5
Siit,
5.981
2575
2009.09.29 2 20
Minor Port
Mino
Silangkan, Parang 5.973° N, 120.890° E
INDANAN
Minor Port
2014.07.31 2014.07 4 07 7
2661
2001. 2 1.
OLD OLD 00 06.0 2006.08.01
Indanan Town, Indanan
PANGLIMA ESTINO
9.09 9.0 09 9.2 9.21 21 2009.09.21 2 0 11 0 2001.11.20
5.973° N, 120.917° E Municipality Capital
MAIMBUNG 1998
PARANG
201 20 01 0 12.0 1 0 2012.02.02 20 00 0 07.08 07 8.0 8. .0 2007.08.08 201 11 1 2011.10.30 20 20 00 02.02 02.0 0 02 02 2. 2002.02.24
TALIPAO
2013.07.26
1282
20 006.04 0 .0 04 0 4 4.11 4.1 . 2006.04.11 20 2 010 0 0.09 09 2010.09.04 20 007 0 7 2007.08.09
7.0 .08. .09 0 2007.08.09 .02. .04 04 2008.02.04
2011.00 2 00 2011.00.25
Buhanguin, Talipao 5.900° N, 121.081° E Minor Port
Maimbung Town, Maimbung Parang Town, Parang 5.914° N, 120.906° E Minor Port Municipality Capital
5.928° N, 121.029° E Minor Port Municipality Capital
OLO ISLAND, SULU ARCHIPELAGO
SPATIAL FLOW EXPLOR ATIONS
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Masters Studio 2 \ \ Defencing Suburbia
Talipao Town, Talipao 5.910° N, 121.215° E Muncipality Capital
Patotol, Omar 5.983° N, 121.371° E
Limawa, Luuk 6.003° N, 121.305° E
, Old Panamao
Minor Port
Minor Port
1° N, 121.215° E
or Port
11.20 11.2 11.
D PANAMAO P LUUK
1410
OMAR
1276
THE ISLAND
KALINGALAN CALUANG 1286
Subukan, Kalingalan Caluang Minor Port
The island of Jolo is in the Sulu Archipelago in the Philippines. It is a troubled area, with the Muslim majority differing from the broader Christian majority of the country. A terrorist group called Al Sayyaf taking a stronghold of the island, using it as a hide out. The project imagines that some of the population would flee the country, due to this terrorist inundation, and that some would arrive in Melbourne.
CONTEXT COLLAGE
Masters Studio 2 \ \ Defencing Suburbia
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THE VERNACULAR After mapping the area for violence and political capitals, an in depth study of Jolo traditional housing was completed to understand the social arrangements and response to threats of violence. The main features noted were the close connected arrangements of houses, the pitched and gabled roofs with a second smaller roof allowing for ventilation, and the stilts used so that the houses could sit on the water’s edge. Understanding the cultural and architectural identity of the people of Jolo was vital for creating a suitable design response when inserted into the ‘foreign’ body of Australian suburbia (Beacon Cove). 42
Masters Studio 2 \ \ Defencing Suburbia
RELATIONSHIPS WITH WATER - STILTS
Placing the houses on stilts protect them from the changing conditions of the tides.
HOUSE SPATIAL ARRANGEMENTS Separate Kitchen
Sleeping/ Living Room
Front porch
Connecting Planks
Ladder
Wooden Posts
Masters Studio 2 \ \ Defencing Suburbia
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Masters Studio 2 \ \ Defencing Suburbia
Communal Backyard
Com
munit
y Cen
tre
THE PROPOSAL Throughout the war-torn landscape of Jolo, the close-knit kinships of the islanders is vital for survival. Many of these friendships are made during childhood and adolescence, with children running around underneath the houses and playing together. In coming to Australia, the formalised backyards of Australian suburbia (Beacon Cove) would be foreign to them and the close connecƟons could be lost. The project creates informal and formal spaces of the children of Jolo and Beacon Cove to come together and play in new communal typologies. There were two main parts to this proposal. 1. The communal and informal backyards challenge our percepƟons of privacy and the Australian Dream, whilst also finding addiƟonal space for children within the exisƟng urban fabric. 2. The community centre, repurposes Princes Pier. The Centre serves dual uses, firstly as an arrival point for refugees as well as a place to integrate them with other refugees and the broader populaƟon as they transiƟon into society. Masters Studio 2 \ \ Defencing Suburbia
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PART 1:THE COMM UNAL BACKY ARD Project Proposal Addition of semi-public space
The communal backyard involves Thadding an j t additional layer over the top of Beacon Cove backyards. The project playfully draws parallels between Australian and Jolo vernaculars. fFur main spaces: the verandah, swimming pool, lawn and cubby house similar to the spaces used by children in Jolo. Raised above existing backyards, the design clearly has connections the Jolo vernacular, which also sits on stilts to avoid a potentially inhospitable circumstance below.
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th
dditi
f
Masters Studio 2 \ \ Defencing Suburbia
Verandah
Swimming Pool
Cubby House Lawn
Masters Studio 2 \ \ Defencing Suburbia
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PART 2:THE COMMUNITY CENTRE
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1
Overarching steel structure
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Additional program
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Pier addition
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Additional pylons to assist weathered pylons
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Existing conditions of Princes Pier
Masters Studio 2 \ \ Defencing Suburbia
The Community Centre repurposes Princes Pier, Port Melbourne, which has been a place of arrival and celebration for migrants throughout the 20th century. It provides a safe and secure space for refugees to arrive when they first arrive in Melbourne. Secondly, public versions of the communal backyard create activities and spaces for the broader community to engage with new migrants.
Masters Studio 2 \ \ Defencing Suburbia
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Masters Studio 2 \ \ Defencing Suburbia
CONNECT
RESOURCE CENTRE & RESTAURANT
Semester 1, 2014 Masters Design Studio 1: Crowd-Funding Architecture Tutors: Rivkah Stanton & Kirrily Barnett Themes: Crowd-sourcing, youth homelessness, positive development, social enterprise. Masters Studio 1 \ \ Connect
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THE FACTS Nearly half of all the homeless population in Victoria are under the age of 25; generally caused by financial or emotional instability. Homelessness is a growing issue in Melbourne, despite previous eorts of local and federal governments, homelessness has increased nationally by 5% since the 2006 census. In these tight economic times, the stability of government spending on welfare is very uncertain with the government minimising the amount spent on welfare in the 2014/2015 budget. More than two thirds of the young homeless community will have their benefits cut under the new scheme and many more are likely to fall into homelessness due to these cuts. 52
0-12 16%
75 + 65-74 2% 3%
45-54 11%
12-18 10%
35-44 14%
19-24 17%
25-34 20%
homeless people in victoria, according to age
Masters Studio 1 \ \ Connect
SITE LOCATION
CONNECT Crowd-funding provides an alternative, with the collective funds of the community used to build and sustain unique projects which assist the homeless. Connect is a building which will run as a restaurant and resource centre for homeless youth. With a strong focus on education and assisting youths to find employment. Built on an existing carpark roof top, it has privacy and could use the additional space at night to expand the restaurant. The concept for the project is based on the idea of connection, as it is often through becoming homeless that people lose touch with friends and family. Through creating a friendly and welcoming space, Stephen Hall’s proxemics were used within the design to help the community and homeless youth to come together and share a meal and ideas. Masters Studio 1 \ \ Connect
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SOCIAL ENTERPRISE MODEL The social enterprise model means that all funds collected from the restaurant feeds directly back into supporting the project. This money would also be used to train youth in the kitchen and restaurant, as well as provide classes, mentors and resources within the resource centre. The model is based off other social enterprise endeavours such as StrEAT which educates homeless youth about cooking. Similar to projects such as Lentil As Anything, guests would pay as much as they can/ the meal deserves allowing diversity of customers. Providing ‘cheap’ meals then also serves a purpose for the homeless youth. 54
Masters Studio 1 \ \ Connect
EXPLODED AXONOMETRIC
ROOF STRUCTURE Timber Roof Pieces with Polycarbonate Cladding
FIRST FLOOR STRUCTURE Primary Structure: Beams & Columns Secondary Structure: Timber Stud Walls & Trusses
FIRST FLOOR Tutorial Room Administration/ OďŹƒce Rooftop Herb Garden Structure: Timber Bearers & Floor Joists
GROUND FLOOR STRUCTURE Primary Structure: Beams & Columns Secondary Structure: Timber Stud Walls & Trusses
GROUND FLOOR Kitchen Restaurant Dining Resource Centre Toilets Structure: Timber joists for raised areas
Masters Studio 1 \ \ Connect
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GROUND FLOOR PLAN
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Masters Studio 1 \ \ Connect
FIRST FLOOR PLAN
The floors were designed so that the private/ administration spaces would be on the top floor (more private) and that the more public spaces on the main level. There are several dierent arrangements for the dining and informal spaces (see left), allowing a variety of dierent uses including markets, cooking classes, restaurant dining and spaces for ceremonies or movie nights. Masters Studio 1 \ \ Connect
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PERSPECTIVE SECTION
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Masters Studio 1 \ \ Connect
Masters Studio 1 \ \ Connect
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LEARNING CENTRE PERSPECTIVE
EXTERNAL PERSPECTIVE
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Masters Studio 1 \ \ Connect
ROOF TOP GARDEN PERSPECTIVE
Masters Studio 1 \ \ Connect
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Masters Studio 1 \ \ Connect